T. Jefferson Bender was a doctor; that is, he was not a real, legal doctor as yet, but he was a hard student, and looked hopefully toward a day when, in accordance with the statutes in such cases made and provided, he would be cantered through the examination chute, and entitled to write “M. D.” following his name, with all that it implied.
Each morning T. Jefferson Bender arose with the lark, and, seizing his dissecting knife, plunged into whatever subject was spread before him. In the afternoon he attended lectures, bending a hungry ear and watching with eager eye, while the lecturer, in illustration of his remarks, tortured poor people, free of charge. At night, when the day's carvings, and listenings, and lookings were over, T. Jefferson Bender sat in his easy chair and peered down the long aisle of coming time.
The world was bright to the glance of T. Jefferson Bender; the future full of promise. In his musings he saw himself striding towards surgical fame and riches over a pathway strewn with the amputational harvest of his skill. He filled the hereafter with himself routing disease; cutting down deadly maladies as a farmer might the mullein-stalk; driving before him bacteria and bacilli in herds, droves, schools and shoals. T. Jefferson Bender was a happy man, and his forehead was already, in his imaginings, kissed by the rays of a dawning professional prosperity.
T. Jefferson Bender allowed himself but one relaxation. He was from Lexington, and had a true Kentuckian's love for horseflesh. Thus it was that he patronised the races, and was often seen at Morris Park, where he prevailed from a seat in the grand-stand. Here, casting off professional dignity as he might a garment, T. Jefferson Bender whooped and howled and hurled his hat on high, as race following race swept in.
At intervals T. Jefferson Bender was carried to such heights of madness as “playing the horses.” And then it was he suffered those vicissitudes which are chronicled colloquially under the phrase of “getting it in the neck.”
It was the day of the great race. The Morris Park grand-stand was reeling full. The quarter stretch was crowded with Democrats and Republicans and Mugwumps, who, laying aside political hatreds for a day, had come to see the races. The horses were backing and plunging in the grasp of rubbers and stable minions, while the gay jockeys, with their mites of saddles on their left arms, were being weighed in.
Suddenly, a cry of terror rent the air. Otero, a headstrong beauty, had leaped upon the neck of Paddy the Pig, a horse rubber, and borne him to the earth. Paddy the Pig's neck was severely wrenched, so the crowd said. As the accident occurred, the victim fainted.
“Is there a doctor present?” shouted one of the race judges, appealing to the grand-stand.
T. Jefferson Bender arose from where he sat, walked over seventeen men and women, and leaped upon the stretch.
“I am here,” observed T. Jefferson Bender, while his eye lighted and his nostrils expanded with the ardour of a great resolve.
T. Jefferson Bender bent above Paddy the Pig and felt his pulse.
“He lives!” muttered T. Jefferson Bender.
Then he called for whiskey.
At the magical words, Paddy the Pig languidly opened his eyes, while a flush dimly painted his cheek.
“Doc, you have saved my life!” said Paddy the Pig.
“I have,” said T. Jefferson Bender, willing to be impressive. “I have saved your life.”
“Doc,” said Paddy the Pig in a weak, fluttering voice, “I am only a horse rubber, but I will make you rich. Play Skylight to win, Doc; Skylight! It's a tip from the tomb!”
“It's a tip from the tomb!” said T. Jefferson Bender reverently, “what are the odds?”
“It's a 20-to-1 shot, Doc. Play it. You will thus be paid for what you've done for me.”
That night T. Jefferson Bender stood in a pawnshop. The flickering gaslight shone on mandolins, pistols, watches, and clothing, which had suffered the ordeal of the spout. T. Jefferson Bender was dusty and footsore. He had walked from Morris Park, and was now about to pawn his watch for food.
0217
(Annals of The Bend)
Why, yes,” responded Chucky readily enough, “there's choiches of all sorts, same as there's folks, see! Some does good an' then ag'in there's others that ain't so warm.”
It was rude, cold weather. Because of the bluster and the freezing air without, Chucky had abandoned his customary ale for hot Scotches. These and the barroom's pleasant heat, in contrast with the chill and gusts of the street, served to unfold Chucky's conversational powers. He even waxed philosophical.
