When the tide was out on the Dedlow Marsh, its extended dreariness was patent. Its spongy, low-lying surface, sluggish, inky pools, and tortuous sloughs, twisting their slimy way, eel-like, toward the open bay, were all hard facts. So were the few green tussocks, with their scant blades, their amphibious flavor and unpleasant dampness. And if you choose to indulge your fancy—although the flat monotony of the Dedlow Marsh was not inspiring—the wavy line of scattered drift gave an unpleasant consciousness of the spent waters, and made the dead certainty of the returning tide a gloomy reflection which no present sunshine could dissipate. The greener meadowland seemed oppressed with this idea, and made no positive attempt at vegetation until the work of reclamation should be complete. In the bitter fruit of the low cranberry bushes one might fancy he detected a naturally sweet disposition curdled and soured by an injudicious course of too much regular cold water.
The vocal expression of the Dedlow Marsh was also melancholy and depressing. The sepulchral boom of the bittern, the shriek of the curlew, the scream of passing brent, the wrangling of quarrelsome teal, the sharp, querulous protest of the startled crane, and syllabled complaint of the “killdeer” plover, were beyond the power of written expression. Nor was the aspect of these mournful fowls at all cheerful and inspiring. Certainly not the blue heron standing mid-leg deep in the water, obviously catching cold in a reckless disregard of wet feet and consequences; nor the mournful curlew, the dejected plover, or the low-spirited snipe, who saw fit to join him in his suicidal contemplation; nor the impassive kingfisher—an ornithological Marius—reviewing the desolate expanse; nor the black raven that went to and fro over the face of the marsh continually, but evidently couldn't make up his mind whether the waters had subsided, and felt low-spirited in the reflection that, after all this trouble, he wouldn't be able to give a definite answer. On the contrary, it was evident at a glance that the dreary expanse of Dedlow Marsh told unpleasantly on the birds, and that the season of migration was looked forward to with a feeling of relief and satisfaction by the full-grown, and of extravagant anticipation by the callow, brood. But if Dedlow Marsh was cheerless at the slack of the low tide, you should have seen it when the tide was strong and full. When the damp air blew chilly over the cold, glittering expanse, and came to the faces of those who looked seaward like another tide; when a steel-like glint marked the low hollows and the sinuous line of slough; when the great shell-incrusted trunks of fallen trees arose again, and went forth on their dreary, purposeless wanderings, drifting hither and thither, but getting no farther toward any goal at the falling tide or the day's decline than the cursed Hebrew in the legend; when the glossy ducks swung silently, making neither ripple nor furrow on the shimmering surface; when the fog came in with the tide and shut out the blue above, even as the green below had been obliterated; when boatmen lost in that fog, paddling about in a hopeless way, started at what seemed the brushing of mermen's fingers on the boat's keel, or shrank from the tufts of grass spreading around like the floating hair of a corpse, and knew by these signs that they were lost upon Dedlow Marsh and must make a night of it, and a gloomy one at that—then you might know something of Dedlow Marsh at high water.
Let me recall a story connected with this latter view which never failed to recur to my mind in my long gunning excursions upon Dedlow Marsh. Although the event was briefly recorded in the county paper, I had the story, in all its eloquent detail, from the lips of the principal actor. I cannot hope to catch the varying emphasis and peculiar coloring of feminine delineation, for my narrator was a woman; but I'll try to give at least its substance.
She lived midway of the great slough of Dedlow Marsh and a good-sized river, which debouched four miles beyond into an estuary formed by the Pacific Ocean, on the long sandy peninsula which constituted the southwestern boundary of a noble bay. The house in which she lived was a small frame cabin raised from the marsh a few feet by stout piles, and was three miles distant from the settlements upon the river. Her husband was a logger—a profitable business in a county where the principal occupation was the manufacture of lumber.
It was the season of early spring when her husband left on the ebb of a high tide, with a raft of logs for the usual transportation to the lower end of the bay. As she stood by the door of the little cabin when the voyagers departed she noticed a cold look in the southeastern sky, and she remembered hearing her husband say to his companions that they must endeavor to complete their voyage before the coming of the southwesterly gale which he saw brewing. And that night it began to storm and blow harder than she had ever before experienced, and some great trees fell in the forest by the river, and the house rocked like her baby's cradle.
But however the storm might roar about the little cabin, she knew that one she trusted had driven bolt and bar with his own strong hand, and that had he feared for her he would not have left her. This, and her domestic duties, and the care of her little sickly baby, helped to keep her mind from dwelling on the weather, except, of course, to hope that he was safely harbored with the logs at Utopia in the dreary distance. But she noticed that day, when she went out to feed the chickens and look after the cow, that the tide was up to the little fence of their garden-patch, and the roar of the surf on the south beach, though miles away, she could hear distinctly. And she began to think that she would like to have someone to talk with about matters, and she believed that if it had not been so far and so stormy, and the trail so impassable, she would have taken the baby and have gone over to Ryckman's, her nearest neighbor. But then, you see, he might have returned in the storm, all wet, with no one to see to him; and it was a long exposure for baby, who was croupy and ailing.
But that night, she never could tell why, she didn't feel like sleeping or even lying down. The storm had somewhat abated, but she still “sat and sat,” and even tried to read. I don't know whether it was a Bible or some profane magazine that this poor woman read, but most probably the latter, for the words all ran together and made such sad nonsense that she was forced at last to put the book down and turn to that dearer volume which lay before her in the cradle, with its white initial leaf as yet unsoiled, and try to look forward to its mysterious future. And, rocking the cradle, she thought of everything and everybody, but still was wide-awake as ever.
