PLATE 54Interior of the Hall of Columns in the San Telmo Palace.
PLATE 54
Interior of the Hall of Columns in the San Telmo Palace.
PLATE 55Interior View of the Duke of Montpensier’s Study In San Telmo.
PLATE 55
Interior View of the Duke of Montpensier’s Study In San Telmo.
PLATE 56Various Objects found in the Sepulchres at San Telmo.(In the Palace of San Telmo.)
PLATE 56
Various Objects found in the Sepulchres at San Telmo.
(In the Palace of San Telmo.)
PLATE 57Palms in the Gardens of San Telmo.
PLATE 57
Palms in the Gardens of San Telmo.
PLATE 58The Sepulchres of the Victims of Don Juan Tenorio in the Gardens of San Telmo.
PLATE 58
The Sepulchres of the Victims of Don Juan Tenorio in the Gardens of San Telmo.
PLATE 59The Roman Sepulchres in the Gardens of San Telmo.
PLATE 59
The Roman Sepulchres in the Gardens of San Telmo.
PLATE 60View in the Gardens of San Telmo.
PLATE 60
View in the Gardens of San Telmo.
PLATE 61The Aviary in the Gardens of San Telmo.
PLATE 61
The Aviary in the Gardens of San Telmo.
PLATE 62The River in the Gardens of San Telmo.
PLATE 62
The River in the Gardens of San Telmo.
PLATE 63The Cocoa Tree and East Side of San Telmo.
PLATE 63
The Cocoa Tree and East Side of San Telmo.
PLATE 64The Zapote, a Tree in the Gardens of San Telmo.
PLATE 64
The Zapote, a Tree in the Gardens of San Telmo.
PLATE 65The Island and River in the Gardens of San Telmo.
PLATE 65
The Island and River in the Gardens of San Telmo.
PLATE 66The Yucca, a rare Tree in the Gardens of San Telmo.
PLATE 66
The Yucca, a rare Tree in the Gardens of San Telmo.
PLATE 67General View of the Hospital de la Sangre.
PLATE 67
General View of the Hospital de la Sangre.
PLATE 68Church of the Sagrario, North Side.
PLATE 68
Church of the Sagrario, North Side.
PLATE 69Principal Façade of the Hospital de la Sangre.
PLATE 69
Principal Façade of the Hospital de la Sangre.
PLATE 70Porch of the Church of the Hospital de la Sangre.
PLATE 70
Porch of the Church of the Hospital de la Sangre.
PLATE 71Bas-relief. Hospital de la Sangre, the Work of Torregiano.
PLATE 71
Bas-relief. Hospital de la Sangre, the Work of Torregiano.
PLATE 72General View of the Exterior of the Cathedral.
PLATE 72
General View of the Exterior of the Cathedral.
PLATE 73The Giralda, from the Patio de los Naranjos.
PLATE 73
The Giralda, from the Patio de los Naranjos.
PLATE 74The Top of the Giralda.
PLATE 74
The Top of the Giralda.
PLATE 75The Dancing Choir Boys, Seville Cathedral.
PLATE 75
The Dancing Choir Boys, Seville Cathedral.
PLATE 76Dancing Boys, Seville Cathedral.
PLATE 76
Dancing Boys, Seville Cathedral.
PLATE 77The Gate of the Archbishop.
PLATE 77
The Gate of the Archbishop.
PLATE 78Plaza de San Francisco, with the Giralda and Cathedral.
PLATE 78
Plaza de San Francisco, with the Giralda and Cathedral.
PLATE 79Plaza del Triunfo, the Cathedral, and the Exchange, from the Gate of the Lion.
PLATE 79
Plaza del Triunfo, the Cathedral, and the Exchange, from the Gate of the Lion.
PLATE 80The Fête.
PLATE 80
The Fête.
PLATE 81Gate of San Miguel in the Cathedral.
PLATE 81
Gate of San Miguel in the Cathedral.
PLATE 82Gate of the Cathedral called de las Campanillas.
PLATE 82
Gate of the Cathedral called de las Campanillas.
PLATE 83Gate of the Baptist in the Cathedral.
