CHAPTER VII.MUTUAL SELF-EXAMINATION.

"What the deuce do you mean by bwavewy on weflection?"

"Some people," interposed Rose, laughing, "havede l'esprit après coup; so Mr. Chamberlayne doubtless means that he has courage when the danger isover. I had you there, Mr. Chamberlayne. That is my return for your uncomplimentary speech to me at dinner."

Violet blushed; Rose's jest seemed to her so cruel that she quite felt for Cecil. He also blushed, knowing the application Violet would make. The rest laughed.

"Without accepting Miss Rose's unpardonable interpretation," said Cecil, "I may acknowledge some truth in it; and as I am thus drawn into a sort of confession, forgive my egotism if I dwell a little longer on the subject. I am of a very nervous, excitable temperament. I shrink from anything sudden, and always tremble at sudden danger. Therefore am I constitutionally a coward. My instinct is never to front danger, but to escape it; but my reason tells me that the surest way of escaping it, in most cases, is to front it; and as soon as the suddenness is over, and I have familiarized my mind with the danger, I have coolness and courage enough to front it, whatever it may be. This is what I call bravery on reflection. My first movement, which is instinctive, is cowardly; my second, which is reflective, is courageous."

"This is so pwofoundly metaphysical that I can't appwehend it at all."

"I think I can," said Violet; "and the distinction seems to me to be just."

Cecil was greatly relieved, and he thanked her with a smile as he said, "I remember, some years ago, being with some ladies in a farm-yard, when a huge mastiff rushed furiously out at us. Before I had time to check my first instinctive movement, I had vaulted over the gate and was beyond his reach; but no sooner was I on the other side than I remembered the ladies were at his mercy. I instantly vaulted back again; but not before the dog was wagging his tail, and allowing them, to pat his head. But imagine what they thought of my gallantry! They never forgave me. I could offer no excuse—there was none plausible enough to offer—and to this day they despise me as a coward."

"Had you given them on the spot," said Violet, gravely, "the explanation you have just given us, they would not have despised you."

"I am greatly obliged to you for the assurance."

He looked his thanks as he said this.

"Still, it must be deuced stwange to find oneself in a pwedicament, and no cowageàpwopos, but only on delibewate weflection."

"It is one of the misfortunes of my temperament."

"It certainly is a misfortune," said Violet.

She became thoughtful. Cecil was radiant.

The entrance of tea changed the conversation, and changed also the positions of the party. Cecil relinquished his place by the side of Blanche, much to her regret, and managed to get near Violet, who was anxious to make up for her previous coldness and contempt. She felt that she had wronged him. She admitted to the full his explanation of the incident which had so changed her feelings, and, with the warmth of a generous nature owning its error, she endeavoured to make him understand that she had wronged him. Two happier hearts did not beat that night.

Could they have read aright their feelings, however, they would have seen something feverish and unhealthy in this warmth. It was not the sympathy of sympathetic souls but a mutual desire to forget, and have forgotten the feelings which had agitated them a little while ago.

Mrs. Meredith Vyner was more taciturn than was her wont. The covert insinuations Marmaduke had thrown out puzzled her extremely; while they were in sufficient keeping with what had gone before, to prevent her supposing he attached no meaning to them.

"Could he really suppose her in love with Cecil?" she asked herself; "and was he serious in thus presenting himself in the character of an Iago?"

Much did she vex her brain, and to little purpose. The truth is, she was attributing to these words a coherence and significance which they had not in Marmaduke's mind. She assumed them to be indications of some deeply-laid scheme; whereas they were the mere spurts of the moment, seized upon by him as they presented themselves, and without any ulterior purpose. He had no plan; but he was deeply enraged against her, and lashed her with the first whip at hand. Had he been as cunning as she was, he would never have betrayed himself in this way; but being a man of vehement passions, and accustomed to give way to his impulses, it was only immense self-command which enabled him to contain himself so much as he did. Julius went home to dream of Rose. Marmaduke to pass a sleepless night thinking of Violet. He had never seen a woman he admired so much. For the first time in his life, he had encountered a gaze that did not bend beneath his own; for the first time he had met with one whose will seemed as indomitable as his own, whose soul was as passionate. It was very different from the effect which Mary Hardcastle had excited: it was not so irritating, but more voluptuous. In one word, the difference was this: Mary excited the lower, Violet the higher qualities of his nature. There was reverence in his feeling for Violet; in his feeling for Mary there had been nothing but a sensual fascination.

Maxwell was restless. He was growing very jealous of Marmaduke—Mrs. Vyner's interest not escaping him. Violet was also sleepless. She thought of Marmaduke, and of the two interchanged glances which told her how they had both read alike the character of her mother; and wondered by what penetration he had discovered it. She thought him also a magnificent—amanlyman; but she thought no more. Cecil occupied her mind.

As I have said, her first impulse was to admit to the full Cecil's explanation, and to revoke her sentence of contempt. As she lay meditating on the whole of the circumstances, and examined his character calmly, she was forced to confess that if he did not deserve the accusation of cowardice, yet by his own showing his first impulse was to secure his own safety, andthento think of others. This looked like weakness and selfishness: two odious vices in her eyes.

The result of her meditations was, that Cecil had regained some portion of her liking, but had lost for ever all hold upon her esteem. Pretty much the same change took place in his mind with regard to her. He admitted that she was high-minded, generous, lovely—but not loveable. There was something in her which awed him, and which he called repulsive.

He went to sleep thinking what a sweet loveable creature Blanche was, and how superior to Violet.

The next day Julius was meditatively fishing in the mill-pool adjoining the village school, and trying to decipher the character of Rose, who alternately fascinated and repulsed him by her vivacity.

I have said that he was utterly destitute of all personal beauty. This is so common an occurrence, that it would scarcely be worth mentioning in any other case: beauty being the quality which, of all others, men can best dispense with. A charm when possessed, its absence is not an evil. In Julius's case, however, it happened to be important, from the importance he attributed to it, and the excessive importance given to it by him thus originated.

His nurse was a very irascible woman, and whenever she was angry, taunted him with being such "an ugly, little fright." As she never called him ugly but when she punished him, he early began to associate something peculiarly disagreeable with ugliness. This would have soon passed away at school, had not the boys early discovered that his ugliness was a sore point with him; accordingly, endless were the jests and sneers which, with the brutal recklessness of boyhood, they flung at him on that score. The climax of all, was on one cold winter morning, when the shivering boy crept up to the fire, and was immediately repulsed by a savage kick from one of the elder boys there warming himself. Crying with the pain, he demanded why he was kicked. Thewhyreally was a simple movement of wanton brutality and love of power, usual enough among boys; but the tyrant chose to say, "Because you're such a beast!"

