III. ASHORE AT GENOA

05 Gibraltar from the Neutral Ground

All this foreign life must be exterior to the aboriginal Spanish life which has so long outlasted the Moorish, and is not without hope of outlasting the English. I do not know what the occupations and amusements of that life are, but I will suppose them unworthy enough. There must be a certain space of neutral life uniting or dividing the two, which would form a curious inquiry, but would probably not lend itself to literary study. Besides this middle ground there is another neutral territory at Gibraltar which we traversed after luncheon, in order to say that we had been in Spain. That was the country of many more youthful dreamers in my time than, I fancy, it is in this. We used then, much more than now, to read Washington Irving, hisTales of the Alhambra,and his history ofThe Conquest of Granada,and we read Prescott's histories of Spanish kings and adventures in the old world and the new. We readDon Quixote,which very few read now, and we readGil Blas,which fewer still now read; and all these constituted Spain a realm of faery, where every sort of delightful things did or could happen. I for my part had always expected to go to Spain and live among the people I had known in those charming books, yet I had been often in Europe, and had spent whole years there without ever going near Spain. But now, I saw, was my chance, and when the friend who had been lunching with us asked if we would not like to drive across that neutral territory and go into Spain a bit, it seemed as if the dream of my youth had suddenly renewed itself with the purpose of coming immediately true. It was a charmingly characteristic foretaste of Spanish travel that the driver of the state coach which we first engaged should, when we presently came back, have replaced himself by another for no other reason than, perhaps, that he could so provide us with a worse horse. I am not sure of this theory, and I do not insist upon it, but it seems plausible.

As soon as we rounded the rock of Gibraltar and struck across a flatter country than I supposed could be found within fifty miles of Gibraltar, we were swept by a blast which must have come from the Pyrenees, it was so savagely rough and cold. It may be always blowing there as a Spanish protest against the English treatment of the neutral territory; in fact, it does not seem quite the thing to build over that space as the English have done, though the structures are entirely peaceable, and it is not strange that the Spaniards have refused to meet them half-way with a good road over it, or to let them make one the whole way. They stand gravely opposed to any further incursion. Officially in all the Spanish documents the place is styled “Gibraltar, temporarily occupied by Great Britain,” and there is a little town which you see sparkling in the sun no great way off in Spain called San Roque, of which the mayor is also mayor of Gibraltar; he visits his province once a year, and many people living for generations over the Spanish line keep the keys of the houses that they personally or ancestrally own in Gibraltar. The case has its pathos, but as a selfish witness I wish they had let the English make that road through the neutral territory. The present road is so bad that our state coach, in bounding over its inequalities, sometimes almost flung us into the arms of the Spanish beggars always extended toward us. They were probably most of them serious, but some of the younger ones recognized thebouffequality of their calling. One pleasant starveling of ten or twelve entreated us for bread with a cigarette in his mouth, and, being rewarded for his impudence, entered into the spirit of the affair and asked for more, just as if we had given nothing.

A squalid little town grew up out of the flying gravel as we approached, and we left our state coach at the custom-house, which seemed the chief public edifice. There the inspectors did not go through the form of examining our hand-bags, as they would have done at an American frontier; and they did not pierce our carriage cushions with the long javelins with which they are armed for the detection of smuggling among the natives who have been shopping in Gibraltar. As the gates of that town are closed every day at nightfall by a patrol with drum and fife, and everybody is shut either in or out, it may easily happen with shoppers in haste to get through that they bring dutiable goods into Spain; but the official javelins rectify the error.

We left our belongings in our state coach and started for that stroll in Spain which I have measured as two up-town blocks, by what I think a pretty accurate guess; two cross-town blocks I am sure it was not. It was a mean-looking street, unswept and otherwise unkempt, with the usual yellowish or grayish buildings, rather low and rather new, as if prompted by a mistaken modern enterprise. They were both shops and dwellings; I am sure of a neat pharmacy and a fresh-looking cafe restaurant, and one dwelling all faced with bright-green tiles. An alguazil—I am certain he was an alguazil, though he looked like an Italian carabiniere and wore a cocked hat—loitered into a police station; but I remember no one else during our brief stay in that street except thosebouffeboy beggars. Of course, they wished to sell us postal-cards, but they were willing to accept charity on any terms. Otherwise our Spanish tour was, so far as we then knew, absolutely without incident; but when we got too far away to return we found that we had been among brigands as well as beggars, and all the Spanish picaresque fiction seemed to come true in the theft of a black chudda shawl, which had indeed been so often lost in duplicate that it was time it was entirely lost. Whether it was secretly confiscated by the customs, or was accepted as a just tribute by the populace from a poetic admirer, I do not know, but I hope it is now in the keeping of some dark-eyed Spanish girl, who will wear it while murmuring through her lattice to hernovioon the pavement outside. It was rather heavy to be worn as a veil, but I am sure she could manage it after dark, andcouldhold it under her chin, as she leaned forward to the grille, with one little olive hand, so that thenoviowould think it was a black silk mantilla. Or if it was a gift from him, it would be all right, anyway.

