“Does it look nice, mother?”
Dick Peyton met her with the question on the threshold, drawing her gaily into the little square room, and adding, with a laugh with a blush in it: “You know she’s an uncommonly noticing person, and little things tell with her.”
He swung round on his heel to follow his mother’s smiling inspection of the apartment.
“She seems to haveallthe qualities,” Mrs. Denis Peyton remarked, as her circuit finally brought her to the prettily appointed tea-table.
“All,” he declared, taking the sting from her emphasis by his prompt adoption of it. Dick had always had a wholesome way of thus appropriating to his own use such small shafts of maternal irony as were now and then aimed at him.
Kate Peyton laughed and loosened her furs. “It looks charmingly,” she pronounced, ending her survey by an approach to the window, which gave, far below, the oblique perspective of a long side-street leading to Fifth Avenue.
The high-perched room was Dick Peyton’s private office, a retreat partitioned off from the larger enclosure in which, under a north light and on a range of deal tables, three or four young draughtsmen were busily engaged in elaborating his architectural projects. The outer door of the office bore the sign:Peyton and Gill, Architects; but Gill was an utilitarian person, as unobtrusive as his name, who contented himself with a desk in the workroom, and left Dick to lord it alone in the small apartment to which clients were introduced, and where the social part of the business was carried on.
It was to serve, on this occasion, as the scene of a tea designed, as Kate Peyton was vividly aware, to introduce a certain young lady to the scene of her son’s labours. Mrs. Peyton had been hearing a great deal lately about Clemence Verney. Dick was naturally expansive, and his close intimacy with his mother—an intimacy fostered by his father’s early death—if it had suffered some natural impairment in his school and college days, had of late been revived by four years of comradeship in Paris, where Mrs. Peyton, in a tiny apartment of the Rue de Varennes, had kept house for him during his course of studies at the Beaux Arts. There were indeed not lacking critics of her own sex who accused Kate Peyton of having figured too largely in her son’s life; of having failed to efface herself at a period when it is agreed that young men are best left free to try conclusions with the world. Mrs. Peyton, had she cared to defend herself, might have said that Dick, if communicative, was not impressionable, and that the closeness of texture which enabled him to throw off her sarcasms preserved him also from the infiltration of her prejudices. He was certainly no knight of the apron-string, but a seemingly resolute and self-sufficient young man, whose romantic friendship with his mother had merely served to throw a veil of suavity over the hard angles of youth.
But Mrs. Peyton’s real excuse was after all one which she would never have given. It was because her intimacy with her son was the one need of her life that she had, with infinite tact and discretion, but with equal persistency, clung to every step of his growth, dissembling herself, adapting herself, rejuvenating herself in the passionate effort to be always within reach, but never in the way.
Denis Peyton had died after seven years of marriage, when his boy was barely six. During those seven years he had managed to squander the best part of the fortune he had inherited from his step-brother; so that, at his death, his widow and son were left with a scant competence. Mrs. Peyton, during her husband’s life, had apparently made no effort to restrain his expenditure. She had even been accused by those judicious persons who are always ready with an estimate of their neighbours’ motives, of having encouraged poor Denis’s improvidence for the gratification of her own ambition. She had in fact, in the early days of their marriage, tried to launch him in politics, and had perhaps drawn somewhat heavily on his funds in the first heat of the contest; but the experiment ending in failure, as Denis Peyton’s experiments were apt to end, she had made no farther demands on his exchequer. Her personal tastes were in fact unusually simple, but her outspoken indifference to money was not, in the opinion of her critics, designed to act as a check upon her husband; and it resulted in leaving her, at his death, in straits from which it was impossible not to deduce a moral.
Her small means, and the care of the boy’s education, served the widow as a pretext for secluding herself in a socially remote suburb, where it was inferred that she was expiating, on queer food and in ready-made boots, her rash defiance of fortune. Whether or not Mrs. Peyton’s penance took this form, she hoarded her substance to such good purpose that she was not only able to give Dick the best of schooling, but to propose, on his leaving Harvard, that he should prolong his studies by another four years at the Beaux Arts. It had been the joy of her life that her boy had early shown a marked bent for a special line of work. She could not have borne to see him reduced to a mere money-getter, yet she was not sorry that their small means forbade the cultivation of an ornamental leisure. In his college days Dick had troubled her by a superabundance of tastes, a restless flitting from one form of artistic expression to another. Whatever art he enjoyed he wished to practise, and he passed from music to painting, from painting to architecture, with an ease which seemed to his mother to indicate lack of purpose rather than excess of talent. She had observed that these changes were usually due, not to self-criticism, but to some external discouragement. Any depreciation of his work was enough to convince him of the uselessness of pursuing that special form of art, and the reaction produced the immediate conviction that he was really destined to shine in some other line of work. He had thus swung from one calling to another till, at the end of his college career, his mother took the decisive step of transplanting him to the Beaux Arts, in the hope that a definite course of study, combined with the stimulus of competition, might fix his wavering aptitudes. The result justified her expectation, and their four years in the Rue de Varennes yielded the happiest confirmation of her belief in him. Dick’s ability was recognized not only by his mother, but by his professors. He was engrossed in his work, and his first successes developed his capacity for application. His mother’s only fear was that praise was still too necessary to him. She was uncertain how long his ambition would sustain him in the face of failure. He gave lavishly where he was sure of a return; but it remained to be seen if he were capable of production without recognition. She had brought him up in a wholesome scorn of material rewards, and nature seemed, in this direction, to have seconded her training. He was genuinely indifferent to money, and his enjoyment of beauty was of that happy sort which does not generate the wish for possession. As long as the inner eye had food for contemplation, he cared very little for the deficiencies in his surroundings; or, it might rather be said, he felt, in the sum-total of beauty about him, an ownership of appreciation that left him free from the fret of personal desire. Mrs. Peyton had cultivated to excess this disregard of material conditions; but she now began to ask herself whether, in so doing, she had not laid too great a strain on a temperament naturally exalted. In guarding against other tendencies she had perhaps fostered in him too exclusively those qualities which circumstances had brought to an unusual development in herself. His enthusiasms and his disdains were alike too unqualified for that happy mean of character which is the best defence against the surprises of fortune. If she had taught him to set an exaggerated value on ideal rewards, was not that but a shifting of the danger-point on which her fears had always hung? She trembled sometimes to think how little love and a lifelong vigilance had availed in the deflecting of inherited tendencies.