"No, I'm not," he sobbed.

"Yes, you are, though!"

"You've no business to kick me; I didn't do anything to you."

"I shall kick you as much as I like; you're so d—d ugly!"

It had never occurred to him before to be thrashed for his ugliness; and although he deeply felt the injustice, yet he, from that day, imagined that his appearance was a serious misfortune.

Increasing years, of course, greatly modified this impression, but the effect was never wholly effaced. From the constant dinning in his ears that he was ugly, he had learned to accept it as a fact, about which there could be no dispute, but which no more troubled him than the consciousness that he was not six feet high. He became hardened to the conviction. Sneers or slights affected him no more. He was ugly, and knew it. To tell him of it was to tell him of that to which he had long made up his mind, and about which he had no vestige of vanity.

It is remarkable how conceited plain people are of their persons. You hear the fact mentioned and commented on in society, as if it were surprising; and you catch yourself "wondering" at some illustration of it, as if experience had not furnished you with numberless examples of the same kind. But the explanation seems to me singularly simple. You have only to take the reverse of the medal, and observe that beauty is not half so solicitous of admiration as deformity, and the solution of the question must present itself. Conceit—at least that which shows itself to our ridicule, is an eager solicitation of our admiration. Now, beauty being that which calls forth spontaneous admiration, needs not to be solicitous; and the more unequivocal the beauty, the less coquettish the woman. When, however, a woman's beauty is so equivocal that some deny it, while others admit it, the necessity for confirmation makes her solicitous of every one's praise; and she exhibits coquetry and conceit—due proportion being allowed for the differences in amount of love of approbation inherent in different individuals (a condition which influences the whole of this argument). Carry this further, and arrive at positive plainness, and you have this result: theamour propreof the victim naturally softens the harsh outlines of the face. He sees himself in a more becoming mirror. However, the fact may have been forced upon him, that he is ill-looking, he never knows the extent of his ugliness, and he is aware that people differ immensely in their estimates of him; he has—fatal circumstance! even been admired. Now, admiration is such a balm to the wounded self-love, that he craves for more—he is eager to solicit an extension of it, and hence that desire to attract closer attention to him manifested by audacity of dress, certain that the closer he is observed, the more he must be admired. He feels he is not so ugly as people say; he knows some do not think so; he wants your confirmation of the discerning few. In a thousand different ways he solicits some of your admiration. You see his object, and smile at his conceit.

Now the effect of Julius St. John's education had been to cut out, root and branch, that needless desire to be admired for what he knew was not admirable. He had made up his mind to his ugliness. The benefit was immense. It saved him from the hundred tortures of self-love to which he must otherwise have been exposed—that Tantalus thirst for admiration which cannot be slaked; and it imparted a quiet dignity to his manner, which was not without its charm.

The deplorable circumstance was, that he had also imbibed a notion of the great importance of beauty in the eyes of women, which made him consider himself incapable of being loved. As a boy, maid-servants had refused to be kissed by him, because he was "a fright." As a young man, he had often been conscious that girls said they were engaged when he asked them to dance, because they would not dance with one so ugly. In the novels which he read the heroes were invariably handsome, and great stress was laid upon their beauty; while the villains and scoundrels were as invariably ill-favoured. The conversation of girls ran principally upon handsome men; and their ridicule was inexhaustible upon the unfortunates whom Nature had treated like a stepmother.

One trait will paint the whole man. They were one day talking about ugliness at the Hall, when Rose exclaimed: "After all beauty is butskin deep."

"True," he replied, "but opinion is no deeper."

That one word revealed to her the state of his mind on the subject. And although he often thought of Swift, Wilkes, Mirabeau, and other hideous men celebrated for their successes with women; he more often thought of the bright-eyed, hump-backed, gifted, witty, humble Pope, who so bitterly expiated his presumption in raising his thoughts to the lovely Mary Wortley Montague. If genius could not compensate for want of beauty, how should he, who had no genius, not even shining talents, succeed in making a woman pardon his ugliness?

That Julius was strangely in error you may easily suppose; but this was perhaps the only crotchet of his honest upright mind. A truer, manlier creature never breathed. He was carved from the finest clay of humanity; and, although possessing none of those distinguished talents which separate a few men from their contemporaries, and throw a lustre over perhaps weak and unworthy natures, yet of no one that I have ever known could I more truly say,—

His life was gentle; and the elementsSo mixed in him, that Nature might stand upAnd say to all the world, This was a man!

To know him was to love him; it was more, it was to revere him. There was something ennobling in his intercourse. You felt that all he did and said sprang from the purest truth. He was utterly unaffected, and won your confidence by the simple truthfulness of his whole being. There was perhaps as little of what is supposed to captivate women in his person and manner as in any man I ever knew; but, at the same time, I never knew a man so calculated to make a wife adore him. In a word—he could not flirt, but he could love.

The reader will be at no loss to discover the reason of certain doubts and hesitations on his part respecting Rose, with whom he was greatly charmed, and of whom he was also greatly afraid. The very vivacity which allured, alarmed him. She was so bright, so brilliant, that he was afraid to trust his heart in her keeping, lest she should be as giddy as she was gay; and, above all, lest she should scorn the mediocrity of such a man as he knew himself to be. His first impulse was always to seek her society, to sun himself in her eyes, to let his soul hold unrestrained communion with hers; but, when he came to reflect on the delicious hours he had spent by her side, he trembled lest they should be only luring him into an abyss from which there would be no escape.

Early in life he had suffered bitterly from such a deception. He fell in love with a beautiful and lively cousin of his, who, perhaps from coquetry, perhaps from thoughtlessness, certainly exhibited such signs of returning his affection, that he one day ventured to overcome his timidity, and declared his passion. She only laughed at him; and that very evening he heard her answer her mother's remonstrances on the giddiness of her conduct towards him by saying, "But, dear mama, who could have supposed that he was serious; the idea of a woman marryinghim."

"He is an excellent creature," said the mother.

"Perhaps so, but you must confess he is very ugly."

Julius heard no more; it was a girl of sixteen in all her thoughtlessness who spoke, but those words were never effaced from his memory.

The truth is, Rose was as saucy as youth, beauty, and uncontrollable spirits could make her, and the general impression she made on men was, that of being tooflirtyand giddy for love.

Julius was fishing that day with no sport but in the chase of his own fantastic thoughts; which every philosophic fisherman must admit is part of the great pleasure in throwing out the line. People wonder what amusement can be found in fishing, and Dr. Johnson's definition is thought triumphant; but if they will allow one of the most unskilful anglers that ever handled a rod to answer, I would say, that when you have good sport, it is a pleasant excitement, and when you catch nothing, it is a most dulcet mode of meditating. You sit in the boat or stand on the bank: the river runs gently and equably before you; the float wanders with it; and the current of your thoughts is undisturbed.