Our visit to Spain did not wholly realize my early dreams of that romantic land, and yet it had not been finally destitute of incident. Besides,wehad not gone very far into the country; a third block might have teemed with adventure, but we had to be back on the steamer before three o'clock, and we dared not go beyond the second. Even within this limit a love of reality underlying all my love of romance was satisfied in the impression left by that dusty, empty, silent street. It seemed somehow like the street of a new, dreary, Western American town, so that I afterward could hardly believe that the shops and restaurants had not eked out their height with dashboard fronts. It was not a place that I would have chosen for a summer sojourn; the sense of a fly-blown past must have become a vivid part of future experience, and yet I could imagine that if one were born to it, and were young and hopeful, and had some one to share one's youth and hope, that Spanish street, which was all there was of that Spanish town, might have had its charm. I do not say that even for age there was not a railway station by which one might have got away, though there was no sign of any trains arriving or departing—perhaps because it was not one o'clock in the morning, which is the favorite hour of departure for Spanish trains.

When we turned to drive back over the neutral territory the rock of Gibraltar suddenly bulked up before us, in a sheer ascent that left the familiar Prudential view in utterly inconspicuous unimpressive-ness. Till one has seen it from this point one has not truly seen it. The vast stone shows like a half from which the other half has been sharply cleft and removed, that the sense of its precipitous magnitude may unrelievedly strike the eye; and it seems to have in that moment the whole world to tower up in from the level at its feet. No dictionary, however unabridged, has language adequate to convey the notion of it.

The pride of Americans in their native scenery is brought down almost to the level of the South Shore of Long Island in arriving home from the Mediterranean voyage to Europe. The last thing one sees in Europe is the rock of Gibraltar, but before that there have been the snow-topped Maritime Alps of Italy and the gray-brown, softly rounded, velvety heights of Spain; and one has to think very hard of the Palisades above the point where they have been blasted away for road-making material if one wishes to keep up one's spirits. The last time I came home the Mediterranean way I had a struggle with myself against excusing our sandy landscape, when we came in sight of it, with its summer cottages for the sole altitudes, to some Italian fellow-passengers who were not spellbound by its grandeur. I had to remember the Rocky Mountains, which I had never seen, and all the moral magnificence of our life before I could withhold the words of apology pressing to my lips. I was glad that I succeeded; but now, going back by the same route, I abandoned myself to transports in the beauty of the Mediterranean coast which I hope were not untrue to my country. Perhaps there is no country which can show anything like that beauty, and America is no worse off than the rest of the world; but I am not sure that I have a right to this consolation. Again there were those

“Silent pinnacles of aged snow,”

flushed with the Southern sun; in those sombre slopes of pine; again the olives climbing to their gloom; again the terraced vineyards and the white farmsteads, with villages nestling in the vast clefts of the hills, and all along the sea-level the blond towns and cities which broidei the hem of the land from Marseilles to Genoa. One is willing to brag; one must be a good American; but, honestly, have we anything like that to show the arriving foreigner? For some reason our ship was abating the speed with which she had crossed the Atlantic, and now she was swimming along the Mediterranean coasts so slowly and so closely that it seemed as if we could almost have cast an apple ashore, though probably we could not. We were at least far enough off to mistake Nice for Monte Carlo and then for San Remo, but that was partly because our course was so leisurely, and we thought we must have passed Nice long before we did. It did not matter; all those places were alike beautiful under the palms of their promenades, with their scattered villas and hotels stretching along their upper levels, and the ranks of shops and dwellings solidly forming the streets which left the shipping of their ports to climb to the gardens and farms beyond the villas. Cannes, Mentone, Ventimiglia, Ospedeletti, Bordighera, Taggia, Alassio: was that their fair succession, or did they follow in another order? Once more it did not matter; what is certain is that the golden sun of the soft January afternoon turned to crimson and left the last of them suffused in dim rose before we drifted into Genoa and came to anchor at dusk beside a steamer which had left New York on the same day as ours. By her vast size we could measure our own and have an objective perception of our grandeur. We had crossed in one of the largest ships afloat, but you cannot be both spectacle and spectator; and you must match your magnificence with some rival magnificence before you can have a due sense of it. That was what we now got at Genoa, and we could not help pitying the people on that other ship, who must have suffered shame from our overwhelming magnitude; the fact that she was of nearly the same tonnage as our own ship had nothing to do with the case.