Her fears were in a measure confirmed by the first two years of their life in New York, and the opening of his career as a professional architect. Close on the easy triumphs of his studentships there came the chilling reaction of public indifference. Dick, on his return from Paris, had formed a partnership with an architect who had had several years of practical training in a New York office; but the quiet and industrious Gill, though he attracted to the new firm a few small jobs which overflowed from the business of his former employer, was not able to infect the public with his own faith in Peyton’s talents, and it was trying to a genius who felt himself capable of creating palaces to have to restrict his efforts to the building of suburban cottages or the planning of cheap alterations in private houses.
Mrs. Peyton expended all the ingenuities of tenderness in keeping up her son’s courage; and she was seconded in the task by a friend whose acquaintance Dick had made at the Beaux Arts, and who, two years before the Peytons, had returned to New York to start on his own career as an architect. Paul Darrow was a young man full of crude seriousness, who, after a youth of struggling work and study in his native northwestern state, had won a scholarship which sent him abroad for a course at the Beaux Arts. His two years there coincided with the first part of Dick’s residence, and Darrow’s gifts had at once attracted the younger student. Dick was unstinted in his admiration of rival talent, and Mrs. Peyton, who was romantically given to the cultivation of such generosities, had seconded his enthusiasm by the kindest offers of hospitality to the young student. Darrow thus became the grateful frequenter of their littlesalon; and after their return to New York the intimacy between the young men was renewed, though Mrs. Peyton found it more difficult to coax Dick’s friend to her New York drawing-room than to the informal surroundings of the Rue de Varennes. There, no doubt, secluded and absorbed in her son’s work, she had seemed to Darrow almost a fellow-student; but seen among her own associates she became once more the woman of fashion, divided from him by the whole breadth of her ease and his awkwardness. Mrs. Peyton, whose tact had divined the cause of his estrangement, would not for an instant let it affect the friendship of the two young men. She encouraged Dick to frequent Darrow, in whom she divined a persistency of effort, an artistic self-confidence, in curious contrast to his social hesitancies. The example of his obstinate capacity for work was just the influence her son needed, and if Darrow would not come to them she insisted that Dick must seek him out, must never let him think that any social discrepancy could affect a friendship based on deeper things. Dick, who had all the loyalties, and who took an honest pride in his friend’s growing success, needed no urging to maintain the intimacy; and his copious reports of midnight colloquies in Darrow’s lodgings showed Mrs. Peyton that she had a strong ally in her invisible friend.
It had been, therefore, somewhat of a shock to learn in the course of time that Darrow’s influence was being shared, if not counteracted, by that of a young lady in whose honour Dick was now giving his first professional tea. Mrs. Peyton had heard a great deal about Miss Clemence Verney, first from the usual purveyors of such information, and more recently from her son, who, probably divining that rumour had been before him, adopted his usual method of disarming his mother by taking her into his confidence. But, ample as her information was, it remained perplexing and contradictory, and even her own few meetings with the girl had not helped her to a definite opinion. Miss Verney, in conduct and ideas, was patently of the “new school”: a young woman of feverish activities and broad-cast judgments, whose very versatility made her hard to define. Mrs. Peyton was shrewd enough to allow for the accidents of environment; what she wished to get at was the residuum of character beneath Miss Verney’s shifting surface.
“It looks charmingly,” Mrs. Peyton repeated, giving a loosening touch to the chrysanthemums in a tall vase on her son’s desk.
Dick laughed, and glanced at his watch.
“They won’t be here for another quarter of an hour. I think I’ll tell Gill to clean out the work-room before they come.”
“Are we to see the drawings for the competition?” his mother asked.
He shook his head smilingly. “Can’t—I’ve asked one or two of the Beaux Arts fellows, you know; and besides, old Darrow’s actually coming.”
“Impossible!” Mrs. Peyton exclaimed.
“He swore he would last night.” Dick laughed again, with a tinge of self-satisfaction. “I’ve an idea he wants to see Miss Verney.”
“Ah,” his mother murmured. There was a pause before she added: “Has Darrow really gone in for this competition?”
“Rather! I should say so! He’s simply working himself to the bone.”
Mrs. Peyton sat revolving her muff on a meditative hand; at length she said: “I’m not sure I think it quite nice of him.”
Her son halted before her with an incredulous stare. “Mother!” he exclaimed.
The rebuke sent a blush to her forehead. “Well—considering your friendship—and everything.”
“Everything? What do you mean by everything? The fact that he had more ability than I have and is therefore more likely to succeed? The fact that he needs the money and the success a deuced sight more than any of us? Is that the reason you think he oughtn’t to have entered? Mother! I never heard you say an ungenerous thing before.”
The blush deepened to crimson, and she rose with a nervous laugh. “Itwasungenerous,” she conceded. “I suppose I’m jealous for you. I hate these competitions!”
Her son smiled reassuringly. “You needn’t. I’m not afraid: I think I shall pull it off this time. In fact, Paul’s the only man I’m afraid of—I’m always afraid of Paul—but the mere fact that he’s in the thing is a tremendous stimulus.”
His mother continued to study him with an anxious tenderness. “Have you worked out the whole scheme? Do youseeit yet?”
“Oh, broadly, yes. There’s a gap here and there—a hazy bit, rather—it’s the hardest problem I’ve ever had to tackle; but then it’s my biggest opportunity, and I’ve simplygotto pull it off!”
Mrs. Peyton sat silent, considering his flushed face and illumined eye, which were rather those of the victor nearing the goal than of the runner just beginning the race. She remembered something that Darrow had once said of him: “Dick always sees the end too soon.”
“You haven’t too much time left,” she murmured.
“Just a week. But I shan’t go anywhere after this. I shall renounce the world.” He glanced smilingly at the festal tea-table and the embowered desk. “When I next appear, it will either be with my heel on Paul’s neck—poor old Paul—or else—or else—being dragged lifeless from the arena!”
His mother nervously took up the laugh with which he ended. “Oh, not lifeless,” she said.
His face clouded. “Well, maimed for life, then,” he muttered.