No sport did Julius have that day; not a single "run;" but as a compensation he was joined by Rose herself, who had been to visit Mrs. Fletcher, the schoolmistress, to encourage the children.

"How is it," said Rose, "Mr. Ashley is not with you? Does he not indulge in this gentle sport? or is he too tender-hearted? for it is monstrously cruel you know!"

"Marmaduke is not calm enough in his temperament for anything so sedate as fishing; and I doubt whether he would think much of any sporting less exciting than a tiger hunt, or perhaps a boar hunt. What do you think of him?"

"I don't think at all of him. In one evening I am not able to form an opinion of any one; at least," checking herself, "not often. He didn't say anything remarkably brilliant, did he?"

"Brilliant! No."

"The only part of his conversation I remember is what he related of you and your side of bacon. I liked his manner of telling that. It was in a tone of real friendship."

"Yes, Marmaduke has a regard for me. But don't you think him superbly handsome?"

"I don't like handsome men."

This was said with perfect unaffectedness; but he raised his eyes quickly, and gave her just such a look as she remembered him to have given her once before, when they were talking of Leopardi, and it embarrassed her. Indeed, said to an ugly man, this had an equivocal sound: it was either a sarcasm or a declaration.

"You are singular, then," was his quiet reply.

"Why singular, in preferring brains to beauty? Are we women really, do you think, the children we are said to be, and only fit to be amused with dolls? That is not like your usual respect for our sex!"

"Come, come, you do not state the case fairly. The question is not, whether you or your sex prefer beauty to brains, but whether you prefer beauty to ugliness? It is curious to notice how this question is always confused in this way, by mixing up with it an element that does not properly belong to it. People say, 'Oh, a clever plain man before a handsome fool!' and then argue, as if all the plain men were necessarily clever, and all the handsome men imperatively fools."

"Well, I'm sure, handsome men generally are—not, perhaps, fools—but certainly not clever; they think of nothing but their beauty. Their beauty—the frights!"

"I cannot agree with you. Running over the list of great men you will find the proportion greatly in favour of handsome men; which, when you come to reflect how few handsome men there are compared to the thousands of ugly men, is the more striking. The reason I take to be this: these men, from their very intellectual greatness, must have had great beauty of expression, so that with features a little better than ordinary they would rank among the handsome. It may be said, indeed, that very fine organizations include genius and beauty."

"Oh!" she replied, laughing, "if I once get into an argument with you, you'll make out anything. But I won't be browbeaten by logic: 'hang up philosophy!' as Benedict says. I'm as difficult to be reasoned out of my convictions as if I were a logician myself. Idon'tlike handsome men, I have said it; nor shall you reason me into liking them."

"Very well, very well. I certainly have no cause to wish it."

"Except the love of victory in argument, eh?"

"The victory must be on my side; it is gained already. If two men equal in talent and goodness, but greatly unequal in appearance, were placed before you, the handsomer must excite the preference, and that is all our cause of battle amounts to."

"Oh, men, men! how youwillargue!"

At this moment they were joined by Marmaduke, who was all anxiety about the private theatricals; not for themselves, but because he saw in them an excellent excuse for being constantly at the Hall, and in Violet's society.

With his usual impetuosity Marmaduke had already settled that Violet should be his wife. Love at first sight, which may be a fiction with regard to the colder children of the north, is no fiction with regard to such passionate natures as his; and he was in love with Violet, without seeking to disguise it. Indeed, he spoke in such raptures of her to Rose, that she smiled and looked significantly at Julius, who returned her glance, and confirmed her suspicions.

"Eccovi un de' compositor di libri bene meriti di republica, postillatori, glosatori, construttori, additatori, scoliatori, traduttori!..,...

... O bella etimologia, e di mio proprio Marte or oradeprompta! Or dunque quindiprope jam versus movoil gresso, per che voglio notarlamajoribus literisnel miopropriarum elucubrationum libro."—GIORDANO BRUNO.Candelajo.

During this conversation between the lovers, another pair of undeclared lovers were standing on the steps of the terrace, "talking of lovely things that conquer death," and yielding themselves up to the luxury of atête-à-tête, wherein glances were more eloquent than tongues, and hearts fluttered like new-caught birds, at the most seemingly insignificant phrase.

These were Cecil and Blanche. I call them undeclared lovers, because not only were they ignorant of each other's feelings, but ignorant also of their own. Blanche's love had been of gradual growth. The lively, handsome, accomplished Cecil had early made a deep impression on her, though her shy, retiring disposition gave no signs of it; and his attentions on the evening before had been so delightful that she was still under their influence.

That in relinquishing Violet, he should turn to her complete opposite, Blanche, is nothing but what one may have anticipated. Her charms were brought into stronger relief by the contrast; and it has always been remarked that the heart is never so susceptible to a new impression as when it has been in any way robbed of an old affection. Partly, no doubt, because the feelings are best attuned to love when in that state of unsatisfied excitement; for,—

Say that upon the altar of her beautyYou sacrifice your tears, your sighs, your heart,

still, the sacrifice is so sweet, that it is with difficulty we forego it; and if theobjectchange, thefeelingstill remains. Partly, also, because theamour propre, outraged by a defeat, is glad to be flattered by the chance of a new success.

There they stood, enchanting and enchanted, when Meredith Vyner put his head out of the glass door of the drawing-room which opened on to the terrace, and said, "Mr. Chamberlayne, you are not doing anything particular, are you?"

"Not at all, sir."

"Then, if you have nothing better to amuse you, just step with me into my study; I have a new discovery to communicate, which will, I think, delight you."

Nothing better to amuse him! to leave Blanche for some twaddle about Horace! was it not provoking? But he was forced to go, there was no escaping, If anything could have compensated him, it would have been the expression of impatience on Blanche's face, and the look with which she seemed to say, "Don't stay too long."

When they were in the study, Meredith Vyner placed his snuff-box on the table, and, resting his left foot on the fender, began stroking his protuberant calf in a very deliberate manner. This was a certain sign of his being at that moment struggling with some conception, which demanded the greatest clearness and composure, adequately to bring forth. His mind was tottering under the weight of an unusual burden. As the left hand slowly descended the inner part of his leg, from the knee to the ankle, and as slowly ascended again the same distance, Cecil saw that he was arranging in his head something of more consequence than a verbal criticism. "The discovery I am about to impart," he said at last, with a slight pomposity, "is not perfectly elaborated in my mind, since the first gleam of it only came to me last night. It kept me sleepless. I have meditated profoundly on it since, and I am now in a condition to communicate it to you."

