"Of course—I had forgotten. I will tell you all about it," answered his father, cheerfully. So they chatted peacefully for another half-hour; and no one would have thought, in looking at them, that such fierce passions had been roused, nor that one of them felt as though his death-warrant had been signed. When they separated, Giovanni went to his own rooms, and locked himself in.
He had assumed an air of calmness which was not real before he left his father. In truth he was violently agitated. He was as fiery as his father, but his passions were of greater strength and of longer duration; for his mother had been a Spaniard, and something of the melancholy of her country had entered into his soul, giving depth and durability to the hot Italian character he inherited from his father. Nor did the latter suspect the cause of his son's sudden change of tone in regard to the marriage. It was precisely the difference in temperament which made Giovanni incomprehensible to the old Prince.
Giovanni had realised for more than a year past that he loved Corona d'Astrardente. Contrary to the custom of young men in his position, he determined from the first that he would never let her know it; and herein lay the key to all his actions. He had, as he thought, made a point of behaving to her on all occasions as he behaved to the other women he met in the world, and he believed that he had skilfully concealed his passion from the world and from the woman he loved. He had acted on all occasions with a circumspection which was not natural to him, and for which he undeniably deserved great credit. It had been a year of constant struggles, constant efforts at self-control, constant determination that, if possible, he would overcome his instincts. It was true that, when occasion offered, he had permitted himself the pleasure of talking to Corona d'Astrardente—talking, he well knew, upon the most general subjects, but finding at each interview some new point of sympathy. Never, he could honestly say, had he approached in that time the subject of love, nor even the equally dangerous topic of friendship, the discussion of which leads to so many ruinous experiments. He had never by look or word sought to interest the dark Duchessa in his doings nor in himself; he had talked of books, of politics, of social questions, but never of himself nor of herself. He had faithfully kept the promise he had made in his heart, that since he was so unfortunate as to love the wife of another—a woman of such nobility that even in Rome no breath had been breathed against her—he would keep his unfortunate passion to himself. Astrardente was old, almost decrepit, in spite of his magnificent wig; Corona was but two-and-twenty years of age. If ever her husband died, Giovanni would present himself before the world as her suitor; meanwhile he would do nothing to injure her self-respect nor to disturb her peace—he hardly flattered himself he could do that, for he loved her truly—and above all, he would do nothing to compromise the unsullied reputation she enjoyed. She might never love him; but he was strong and patient, and would do her the only honour it was in his power to do her, by waiting patiently.
But Giovanni had not considered that he was the most conspicuous man in society; that there were many who watched his movements, in hopes he would come their way; that when he entered a room, many had noticed that, though he never went directly to Corona's side, he always looked first towards her, and never omitted to speak with her in the course of an evening. Keen observers, the jays of society who hover about the eagle's nest, had not failed to observe a look of annoyance on Giovanni's face when he did not succeed in being alone by Corona's side for at least a few minutes; and Del Ferice, who was a sort of news-carrier in Rome, had now and then hinted that Giovanni was in love. People had repeated his hints, as he intended they should, with the illuminating wit peculiar to tale-bearers, and the story had gone abroad accordingly. True, there was not a man in Rome bold enough to allude to the matter in Giovanni's presence, even if any one had seen any advantage in so doing; but such things do not remain hidden. His own father had told him in a fit of anger, and the blow had produced its effect.
Giovanni sat down in a deep easy-chair in his own room, and thought over the situation. His first impulse had been to be furiously angry with his father; but the latter having instantly explained that there was nothing to be said against the Duchessa, Giovanni's anger against the Prince had turned against himself. It was bitter to think that all his self-denial, all his many and prolonged efforts to conceal his love, had been of no avail. He cursed his folly and imprudence, while wondering how it was possible that the story should have got abroad. He did not waver in his determination to hide his inclinations, to destroy the impression he had so unwillingly produced. The first means he found in his way seemed the best. To marry Donna Tullia at once, before the story of his affection for the Duchessa had gathered force, would, he thought, effectually shut the mouths of the gossips. From one point of view it was a noble thought, the determination to sacrifice himself wholly and for ever, rather than permit his name to be mentioned ever so innocently in connection with the woman he loved; to root out utterly his love for her by seriously engaging his faith to another, and keeping that engagement with all the strength of fidelity he knew himself to possess. He would save Corona from annoyance, and her name from the scandal-mongers; and if any one ever dared to mention the story—
Giovanni rose to his feet and mechanically took a fencing-foil from the wall, as he often did for practice. If any one mentioned the story, he thought, he had the means to silence them, quickly and for ever. His eyes flashed suddenly at the idea of action—any action, even fighting, which might be distantly connected with Corona. Then he tossed down the rapier and threw himself into his chair, and sat quite still, staring at the trophies of armour upon the wall opposite.
He could not do it. To wrong one woman for the sake of shielding another was not in his power. People might laugh at him and call him Quixotic, forsooth, because he would not do like every one else and make a marriage of convenience—of propriety. Propriety! when his heart was breaking within him; when every fibre of his strong frame quivered with the strain of passion; when his aching eyes saw only one face, and his ears echoed the words she had spoken that very afternoon! Propriety indeed! Propriety was good enough for cold-blooded dullards. Donna Tullia had done him no harm that he should marry her for propriety's sake, and make her life miserable for thirty, forty, fifty years. It would be propriety rather for him to go away, to bury himself in the ends of the earth, until he could forget Corona d'Astrardente, her splendid eyes, and her deep sweet voice.
He had pledged his father his word that he would consider the marriage, and he was to give his answer before Easter. That was a long time yet. He would consider it; and if by Eastertide he had forgotten Corona, he would—he laughed aloud in his silent room, and the sound of his voice startled him from his reverie.
Forget? Did such men as he forget? Other men did. What were they made of?They did not love such women, perhaps; that was the reason they forgot.Any one could forget poor Donna Tullia. And yet how was it possible toforget if one loved truly?
Giovanni had never believed himself in love before. He had known one or two women who had attracted him strongly; but he had soon found out that he had no real sympathy with them, that though they amused him they had no charm for him—most of all, that he could not imagine himself tied to any one of them for life without conceiving the situation horrible in the extreme. To his independent nature the idea of such ties was repugnant: he knew himself too courteous to break through the civilities of life with a wife he did not love; but he knew also that in marrying a woman who was indifferent to him, he would be engaging to play a part for life in the most fearful of all plays—the part of a man who strives to bear bravely the galling of a chain he is too honourable to break.
It was four o'clock in the morning when Giovanni went to bed; and even then he slept little, for his dreams were disturbed. Once he thought he stood upon a green lawn with a sword in his hand, and the blood upon its point, his opponent lying at his feet. Again, he thought he was alone in a vast drawing-room, and a dark woman came and spoke gently to him, saying, "Marry her for my sake." He awoke with a groan. The church clocks were striking eight, and the meet was at eleven, five miles beyond the Porta Pia. Giovanni started up and rang for his servant.
It was a beautiful day, and half Rome turned out to see the meet, not because it was in any way different from other meets, but because it chanced that society had a fancy to attend it. Society is very like a fever patient in a delirium; it is rarely accountable for its actions; it scarcely ever knows what it is saying; and occasionally, without the least warning or premeditation, it leaps out of bed at an early hour of the morning and rushes frantically in pursuit of its last hallucination. The main difference is, that whereas a man in a fever has a nurse, society has none.