Mrs. Peyton made no answer. She knew how much hung on the possibility of his winning the competition which for weeks past had engrossed him. It was a design for the new museum of sculpture, for which the city had recently voted half a million. Dick’s taste ran naturally to the grandiose, and the erection of public buildings had always been the object of his ambition. Here was an unmatched opportunity, and he knew that, in a competition of the kind, the newest man had as much chance of success as the firm of most established reputation, since every competitor entered on his own merits, the designs being submitted to a jury of architects who voted on them without knowing the names of the contestants. Dick, characteristically, was not afraid of the older firms; indeed, as he had told his mother, Paul Darrow was the only rival he feared. Mrs. Peyton knew that, to a certain point, self-confidence was a good sign; but somehow her son’s did not strike her as being of the right substance—it seemed to have no dimension but extent. Her fears were complicated by a suspicion that, under his professional eagerness for success, lay the knowledge that Miss Verney’s favour hung on the victory. It was that, perhaps, which gave a feverish touch to his ambition; and Mrs. Peyton, surveying the future from the height of her material apprehensions, divined that the situation depended mainly on the girl’s view of it. She would have given a great deal to know Clemence Verney’s conception of success.
Miss Verney, when she presently appeared, in the wake of the impersonal and exclamatory young married woman who served as a background to her vivid outline, seemed competent to impart at short notice any information required of her. She had never struck Mrs. Peyton as more alert and efficient. A melting grace of line and colour tempered her edges with the charming haze of youth; but it occurred to her critic that she might emerge from this morning mist as a dry and metallic old woman.
If Miss Verney suspected a personal application in Dick’s hospitality, it did not call forth in her the usual tokens of self-consciousness. Her manner may have been a shade more vivid than usual, but she preserved all her bright composure of glance and speech, so that one guessed, under the rapid dispersal of words, an undisturbed steadiness of perception. She was lavishly but not indiscriminately interested in the evidences of her host’s industry, and as the other guests assembled, straying with vague ejaculations through the labyrinth of scale drawings and blue prints, Mrs. Peyton noted that Miss Verney alone knew what these symbols stood for.
To his visitors’ requests to be shown his plans for the competition, Peyton had opposed a laughing refusal, enforced by the presence of two fellow-architects, young men with lingering traces of the Beaux Arts in their costume and vocabulary, who stood about in Gavarni attitudes and dazzled the ladies by allusions to fenestration and entasis. The party had already drifted back to the tea-table when a hesitating knock announced Darrow’s approach. He entered with his usual air of having blundered in by mistake, embarrassed by his hat and great-coat, and thrown into deeper confusion by the necessity of being introduced to the ladies grouped about the urn. To the men he threw a gruff nod of fellowship, and Dick having relieved him of his encumbrances, he retreated behind the shelter of Mrs. Peyton’s welcome. The latter judiciously gave him time to recover, and when she turned to him he was engaged in a surreptitious inspection of Miss Verney, whose dusky slenderness, relieved against the bare walls of the office, made her look like a young St. John of Donatello’s. The girl returned his look with one of her clear glances, and the group having presently broken up again, Mrs. Peyton saw that she had drifted to Darrow’s side. The visitors at length wandered back to the work-room to see a portfolio of Dick’s water-colours; but Mrs. Peyton remained seated behind the urn, listening to the interchange of talk through the open door while she tried to coordinate her impressions.
She saw that Miss Verney was sincerely interested in Dick’s work: it was the nature of her interest that remained in doubt. As if to solve this doubt, the girl presently reappeared alone on the threshold, and discovering Mrs. Peyton, advanced toward her with a smile.
“Are you tired of hearing us praise Mr. Peyton’s things?” she asked, dropping into a low chair beside her hostess. “Unintelligent admiration must be a bore to people who know, and Mr. Darrow tells me you are almost as learned as your son.”
Mrs. Peyton returned the smile, but evaded the question. “I should be sorry to think your admiration unintelligent,” she said. “I like to feel that my boy’s work is appreciated by people who understand it.”
“Oh, I have the usual smattering,” said Miss Verney carelessly. “IthinkI know why I admire his work; but then I am sure I see more in it when some one like Mr. Darrow tells me how remarkable it is.”
“Does Mr. Darrow say that?” the mother exclaimed, losing sight of her object in the rush of maternal pleasure.
“He has said nothing else: it seems to be the only subject which loosens his tongue. I believe he is more anxious to have your son win the competition than to win it himself.”
“He is a very good friend,” Mrs. Peyton assented. She was struck by the way in which the girl led the topic back to the special application of it which interested her. She had none of the artifices of prudery.
“He feels sure that Mr. Peytonwillwin,” Miss Verney continued. “It was very interesting to hear his reasons. He is an extraordinarily interesting man. It must be a tremendous incentive to have such a friend.”
Mrs. Peyton hesitated. “The friendship is delightful; but I don’t know that my son needs the incentive. He is almost too ambitious.”
Miss Verney looked up brightly. “Can one be?” she said. “Ambition is so splendid! It must be so glorious to be a man and go crashing through obstacles, straight up to the thing one is after. I’m afraid I don’t care for people who are superior to success. I like marriage by capture!” She rose with her wandering laugh, and stood flushed and sparkling above Mrs. Peyton, who continued to gaze at her gravely.
“What do you call success?” the latter asked. “It means so many different things.”
“Oh, yes, I know—the inward approval, and all that. Well, I’m afraid I like the other kind: the drums and wreaths and acclamations. If I were Mr. Peyton, for instance, I’d much rather win the competition than—than be as disinterested as Mr. Darrow.”
Mrs. Peyton smiled. “I hope you won’t tell him so,” she said half seriously. “He is over-stimulated already; and he is so easily influenced by any one who—whose opinion he values.”
She stopped abruptly, hearing herself, with a strange inward shock, re-echo the words which another man’s mother had once spoken to her. Miss Verney did not seem to take the allusion to herself, for she continued to fix on Mrs. Peyton a gaze of impartial sympathy.
“But we can’t help being interested!” she declared.
“It’s very kind of you; but I wish you would all help him to feel that his competition is after all of very little account compared with other things—his health and his peace of mind, for instance. He is looking horribly used up.”
The girl glanced over her shoulder at Dick, who was just reentering the room at Darrow’s side.
“Oh, do you think so?” she said. “I should have thought it was his friend who was used up.”
Mrs. Peyton followed the glance with surprise. She had been too preoccupied to notice Darrow, whose crudely modelled face was always of a dull pallour, to which his slow-moving grey eye lent no relief except in rare moments of expansion. Now the face had the fallen lines of a death-mask, in which only the smile he turned on Dick remained alive; and the sight smote her with compunction. Poor Darrow! He did look horribly fagged out: as if he needed care and petting and good food. No one knew exactly how he lived. His rooms, according to Dick’s report, were fireless and ill kept, but he stuck to them because his landlady, whom he had fished out of some financial plight, had difficulty in obtaining other lodgers. He belonged to no clubs, and wandered out alone for his meals, mysteriously refusing the hospitality which his friends pressed on him. It was plain that he was very poor, and Dick conjectured that he sent what he earned to an aunt in his native village; but he was so silent about such matters that, outside of his profession, he seemed to have no personal life.