In spite of the solemnity of this introduction, Cecil, whose thoughts were on the terrace, found great difficulty in assuming a proper air of attentive interest. Vyner did not remark it, but continued:—

"The discovery is so simple when once mentioned—like all truly great discoveries—that one asks oneself, is it possible that hitherto it should have been overseen? It goes, however, to nothing less than the entire revolution of the Horatian Sapphic. Look here: you must often, I am sure, have been disagreeably affected by the absurdity of

Labitur ripa, Jove non probante,uxorius amnis.

"This sort of caprice is very funny in Canning's

U.-niversity of Güttingen;

but only tolerable in comic verse: in a serious ode it is detestable, and I cannot believe so careful and fastidious a poet (who was no innovator, recollect! none of yourécole romantique!) guilty of it..."

"You propose a new reading?" suggested Cecil, feeling called upon to make some remark.

"New reading! no: that is the paltry trick of a commentator, who endeavours to escape a difficulty by denying its existence. No, no; my edition will have none of these trivialities. Everything I print shall have a solid substance. I intend my editionto last. To the point, however; the difficulty vanishes at once if we suppose, as is most natural to believe, that Horace's Sapphics, were not composed of four lines but of three—the fourth line being really nothing but the Adonic termination to the third—like the tail to an Italian sonnet—or better still, like the lengthening of the concluding line in the Spenserian stanza: which has a magnificent swing and sweep in its amplitude, as if gathering up into its mighty arms the rich redundancy of poetic inspiration. Thus instead of

Iliæ dum se nimium querentiJactat ultorem, vagus et sinistraLabitur ripa, Jove non probante,u-orius amnis.

The verses read thus:—

Iliæ dum se nimium querentiJactat ultorem, vagus et sinistraLabitur ripa, Jove non probante, uxorius amnis.

And so throughout. Does not the sweep of this last line carry a fine harmony with it? Is it not incomparably superior to the mean, niggling, clipping versification as we usually receive it? There cannot be a question about it. And if you come to reflect, you will see how the error has crept in by the copyists being cramped for room, and writing the Adonic addition below, as if it were a new line. But it is no more a new line, than the additional syllables in Spenser are new lines; nevertheless, we often see printers forced to break a line into two. Here is an example," taking up a volume, "which occurs in Tennyson, whom I opened this morning." And he read aloud:—

"They call me cruel-hearted, but I care not what they say,For I'm to be Queen o' the May, mother, I'm to beQueeno' the May."

"There," throwing the book down, "now suppose a few centuries hence all our literature to have perished, except half a dozen poets, some noodle of a commentator will imagine that 'Queen o' the May' is a separate verse, and will write learned twaddle on the versification of the English!"

An ample pinch closed this triumphant peroration; and Vyner holding his head slightly downwards to bring his nose in contact with his finger and thumb, looked up over that finger and thumb at Cecil, who had for some minutes ceased to hear what he was saying, having caught a glimpse of Blanche walking on the lawn with Captain Heath. Cecil disliked the Captain; and now a vague sentiment of jealousy hovered about his mind. No wonder, then, if he paid little heed to his host, and his host's observations on an idle point of philology. Of late he had become horribly bored by these consultations, and had often wished Horace and his amateur editor buried irrecoverably beneath the dust of Herculaneum; but never was his inattention so ill-timed as on that occasion!

"What are you looking at?" inquired Vyner, in a tone which his politeness could not completely subdue.

"Looking at? Nothing," said Cecil embarrassed. "I was reflecting——."

"Oh! on my discovery?"

"Yes. It occurs to me that I have met with it before somewhere."

Cecil said this by way of cutting short the discussion, perfectly aware that Vyner was too much of a commentator to care one straw about an opinion, unless he were the originator.

"Impossible! Im-poss-ible!" ejaculated Vyner, much in the strain that Dominie Sampson may have ejaculated 'prodigious!'

"It's very ingenious," said Cecil, who did not know a word about it, "very; and true."

"Yes, yes, but you think it is not original? Its originality is everything with me."

"Perhaps as some compromise between your theory and the ordinary one, you might say that theorius amnisand the Adonic termination generally is only a termination, not a new verse."

"Compromise!" exclaimed the astonished Vyner, "why that is my theory!"

Cecil was posed. Convicted of such palpable inattention as to have suggested as an improvement the very idea which had just been explained to him, he could but stutter out some incoherent phrases of excuse.

Vyner was doubly hurt. The inattention was one offence, but that was nothing to the careless way in which Cecil had proposed as an indifferent modification the grand discovery he, Vyner, had made, which was to immortalize him. With an air of quiet dignity, which Cecil had never seen before, the offended philologist assuring him he was not ripe yet for such subjects, which could scarcely be a matter of surprise at his age, he bowed him out.

Although you have not answered my letters, Frank, I must write to you once more, if only to gratify thatbesoin d'epanchementwhich all lovers feel. Were I a century or two older, I might carve my Blanche's name on every tree,comme cela se pratiquait autrefois; but being a frock-coated-nineteenth-century prosaic creature, I am condemned to write on unsentimental Bath post, that which should be confided only to the trees.

You will doubtless raise those wondering eyebrows at the sight of the name Blanche. It is not an erratum for Violet, I assure you; I have given up all thoughts of that high-spirited, imperial, but imperious creature. I looked into my heart and found I loved her not. She is evidently hurt at my inconstancy; but, on nearer acquaintance, I found Blanche so infinitely preferable, that I could not help making the comparison. Fortunately I had not gone too far to recede, and the haughty girl will, I dare say, soon be consoled.

I have not given you a description of Blanche. Shakspeare has anticipated it in these lines—

If lusty Love should go in quest of beauty,Where should he find it but in Lady Blanche?

She is very fair, with a skin of dazzling loveliness, long dreamy eyes, always moist with emotion, an exquisite smile, a low soft voice—"an excellent thing in woman"—and a wondrous head of hair, which has that bright golden hue which Italians prize so highly—indeed, Firenzuola says, "che de' capelli il proprio e vero colore è esser biondi."

We have all but declared our passion. It has been declared by our eyes, but as yet I have had no favourable opportunity of doing it in form. That she loves me, I am certain; still more certain that I love her. She is the only woman I ever met who would make me happy, and I feel that she will change me into a quiet, domestic being. High time too, seeing that I have squandered my patrimony. However, what with my four thousand pounds, and the handsome dowry Vyner will assuredly give his daughter, we shall be able to live modestly till I can get diplomatic employment. Once his son-in-law, Vyner will be forced to exert his interest in my behalf.