PLATE 83
Gate of the Baptist in the Cathedral.
PLATE 84The Gate of the Lizard in the Cathedral.
PLATE 84
The Gate of the Lizard in the Cathedral.
PLATE 85General View of the Cathedral From the Tribune of the Principal Door.
PLATE 85
General View of the Cathedral From the Tribune of the Principal Door.
PLATE 86Principal Sacristy in the Cathedral.
PLATE 86
Principal Sacristy in the Cathedral.
PLATE 87Principal Entrance to the Cathedral.
PLATE 87
Principal Entrance to the Cathedral.
PLATE 88Interior View of the Principal Sacristy in the Cathedral.
PLATE 88
Interior View of the Principal Sacristy in the Cathedral.
PLATE 89The Gamba Chapel.
PLATE 89
The Gamba Chapel.
PLATE 90The Cathedral.The Gamba Chapel and Entrance to that of the Antigua.
PLATE 90
The Cathedral.
The Gamba Chapel and Entrance to that of the Antigua.
PLATE 91Chapels of the Conception and the Annunciation in the Cathedral.
PLATE 91
Chapels of the Conception and the Annunciation in the Cathedral.
PLATE 92The Cathedral.The Chapel of the Conception.
PLATE 92
The Cathedral.
The Chapel of the Conception.
PLATE 93The Cathedral.Detail of the High Altar.
PLATE 93
The Cathedral.
Detail of the High Altar.
PLATE 94The Cathedral.Retablo, or Altar-piece of the High Altar.
PLATE 94
The Cathedral.
Retablo, or Altar-piece of the High Altar.
PLATE 95Iron Railings of the Lateral Part of the High Altar.
PLATE 95
Iron Railings of the Lateral Part of the High Altar.
PLATE 96The Cathedral.Wrought Iron Screen in the Choir.
PLATE 96
The Cathedral.
Wrought Iron Screen in the Choir.
PLATE 97The Cathedral.Wrought Iron Screen of the High Altar.
PLATE 97
The Cathedral.
Wrought Iron Screen of the High Altar.
PLATE 98St Christopher carrying the Child Jesus, by Mateo Perez Alesio, in the Cathedral.].PLATE 99San Fernando Square.PLATE 100Gardens of the Alcazar.PLATE 101General View of the Gardens of the Alcazar.PLATE 102View of the Gardens of the Alcazar.PLATE 103General View of the Gardens of the Alcazar.PLATE 104The Gardens of the Alcazar. Lake and Gallery of Don Pedro I. the Cruel.PLATE 105The Gardens of the Alcazar. View of the Gallery of Don Pedro I., the Cruel.PLATE 106The Hothouses in the Gardens of the Alcazar.PLATE 107Calle de las Vedras in the Gardens of the Alcazar.PLATE 108The Gardens of the Alcazar.Parterre of Doña Maria de Padilla.PLATE 109The Alcazar. Baths of Doña Maria de Padilla.PLATE 110Magnificent Altar in Faience painted in the 15th Century.In the Oratory of the Catholic Sovereigns in the Alcazar.PLATE 111Town Hall of Seville.Details of Doors and Balconies.PLATE 112Town Hall of Seville. Details.PLATE 113Parish Church of San Marcos.PLATE 114Various Towers of Seville.PLATE 115Details of the Mosaic commonly called El Grande.PLATE 116Sculpture and Details of Ancient Churches.PLATE 117Architectural Parts, Bas-reliefs, and Ceramic Objects.PLATE 118Façade of the Consistorial Houses.PLATE 119Entrance to the Alcazar, Seville.PLATE 120Principal Façade of the Alcazar.PLATE 121Gate of the Principal Entrance, Alcazar.PLATE 122Interior of the Hall of Ambassadors, Alcazar.PLATE 123Hall of Ambassadors, Alcazar.PLATE 124Interior of the Hall of Ambassadors, Alcazar.PLATE 125Interior of the