It was nearly twelve o'clock when she at last lay down in her clothes. How long she slept she could not remember, but she awoke with a dreadful choking in her throat, and found herself standing, trembling all over, in the middle of the room, with her baby clasped to her breast, and she was “saying something.” The baby cried and sobbed, and she walked up and down trying to hush it when she heard a scratching at the door. She opened it fearfully, and was glad to see it was only old Pete, their dog, who crawled, dripping with water, into the room. She would like to have looked out, not in the faint hope of her husband's coming, but to see how things looked; but the wind shook the door so savagely that she could hardly hold it. Then she sat down a little while, and then walked up and down a little while, and then she lay down again a little while. Lying close by the wall of the little cabin, she thought she heard once or twice something scrape slowly against the clapboards, like the scraping of branches. Then there was a little gurgling sound, “like the baby made when it was swallowing”; then something went “click-click” and “cluck-cluck,” so that she sat up in bed. When she did so she was attracted by something else that seemed creeping from the back door toward the center of the room. It wasn't much wider than her little finger, but soon it swelled to the width of her hand, and began spreading all over the floor. It was water.
She ran to the front door and threw it wide open, and saw nothing but water. She ran to the back door and threw it open, and saw nothing but water. She ran to the side window, and throwing that open, she saw nothing but water. Then she remembered hearing her husband once say that there was no danger in the tide, for that fell regularly, and people could calculate on it, and that he would rather live near the bay than the river, whose banks might overflow at any time. But was it the tide? So she ran again to the back door, and threw out a stick of wood. It drifted away toward the bay. She scooped up some of the water and put it eagerly to her lips. It was fresh and sweet. It was the river, and not the tide!
It was then—O God be praised for his goodness! she did neither faint nor fall; it was then—blessed be the Saviour, for it was his merciful hand that touched and strengthened her in this awful moment—that fear dropped from her like a garment, and her trembling ceased. It was then and thereafter that she never lost her self-command, through all the trials of that gloomy night.
She drew the bedstead toward the middle of the room, and placed a table upon it and on that she put the cradle. The water on the floor was already over her ankles, and the house once or twice moved so perceptibly, and seemed to be racked so, that the closet doors all flew open. Then she heard the same rasping and thumping against the wall, and, looking out, saw that a large uprooted tree, which had lain near the road at the upper end of the pasture, had floated down to the house. Luckily its long roots dragged in the soil and kept it from moving as rapidly as the current, for had it struck the house in its full career, even the strong nails and bolts in the piles could not have withstood the shock. The hound had leaped upon its knotty surface, and crouched near the roots shivering and whining. A ray of hope flashed across her mind. She drew a heavy blanket from the bed, and, wrapping it about the babe, waded in the deepening waters to the door. As the tree swung again, broadside on, making the little cabin creak and tremble, she leaped on to its trunk. By God's mercy she succeeded in obtaining a footing on its slippery surface, and, twining an arm about its roots, she held in the other her moaning child. Then something cracked near the front porch, and the whole front of the house she had just quitted fell forward—just as cattle fall on their knees before they lie down—and at the same moment the great redwood tree swung round and drifted away with its living cargo into the black night.
For all the excitement and danger, for all her soothing of her crying babe, for all the whistling of the wind, for all the uncertainty of her situation, she still turned to look at the deserted and water-swept cabin. She remembered even then, and she wonders how foolish she was to think of it at that time, that she wished she had put on another dress and the baby's best clothes; and she kept praying that the house would be spared so that he, when he returned, would have something to come to, and it wouldn't be quite so desolate, and—how could he ever know what had become of her and baby? And at the thought she grew sick and faint. But she had something else to do besides worrying, for whenever the long roots of her ark struck an obstacle, the whole trunk made half a revolution, and twice dipped her in the black water. The hound, who kept distracting her by running up and down the tree and howling, at last fell off at one of these collisions. He swam for some time beside her, and she tried to get the poor beast up on the tree, but he “acted silly” and wild, and at last she lost sight of him forever. Then she and her baby were left alone. The light which had burned for a few minutes in the deserted cabin was quenched suddenly. She could not then tell whither she was drifting. The outline of the white dunes on the peninsula showed dimly ahead, and she judged the tree was moving in a line with the river. It must be about slack water, and she had probably reached the eddy formed by the confluence of the tide and the overflowing waters of the river. Unless the tide fell soon, there was present danger of her drifting to its channel, and being carried out to sea or crushed in the floating drift. That peril averted, if she were carried out on the ebb toward the bay, she might hope to strike one of the wooded promontories of the peninsula, and rest till daylight. Sometimes she thought she heard voices and shouts from the river, and the bellowing of cattle and bleating of sheep. Then again it was only the ringing in her ears and throbbing of her heart. She found at about this time that she was so chilled and stiffened in her cramped position that she could scarcely move, and the baby cried so when she put it to her breast that she noticed the milk refused to flow; and she was so frightened at that, that she put her head under her shawl, and for the first time cried bitterly.
When she raised her head again, the boom of the surf was behind her, and she knew that her ark had again swung round. She dipped up the water to cool her parched throat, and found that it was salt as her tears. There was a relief, though, for by this sign she knew that she was drifting with the tide. It was then the wind went down, and the great and awful silence oppressed her. There was scarcely a ripple against the furrowed sides of the great trunk on which she rested, and around her all was black gloom and quiet. She spoke to the baby just to hear herself speak, and to know that she had not lost her voice. She thought then—it was queer, but she could not help thinking it—how awful must have been the night when the great ship swung over the Asiatic peak, and the sounds of creation were blotted out from the world. She thought, too, of mariners clinging to spars, and of poor women who were lashed to rafts, and beaten to death by the cruel sea. She tried to thank God that she was thus spared, and lifted her eyes from the baby, who had fallen into a fretful sleep. Suddenly, away to the southward, a great light lifted itself out of the gloom, and flashed and flickered, and flickered and flashed again. Her heart fluttered quickly against the baby's cold cheek. It was the lighthouse at the entrance of the bay. As she was yet wondering, the tree suddenly rolled a little, dragged a little, and then seemed to lie quiet and still. She put out her hand and the current gurgled against it. The tree was aground, and, by the position of the light and the noise of the surf, aground upon the Dedlow Marsh.