“For that matter,” continued Chucky, critically, “there's lots of good lyin' 'round loose. Sometimes it's dead hard to find, but it's there all d' same, if youse is fly enough to pipe it off. An' it ain't all in d' choiches neither. As I states, I'm d' last mug to go knockin' d' choiches, but dey ain't got no corner on d' good of this woild. There is others. D' choices ain't d' only apple on d' tree. Nor yet d' onliest gas jet on 'd chandelier.
“Say!” Chucky went on, after a further taste of the hot Scotch, “on d' level! I'm onto achoich what's got nex' to a bakery, an' what do youse t'ink? Each night d' bakery don't do a t'ing but give every poor hobo who fronts up to d' window a loaf of bread. That's for fair! an 'd' gezebo who runs d' bakery is a Dutch Sheeny at that. Would youse get bread if you was to go chasin' nex' door to d' choich? Nit; t'ree times nit! If you was to go slammin' 'round d! choich makin' a talk for a hand-out, all youse would get would be d' collar, see!
“Onct a week that sanchewary would fill youse to d' chin on chimes; oh, yes! but no buns; not on your life! Chimes is d' limit wit' that choich. An' say! it's got money to boin! Bread at d' bakery! chimes at d' choich! that's how dey line t'ings up at that corner. An' I'm here to say as between d' brace of 'em, when it gets down to d' cold proposition, 'W'ich does d' most good?' d' bakery can lose that temple of worship in a walk. I strings me money on d' bakery. An' don't youse forget it!”
Chucky was quite exhausted after this outburst. He revived, however, with the hot Scotch, which restored him mightily.
“Onct,” resumed Chucky, “about ten years ago, this is, I was where a w'ite choker was takin' up a c'llection. An' what do youse figure he wants it for? I'm a black Republican if he didn't break it off on us that he was out to make up a wad so his congregation could cel'brate d' fortieth birt'-day of gold in Californy. Don't that knock youse silly? D' w'ite choker says as how he comes from Californy an' him an' his push is goin' to toin themselfs loose, see! an whoop it up because dey found gold forty spaces back. It made me tired, honest!
“'Why!' I says to this pulpit t'umper, just like that, 'Why! don't youse preach that gold is d' roots of evil? An' now youse is framin' up a blow-out over findin' it! It looks like a dead gauzy bluff to me.'
“What does d' w'ite choker mark do? Just gives me d' dead face an' ignores me.
“Youse permits yourself to be amazed at me pickin' this guy up about gold bein' d' seeds of evil,” observed Chucky, with a touch of severity. This was in response to some syllable of admiration I'd let fall. “Youse needn't mind. I'll give youse a tip that in me yout' I was d' star peeple of d' Sunday school dey opens long ago at d' Five Points. That's straight goods, see! I was d' soonest kid at me lessons that ever comes down d' pike, an 'd' swiftest ever. I has all d' other kids on d' blink. I win a test'ment onct from d' outstretched mits of d' entire push, bar d' Bible class, for loinin' more verses be heart than anybody. I downs every kid in d' bunch. I made 'em look like a lot of suckers!” and Chucky paused in approving meditation over the victories of boyhood days.
“Still d' choiches does dead lots o' good,” asserted Chucky, coming back to the subject. “There's d' case of Bridgy McGuire. She makes two or t'ree trips to d' Cat'lic joint over on Mott Street, an' all she loins, so it sticks in her frizzes, is: 'Honour dy father an' dy mother,' see! An' Bridgy says herself it's that what brings her back after she's been run away from home for six years. Bridgy shows up just in time to straighten out d' game for d' McGuires at that. D' fam'ly was on d' hog for fair when Bridgy gets there.
“Nixie, d' yarn ain't so long, nor yet so scarce; for that matter, there's lots more like 'em. In d' foist place, this mark, McGuire, Bridgy's dad, ain't so bad. Mac's a bricklayer; but d' loose screw wit' him was that he ain't woikin' in d' winter; an' as durin' d' summer he gen'rally lushes more whiskey than he lays bricks, an' is more apt to hit d' bottle than a job, d' McGuire household's more or less on d' bum, see!
“I remembers Bridgy when she's so little a yard makes a frock for her. She was a long, slim, bony kid, wit' legs on her like she's built to pick hops; an' if Bridgy shows anyt'ing in her breed when young, it's a strong streak of step-ladder.