Miss Verney’s companion having presently advised her of the lapse of time, there ensued a general leave-taking, at the close of which Dick accompanied the ladies to their carriage. Darrow was meanwhile blundering into his greatcoat, a process which always threw him into a state of perspiring embarrassment; but Mrs. Peyton, surprising him in the act, suggested that he should defer it and give her a few moments’ talk.
“Let me make you some fresh tea,” she said, as Darrow blushingly shed the garment, “and when Dick comes back we’ll all walk home together. I’ve not had a chance to say two words to you this winter.”
Darrow sank into a chair at her side and nervously contemplated his boots. “I’ve been tremendously hard at work,” he said.
“I know:toohard at work, I’m afraid. Dick tells me you have been wearing yourself out over your competition plans.”
“Oh, well, I shall have time to rest now,” he returned. “I put the last stroke to them this morning.”
Mrs. Peyton gave him a quick look. “You’re ahead of Dick, then.”
“In point of time only,” he said smiling.
“That is in itself an advantage,” she answered with a tinge of asperity. In spite of an honest effort for impartiality she could not, at the moment, help regarding Darrow as an obstacle in her son’s path.
“I wish the competition were over!” she exclaimed, conscious that her voice had betrayed her. “I hate to see you both looking so fagged.”
Darrow smiled again, perhaps at her studied inclusion of himself.
“Oh,Dick’s all right,” he said. “He’ll pull himself together in no time.”
He spoke with an emphasis which might have struck her, if her sympathies had not again been deflected by the allusion to her son.
“Not if he doesn’t win,” she exclaimed.
Darrow took the tea she had poured for him, knocking the spoon to the floor in his eagerness to perform the feat gracefully. In bending to recover the spoon he struck the tea-table with his shoulder, and set the cups dancing. Having regained a measure of composure, he took a swallow of the hot tea and set it down with a gasp, precariously near the edge of the tea-table. Mrs. Peyton rescued the cup, and Darrow, apparently forgetting its existence, rose and began to pace the room. It was always hard for him to sit still when he talked.
“You mean he’s so tremendously set on it?” he broke out.
Mrs. Peyton hesitated. “You know him almost as well as I do,” she said. “He’s capable of anything where there is a possibility of success; but I’m always afraid of the reaction.”
“Oh, well, Dick’s a man,” said Darrow bluntly. “Besides, he’s going to succeed.”
“I wish he didn’t feel so sure of it. You mustn’t think I’m afraid for him. He’s a man, and I want him to take his chances with other men; but I wish he didn’t care so much about what people think.”
“People?”
“Miss Verney, then: I suppose you know.”
Darrow paused in front of her. “Yes: he’s talked a good deal about her. You think she wants him to succeed?”
“At any price!”
He drew his brows together. “What do you call any price?”
“Well—herself, in this case, I believe.”
Darrow bent a puzzled stare on her. “You mean she attached that amount of importance to this competition?”
“She seems to regard it as symbolical: that’s what I gather. And I’m afraid she’s given him the same impression.”
Darrow’s sunken face was suffused by his rare smile. “Oh, well, he’ll pull it off then!” he said.
Mrs. Peyton rose with a distracted sigh. “I half hope he won’t, for such a motive,” she exclaimed.
“The motive won’t show in his work,” said Darrow. He added, after a pause probably devoted to the search for the right word: “He seems to think a great deal of her.”
Mrs. Peyton fixed him thoughtfully. “I wish I knew whatyouthink of her.”
“Why, I never saw her before.”
“No; but you talked with her to-day. You’ve formed an opinion: I think you came here on purpose.”
He chuckled joyously at her discernment: she had always seemed to him gifted with supernatural insight. “Well, I did want to see her,” he owned.
“And what do you think?”
He took a few vague steps and then halted before Mrs. Peyton. “I think,” he said, smiling, “that she likes to be helped first, and to have everything on her plate at once.”
At dinner, with a rush of contrition, Mrs. Peyton remembered that she had after all not spoken to Darrow about his health. He had distracted her by beginning to talk of Dick; and besides, much as Darrow’s opinions interested her, his personality had never fixed her attention. He always seemed to her simply a vehicle for the transmission of ideas.
It was Dick who recalled her to a sense of her omission by asking if she hadn’t thought that old Paul looked rather more ragged than usual.
“He did look tired,” Mrs. Peyton conceded. “I meant to tell him to take care of himself.”
Dick laughed at the futility of the measure. “Old Paul is never tired: he can work twenty-five hours out of the twenty-four. The trouble with him is that he’s ill. Something wrong with the machinery, I’m afraid.”
“Oh, I’m sorry. Has he seen a doctor?”
“He wouldn’t listen to me when I suggested it the other day; but he’s so deuced mysterious that I don’t know what he may have done since.” Dick rose, putting down his coffee-cup and half-smoked cigarette. “I’ve half a mind to pop in on him to-night and see how he’s getting on.”
“But he lives at the other end of the earth; and you’re tired yourself.”
“I’m not tired; only a little strung-up,” he returned, smiling. “And besides, I’m going to meet Gill at the office by and by and put in a night’s work. It won’t hurt me to take a look at Paul first.”
Mrs. Peyton was silent. She knew it was useless to contend with her son about his work, and she tried to fortify herself with the remembrance of her own words to Darrow: Dick was a man and must take his chance with other men.
But Dick, glancing at his watch, uttered an exclamation of annoyance. “Oh, by Jove, I shan’t have time after all. Gill is waiting for me now; we must have dawdled over dinner.” He went to give his mother a caressing tap on the cheek. “Now don’t worry,” he adjured her; and as she smiled back at him he added with a sudden happy blush: “She doesn’t, you know: she’s so sure of me.”
Mrs. Peyton’s smile faded, and laying a detaining hand on his, she said with sudden directness: “Sure of you, or of your success?”
He hesitated. “Oh, she regards them as synonymous. She thinks I’m bound to get on.”
“But if you don’t?”
He shrugged laughingly, but with a slight contraction of his confident brows. “Why, I shall have to make way for some one else, I suppose. That’s the law of life.”
Mrs. Peyton sat upright, gazing at him with a kind of solemnity. “Is it the law of love?” she asked.
He looked down on her with a smile that trembled a little. “My dear romantic mother, I don’t want her pity, you know!”