Had it not been for her baby, who was ailing and croupy, had it not been for the sudden drying up of that sensitive fountain, she would have felt safe and relieved. Perhaps it was this which tended to make all her impressions mournful and gloomy. As the tide rapidly fell, a great flock of black brent fluttered by her, screaming and crying. Then the plover flew up and piped mournfully as they wheeled around the trunk, and at last fearlessly lit upon it like a gray cloud. Then the heron flew over and around her, shrieking and protesting, and at last dropped its gaunt legs only a few yards from her. But, strangest of all, a pretty white bird, larger than a dove—like a pelican, but not a pelican—circled around and around her. At last it lit upon a rootlet of the tree, quite over her shoulder. She put out her hand and stroked its beautiful white neck, and it never appeared to move. It stayed there so long that she thought she would lift up the baby to see it, and try to attract her attention. But when she did so, the child was so chilled and cold, and had such a blue look under the little lashes which it didn't raise at all, that she screamed aloud, and the bird flew away, and she fainted.
Well, that was the worst of it, and perhaps it was not so much, after all, to any but herself. For when she recovered her senses it was bright sunlight, and dead low water. There was a confused noise of guttural voices about her, and an old squaw, singing an Indian “hushaby,” and rocking herself from side to side before a fire built on the marsh, before which she, the recovered wife and mother, lay weak and weary. Her first thought was for her baby, and she was about to speak, when a young squaw, who must have been a mother herself, fathomed her thought and brought her the “mowitch,” pale but living, in such a queer little willow cradle all bound up, just like the squaw's own young one, that she laughed and cried together, and the young squaw and the old squaw showed their big white teeth and glinted their black eyes and said, “Plenty get well, skeena mowitch,” “wagee man come plenty soon,” and she could have kissed their brown faces in her joy. And then she found that they had been gathering berries on the marsh in their queer, comical baskets, and saw the skirt of her gown fluttering on the tree from afar, and the old squaw couldn't resist the temptation of procuring a new garment, and came down and discovered the “wagee” woman and child. And of course she gave the garment to the old squaw, as you may imagine, and when HE came at last and rushed up to her, looking about ten years older in his anxiety, she felt so faint again that they had to carry her to the canoe. For, you see, he knew nothing about the flood until he met the Indians at Utopia, and knew by the signs that the poor woman was his wife. And at the next high tide he towed the tree away back home, although it wasn't worth the trouble, and built another house, using the old tree for the foundation and props, and called it after her, “Mary's Ark!” But you may guess the next house was built above high-water mark. And that's all.
Not much, perhaps, considering the malevolent capacity of the Dedlow Marsh. But you must tramp over it at low water, or paddle over it at high tide, or get lost upon it once or twice in the fog, as I have, to understand properly Mary's adventure, or to appreciate duly the blessings of living beyond High-Water Mark.
As I stepped into the Slumgullion stage I saw that it was a dark night, a lonely road, and that I was the only passenger. Let me assure the reader that I have no ulterior design in making this assertion. A long course of light reading has forewarned me what every experienced intelligence must confidently look for from such a statement. The storyteller who willfully tempts Fate by such obvious beginnings; who is to the expectant reader in danger of being robbed or half-murdered, or frightened by an escaped lunatic, or introduced to his ladylove for the first time, deserves to be detected. I am relieved to say that none of these things occurred to me. The road from Wingdam to Slumgullion knew no other banditti than the regularly licensed hotelkeepers; lunatics had not yet reached such depth of imbecility as to ride of their own free will in California stages; and my Laura, amiable and long-suffering as she always is, could not, I fear, have borne up against these depressing circumstances long enough to have made the slightest impression on me.
I stood with my shawl and carpetbag in hand, gazing doubtingly on the vehicle. Even in the darkness the red dust of Wingdam was visible on its roof and sides, and the red slime of Slumgullion clung tenaciously to its wheels. I opened the door; the stage creaked easily, and in the gloomy abyss the swaying straps beckoned me, like ghostly hands, to come in now and have my sufferings out at once.
I must not omit to mention the occurrence of a circumstance which struck me as appalling and mysterious. A lounger on the steps of the hotel, who I had reason to suppose was not in any way connected with the stage company, gravely descended, and walking toward the conveyance, tried the handle of the door, opened it, expectorated in the carriage, and returned to the hotel with a serious demeanor. Hardly had he resumed his position when another individual, equally disinterested, impassively walked down the steps, proceeded to the back of the stage, lifted it, expectorated carefully on the axle, and returned slowly and pensively to the hotel. A third spectator wearily disengaged himself from one of the Ionic columns of the portico and walked to the box, remained for a moment in serious and expectorative contemplation of the boot, and then returned to his column. There was something so weird in this baptism that I grew quite nervous.
Perhaps I was out of spirits. A number of infinitesimal annoyances, winding up with the resolute persistency of the clerk at the stage office to enter my name misspelt on the waybill, had not predisposed me to cheerfulness. The inmates of the Eureka House, from a social viewpoint, were not attractive. There was the prevailing opinion—so common to many honest people—that a serious style of deportment and conduct toward a stranger indicates high gentility and elevated station. Obeying this principle, all hilarity ceased on my entrance to supper, and general remark merged into the safer and uncompromising chronicle of several bad cases of diphtheria, then epidemic at Wingdam. When I left the dining-room, with an odd feeling that I had been supping exclusively on mustard and tea leaves, I stopped a moment at the parlor door. A piano, harmoniously related to the dinner bell, tinkled responsive to a diffident and uncertain touch. On the white wall the shadow of an old and sharp profile was bending over several symmetrical and shadowy curls. “I sez to Mariar, Mariar, sez I, 'Praise to the face is open disgrace.'” I heard no more. Dreading some susceptibility to sincere expression on the subject of female loveliness, I walked away, checking the compliment that otherwise might have risen unbidden to my lips, and have brought shame and sorrow to the household.