06 Daughters of Climate Along the Riviera

After the creamy and rosy tints of those daughters of climate along the Riviera, it was pleasant to find a many-centuried mother of commerce like Genoa of the dignified gray which she wears to the eye, whether it looks down on her from the heights above her port or up at her from the thickly masted and thickly funnelled waters of the harbor. Most European towns have red tiled roofs, which one gets rather tired of putting into one's word paintings, but the roofs of Genoa are gray tiled, and gray are her serried house walls, and gray her many churches and bell-towers. The sober tone gratifies your eye immensely, and the fact that your eye has noted it and not attributed the conventional coloring of southern Europe to the city is a flattery to your pride which you will not refuse. It is not a setting for opera like Naples; there is something businesslike in it which agrees with your American mood if you are true to America, and recalls you to duty if you are not.

I had not been in Genoa since 1864 except for a few days in 1905, and I saw changes which I will mostly not specify. Already at the earlier date the railway had cut through the beautiful and reverend Doria garden and left the old palace some scanty grounds on the sea-level, where commerce noisily encompassed it with trains and tracks and lines of freight-cars. But there had remained up to my last visit that grot on the gardened hill-slope whence a colossal marble Hercules helplessly overlooked the offence offered by the railroad; and now suddenly here was the lofty wall of some new edifice stretching across in front of the Hercules and wholly shutting him from view; for all I know it may have made him part of its structure.

Let this stand for a type of the change which had passed upon Genoa and has passed or is passing upon all Italy. The trouble is that Italy is full of very living Italians, the quickest-witted people in the world, who are alert to seize every chance for bettering themselves financially as they have bettered themselves politically. For my part, I always wonder they do not still rule the world when I see how intellectually fit they are to do it, how beyond any other race they seem still equipped for their ancient primacy. Possibly it is their ancient primacy which hangs about their necks and loads them down. It is better to have too little past, as we have, than too much, as they have. But if antiquity hampers them, they are tenderer of its vast mass than we are of our little fragments of it; tenderer than any other people, except perhaps the English, have shown themselves; but when the time comes that the past stands distinctly in the way of the future, down goes the past, even in Italy. I am not saying that I do not see why that railroad could not have tunnelled under the Doria garden rather than cut through it; and I am waiting for that new building to justify its behavior toward that poor old Hercules; but in the mean time I hold that Italy is for the Italians who now live in it, and have to get that better living out of it which we others all want our countries to yield us; and that it is not merely a playground for tourists who wish to sentimentalize it, or study it, or sketch it, or make copy of it, as I am doing now.

All the same I will not deny that I enjoyed more than any of the improvements which I noted in Genoa that bit of the old Doria palace-grounds which progress has left it. The gray edifice looks out on the neighboring traffic across the leanness of a lovely old garden, with statues and stone seats, and in the midst a softly soliloquizing fountain, painted green with moss and mould. When you enter the palace, as you do in response to a custodian who soon comes with a key and asks if you would like to see it, you find yourself, one flight up, in a long glazed gallery, fronting on the garden, which is so warm with the sun that you wish to spend the rest of your stay in Genoa there. It is frescoed round with classically imagined portraits of the different Dorias, and above all the portrait of that great hero of the republic. I do not know that this portrait particularly impresses you; if you have been here before you will be reserving yourself for the portrait which the custodian will lead you to see in the ultimate chamber of the rather rude old palace, where it is like a living presence.

It is the picture of a very old man in a flat cap, sitting sunken forward in his deep chair, with his thin, long hands folded one on the other, and looking wearily at you out of his faded eyes, in which dwell the memories of action in every sort and counsel in every kind. Victor in battles by land and sea, statesman and leader and sage, he looks it all in that wonderful effigy, which shuns no effect of his more than ninety years, but confesses his great age as a part of his greatness with a pathetic reality. The white beard, with “each particular hair” defined, falling almost to the pale, lean hands, is an essential part of the presentment, which is full of such scrupulous detail as the eye would unconsciously take note of in confronting the man himself and afterward supply in the remembrance of the whole. As if it were a part of his personality, on a table facing him, covered with maps and papers, sits the mighty admiral's cat, which, with true feline im-passiveness, ignores the spectator and gives its sole regard to the admiral. There are possibly better portraits in the world than this, which was once by Sebastiano del Piombo and is now by Titian; but I remember none which has moved me more.

