One time Sweet-One-Darling heard her brother, little Our-Golden-Son, talking with the nurse. The nurse was a very wise woman and they called her Good-Old-Soul, because she was so kind to children. Little Our-Golden-Son was very knowing for a little boy only two years old, but there were several things he did not know about and one of these things troubled him a good deal and he went to the wise nurse to find out all about it.
"Tell me, Good-Old-Soul," said he, "where did I come from?"
Good-Old-Soul thought this a very natural question for little Our-Golden-Son to ask, for he was a precocious boy and was going to be a great man some time.
"I asked your mother that very question the other day," said Good-Old-Soul, "and what do you think she told me? She told me that the Doctor-Man brought you! She told me that one night she was wishing all to herself that she had a little boy with light golden hair and dark golden eyes. 'If I had such a little boy,' said she, 'I should call him Our-Golden-Son.' While she was talking this way to herself, rap-tap-rap came a knock at the door. 'Who is there?' asked your mother. 'I am the Doctor-Man,' said the person outside, 'and I have brought something for you.' Then the Doctor-Man came in and he carried a box in one hand. 'I wonder what can be in the box!' thought your mother. Now what do you suppose it was?"
"Bananas?" said little Our-Golden-Son.
"No, no," answered Good-Old-Soul, "it was nothing to eat; it was the cutest, prettiest little baby boy you ever saw! Oh, how glad your mother was, and what made her particularly happy was this: The little baby boy had light golden hair and dark golden eyes! 'Did you really bring this precious little boy for me?' asked your mother. 'Indeed I did,' said the Doctor-Man, and he lifted the little creature out of the box and laid him very tenderly in your mother's arms. That 's how you came, little Our-Golden-Son, and it was very good of the Doctor-Man to bring you, was n't it?"
Little Our-Golden-Son was much pleased with this explanation. As for Sweet-One-Darling, she was hardly satisfied with what the nurse had told. So that night when the fairies—the Dream-Fairies—came, she repeated the nurse's words to them.
"WhatIwant to know," said Sweet-One-Darling, "is this: Where did the Doctor-Man get little Our-Golden Son? I don't doubt the truth of what Good-Old-Soul says, but Good-Old-Soul does n't tell how the Doctor-Man came to have little Our-Golden-Son in the box. How did little Our-Golden-Son happen to be in the box? Where did he come from before he got into the box?"
"That is easy enough to answer," said Gleam-o'-the-Murk. "We Dream-Fairies know all about it. Before he got into the Doctor-Man's box little Our-Golden-Son lived in the Moon. That's where all little babies live before the Doctor-Man brings them."
"Did I live there before the Doctor-Man brought me?" asked Sweet-One-Darling.
"Of course you did," said Gleam-o'-the-Murk. "I saw you there a long, long time before the Doctor-Man brought you."
"But I thought that the Moon was a big, round soda-cracker," said Sweet-One-Darling.
That made the Dream-Fairies laugh. They assured Sweet-One-Darling that the Moon was not a soda-cracker, but a beautiful round piece of silver way, way up in the sky, and that the stars were little Moons, bearing the same relationship (in point of size) to the old mother Moon that a dime does to a big silver dollar.
"And how big is the Moon?" asked Sweet-One-Darling. "Is it as big as this room?"
"Oh, very, very much bigger," said the Dream-Fairies.
"I guess it must be as big as a house," suggested Sweet-One-Darling.
"Bigger than a house," answered Gleam-o'-the-Murk.
"Oh, my!" exclaimed Sweet-One-Darling, and she began to suspect that the Dream-Fairies were fooling her.
But that night the Dream-Fairies took Sweet-One-Darling with them to the Moon! You don't believe it, eh? Well, you wait until you 've heard all about it, and then, may be, you not only will believe it, but will want to go there, too.
The Dream-Fairies lifted Sweet-One-Darling carefully out of her cradle; then their wings went "whir-r-r, whir-r-r"—you 've heard a green fly buzzing against a window-pane, have n't you? That was the kind of whirring noise the Dream-Fairies' wings made, with the pleasing difference that the Dream-Fairies' wings produced a soft, soothing music. The cricket under the honeysuckle by the window heard this music and saw the Dream-Fairies carrying Sweet-One-Darling away. "Be sure to bring her back again," said the cricket, for he was a sociable little fellow and was very fond of little children.