It was with the memory of these experiences resting heavily upon me that I stood hesitatingly before the stage door. The driver, about to mount, was for a moment illuminated by the open door of the hotel. He had the wearied look which was the distinguishing expression of Wingdam. Satisfied that I was properly waybilled and receipted for, he took no further notice of me. I looked longingly at the box seat, but he did not respond to the appeal. I flung my carpetbag into the chasm, dived recklessly after it, and—before I was fairly seated—with a great sigh, a creaking of unwilling springs, complaining bolts, and harshly expostulating axle, we moved away. Rather the hotel door slipped behind, the sound of the piano sank to rest, and the night and its shadows moved solemnly upon us.
To say it was dark expressed but faintly the pitchy obscurity that encompassed the vehicle. The roadside trees were scarcely distinguishable as deeper masses of shadow; I knew them only by the peculiar sodden odor that from time to time sluggishly flowed in at the open window as we rolled by. We proceeded slowly; so leisurely that, leaning from the carriage, I more than once detected the fragrant sigh of some astonished cow, whose ruminating repose upon the highway we had ruthlessly disturbed. But in the darkness our progress, more the guidance of some mysterious instinct than any apparent volition of our own, gave an indefinable charm of security to our journey that a moment's hesitation or indecision on the part of the driver would have destroyed.
I had indulged a hope that in the empty vehicle I might obtain that rest so often denied me in its crowded condition. It was a weak delusion. When I stretched out my limbs it was only to find that the ordinary conveniences for making several people distinctly uncomfortable were distributed throughout my individual frame. At last, resting my arms on the straps, by dint of much gymnastic effort I became sufficiently composed to be aware of a more refined species of torture. The springs of the stage, rising and falling regularly, produced a rhythmical beat which began to absorb my attention painfully. Slowly this thumping merged into a senseless echo of the mysterious female of the hotel parlor, and shaped itself into this awful and benumbing axiom—“Praise-to-the-face-is-open-disgrace. Praise-to-the-face-is-open-disgrace.” Inequalities of the road only quickened its utterance or drawled it to an exasperating length.
It was of no use to consider the statement seriously. It was of no use to except to it indignantly. It was of no use to recall the many instances where praise to the face had redounded to the everlasting honor of praiser and bepraised; of no use to dwell sentimentally on modest genius and courage lifted up and strengthened by open commendation; of no use to except to the mysterious female, to picture her as rearing a thin-blooded generation on selfish and mechanically repeated axioms—all this failed to counteract the monotonous repetition of this sentence. There was nothing to do but to give in—and I was about to accept it weakly, as we too often treat other illusions of darkness and necessity, for the time being, when I became aware of some other annoyance that had been forcing itself upon me for the last few moments. How quiet the driver was!
Was there any driver? Had I any reason to suppose that he was not lying gagged and bound on the roadside, and the highwayman with blackened face who did the thing so quietly driving me—whither? The thing is perfectly feasible. And what is this fancy now being jolted out of me? A story? It's of no use to keep it back—particularly in this abysmal vehicle, and here it comes: I am a Marquis—a French Marquis; French, because the peerage is not so well known, and the country is better adapted to romantic incident—a Marquis, because the democratic reader delights in the nobility. My name is something LIGNY. I am coming from Paris to my country seat at St. Germain. It is a dark night, and I fall asleep and tell my honest coachman, Andre, not to disturb me, and dream of an angel. The carriage at last stops at the chateau. It is so dark that when I alight I do not recognize the face of the footman who holds the carriage door. But what of that?—PESTE! I am heavy with sleep. The same obscurity also hides the old familiar indecencies of the statues on the terrace; but there is a door, and it opens and shuts behind me smartly. Then I find myself in a trap, in the presence of the brigand who has quietly gagged poor Andre and conducted the carriage thither. There is nothing for me to do, as a gallant French Marquis, but to say, “PARBLEU!” draw my rapier, and die valorously! I am found a week or two after outside a deserted cabaret near the barrier, with a hole through my ruffled linen and my pockets stripped. No; on second thoughts, I am rescued—rescued by the angel I have been dreaming of, who is the assumed daughter of the brigand but the real daughter of an intimate friend.
Looking from the window again, in the vain hope of distinguishing the driver, I found my eyes were growing accustomed to the darkness. I could see the distant horizon, defined by India-inky woods, relieving a lighter sky. A few stars widely spaced in this picture glimmered sadly. I noticed again the infinite depth of patient sorrow in their serene faces; and I hope that the vandal who first applied the flippant “twinkle” to them may not be driven melancholy-mad by their reproachful eyes. I noticed again the mystic charm of space that imparts a sense of individual solitude to each integer of the densest constellation, involving the smallest star with immeasurable loneliness. Something of this calm and solitude crept over me, and I dozed in my gloomy cavern. When I awoke the full moon was rising. Seen from my window, it had an indescribably unreal and theatrical effect. It was the full moon of NORMA—that remarkable celestial phenomenon which rises so palpably to a hushed audience and a sublime andante chorus, until the CASTA DIVA is sung—the “inconstant moon” that then and thereafter remains fixed in the heavens as though it were a part of the solar system inaugurated by Joshua. Again the white-robed Druids filed past me, again I saw that improbable mistletoe cut from that impossible oak, and again cold chills ran down my back with the first strain of the recitative. The thumping springs essayed to beat time, and the private-box-like obscurity of the vehicle lent a cheap enchantment to the view. But it was a vast improvement upon my past experience, and I hugged the fond delusion.
