Paper read in Section C, Domestic Health, at the Hastings Health Congress, on Friday, May 3, 1889.
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For illustration to-day, Messrs Mayfield, the electrical engineers of Queen Victoria Street, E. C., have been good enough to lend me a machine fitted up on the plan named. It works so effectively that I can make the ozone given off from it detectable in every part of this large hall.
At a recent meeting of the Physiological Society of Berlin, Prof. Zuntz spoke on heat regulation in man, basing his remarks on experiments made by Dr. Loewy. The store of heat in the human body at any one time is very large, equal, in fact, to nearly all the heat produced by the body during twenty hours, hence the heat given off to a calorimeter during a given period cannot be taken as a measure of the heat production. This determination must be based rather upon the amount of oxygen consumed and of carbonic acid gas given off. The purpose of the experiments was to ascertain what alteration the gaseous interchange of the body undergoes by the application of cold, inasmuch as existing data on this point are largely contradictory.
The observations were made on a number of men whose respiratory gases were compared, during complete rest, when they were at one time clothed, at another time naked, at temperatures from 12° to 15° C., and in warm and cold baths. Each experiment lasted from half an hour to an hour, during which period the gases were repeatedly analyzed. As a result of fifty-five experiments, twenty showed no alteration of oxygen consumption as the result of cooling, nine gave a lessened consumption, while the remaining twenty-six showed an increased using up of oxygen. This diversity of result is explicable on the basis of observations made by Prof. Zuntz, who was himself experimented upon, as to his subjective heat sensations during the experiments. He found that after the first impression due to the application of cold is overcome, it was quite easy to maintain himself in a perfectly passive condition; subsequently it required a distinct effort of the will to refrain from shivering and throwing the muscles into activity, and finally even this became no longer possible, and involuntary shivering and muscular contraction supervened, as soon as the body temperature (in ano) had fallen ½° to 1° C. During the first stage of cooling, Zuntz's oxygen consumption showed a uniform diminution; during the period also in which shivering was repressed by an effort of the will, cooling led to no increased consumption of oxygen, but as soon as shivering became involuntary there was at once an increased using up of oxygen and excretion of carbonic acid.
This explains the differences in the results of Dr. Loewy's experiments, and may be taken to show that in man, and presumably inlargeanimals, heat regulation as directly dependent upon alteration (fall) in temperature of the surrounding medium does not exist; the increased heat production is rather the outcome of the movements resulting from the application of cold to the body. Insmallanimals, on the other hand, there undoubtedly exists a heat regulation dependent upon an increased activity of chemical changes in the tissues set up by the application of cold to the surface of the body, and in this case the thermotaxic centers in the brain most probably play some part.—Dr. Herter gave an account of experiments made by Dr. Popoff on the artificial digestion of various and variously cooked meats. Lean beef and the flesh of eels and flounders were digested in artificial gastric juice; the amount of raw flesh thus peptonized was in all cases greater than that of cooked meat similarly treated. The flesh was shredded and heated by steam to 100° C. The result was the same for beef as for fish. When compared with each other, beef was, on the whole, the most digestible, but the amount of fish flesh which was peptonized was sufficiently great to do away with the evil repute which fish still has in Germany as a proteid food. Smoked meat differed in no essential extent from raw meat as regards its digestibility.
For several years past, I have devoted a portion of my leisure time to the arrangement of the collection of Arachnidæ of the Natural History Museum of the University of Gand. This collection, which is partially a result of my own captures, is quite a large one, for a university museum, since it comprises more than six hundred European and foreign specimens. Each group of individuals of the small forms and each individual of the large forms is contained in a bottle of alcohol closed with a ground glass stopper, and, whenever possible, the specimens have been spread out and fixed upon strips of glass.
The loss of alcohol through evaporation is almost entirely prevented by paraffining the stoppers and tying a piece of bladder over them.
Properly labeled, the series has a very satisfactory aspect, and is easily consulted for study. The reader, however, will readily understand how much time and patience such work requires, and can easily imagine how great an amount of space the collection occupies, it being at least twenty times greater than that that would be taken up by a collection of an equal number of insects mounted in the ordinary way on pins and kept in boxes.
These inconveniences led me to endeavor to find out whether there was not some way of preserving spiders, properly so called, in a dry state, and without distortion or notable modification of their colors.