Dick, coming home the next morning shortly before daylight, left the house again after a hurried breakfast, and Mrs. Peyton heard nothing of him till nightfall. He had promised to be back for dinner, but a few moments before eight, as she was coming down to the drawing-room, the parlour-maid handed her a hastily pencilled note.
“Don’t wait for me,” it ran. “Darrow is ill and I can’t leave him. I’ll send a line when the doctor has seen him.”
Mrs. Peyton, who was a woman of rapid reactions, read the words with a pang. She was ashamed of the jealous thoughts she had harboured of Darrow, and of the selfishness which had made her lose sight of his troubles in the consideration of Dick’s welfare. Even Clemence Verney, whom she secretly accused of a want of heart, had been struck by Darrow’s ill looks, while she had had eyes only for her son. Poor Darrow! How cold and self-engrossed he must have thought her! In the first rush of penitence her impulse was to drive at once to his lodgings; but the infection of his own shyness restrained her. Dick’s note gave no details; the illness was evidently grave, but might not Darrow regard her coming as an intrusion? To repair her negligence of yesterday by a sudden invasion of his privacy might be only a greater failure in tact; and after a moment of deliberation she resolved on sending to ask Dick if he wished her to go to him.
The reply, which came late, was what she had expected. “No, we have all the help we need. The doctor has sent a good nurse, and is coming again later. It’s pneumonia, but of course he doesn’t say much yet. Let me have some beef-juice as soon as the cook can make it.”
The beef-juice ordered and dispatched, she was left to a vigil in melancholy contrast to that of the previous evening. Then she had been enclosed in the narrow limits of her maternal interests; now the barriers of self were broken down, and her personal preoccupations swept away on the current of a wider sympathy. As she sat there in the radius of lamp-light which, for so many evenings, had held Dick and herself in a charmed circle of tenderness, she saw that her love for her boy had come to be merely a kind of extended egotism. Love had narrowed instead of widening her, had rebuilt between herself and life the very walls which, years and years before, she had laid low with bleeding fingers. It was horrible, how she had come to sacrifice everything to the one passion of ambition for her boy....
At daylight she sent another messenger, one of her own servants, who returned without having seen Dick. Mr. Peyton had sent word that there was no change. He would write later; he wanted nothing. The day wore on drearily. Once Kate found herself computing the precious hours lost to Dick’s unfinished task. She blushed at her ineradicable selfishness, and tried to turn her mind to poor Darrow. But she could not master her impulses; and now she caught herself indulging the thought that his illness would at least exclude him from the competition. But no—she remembered that he had said his work was finished. Come what might, he stood in the path of her boy’s success. She hated herself for the thought, but it would not down.
Evening drew on, but there was no note from Dick. At length, in the shamed reaction from her fears, she rang for a carriage and went upstairs to dress. She could stand aloof no longer: she must go to Darrow, if only to escape from her wicked thoughts of him. As she came down again she heard Dick’s key in the door. She hastened her steps, and as she reached the hall he stood before her without speaking.
She looked at him and the question died on her lips. He nodded, and walked slowly past her.
“There was no hope from the first,” he said.
The next day Dick was taken up with the preparations for the funeral. The distant aunt, who appeared to be Darrow’s only relation, had been duly notified of his death; but no answer having been received from her, it was left to his friend to fulfil the customary duties. He was again absent for the best part of the day; and when he returned at dusk Mrs. Peyton, looking up from the tea-table behind which she awaited him, was startled by the deep-lined misery of his face.
Her own thoughts were too painful for ready expression, and they sat for a while in a mute community of wretchedness.
“Is everything arranged?” she asked at length.
“Yes. Everything.”
“And you have not heard from the aunt?”
He shook his head.
“Can you find no trace of any other relations?”
“None. I went over all his papers. There were very few, and I found no address but the aunt’s.” He sat thrown back in his chair, disregarding the cup of tea she had mechanically poured for him. “I found this, though,” he added, after a pause, drawing a letter from his pocket and holding it out to her.
She took it doubtfully. “Ought I to read it?”
“Yes.”
She saw then that the envelope, in Darrow’s hand, was addressed to her son. Within were a few pencilled words, dated on the first day of his illness, the morrow of the day on which she had last seen him.
“Dear Dick,” she read, “I want you to use my plans for the museum if you can get any good out of them. Even if I pull out of this I want you to. I shall have other chances, and I have an idea this one means a lot to you.”
Mrs. Peyton sat speechless, gazing at the date of the letter, which she had instantly connected with her last talk with Darrow. She saw that he had understood her, and the thought scorched her to the soul.
“Wasn’t it glorious of him?” Dick said.
She dropped the letter, and hid her face in her hands.
The funeral took place the next morning, and on the return from the cemetery Dick told his mother that he must go and look over things at Darrow’s office. He had heard the day before from his friend’s aunt, a helpless person to whom telegraphy was difficult and travel inconceivable, and who, in eight pages of unpunctuated eloquence, made over to Dick what she called the melancholy privilege of winding up her nephew’s affairs.
Mrs. Peyton looked anxiously at her son. “Is there no one who can do this for you? He must have had a clerk or some one who knows about his work.”
Dick shook his head. “Not lately. He hasn’t had much to do this winter, and these last months he had chucked everything to work alone over his plans.”
The word brought a faint colour to Mrs. Peyton’s cheek. It was the first allusion that either of them had made to Darrow’s bequest.
“Oh, of course you must do all you can,” she murmured, turning alone into the house.
The emotions of the morning had stirred her deeply, and she sat at home during the day, letting her mind dwell, in a kind of retrospective piety, on the thought of poor Darrow’s devotion. She had given him too little time while he lived, had acquiesced too easily in his growing habits of seclusion; and she felt it as a proof of insensibility that she had not been more closely drawn to the one person who had loved Dick as she loved him. The evidence of that love, as shown in Darrow’s letter, filled her with a vain compunction. The very extravagance of his offer lent it a deeper pathos. It was wonderful that, even in the urgency of affection, a man of his almost morbid rectitude should have overlooked the restrictions of professional honour, should have implied the possibility of his friend’s overlooking them. It seemed to make his sacrifice the more complete that it had, unconsciously, taken the form of a subtle temptation.
The last word arrested Mrs. Peyton’s thoughts. A temptation? To whom? Not, surely, to one capable, as her son was capable, of rising to the height of his friend’s devotion. The offer, to Dick, would mean simply, as it meant to her, the last touching expression of an inarticulate fidelity: the utterance of a love which at last had found its formula. Mrs. Peyton dismissed as morbid any other view of the case. She was annoyed with herself for supposing that Dick could be ever so remotely affected by the possibility at which poor Darrow’s renunciation hinted. The nature of the offer removed it from practical issues to the idealizing region of sentiment.