My fears for the driver were dissipated with the rising moon. A familiar sound had assured me of his presence in the full possession of at least one of his most important functions. Frequent and full expectoration convinced me that his lips were as yet not sealed by the gag of highwaymen, and soothed my anxious ear. With this load lifted from my mind, and assisted by the mild presence of Diana, who left, as when she visited Endymion, much of her splendor outside my cavern—I looked around the empty vehicle. On the forward seat lay a woman's hairpin. I picked it up with an interest that, however, soon abated. There was no scent of the roses to cling to it still, not even of hair oil. No bend or twist in its rigid angles betrayed any trait of its wearer's character. I tried to think that it might have been “Mariar's.” I tried to imagine that, confining the symmetrical curls of that girl, it might have heard the soft compliments whispered in her ears which provoked the wrath of the aged female. But in vain. It was reticent and unswerving in its upright fidelity, and at last slipped listlessly through my fingers.
I had dozed repeatedly—waked on the threshold of oblivion by contact with some of the angles of the coach, and feeling that I was unconsciously assuming, in imitation of a humble insect of my childish recollection, that spherical shape which could best resist those impressions, when I perceived that the moon, riding high in the heavens, had begun to separate the formless masses of the shadowy landscape. Trees isolated, in clumps and assemblages, changed places before my window. The sharp outlines of the distant hills came back, as in daylight, but little softened in the dry, cold, dewless air of a California summer night. I was wondering how late it was, and thinking that if the horses of the night traveled as slowly as the team before us, Faustus might have been spared his agonizing prayer, when a sudden spasm of activity attacked my driver. A succession of whip-snappings, like a pack of Chinese crackers, broke from the box before me. The stage leaped forward, and when I could pick myself from under the seat, a long white building had in some mysterious way rolled before my window. It must be Slumgullion! As I descended from the stage I addressed the driver:
“I thought you changed horses on the road?”
“So we did. Two hours ago.”
“That's odd. I didn't notice it.”
“Must have been asleep, sir. Hope you had a pleasant nap. Bully place for a nice quiet snooze—empty stage, sir!”
His name was Fagg—David Fagg. He came to California in '52 with us, in the SKYSCRAPER. I don't think he did it in an adventurous way. He probably had no other place to go to. When a knot of us young fellows would recite what splendid opportunities we resigned to go, and how sorry our friends were to have us leave, and show daguerreotypes and locks of hair, and talk of Mary and Susan, the man of no account used to sit by and listen with a pained, mortified expression on his plain face, and say nothing. I think he had nothing to say. He had no associates except when we patronized him; and, in point of fact, he was a good deal of sport to us. He was always seasick whenever we had a capful of wind. He never got his sea legs on, either. And I never shall forget how we all laughed when Rattler took him the piece of pork on a string, and—But you know that time-honored joke. And then we had such a splendid lark with him. Miss Fanny Twinkler couldn't bear the sight of him, and we used to make Fagg think that she had taken a fancy to him, and send him little delicacies and books from the cabin. You ought to have witnessed the rich scene that took place when he came up, stammering and very sick, to thank her! Didn't she flash up grandly and beautifully and scornfully? So like “Medora,” Rattler said—Rattler knew Byron by heart—and wasn't old Fagg awfully cut up? But he got over it, and when Rattler fell sick at Valparaiso, old Fagg used to nurse him. You see he was a good sort of fellow, but he lacked manliness and spirit.
He had absolutely no idea of poetry. I've seen him sit stolidly by, mending his old clothes, when Rattler delivered that stirring apostrophe of Byron's to the ocean. He asked Rattler once, quite seriously, if he thought Byron was ever seasick. I don't remember Rattler's reply, but I know we all laughed very much, and I have no doubt it was something good for Rattler was smart.
When the SKYSCRAPER arrived at San Francisco we had a grand “feed.” We agreed to meet every year and perpetuate the occasion. Of course we didn't invite Fagg. Fagg was a steerage passenger, and it was necessary, you see, now we were ashore, to exercise a little discretion. But Old Fagg, as we called him—he was only about twenty-five years old, by the way—was the source of immense amusement to us that day. It appeared that he had conceived the idea that he could walk to Sacramento, and actually started off afoot. We had a good time, and shook hands with one another all around, and so parted. Ah me! only eight years ago, and yet some of those hands then clasped in amity have been clenched at each other, or have dipped furtively in one another's pockets. I know that we didn't dine together the next year, because young Barker swore he wouldn't put his feet under the same mahogany with such a very contemptible scoundrel as that Mixer; and Nibbles, who borrowed money at Valparaiso of young Stubbs, who was then a waiter in a restaurant, didn't like to meet such people.
When I bought a number of shares in the Coyote Tunnel at Mugginsville, in '54, I thought I'd take a run up there and see it. I stopped at the Empire Hotel, and after dinner I got a horse and rode round the town and out to the claim. One of those individuals whom newspaper correspondents call “our intelligent informant,” and to whom in all small communities the right of answering questions is tacitly yielded, was quietly pointed out to me. Habit had enabled him to work and talk at the same time, and he never pretermitted either. He gave me a history of the claim, and added: “You see, stranger,” (he addressed the bank before him) “gold is sure to come out'er that theer claim, (he put in a comma with his pick) but the old pro-pri-e-tor (he wriggled out the word and the point of his pick) warn't of much account (a long stroke of the pick for a period). He was green, and let the boys about here jump him”—and the rest of his sentence was confided to his hat, which he had removed to wipe his manly brow with his red bandanna.
I asked him who was the original proprietor.
“His name war Fagg.”
I went to see him. He looked a little older and plainer. He had worked hard, he said, and was getting on “so-so.” I took quite a liking to him and patronized him to some extent. Whether I did so because I was beginning to have a distrust for such fellows as Rattler and Mixer is not necessary for me to state.