By the way, it is fortunate I have already captured Blanche's affections, for I have certainly lost all Vyner's favour, at least for the present. He was giving me a tedious account of some twaddling notion he had excogitated about Horace's versification, to which I paid all the less attention, as my eyes were then following Blanche, who was engaged in a deep conversation with Captain Heath. Unfortunately I betrayed my inattention, and he has not forgotten it. He is now distant and almost cold in his manner, and never mentions Horace. I must regain his confidence by some splendid emendation. If not, I must trust to Blanche to purchase my forgiveness.

The house is lightened of Mrs. Broughton and her niece, and young Lufton. I regret the last named; he has been useful to me, in losing seventy pounds to me after winning two ponies at billiards.

Yours ever,CECIL.

"You think me unjust to Mr. Chamberlayne," said Captain Heath one morning to Blanche, as they sat together in the drawing-room discussing the character of her lover, "because you are so young and know so little of the world, that you trust appearances, and cannot pierce beneath them."

"But I cannot be mistaken in supposing him very good hearted, and wonderfully clever."

"He is good tempered, not good hearted; cleverish, but not clever. It is natural that you should mistake the characteristics of good temper for those of a good heart—most people do so."

"And is not a good temper a sign of a good heart?"

"No, my dear Blanche, not in the least; it is very often only the sign of a weak and indolent organization—sometimes of mere cold selfishness. You look indignant. I do not say it is a sign in him of selfishness, I only say it is no sign of goodness."

"But what makes you so illiberal towards him?"

"Illiberal! I am merely and strictly just. I do not like him, because he is weak and insincere."

"Insincere!"

"Yes; he toadies your father by pretending to care about Horace and your father's commentary, which he laughs at behind his back."

"It is your dislike," said Blanche, rising and colouring, "which distorts your usual candid judgment. You do not like him, and you misinterpret everything. I won't have him abused. I like him very much—very much, and I can't sit and hear you talk so of him." She left the room.

Captain Heath did not stir. He had never seen such an exhibition of temper on the part of Blanche before. She was greatly moved, it was evident. And there could be but one cause for her agitation—that cause made the captain thoughtful.

The truth is, he loved Blanche, and now seemed for the first time to see that she loved Cecil. He had vaguely suspected it before. This was a confirmation. His lip quivered as he said, "She is perhaps right. My dislike may be groundless. I will try him."

Cecil shortly afterwards sauntered in.

"Are you for a game at billiards," said the captain.

Cecil stared at such an invitation from one whom he had never seen in the billiard-room since his arrival, but accepted, with some curiosity as to how the "solemn prig" would play.

The dislike was mutual; and mutually did they libel each other.

"By George! you play a first-rate game," said Cecil, amazed at the skill of his antagonist, whom he expected to find an indifferent hand.

"Yes, I play well," quietly answered the captain. "I used to play a great deal when with my regiment. But you are stronger at it than I am."

Cecil thought so, but would not acknowledge it. Nevertheless, the captain won three games in succession, which considerably irritated his antagonist, who began to swear at the chalk, to abuse the table, to change his cues frequently, and to throw the blame of his non-success upon anything and everything except his want of skill.

The captain, who was critically observing him throughout the game to see if his opinion was well or ill founded, smiled scornfully at all these ebullitions. He had judged rightly in assuming that the best moment for observing a man's real character is during a game of chance and skill combined. Then it is that a man unbends, and shows himself as he really is. The self-love is implicated; and, as both vanity and money are at stake, you see a mind acting under the impulsion of two of its most powerful stimulants. Cecil, who was both vain and weak, was betrayed into a hundred little expressions of his character; and, as he was also somewhat less than delicate—without being at all dishonourable—in money matters, he led the captain to think ill of him on that score.

Having made up his mind as to Cecil's real worth, he determined to put him to the trial on a matter in which he was himself directly interested.

"Have you ever played with Violet?" he asked. "She is a wonderful hand. But then she does everything well. (I doubt whether I can make this cannon—yes, there it is.) What a splendid creature she is! Isn't she?"

"Splendid, indeed! They are all three lovely girls, though in such different styles."

"(How stands the game? Seven, love: good.) What a sad thing it is, though, to think such girls should be absolutely without fortune. (Good stroke!)"

Cecil was chalking his cue when this bomb fell at his feet; he suspended that operation, and said,—

"What do you mean by their having no fortune?"

"Why, the estate is entailed, and Vyner, who is already greatly in debt, will neither have saved any money to leave them when he dies, nor be able to give them anything but their trousseaux when they marry."

"The devil!"

"(That's a teasing stroke: one of the worst losing hazards. You must take care.)"

This last remark, though applied to the game, was too applicable to Cecil's own condition for him not to wince. The captain's eye was upon him.

"What a d—d shame!" exclaimed Cecil, "for a man with an entailed estate to make no provision for his children. It's positively monstrous!"

"Horrible, indeed!"

"Why, what is to become of them at his death?"

"They will be penniless," gravely replied the captain, as he sent the red ball whizzing into the pocket.

"I wonder he is not ashamed to look them in the face," said Cecil, duly impressed with the enormity.

"He trusts, I suppose, to their marrying rich men," carelessly added the captain. "(Game! I win everything!)"

Cecil declined to play any longer. He went up into his own room, and locked himself in, there to review his situation, the aspect of which the recent intelligence had wonderfully altered.

Captain Heath shrugged his shoulders, quietly lighted a cigar, and strolled out, well satisfied with the result of his experiment.

Then he met Blanche, who came up to him, holding out her hand, and asking forgiveness.

"I was very naughty," she said, "but you have spoiled me so, that you must not be astonished if I do not behave myself to you as to my best friend. But the truth is, I was angry with you, and now I am angry with myself, Am I forgiven?'

He only pressed her hand, and looked the answer. She put her arm within his, and walked with him to the river, where they got into the boat, and he rowed her gently down. She prattled to him in her prettiest style all the way, for she was quite happy at having "made it up with her darling Captain Heath."

It should be observed that, although he was no more than five and thirty, yet, to the girls, he was always an elderly man, they having known him from childhood. They were extremely fond of him, as he was of them; but they laughed outright at one of their companions, asking Rose if there was anything like flirtation between them.

"Flirtation!" exclaimed Rose. "Why, he is bald!"

The hair, indeed, was somewhat worn away above the forehead; but this was from the friction of his hussar cap, not from age.

"No, no, my dear," continued Rose, "I make no havoc with the highly-respectable-but-eminently-unfitted-for-flirtation race of papas and grandpapas. My Cupid is in no need of atoupet; and if I am to be shot, it shall not be with a gouty arrow. Captain Heath is handsome—or has been—and though his moustachios are as dark and silky as a guardsman's need be, yet he has oneleetledefect—his age makes him respectable!"