We tried in vain for a photograph of it, and then after a brief glance at the riches of the Church of the Annunziata, where we were followed around the interior by a sacristan who desired us to note that the pillars were “All inlady, all inlady” with different marbles, and, after a chilly moment in San Lorenzo, which the worshippers and the masons were sharing between them in the prayers and repairs always going on in cathedrals, we drove for luncheon to the hotel where we had sojourned in great comfort three years before. Genoa has rather a bad name for its hotels, but we had found this one charming, perhaps because when we had objected to going five flights up the landlord had led us yet a floor higher, that we might walk into the garden. It is so in much of Genoa, where the precipitous nature of the site makes this vivid contrast between the levels of the front door and the back gate. Many of the streets have been widened since Heine saw the gossiping neighbors touching knees across them, but nothing less than an earthquake could change the temperamental topography of the place. It has its advantages; when there is a ring at the door the housemaid, instead of panting up from the kitchen to answer it, has merely to fall down five pairs of stairs. It cannot be denied, either, that the steep incline gives a charm to the streets which overcome it with sidewalks and driveways and trolley-tracks. Such a street as the Via Garibaldi (there is a Via Garibaldi in every Italian city, town, and village, and ought to be a dozen), compactly built, but giving here and there over the houses' shoulders glimpses of the gardens lurking behind them, is of a dignity full of the energy which a flat thoroughfare never displays or imparts. Without the inspiration lent us by the street, I am sure we should never have got to the top of it with our cab when we went to the Campo Santo; and, as it was, we had to help our horses upward by involuntarily straining forward from our places. But the Campo Santo was richly worth the effort, for to visit that famous cemetery is to enjoy an experience of which it is the unique opportunity.

I wish to celebrate it because it seems to me one of the frankest expressions of national taste and nature, and I do like simplicity—in others. The modern Italians are the most literal of the realists in all the arts, and, as I had striven for reality in my own poor way, I was perhaps the more curious to see its effects in sculpture which I had heard of so much. I will own that they went far beyond my expectation and possibly my wishes; but it is not to be supposed that it is only inferior artists who have abandoned themselves to the excesses of fidelity so abundant in the Campo Santo. There are, of course, enough poor falterings of allegory and tradition in the marble walls and floors of this vast residence of the dead (as it gives you the cheerful impression of being), but the characteristic note of the place is a realism braving it out in every extreme of actuality. Possibly the fact is most striking in that death-bed scene where the family, life-size and unsparingly portraitured, and, as it were, photographed in marble, are gathered in the room of the dying mother. She lies on a bedstead which bears every mark of being one of a standard chamber-set in the early eighteen-seventies, and about her stand her husband and her sons and daughters and their wives and husbands, in the fashions of that day. I recall a brother, in a cutaway coat, and a daughter, in a tie-back, embraced in their grief and turning their faces away from their mother toward the spectator; and doubtless there were others whom to describe in their dress would render as grotesque. It is enough to say that the artist, of a name well known in Italy and of uncommon gift, has been as true to the moment in their costume as to the eternal humanity in their faces. He has done what the sculptor or painter of the great periods of art used to do with their historical and scriptural people—he has put them in the dress of his own time and place; and it is impossible to deny him a convincing logic. No sophistry or convention of drapery in the scene could have conveyed its pathos half so well, or indeed at all. It does make you shudder, I allow; it sets your teeth on edge; but then, if you are a real man or woman, it brings the lump into your throat; the smile fails from your lip; you pay the tribute of genuine pity and awe. I will not pretend that I was so much moved by the meeting in heaven of a son and father: the spirit of the son in a cutaway, with a derby hat in his hand, gazing with rapture into the face of the father's spirit in a long sack-coat holding his marble bowler elegantly away from his side, if I remember rightly. But here the fact wanted the basis of simplicity so strong in the other scene; in the mixture of the real and the ideal the group was romanticistic.

There are innumerable other portrait figures and busts in which the civic and social hour is expressed. The women's hair is dressed in this fashionable way or that; the men's beards are cut in conformity to the fashion or the personal preference in side whiskers or mustache or imperial or goatee; and their bronze or marble faces convey the contemporary character of aristocrat or bourgeois or politician or professional. I do not know just what the reader would expect me to say in defence of the full-length figure of a lady indecolleteand trained evening dress, who enters from the tomb toward the spectator as if she were coming into a drawing-room after dinner. She is very beautiful, but she is no longer very young, and the bare arms, which hang gracefully at her side, respond to an intimation ofembonpointin the figure, with a slightly flabby over-largeness where they lose themselves in the ample shoulders. Whether this figure is the fancy of the sorrowing husband or the caprice of the defunct herself, who wished to be shown to after-time as she hoped she looked in the past, I do not know; but I had the same difficulty with it as I had with that father and son; it was romanticistic. Wholly realistic and rightly actual was that figure of an old woman who is said to have put by all her savings from the grocery business that she might appear properly in the Campo Santo, and who is shown there short and stout and common, in her ill-fitting best dress, but motherly and kind and of an undeniable and touching dignity.

If I am giving the reader the impression that I went to the Campo Santo in my last stop at Genoa, I am deceiving him; I record here the memories of four years ago. I did not revisit the place, but I should like to see it again, if only to revive my recollections of its unique interest. I did really revisit the Pal-lavicini-Durazzo palace, and there revived the pleasure I had known before in its wonderful Van Dycks. Most wonderful was and will always be the “Boy in White,” the little serene princeling, whoever he was, in whom the painter has fixed forever a bewitching mood and moment of childhood. “The Mother with two Children” is very well and self-evidently true to personality and period and position; but, after all, she is nothing beside that “Boy in White,” though she and her children are otherwise so wonderful. Now that I speak of her, however, she rather grows upon my recollection as a woman greater than her great world and proudly weary of it.