You remember how the Coyote Tunnel went in, and how awfully we shareholders were done! Well, the next thing I heard was that Rattler, who was one of the heaviest shareholders, was up at Mugginsville keeping bar for the proprietor of the Mugginsville Hotel, and that old Fagg had struck it rich, and didn't know what to do with his money. All this was told me by Mixer, who had been there, settling up matters, and likewise that Fagg was sweet upon the daughter of the proprietor of the aforesaid hotel. And so by hearsay and letter I eventually gathered that old Robins, the hotel man, was trying to get up a match between Nellie Robins and Fagg. Nellie was a pretty, plump, and foolish little thing, and would do just as her father wished. I thought it would be a good thing for Fagg if he should marry and settle down; that as a married man he might be of some account. So I ran up to Mugginsville one day to look after things.
It did me an immense deal of good to make Rattler mix my drinks for me—Rattler! the gay, brilliant, and unconquerable Rattler, who had tried to snub me two years ago. I talked to him about old Fagg and Nellie, particularly as I thought the subject was distasteful. He never liked Fagg, and he was sure, he said, that Nellie didn't. Did Nellie like anybody else? He turned around to the mirror behind the bar and brushed up his hair! I understood the conceited wretch. I thought I'd put Fagg on his guard and get him to hurry up matters. I had a long talk with him. You could see by the way the poor fellow acted that he was badly stuck. He sighed, and promised to pluck up courage to hurry matters to a crisis. Nellie was a good girl, and I think had a sort of quiet respect for old Fagg's unobtrusiveness. But her fancy was already taken captive by Rattler's superficial qualities, which were obvious and pleasing. I don't think Nellie was any worse than you or I. We are more apt to take acquaintances at their apparent value than their intrinsic worth. It's less trouble, and, except when we want to trust them, quite as convenient. The difficulty with women is that their feelings are apt to get interested sooner than ours, and then, you know, reasoning is out of the question. This is what old Fagg would have known had he been of any account. But he wasn't. So much the worse for him.
It was a few months afterward and I was sitting in my office when in walked old Fagg. I was surprised to see him down, but we talked over the current topics in that mechanical manner of people who know that they have something else to say, but are obliged to get at it in that formal way. After an interval Fagg in his natural manner said:
“I'm going home!”
“Going home?”
“Yes—that is, I think I'll take a trip to the Atlantic States. I came to see you, as you know I have some little property, and I have executed a power of attorney for you to manage my affairs. I have some papers I'd like to leave with you. Will you take charge of them?”
“Yes,” I said. “But what of Nellie?”
His face fell. He tried to smile, and the combination resulted in one of the most startling and grotesque effects I ever beheld. At length he said:
“I shall not marry Nellie—that is”—he seemed to apologize internally for the positive form of expression—“I think that I had better not.”
“David Fagg,” I said with sudden severity, “you're of no account!”
To my astonishment his face brightened. “Yes,” said he, “that's it!—I'm of no account! But I always knew it. You see I thought Rattler loved that girl as well as I did, and I knew she liked him better than she did me, and would be happier I dare say with him. But then I knew that old Robins would have preferred me to him, as I was better off—and the girl would do as he said—and, you see, I thought I was kinder in the way—and so I left. But,” he continued, as I was about to interrupt him, “for fear the old man might object to Rattler, I've lent him enough to set him up in business for himself in Dogtown. A pushing, active, brilliant fellow, you know, like Rattler can get along, and will soon be in his old position again—and you needn't be hard on him, you know, if he doesn't. Good-by.”
I was too much disgusted with his treatment of that Rattler to be at all amiable, but as his business was profitable, I promised to attend to it, and he left. A few weeks passed. The return steamer arrived, and a terrible incident occupied the papers for days afterward. People in all parts of the State conned eagerly the details of an awful shipwreck, and those who had friends aboard went away by themselves, and read the long list of the lost under their breath. I read of the gifted, the gallant, the noble, and loved ones who had perished, and among them I think I was the first to read the name of David Fagg. For the “man of no account” had “gone home!”
Just where the Sierra Nevada begins to subside in gentler undulations, and the rivers grow less rapid and yellow, on the side of a great red mountain, stands “Smith's Pocket.” Seen from the red road at sunset, in the red light and the red dust, its white houses look like the outcroppings of quartz on the mountainside. The red stage topped with red-shirted passengers is lost to view half a dozen times in the tortuous descent, turning up unexpectedly in out-of-the-way places, and vanishing altogether within a hundred yards of the town. It is probably owing to this sudden twist in the road that the advent of a stranger at Smith's Pocket is usually attended with a peculiar circumstance. Dismounting from the vehicle at the stage office, the too-confident traveler is apt to walk straight out of town under the impression that it lies in quite another direction. It is related that one of the tunnel men, two miles from town, met one of these self-reliant passengers with a carpetbag, umbrella, Harper's Magazine, and other evidences of “Civilization and Refinement,” plodding along over the road he had just ridden, vainly endeavoring to find the settlement of Smith's Pocket.
An observant traveler might have found some compensation for his disappointment in the weird aspect of that vicinity. There were huge fissures on the hillside, and displacements of the red soil, resembling more the chaos of some primary elemental upheaval than the work of man; while halfway down, a long flume straddled its narrow body and disproportionate legs over the chasm, like an enormous fossil of some forgotten antediluvian. At every step smaller ditches crossed the road, hiding in their sallow depths unlovely streams that crept away to a clandestine union with the great yellow torrent below, and here and there were the ruins of some cabin with the chimney alone left intact and the hearthstone open to the skies.