Mrs. Peyton had been sitting alone with these thoughts for the greater part of the afternoon, and dusk was falling when Dick entered the drawing-room. In the dim light, with his pallour heightened by the sombre effect of his mourning, he came upon her almost startlingly, with a revival of some long-effaced impression which, for a moment, gave her the sense of struggling among shadows. She did not, at first, know what had produced the effect; then she saw that it was his likeness to his father.
“Well—is it over?” she asked, as he threw himself into a chair without speaking.
“Yes: I’ve looked through everything.” He leaned back, crossing his hands behind his head, and gazing past her with a look of utter lassitude.
She paused a moment, and then said tentatively: “to-morrow you will be able to go back to your work.”
“Oh—my work,” he exclaimed, as if to brush aside an ill-timed pleasantry.
“Are you too tired?”
“No.” He rose and began to wander up and down the room. “I’m not tired.—Give me some tea, will you?” He paused before her while she poured the cup, and then, without taking it, turned away to light a cigarette.
“Surely there is still time?” she suggested, with her eyes on him.
“Time? To finish my plans? Oh, yes—there’s time. But they’re not worth it.”
“Not worth it?” She started up, and then dropped back into her seat, ashamed of having betrayed her anxiety. “They are worth as much as they were last week,” she said with an attempt at cheerfulness.
“Not to me,” he returned. “I hadn’t seen Darrow’s then.”
There was a long silence. Mrs. Peyton sat with her eyes fixed on her clasped hands, and her son paced the room restlessly.
“Are they so wonderful?” she asked at length.
“Yes.”
She paused again, and then said, lifting a tremulous glance to his face: “That makes his offer all the more beautiful.”
Dick was lighting another cigarette, and his face was turned from her. “Yes—I suppose so,” he said in a low tone.
“They were quite finished, he told me,” she continued, unconsciously dropping her voice to the pitch of his.
“Yes.”
“Then they will be entered, I suppose?”
“Of course—why not?” he answered almost sharply.
“Shall you have time to attend to all that and to finish yours too?”
“Oh, I suppose so. I’ve told you it isn’t a question of time. I see now that mine are not worth bothering with.”
She rose and approached him, laying her hands on his shoulders. “You are tired and unstrung; how can you judge? Why not let me look at both designs to-morrow?”
Under her gaze he flushed abruptly and drew back with a half-impatient gesture.
“Oh, I’m afraid that wouldn’t help me; you’d be sure to think mine best,” he said with a laugh.
“But if I could give you good reasons?” she pressed him.
He took her hand, as if ashamed of his impatience. “Dear mother, if you had any reasons their mere existence would prove that they were bad.”
His mother did not return his smile. “You won’t let me see the two designs then?” she said with a faint tinge of insistence.
“Oh, of course—if you want to—if you only won’t talk about it now! Can’t you see that I’m pretty nearly dead-beat?” he burst out uncontrollably; and as she stood silent, he added with a weary fall in his voice, “I think I’ll go upstairs and see if I can’t get a nap before dinner.”
Though they had separated upon the assurance that she should see the two designs if she wished it, Mrs. Peyton knew they would not be shown to her. Dick, indeed, would not again deny her request; but had he not reckoned on the improbability of her renewing it? All night she lay confronted by that question. The situation shaped itself before her with that hallucinating distinctness which belongs to the midnight vision. She knew now why Dick had suddenly reminded her of his father: had she not once before seen the same thought moving behind the same eyes? She was sure it had occurred to Dick to use Darrow’s drawings. As she lay awake in the darkness she could hear him, long after midnight, pacing the floor overhead: she held her breath, listening to the recurring beat of his foot, which seemed that of an imprisoned spirit revolving wearily in the cage of the same thought. She felt in every fibre that a crisis in her son’s life had been reached, that the act now before him would have a determining effect on his whole future. The circumstances of her past had raised to clairvoyance her natural insight into human motive, had made of her a moral barometer responding to the faintest fluctuations of atmosphere, and years of anxious meditation had familiarized her with the form which her son’s temptations were likely to take. The peculiar misery of her situation was that she could not, except indirectly, put this intuition, this foresight, at his service. It was a part of her discernment to be aware that life is the only real counsellor, that wisdom unfiltered through personal experience does not become a part of the moral tissues. Love such as hers had a great office, the office of preparation and direction; but it must know how to hold its hand and keep its counsel, how to attend upon its object as an invisible influence rather than as an active interference.
All this Kate Peyton had told herself again and again, during those hours of anxious calculation in which she had tried to cast Dick’s horoscope; but not in her moments of most fantastic foreboding had she figured so cruel a test of her courage. If her prayers for him had taken precise shape, she might have asked that he should be spared the spectacular, the dramatic appeal to his will-power: that his temptations should slip by him in a dull disguise. She had secured him against all ordinary forms of baseness; the vulnerable point lay higher, in that region of idealizing egotism which is the seat of life in such natures.
Years of solitary foresight gave her mind a singular alertness in dealing with such possibilities. She saw at once that the peril of the situation lay in the minimum of risk it involved. Darrow had employed no assistant in working out his plans for the competition, and his secluded life made it almost certain that he had not shown them to any one, and that she and Dick alone knew them to have been completed. Moreover, it was a part of Dick’s duty to examine the contents of his friend’s office, and in doing this nothing would be easier than to possess himself of the drawings and make use of any part of them that might serve his purpose. He had Darrow’s authority for doing so; and though the act involved a slight breach of professional probity, might not his friend’s wishes be invoked as a secret justification? Mrs. Peyton found herself almost hating poor Darrow for having been the unconscious instrument of her son’s temptation. But what right had she, after all, to suspect Dick of considering, even for a moment, the act of which she was so ready to accuse him? His unwillingness to let her see the drawings might have been the accidental result of lassitude and discouragement. He was tired and troubled, and she had chosen the wrong moment to make the request. His want of readiness might even be due to the wish to conceal from her how far his friend had surpassed him. She knew his sensitiveness on this point, and reproached herself for not having foreseen it. But her own arguments failed to convince her. Deep beneath her love for her boy and her faith in him there lurked a nameless doubt. She could hardly now, in looking back, define the impulse upon which she had married Denis Peyton: she knew only that the deeps of her nature had been loosened, and that she had been borne forward on their current to the very fate from which her heart recoiled. But if in one sense her marriage remained a problem, there was another in which her motherhood seemed to solve it. She had never lost the sense of having snatched her child from some dim peril which still lurked and hovered; and he became more closely hers with every effort of her vigilant love. For the act of rescue had not been accomplished once and for all in the moment of immolation: it had not been by a sudden stroke of heroism, but by ever-renewed and indefatigable effort, that she had built up for him the miraculous shelter of her love. And now that it stood there, a hallowed refuge against failure, she could not even set a light in the pane, but must let him grope his way to it unaided.