07 Typical Monument in the Campo Santo

She was a lady of that very patrician house whose palace, in its cold grandeur and splendor, renews at once all one's faded or fading sense of the commercial past of Italy, when her greatest merchants were her greatest nobles and dwelt in magnificence unparalleled yet since Rome began to be old. Genoa, Venice, Pisa, Florence, what state their business men housed themselves in and environed themselves with! Their palaces by the hundreds were such as only the public edifices of our less simple State capitols could equal in size and not surpass in cost. Theirfolie des grandeursrealized illusions in architecture, in sculpture, and in painting which the assembled and concentrated feats of those arts all the way up and down Fifth Avenue, and in the millionaire blocks eastward could not produce the likeness of. We have the same madness in our brains; we have even a Roman megalomania, but the effect of it in Chicago or Pittsburg or Philadelphia or New York has not yet got beyond a ducal or a princely son-in-law. The splendors of such alliances have still to take substantial form in a single instance worthy to compare with a thousand instances in the commercial republics of Italy. This does not mean that our rich people have not so much money as the Italians of the Renaissance, but that perhaps in theirfolie des grandeursthey are a different kind of madmen; it means also that land and labor are dearer positively and comparatively with us, and that our pork-packing or stock-broking princes prefer to spend on comfort rather than size in their houses, and do not like the cold feet which the merchant princes of Italy must have had from generation to generation. I shall always be sorry I did not wear arctics when I went to the Pallavicini-Durazzo palace, and I strongly urge the reader to do so when he goes.

He will not so much need them out-of-doors in a Genoese January, unless atramontanais blowing, and there was none on our half-day. But in any case we did not walk. We selected the best-looking cab-horse we could find, and he turned out better than his driver, who asked a fabulous price by the hour. We obliged him to show his tariff, when his wickedness was apparent from the printed rates. He explained that the part we were looking at was obsolete, and he showed us another part, which was really for drives outside the city; but we agreed to pay it, and set out hoping for good behavior from him that would make up the difference. Again we were deceived; at the end he demanded a franc beyond even his unnatural fare. I urged that one should be reasonable; but he seemed to think not, and to avoid controversy I paid the extortionate franc. I remembered that just a month before, in New York, I had paid an extortionate dollar in like circumstances.

Nevertheless, that franc above and beyond the stipulated extortion impoverished me, and when we came to take a rowboat back to our steamer I beat the boatman down cruelly, mercilessly. He was a poor, lean little man, with rather a superannuated boat, and he labored harder at the oar than I could bear to see without noting his exertion to him. This was fatal; instantly he owned that I was right, and he confessed, moreover, that he was the father of a family, and that some of his children were then suffering from sickness as well as want. What could one do but make the fare up to the first demand of three francs after having got the price down to one and a half? At the time it seemed to me that I was somehow by this means getting the better of the cabman who had obliged me to pay a franc more than his stipulated extortion, but I do not now hope to make it appear so to the reader.

We heard the joyful noise of Naples as soon as our steamer came to anchor within the moles whose rigid lines perhaps disfigure her famous bay, while they render her harbor so secure. The noise first rose to us, hanging over the guard, and trying to get phrases for the glory of her sea and sky and mountains and monuments, from a boat which seemed to have been keeping abreast of us ever since we had slowed up. It was not a largo boat, but it managed to contain two men with mandolins, a mother of a family with a guitar, and a young girl with an alternate tambourine and umbrella. The last instrument was inverted to catch the coins, such as they were, which the passengers flung down to the minstrels for their repetitions of “Santa Lucia,” “Funicoli-Funicola,” “II Cacciatore,” and other popular Neapolitan airs, such as “John Brown's Body” and “In the Bowery.” To the songs that had a waltz movement the mother of a family performed a restricted dance, at some risk of falling overboard, while she smiled radiantly up at us, as, in fact, they all did, except the young girl, who had to play simultaneously on her tambourine and her inverted umbrella, and seemed careworn. Her anxiety visibly deepened to despair when she missed a shilling, which must have looked as large to her as a full moon as it sank slowly down into the sea.