You can depend upon it that Sweet-One-Darling had a delightful time riding through the cool night air in the arms of those Dream-Fairies; it was a good deal like being a bird, only the Dream-Fairies flew very much faster than any bird can fly. As they sped along they told Sweet-One-Darling all about the wonderful things they saw and everything was new to Sweet-One-Darling, for she had never made any journeys before except in the little basket-carriage which Good-Old-Soul, her nurse, propelled every sunny morning up and down the street. Pretty soon they came to a beautiful river, which looked as if it were molten silver; but it was n't molten silver; it was a river of moonbeams.
"We will take a sail now," said Gleam-o'-the-Murk. "This river leads straight to the Moon, and it is well worth navigating."
So they all got into a boat that had a sail made out of ten thousand and ten baby-spiders' webs, and away they sailed as merrily as you please. Sweet-One-Darling put her feet over the side of the boat and tried to trail them in the river, but the moonbeams tickled her so that she could n't stand it very long. And what do you think? When she pulled her feet back into the boat she found them covered with dimples. She did n't know what to make of these phenomena until the Dream-Fairies explained to her that a dimple always remains where a moonbeam tickles a little child. A dimple on the foot is a sure sign that one has been trailing in that beautiful silver river that leads to the Moon.
By and by they got to the Moon. I can't begin to tell you how large it was; you 'd not believe me if I did.
"This is very lovely," said Sweet-One-Darling, "but where are the little babies?"
"Surely you did n't suppose you 'd find any babies here!" exclaimed the Dream-Fairies. "Why, in all this bright light the babies would never, never go to sleep! Oh, no; we 'll have to look for the babies on the other side of the Moon."
"Of course we shall," said Sweet-One-Darling. "I might have guessed as much if I 'd only stopped to think."
The Dream-Fairies showed Sweet-One-Darling how to get to the edge of the Moon, and when she had crawled there she held on to the edge very fast and peeped over as cautiously as if she had been a timid little mouse instead of the bravest Sweet-One-Darling in all the world. She was very cautious and quiet, because the Dream-Fairies had told her that she must be very sure not to awaken any of the little babies, for there are no Mothers up there on the other side of the Moon, and if by any chance a little baby is awakened—why, as you would easily suppose, the consequences are exceedingly embarrassing.
"Can you see anything?" asked the Dream-Fairies of Sweet-One-Darling as she clung to the edge of the Moon and peeped over.
"I should say I did!" exclaimed Sweet-One-Darling. "I never supposed there could be so beautiful a place. I see a large, fair garden, filled with shrubbery and flowers; there are fountains and velvety hillocks and silver lakes and embowered nooks. A soft, dim, golden light broods over the quiet spot."
"Yes, that is the light which shines through the Moon from the bright side; but it is very faint," said the Dream-Fairies.
"And I see the little babies asleep," continued Sweet-One-Darling. "They are lying in the embowered nooks, near the fountains, upon the velvety hillocks, amid the flowers, under the trees, and upon the broad leaves of the lilies in the silver lakes. How cunning and plump and sweet they are—I must take some of them back with me!"
If they had not been afraid of waking the babies the Dream-Fairies would have laughed uproariously at this suggestion. Just fancy Sweet-One-Darling, a baby herself, undertaking the care of a lot of other little babies fresh from the garden on the other side of the Moon!
"I wonder how they all came here in this Moon-Garden?" asked Sweet-One-Darling. And the Dream-Fairies told her.
They explained that whenever a mother upon earth asked for a little baby of her own her prayer floated up and up—many leagues up—and was borne to the other side of the Moon, where it fell and rested upon a lily leaf or upon a bank of flowers in that beautiful garden. And resting there the prayer presently grew and grew until it became a cunning little baby! So when the Doctor-Man came with his box the baby was awaiting him, and he had only to carry the precious little thing to the Mother and give her prayer back to her to keep and to love always. There are so very many of these tiny babies in the Moon-Garden that sometimes—he does n't do it of purpose—but sometimes the Doctor-Man brings the baby to the wrong mother, and that makes the real mother, who prayed for the baby, feel very, very badly.
Well, I actually believe that Sweet-One-Darling would gladly have spent the rest of her life clinging to the edge of the Moon and peeping over at the babies in that beautiful garden. But the Dream-Fairies agreed that this would never do at all. They finally got Sweet-One-Darling away by promising to stop on their journey home to replenish her nursing bottle at the Milky Way, which, as perhaps you know, is a marvellous lacteal ocean in the very midst of the sky. This beverage had so peculiar and so soothing a charm that presently Sweet-One-Darling went sound asleep, and when she woke up—goodness me! it was late in the morning, and her brother, little Our-Golden-Son, was standing by her cradle, wondering why she did n't wake up to look at his beautiful new toy elephant.