“In her kid days I wasn't noticin' Bridgy much; d' fact was, then as now, I'm havin' troubles, of me own. Her mommer, who was pretty near an even break wit' Mac himself when it comes to hittin' up d' booze, every now an' then t'run back to d' religious days of her own yout', an' it's durin' one of these Bible fits of d' old woman that she saws Bridgy off on d' choich, where I speaks of her gettin 'd' hunch from d' priest, or somebody, that it's d' fly caper if youse is out to finish wit' d' heavenly squeeze, to honour your father an' mother.
“As I relates, I ain't dead clear about Bridgy when she's young an' little, except it does come chasin' back to me that she's dead gone on dancin' an' knock-about woik. Onct when me an' d' McGuires is livin' on d' same floor, I hears a racket in d' hall like some sucker is tryin' to come downstairs wit' a tool chest. Naturally, I shoves me nut outside me door to tell him to go chase himself. But it's only Bridgy—mebby she's twelve at d' time—practyesing. I keeps me lamps onto her awhile, an' she never tumbles I'm there; for I don't say nothin', but lays dead. Bridgy is doin' han'-stan's, cartwheels, backbends, fallin' splits an' all sorts of funny stunts.
“'Is this an accident, or does you mean it?' I asts at last, as Bridgy winds up a cartwheel wit' a split that looks like it's goin' to leave her on bot' sides of d' passage way.
“'I'm doin' a spread,' says Bridgy, 'same as d' Boneless Wonder at Miner's, see!' An' here she lays her little cocoa down on her knee to show she's comfortable, an' dead easy in her mind.
“Wit'out keepin' exact tabs on Bridgy, I'm able to state that as soon as she's big enough she goes to woik; an' at one time an' another she sells poipers, does a toin in a vest factory, or some other sweat shop; an' at last, when she's about seventeen, she's model in a cloak joint. She gets along all right, all right for a space or so, when one day d' old grey guy who owns d' woiks takes it into his nut he'll float into Bridgy's 'fections.
“'Love youse!' says Bridgy, to this aged stiff; 'old gent, you're dopey! If youse give way to a few more dreams like that, your folks 'll put you in d' booby house. Yous'll be in Bloomin'dale cuttin' poiper dolls d' foist news you know.'
“At this d' wicked old geezer makes a strong talk—makes d' speech of his life. But Bridgy won't stand for him, nor his game.
“'Come off your perch!' she says at last. 'Either you corks up or I quits. You don't make no hit wit' me at all.'
“But d' old mucker don't let up none, an' keeps on givin' Bridgy a song an' dance about his love for her; so at last she makes her bluff good an' walks out of d' joint an' goes home.
“McGuire was hot in d' collar at Bridgy t'runnin' down her job; but d' old woman, she says Bridgy does dead right; an' for a finish Mac an 'd' old woman goes on a drunk an' has a fight over it; after which d' subject's dropped, see! an' that's d' end of it. I only sees Bridgy onct after that, before she screws her cocoa. That's at d' Tugman's Ball; where she's d' Queen spieler of d' bunch, an' shows on d' floor as light an' graceful as so much cigar smoke. It's right on d' heels of this that Bridgy fades from d' Bend for fair, an' no one has d' least line on her or knows where she's at.
“It runs on for t'ree or four spaces, an 'd' McGuires keeps gettin' drunker an' harder up. More'n onct d' neighbors has to bring in d' grub, or dey wouldn't have done a t'ing but starve. Dey's jumpin' sideways for food to chew, I'll tell youse that right now, as much as half d' time. Durin' all this no one hears a woid about Bridgy.
“Of course, no one's makin' much of a roar. There's a good deal doin' about d' Bend, see! An' d' comin' or d' goin' of a skirt more or less don't cut much ice.
“It's in d' winter, an 'd' McGuires has been carryin' on bad. No woik, no money, no grub! On d' dead! it's a forty-to-one shot dey bot' finishes at d' morgue, or d' Island before d' spring comes 'round. For d' winter is bad in d' Bend, an' while everybody is on, that d' McGuires is strikin' it hard, d' most of us is havin' all we can do runnin' down t'ree feeds a day, so d' McGuires ain't what*d' poipers calls 'much in d' public eye,' after all. One evenin', however, Mac comes sprintin' to me, an' he's fair sober for him.
“'Nit!' he says, when I asts him, 'nit; none of d' ellegunt for me!'