08 Naples and Her Joyful Noise

But her despair did not last long; nothing lasts long in Naples except the joyful noise, which is incessant and perpetual, and which seems the expression of the universal temperament in both man and beast. Our good-fortune placed us in a hotel fronting the famous Castel dell' Ovo, across a little space of land and water, and we could hear, late and early, the cackling and crowing of the chickens which have replaced the hapless prisoners of other days in that fortress. At times the voices of the hens were lifted in a choral of self-praise, as if they had among them just laid the mighty structure which takes its name from its resemblance to the egg they ordinarily produce. In other lands the peculiar note of the donkey is not thought very melodious, but in Naples before it can fade away it is caught up in the general orchestration and ceases in music. The cabmen at our corner, lying in wait by scores for the strangers whom it is their convention to suppose ignorant of their want of a carriage, quarrelled rhythmically with one another; the mendicants, lying everywhere in wait for charity, murmured a modulated appeal; if you heard shouts or yells afar off they died upon your ear in a strain of melody at the moment when they were lifted highest. I am aware of seeming to burlesque the operatic fact which every one must have noticed in Naples; and I will not say that the neglected or affronted babe, or the trodden dog, is as tuneful as the midnight cat there, but only that they approach it in the prevailing tendency of all the local discords to soften and lose themselves in the general unison. This embraces the clatter of the cabs, which are seldom less than fifty years old, and of a looseness in all their joints responsive to their effect of dusty decrepitude. Their clatter penetrates the volumed tread of the myriad feet in a city where, if you did not see all sorts of people driving, you would say the whole population walked. Above the manifold noises gayly springing to the sky spreads and swims the clangor of the church-bells and holds the terrestrial uproar in immeasurable solution. It would be rash to say that the whole population of Naples is always in the street, for if you look into the shops or cafes, or, I dare say, the houses, you will find them quite full; but the general statement verifies itself almost tiresomely in its agreement with what everybody has always said of Naples. It is so quite what you expect that if you could you would turn away in satiety, especially from the swarming life of the poor, which seems to have no concealments from the public, but frankly works at all the trades and arts that can be carried on out-of-doors; cooks, eats, laughs, cries, sleeps, wakes, makes love, quarrels, scolds, does everything but wash itself—clothes enough it washes for other people's life. There is a reason for this in the fact that in bad weather at Naples it is cold and dark and damp in-doors, and in fine so bright and warm and charming without that there is really no choice. Then there is the expansive temperament, which if it were shut up would probably be much more explosive than it is now. As it is, it vents itself in volleyed detonations and scattered shots which language can give no sense of.

For the true sense of it you must go to Naples, and then you will never lose the sense of it. I had not been there since 1864, but when I woke up the morning after my arrival, and heard the chickens cackling in the Castel dell' Ovo, and the donkeys braying, and the cab-drivers quarrelling, and the cries of the street vendors, and the dogs barking, and the children wailing, and their mothers scolding, and the clatter of wheels and hoops and feet, and all that mighty harmony of the joyful Neapolitan noises, it seemed to me that it was the first morning after my first arrival, and I was still only twenty-seven years old. As soon as possible, when the short but sweet Vincenzo had brought up my breakfast of tea and bread-and-butter and honey (to which my appetite turned from the gross superabundance of the steamer's breakfasts with instant acquiescence), and announced with a smile as liberal as the sunshine that it was a fine day, I went out for those impressions which I had better make over to the reader in their original disorder. Vesuvius, which was silver veiled the day before, was now of a soft, smoky white, and the sea, of a milky blue, swam round the shore and out to every dim island and low cape and cliffy promontory. The street was full of people on foot and in trolleys and cabs and donkey pleasure-carts, and the familiar teasing of cabmen and peddlers and beggars began with my first steps toward what I remembered as the Toledo, but what now called itself, with the moderner Italian patriotism, the Via Roma. The sole poetic novelty of my experience was in my being offered loaves of bread which, when I bought them, would be given to the poor, in honor of what saint's day I did not learn. But it was all charming; even the inattention of the young woman over the book-counter was charming, since it was a condition of her flirtation with the far younger man beside me who wanted something far more interesting from her than any brief sketch of the history of Naples, in either English or Italian or French or, at the worst, German. She was very pretty, though rather powdered, and when the young man went away she was sympathetically regretful to me that there was no such sketch, in place of which she offered me several large histories in more or less volumes. But why should I have wanted a history of Naples when I had Naples itself? It was like wanting a photograph when you have the original. Had I not just come through the splendid Piazza San Ferdinando, with the nobly arcaded church on one hand and the many-statued royal palace on the other, and between them a lake of mellow sunshine, as warm as ours in June?