Sweet-One-Darling told Good-Old-Soul and little Our-Golden-Son all about the garden on the other side of the Moon.
"I am sure it is true," said Good-Old-Soul. "And now that I come to think of it, that is the reason why the Moon always turns her bright side toward our earth! If the other side were turned this way the light of the sun and the noise we make would surely awaken and frighten those poor little babies!"
Little Our-Golden-Son believed the story, too. And if Good-Old-Soul and little Our-Golden-Son believed it, why should n't you? If it were not true how could I have known all about it and told it to you?
The day on which I was twelve years old my father said to me: "Samuel, walk down the lane with me to the pasture-lot; I want to show you something." Never suspicioning anything, I trudged along with father, and what should I find in the pasture lot but the cunningest, prettiest, liveliest colt a boy ever clapped eyes on!
"That is my birthday present to you," said father. "Yes, Samuel, I give the colt to you to do with as you like, for you 've been a good boy and have done well at school."
You can easily understand that my boyish heart overflowed with pride and joy and gratitude. A great many years have elapsed since that time, but I have n't forgotten and I never shall forget the delight of that moment, when I realized that I had a colt of my own—a real, live colt, and a Morgan colt, at that!
"How old is he, father?" I asked.
"A week old, come to-morrow," said father.
"Has Judge Phipps seen him yet?" I asked.
"No; nobody has seen him but you and me and the hired man."
Judge Phipps was the justice of the peace. I had a profound respect for him, for what he did n't know about horses was n't worth knowing; I was sure of this, because the judge himself told me so. One of the first duties to which I applied myself was to go and get the judge and show him the colt. The judge praised the pretty creature inordinately, enumerating all his admirable points and predicting a famous career for him. The judge even went so far as to express the conviction that in due time my colt would win "imperishable renown and immortal laurels as a competitor at the meetings of the Hampshire County Trotting Association," of which association the judge was the president, much to the scandal of his estimable wife, who viewed with pious horror her husband's connection with the race-track.
"What do you think I ought to name my colt?" I asked of the judge.
"When I was about your age," the judge answered, "I had a colt and I named him Royal. He won all the premiums at the county fair before he was six year old."
That was quite enough for me. To my thinking every utterance of the judge's was ex cathedra; moreover, in my boyish exuberance, I fancied that this name would start my colt auspiciously upon a famous career; I began at once to think and to speak of him as the prospective winner of countless honors.
From the moment when I first set eyes on Royal I was his stanch friend; even now, after the lapse of years, I cannot think of my old companion without feeling here in my breast a sense of gratitude that that honest, patient, loyal friend entered so largely into my earlier life.
Twice a day I used to trudge down the lane to the pasture-lot to look at the colt, and invariably I was accompanied by a troop of boy acquaintances who heartily envied me my good luck, and who regaled me constantly with suggestions of what they would do if Royal were their colt. Royal soon became friendly with us all, and he would respond to my call, whinnying to me as I came down the lane, as much as to say: "Good morning to you, little master! I hope you are coming to have a romp with me." And, gracious! how he would curve his tail and throw up his head and gather his short body together and trot around the pasture-lot on those long legs of his! He enjoyed life, Royal did, as much as we boys enjoyed it.
Naturally enough, I made all sorts of plans for Royal. I recall that, after I had been on a visit to Springfield and had beholden for the first time the marvels of Barnum's show, I made up my mind that when Royal and I were old enough we would unite our fortunes with those of a circus, and in my imagination I already pictured huge and gaudy posters announcing the blood-curdling performances of the dashing bareback equestrian, Samuel Cowles, upon his fiery Morgan steed, Royal! This plan was not at all approved of by Judge Phipps, who continued to insist that it was on the turf and not in the sawdust circle that Royal's genius lay, and to this way of thinking I was finally converted, but not until the judge had promised to give me a sulky as soon as Royal demonstrated his ability to make a mile in 2:40.
It is not without a sigh of regret that in my present narrative I pass over the five years next succeeding the date of Royal's arrival. For they were very happy years—indeed, at this distant period I am able to recall only that my boyhood was full, brimful of happiness. I broke Royal myself; father and the hired man stood around and made suggestions, and at times they presumed to take a hand in the proceedings. Virtually, however, I broke Royal to the harness and to the saddle, and after that I was even more attached to him than ever before—you know how it is, if ever you 've broken a colt yourself!