“Then I tumbles there's a cochin on. McGuire's t'runnin' off on a drink was a new one on d' Bend.
“'Come wit' me,' he says, 'to Roster & Bial's.'
“'Come wit' youse to Koster's!' I retort. 'That's a dandy idee; youse ought to sew buttons on it! Come to Koster & Bial's! Who's got d' price?'
“'Here's d' pasteboards,' says Mac.
“An' I'm a liar' if he ain't got 'em. So we goes, see!
“D' fift' toin on d' programme is a 'Mamselle Fleury from Paris.' She's down on d' bills as a singer, dancer an' high kicker. I'm leanin' back in me seat feelin' sore on meself for not makin' Mac hock d' tickets for beer, when all at onct Mac gives me a jolt in d' slats wit' his elbow, an' pointin' one of his main hooks at this French tart, where she's singin' on d' stoige—an' say! she's a boid an' a Kokobola—an' says:
“'Be youse on?'
“I focuses me peeps on this Fleury, all pink tights an' silks an' feathers, where she's doin' her toin. I'm a lobster if she ain't Bridgy McGuire!
“'What th' 'ell! what th' bloomin' 'ell!' is all I can say; an' on d' square! Mac has to drag me out an' lay an oyster on me before I'm meself ag'in. It comes mighty near stoppin' me in d' foist round.
“You sees d' finish. Bridgy's took to d' stoige. She's been over in London an' Paris; an' say! she's got d' game down fine as silk. She'd come back an' was beatin 'd' box for t'ree hundred plunks a week.
“Sure! Bridgy had been up to find her folks. Foist she said she t'ought she'd pass 'em up. Dey had given her d' woist of it when she's a kid; why should she bother! But she tells us herself, talkin' it over, how when she struck d' old town ag'in, an' old sights begins to toin up old mem'ries, it starts to run in her wig about d' Bend an 'd' old days. An' what stan's out clearest is d' little old Cat'lic choich, an 'd' guff dey gives her d' onct or twict she shows up there, about honourin' her father an' mother. I s'pose what youse would call Bridgy's conscience gets a run for its money. Anyhow, somet'ing inside of her took to chewin' d' rag, an' showin' Bridgy's she's wrong, an' at d' last, she can't stand for it no longer, an' so she sends a tracer out for her mother an' dad, an' lands 'em.
“D' McGuires live in Harlem now. Dey drinks better whiskey then dey did in d' Bend, an' less of it. Bridgy is a wonder an' a winner; in it wit' bot' feet an' has dough to back every needful racket. Yes, d' choich does it, give it d' credit; an' youse can gamble your last chip d' McGuires crosses themselfs every time dey sees one. An' dey's dead flossy so to do.”
“Get the galoot to urge the Bill, gal; and I'll make over half them phosphate beds to you. The Senate has already passed it.”
“I'll do my best, Uncle Silver Tip,” said Agnes Huntington. “Slippery Elm Benton loves me, and he cannot refuse his affianced wife his vote.”
“They'd hang him in Colorado if he did,” observed Uncle Silver Tip; “but see to it at once, gal; the fourth of March draws on apace. All must then be over, or all is lost.”
Agnes Huntington pressed her expectant nose against the pane. Outside the snowstorm was profound. The flakes crowded the air as they fell. The drifts were four feet deep on Connecticut avenue. A man wrapped in furs pushed his way toward the Chateau d' Huntington. It was Arctic cold, but love beckoned him. He stamped the snow from his feet in the entry. The next moment Agnes Huntington had curled about his neck in a festoon of affection.
It was Representative Slippery Elm Benton.
Agnes Huntington was a beautiful creature—tall, slender, spirituelle, with eyes as dark and deep as the heavens at-night. Agnes Huntington had but one fault: she would sell the honour of the man she loved.
Agnes Huntington was out for the stuff bigger than a wolf.
Sometimes I doubt the longevity of our bliss,” he said. “Despair rides on the crupper of my hopes at times. The Witch of Waco told how in a trance she saw my future spread before me like a faro layout. 'And,' said the Witch of Waco, I saw the pale hand of Fate put a copper on the queen. You may be lynched, but you will never wed.' Such was her bleak bode.”
And Slippery Elm Benton trembled like a child.