Hall of Ambassadors, Alcazar.PLATE 126Hall of Ambassadors, Alcazar.PLATE 127Hall of Ambassadors, Alcazar.PLATE 128Hall of Ambassadors, Alcazar.PLATE 129Upper Part of the Court of the Dolls, Alcazar.PLATE 130Court of the Dolls from the Room of the Prince, Alcazar.PLATE 131Court of the Dolls, Alcazar.PLATE 132Angle in the Court of the Dolls, Alcazar.PLATE 133Court of the Dolls, Alcazar.PLATE 134Court of the Dolls, Alcazar.PLATE 135Court of the Dolls, Alcazar.PLATE 136Court of the Dolls, Alcazar.PLATE 137Court of the Dolls, Alcazar.PLATE 138Court of the Dolls, Alcazar.PLATE 139Gallery on the Second Storey of the Court of the Dolls, Alcazar.PLATE 140Upper Part of the Court of the Dolls, Alcazar.PLATE 141Upper Part of the Court of the Dolls, Alcazar.PLATE 142Entrance to the Dormitory of the Moorish Kings, Alcazar.PLATE 143Dormitory of the Moorish Kings, Alcazar.PLATE 144Front of the Sleeping Saloon of the Moorish Kings, Alcazar.PLATE 145Sleeping Saloon of the Moorish Kings, Alcazar.PLATE 146Intercolumniation, where Don Fadrique was Assassinated, Alcazar.Sultana’s Quarters, Alcazar.PLATE 147Room in which King St Ferdinand Died, Alcazar.PLATE 148Interior of the Hall of St Ferdinand, Alcazar.PLATE 149Front of the Hall of St Ferdinand, Alcazar.PLATE 150Gate of the Hall of St Ferdinand, Alcazar.PLATE 151Gallery of the Hall of St Ferdinand, Alcazar.PLATE 152Throne of Justice, Alcazar.PLATE 153Court of the Hundred Virgins, Alcazar.PLATE 154Court of the Virgins, Alcazar.PLATE 155General View of the Court of the Hundred Virgins, Alcazar.PLATE 156Court of the Virgins, Alcazar.PLATE 157Front of the Dormitory of the Moorish Kings and the Court of the Virgins, Alcazar.PLATE 158Gallery in the Court of the Virgins, Alcazar.PLATE 159The Court of the Virgins. Capital of the Door of the Hall of Ambassadors, Alcazar.PLATE 160The Alcazar.Court of the Virgins. Capital of the Gate of the Hall of Charles V.PLATE 161Palace of the Dueñas. Door of the Chapel.PLATE 162Palace of the Dukes of Alcala, Commonly called Casa de Pilatos.PLATE 163The Court in the House of Pilate.PLATE 164Court of the House of Pilate.PLATE 165Gallery in the Court of the House of Pilate.PLATE 166House of Pilate.PLATE 167Gallery in the Court of the House of Pilate.PLATE 168Angle and Statue in the House of Pilate.PLATE 169House of Pilate.Entrance to the Ante-room of the Chapel.PLATE 170The Staircase in the House of Pilate, by Barrera.PLATE 171House of Pilate.Entrance Door of the Oratory.PLATE 172House of Pilate.Way out to the Flat Roofs in the High Gallery.PLATE 173Staircase in the House of Pilate.PLATE 174House of Pilate. Doors of the Offices in the High Gallery.PLATE 175House of Pilate.Window of the Prætor’s Hall leading to the Garden.PLATE 176House of Pilate.Barred Window in the Prætor’s Garden.PLATE 177House of Pilate. Bolt on the Prætor’s Gate.PLATE 178House of Pilate.Window in the Ante-room of the Chapel.PLATE 179House of Pilate.Section of the Ceiling in the Prætor’s Hall.PLATE 180Palace of the Dueñas in Seville.PLATE 181House of Pilate.Mosaics in the Hall of the Fountain.PLATE 182Palace of the Dueñas in Seville.Glazed Tiles in the Socles of the Chapel and Arches.PLATE 