On the present occasion every one had suddenly conceived the idea of going to the meet, and the long road beyond the Porta Pia was dotted for miles with equipages of every description, from the four-in-hand of Prince Valdarno to the humble donkey-cart of the caterer who sells messes of boiled beans, and bread and cheese, and salad to the grooms—an institution not connected in the English mind with hunting. One after another the vehicles rolled out along the road, past Sant' Agnese, down the hill and across the Ponte Nomentana, and far up beyond to a place where three roads met and there was a broad open stretch of wet, withered grass. Here the carriages turned in and ranged themselves side by side, as though they were pausing in the afternoon drive upon the Pincio, instead of being five miles out upon the broad Campagna.
To describe the mountains to southward of Rome would be an insult to nature; to describe a meet would be an affront to civilised readers of the English language. The one is too familiar to everybody; the pretty crowd of men and women, dotted with pink and set off by the neutral colour of the winter fields; the hunters of all ages, and sizes, and breeds, led slowly up and down by the grooms; while from time to time some rider gets into the saddle and makes himself comfortable, assures himself of girth and stirrup, and of the proper disposal of the sandwich-box and sherry-flask, gives a final word of instruction to his groom, and then moves slowly off. A Roman meet is a little less business-like than the same thing elsewhere; there is a little more dawdling, a little more conversation when many ladies chance to have come to see the hounds throw off; otherwise it is not different from other meets. As for the Roman mountains, they are so totally unlike any other hills in the world, and so extremely beautiful in their own peculiar way, that to describe them would be an idle and a useless task, which could only serve to exhibit the vanity of the writer and the feebleness of his pen.
Don Giovanni arrived early in spite of his sleepless night. He descended from his dogcart by the roadside, instead of driving into the field, and he took a careful survey of the carriages he saw before him. Conspicuous in the distance he distinguished Donna Tullia Mayer standing among a little crowd of men near Valdarno's drag. She was easily known by her dress, as Del Ferice had remarked on the previous evening. On this occasion she wore a costume in which the principal colours were green and yellow, an enormous hat, with feathers in the same proportion surmounting her head, and she carried a yellow parasol. She was a rather handsome woman of middle height, with unnaturally blond hair, and a fairly good complexion, which as yet she had wisely abstained from attempting to improve by artificial means; her eyes were blue, but uncertain in their glance—of the kind which do not inspire confidence; and her mouth was much admired, being small and red, with full lips. She was rapid in her movements, and she spoke in a loud voice, easily collecting people about her wherever there were any to collect. Her conversation was not brilliant, but it was so abundant that its noisy vivacity passed current for cleverness; she had a remarkably keen judgment of people, and a remarkably bad taste in her opinions of things artistic, from beauty in nature to beauty in dress, but she maintained her point of view obstinately, and admitted no contradiction. It was a singular circumstance that whereas many of her attributes were distinctly vulgar, she nevertheless had an indescribable air of good breeding, the strange inimitable stamp of social superiority which cannot be acquired by any known process of education. A person seeing her might be surprised at her loud talking, amused at her eccentricities of dress, and shocked at her bold manner, but no one would ever think of classing her anywhere save in what calls itself "the best society."
Among the men who stood talking to Donna Tullia was the inevitable Del Ferice, a man of whom it might be said that he was never missed, because he was always present. Giovanni disliked Del Ferice without being able to define his aversion. He disliked generally men whom he suspected of duplicity; and he had no reason for supposing that truth, looking into her mirror, would have seen there the image of Ugo's fat pale face and colourless moustache. But if Ugo was a liar, he must have had a good memory, for he never got himself into trouble, and he had the reputation of being a useful member of society, an honour to which persons of doubtful veracity rarely attain. Giovanni, however, disliked him, and suspected him of many things; and although he had intended to go up to Donna Tullia, the sight of Del Ferice at her side very nearly prevented him. He strolled leisurely down the little slope, and as he neared the crowd, spoke to one or two acquaintances, mentally determining to avoid Madame Mayer, and to mount immediately. But he was disappointed in his intention. As he stood for a moment beside the carriage of the Marchesa Rocca, exchanging a few words with her, and looking with some interest at her daughter, the little Rocca girl whom his father had proposed as a possible wife for him, he forgot his proximity to the lady he wished to avoid; and when, a few seconds later, he proceeded in the direction of his horse, Madame Mayer stepped forward from the knot of her admirers and tapped him familiarly upon the shoulder with the handle of her parasol.
"So you were not going to speak to me to-day?" she said rather roughly, after her manner.
Giovanni turned sharply and faced her, bowing low. Donna Tullia laughed.
"Is there anything so amazingly ridiculous in my appearance?" he asked.
"Altro! when you make that tremendous salute—"
"It was intended to convey an apology as well as a greeting," answeredDon Giovanni, politely.
"I would like more apology and less greeting."
"I am ready to apologise—"
"Humbly, without defending yourself," said Donna Tullia, beginning to walk slowly forward. Giovanni was obliged to follow her.
"My defence is, nevertheless, a very good one," he said.
"Well, if it is really good, I may listen to it; but you will not make me believe that you intended to behave properly."
"I am in a very bad humour. I would not inflict my cross temper upon you; therefore I avoided you."
Donna Tullia eyed him attentively. When she answered she drew in her small red lips with an air of annoyance.
"You look as though you were in bad humour," she answered. "I am sorry I disturbed you. It is better to leave sleeping dogs alone, as the proverb says."
"I have not snapped yet," said Giovanni. "I am not dangerous, I assure you."
"Oh, I am not in the least afraid of you," replied his companion, with a little scorn. "Do not flatter yourself your little humours frighten me. I suppose you intend to follow?"
"Yes," answered Saracinesca, shortly; he was beginning to weary of DonnaTullia's manner of taking him to task.
"You had much better come with us, and leave the poor foxes alone.Valdarno is going to drive us round by the cross-roads to the Capannelle.We will have a picnic lunch, and be home before three o'clock."
"Thanks very much. I cannot let my horse shirk his work. I must beg you to excuse me—"
"Again?" exclaimed Donna Tullia. "You are always making excuses." Then she suddenly changed her tone, and looked down. "I wish you would come with us," she said, gently. "It is not often I ask you to do anything."
Giovanni looked at her quickly. He knew that Donna Tullia wished to marry him; he even suspected that his father had discussed the matter with her—no uncommon occurrence when a marriage has to be arranged with a widow. But he did not know that Donna Tullia was in love with him in her own odd fashion. He looked at her, and he saw that as she spoke there were tears of vexation in her bold blue eyes. He hesitated a moment, but natural courtesy won the day.
"I will go with you," he said, quietly. A blush of pleasure rose to Madame Mayer's pink cheeks; she felt she had made a point, but she was not willing to show her satisfaction.
"You say it as though you were conferring a favour," she said, with a show of annoyance, which was belied by the happy expression of her face.
"Pardon me; I myself am the favoured person," replied Giovanni, mechanically. He had yielded because he did not know how to refuse; but he already regretted it, and would have given much to escape from the party.