When I went away to college it seemed to me that leaving Royal was almost as hard as leaving mother and father; you see the colt had become a very large part of my boyish life—followed me like a pet dog, was lonesome when I was n't round, used to rub his nose against my arm and look lovingly at me out of his big, dark, mournful eyes—yes, I cried when I said good-by to him the morning I started for Williamstown. I was ashamed of it then, but not now—no, not now.
But my fun was all the keener, I guess, when I came home at vacation times. Then we had it, up hill and down dale—Royal and I did! In the summer-time along the narrow roads we trailed, and through leafy lanes, and in my exultation I would cut at the tall weeds at the roadside and whisk at the boughs arching overhead, as if I were a warrior mounted for battle and these other things were human victims to my valor. In the winter we sped away over the snow and ice, careless to the howling of the wind and the wrath of the storm. Royal knew the favorite road, every inch of the way; he knew, too, when Susie held the reins—Susie was Judge Phipps' niece, and I guess she 'd have mittened me if it had n't been that I had the finest colt in the county!
The summer I left college there came to me an overwhelming sense of patriotic duty. Mother was the first to notice my absent-mindedness, and to her I first confided the great wish of my early manhood. It is hard for parents to bid a son go forth to do service upon the battlefield, but New England in those times responded cheerfully and nobly to Mr. Lincoln's call. The Eighth Massachusetts cavalry was the regiment I enlisted in; a baker's dozen of us boys went together from the quiet little village nestling in the shadow of Mount Holyoke. From Camp Andrew I wrote back a piteous letter, complaining of the horse that had been assigned to me; I wanted Royal; we had been inseparable in times of peace—why should we not share together the fortunes of war? Within a fortnight along came Royal, conducted in all dignity by—you would never guess—by Judge Phipps! Full of patriotism and of cheer was the judge.
"Both of ye are thoroughbreds," said he. "Ye 'll come in under the wire first every time, I know ye will."
The judge also brought me a saddle blanket which Susie had ornamented with wondrous and tender art.
So Royal and I went into the war together. There were times of privation and of danger; neither of us ever complained. I am proud to bear witness that in every emergency my horse bore himself with a patience and a valor that seemed actually human. My comrades envied me my gentle, stanch, obedient servant. Indeed, Royal and I became famous as inseparable and loyal friends.
We were in five battles and neither of us got even so much as a scratch. But one afternoon in a skirmish with the rebels near Potomac Mills a bullet struck me in the thigh, and from the mere shock I fell from Royal's back into the tangle of the thicket. The fall must have stunned me, for the next thing I knew I was alone—deserted of all except my faithful horse. Royal stood over me, and when I opened my eyes he gave a faint whinny. I hardly knew what to do. My leg pained me excruciatingly. I surmised that I would never be able to make my way back to camp under the fire of the rebel picketers, for I discovered that they were closing in.
Then it occurred to me to pin a note to Royal's saddle blanket and to send Royal back to camp telling the boys of the trouble I was in. The horse understood it all; off he galloped, conscious of the import of the mission upon which he had been dispatched. Bang-bang-bang! went the guns over yonder, as if the revengeful creatures in the far-off brush guessed the meaning of our manoeuvering and sought to slay my loyal friend. But not a bullet touched him—leastwise he galloped on and on till I lost sight of him. They came for me at last, the boys did; they were a formidable detachment, and how the earth shook as they swept along!
"We thought you were a goner, sure," said Hi Bixby.
"I guess I would have been if it had n't been for Royal," said I.
"I guess so, myself," said he. "When we saw him stumblin' along all bloody we allowed for sure you was dead!"
"All blood?" I cried. "Is Royal hurt?"
"As bad as a hoss can be," said he.
In camp we found them doing the best they could for him. But it was clearly of no avail. There was a gaping, ragged hole in his side; seeking succor for me, Royal had met his death-wound. I forgot my own hurt; I thrust the others aside and hobbled where he lay.
"Poor old Roy!" I cried, as I threw myself beside my dying friend and put my arms about his neck. Then I patted and stroked him and called him again and again by name, and there was a look in his eyes that told me he knew me and was glad that I was there.
How strange, and yet how beautiful, it was that in that far-off country, with my brave, patient, loyal friend's fluttering heart close unto mine, I neither saw nor thought of the scene around me.
But before my eyes came back the old, familiar places—the pasture lot, the lane, the narrow road up the hill, the river winding along between great stretches of brown corn, the aisle of maple trees, and the fountain where we drank so many, many times together—and I smelled the fragrance of the flowers and trees abloom, and I heard the dear voices and the sweet sounds of my boyhood days.
Then presently a mighty shudder awakened me from this dreaming. And I cried out with affright and grief, for I felt that I was alone.