Mrs. Peyton’s midnight musings summed themselves up in the conclusion that the next few hours would end her uncertainty. She felt the day to be decisive. If Dick offered to show her the drawings, her fears would be proved groundless; if he avoided the subject, they were justified.
She dressed early in order not to miss him at breakfast; but as she entered the dining-room the parlour-maid told her that Mr. Peyton had overslept himself, and had rung to have his breakfast sent upstairs. Was it a pretext to avoid her? She was vexed at her own readiness to see a portent in the simplest incident; but while she blushed at her doubts she let them govern her. She left the dining-room door open, determined not to miss him if he came downstairs while she was at breakfast; then she went back to the drawing-room and sat down at her writing-table, trying to busy herself with some accounts while she listened for his step. Here too she had left the door open; but presently even this slight departure from her daily usage seemed a deviation from the passive attitude she had adopted, and she rose and shut the door. She knew that she could still hear his step on the stairs—he had his father’s quick swinging gait—but as she sat listening, and vainly trying to write, the closed door seemed to symbolize a refusal to share in his trial, a hardening of herself against his need of her. What if he should come down intending to speak, and should be turned from his purpose? Slighter obstacles have deflected the course of events in those indeterminate moments when the soul floats between two tides. She sprang up quickly, and as her hand touched the latch she heard his step on the stairs.
When he entered the drawing-room she had regained the writing-table and could lift a composed face to his. He came in hurriedly, yet with a kind of reluctance beneath his haste: again it was his father’s step. She smiled, but looked away from him as he approached her; she seemed to be re-living her own past as one re-lives things in the distortion of fever.
“Are you off already?” she asked, glancing at the hat in his hand.
“Yes; I’m late as it is. I overslept myself.” He paused and looked vaguely about the room. “Don’t expect me till late—don’t wait dinner for me.”
She stirred impulsively. “Dick, you’re overworking—you’ll make yourself ill.”
“Nonsense. I’m as fit as ever this morning. Don’t be imagining things.”
He dropped his habitual kiss on her forehead, and turned to go. On the threshold he paused, and she felt that something in him sought her and then drew back. “Good-bye,” he called to her as the door closed on him.
She sat down and tried to survey the situation divested of her midnight fears. He had not referred to her wish to see the drawings: but what did the omission signify? Might he not have forgotten her request? Was she not forcing the most trivial details to fit in with her apprehensions? Unfortunately for her own reassurance, she knew that her familiarity with Dick’s processes was based on such minute observation, and that, to such intimacy as theirs, no indications were trivial. She was as certain as if he had spoken, that when he had left the house that morning he was weighing the possibility of using Darrow’s drawings, of supplementing his own incomplete design from the fulness of his friend’s invention. And with a bitter pang she divined that he was sorry he had shown her Darrow’s letter.
It was impossible to remain face to face with such conjectures, and though she had given up all her engagements during the few days since Darrow’s death, she now took refuge in the thought of a concert which was to take place at a friend’s house that morning. The music-room, when she entered, was thronged with acquaintances, and she found transient relief in that dispersal of attention which makes society an anesthetic for some forms of wretchedness. Contact with the pressure of busy indifferent life often gives remoteness to questions which have clung as close as the flesh to the bone; and if Mrs. Peyton did not find such complete release, she at least interposed between herself and her anxiety the obligation to dissemble it. But the relief was only momentary, and when the first bars of the overture turned from her the smiles of recognition among which she had tried to lose herself, she felt a deeper sense of isolation. The music, which at another time would have swept her away on some rich current of emotion, now seemed to island her in her own thoughts, to create an artificial solitude in which she found herself more immitigably face to face with her fears. The silence, therecueillement, about her gave resonance to the inner voices, lucidity to the inner vision, till she seemed enclosed in a luminous empty horizon against which every possibility took the sharp edge of accomplished fact. With relentless precision the course of events was unrolled before her: she saw Dick yielding to his opportunity, snatching victory from dishonour, winning love, happiness and success in the act by which he lost himself. It was all so simple, so easy, so inevitable, that she felt the futility of struggling or hoping against it. He would win the competition, would marry Miss Verney, would press on to achievement through the opening which the first success had made for him.
As Mrs. Peyton reached this point in her forecast, she found her outward gaze arrested by the face of the young lady who so dominated her inner vision. Miss Verney, a few rows distant, sat intent upon the music, in that attitude of poised motion which was her nearest approach to repose. Her slender brown profile with its breezy hair, her quick eye, and the lips which seemed to listen as well as speak, all betokened to Mrs. Peyton a nature through which the obvious energies blew free, a bare open stretch of consciousness without shelter for tenderer growths. She shivered to think of Dick’s frail scruples exposed to those rustling airs. And then, suddenly, a new thought struck her. What if she might turn this force to her own use, make it serve, unconsciously to Dick, as the means of his deliverance? Hitherto she had assumed that her son’s worst danger lay in the chance of his confiding his difficulty to Clemence Verney; and she had, in her own past, a precedent which made her think such a confidence not unlikely. If he did carry his scruples to the girl, she argued, the latter’s imperviousness, her frank inability to understand them, would have the effect of dispelling them like mist; and he was acute enough to know this and profit by it. So she had hitherto reasoned; but now the girl’s presence seemed to clarify her perceptions, and she told herself that something in Dick’s nature, something which she herself had put there, would resist this short cut to safety, would make him take the more tortuous way to his goal rather than gain it through the privacies of the heart he loved. For she had lifted him thus far above his father, that it would be a disenchantment to him to find that Clemence Verney did not share his scruples. On this much, his mother now exultingly felt, she could count in her passive struggle for supremacy. No, he would never, never tell Clemence Verney—and his one hope, his sure salvation, therefore lay in some one else’s telling her.