“Heed her not, dearest,” murmured Agnes Huntington. “Surrender yourself, as I do, to the solemn currents of our love. And, darling, promise me again, you will do what is needful for the Phosphate Bill. It would brighten the last days of dear old Uncle Silver Tip.”
“Where is your aged relative?” asked Slippery Elm Benton, moodily.
“We'd better not call him, dearest,” she said. “Uncle is lushing to-night, and he is unpleasant when he has been tanking up. What you do for the Phosphate Bill, you do for me.”
It was “suspension day,” and the Phosphate Bill went through the House like the grace of Heaven through a camp-meeting.
Half of that phosphate bed is yours, gal,” said Uncle Silver Tip, when Agnes Huntington told him the Bill was already at the White House for the President's signature. “It's wuth a million; an' you've 'arned it, gal! It was to turn sech tricks as this your old uncle sent you from the wild and woolly West to an Eastern seminary, and had them knock your horns off. It cost a bunch of cattle, but it's paid.”
There's something I must tell you, love,” said Agnes Huntington; “you would know all in time, and it is better that you learn it now from the lips of your Agnes.”
“What is it, beautiful one?” said Slippery Elm Benton, languidly.
The Congressional day, with its labours, had wearied our hero, and, although with the woman he loved, he still felt fatigued.
“Read this,” said Agnes, as she pushed a paper into her lover's hand, and shrank back as if frightened.
The paper made over one-half of the phosphate bed to Agnes Huntington.
“And it was for this you sold my vote in the House!” and Slippery Elm Benton laughed mockingly.
“Oh, say not so, love!” said Agnes Huntington, piteously. “Rather would I hear you curse than laugh like that!”
“And so the vote and influence of Slippery Elm Benton are basely bargained by the woman he loved for a one-half interest in a phosphate bed!”
Slippery Elm Benton strode up and down the apartment, tossing his arms like a Dutch windmill.
Agnes Huntington cowered before the wrath of her lover.
“What would you have?” she cried.
“What would I have!” repeated Slippery Elm Benton, with a sneer, which all but withered the weeping girl; “what would I have! I would have all—all! My vote and influence were worth the entire phosphate bed, and you basely accepted a paltry moiety! Go from my side, false woman; you who would put so low an estimate upon me! The Witch of Waco was right. I leave you. I leave you as one unfit to be the wife of a Congressman!”
And Slippery Elm Benton, while Agnes Huntington swooned on the rug, rushed into the night and the snow.
SUMMER was here and the day was warm. Henry Speny had been walking, and now stood at-the corner of Tenth Avenue and Twenty-eighth street, mopping his brow. Henry Speny was a Conservative; and, although Mrs. Speny had that morning gone almost to the frontiers of a fist fight to make him change his underwear for the lighter and more gauzy apparel proper to jocund August, Henry Speny refused. He was now paying the piper, and thinking how much more Mrs. Speny knew than he did, when the Tramp came up.
“Podner!” said the Tramp in a low, guttural whine, intended to escape the ear of the police and touch Henry Speny's heart at one and the same time; “podner! couldn't you assist a pore man a little?”
“Assist a poor man to what?” asked Henry Speny, returning his handkerchief to his pocket and looking scornfully at the Tramp.
He was a fat, healthy Tramp, in good condition. Henry Speny hardened his heart.
“Dime!” replied the Tramp; “dime to get somethin' to eat.”
“No,” said Henry Speny shortly; “I'm a half dozen meals behind the game myself.”
This last was only Henry Speny's humour. Mrs. Speny fed him twice a day. But Henry Speny knew that the Tramp wanted the dime for whiskey.
“Well! if you don't think I want it to chew on,” said the Tramp, “jest' take me to a bakery and buy me a loaf of bread. I'll get away with it right before you.”
“Say!” remarked Henry Speny, in a spirit of sarcastic irritation, “what's the use of your talking to me? There's the Charity Woodyard in this town, where, if you were really hungry, you would go and saw wood for something to eat. You can get two meals and a bed for sawing one-sixteenth of a cord of wood.”
“You can't saw wood with no such fin as this, podner!” said the Tramp; and pulling up his coat sleeve he displayed to Henry Speny an arm as withered as a dead tree. “The other's all right,” he continued, restoring his coat sleeve; “but wot's one arm in a catch-as-catch-can racket with a bucksaw?”