183Mosaic of the Peristyle in the Palace.PLATE 184House of Pilate.Mosaic in the Hall of the Fountain.PLATE 185Mosaic in the Court of the House of Pilate.PLATE 186Mosaic in the Court of the House of Pilate.PLATE 187Mosaic in the Court of the House of Pilate.PLATE 188House of Pilate.Mosaic in the Chapel.PLATE 189Bartolomé Esteban Murillo.BORN IN SEVILLE, 1617.PLATE 190Altar-screen of the La Gamba, by Luis de Vargas.SEVILLE CATHEDRAL.PLATE 191Descent from the Cross, by Pedro Campaña.SEVILLE CATHEDRAL.PLATE 192St Anthony of Padua visited by the Infant Saviour while kneeling at his Prayers, by Murillo.SEVILLE CATHEDRAL.PLATE 193Our Lord Baptized by St John Baptist, by Murillo.SEVILLE CATHEDRAL.PLATE 194The Guardian Angel, by Murillo.SEVILLE CATHEDRAL.PLATE 195St Leander, by Murillo.SEVILLE CATHEDRAL.PLATE 196St Isidore, by Murillo.SEVILLE CATHEDRAL.PLATE 197St Ferdinand, Crowned and Robed, by Murillo.SEVILLE CATHEDRAL.PLATE 198Madre Francisca Dorotea Villalda, by Murillo.SEVILLE CATHEDRAL.PLATE 199St Anthony with the Infant Saviour, by Murillo.SEVILLE MUSEUM.PLATE 200Our Lady of the Immaculate Conception, by Murillo.SEVILLE MUSEUM.PLATE 201Our Lady of the Immaculate Conception, by Murillo.SEVILLE MUSEUM.PLATE 202Our Lady of the Immaculate Conception, by Murillo.SEVILLE MUSEUM.PLATE 203Our Lady of the Immaculate Conception, by Murillo.SEVILLE MUSEUM.PLATE 204St Justa and St Rufina, Patron Saints of Seville, holding between them the Giralda Tower, by Murillo.SEVILLE MUSEUM.PLATE 205St Bonaventure and St Leander, by Murillo.SEVILLE MUSEUM.PLATE 206St Thomas of Villanueva giving Alms at the Door of his Cathedral, by Murillo.SEVILLE MUSEUM.PLATE 207The Annunciation of our Lady, by Murillo.SEVILLE MUSEUM.PLATE 208St Felix of Cantalisi restoring to Our Lady the Infant Saviour, whom she had placed in his Arms, by Murillo.SEVILLE MUSEUM.PLATE 209Adoration of the Shepherds of Bethlehem, by Murillo.SEVILLE MUSEUM.PLATE 210St Peter Nolasco kneeling before Our Lady of Mercy, by Murillo.SEVILLE MUSEUM.PLATE 211The Deposition—St Francis of Assisi supporting the Body of Our Lord nailed by the Left Hand to the Cross, by Murillo.SEVILLE MUSEUM.PLATE 212St Joseph and the Infant Saviour, by Murillo.SEVILLE MUSEUM.PLATE 213St John the Baptist in the Desert leaning against a Rock, by Murillo.SEVILLE MUSEUM.PLATE 214St Augustine and the Flaming Heart, by Murillo.SEVILLE MUSEUM.PLATE 215St Felix of Cantalisi and the Infant Jesus, known as, “San Felix de Las Arrugas,” by Murillo.SEVILLE MUSEUM.PLATE 216St Anthony with the Infant Saviour, by Murillo.SEVILLE MUSEUM.PLATE 217Deposition from the Cross, by Murillo.SEVILLE MUSEUM..PLATE 218Our Lady with the Infant Saviour in her Arms, by Murillo.(AN EARLY PICTURE.)SEVILLE MUSEUM.PLATE 219Our Lady and the Infant Saviour, known as “La Virgen de la Servilleta,” by Murillo.SEVILLE MUSEUM.PLATE 220Our Lady seated, with the Infant Saviour in her Lap, by Murillo.