Experience long ago taught me that pure and simple desiccation, after a more or less prolonged immersion in alcohol, gives passable results only with scorpions, galeodes, phrynes, and mygales, and consequently with arachnides having thick integuments, while it is entirely unsuccessful with most of the spiders. The abdomen of these shrivels, the characteristic colors disappear in great part, and the animals become unrecognizable.
Something else was therefore necessary, and I thought of carbolated glycerine. My process, which I have tried only upon the common species of the country—Tegenaria domestica,Epeira cucurbitina,Zilla inclinata, etc., having furnished me with preparations that were generally satisfactory. I think I shall be doing collectors a service by publishing it in theNaturaliste.
The specimens should first be deprived of moisture, that is to say, they should be allowed to remain eight or ten days in succession in 50 per cent. alcohol and in pure commercial alcohol. Absolute alcohol is not necessary.
After being taken from the alcohol, and allowed to drain, the specimens are immersed in a mixture compound of
In this they ought to remain at least a week, but there will be no harm if they are left therein indefinitely, so that the collections of summer may be mounted during winter evenings.
What follows is a little more delicate, although very easy. After being removed from the carbolated glycerine, the spiders are placed upon several folds of white filtering paper, and are changed from time to time until the greatest part of the liquid has been absorbed. An insect pin is then passed through the cephalothorax of each individual and is inserted in the support upon which the final desiccation is to take place. This support consists of a piece of sheet cork tacked or glued at the edges to a piece of wood at least one inch in thickness. Upon the cork are placed four or five folds of filtering paper, so that the ventral surface of the pinned spider is in contact with this absorbing surface. For the rest, the legs, palpi, spinnerets, etc., are spread out by means of fine pins, precisely as would be done in the case of coleoptera.
SETTING BOARD FOR SPIDERS.SETTING BOARD FOR SPIDERS.A. Absorbent papers. B. Sheet cork. C. Wooden support.
SETTING BOARD FOR SPIDERS.A. Absorbent papers. B. Sheet cork. C. Wooden support.
The setting board is put for two or three months in a very dry place under cover from dust.
The spiders thus treated will scarcely have changed in appearance, the abdomen of the largest Epeiras will have preserved its form, the hairs will in nowise have become agglutinated, and a person would never suspect that glycerine had performed the role.
The forms with a large abdomen require a special precaution; it is necessary to pass the mounting pin through a piece of thin cardboard or of gelatine prolonged behind under the abdomen, because the latter is heavy, and the pedicel that connects it with the cephalothorax easily breaks.
The specimens are mounted in boxes lined with cork, just as insects are.
As there is nothing simpler than to have in one's laboratory three bottles, two of them containing alcohol and the other containing carbolated glycerine, and as it is easy to make setting boards capable of holding from twenty to thirty individuals at once, it will be seen that, with a little practice, the method is scarcely any more complicated than the one daily employed for coleoptera and orthoptera, which latter, too, must pass through alcohol, and be pinned, spread out, and dried. There are but two additional elements, carbolated glycerine and absorbent paper. I do not estimate the time necessary for desiccation as being very long, since the zoologist can occupy himself with other subjects while the specimens are drying. Let us add that the process renders the preservation indefinite, and that destructive insects are not to be feared. Some vertebrates, such as monkeys, that I preserved in the flesh ten years ago, by a nearly identical method, are still intact—F. Plateau, in Le Naturaliste.
According to a report of the Committee of the Grape Growers' and Wine Maker's Association of California, the drying of wine grapes on a large scale was begun during the vintage season of 1887, in which season about eight carloads in all were made and sold, the bulk of which came from the vicinity of Fresno; that year, the committee are informed, the growers netted about three and a half cents per pound. During the season of 1888 about 112 carloads were dried, packed, and sold, netting the growers from two and a half to three and a half cents per pound, depending on the quality of the fruit. The great bulk of that year's product has entered into consumption, but there yet remains unsold to consumers, we are informed, about ten carloads, which, it is expected, will be sold during the next three months. It has been observed by those handling this product that the largest sales of dried wine grapes in 1888 and 1889 took place at those points to which the first lots were shipped in 1887, which would show that as the product becomes better known it finds a readier market.