The excitement of this discovery had nearly, in mid-concert, swept Mrs. Peyton from her seat to the girl’s side. Fearing to miss the latter in the throng at the entrance, she slipped out during the last number and, lingering in the farther drawing-room, let the dispersing audience drift her in Miss Verney’s direction. The girl shone sympathetically on her approach, and in a moment they had detached themselves from the crowd and taken refuge in the perfumed emptiness of the conservatory.
The girl, whose sensations were always easily set in motion, had at first a good deal to say of the music, for which she claimed, on her hearer’s part, an active show of approval or dissent; but this dismissed, she turned a melting face on Mrs. Peyton and said with one of her rapid modulations of tone: “I was so sorry about poor Mr. Darrow.”
Mrs. Peyton uttered an assenting sigh. “It was a great grief to us—a great loss to my son.”
“Yes—I know. I can imagine what you must have felt. And then it was so unlucky that it should have happened just now.”
Mrs. Peyton shot a reconnoitring glance at her profile. “His dying, you mean, on the eve of success?”
Miss Verney turned a frank smile upon her. “One ought to feel that, of course—but I’m afraid I am very selfish where my friends are concerned, and I was thinking of Mr. Peyton’s having to give up his work at such a critical moment.” She spoke without a note of deprecation: there was a pagan freshness in her opportunism.
Mrs. Peyton was silent, and the girl continued after a pause: “I suppose now it will be almost impossible for him to finish his drawings in time. It’s a pity he hadn’t worked out the whole scheme a little sooner. Then the details would have come of themselves.”
Mrs. Peyton felt a contempt strangely mingled with exultation. If only the girl would talk in that way to Dick!
“He has hardly had time to think of himself lately,” she said, trying to keep the coldness out of her voice.
“No, of course not,” Miss Verney assented; “but isn’t that all the more reason for his friends to think of him? It was very dear of him to give up everything to nurse Mr. Darrow—but, after all, if a man is going to get on in his career there are times when he must think first of himself.”
Mrs. Peyton paused, trying to choose her words with deliberation. It was quite clear now that Dick had not spoken, and she felt the responsibility that devolved upon her.
“Getting on in a career—is that always the first thing to be considered?” she asked, letting her eyes rest musingly on the girl’s.
The glance did not disconcert Miss Verney, who returned it with one of equal comprehensiveness. “Yes,” she said quickly, and with a slight blush. “With a temperament like Mr. Peyton’s I believe it is. Some people can pick themselves up after any number of bad falls: I am not sure that he could. I think discouragement would weaken instead of strengthening him.”
Both women had forgotten external conditions in the quick reach for each other’s meanings. Mrs. Peyton flushed, her maternal pride in revolt; but the answer was checked on her lips by the sense of the girl’s unexpected insight. Here was some one who knew Dick as well as she did—should she say a partisan or an accomplice? A dim jealousy stirred beneath Mrs. Peyton’s other emotions: she was undergoing the agony which the mother feels at the first intrusion on her privilege of judging her child; and her voice had a flutter of resentment.
“You must have a poor opinion of his character,” she said.
Miss Verney did not remove her eyes, but her blush deepened beautifully. “I have, at any rate,” she Said, “a high one of his talent. I don’t suppose many men have an equal amount of moral and intellectual energy.”
“And you would cultivate the one at the expense of the other?”
“In certain cases—and up to a certain point.” She shook out the long fur of her muff, one of those silvery flexible furs which clothe a woman with a delicate sumptuousness. Everything about her, at the moment, seemed rich and cold—everything, as Mrs. Peyton quickly noted, but the blush lingering under her dark skin; and so complete was the girl’s self-command that the blush seemed to be there only because it had been forgotten.
“I dare say you think me strange,” she continued. “Most people do, because I speak the truth. It’s the easiest way of concealing one’s feelings. I can, for instance, talk quite openly about Mr. Peyton under shelter of your inference that I shouldn’t do so if I were what is called ‘interested’ in him. And as Iaminterested in him, my method has its advantages!” She ended with one of the fluttering laughs which seemed to flit from point to point of her expressive person.
Mrs. Peyton leaned toward her. “I believe you are interested,” she said quietly; “and since I suppose you allow others the privilege you claim for yourself, I am going to confess that I followed you here in the hope of finding out the nature of your interest.”
Miss Verney shot a glance at her, and drew away in a soft subsidence of undulating furs.
“Is this an embassy?” she asked smiling.
“No: not in any sense.”
The girl leaned back with an air of relief. “I’m glad; I should have disliked—” She looked again at Mrs. Peyton. “You want to know what I mean to do?”
“Yes.”
“Then I can only answer that I mean to wait and see what he does.”
“You mean that everything is contingent on his success?”
“Iam—if I’m everything,” she admitted gaily.
The mother’s heart was beating in her throat, and her words seemed to force themselves out through the throbs.
“I—I don’t quite see why you attach such importance to this special success.”
“Because he does,” the girl returned instantly. “Because to him it is the final answer to his self-questioning—the questioning whether he is ever to amount to anything or not. He says if he has anything in him it ought to come out now. All the conditions are favourable—it is the chance he has always prayed for. You see,” she continued, almost confidentially, but without the least loss of composure—“you see he has told me a great deal about himself and his various experiments—his phrases of indecision and disgust. There are lots of tentative talents in the world, and the sooner they are crushed out by circumstances the better. But it seems as though he really had it in him to do something distinguished—as though the uncertainty lay in his character and not in his talent. That is what interests, what attracts me. One can’t teach a man to have genius, but if he has it one may show him how to use it. That is what I should be good for, you see—to keep him up to his opportunities.”
Mrs. Peyton had listened with an intensity of attention that left her reply unprepared. There was something startling and yet half attractive in the girl’s avowal of principles which are oftener lived by than professed.
“And you think,” she began at length, “that in this case he has fallen below his opportunity?”
“No one can tell, of course; but his discouragement, hisabattement, is a bad sign. I don’t think he has any hope of succeeding.”
The mother again wavered a moment. “Since you are so frank,” she then said, “will you let me be equally so, and ask how lately you have seen him?”
The girl smiled at the circumlocution. “Yesterday afternoon,” she said simply.
“And you thought him—”
“Horribly down on his luck. He said himself that his brain was empty.”
Again Mrs. Peyton felt the throb in her throat, and a slow blush rose to her cheek. “Was that all he said?”
“About himself—was there anything else?” said the girl quickly.
“He didn’t tell you of—of an opportunity to make up for the time he has lost?”
“An opportunity? I don’t understand.”
“He didn’t speak to you, then, of Mr. Darrow’s letter?”
“He said nothing of any letter.”