(AN EARLY PICTURE.)SEVILLE MUSEUM.PLATE 221St Thomas of Aquin, by, Zurbarán.SEVILLE MUSEUM.PLATE 222The Virgin of the Grotto, by Zurbarán.SEVILLE MUSEUM.PLATE 223St Bruno talking to the Pope, by Zurbarán.SEVILLE MUSEUM.PLATE 224The Day of Judgment, by Martin de Vos.SEVILLE MUSEUM.PLATE 225Our Lady of the Immaculate Conception, by J. Valdes Leal.SEVILLE MUSEUM.PLATE 226Jesus crowning St Joseph, by Zurbarán.SEVILLE MUSEUM.PLATE 227The Devout Punyon, by Zurbarán.SEVILLE MUSEUM.PLATE 228Our Lady of the Immaculate Conception. The Virgin surrounded by Cherubim. By Fr. Pacheco.SEVILLE MUSEUM.PLATE 229Our Lord’s Miracle of the Loaves and Fishes, by Murillo.SEVILLE HOSPITAL.PLATE 230Moses striking the Rock in Horeb, by Murillo.LA CARIDAD, SEVILLE.PLATE 231St John of God, sinking under the Weight of a Sick Man, assisted by an Angel, by Murillo.LA CARIDAD, SEVILLE.PLATE 232The Death of St Hermenigild, by J. de las Roelas.HOSPITAL DE LA SANGRE, SEVILLE.PLATE 233The Apostleship, by Juan de las Roelas.HOSPITAL DE LA SANGRE, SEVILLE.PLATE 234The End of this World’s Glories, by Valdes Leal.LA CARIDAD, SEVILLE.PLATE 235The Pietà, or the Virgin supporting the Dead Body of her Divine Son, Altar-screen, by Luis de Vargas.SANTA MARIA DE LA BLANCA, SEVILLE.PLATE 236St Joseph holding the Infant Saviour in His Arms, by Murillo.SAN TELMO, SEVILLE.PLATE 237Our Lady of the Girdle, by Murillo.SAN TELMO, SEVILLE.PLATE 238Portrait of Ferdinand VII., by Goya.SAN TELMO, SEVILLE.PLATE 239Portrait of Charles IV., by Goya.SAN TELMO, SEVILLE.PLATE 240The Annunciation, by F. Zurbarán.SAN TELMO, SEVILLE.PLATE 241The Death of Laocoön and his Sons at the Siege of Troy, by El Greco.SAN TELMO, SEVILLE.PLATE 242Caton of Utique tearing open his wounds, by Josef Ribera.SAN TELMO, SEVILLE.PLATE 243Pietà. The Virgin holding the Dead Saviour in her Arms, by Morales.SAN TELMO, SEVILLE.PLATE 244Portrait of El Greco, by Himself.GALLERY OF SAN TELMO, SEVILLE.PLATE 245The Miracle of St Vœu. St Hugo in the Refectory with several Chartreux, by Zurbarán.SEVILLE MUSEUM.PLATE 246The Martyrdom of St Andrew, by J. de las Roelas.SEVILLE MUSEUM.PLATE 247The Last Supper, by P. de Cespedes.SEVILLE MUSEUM.PLATE 248Christ on the Cross, by Zurbarán.SEVILLE MUSEUM.PLATE 249Portrait of the Figure in Pacheco’s Picture at Seville, supposed to represent Cervantes.PLATE 250The Virgin and the Child Jesus, by Alonso Cano.SEVILLE CATHEDRAL.PLATE 251The Descent from the Cross, by Alejo Fernandez.SEVILLE CATHEDRAL.PLATE 252The Cathedral.PLATE 253The Giralda.PLATE 254The Giralda.PLATE 255Cathedral. The Gate of Pardon.PLATE 256Cathedral. Puerta de los Palos.PLATE 257SEVILLE CATHEDRALSpecially drawn for The Spanish SeriesPLATE 258Cathedral. View of an Organ.PLATE 259Cathedral. Monument to Columbus.PLATE 260Cathedral. Silver Tabernacle (weighing 45 arrobas).PLATE 261Alcazar Gardens.PLATE 262Alcazar Gardens.PLATE 263Alcazar Gardens.PLATE 264House of Pilate. The Goddess Ceres.PLATE 265House of Pilate. The Goddess Pallas Pacifer.PLATE 266Italica.PLATE 267Roman Walls.PLATE 268Patio de Banderas and the Giralda.PLATE 269Plaza de San Francisco.PLATE 270St Mark’s Church.PLATE 271Plaza de San Fernando.PLATE 272The Town Hall. Details of the Old Part.PLATE 273Façade of the Palace of San Telmo.PLATE 274Statue of Velaquez.PLATE 275Plaza de la Constitución.PLATE 276Plaza de la Constitución.PLATE 277Calle de Sierpes.PLATE 278Calle de Sierpes.PLATE 279A Street in Seville.PLATE 