"You do not look as though you believed it," said Donna Tullia, eyeing him critically. "If you are going to be disagreeable, I release you." She said this well knowing, the while, that he would not accept of his liberty.
"If you are so ready to release me, as you call it, you do not really want me," said her companion. Donna Tullia bit her lip, and there was a moment's pause. "If you will excuse me a moment I will send my horse home—I will join you at once."
"There is your horse—right before us," said Madame Mayer. Even that short respite was not allowed him, and she waited while Don Giovanni ordered the astonished groom to take his hunter for an hour's exercise in a direction where he would not fall in with the hounds.
"I did not believe you would really do it," said Donna Tullia, as the two turned and sauntered back towards the carriages. Most of the men who meant to follow had already mounted, and the little crowd had thinned considerably. But while they had been talking another carriage had driven into the field, and had halted a few yards from Valdarno's drag. Astrardente had taken it into his head to come to the meet with his wife, and they had arrived late. Astrardente always arrived a little late, on principle. As Giovanni and Donna Tullia came back to their drag, they suddenly found themselves face to face with the Duchessa and her husband. It did not surprise Corona to see Giovanni walking with the woman he did not intend to marry, but it seemed to give the old Duke undisguised pleasure.
"Do you see, Corona, there is no doubt of it! It is just as I told you," exclaimed the aged dandy, in a voice so audible that Giovanni frowned and Donna Tullia blushed slightly. Both of them bowed as they passed the carriage. Don Giovanni looked straight into Corona's face as he took off his hat. He might very well have made her a little sign, the smallest gesture, imperceptible to Donna Tullia, whereby he could have given her the idea that his position was involuntary. But Don Giovanni was a gentleman, and he did nothing of the kind; he bowed and looked calmly at the woman he loved as he passed by. Astrardente watched him keenly, and as he noticed the indifference of Saracinesca's look, he gave a curious little snuffling snort that was peculiar to him. He could have sworn that neither his wife nor Giovanni had shown the smallest interest in each other. He was satisfied. His wife was above suspicion, as he always said; but he was an old man, and had seen the world, and he knew that however implicitly he might trust the noble woman who had sacrificed her youth to his old age, it was not beyond the bounds of possibility that she might become innocently interested, even unawares, in some younger man—in some such man as Giovanni Saracinesca-and he thought it worth his while to watch her. His little snort, however, was indicative of satisfaction. Corona had not winced at the mention of the marriage, and had nodded with the greatest unconcern to the man as he passed.
"Ah, Donna Tullia!" he cried, as he returned their greeting, "you are preventing Don Giovanni from mounting; the riders will be off in a moment."
Being thus directly addressed, there was nothing to be done but to stop and exchange a few words. The Duchessa was on the side nearest to the pair as they passed, and her husband rose and sat opposite her, so as to talk more at his ease. There were renewed greetings on both sides, and Giovanni naturally found himself talking to Corona, while her husband and Donna Tullia conversed together.
"What man could think of hunting when he could be talking to you instead?" said old Astrardente, whose painted face adjusted itself in a sort of leer that had once been a winning smile. Every one knew he painted, his teeth were a miracle of American dentistry, and his wig had deceived a great portrait-painter. The padding in his clothes was disposed with cunning wisdom, and in public he rarely removed the gloves from his small hands. Donna Tullia laughed at what he said.
"You should teach Don Giovanni to make pretty speeches," she said. "He is as surly as a wolf this morning."
"I should think a man in his position would not need much teaching in order to be gallant to you," replied the old dandy, with a knowing look. Then lowering his voice, he added confidentially, "I hope that before very long I may be allowed to congrat—"
"I have prevailed upon him to give up following the hounds to-day," interrupted Donna Tullia, quickly. She spoke loud enough to be noticed by Corona. "He is coming with us to picnic at the Capannelle instead."
Giovanni could not help glancing quickly at Corona. She smiled faintly, and her face betrayed no emotion.
"I daresay it will be very pleasant," she said gently, looking far out over the Campagna. In the next field the pack was moving away, followed at a little distance by a score of riders in pink; one or two men who had stayed behind in conversation, mounted hastily and rode after the hunt; some of the carriages turned out of the field and began to follow slowly along the road, in hopes of seeing the hounds throw off; the party who were going with Valdarno gathered about the drag, waiting for Donna Tullia; the grooms who were left behind congregated around the men who sold boiled beans and salad; and in a few minutes the meet had practically dispersed.
"Why will you not join us, Duchessa?" asked Madame Mayer. "There is lunch enough for everybody, and the more people we are the pleasanter it will be." Donna Tullia made her suggestion with her usual frank manner, fixing her blue eyes upon Corona as she spoke. There was every appearance of cordiality in the invitation; but Donna Tullia knew well enough that there was a sting in her words, or at all events that she meant there should be. Corona, however, glanced quietly at her husband, and then courteously refused.
"You are most kind," she said, "but I fear we cannot join you to-day. We are very regular people," she explained, with a slight smile, "and we are not prepared to go to-day. Many thanks; I wish we could accept your kind invitation."
"Well, I am sorry you will not come," said Donna Tullia, with a rather hard laugh. "We mean to enjoy ourselves immensely."
Giovanni said nothing. There was only one thing which could have rendered the prospect of Madame Mayer's picnic more disagreeable to him than it already was, and that would have been the presence of the Duchessa. He knew himself to be in a thoroughly false position in consequence of having yielded to Donna Tullia's half-tearful request that he would join the party. He remembered how he had spoken to Corona on the previous evening, assuring her that he would not marry Madame Mayer. Corona knew nothing of the change his plans had undergone during the stormy interview he had had with his father; he longed, indeed, to be able to make the Duchessa understand, but any attempt at explanation would be wholly impossible. Corona would think he was inconsistent, or at least that he was willing to flirt with the gay widow, while determined not to marry her. He reflected that it was part of his self-condemnation that he should appear unfavourably to the woman he loved, and whom he was determined to renounce; but he realised for the first time how bitter it would be to stand thus always in the appearance of weakness and self-contradiction in the eyes of the only human being whose good opinion he coveted, and for whose dear sake he was willing to do all things. As he stood by her, his hand rested upon the side of the carriage, and he stared blankly at the distant hounds and the retreating riders.
"Come, Don Giovanni, we must be going," said Donna Tullia. "What in the world are you thinking of? You look as though you had been turned into a statue!"
"I beg your pardon," returned Saracinesca, suddenly called back from the absorbing train of his unpleasant thoughts. "Good-bye, Duchessa; good-bye, Astrardente—a pleasant drive to you."
"You will always regret not having come, you know," cried Madame Mayer, shaking hands with both the occupants of the carriage. "We shall probably end by driving to Albano, and staying all night—just fancy! Immense fun—not even a comb in the whole party! Good-bye. I suppose we shall all meet to-night—that is, if we ever come back to Rome at all. Come along, Giovanni," she said, familiarly dropping the prefix from his name. After all, he was a sort of cousin, and people in Rome are very apt to call each other by their Christian names. But Donna Tullia knew what she was about; she knew that Corona d'Astrardente could never, under any circumstances whatever, call Saracinesca plain "Giovanni." But she had not the satisfaction of seeing that anything she said produced any change in Corona's proud dark face; she seemed of no more importance in the Duchessa's eyes than if she had been a fly buzzing in the sunshine.