The settlement of Smith's Pocket owed its origin to the finding of a “pocket” on its site by a veritable Smith. Five thousand dollars were taken out of it in one half-hour by Smith. Three thousand dollars were expended by Smith and others in erecting a flume and in tunneling. And then Smith's Pocket was found to be only a pocket, and subject like other pockets to depletion. Although Smith pierced the bowels of the great red mountain, that five thousand dollars was the first and last return of his labor. The mountain grew reticent of its golden secrets, and the flume steadily ebbed away the remainder of Smith's fortune. Then Smith went into quartz-mining; then into quartz-milling; then into hydraulics and ditching, and then by easy degrees into saloonkeeping. Presently it was whispered that Smith was drinking a great deal; then it was known that Smith was a habitual drunkard, and then people began to think, as they are apt to, that he had never been anything else. But the settlement of Smith's Pocket, like that of most discoveries, was happily not dependent on the fortune of its pioneer, and other parties projected tunnels and found pockets. So Smith's Pocket became a settlement, with its two fancy stores, its two hotels, its one express office, and its two first families. Occasionally its one long straggling street was overawed by the assumption of the latest San Francisco fashions, imported per express, exclusively to the first families; making outraged Nature, in the ragged outline of her furrowed surface, look still more homely, and putting personal insult on that greater portion of the population to whom the Sabbath, with a change of linen, brought merely the necessity of cleanliness without the luxury of adornment. Then there was a Methodist Church, and hard by a Monte Bank, and a little beyond, on the mountainside, a graveyard; and then a little schoolhouse.
“The Master,” as he was known to his little flock, sat alone one night in the schoolhouse, with some open copybooks before him, carefully making those bold and full characters which are supposed to combine the extremes of chirographical and moral excellence, and had got as far as “Riches are deceitful,” and was elaborating the noun with an insincerity of flourish that was quite in the spirit of his text, when he heard a gentle tapping. The woodpeckers had been busy about the roof during the day, and the noise did not disturb his work. But the opening of the door, and the tapping continuing from the inside, caused him to look up. He was slightly startled by the figure of a young girl, dirty and shabbily clad. Still, her great black eyes, her coarse, uncombed, lusterless black hair falling over her sunburned face, her red arms and feet streaked with the red soil, were all familiar to him. It was Melissa Smith—Smith's motherless child.
“What can she want here?” thought the master. Everybody knew “Mliss,” as she was called, throughout the length and height of Red Mountain. Everybody knew her as an incorrigible girl. Her fierce, ungovernable disposition, her mad freaks and lawless character, were in their way as proverbial as the story of her father's weaknesses, and as philosophically accepted by the townsfolk. She wrangled with and fought the schoolboys with keener invective and quite as powerful arm. She followed the trails with a woodman's craft, and the master had met her before, miles away, shoeless, stockingless, and bareheaded on the mountain road. The miners' camps along the stream supplied her with subsistence during these voluntary pilgrimages, in freely offered alms. Not but that a larger protection had been previously extended to Mliss. The Rev. Joshua McSnagley, “stated” preacher, had placed her in the hotel as servant, by way of preliminary refinement, and had introduced her to his scholars at Sunday school. But she threw plates occasionally at the landlord, and quickly retorted to the cheap witticisms of the guests, and created in the Sabbath school a sensation that was so inimical to the orthodox dullness and placidity of that institution that, with a decent regard for the starched frocks and unblemished morals of the two pink-and-white-faced children of the first families, the reverend gentleman had her ignominiously expelled. Such were the antecedents, and such the character of Mliss as she stood before the master. It was shown in the ragged dress, the unkempt hair, and bleeding feet, and asked his pity. It flashed from her black, fearless eyes, and commanded his respect.
“I come here tonight,” she said rapidly and boldly, keeping her hard glance on his, “because I knew you was alone. I wouldn't come here when them gals was here. I hate 'em and they hates me. That's why. You keep school, don't you? I want to be teached!”
If to the shabbiness of her apparel and uncomeliness of her tangled hair and dirty face she had added the humility of tears, the master would have extended to her the usual moiety of pity, and nothing more. But with the natural, though illogical, instincts of his species, her boldness awakened in him something of that respect which all original natures pay unconsciously to one another in any grade. And he gazed at her the more fixedly as she went on still rapidly, her hand on that door latch and her eyes on his:
“My name's Mliss—Mliss Smith! You can bet your life on that. My father's Old Smith—Old Bummer Smith—that's what's the matter with him. Mliss Smith—and I'm coming to school!”
“Well?” said the master.
Accustomed to be thwarted and opposed, often wantonly and cruelly, for no other purpose than to excite the violent impulses of her nature, the master's phlegm evidently took her by surprise. She stopped; she began to twist a lock of her hair between her fingers; and the rigid line of upper lip, drawn over the wicked little teeth, relaxed and quivered slightly. Then her eyes dropped, and something like a blush struggled up to her cheek and tried to assert itself through the splashes of redder soil, and the sunburn of years. Suddenly she threw herself forward, calling on God to strike her dead, and fell quite weak and helpless, with her face on the master's desk, crying and sobbing as if her heart would break.
The master lifted her gently and waited for the paroxysm to pass. When, with face still averted, she was repeating between her sobs the MEA CULPA of childish penitence—that “she'd be good, she didn't mean to,” etc., it came to him to ask her why she had left Sabbath school.
Why had she left the Sabbath school?—why? Oh, yes. What did he (McSnagley) want to tell her she was wicked for? What did he tell her that God hated her for? If God hated her, what did she want to go to Sabbath school for? SHE didn't want to be “beholden” to anybody who hated her.
Had she told McSnagley this?
Yes, she had.
The master laughed. It was a hearty laugh, and echoed so oddly in the little schoolhouse, and seemed so inconsistent and discordant with the sighing of the pines without, that he shortly corrected himself with a sigh. The sigh was quite as sincere in its way, however, and after a moment of serious silence he asked about her father.