What I found Naples and the Neapolitans in 1908 I had found them in 1864, and Mr. Gray (as he of the “Elegy” used to be called on his title-pages) found them in 1740. “The streets,” he wrote home to his mother, “are one continued market, and thronged with populace so much that a coach can hardly pass. The common sort are a jolly, lively kind of animals, more industrious than Italians usually are; they work till evening; then they take their lute or guitar (for they all play) and walk about the city or upon the seashore with it, to enjoy the fresco.” There was, in fact, a bold gayety in the aspect of the city, without the refinement which you do not begin to feel till you get into North Italy. When I came upon church after church, with its facade of Spanish baroque, I lamented the want of Gothic delicacy and beauty, but I was consoled abundantly later in the churches antedating the Spanish domination. I had no reason, such as travellers give for hating places, to be dissatisfied with Naples in any way. I had been warned that the customs officers were terrible there, and that I might be kept hours with my baggage. But the inspector, after the politest demand for a declaration of tobacco, ordered only a small valise, the Benjamin of its tribe, opened and then closed untouched; and his courteous forbearance, acknowledged later through the hotel porter, cost me but a dollar. The hotel itself was inexpressibly better in lighting, heating, service, and table than any New York hotel at twice the money—in fact, no money could buy the like with us at any hotel I know of; but this is a theme which I hope to treat more fully hereafter. It is true that the streets of Naples are very long and rather narrow and pretty crooked, and full of a damp cold that no sunlight seems ever to hunt out of them; but then they are seldom ironed down with trolley-tracks; the cabs feel their way among the swarming crowds with warning voices and smacking whips; even the prepotent automobile shows some tenderness for human life and limb, and proceeds still more cautiously than the cabs and carts—in fact, I thought I saw recurrent proofs of that respect for the average man which seems the characteristic note of Italian liberty; and this belief of mine, bred of my first observations in Naples, did not, after twelve weeks in Italy, prove an illusion. If it is not the equality we fancy ourselves having, it is rather more fraternity in effect.

09 Out-door Life in Old Naples

The failure of other researches for that sketch of Neapolitan history left me in the final ignorance which I must share with the reader; but my inquiries brought me prompt knowledge of one of those charming features in which the Italian cities excel, if they are not unique. I remember too vaguely the Galleria, as they call the beautiful glazed arcade of Milan, to be sure that it is finer than the Galleria at Naples, but I am sure this is finer than that at Genoa, with which, however, I know nothing in other cities to compare. The Neapolitan gallery, wider than any avenue of the place, branching in the form of a Greek cross to four principal streets, is lighted by its roof of glass, and a hundred brilliant shops and cafes spread their business and leisure over its marble floor. Nothing could be architecturally more cheerful, and, if it were not too hot in summer, there could be no doubt of its adaptation to our year, for it could be easily closed against the winter by great portals, and at other seasons would give that out-door expansion which in Latin countries hospitably offers the spectacle of pleasant eating and drinking to people who have nothing to eat and drink. These spectators could be kept at a distance with us by porters at the entrances, while they would not be altogether deprived of the gratifying glimpses.

I do not know whether poverty avails itself of its privileges by visiting the Neapolitan gallery; but probably, like poverty elsewhere, it is too much interested by the drama of life in its own quarter ever willingly to leave it. Poverty is very conservative, for reasons more than one; its quarter in Naples is the oldest, and was the most responsive to our recollections of the Naples of 1864. Overhead the houses tower and beetle with their balconies and bulging casements, shutting the sun, except at noon, from the squalor below, where the varied dwellers bargain and battle and ply their different trades, bringing their work from the dusk of cavernous shops to their doorways for the advantage of the prevailing twilight. Carpentry and tailoring and painting and plumbing, locksmithing and copper-smithing go on there, touching elbows with frying and feeding, and the vending of all the strange and hideous forms of flesh, fish, and fowl. If you wish to know how much the tentacle of a small polyp is worth you may chance to see a cent pass for it from the crone who buys to the boy who sells it smoking from the kettle; but the price of cooked cabbage or pumpkin must remain a mystery, along with that of many raw vegetables and the more revolting viscera of the less-recognizable animals.

The poor people worming in and out around your cab are very patient of your progress over the terrible floor of their crooked thoroughfare, perhaps because they reciprocate your curiosity, and perhaps because they are very amiable and not very sensitive. They are not always crowded into these dismal chasms; their quarter expands here and there into market-plates, like the fish-market where the uprising of the fisherman Masaniello against the Spaniards fitly took place; and the Jewish market-place, where the poor young Corra-dino, last of the imperial Hohenstaufen line, was less appropriately beheaded by the Angevines. The open spaces are not less loathsome than the reeking alleys, but if you have the intelligent guide we had you approach them through the triumphal arch by which Charles V. entered Naples, and that is something. Yet we will now talk less of the emperor than of the guide, who appealed more to my sympathy.

