Wagenseil, Johann Christoph,335Wagner, Albert,2,15;wife and daughter,2Wagner, Cosima,133,134,153,160;see alsoVon BülowWagner, Friedrich,1Wagner, Johanna,2,65,138Wagner, Richard, abandonment of career contemplated,119;affection of,103;ambition to reach Paris,30;America, asked to visit,104,159;amnesty,118;ancestry,1;appearance of,162;appreciates his own genius,121;approach of death,149,150;artistic aims of,167et seq.;artistic impulse,158,159;art-theories,see separate title;attachment to Cosima von Bülow, beginning of,125;attitude toward public,55,67;autobiographic sketch,52;autobiography, unpublished,153;ballet and,487;Bayreuth, goes to,136;Bayreuth, work at,137et seq.;Biebrich, visit to,120;birth,2;boyhood,3et seq.;boyish tragedies,4;Buddhistic drama, rumours about,153;burial of,152;calumniated,130;character of,29,103,154et seq.;chorus master at Würzburg,15;church music, director of,58;clothes, rich, love of,157;"Communication to My Friends,"seeseparate title;concert tours,118,119,144;conducting, essay on,48;conductor at Dresden,56,59,60;conductor at Königsberg,25,27et seq.;conductor at London,94et seq.,144;conductor at Magdeburg,19;conductor at Riga,31;conducts at Zurich,89;conducts juvenile symphony,151;conducts "Flying Dutchman,"54,97;corner-stone of Festspielhaus laid by,138;Cosima von Bülow, love for,125,130;critics on,69,142;death,152;debts, troubled by,74,85,95,116,120;depression,158;despair, period of,119-121;disappointed by public misunderstanding,53,55,119,121,147,148,160,161;dissatisfied with theatre,32,174,175,179;Dresden, flight from,79;Dresden, work in,59et seq.;drudgery in Paris,46,47et seq.;dual individuality,154et seq.;dyspepsia,92,94,151;early models,16;early musical studies,5et seq.;enemies of,155;erysipelas,92;extravagant habits,157et seq.;faints at rehearsal,149;Fantaisie Castle, lives in,136;Fatherland Union, speech before,75;final illness,151;finding himself,53-56;first compositions,7,8;first compositions published,9et seq.;see also separate titles;friendship with Liszt,74,80;friends of,155;funeral in Venice,152;funeral in Bayreuth,152;Geneva, visits,129;habits of,156;heart trouble,149-151;household,150;improvidence of,83,85,86,157,158;insomnia,94;Italy, visits to,94,110,147;King Ludwig's friendship,122et seq.,128;King Ludwig's friendship, scandals about,114,128;Königsberg period,25,27et seq.;Lachner's prize symphony, objects to conducting,99;Leipsic period,17;"Lohengrin," first heard by Wagner,92,117;London, concerts in,100,101;London, criticism in,102;London, critics offended,100;London, first visit to,34;London, residences in,99;London, second visit to,96et seq.;London Philharmonic Society, conductor of,97et seq.;Lucerne, visits,110,129;luxury, love of,156,157;manners of,156;Marienbad, visit to,64;marriage to Minna Planer,25,27et seq.,83,160;marriage to Cosima von Bülow,132-134,160;meets Meyerbeer,36;mother of,2;Munich, goes to,123;Munich, leaves,129;Munich, opposition in,128;myth in dramas,72;see alsoseparate title;Nibelungen Lied taken up as a subject,73;see also separate titles: "Nibelungen Lied," "Siegfried's Death," and "Der Ring des Nibelungen";opposition to,63,67,68,94,100,102,112,114;Palace, Vendramin,150;Palestrina, admirer of,58;Paris, first sojourn in,36,37,38et seq.;Paris, revisited,82,103;Paris, second sojourn in,112;Paris, concerts in,112;Paris, leaves for Germany,48;Paris, leaves for Vienna,116;Paris, residences in,39,46,112;"Parsifal," work during rehearsals of,149;Penzing, visit to,120;Peps, his dog,92,103;performances unsatisfactory to,161;poverty,95;Prague, visit to,14;prose writings, beginning of,67;see also separate titles;purpose of his life,167;Queen Victoria and,102;Religious mysticism,148;Revolution of 1848,71,73et seq.;Riga engagement,31;Riga engagement, its end,33;rudeness of,155;school days,4;Schopenhauer's influence on,108;search for by King Ludwig's messengers,123;Seelisberg, visit to,103;sense of humour,99,100;sensuous enjoyment,19;separation from first wife,119;silk garments, fond of,157;songs,42;see also separate titles;Starnberg, Lake, villa on,123;starving his wife, charged with,130;suicidal thoughts,158;symphony in C,11,12;symphony in C performed in Venice,151;"Tannhäuser," effect of its failure on Wagner's life,67;Teplitz, visit to,19,50;Triebschen, settles at,129;Vendramin Palace, goes to,150;Vendramin Palace, household in,150;Vendramin Palace, life in,150;Venice, first visit,110;Venice, last days in,150et seq.;Vevay, visits,129;Vienna, visits,117;Wahnfried, goes to,136;weakness in character,158;Weber's remains removed by,60;Weimar, goes to,80,118;Wesendonck, Mrs., intrigue with,110,111;worship of Weber,5,6;Würzburg period,15et seq.;Zurich, concerts at,106;Zurich, goes to,81;Zurich, return to from London,103Wagner, Rosalie,2,15Wagner, Siegfried,133,153Wagner Societies formed,138;consolidated,153Wagnerites, English,103"Walküre, die";see"Die Walküre"Weber, art-theories of,175Weber, influence on Wagner,175Weber's remains removed by Wagner,60Weinlig, Theodore,9Wesendonck, letter to,111Wesendonck, Mathilde,107,110,111"Wieland the Smith,"89Wilhelmj,144Wille,94,120,121,123Wittgenstein, Countess,105Wolff, O.L.B.,81Wolfram von Eschenbach, history of,448;"Parzival," story of,457Wolzogen, Hans von,147Würzburg, Konrad von, "Der Schwanen-Ritter,"272
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[1]Quoted from "Wagner and his Works," by Henry T. Finck. 2 vols., New York, 1893.
[1]Quoted from "Wagner and his Works," by Henry T. Finck. 2 vols., New York, 1893.
[2]SeeAppendixA.
[2]SeeAppendixA.