280Hercules Avenue.PLATE 281The Pasadera.PLATE 282Courtyard of La Caridad.PLATE 283Plaza de San Fernando.PLATE 284Plaza de Gavidia.PLATE 285View from the Pasadera.PLATE 286The Drive.PLATE 287Paseo de las Delicias.PLATE 288The Quay.PLATE 289Partial View of Seville.PLATE 290Plaza de Toros.PLATE 291Fields of San Sebastian.PLATE 292Park of Maria Luisa.PLATE 293Railway Station of M.Z.A. Principal Façade.PLATE 294Railway Station of M.Z.A. General View.PLATE 295Triana Bridge.PLATE 296View from Triana Bridge.PLATE 297View from Triana.PLATE 298San Telmo from Triana.PLATE 299The Cathedral. Our Lord Crucified. Sculpture in the Sacristy.PLATE 300SEVILLESpecially drawn for The Spanish SeriesFOOTNOTES:[A]There is one picture only by Roelas in the Prado. His work is hardly known outside Seville. In England we have at least one of his pictures, a fine example, in a private collection.[B]There is a picture by El Greco, the wonderful portrait of himself, in the Museum. It came quite recently from the Palace of San Telmo, where also was once the really grand picture, “The Death of Laocoön and his Sons at the Siege of Troy.” The remarkable and interesting “Trinity” in the Cathedral, attributed to El Greco, is the work of his pupil Luis Tristan, a painter neglected too long. Seville has no picture by Navarrete; the one work of Morales, the triptych in the Sacristiá de los Calices of the Cathedral, is not typical of his strange power.[C]The most important is the “Adoration of the Shepherds,” until recently in the Palace of San Telmo; but this work has been removed with other pictures in the collection of the Infanta Maria Luisa Fernanda de Bourbon. The really fine picture on the same subject in our National Gallery is now attributed to Zurbarán; probably to him, too, belongs the “Dead Warrior,” now assigned to Velazquez.
PLATE 98
St Christopher carrying the Child Jesus, by Mateo Perez Alesio, in the Cathedral.].
PLATE 99San Fernando Square.
PLATE 99
San Fernando Square.
PLATE 100Gardens of the Alcazar.
PLATE 100
Gardens of the Alcazar.
PLATE 101General View of the Gardens of the Alcazar.
PLATE 101
General View of the Gardens of the Alcazar.
PLATE 102View of the Gardens of the Alcazar.
PLATE 102
View of the Gardens of the Alcazar.
PLATE 103General View of the Gardens of the Alcazar.
PLATE 103
General View of the Gardens of the Alcazar.
PLATE 104The Gardens of the Alcazar. Lake and Gallery of Don Pedro I. the Cruel.
PLATE 104
The Gardens of the Alcazar. Lake and Gallery of Don Pedro I. the Cruel.
PLATE 105The Gardens of the Alcazar. View of the Gallery of Don Pedro I., the Cruel.
PLATE 105
The Gardens of the Alcazar. View of the Gallery of Don Pedro I., the Cruel.
PLATE 106The Hothouses in the Gardens of the Alcazar.
PLATE 106
The Hothouses in the Gardens of the Alcazar.
PLATE 107Calle de las Vedras in the Gardens of the Alcazar.
PLATE 107
Calle de las Vedras in the Gardens of the Alcazar.
PLATE 108The Gardens of the Alcazar.Parterre of Doña Maria de Padilla.
PLATE 108
The Gardens of the Alcazar.
Parterre of Doña Maria de Padilla.
PLATE 109The Alcazar. Baths of Doña Maria de Padilla.
PLATE 109
The Alcazar. Baths of Doña Maria de Padilla.