In consequence of this notion, they neither thought of falling in love with him themselves, nor of the probability of his falling in love with them. They were, therefore, as unrestrained with him as with a brother or an uncle. Blanche was his especial favourite and constant companion. He knew well that she regarded him as too old to be loved, but trusted that her eyes would be opened to the fact, that there was really no great disparity between them.

"I have been playing billiards with Mr. Chamberlayne this morning," said the captain, as he rested on his oars, and allowed the stream to float them quietly down.

"You have? Then I hope your opinion is changed."

"So far from it, I prophesy that his attentions to you—which have been marked of late—will visibly decrease, until they relapse into mere insignificance. And all because I casually remarked that your father's estate, being entailed, and he being in debt, you and your sisters were portionless."

"And you suppose him capable of—oh! this is too bad. It is ungenerous."

"My dear Blanche, I may be wrong, but I fear I am not; let me not, however, be condemned, till the event condemns me. Watch him!"

"You shall own you have calumniated him; the event shall prove it," she said with great warmth.

A dark shade passed across his brow, and he rowed rapidly on. Not another word passed between them.

Cecil's reflections had not been cheering. Although he felt himself too much in love with Blanche to give her up because she was portionless, he was, at the same time, too well aware of his own slender resources to think of marrying upon them. Bred to luxurious habits, he was not one by whom poverty could be lightly treated.

The more he reflected, the more urgent it appeared to him that he should conquer his passion, and save himself from perdition. Could Captain Heath have read what was passing in his rival's mind, he would have smiled grimly at this verification of his suspicions, and rejoiced in the success of an experiment which removed that rival from his path.

As Cecil descended into the drawing-room that day before dinner, he was struck painfully by the sight of Violet on the sofa in exactly the same attitude—caressing Shot—as she had appeared to him on that afternoon when he had relinquished all idea of her. The coincidence affected him.

"There is a fate against my marrying into this family," he said to himself: "first one, and then the other."

Blanche was standing at the window, looking out. She turned her head towards him as he entered, and felt a little mortified to see him throw himself into a chair by the side of Rose, with whom he began a lively chat.

Captain Heath, who had watched this manœuvre, now looked at Blanche; but she, conscious of his gaze, avoided it, and again resumed her contemplation of the undulating lawn and woody distance.

Dinner was announced. Meredith Vyner, as usual, took Mrs. Langley Turner; Sir Harry Johnstone, Mrs. Vyner; and Tom Wincot, Violet. Cecil, to Rose's surprise, offered her his arm, which was natural enough, inasmuch as he had been talking to her up to that time; but still, as for many days he had invariably managed to take Blanche, she could not help remarking the circumstance.

Captain Heath walked up to Blanche, who remained at the window; her heart throbbing violently, her mind distracted with contradictory thoughts.

"Blanche," he said, tenderly, "we are the last."

"I shall not dine to-day," she said, angrily, hurt at the pity of his tone.

"My dear Blanche, do not betray yourself; do not give him reason to suppose his neglect can affect you."

She sighed, put her arm within his, and walked silently with him into the dining-room.

She sat opposite Cecil, who seemed more talkative than usual. No one remarked her silence—she seldom spoke at dinner, except to her neighbour. No one asked her if she were ill, though she sent away her plate each time untouched. Cecil and Captain Heath observed it; both with pain.

Keen were the pangs she suffered at this fulfilment of the captain's cruel prophecy, and bitterly did she at that moment hate him for having undeceived her. That Cecil avoided her was but too evident. That his neglect could have but the one motive Captain Heath had ascribed was never doubted; but she threw all the blame on the captain's officiousness in speaking about their want of fortune, and in fact, with all the unreasonableness of suffering, hated him as the proximate cause of her pain.

Captain Heath applauded his own sagacity as a reader of character, and rejoiced as a lover in the success of his calculation. But he rejoiced too soon. Like most men he had erred in his calculation, because he dealt with human nature as if it were simple, instead of being, as it really is, strangely complex; and as if one motive was not counteracted by another. This is the grand source of the errors committed by cunning people: they are said to be "too cunning" when they overreach themselves by what seems an artful and logically-reasoned calculation; but the truth is, they have not been cunning enough. They have planned their plans as if the mind of man were to be treated like a mathematical problem, not as a bundle of motives, of prejudices, and of passions. The plan may look admirable on paper; but then it is constructed on the assumption that the victim must needs be impelled by certain motives; whereas, when it comes into execution, we find that some other motives are brought into play, the existence of which was not allowed for in the calculation; and these entirely subvert the plan.

Captain Heath's plan erred in precisely this way. Judging Cecil's character in the main aright, he justly argued that such a man would shun poverty as a pestilence, because he was weak, and money is power; and that he would shrink from affronting the world with no other aid than his own right hand. He therefore concluded that an intimation of Vyner's affairs would be an effectual method of putting an end to Cecil's attentions.

Now this argument would have no flaw in it, if we assume that a man is led solely by prudential considerations: it would be perfect, were men swayed solely by their reason.

Cecil's views were precisely such as Captain Heath had suspected. But then Cecil had emotions, passions, senses—and these the captain had left out of the calculation. Yet these, which are the stronger powers in every breast, were to overthrow the captain's plan.

Cecil in his own room, surveying his situation, was a very different man from Cecil in the presence of his beloved, pained at the aspect of her pain, and conscience-stricken as he gazed upon her lovely, sorrowing face. His heart smote him for his selfishness, and he was asking himself whether he could give her up—whether poverty with her were not preferable to splendour with another, when he thought he saw something in the captain's look which betokened scornful triumph.

"Can he have deceived me? Does he wish to get me out of the way?" he said to himself. "Egad! I think so. The game at billiards this morning—that was mysterious. What could induce him to propose such a thing to me—he who never took the slightest notice of me before? He had some motive. And then his story about Vyner's affairs—fudge! I won't believe it, until I have it on better authority."

The ladies rose from the table.

"I sha'n't sit long over the wine," Cecil whispered to Blanche, as she passed him.

A sudden gleam irradiated her sweet face, as she raised it towards him with a smile of exquisite joy and gratitude. That one word had rolled the heavy stone which was lying on her heart, and gave the lie to all the "base insinuations of that odious Captain Heath."

'Twas thus she spoke of one she really loved, and who loved her more than anything on earth!

The men drew their chairs closer together, and commenced that onslaught on the dessert which is characteristic of such moments.

"Have you never remarked," said Cecil, "that men refuse to touch fruit until the women retire, and then attack it as if their appetites had been sharpened by restraint?"