So Giovanni and Madame Mayer joined their noisy party, and began to climb into their places upon the drag; but before they were prepared to start, the Astrardente carriage turned and drove rapidly out of the field. The laughter and loud talking came to Corona's ears, growing fainter and more distant every second, and the sound was very cruel to her; but she set her strong brave lips together, and leaned back, adjusting the blanket over her old husband's knees with one hand, and shading the sun from her eyes with the parasol she held in the other.
"Thank you, my dear; you are an angel of thoughtfulness," said the old dandy, stroking his wife's hand. "What a singularly vulgar woman Madame Mayer is! And yet she has a certain littlechicof her own."
Corona did not withdraw her fingers from her husband's caress. She was used to it. After all, he was kind to her in his way. It would have been absurd to have been jealous of the grossly flattering speeches he made to other women; and indeed he was as fond of turning compliments to his wife as to any one. It was a singular relation that had grown up between the old man and the young girl he had married. Had he been less thoroughly a man of the world, or had Corona been less entirely honest and loyal and self-sacrificing, there would have been small peace in their wedlock. But Astrardente, decayed roué and worn-out dandy as he was, was in love with his wife; and she, in all the young magnificence of her beauty, submitted to be loved by him, because she had promised that she would do so, and because, having sworn, she regarded the breaking of her faith by the smallest act of unkindness as a thing beyond the bounds of possibility. It had been a terrible blow to her to discover that she cared for Don Giovanni even in the way she believed she did, as a man whose society she preferred to that of other men, and whose face it gave her pleasure to see. She, too, had spent a sleepless night; and when she had risen in the morning, she had determined to forget Giovanni, and if she could not forget him, she had sworn that more than ever she would be all things to her husband.
She wondered now, as Giovanni had known she would, why he had suddenly thrown over his day's hunting in order to spend his time with Donna Tullia; but she would not acknowledge, even to herself, that the dull pain she felt near her heart, and that seemed to oppress her breathing, bore any relation to the scene she had just witnessed. She shut her lips tightly, and arranged the blanket for her husband.
"Madame Mayer is vulgar," she answered. "I suppose she cannot help it."
"Women can always help being vulgar," returned Astrardente. "I believe she learned it from her husband. Women are not naturally like that. Nevertheless she is an excellent match for Giovanni Saracinesca. Rich, by millions. Undeniably handsome, gay—well, rather too gay; but Giovanni is so serious that the contrast will be to their mutual advantage."
Corona was silent. There was nothing the old man disliked so much as silence.
"Why do you not answer me?" he asked, rather petulantly.
"I do not know—I was thinking," said Corona, simply. "I do not see that it is a great match after all, for the last of the Saracinesca."
"You think she will lead him a terrible dance, I daresay," returned the old man. "She is gay—very gay; and Giovanni is very, very solemn."
"I did not mean that she was too gay. I only think that Saracinesca might marry, for instance, the Rocca girl. Why should he take a widow?"
"Such a young widow. Old Mayer was as decrepit as any old statue in a museum. He was paralysed in one arm, and gouty—gouty, my dear; you do not know how gouty he was." The old fellow grinned scornfully; he had never had the gout. "Donna Tullia is a very young widow. Besides, think of the fortune. It would break old Saracinesca's heart to let so much money go out of the family. He is a miserly old wretch, Saracinesca!"
"I never heard that," said Corona.
"Oh, there are many things in Rome that one never hears, and that is one of them. I hate avarice—it is so extremely vulgar."
Indeed Astrardente was not himself avaricious, though he had all his life known how to protect his interests. He loved money, but he loved also to spend it, especially in such a way as to make a great show with it. It was not true, however, that Saracinesca was miserly. He spent a large income without the smallest ostentation.
"Really, I should hardly call Prince Saracinesca a miser," said Corona. "I cannot imagine, from what I know of him, why he should be so anxious to get Madame Mayer's fortune; but I do not think it is out of mere greediness."
"Then I do not know what you can call it," returned her husband, sharply. "They have always had that dismal black melancholy in that family—that detestable love of secretly piling up money, while their faces are as grave and sour as any Jew's in the Ghetto."
Corona glanced at her husband, and smiled faintly as she looked at his thin old features, where the lights and shadows were touched in with delicate colour more artfully than any actress's, superficially concealing the lines traced by years of affectation and refined egotism; and she thought of Giovanni's strong manly face, passionate indeed, but noble and bold. A moment later she resolutely put the comparison out of her mind, and finding that her husband was inclined to abuse the Saracinesca, she tried to turn the conversation.
"I suppose it will be a great ball at the Frangipani's," she said. "We will go, of course?" she added, interrogatively.
"Of course. I would not miss it for all the world. There has not been such a ball for years as that will be. Do I ever miss an opportunity of enjoying myself—I mean, of letting you enjoy yourself?"
"No, you are very good," said Corona, gently. "Indeed I sometimes think you give yourself trouble about going out on my account. Really, I am not so greedy of society. I would often gladly stay at home if you wished it."
"Do you think I am past enjoying the world, then?" asked the old man, sourly.
"No indeed," replied Corona, patiently. "Why should I think that? I see how much you like going out."
"Of course I like it. A rational man in the prime of life always likes to see his fellow-creatures. Why should not I?"
The Duchessa did not smile. She was used to hearing her aged husband speak of himself as young. It was a harmless fancy.
"I think it is quite natural," she said.
"What I cannot understand," said Astrardente, muffling his thin throat more closely against the keen brighttramontanawind, "is that such old fellows as Saracinesca should still want to play a part in the world."
Saracinesca was younger than Astrardente, and his iron constitution bade fair to outlast another generation, in spite of his white hair.
"You do not seem to be in a good humour with Saracinesca to-day," remarked Corona, by way of answer.
"Why do you defend him?" asked her husband, in a new fit of irritation."He jars on my nerves, the sour old creature!"
"I fancy all Rome will go to the Frangipani ball," began Corona again, without heeding the old man's petulance.
"You seem to be interested in it," returned Astrardente.
Corona was silent; it was her only weapon when he became petulant. He hated silence, and generally returned to the conversation with more suavity. Perhaps, in his great experience, he really appreciated his wife's wonderful patience with his moods, and it is certain that he was exceedingly fond of her.
"You must have a new gown, my dear," he said presently, in a conciliatory tone.
His wife passed for the best-dressed woman in Rome, as she was undeniably the most remarkable in many other ways. She was not above taking an interest in dress, and her old husband had an admirable taste; moreover, he took a vast pride in her appearance, and if she had looked a whit less superior to other women, his smiling boast that she was above suspicion would have lost some of its force.
"I hardly think it is necessary," said Corona; "I have so many things, and it will be a great crowd."
"My dear, be economical of your beauty, but not in your adornment of it," said the old man, with one of his engaging grins. "I desire that you have a new gown for this ball which will be remembered by every one who goes to it. You must set about it at once."
"Well, that is an easy request for any woman to grant," answered Corona, with a little laugh; "though I do not believe my gown will be remembered so long as you think."