In the reign of Egbert the Saxon there dwelt in Britain a maiden named Yseult, who was beloved of all, both for her goodness and for her beauty. But, though many a youth came wooing her, she loved Harold only, and to him she plighted her troth.
Among the other youth of whom Yseult was beloved was Alfred, and he was sore angered that Yseult showed favor to Harold, so that one day Alfred said to Harold: "Is it right that old Siegfried should come from his grave and have Yseult to wife?" Then added he, "Prithee, good sir, why do you turn so white when I speak your grandsire's name?"
Then Harold asked, "What know you of Siegfried that you taunt me? What memory of him should vex me now?"
"We know and we know," retorted Alfred. "There are some tales told us by our grandmas we have not forgot."
So ever after that Alfred's words and Alfred's bitter smile haunted Harold by day and night.
Harold's grandsire, Siegfried the Teuton, had been a man of cruel violence. The legend said that a curse rested upon him, and that at certain times he was possessed of an evil spirit that wreaked its fury on mankind. But Siegfried had been dead full many years, and there was naught to mind the world of him save the legend and a cunning-wrought spear which he had from Brunehilde, the witch. This spear was such a weapon that it never lost its brightness, nor had its point been blunted. It hung in Harold's chamber, and it was the marvel among weapons of that time.
Yseult knew that Alfred loved her, but she did not know of the bitter words which Alfred had spoken to Harold. Her love for Harold was perfect in its trust and gentleness. But Alfred had hit the truth: the curse of old Siegfried was upon Harold—slumbering a century, it had awakened in the blood of the grandson, and Harold knew the curse that was upon him, and it was this that seemed to stand between him and Yseult. But love is stronger than all else, and Harold loved.
Harold did not tell Yseult of the curse that was upon him, for he feared that she would not love him if she knew. Whensoever he felt the fire of the curse burning in his veins he would say to her, "To-morrow I hunt the wild boar in the uttermost forest," or, "Next week I go stag-stalking among the distant northern hills." Even so it was that he ever made good excuse for his absence, and Yseult thought no evil things, for she was trustful; ay, though he went many times away and was long gone, Yseult suspected no wrong. So none beheld Harold when the curse was upon him in its violence.
Alfred alone bethought himself of evil things. "'T is passing strange," quoth he, "that ever and anon this gallant lover should quit our company and betake himself whither none knoweth. In sooth 't will be well to have an eye on old Siegfried's grandson."
Harold knew that Alfred watched him zealously, and he was tormented by a constant fear that Alfred would discover the curse that was on him; but what gave him greater anguish was the fear that mayhap at some moment when he was in Yseult's presence, the curse would seize upon him and cause him to do great evil unto her, whereby she would be destroyed or her love for him would be undone forever. So Harold lived in terror, feeling that his love was hopeless, yet knowing not how to combat it.
Now, it befell in those times that the country round about was ravaged of a werewolf, a creature that was feared by all men howe'er so valorous. This werewolf was by day a man, but by night a wolf given to ravage and to slaughter, and having a charmed life against which no human agency availed aught. Wheresoever he went he attacked and devoured mankind, spreading terror and desolation round about, and the dream-readers said that the earth would not be freed from the werewolf until some man offered himself a voluntary sacrifice to the monster's rage.
Now, although Harold was known far and wide as a mighty huntsman, he had never set forth to hunt the werewolf, and, strange enow, the werewolf never ravaged the domain while Harold was therein. Whereat Alfred marvelled much, and oftentimes he said: "Our Harold is a wondrous huntsman. Who is like unto him in stalking the timid doe and in crippling the fleeing boar? But how passing well doth he time his absence from the haunts of the werewolf. Such valor beseemeth our young Siegfried."
Which being brought to Harold his heart flamed with anger, but he made no answer, lest he should betray the truth he feared.
It happened so about that time that Yseult said to Harold, "Wilt thou go with me to-morrow even to the feast in the sacred grove?"
"That can I not do," answered Harold. "I am privily summoned hence to Normandy upon a mission of which I shall some time tell thee. And I pray thee, on thy love for me, go not to the feast in the sacred grove without me."
"What say'st thou?" cried Yseult. "Shall I not go to the feast of Ste. Aelfreda? My father would be sore displeased were I not there with the other maidens. 'T were greatest pity that I should despite his love thus."
"But do not, I beseech thee," Harold implored. "Go not to the feast of Ste. Aelfreda in the sacred grove! And thou would thus love me, go not—see, thou my life, on my two knees I ask it!"
"How pale thou art," said Yseult, "and trembling."