Henry Speny was conscience-stricken, but he would defeat the Tramp in his efforts to buy whiskey.
“I'll go down to the woodyard and saw your wood myself,” said Henry Speny.
He told Mrs. Speny afterward that he could not account for the making of this offer, unless it was his anxiety to keep the Tramp sober. All the Tramp wanted was ten cents, and for Henry Speny to propose to saw one-sixteenth of a cord of hard wood on a hot day, when a dime would have made all things even, was a conundrum too deep for Henry Speny, as he looked back over the transaction. But he did make the proposal; and the Tramp accepted with a grin of gratitude.
There were twenty sticks in that one-sixteenth of a cord—hard, knotty sticks, too. And each one had to be sawed three times; sixty cuts in all. It was a poor bucksaw. Before he had finished the third stick, Henry Speny declared that it was the most beastly bucksaw he ever handled in his life. The buck itself was a wretched buck, and wouldn't stand still while Henry Speny sawed. It had a habit of tipping over; and when Henry Speny put his knee on the stick to steady the refractory buck, the knots tore his trousers and made his legs black and blue. Then the perspiration got in his eyes and made them smart. When he wiped it away he saw two of his friends looking at him in a shocked, sober way from across the street. They passed on, and told everybody that Henry Speny was down at the Charity Woodyard sawing wood for his food. They said, too, that they had reason to believe he did this every day; that business had gone to pieces with him, and an assignment couldn't be staved off much longer.
Henry Speny would have thrown up the job with the second stick, but the Tramp was already half through his meal; Henry Speny could see him bolting his food like a glutton through the window, from where he stood.
It took Henry Speny two hours to saw those twenty sticks sixty times. His hands were a fretwork of blisters; his back and shoulders ached like a galley-slave's. Henry Speny hired a carriage to take him home; he couldn't stand the slam and jolt of a street car. He was laid up three days with the blisters on his hands, while Mrs. Speny rubbed his back and shoulders with Pond's Extract.
On the fourth day, as Henry Speny was limping painfully toward his office, he heard a voice he knew.
“Podner! can't you assist a pore m—Oh! beg pardon; you looked so different I didn't know you!” It was the fat Tramp with the withered arm. Without a word Henry Speny gave him ten cents and hobbled on.
What's d' flossiest good t'ing I'm ever guilty of?” said Chucky. There was a pause. Chucky let his eye—somewhat softened for him—rove a bit abstractedly about the sordid bar. At last it came back to repose on the beer mug before him, as the most satisfying sight at easy hand.
“Now,” retorted Chucky, as he wet his lip, “that question is a corker. 'What's d' star good deed you does?' is d' way you slings it.
“Will I name it? In a secont—in a hully secont! It's d' story of a little goil I steals, an' sticks in for ever since. This kid's two years comin' t'ree, when I pinched it, so to speak; an' youse can bet your boots! she was reg'larly up ag'inst it. A fly old sport like Chucky would never have mingled wit' her destinies otherwise; not on your life! Between youse, an' me, an' d' bar-keep over there, I ain't got no more natural use for kids than I have for a wet dog. But never mind! we'll pass up that kink in me make-up an' get down to this abduction I prides meself on.
“It's nine spaces ago, an 'd' kid in dispoote is now goin' on twelve. I've been, as I states, stickin' in for her ever since, an' intends to play me string to a finish. But to go on wit' me romance.
“As I relates, d' play I boasts of is nine spaces in d' rear, see! In that day I has a dandy graft. I've got me hooks on as big a bundle as a hundred plunks, many an' many is d' week. I'd be woikin' it now only I lushes too free.
“Here's how in that day I sep'rated suckers from their stuff. It was simply fakin', of d' smoot' an' woidy sort, see! I'd make up like a Zulu, wit' burnt cork, an' feathers, an' queer duds; an' then I'd climb into an open carriage, drive to a good corner, do a bit of chin music, pull a crowd an' sell 'em brass jewellery.
“Me patter would run something like this: D' waggon would stop an' I'd stand up. Raisin' me lamps to d' heavens above, I'd cut loose d' remark at d' top of me valves:
“'It looks like rain! It don't look like a t'ing but rain!'