"It is, I pwesume, upon the pwinciple of compensation," said Tom Wincot. "Depwived of the fwuit of humanity, the gwapes, apwicots, and nectawines of life, we are thwown upon the fwuit of nature! I say, Cecil, isn't that vewy poetically expwessed?"

"Very. But I don't think much of the compensation myself. I should like the women to remain with us as they do abroad."

"That," said Meredith Vyner, "would spoil dinners. The pleasantest part is the conversation after the ladies have retired."

"Besides," objected Tom Wincot, "however pleasant the society of women, one can't be always with them.Toujours perdwix!"

"Toujoursde laperdrix," interposed Vyner, glad of an opportunity of setting any one right. "If you must quote French, quote it at least correctly."

"Isn't toujours perdwix cowect, Mr. Mewedith Vyner. I never heard it expwessed otherwise."

"No, sir, it is grossly incorrect. The phrase is attributed to Louis XV. who excused his conjugal inconstancy by saying, that although partridges might be a dainty dish, 'Mangez toujours de la perdrix, et vous en serez bien vite rassasié,' was his witty but immoral remark. The claret is with you, Mr. Wincot."

"By the way," said Cecil, who was anxious to regain Vyner's goodwill, by flattering his vanity, "I have a theory which I must call upon your stores of learning, Mr. Vyner, to assist me in developing." Vyner bowed, and with his forefinger and thumb prepared a pinch of snuff, while Cecil continued—"It was suggested to me by Talleyrand's witticism that language was given to man to conceal his thoughts."

"Talleyrand," said Vyner gravely, "is not the author of that joke; though it is commonly attributed to him. The author is a man now* living in Paris, M. Harel, some of whosebon motsare the best I ever heard. I remember his describing to me M. Buloz, the proprietor of The Revue des Deux Mondes and The Revue de Paris, as a man who was 'l'âme de deux revues, avecl'attention habilede n'en être jamais l'esprit.'"

* 1840. He died in 1846.

"L'attention habile," exclaimed Cecil, laughing loudly, "is exquisite. To my theory, however."

"No, no; none of your theowies," said Wincot, "they are always pwepostewously exaggewated."

"You shall judge," replied Cecil, "in saying language was given to us to conceal our thoughts, M. Harel explained the construction of a great many words in all tongues. Thus demonstration is evidently derived from demon, the father of lies."

"That is vewy faw fetched. Pass the clawet."

"Then, again, Mr. Vyner will tell you," pursued Cecil, "that the Greek verb to govern is ανασσω, which is derived from ανασσα, a queen, not from αναξ, a king. Now, you will admit, that to deduce the governing principle from the weaker sex is only a bit of irony. The mildest possible symbol is used for the severest possible office, viz., government. The soft delicious sway of woman who leads humanity by the nose is not to be disputed. Bearded warriors, steel-clad priests, ambitious nobles, a ragged, mighty, and mysterious plebs, these nosinglearm could possibly subdue. And yet a king is necessary. Here the grand problem presents itself: how to force the governed to accept a governor?"

"Oh! pass the clawet!"

"The king," said Vyner, shutting his box, "is the strongest. König, Könning, orcanning: he is the one whocanrule."

"But," replied Cecil, "I maintain hecan'trule: no man was ever strong enough to rule men. The true solution of the problem is,that the first king was a woman."

"This is fuwiously widiculous!"

"Laugh! laugh! I am prepared to maintain that woman is weak, andomnipotent because of her weakness. She is girt with the proof armour of defencelessness. A man you knock down, but who dares raise a hand against a woman?"

"Very true," suggested Vyner, "very true. What says Anacreon, whom Plato calls 'the wise?' Nature, he says, gave horns to bulls, and a 'chasm of teeth to lions;' but when she came to furnish woman with weapons,

τι ουν δίδωσι; κάλλοϛ

Beauty, beauty was the tremendous arm which was to surpass all others."

"And formidably she uses it," continued Cecil. "To man's violence she opposes her 'defencelessness'—and nails; to his strength she opposes her 'weakness'—and tongue."

"In support of your theory," said Vyner, "the French call a queen areine; and we say the kingreigns."

He chuckled prodigiously at this pun, which Cecil pronounced admirable.

"My theory of kingship is this," said Cecil. "The first king, as I said, was a woman. She ruled unruly men. She took to herself some male subject, helplessly strong; some 'brute of a man,' docile as a lamb; him she made her husband. Her people she ruled with smiles and promises, touchingly alluding, on all befitting occasions, to her helpless state. Her husband she ruled with scratches——"

"Andhysterics," feelingly suggested Vyner.

"Well, a son was born—many sons if you like; but one was her especial darling. Growing old and infirm, she declared her son should wield the sceptre of the state in her name. Councillors demurred; she cajoled; they consented. Her son became regent. At her death he continued to govern—not in his name, but in hers. The king was symbol of the woman, and reigned vicariously. When we say the king reigns, we mean the king queens it."

"Bravo!" exclaimed Vyner, chuckling in anticipation of the joke; "and this is the explanation of Thiers's celebrated aphorism, 'le roi REGNE et ne gouverne pas.'"

"This explains also the Salic law; a curious example of the tendency of language to conceal the thoughts. A decree is enacted that no woman shall reign. That is to say, men preferred the symbol (man) to the reality (woman). They dreaded the divine right of mistresses—the autocratic absolutism of petticoats."

"And pray, Mr. Chamberlayne," asked Vyner, "how do you explain the derivation of the French verbtuer, to kill, from the Latintucor, to preserve?"

"Nothing easier upon my theory of the irony of language. What is death but preservation?"

"Bwavo! pwoceed. Pwove that."

"Is it not preservation from sickness and from sorrow, from debts, diseases, dull parties, and bores? Death preserves us, by rescuing our frames from mortality, and wafting our souls into the bosom of immortal life. Then look at the irony of our use of the wordpreserves, i.e., placeswhere game is kept for indiscriminateslaughter; or else,pots of luxurious sweets, destined to bring children to an untimely end."

"Why," said Vyner, "do we call a sycophant atoady?"

"I really don't know."

"Because his sycophancy has its source in το δέος,fear," replied Vyner, delighted at the joke.

"Good!" said Cecil, laughing. "I accept the derivation: the irony is perfect, as a toad is the verylastcreature to accuse of sycophancy; he spits upon the world in an unbiassed and exasperating impartiality: hence the name. One of the things which has most struck me," he continued, "is the occasional urbanity of language—instance the wordquestionfortorture."