"Go not to the sacred grove upon the morrow night," he begged.
Yseult marvelled at his acts and at his speech. Then, for the first time, she thought him to be jealous—whereat she secretly rejoiced (being a woman).
"Ah," quoth she, "thou dost doubt my love," but when she saw a look of pain come on his face she added—as if she repented of the words she had spoken—"or dost thou fear the werewolf?"
Then Harold answered, fixing his eyes on hers, "Thou hast said it; it is the werewolf that I fear."
"Why dost thou look at me so strangely, Harold?" cried Yseult. "By the cruel light in thine eyes one might almost take thee to be the werewolf!"
"Come hither, sit beside me," said Harold tremblingly, "and I will tell thee why I fear to have thee go to the feast of Ste. Aelfreda to-morrow evening. Hear what I dreamed last night. I dreamed I was the werewolf—do not shudder, dear love, for 't was only a dream.
"A grizzled old man stood at my bedside and strove to pluck my soul from my bosom.
"'What would'st thou?' I cried.
"'Thy soul is mine,' he said, 'thou shalt live out my curse. Give me thy soul—hold back thy hands—give me thy soul, I say.'
"'Thy curse shall not be upon me,' I cried. 'What have I done that thy curse should rest upon me? Thou shalt not have my soul.'
"'For my offence shalt thou suffer, and in my curse thou shalt endure hell—it is so decreed.'
"So spake the old man, and he strove with me, and he prevailed against me, and he plucked my soul from my bosom, and he said, 'Go, search and kill'—and—and lo, I was a wolf upon the moor.
"The dry grass crackled beneath my tread. The darkness of the night was heavy and it oppressed me. Strange horrors tortured my soul, and it groaned and groaned, gaoled in that wolfish body. The wind whispered to me; with its myriad voices it spake to me and said, 'Go, search and kill.' And above these voices sounded the hideous laughter of an old man. I fled the moor—whither I knew not, nor knew I what motive lashed me on.
"I came to a river and I plunged in. A burning thirst consumed me, and I lapped the waters of the river—they were waves of flame, and they flashed around me and hissed, and what they said was, 'Go, search and kill,' and I heard the old man's laughter again.
"A forest lay before me with its gloomy thickets and its sombre shadows—with its ravens, its vampires, its serpents, its reptiles, and all its hideous brood of night. I darted among its thorns and crouched amid the leaves, the nettles, and the brambles. The owls hooted at me and the thorns pierced my flesh. 'Go, search and kill,' said everything. The hares sprang from my pathway; the other beasts ran bellowing away; every form of life shrieked in my ears—the curse was on me—I was the werewolf.
"On, on I went with the fleetness of the wind, and my soul groaned in its wolfish prison, and the winds and the waters and the trees bade me, 'Go, search and kill, thou accursed brute; go, search and kill.'
"Nowhere was there pity for the wolf; what mercy, thus, should I, the werewolf, show? The curse was on me and it filled me with a hunger and a thirst for blood. Skulking on my way within myself I cried, 'Let me have blood, oh, let me have human blood, that this wrath may be appeased, that this curse may be removed.'
"At last I came to the sacred grove. Sombre loomed the poplars, the oaks frowned upon me. Before me stood an old man—'twas he, grizzled and taunting, whose curse I bore. He feared me not. All other living things fled before me, but the old man feared me not. A maiden stood beside him. She did not see me, for she was blind.
"Kill, kill,' cried the old man, and he pointed at the girl beside him.
"Hell raged within me—the curse impelled me—I sprang at her throat. I heard the old man's laughter once more, and then—then I awoke, trembling, cold, horrified."
Scarce was this dream told when Alfred strode that way.
"Now, by'r Lady," quoth he, "I bethink me never to have seen a sorrier twain."
Then Yseult told him of Harold's going away and how that Harold had besought her not to venture to the feast of Ste. Aelfreda in the sacred grove.
"These fears are childish," cried Alfred boastfully. "And thou sufferest me, sweet lady, I will bear thee company to the feast, and a score of my lusty yeomen with their good yew-bows and honest spears, they shall attend me. There be no werewolf, I trow, will chance about with us."
Whereat Yseult laughed merrily, and Harold said: "'T is well; thou shalt go to the sacred grove, and may my love and Heaven's grace forefend all evil."
Then Harold went to his abode, and he fetched old Siegfried's spear back unto Yseult, and he gave it into her two hands, saying, "Take this spear with thee to the feast to-morrow night. It is old Siegfried's spear, possessing mighty virtue and marvellous."