“Wit' me foist yell d' pop'lace would flock 'round, an' in two minutes there would be a hundred people there. In ten, there'd be a t'ousand, if d' cops didn't get in their woik. I'll give youse a tip d' great American public is d' star gezebos to come to a dead halt, an' look an' listen to t'ings. More'n onct I've seen some stiff who's sprintin' for a doctor, make a runnin' switch at d' sound of me voice an' side-track himself for t'irty minutes to hear me. Dey's a dead curious lot, d' public is; buy a French pool on that!
“W'en d' crowd is jammed all about me carriage w'eels, I'd cut loose some more. I'd quit d' rain question cold, an' holdin' up an armful of jimcrow jewellery, I'd t'row meself like this:
“'Loidies an' gents,' I'd say, 'I'm d' only orig'nal Coal Oil Johnny. An' I'm a soon mug at that, see! I don't get d' woist of it; not on your neckties. I gives away two hundred an' I takes in four hundred toadskins (dollars) an' I don't let no mob of hayseeds do me, so youse farmers needn't try.
“'Look at me! Cast your lamps over me! I'm one of Cetewayo's Zulu body-guard, an' I'm here from Africa on a furlough to saw off on suckers a lot of bum jewellery, an' down youse for your dough, see! I'm goin' to offer for sale four t'ings: I'm goin' to sell youse foist ten rings, then ten brooches, then ten chains, and then ten watches. An' when I gets down to d' watches, watch me dost; because, when I gets nex' to d' tickers I've reached d' point where I'm goin' to t'run youse down. I'm here to skin youse out of your money, an' leave youse lookin' like d' last run of shad.
“'But there's this pecoolarity about me sellin 'd' rings. Each ring is a dollar apiece, an' when I've shoved ten of 'em onto youse, every galoot who's paid me a dollar for one, gets his dollar back an' a dollar wit' it for luck.
“'Now here's d' rings, good folks an' all!'—here I*d flash d' rings; gilt, an' wort' t'ree dollars a ton!—'here's d' little crinklets! Who's goin' to take one at a dollar, an' at d' finish, when d' ten is sold, get two dollars back? Who'll be d' foist? Now don't rush me! don't crush me! but come one at a time. D' rings ain't wort' a dollar a ton: I only makes d' play for fun, an' because d' doctors who looks after me healt' says I'll croak if I don't travel. Who'll be d' early boid to nip a ring?
“'There you be!' I goes on, as some rustic gets to d' front an' hands up d' bill. 'Sold ag'in an' got d' tin, another farmer just sucked in!'
“So I goes, on,” continued Chucky, after reviving his voice—which his exertions had made a trifle raucous—with a swig at the tankard; “so I'd go on until d' ten rings would be sold. Then I'd go over d' outfit ag'in, take back d' rings, an' give 'em each a two-dollar willyum.”
Now push back into d' mob, you lucky guys,' I'd say, 'an' give your maddened competitors to d' rear of youse a chanct to woik d' racket. I'm goin' to sell ten brooches now for two dollars each, an' give back four dollars wit' every brooch. Then I'm goin' to dazzle youse wit' ten chains, at five cases per chain. An' then I'll get down to d' watches, at which crisis, me guileless come-ons, youse must be sure to watch me, for it's then I'll make a monkey of youse.'
“An' so I chins on, offerin' d' brooches at two dollars a t'row, an' at d' wind-up, when d' ten is gone, I gives back to each mucker who's got in, d' sum of four plunks, see!
“Be that time it's a knock-down an' drag-out around me cabrioley, to see who's goin' to transact business wit' me, an', wit'out as much cacklin' as a hen makes over an egg, I goes to d' chains an' floats ten of 'em at five a chain. As I sells d' last, I toins sharp on some duck who's dost be me w'eel an' says:
“'What's that? I'm a crook, am I! an' this ain't on d' level! Loidies an' gents, just for d' disparagin' remark of this hobo, who is no doubt funny in his topknot from drink, I'll go on an' sell ten more chains. After which I'll come down to d' watches, which is d' great commercial point where youse had better watch me, for it's there I'm goin' to lose you in a lope! An' that's for fair, see!'
“Ten more chains, at five a trip, goes off like circus lem'nade, an' I stows d' long an' beauteous green away in me keck. As d' last one of d' secont ten fades into d' hooks of d' last sucker, I stows d' five he's coughed up for it in me raiment, an' says:
“'An' now, loidies an' gents, we gets down to d' watches!'