He had been six years in America, which he adored, because, he said, he had got work and earned his living there the very day he landed. That was in Boston, where he turned his hand first to one thing and then another, and came away at last through some call home, honoring and loving the Americans as the kindest, the noblest, the friendliest people in the world. I tried, politely, to persuade him that we were not all of us all he thought us, but he would not yield, and at one place he generously claimed a pre-eminence in wickedness for his fellow-Neapolitans. That was when we came to a vast, sorrowful prison, from which an iron cage projected into the street. Around this cage wretched women and children and old men clustered till the prisoners dear to them were let into it from the jail and allowed to speak with them. The scene was as public as all of life and death is in Naples, and the publicity seemed to give it peculiar sadness, which I noted to our guide. He owned its pathos; “but,” he said, “you know we have a terrible class of people here in Naples.” I protested that there were terrible classes of people everywhere, even in America. He would not consent entirely, but in partly convincing each other we became better friends. He had a large black mustache and gentle black eyes, and he spoke very fair English, which, when he wished to be most impressive, he dropped and used a very literary Italian instead. He showed us where he lived, on a hill-top back of our gardened quay, and said that he paid twelve dollars a month for a tenement of five rooms there. Schooling is compulsory in Naples, but he sends his boy willingly, and has him especially study English as the best provision he can make for him—as heir of his own calling of cicerone, perhaps. He has a little farm at Bavello, which he tills when it is past the season for cultivating foreigners in Naples; he expects to spend his old age there; and I thought it not a bad lookout. He was perfectly well-mannered, and at a hotel where we stopped for tea he took his coffee at our table unbidden, like any American fellow-man. He and the landlord had their joke together, the landlord warning me against him in English as “very bad man,” and clapping him affectionately on the shoulder to emphasize the irony. We did not demand too much social information of him; all the more we valued the gratuitous fact that the Neapolitan nobles were now rather poor, because they preferred a life of pleasure to a life of business. I could have told him that the American nobles were increasingly like them in their love of pleasure, but I would not have known how to explain that they were not poor also. He was himself a moderate in politics, but he told us, what seems to be the fact everywhere in Italy, that singly the largest party in Naples is the Socialist party.

He went with me first one day to the beautiful old Church of Santa Chiara, to show me the Angevine tombs there, in which I satisfied a secret, lingering love for the Gothic; and then to the cathedral, where the sacristan showed us everything but the blood of St. Jannarius, perhaps because it was not then in the act of liquefying; but I am thankful to say I saw one of his finger-bones. My guide had made me observe how several of the churches on the way to this were built on the sites and of the remnants of pagan temples, and he summoned the world-old sacristan of St. Januarius to show us evidences of a rival antiquity in the crypt; for it had begun as a temple of Neptune. The sacristan practically lived in those depths and the chill sanctuary above them, and-he was so full of rheumatism that you could almost hear it creak as he walked; yet he was a cheerful sage, and satisfied with the fee which my guide gave him and which he made small, as he explained, that the sacristan might not be discontented with future largesse. I need not say that each church we visited had its tutelary beggar, and that my happy youth came back to me in the blindness of one, or the mutilation of another, or the haggish wrinkles of a third. At Santa Chiara I could not at first make out what it was which caused my heart to rejoice so; but then I found that it was because the church was closed, and we had to go and dig a torpid monk out of his crevice in a cold, many-storied cliff near by, and get him to come and open it, just as I used, with the help of neighbors, to do in the past.

Our day ended at sunset—a sunset of watermelon red—with a visit to the Castel Nuovo, where my guide found himself at home with the garrison, because, as he explained, he had served his term as a soldier. He was the born friend of the custodian of the castle church, which was the most comfortable church for warmth we had visited, and to which we entered by the bronze gates of the triumphal arch raised in honor of the Aragonese victory over the Angevines in 1442, when this New Castle was newer than it is now. The bronze gates record in bas-relief the battles between the French and Spanish powers in their quarrel over the people one or other must make its prey; but whether it was to the greater advantage of the Neapolitans to be battened on by the house of Aragon and then that of Bourbon for the next six hundred years after the Angevines had retired from the banquet is problematical. History is a very baffling study, and one may be well content to know little or nothing about it. I knew so little or had forgotten so much that I scarcely deserved to be taken down into the crypt of this church and shown the skeletons of four conspirators for Anjou whom Aragon had put to death—two laymen and an archbishop by beheading, and a woman by dividing crosswise into thirds. The skeletons lay in their tattered and dusty shrouds, and I suppose were authentic enough; but I had met them, poor things, too late in my life to wish for their further acquaintance. Once I could have exulted to search out their story and make much of it; but now I must leave it to the reader's imagination, along with most other facts of my observation in Naples.

I was at some pains to look up the traces of my lost youth there, and if I could have found more of them no doubt I should have been more interested in these skeletons. For forty-odd years I had remembered the prodigious picturesqueness of certain streets branching from a busy avenue and ascending to uplands above by stately successions of steps. When I demanded these of my guide, he promptly satisfied me, and in a few moments, there in the Chiaja, we stood at the foot of such a public staircase. I had no wish to climb it, but I found it more charming even than I remembered. All the way to the top it was banked on either side with glowing masses of flowers and fruits and the spectacular vegetables of the South, and between these there were series of people, whom I tacitly delegated to make the ascent for me, passing the groups bargaining at the stalls. Nothing could have been better; nothing that I think of is half so well in New York, where the markets are on that dead level which in the social structure those above it abhor; though there are places on the East River where we might easily have inclined markets.


Back to IndexNext