"Who knows—who knows?" said Astrardente, thoughtfully. "I remember gowns I saw"—he checked himself—"why, as many as ten years ago!" he added, laughing in his turn, perhaps at nearly having said forty for ten. "Gowns, my dear," he continued, "make a profound impression upon men's minds."
"For the matter of that," said the Duchessa, "I do not care to impress men at all nor women either." She spoke lightly, pleased that the conversation should have taken a more pleasant turn.
"Not even to impress me, my dear?" asked old Astrardente, with a leer.
"That is different," answered Corona, quietly.
So they talked upon the subject of the gown and the ball until the carriage rolled under the archway of the Astrardente palace. But when it was three o'clock, and Corona was at liberty to go out upon her usual round of visits, she was glad that she could go alone; and as she sat among her cushions, driving from house to house and distributing cards, she had time to think seriously of her situation. It would seem a light thing to most wives of aged husbands to have taken a fancy to a man such as Giovanni Saracinesca. But the more Corona thought of it, the more certain it appeared to her that she was committing a great sin. It weighed heavily upon her mind, and took from her the innocent pleasure she was wont to feel in driving in the bright evening air in the Villa Borghese. It took the colour from the sky, and the softness from the cushions, it haunted her and made her miserably unhappy. At every turn she expected to see Giovanni's figure and face, and the constant recurrence of the thought seemed to add magnitude to the crime of which she accused herself,—the crime of even thinking of any man save her old husband—of wishing that Giovanni might not marry Donna Tullia after all.
"I will go to Padre Filippo," she said to herself as she reached home.
Valdarno took Donna Tullia by his side upon the front seat of the drag; and as luck would have it, Giovanni and Del Ferice sat together behind them. Half-a-dozen other men found seats somewhere, and among them were the melancholy Spicca, who was a famous duellist, and a certain Casalverde, a man of rather doubtful reputation. The others were members of what Donna Tullia called her "corps de ballet." In those days Donna Tullia's conduct was criticised, and she was thought to be emancipated, as the phrase went. Old people opened their eyes at the spectacle of the gay young widow going off into the Campagna to picnic with a party of men; but if any intimate enemy had ventured to observe to her that she was giving occasion for gossip, she would have raised her eyebrows, explaining that they were all just like her brothers, and that Giovanni was indeed a sort of cousin. She would perhaps have condescended to say that she would not have done such a thing in Paris, but that in dear old Rome one was in the bosom of one's family, and might do anything. At present she sat chatting with Valdarno, a tall and fair young man, with a weak mouth and a good-natured disposition; she had secured Giovanni, and though he sat sullenly smoking behind her, his presence gave her satisfaction. Del Ferice's smooth face wore an expression of ineffable calm, and his watery blue eyes gazed languidly on the broad stretch of brown grass which bordered the highroad.
For some time the drag bowled along, and Giovanni was left to his own reflections, which were not of a very pleasing kind. The other men talked of the chances of luck with the hounds; and Spicca, who had been a great deal in England, occasionally put in a remark not very complimentary to the Roman hunt. Del Ferice listened in silence, and Giovanni did not listen at all, but buttoned his overcoat to the throat, half closed his eyes, and smoked one cigarette after another, leaning back in his seat. Suddenly Donna Tullia's laugh was heard as she turned half round to look at Valdarno.
"Do you really think so?" she cried. "How soon? What a dance we will lead them then!"
Del Fence pricked his ears in the direction of her voice, like a terrier that suspects the presence of a rat. Valdarno's answer was inaudible, but Donna Tullia ceased laughing immediately.
"They are talking politics," said Del Ferice in a low voice, leaning towards Giovanni as he spoke. The latter shrugged his shoulders and went on smoking. He did not care to be drawn into a conversation with Del Ferice.
Del Ferice was a man who was suspected of revolutionary sympathies by the authorities in Rome, but who was not feared. He was therefore allowed to live his life much as he pleased, though he was conscious from time to time that he was watched. Being a man, however, who under all circumstances pursued his own interests with more attention than he bestowed on those of any party, he did not pretend to attach any importance to the distinction of being occasionally followed by a spy, as a more foolish man might have done. If he was watched, he did not care to exhibit himself to his friends as a martyr, to tell stories of thesbirrowho sometimes dogged his footsteps, nor to cry aloud that he was unjustly persecuted. He affected a character above suspicion, and rarely allowed himself to express an opinion. He was no propagator of new doctrines; that was too dangerous a trade for one of his temper. But he foresaw changes to come, and he determined that he would profit by them. He had little to lose, but he had everything to gain; and being a patient man, he resolved to gain all he could by circumspection—in other words, by acting according to his nature, rather than by risking himself in a bold course of action for which he was wholly unsuited. He was too wise to attempt wholly to deceive the authorities, knowing well that they were not easily deceived; and he accordingly steered a middle course, constantly speaking in favour of progress, of popular education, and of freedom of the press, but at the same time loudly proclaiming that all these things—that every benefit of civilisation, in fact—could be obtained without the slightest change in the form of government. He thus asserted his loyalty to the temporal power while affecting a belief in the possibility of useful reforms, and the position he thus acquired exactly suited his own ends; for he attracted to himself a certain amount of suspicion on account of his progressist professions, and then disarmed that suspicion by exhibiting a serene indifference to the espionage of which he was the object. The consequence was, that at the very time when he was most deeply implicated in much more serious matters—of which the object was invariably his own ultimate profit—at the time when he was receiving money for information he was able to obtain through his social position, he was regarded by the authorities, and by most of his acquaintances, as a harmless man, who might indeed injure himself by his foolish doctrines of progress, but who certainly could not injure any one else. Few guessed that his zealous attention to social duties, his occasional bursts of enthusiasm for liberal education and a free press, were but parts of his machinery for making money out of politics. He was so modest, so unostentatious, that no one suspected that the mainspring of his existence was the desire for money.
But, like many intelligent and bad men, Del Ferice had a weakness which was gradually gaining upon him and growing in force, and which was destined to hasten the course of the events which he had planned for himself. It is an extraordinary peculiarity in unbelievers that they are often more subject to petty superstitions than other men; and similarly, it often happens that the most cynical and coldly calculating of conspirators, who believe themselves proof against all outward influences, yield to some feeling of nervous dislike for an individual who has never harmed them, and are led on from dislike to hatred, until their soberest actions take colour from what in its earliest beginnings was nothing more than a senseless prejudice. Del Ferice's weakness was his unaccountable detestation of Giovanni Saracinesca; and he had so far suffered this abhorrence of the man to dominate his existence, that it had come to be one of his chiefest delights in life to thwart Giovanni wherever he could. How it had begun, or when, he no longer knew nor cared. He had perhaps thought Giovanni treated him superciliously, or even despised him; and his antagonism being roused by some fancied slight, he had shown a petty resentment, which, again, Saracinesca had treated with cold indifference. Little by little his fancied grievance had acquired great proportions in his own estimation, and he had learned to hate Giovanni more than any man living. At first it might have seemed an easy matter to ruin his adversary, or, at all event, to cause him great and serious injury; and but for that very indifference which Del Ferice so resented, his attempts might have been successful.