Dried wine grapes are prepared in a similar manner to raisins; that is they are dried in the sun, but do not require the same care in handling that are given to raisins. Wooden trays 2 × 3 are sometimes used, but it is by no means necessary to go to the expense of procuring trays, as it has been found that a good quality of coarse brown paper will answer every purpose, and this, with care, may be made to last two or three seasons. The drying was last season principally done on the bare ground, but there is much loss by shelling, as those dried are required to be turned; a pitchfork is used for that purpose. Brown building paper can be procured of city paper dealers in large rolls at four and a half cents per pound; according to the thickness, it will cost from one and three-quarters to three and a half cents per square yard. A thin, tough, waterproof paper is also made in rolls at about six cents a square yard. Wine grapes dry in from ten days to three weeks, according to variety and weather, and with the exception of Malvoisie, Rose of Peru, and Black Hamburg, from three and a half to four and a half tons of the green fruit are required to make one of the dried; these three varieties, however, being large, meaty, and a firm pulp, do not require more than from three to three and a half tons of the green fruit to produce one ton of dried, and are, therefore, the most profitable for drying; they also command better values in the market. The grapes are sufficiently dried when, on being rolled between the thumb and finger, no moisture exudes, and also when the stems are found to be dry and brittle, so that they can be separated readily from the berries. After the grapes have reached the proper state of dryness, they are taken in boxes or sacks to the packing house, where they arestemmedand cleaned, after which they are packed in white cotton sacks, holding from fifty to seventy-five pounds each, and when marked are ready for shipment.
The stemming and cleaning of the dried grapes is done by special machines designed for that purpose, which leaves the fruit in a bright, clean condition attractive to purchasers. These machines are at present built only by James Porteous, Fresno, and are operated either by hand or power. The cost of a stemmer and cleaner complete is $80, f. o. b. cars at Fresno. Where several producers can do so, it would be advisable to club together and get the machine in this way. Much extra expense could be avoided and one set of machinery would serve several vineyards, possibly an entire district where time was not a great object; or some one person in a district could purchase an outfit and do the work by contract, going from place to place. The capacity of the stemmer and cleaner is from five to eight tons per day, when the grapes are in proper condition; and the cost or charge for stemming, cleaning, sacking, and sewing up the sacks is from four to five dollars per ton when the producer furnishes the sacks. Good cotton sacks, holding about seventy-five pounds, cost from eight to ten cents each, including the necessary twine. Last year dried grapes were generally sold for cash, f. o. b., but it is probable that other markets could be secured by selling on consignment.
As to the advisability of such a course, each producer must himself be the judge. It is, however, quite certain that until consumers have an opportunity to try this product, the sales will necessarily be more or less limited, unless vigorously pushed by merchants and others interested in extending the markets for California products in the Eastern cities not yet tried. The varieties most suitable and profitable for drying, and especially for consumption in the Eastern markets, are the Malvoisie, Rose of Peru, Black Hamburg, Mission, Zinfandel, Charbono, Grenache, and in some localities the Carignan, of the dark varieties, and the FeherZagos and Golden Chasselas of the white grapes; there are many other white grapes that are excellent when dried, but are too valuable for wine-making purposes, or are too small or deficient in sugar for use as dried grapes.
The same is true of the dark grapes, some of which ripen so late that it would be impossible to dry them in the sun, and the use of artificial heat is, at present prices, too expensive. Therefore, the varieties mentioned, which generally mature early, are found to be the most suitable for this purpose. This product is sold by dealers in the Eastern cities for cooking purposes, and as a substitute for dried fruits, such as peaches, apples, apricots, etc., in comparison with which it is usually much cheaper; while for stewing and for puddings and pies it answers the same purpose. The demand for this product will probably be gauged by the Eastern fruit crop; that is, the quantity that can be disposed of will depend upon the quantity of Eastern fruit in the market, and the prices will be largely dependent upon that of dried fruit.
This oil, which I obtained from the fully ripened nut of theJugluns regia, has so many excellent properties, especially for mixing with artists' colors for fine art work, that I am surprised at the small amount of information available on this interesting oil.
Walnut oil is largely used for adulterating olive oil, and to compensate for its high iodine absorption it is mixed with pure lard oil olein, which also retards the thickening effect due to oxidation. The marc left on expression of the oil is said to be largely used in the manufacture of chocolate. Many people, I am told, prefer walnut oil to olive oil for cooking purposes.
The value of this oil for out-door work has been given me by a friend who used it for painting the verandas and jalousies of his house (near Como, Italy) some twenty years ago, and which have not required painting since. In this country, at least, walnut oil is beyond the reach of the general painter, and I do not know that the pure oil is to be obtained as a commercial article, even on a small scale.