PLATE 110Magnificent Altar in Faience painted in the 15th Century.In the Oratory of the Catholic Sovereigns in the Alcazar.
PLATE 110
Magnificent Altar in Faience painted in the 15th Century.
In the Oratory of the Catholic Sovereigns in the Alcazar.
PLATE 111Town Hall of Seville.Details of Doors and Balconies.
PLATE 111
Town Hall of Seville.
Details of Doors and Balconies.
PLATE 112Town Hall of Seville. Details.
PLATE 112
Town Hall of Seville. Details.
PLATE 113Parish Church of San Marcos.
PLATE 113
Parish Church of San Marcos.
PLATE 114Various Towers of Seville.
PLATE 114
Various Towers of Seville.
PLATE 115Details of the Mosaic commonly called El Grande.
PLATE 115
Details of the Mosaic commonly called El Grande.
PLATE 116Sculpture and Details of Ancient Churches.
PLATE 116
Sculpture and Details of Ancient Churches.
PLATE 117Architectural Parts, Bas-reliefs, and Ceramic Objects.
PLATE 117
Architectural Parts, Bas-reliefs, and Ceramic Objects.
PLATE 118Façade of the Consistorial Houses.
PLATE 118
Façade of the Consistorial Houses.
PLATE 119Entrance to the Alcazar, Seville.
PLATE 119
Entrance to the Alcazar, Seville.
PLATE 120Principal Façade of the Alcazar.
PLATE 120
Principal Façade of the Alcazar.
PLATE 121Gate of the Principal Entrance, Alcazar.
PLATE 121
Gate of the Principal Entrance, Alcazar.
PLATE 122Interior of the Hall of Ambassadors, Alcazar.
PLATE 122
Interior of the Hall of Ambassadors, Alcazar.
PLATE 123Hall of Ambassadors, Alcazar.
PLATE 123
Hall of Ambassadors, Alcazar.
PLATE 124Interior of the Hall of Ambassadors, Alcazar.
PLATE 124
Interior of the Hall of Ambassadors, Alcazar.
PLATE 125Interior of the Hall of Ambassadors, Alcazar.
PLATE 125
Interior of the Hall of Ambassadors, Alcazar.
PLATE 126Hall of Ambassadors, Alcazar.
PLATE 126
Hall of Ambassadors, Alcazar.
PLATE 127Hall of Ambassadors, Alcazar.
PLATE 127
Hall of Ambassadors, Alcazar.
PLATE 128Hall of Ambassadors, Alcazar.
PLATE 128
Hall of Ambassadors, Alcazar.
PLATE 129Upper Part of the Court of the Dolls, Alcazar.
PLATE 129
Upper Part of the Court of the Dolls, Alcazar.
PLATE 130Court of the Dolls from the Room of the Prince, Alcazar.
PLATE 130
Court of the Dolls from the Room of the Prince, Alcazar.
PLATE 131Court of the Dolls, Alcazar.
PLATE 131
Court of the Dolls, Alcazar.
PLATE 132Angle in the Court of the Dolls, Alcazar.
PLATE 132
Angle in the Court of the Dolls, Alcazar.
PLATE 133Court of the Dolls, Alcazar.
PLATE 133
Court of the Dolls, Alcazar.
PLATE 134Court of the Dolls, Alcazar.
PLATE 134
Court of the Dolls, Alcazar.
PLATE 135Court of the Dolls, Alcazar.
PLATE 135
Court of the Dolls, Alcazar.
PLATE 136Court of the Dolls, Alcazar.
PLATE 136
Court of the Dolls, Alcazar.
PLATE 137Court of the Dolls, Alcazar.
PLATE 137
Court of the Dolls, Alcazar.
PLATE 138Court of the Dolls, Alcazar.
PLATE 138
Court of the Dolls, Alcazar.
PLATE 139Gallery on the Second Storey of the Court of the Dolls, Alcazar.
PLATE 139
Gallery on the Second Storey of the Court of the Dolls, Alcazar.
PLATE 140Upper Part of the Court of the Dolls, Alcazar.
PLATE 140
Upper Part of the Court of the Dolls, Alcazar.
PLATE 141Upper Part of the Court of the Dolls, Alcazar.