And Harold took Yseult to his heart and blessed her, and he kissed her upon her brow and upon her lips, saying, "Farewell, oh, my beloved. How wilt thou love me when thou know'st my sacrifice. Farewell, farewell forever, oh, alder-liefest mine."
So Harold went his way, and Yseult was lost in wonderment.
On the morrow night came Yseult to the sacred grove wherein the feast was spread, and she bore old Siegfried's spear with her in her girdle. Alfred attended her, and a score of lusty yeomen were with him. In the grove there was great merriment, and with singing and dancing and games withal did the honest folk celebrate the feast of the fair Ste. Aelfreda.
But suddenly a mighty tumult arose, and there were cries of "The werewolf!" "The werewolf!" Terror seized upon all—stout hearts were frozen with fear. Out from the further forest rushed the werewolf, wood wroth, bellowing hoarsely, gnashing his fangs and tossing hither and thither the yellow foam from his snapping jaws. He sought Yseult straight, as if an evil power drew him to the spot where she stood. But Yseult was not afeared; like a marble statue she stood and saw the werewolf's coming. The yeomen, dropping their torches and casting aside their bows, had fled; Alfred alone abided there to do the monster battle.
At the approaching wolf he hurled his heavy lance, but as it struck the werewolf's bristling back the weapon was all to-shivered.
Then the werewolf, fixing his eyes upon Yseult, skulked for a moment in the shadow of the yews and thinking then of Harold's words, Yseult plucked old Siegfried's spear from her girdle, raised it on high, and with the strength of despair sent it hurtling through the air.
The werewolf saw the shining weapon, and a cry burst from his gaping throat—a cry of human agony. And Yseult saw in the werewolf's eyes the eyes of some one she had seen and known, but 't was for an instant only, and then the eyes were no longer human, but wolfish in their ferocity. A supernatural force seemed to speed the spear in its flight. With fearful precision the weapon smote home and buried itself by half its length in the werewolf's shaggy breast just above the heart, and then, with a monstrous sigh—as if he yielded up his life without regret—the werewolf fell dead in the shadow of the yews.
Then, ah, then in very truth there was great joy, and loud were the acclaims, while, beautiful in her trembling pallor, Yseult was led unto her home, where the people set about to give great feast to do her homage, for the werewolf was dead, and she it was that had slain him.
But Yseult cried out: "Go, search for Harold—go, bring him to me. Nor eat, nor sleep till he be found."
"Good my lady," quoth Alfred, "how can that be, since he hath betaken himself to Normandy?"
"I care not where he be," she cried. "My heart stands still until I look into his eyes again."
"Surely he hath not gone to Normandy," outspake Hubert. "This very eventide I saw him enter his abode."
They hastened thither—a vast company. His chamber door was barred.
"Harold, Harold, come forth!" they cried, as they beat upon the door, but no answer came to their calls and knockings. Afeared, they battered down the door, and when it fell they saw that Harold lay upon his bed.
"He sleeps," said one. "See, he holds a portrait in his hand—and it is her portrait. How fair he is and how tranquilly he sleeps."
But no, Harold was not asleep. His face was calm and beautiful, as if he dreamed of his beloved, but his raiment was red with the blood that streamed from a wound in his breast—a gaping, ghastly spear wound just above his heart.
It is narrated, that, once upon a time, there lived a youth who required so much money for the gratification of his dissolute desires, that he was compelled to sell his library in order to secure funds. Thereupon, he despatched a letter to his venerable father, saying, "Rejoice with me, O father! for already am I beginning to live upon the profits of my books."
Professor Andrew J. Thorpe has invented an ingenious machine which will be likely to redound to the physical comfort and the intellectual benefit of our fellow-citizens. We are disposed to treat of this invention at length, for two reasons: first, because it is a Chicago invention; and, second, because it seems particularly calculated to answer an important demand that has existed in Chicago for a long time. Professor Thorpe's machine is nothing less than a combination parlor, library, and folding bedstead, adapted to the drawing-room, the study, the dining-room, and the sleeping apartment—a producer capable of giving to the world thousands upon thousands of tomes annually, and these, too, in a shape most attractive to our public.
Professor Thorpe himself is of New-England birth and education; and, until became West, he was called "Uncle Andy Thorpe." For many years he lived in New Britain, Connecticut; and there he pursued the vocation of a manufacturer of sofas, settees, settles, and bed-lounges. He came to Chicago three years ago; and not long thereafter, he discovered that the most imperative demand of this community was for a bed which combined, "at one and the same time" (as he says, for he is no rhetorician), the advantages of a bed and the advantages of a library. In a word, Chicago was a literary centre; and it required, even in the matter of its sleeping apparata, machines which, when not in use for bed-purposes, could be utilized to the nobler ends of literary display.