It was in examining the properties of this and other oils, used as adulterants of olive oil, that I was obliged to prepare them so as to be sure of getting them in a reliable condition as regards purity. The walnuts were harvested in the autumn of 1887, and kept in a dry airy room until the following March. The kernels had shrunk up and contracted a disagreeable acrid taste, so familiar with old olive oil in which this has been used as an adulterant. Most oxidized oils, especially cotton seed oil, reveal a similar acrid taste, but walnut oil has, in addition, an unmistakable increase in viscosity. The nuts were opened and the kernels thrown into warm water, so as to loosen the epidermis; they were then rubbed in a coarse towel, so as to blanch them. The decorticated nuts were wiped dry and rubbed to a smooth paste in a marble mortar. The paste was first digested in CS2, then placed in a percolator and exhausted with the same solvent, which was evaporated off. The yield of oil was small, but probably, if the nuts had been left to fully ripen on the trees without knocking them off, the yield might have been greater. It is by no means improbable that oxidation may have rendered a portion of the oil insoluble. The decorticated kernels gave a perfectly sweet, inodorous, and almost colorless oil, which rapidly thickens to an almost colorless, transparent, and perfectly elastic skin or film, which does not darken or crack easily by age. These are properties which, for fine art painting, might be of great value in preserving the tinctorial purity and freshness of pigments.
Sulphur chloride gives a perfectly white product with the fresh oil, but, when oxidized, the product is very dark, almost black. The iodine absorption of the fresh oil thus obtained is very high, but falls rapidly by oxidation or blowing. A curious fact has been disclosed with reference to the oxidation of this and similar oils. If such an oil be mixed with lard oil, olive oil, or sperm oil, it thickens by oxidation, but is perfectly soluble. Such a mixture is largely used in weaving or spinning. Commercial samples of linseed oil, when cold-drawn, have a much higher iodine absorption, probably due to the same cause. Oils extracted by CS2are very much higher than the same oils, especially if hot-pressed.—Chem. News.
Lately I called attention to the metabisulphite of potassium as an addition to the pyro solution for development, and can give now some of my experiences with this salt.
The metabisulphite of potassium, which was introduced into the market by Dr. Schuchardt, and whose correct analysis is not known yet, is a white crystal, which in a solid condition, as well as in an aqueous solution, has a strong smell of sulphurous acid. An aqueous 2 per cent. solution of this salt dissolves pyrogallic acid to a weak yellowish color, being distinguished from the more light brown solution of sulphite of soda and pyro. The solution kept very well for four weeks in half-filled bottles, and showed a better preservation than the usual solution of pyro and sulphite of soda. More than 2 per cent. of the metabisulphite of potassium is without any advantage. If this solution is mixed with soda, a picture will develop rapidly, but the same will show a strongly yellow coloration in the gelatine film. Sulphite of soda has to be added to the sodasolutionto obtain an agreeable brownish or black tone in the negatives.
If the contents of metabisulphite and pyro-soda developer are increased, it will act very slowly; larger quantities of the metabisulphite of potassium, therefore, act like a strong retarder. In small quantities there is no injurious retarding action, but it will have the effect that the plates obtain very clear shadows in this developer, and that the picture appears slower, and will strengthen more slowly. The strongly retarding action of larger quantities of metabisulphite might be accounted for in that the bisulphite will give, with the carbonate of soda, monosulphite and soda bicarbonate, which latter is not a strong enough alkali to develop the bromide of silver strongly with pyro. An increase of soda compensates this retarding action of the metabisulphite of potassium.
Good results were obtained by me with this salt after several tests, by producing the following solutions:
This solution keeps for weeks in corked bottles.
Before using mix—
The developer acts about one and a half times slower than the ordinary pyro soda developer, approaching to the latter pretty nearly, and gives to the negatives an agreeable color and softness, with clear shadows. If the negatives are to be thinner, more water, say 30 to 40 c. c., is taken. If denser, then the soda is increased, and the water in the developer is reduced. An alum bath before fixing is to be recommended.
An advantage of this development is the great durability of the pyro-meta sulphite solution. The cost price is about the same as that of the ordinary pyro developer. At all events, it is worth while to make further investigation with the metabisulphite of potassium, the same being also a good preservative for hydroquinone solutions.—Photographische Correspondenz; Reported in the Photo. News.
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