Giovanni belonged to a family who from the earliest times had been at swords-drawn with the Government. Their property had been more than once confiscated by the popes, had been seized again by force of arms, and had been ultimately left to them for the mere sake of peace. They seem to have quarrelled with everybody on every conceivable pretext, and to have generally got the best of the struggle. No pope had ever reckoned upon the friendship of Casa Saracinesca. For generations they had headed the opposition whenever there was one, and had plotted to form one when there was none ready to their hands. It seemed to Del Ferice that in the stirring times that followed the annexation of Naples to the Italian crown, when all Europe was watching the growth of the new Power, it should be an easy matter to draw a Saracinesca into any scheme for the subversion of a Government against which so many generations of Saracinesca had plotted and fought. To involve Giovanni in some Liberal conspiracy, and then by betraying him to cause him to be imprisoned or exiled from Rome, was a plan which pleased Del Ferice, and which he desired earnestly to put into execution. He had often tried to lead his enemy into conversation, repressing and hiding his dislike for the sake of his end; but at the first mention of political subjects Giovanni became impenetrable, shrugged, his shoulders, and assumed an air of the utmost indifference. No paradox could draw him into argument, no flattery could loose his tongue. Indeed those were times when men hesitated to express an opinion, not only because any opinion they might express was liable to be exaggerated and distorted by willing enemies—a consideration which would not have greatly intimidated Giovanni Saracinesca—but also because it was impossible for the wisest man to form any satisfactory judgment upon the course of events. It was clear to every one that ever since 1848 the temporal power had been sustained by France; and though no one in 1865 foresaw the downfall of the Second Empire, no one saw any reason for supposing that the military protectorate of Louis Napoleon in Rome could last for ever: what would be likely to occur if that protection were withdrawn was indeed a matter of doubt, but was not looked upon by the Government as a legitimate matter for speculation.
Del Ferice, however, did not desist from his attempts to make Giovanni speak out his mind, and whenever an opportunity offered, tried to draw him into conversation. He was destined on the present occasion to meet with greater success than had hitherto attended his efforts. The picnic was noisy, and Giovanni was in a bad humour; he did not care for Donna Tullia's glances, nor for the remarks she constantly levelled at him; still less was he amused by the shallow gaiety of her party of admirers, tempered as their talk was by the occasional tonic of some outrageous cynicism from the melancholy Spicca. Del Ferice smiled, and talked, and smiled again, seeking to flatter and please Donna Tullia, as was his wont. By-and-by the clear north wind and the bright sun dried the ground, and Madame Mayer proposed that the party should walk a little on the road towards Rome—a proposal of such startling originality that it was carried by acclamation. Donna Tullia wanted to walk with Giovanni; but on pretence of having left something upon the drag, he gave Valdarno time to take his place. When Giovanni began to follow the rest, he found that Del Ferice had lagged behind, and seemed to be waiting for him.
Giovanni was in a bad humour that day. He had suffered himself to be persuaded into joining in a species of amusement for which he cared nothing, by a mere word from a woman for whom he cared less, but whom he had half determined to marry, and who had wholly determined to marry him. He, who hated vacillation, had been dangling for four-and-twenty hours like a pendulum, or, as he said to himself, like an ass between two bundles of hay. At one moment he meant to marry Donna Tullia, and at another he loathed the thought; now he felt that he would make any sacrifice to rid the Duchessa d'Astrardente of himself, and now again he felt how futile such a sacrifice would be. He was ashamed in his heart, for he was no boy of twenty to be swayed by a woman's look or a fit of Quixotism; he was a strong grown man who had seen the world. He had been in the habit of supposing his impulses to be good, and of following them naturally without much thought; it seemed desperately perplexing to be forced into an analysis of those impulses in order to decide what he should do. He was in a thoroughly bad humour, and Del Ferice guessed that if Giovanni could ever be induced to speak out, it must be when his temper was not under control. In Rome, in the club—there was only one club in those days—in society, Ugo never got a chance to talk to his enemy; but here upon the Appian Way, with the broad Campagna stretching away to right and left and rear, while the remainder of the party walked three hundred yards in front, and Giovanni showed an evident reluctance to join them, it would go hard indeed if he could not be led into conversation.
"I should think," Del Ferice began, "that if you had your choice, you would walk anywhere rather than here."
"Why?" asked Giovanni, carelessly. "It is a very good road."
"I should think that our Roman Campagna would be anything but a source of satisfaction to its possessors—like yourself," answered Del Ferice.
"It is a very good grazing ground."
"It might be something better. When one thinks that in ancient times it was a vast series of villas—"
"The conditions were very different. We do not live in ancient times," returned Giovanni, drily.
"Ah, the conditions!" ejaculated Del Ferice, with a suave sigh. "Surely the conditions depend on man—not on nature. What our proud forefathers accomplished by law and energy, we could, we can accomplish, if we restore law and energy in our midst."
"You are entirely mistaken," answered Saracinesca. "It would take five times the energy of the ancient Romans to turn the Campagna into a garden, or even into a fertile productive region. No one is five times as energetic as the ancients. As for the laws, they do well enough."
Del Ferice was delighted. For the first time, Giovanni seemed inclined to enter upon an argument with him.
"Why are the conditions so different? I do not see. Here is the same undulating country, the same climate—"
"And twice as much water," interrupted Giovanni. "You forget that the Campagna is very low, and that the rivers in it have risen very much. There are parts of ancient Rome now laid bare which lie below the present water-mark of the Tiber. If the city were built upon its old level, much of it would be constantly flooded. The rivers have risen and have swamped the country. Do you think any amount of law or energy could drain this fever-stricken plain into the sea? I do not. Do you think that if I could be persuaded that the land could be improved into fertility I would hesitate, at any expenditure in my power, to reclaim the miles of desert my father and I own here? The plain is a series of swamps and stone quarries. In one place you find the rock a foot below the surface, and the soil burns up in summer; a hundred yards farther you find a bog hundreds of feet deep, which even in summer is never dry."
"But," suggested Del Ferice, who listened patiently enough, "supposing the Government passed a law forcing all of you proprietors to plant trees and dig ditches, it would have some effect."
"The law cannot force us to sacrifice men's lives. The Trappist monks at the Tre Fontane are trying it, and dying by scores. Do you think I, or any other Roman, would send peasants to such a place, or could induce them to go?"
"Well, it is one of a great many questions which will be settled some day," said Del Fence. "You will not deny that there is room for much improvement in our country, and that an infusion of some progressist ideas would be wholesome."
"Perhaps so; but you understand one thing by progress, and I understand quite another," replied Giovanni, eyeing in the bright distance the figures of Donna Tullia and her friends, and regulating his pace so as not to lessen the distance which separated them from him. He preferred talking political economy with a man he disliked, to being obliged to make conversation for Madame Mayer.
"I mean by progress, positive improvement without revolutionary change," explained Del Ferice, using the phrase he had long since constructed as his profession of faith to the world. Giovanni eyed him keenly for a moment. He cared nothing for Ugo or his ideas, but he suspected him of very different principles.
"You will pardon me," he said, civilly, "if I venture to doubt whether you have frankly expressed your views. I am under the impression that you really connect the idea of improvement with a very positive revolutionary change."