Her father? What father? Whose father? What had he ever done for her? Why did the girls hate her? Come now! what made the folks say, “Old Bummer Smith's Mliss!” when she passed? Yes; oh yes. She wished he was dead—she was dead—everybody was dead; and her sobs broke forth anew.
The master then, leaning over her, told her as well as he could what you or I might have said after hearing such unnatural theories from childish lips; only bearing in mind perhaps better than you or I the unnatural facts of her ragged dress, her bleeding feet, and the omnipresent shadow of her drunken father. Then, raising her to her feet, he wrapped his shawl around her, and, bidding her come early in the morning, he walked with her down the road. There he bade her “good night.” The moon shone brightly on the narrow path before them. He stood and watched the bent little figure as it staggered down the road, and waited until it had passed the little graveyard and reached the curve of the hill, where it turned and stood for a moment, a mere atom of suffering outlined against the far-off patient stars. Then he went back to his work. But the lines of the copybook thereafter faded into long parallels of never-ending road, over which childish figures seemed to pass sobbing and crying into the night. Then, the little schoolhouse seeming lonelier than before, he shut the door and went home.
The next morning Mliss came to school. Her face had been washed, and her coarse black hair bore evidence of recent struggles with the comb, in which both had evidently suffered. The old defiant look shone occasionally in her eyes, but her manner was tamer and more subdued. Then began a series of little trials and self-sacrifices, in which master and pupil bore an equal part, and which increased the confidence and sympathy between them. Although obedient under the master's eye, at times during recess, if thwarted or stung by a fancied slight, Mliss would rage in ungovernable fury, and many a palpitating young savage, finding himself matched with his own weapons of torment, would seek the master with torn jacket and scratched face and complaints of the dreadful Mliss. There was a serious division among the townspeople on the subject, some threatening to withdraw their children from such evil companionship, and others as warmly upholding the course of the master in his work of reclamation. Meanwhile, with a steady persistence that seemed quite astonishing to him on looking back afterward, the master drew Mliss gradually out of the shadow of her past life, as though it were but her natural progress down the narrow path on which he had set her feet the moonlit night of their first meeting. Remembering the experience of the evangelical McSnagley, he carefully avoided that Rock of Ages on which that unskillful pilot had shipwrecked her young faith. But if, in the course of her reading, she chanced to stumble upon those few words which have lifted such as she above the level of the older, the wiser, and the more prudent—if she learned something of a faith that is symbolized by suffering, and the old light softened in her eyes, it did not take the shape of a lesson. A few of the plainer people had made up a little sum by which the ragged Mliss was enabled to assume the garments of respect and civilization; and often a rough shake of the hand, and words of homely commendation from a red-shirted and burly figure, sent a glow to the cheek of the young master, and set him to thinking if it was altogether deserved.
Three months had passed from the time of their first meeting, and the master was sitting late one evening over the moral and sententious copies, when there came a tap at the door and again Mliss stood before him. She was neatly clad and clean-faced, and there was nothing perhaps but the long black hair and bright black eyes to remind him of his former apparition. “Are you busy?” she asked. “Can you come with me?”—and on his signifying his readiness, in her old willful way she said, “Come, then, quick!”
They passed out of the door together and into the dark road. As they entered the town the master asked her whither she was going. She replied, “To see my father.”
It was the first time he had heard her call him by that filial title, or indeed anything more than “Old Smith” or the “Old Man.” It was the first time in three months that she had spoken of him at all, and the master knew she had kept resolutely aloof from him since her great change. Satisfied from her manner that it was fruitless to question her purpose, he passively followed. In out-of-the-way places, low groggeries, restaurants, and saloons; in gambling hells and dance houses, the master, preceded by Mliss, came and went. In the reeking smoke and blasphemous outcries of low dens, the child, holding the master's hand, stood and anxiously gazed, seemingly unconscious of all in the one absorbing nature of her pursuit. Some of the revelers, recognizing Mliss, called to the child to sing and dance for them, and would have forced liquor upon her but for the interference of the master. Others, recognizing him mutely, made way for them to pass. So an hour slipped by. Then the child whispered in his ear that there was a cabin on the other side of the creek crossed by the long flume, where she thought he still might be. Thither they crossed—a toilsome half-hour's walk—but in vain. They were returning by the ditch at the abutment of the flume, gazing at the lights of the town on the opposite bank, when, suddenly, sharply, a quick report rang out on the clear night air. The echoes caught it, and carried it round and round Red Mountain, and set the dogs to barking all along the streams. Lights seemed to dance and move quickly on the outskirts of the town for a few moments, the stream rippled quite audibly beside them, a few stones loosened themselves from the hillside and splashed into the stream, a heavy wind seemed to surge the branches of the funereal pines, and then the silence seemed to fall thicker, heavier, and deadlier. The master turned toward Mliss with an unconscious gesture of protection, but the child had gone. Oppressed by a strange fear, he ran quickly down the trail to the river's bed, and, jumping from boulder to boulder, reached the base of Red Mountain and the outskirts of the village. Midway of the crossing he looked up and held his breath in awe. For high above him on the narrow flume he saw the fluttering little figure of his late companion crossing swiftly in the darkness.
He climbed the bank, and, guided by a few lights moving about a central point on the mountain, soon found himself breathless among a crowd of awe-stricken and sorrowful men. Out from among them the child appeared, and, taking the master's hand, led him silently before what seemed a ragged hole in the mountain. Her face was quite white, but her excited manner gone, and her look that of one to whom some long-expected event had at last happened—an expression that to the master in his bewilderment seemed almost like relief. The walls of the cavern were partly propped by decaying timbers. The child pointed to what appeared to be some ragged, castoff clothes left in the hole by the late occupant. The master approached nearer with his flaming dip, and bent over them. It was Smith, already cold, with a pistol in his hand and a bullet in his heart, lying beside his empty pocket.