“Wit' which bluff I lugs me ticker out an' takes a squint at it.
“'What th' 'ell!' I shouts. 'Here it's half-past t'ree, an' I was to be married at t'ree-fifteen! Hully gee! Excuse me, people, but I must fly to d' side of me beloved, or I'll get d' dead face; also d' frozen mit. I'll see youse dubs next year, if woikin' overtime wit' youse to-day ain't ruined me career.'
“As I'm singin' out d' last, I'm givin' me driver d' office to beat his dogs an' chase, see! An', bein' as he's on, an' is paid extra as his part of d' graft, he soaks d' horses wit' d' whip an' in twenty seconts d' crowd is left behint, an' is busy givin' each other d' laugh. No, there never was no row; no mug was ever mobbed for guyin'. Nit! I always comes away all right, an' youse can figure it, I'm sixty good bones in on d' racket.
“Naturally, youse would like to hear where d' kid breaks into d' play an' how I wins it. I'd ought to have told youse sooner, but, on d' level! when me old patter begins to flow off me tongue, I can't shut down until I've spieled it all.
“But about d' kid. One afternoon I'm goin' on—it's in Joisey City—wit' me Zulu war-paint an' me open carriage, givin 'd' usual mob d' usual jolly. T'ings is runnin' off d' reel like a fish new hooked, an' I'm down to me fift' chain. Just then I hears a woman say:
“'Fly's d' woid, Sallie! Here's your old man, an' he's got his load! He won't do a t'ing to youse! Screw out, Sal! screw out!”
“But Sallie, who's a tattered lookin' soubrette, wit' a kid in her arms, an' who's been standin' dost be one of me hind w'eels, don't get no chanct to skin out, see! There's a drunken hobo—as big an' as strong as a horse—who's right up to her when d' foist skirt puts her on. As she toins, he cops her one in d' neck wit'-out a woid. Down she goes like ninepins! As she lands, d' back of her cocoa don't do a t'ing but t'ump a stone horse-block wit' a whack! As d' blood flies, I'm lookin' down at her. I sees her map fade to a grey w'ite under d' dirt; she bats her lamps onct or twict; an' d' nex' moment I'm on wit'out tellin' that her light is out for good.
“As Sallie does d' fall, d' kid which she's holdin' rolls in d' gutter under d' carriage.
“'T'run d' kid in here!' I says to d' mark who picks it up.
“Me only idee at d' time is to keep d' youngone from gettin 'd' boots from d mob that's surgin' round, an' tryin' to mix it up wit' d' drunken bum who's soaked Sal. D' guy who gets d' kid fires it up to me like it's a football. I'm handy wit' me hooks, so I cops it off in midair, an' stows it away on d' seat.
“Be that time d' p'lice has collared d' fightin' bum all right, an' some folks is draggin' Sal, who's limp an' dead enough, into a drug shop.
“It's all up wit' me graft for that day, so after lookin' at d' youngone a secont, I goes curvin' off to d' hotel where I hangs out. While I'm takin' me Zulu make-up off, d' chambermaid stands good for d' kid. When I sees it ag'in, it's all washed up an' got some decent duds on. Say! on d' dead! it was a wonder!
“Well, to cut it short,” said Chucky, giving the order for another mug of ale, “I loins that night that d' mother is dead, an' d' drunken hobo's in d' holdover. As it s a cinch he'll do time for life, even if he misses bein' stretched, I looks d' game all over, an' for a wind-up I freezes to d' kid. Naw; I couldn't tell why, at that, see! only d' youngone acts like it's stuck on me.
“Nixie; I never keeps it wit' me. I've got it up to d' Sisters' school. Say! them nuns is gone on it. I makes a front to 'em as d' kid's uncle; an' while I've been shy meself on grub more'n onct since I asted d' Sisters to keep it, I makes good d' money for d' kid right along, an' I always will. What name does I give it? Jane—Jane Dougherty; it's me mudder's name. Nit; I don t know what I'll do wit' Jane for a finish. I was talkin' to me Rag only d' other day about it, an' she told me, in a week or so, she'd go an' take a fall out of a fortune-teller, who, me Rag says, is d' swiftest of d' whole fortune-tellin' push. Mebby we'll get a steer from her.”