Del Ferice did not wince, but he involuntarily cast a glance behind him. Those were times when people were cautious of being overheard. But Del Ferice knew his man, and he knew that the only way in which he could continue the interview was to accept the imputation as though trusting implicitly to the discretion of his companion.
"Will you give me a fair answer to a fair question?" he asked, very gravely.
"Let me hear the question," returned Giovanni, indifferently. He also knew his man, and attached no more belief to anything he said than to the chattering of a parrot. And yet Del Ferice had not the reputation of a liar in the world at large.
"Certainly," answered Ugo. "You are the heir of a family which from immemorial time has opposed the popes. You cannot be supposed to feel any kind of loyal attachment to the temporal power. I do not know whether you individually would support it or not. But frankly, how would you regard such a revolutionary change as you suspect me of desiring?"
"I have no objection to telling you that. I would simply make the best of it."
Del Ferice laughed at the ambiguous answer, affecting to consider it as a mere evasion.
"We should all try to do that," he answered; "but what I mean to ask is, whether you would personally take up arms to fight for the temporal power, or whether you would allow events to take their course? I fancy that would be the ultimate test of loyalty."
"My instinct would certainly be to fight, whether fighting were of any use or not. But the propriety of fighting in such a case is a very nice question of judgment. So long as there is anything to fight for, no matter how hopeless the odds, a gentleman should go to the front—but no longer. The question must be to decide the precise point at which the position becomes untenable. So long as France makes our quarrels hers, every man should give his personal assistance to the cause; but it is absurd to suppose that if we were left alone, a handful of Romans against a great Power, we could do more, or should do more, than make a formal show of resistance. It has been a rule in all ages that a general, however brave, who sacrifices the lives of his soldiers in a perfectly hopeless resistance, rather than accept the terms of an honourable capitulation, is guilty of a military crime."
"In other words," answered Del Ferice, quietly, "if the French troops were withdrawn, and the Italians were besieging Rome, you would at once capitulate?"
"Certainly—after making a formal protest. It would be criminal to sacrifice our fellow-citizens' lives in such a case."
"And then?"
"Then, as I said before, I would make the best of it—not omitting to congratulate Del Ferice upon obtaining a post in the new Government," added Giovanni, with a laugh.
But Del Ferice took no notice of the jest.
"Do you not think that, aside from any question of sympathy or loyalty to the holy Father, the change of government would be an immense advantage to Rome?"
"No, I do not. To Italy the advantage would be inestimable; to Rome it would be an injury. Italy would consolidate the prestige she began to acquire when Cavour succeeded in sending a handful of troops to the Crimea eleven years ago; she would at once take a high position as a European Power—provided always that the smouldering republican element should not break out in opposition to the constitutional monarchy. But Rome would be ruined. She is no longer the geographical capital of Italy—she is not even the largest city; but in the course of a few years, violent efforts would be made to give her a fictitious modern grandeur, in the place of the moral importance she now enjoys as the headquarters of the Catholic world. Those efforts at a spurious growth would ruin her financially, and the hatred of Romans for Italians of the north would cause endless internal dissension. We should be subjected to a system of taxation which would fall more heavily on us than on other Italians, in proportion as our land is less productive. On the whole, we should grow rapidly poorer; for prices would rise, and we should have a paper currency instead of a metallic one. Especially we landed proprietors would suffer terribly by the Italian land system being suddenly thrust upon us. To be obliged to sell one's acres to any peasant who can scrape together enough to capitalise the pittance he now pays as rent, at five per cent, would scarcely be agreeable. Such a fellow, from whom I have the greatest difficulty in extracting his yearly bushel of grain, could borrow twenty bushels from a neighbour, or the value of them, and buy me out without my consent—acquiring land worth ten times the rent he and his father have paid for it, and his father before him. It would produce an extraordinary state of things, I can assure you. No—even putting aside what you call my sympathies and my loyalty to the Pope—I do not desire any change. Nobody who owns much property does; the revolutionary spirits are people who own nothing."
"On the other hand, those who own nothing, or next to nothing, are the great majority."
"Even if that is true, which I doubt, I do not see why the intelligent few should be ruled by that same ignorant majority."
"But you forget that the majority is to be educated," objected DelFerice.
"Education is a term few people can define," returned Giovanni. "Any good schoolmaster knows vastly more than you or I. Would you like to be governed by a majority of schoolmasters?"
"That is a plausible argument," laughed Del Ferice, "but it is not sound."
"It is not sound!" repeated Giovanni, impatiently. "People are so fond of exclaiming that what they do not like is not sound! Do you think that it would not be a fair case to put five hundred schoolmasters against five hundred gentlemen of average education? I think it would be very fair. The schoolmasters would certainly have the advantage in education: do you mean to say they would make better or wiser electors than the same number of gentlemen who cannot name all the cities and rivers in Italy, nor translate a page of Latin without a mistake, but who understand the conditions of property by practical experience as no schoolmaster can possibly understand them? I tell you it is nonsense. Education, of the kind which is of any practical value in the government of a nation, means the teaching of human motives, of humanising ideas, of some system whereby the majority of electors can distinguish the qualities of honesty and common-sense in the candidate they wish to elect. I do not pretend to say what that system may be, but I assert that no education which does not lead to that kind of knowledge is of any practical use to the voting majority of a constitutionally governed country."
Del Ferice sighed rather sadly.
"I am afraid you will not discover that system in Europe," he said. He was disappointed in Giovanni, and in his hopes of detecting in him some signs of a revolutionary spirit. Saracinesca was a gentleman of the old school, who evidently despised majorities and modern political science as a whole, who for the sake of his own interests desired no change from the Government under which he lived, and who would surely be the first to draw the sword for the temporal power, and the last to sheathe it. His calm judgment concerning the fallacy of holding a hopeless position would vanish like smoke if his fiery blood were once roused. He was so honest a man that even Del Ferice could not suspect him of parading views he did not hold; and Ugo then and there abandoned all idea of bringing him into political trouble and disgrace, though he by no means gave up all hope of being able to ruin him in some other way.
"I agree with you there at least," said Saracinesca. "The only improvements worth having are certainly not to be found in Europe. Donna Tullia is calling us. We had better join that harmless flock of lambs, and give over speculating on the advantages of allying ourselves with a pack of wolves who will eat us up, house and home, bag and baggage."
So the whole party climbed again to their seats upon the drag, andValdarno drove them back into Rome by the Porta San Giovanni.
Corona d'Astrardente had been educated in a convent—that is to say, she had been brought up in the strict practice of her religion; and during the five years which had elapsed since she had come out into the world, she had found no cause for forsaking the habits she had acquired in her girlhood. Some people find religion a burden; others regard it as an indifferently useless institution, in which they desire no share, and concerning which they never trouble themselves; others, again, look upon it as the mainstay of their lives.
It is natural to suppose that the mode of thought and the habits acquired by young girls in a religious institution will not disappear without a trace when they first go into the world, and it may even be expected that some memory of the early disposition thus cultivated will cling to them throughout their lives. But the multifarious interests of social existence do much to shake that young edifice of faith. The driving strength of stormy passions of all kinds undermines the walls of the fabric, and when at last the bolt of adversity strikes full upon the keystone of the arch, upon the self of man or woman, weakened and loosened by the tempests of years, the whole palace of the soul falls in, a hopeless wreck, wherein not even the memory of outline can be traced, nor the faint shadow of a beauty which is destroyed for ever.