"Like Astyages in Herodotus," said Vyner, "politely counselling the herdsman not to desire to proceed to necessities, εϛ ταϛ ανάγκαϛ, which the man perfectly understands to mean torture. Consider, also, thechangeswhich take place in words. 'Virtue' originally meantmanliness. The Greek word αρετη is obviously derived from Ares (Mars), and meantmartialness; it has now degenerated intovirtù, a taste for cameos and pictures; and intovirtue, woman's fairest quality, but the farthest removed from martial excellence."

"This is all vewy ingenious, pewhaps," said Tom Wincot; "but let us go to the ladies, and hear their theowies."

They rose from table. Vyner in evidently better disposition towards Cecil than he had been since the last Horatian discussion; Maxwell dull and stupid as ever; Captain Heath silent and reflective.

O, my lord, beware of jealousy.It is a green-eyed monster that doth mockThe food it eats on.Othello.

A bright smile from Blanche welcomed Cecil, as he passed from the dining-room to the drawing-room, and walked up to the piano at which she was sitting. He thought he had never seen her look so lovely; perhaps the remembrance of his having contemplated giving her up made him more sensible of her charms.

He took up her portfolio of loose music, and began turning over the sheets, as if seeking some particular song. She came to help him, and as she bent over the portfolio he whispered gently,—

"Can you contrive to slip away unobserved, and meet me in the shrubbery? I have something of the deepest importance to communicate."

She trembled, but it was with delight, as she whispered, "Yes."

"Plead fatigue, and retire after tea."

He then moved away, and approaching Violet asked her if she remembered the name of a certain Neapolitan canzonette, which her sister Blanche had sung the other night; and on receiving a negative sat down by her side, and entered into conversation with her.

All the rest of the evening he sat by Violet, only occasionally addressing indifferent questions to Blanche. Captain Heath seeing this, and noticing a strange agitation in Blanche's manner, which she in vain endeavoured to disguise, interpreted it according to his wishes, and sat down to a rubber at whist with great internal satisfaction.

"I have been thinking, Mr. Chamberlayne," said Meredith Vyner, shuffling the cards, "that even differences of pronunciation may assist your theory. Thus we English—a modest race—express our doubt byscepticism, deriving it from σκέψιϛ, deliberation. But the Scotch—a hard dogmatic race—pronounce itskeepticism, hereby deriving it from σκηψιϛ, intimating that a manleans uponhis own opinion, and that his dissent from others is not a deliberation, but a walking-stick, wherewith he trudges onwards to the truth."

"Mr. Chamberlayne," said Mrs. Meredith Vyner, "are we not to have some music from you this evening? Come, one of your charming Spanish songs."

"By the way," said Vyner, while Cecil tuned his guitar, "talking of Spanish songs reminds me of a passage I met in a Spanish play this morning, in which the author says,

Sin zelos amorEs estar sin alma el cuerpo.

What say you to that, ladies? It means that love without jealousy is a body without soul.Immane quantum discrepat!"

"Love has nothing whatever to do with jealousy," said Violet; "and so far from jealousy being the soul of love, I should say it was only the contemptible part of our nature that feels jealousy, and only the highest part of our nature that feels love."

"No one will agree with you, my dear Violet," said Mrs. Langley Turner. "Sir Harry, it is your deal."

"Perhaps not," said Violet.

"I should vewy much like to hear Miss Violet's pwoof of her wemark. I have always wead that jealousy is insepewable fwom love; though, I confess, I never expewienced jealousy myself."

"Nor love either—eh?" said Rose.

"That is sevewe, Miss Wose! Do you pwetend that I never felt that sensation which evewy man has felt?"

"If you mean love," replied Rose, "I say, that if you have felt it, I imagine it has only been just thebeginning."

"Twue, twue!"

"And like the charity of other people, your love has begun at home!"

"Miss Wose, Miss Wose!" said Tom Wincot, shaking his finger at the laughing girl.

"So that, if youhaveever been jealous," she continued, "you must have an exaggerated susceptibility."

"And why an exaggewated susceptibility?"

"Because jealous of a person no other earthly being would think of disputing with you—your own!"

This sally produced a hearty laugh, and Tom Wincot, turning to Violet, said,—

"I'm afwaid of your sister Wose's wepawtees, so shall not pwolong the discussion; but pway explain your pwevious weflection on jealousy."

"I mean," said Violet, "that jealousy has its source in egotism; love, on the contrary, has its source in sympathy: hence it is that the manifestations of the one are always contemptible, of the other always noble and beautiful."

"And I," said Maxwell, his dark face lighting up with a savage expression, "think that jealousy is the most natural instinctive feeling we possess. The man or woman who is not jealous, does not know what it is to love."

"That is a mere assertion, Mr. Maxwell: can you prove it?'

"Prove it! easily. What is jealousy but a fear of losing what we hold most dearly? Look at a dog over a bone; if you approach him he will growl, though you may have no intention of taking away his bone: your presence is enough to excite his fear and anger. If you attempt to snatch it, though in play, then he will bite."

"You are speaking ofdogs," said Violet, haughtily, "I spoke ofmen."

"The feeling is the same in both," retorted Maxwell.

"Yes, when men resemble dogs.—I spoke of men who possessed the higher qualities."

"Curiously enough," observed Vyner, "the Spaniards, whose jealousy is proverbial, and whose great poet, Calderon, has expressed himself in the almost diabolical manner just mentioned, these Spaniards have no word which properly means jealousy.Zelosis only the plural ofzelo—zeal."

"I do not think, papa, you are quite correct," said Violet, "when you say the Spaniards are more jealous than other nations."

"They have the character, my dear."

"I am quite aware of it. But what one nation says of another is seldom accurate. If I understand jealousy, it is the sort of passion which would befeltquite as readily by northerns as by southerns, though it would not be expressed in so vehement a manner; but because one man uses a knife, when another man uses a court of law, that does not make a difference in the sentiments."

"I agree with Violet," said Captain Heath, "it seems to me that jealousy is a mean and debasing passion, whatever may be the cause which excites it. To suspect the woman whom you love and who loves you, is so degrading both to her and to you, that a man who suspects, without overwhelming evidence, must be strangely deficient in nobility of soul; and suppose the evidence complete—suppose that she loves another, even then a noble soul arms itself with fortitude, and instead of wailing like a querulous child, accepts with courage the fate which no peevishness can avert. The love that is gone cannot be recalled by jealousy. A man should say with Othello,—

I'll see before I doubt; when I doubt, prove;And on the doubt there is no more but this—Away at once with love and jealousy."

He looked for Blanche as he concluded this speech, but she had already retired to her room.

Cecil sang, but soon left off; and pleading "heartburn," caught at the advice of Tom Wincot, who assured him that a stwong cigar was the best wemedy for it, and strolled out into the grounds to smoke.


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