In this emergency the fertile Yankee wit of the immigrant came to his assistance; and about a year ago he put upon the market the ingenious and valuable combination which has commanded the admiration and patronage of our best literary circles, and which at this moment we are pleased to discourse of.
It has been our good fortune to inspect the superb line of folding library-bedsteads which Professor Thorpe offers to the public at startlingly low figures, and we are surprised at the ingenuity and the learning apparent in these contrivances. The Essay bedstead is a particularly handsome piece of furniture, being made of polished mahogany, elaborately carved, and intricately embellished throughout. When closed, this bedstead presents the verisimilitude of a large book-case filled with the essays of Emerson, Carlyle, Bacon, Montaigne, Hume, Macaulay, Addison, Steele, Johnson, Budgell, Hughes, and others. These volumes are made in one piece, of the best seasoned oak, and are hollow within throughout; so that each shelf constitutes in reality a chest or drawer which may be utilized for divers domestic purposes. In these drawers a husband may keep his shirts or neckties; or in them a wife may stow away her furs or flannel underwear in summer, and her white piques and muslins in winter.
These drawers (each of which extends to the height of twelve inches) are faced in superb tree-calf, and afford a perfect representation of rows of books, the title and number of each volume being printed in massive gold characters. The weight of the six drawers in this Essay bedstead does not exceed twelve pounds; but the machine is so stoutly built as to admit of the drawers containing a weight equivalent to six hundred pounds without interfering with the ease and nicety of the machine's operation. Upon touching a gold-mounted knob, the book-case divides, the front part of it descends; and, presto! you have as beautiful a couch as ever Sancho could have envied.
This Essay bedstead is sold for four hundred and fifty dollars. Another design, with the case and bed in black walnut, the books in papier maché, and none but English essayists in the Collection, can be had for a hundred dollars.
A British Poets' folding-bed can be had for three hundred dollars. This is an imitation of the blue-and-gold edition published in Boston some years ago. Busts of Shakespeare and of Wordsworth appear at the front upper corners of the book-case, and these serve as pedestals to the machine when it is unfolded into a bedstead. This style, we are told by Professor Thorpe, has been officially indorsed by the poetry committee of the Chicago Literary Club. A second design, in royal octavo white pine, and omitting the works of Chaucer, Spenser, Ben Jonson, and Herrick, is quoted at a hundred and fifty dollars.
The Historical folding-bed contains complete sets of Hume, Gibbon, Guizot, Prescott, Macaulay, Bancroft, Lingard, Buckle, etc., together with Haines's "History of Lake-County Indians" and Peck's "Gazetteer of Illinois," bound in half calf, and having a storage space of three feet by fourteen inches to each row, there being six rows of these books. You can get this folding-bed for two hundred dollars, or there is a second set in cloth that can be had for a hundred dollars.
The Dramatists' folding-bed (No. 1) costs three hundred dollars, bound in tree-calf hard maple, the case being in polished cherry, elaborately carved. The works included in this library are Shakespeare's, Schiller's, Molière's, Goethe's, Jonson's, Bartley Campbell's, and many others. Style No. 2 of this folding-bed has not yet been issued, owing to some difficulty which Professor Thorpe has had with eastern publishers; but when the matter of copyright has been adjusted, the works of Plautus, Euripides, Thucydides, and other classic dramatists will be brought out for the delectation of appreciative Chicagoans.
The Novelists' bed can be had in numerous styles. One contains the novels of Mackenzie, Fielding, Smollett, Walpole, Dickens, Thackeray, and Scott, and is bound in tree-calf: another, better adapted to the serious-minded (especially to young women), is made up of the novels of Maria Edgeworth, Miss Jane Porter, Miss Burney, and the Rev. E. P. Roe. This style can be had for fifty dollars. But the Novelists' folding-bed is manufactured in a dozen different styles, and one should consult the catalogue before ordering.
CHICAGO, ILL.
TO THE EDITOR: I am in a great dilemma, and I come to you for counsel. I love and wish to marry a young carpenter who has been waiting on me for two years. My father wants me to marry a literary man fifteen years older than myself,—a very smart man I will admit, but I fancy he istoosmart for me. I much prefer the young carpenter, yet father says a marriage with the literary man would give me the social position he fancies I would enjoy. Now, what am I to do? What wouldyoudo, if you were I?
Yours in trouble,PRISCILLA.