But there are some whose interests in this world are not strong enough to shake their faith in the next; whose passions do not get the mastery, and whose self is sheltered from danger by something more than the feeble defence of an accomplished egotism. Corona was one of these, for her lot had not been happy, nor her path strewn with roses.
She was a friendless woman, destined to suffer much, and her suffering was the more intense that she seemed always upon the point of finding friends in the world where she played so conspicuous a part. There can be little happiness when a whole life has been placed upon a false foundation, even though so dire a mistake may have been committed willingly and from a sense of duty and obligation, such as drove Corona to marry old Astrardente. Consolation is not satisfaction; and though, when she reflected on what she had done, she knew that from her point of view she had done her best, she knew also that she had closed upon herself the gates of the earthly paradise, and that for her the prospect of happiness had been removed from the now to the hereafter—the dim and shadowy glass in which we love to see any reflection save that of our present lives. And to her, thus living in submission to the consequences of her choice, that faith in things better which had inspired her to sacrifice was the chief remaining source of consolation. There was a good man to whom she went for advice, as she had gone to him ever since she could remember. When she found herself in trouble she never hesitated. Padre Filippo was to her the living proof of the possibility of human goodness, as faith is to us all the evidence of things not seen.
Corona was in trouble now—in a trouble so new that she hardly understood it, so terrible and yet so vague that she felt her peril imminent. She did not hesitate, therefore, nor change her mind upon the morning following the day of the meet, but drove to the church of the Capuchins in the Piazza Barberini, and went up the broad steps with a beating heart, not knowing how she should tell what she meant to tell, yet knowing that there was for her no hope of peace unless she told it quickly, and got that advice and direction she so earnestly craved.
Padre Filippo had been a man of the world in his time—a man of great cultivation, full of refined tastes and understanding of tastes in others, gentle and courteous in his manners, and very kind of heart. No one knew whence he came. He spoke Italian correctly and with a keen scholarly use of words, but his slight accent betrayed his foreign birth. He had been a Capuchin monk for many years, perhaps for more than half his lifetime, and Corona could remember him from her childhood, for he had been a friend of her father's; but he had not been consulted about her marriage,—she even remembered that, though she had earnestly desired to see him before the wedding-day, her father had told her that he had left Rome for a time. For the old gentleman was in terrible earnest about the match, so that in his heart he feared lest Corona might waver and ask Padre Filippo's advice; and he knew the good monk too well to think that he would give his countenance to such a sacrifice as was contemplated in marrying the young girl to old Astrardente. Corona had known this later, but had hardly realised the selfishness of her father, nor indeed had desired to realise it. It was sufficient that he had died satisfied in seeing her married to a great noble, and that she had been able, in his last days, to relieve him from the distress of debt and embarrassment which had doubtless contributed to shorten his life.
The proud woman who had thus once humbled herself for an object she thought good, had never referred to her action again. She had never spoken of her position to Padre Filippo, so that the monk wondered and admired her steadfastness. If she suffered, it was in silence, without comment and without complaint, and so she would have suffered to the end. But it had been ordered otherwise. For months she had known that the interest she felt in Giovanni Saracinesca was increasing: she had choked it down, had done all in her power to prove herself indifferent to him; but at last the crisis had come. When he spoke to her of his marriage, she had felt—she knew now that it was so—that she loved him. The very word, as she repeated it to herself, rang like an awful, almost incomprehensible, accusation of evil in her ears. One moment she stood at the top of the steps outside the church, looking down at the bare straggling trees below, and upward to the grey sky, against which the lofty eaves of the Palazzo Barberini stood out sharply defined. The weather had changed again, and a soft southerly wind was blowing the spray of the fountain half across the piazza. Corona paused, her graceful figure half leaning against the stone doorpost of the church, her hand upon the heavy leathern curtain in the act to lift it; and as she stood there, a desperate temptation assailed her. It seemed desperate to her—to many another woman it would have appeared only the natural course to pursue—to turn her back upon the church, to put off the hard moment of confession, to go down again into the city, and to say to herself that there was no harm in seeing Don Giovanni, provided she never let him speak of love. Why should he speak of it? Had she any reason to suppose there was danger to her in anything he meant to say? Had he ever, by word or deed, betrayed that interest in her which she knew in herself was love for him? Had he ever?—ah yes! It was only the night before last that he had asked her advice, had besought her to advise him not to marry another, had suffered his arm to tremble when she laid her hand upon it. In the quick remembrance that he too had shown some feeling, there was a sudden burst of joy such as Corona had never felt, and a moment later she knew it and was afraid. It was true, then. At the very time when she was most oppressed with the sense of her fault in loving him, there was an inward rejoicing in her heart at the bare thought that she loved him. Could a woman fall lower, she asked herself—lower than to delight in what she knew to be most bad? And yet it was such a poor little thrill of pleasure after all; but it was the first she had ever known. To turn away and reflect for a few days would be so easy! It would be so sweet to think of it, even though the excuse for thinking of Giovanni should be a good determination to root him from her life. It would be so sweet to drive again alone among the trees that very afternoon, and to weigh the salvation of her soul in the balance of her heart: her heart would know how to turn the scales, surely enough. Corona stood still, holding the curtain in her hand. She was a brave woman, but she turned pale—not hesitating, she said to herself, but pausing. Then, suddenly, a great scorn of herself arose in her. Was it worthy of her even to pause in doing right? The nobility of her courage cried loudly to her to go in and do the thing most worthy: her hand lifted the heavy leathern apron, and she entered the church.
The air within was heavy and moist, and the grey light fell coldly through the tall windows. Corona shuddered, and drew her furs more closely about her as she passed up the aisle to the door of the sacristy. She found the monk she sought, and she made her confession.
"Padre mio," she said at last, when the good man thought she had finished—"Padre mio, I am a very miserable woman." She hid her dark face in her ungloved hands, and one by one the crystal tears welled from her eyes and trickled down upon her small fingers and upon the worn black wood of the confessional.
"My daughter," said the good monk, "I will pray for you, others will pray for you—but before all things, you must pray for yourself. And let me advise you, my child, that as we are all led into temptation, we must not think that because we have been in temptation we have sinned hopelessly; nor, if we have fought against the thing that tempts us, should we at once imagine that we have overcome it, and have done altogether right. If there were no evil in ourselves, there could be no temptation from without, for nothing evil could seem pleasant. But with you I cannot find that you have done any great wrong as yet. You must take courage. We are all in the world, and do what we may, we cannot disregard it. The sin you see is real, but it is yet not very near you since you so abhor it; and if you pray that you may hate it, it will go further from you till you may hope not even to understand how it could once have been so near. Take courage—take comfort. Do not be morbid. Resist temptation, but do not analyse it nor yourself too closely; for it is one of the chief signs of evil in us that when we dwell too much upon ourselves and upon our temptations, we ourselves seem good in our own eyes, and our temptations not unpleasant, because the very resisting of them seems to make us appear better than we are."