PLATE 141
Upper Part of the Court of the Dolls, Alcazar.
PLATE 142Entrance to the Dormitory of the Moorish Kings, Alcazar.
PLATE 142
Entrance to the Dormitory of the Moorish Kings, Alcazar.
PLATE 143Dormitory of the Moorish Kings, Alcazar.
PLATE 143
Dormitory of the Moorish Kings, Alcazar.
PLATE 144Front of the Sleeping Saloon of the Moorish Kings, Alcazar.
PLATE 144
Front of the Sleeping Saloon of the Moorish Kings, Alcazar.
PLATE 145Sleeping Saloon of the Moorish Kings, Alcazar.
PLATE 145
Sleeping Saloon of the Moorish Kings, Alcazar.
PLATE 146Intercolumniation, where Don Fadrique was Assassinated, Alcazar.
PLATE 146
Intercolumniation, where Don Fadrique was Assassinated, Alcazar.
Sultana’s Quarters, Alcazar.
Sultana’s Quarters, Alcazar.
PLATE 147Room in which King St Ferdinand Died, Alcazar.
PLATE 147
Room in which King St Ferdinand Died, Alcazar.
PLATE 148Interior of the Hall of St Ferdinand, Alcazar.
PLATE 148
Interior of the Hall of St Ferdinand, Alcazar.
PLATE 149Front of the Hall of St Ferdinand, Alcazar.
PLATE 149
Front of the Hall of St Ferdinand, Alcazar.
PLATE 150Gate of the Hall of St Ferdinand, Alcazar.
PLATE 150
Gate of the Hall of St Ferdinand, Alcazar.
PLATE 151Gallery of the Hall of St Ferdinand, Alcazar.
PLATE 151
Gallery of the Hall of St Ferdinand, Alcazar.
PLATE 152Throne of Justice, Alcazar.
PLATE 152
Throne of Justice, Alcazar.
PLATE 153Court of the Hundred Virgins, Alcazar.
PLATE 153
Court of the Hundred Virgins, Alcazar.
PLATE 154Court of the Virgins, Alcazar.
PLATE 154
Court of the Virgins, Alcazar.
PLATE 155General View of the Court of the Hundred Virgins, Alcazar.
PLATE 155
General View of the Court of the Hundred Virgins, Alcazar.
PLATE 156Court of the Virgins, Alcazar.
PLATE 156
Court of the Virgins, Alcazar.
PLATE 157Front of the Dormitory of the Moorish Kings and the Court of the Virgins, Alcazar.
PLATE 157
Front of the Dormitory of the Moorish Kings and the Court of the Virgins, Alcazar.
PLATE 158Gallery in the Court of the Virgins, Alcazar.
PLATE 158
Gallery in the Court of the Virgins, Alcazar.
PLATE 159The Court of the Virgins. Capital of the Door of the Hall of Ambassadors, Alcazar.
PLATE 159
The Court of the Virgins. Capital of the Door of the Hall of Ambassadors, Alcazar.
PLATE 160The Alcazar.Court of the Virgins. Capital of the Gate of the Hall of Charles V.
PLATE 160
The Alcazar.
Court of the Virgins. Capital of the Gate of the Hall of Charles V.
PLATE 161Palace of the Dueñas. Door of the Chapel.
PLATE 161
Palace of the Dueñas. Door of the Chapel.
PLATE 162Palace of the Dukes of Alcala, Commonly called Casa de Pilatos.
PLATE 162
Palace of the Dukes of Alcala, Commonly called Casa de Pilatos.
PLATE 163The Court in the House of Pilate.
PLATE 163
The Court in the House of Pilate.
PLATE 164Court of the House of Pilate.
PLATE 164
Court of the House of Pilate.
PLATE 165Gallery in the Court of the House of Pilate.
PLATE 165
Gallery in the Court of the House of Pilate.
PLATE 166House of Pilate.
PLATE 166
House of Pilate.
PLATE 167Gallery in the Court of the House of Pilate.
PLATE 167
Gallery in the Court of the House of Pilate.
PLATE 168Angle and Statue in the House of Pilate.
PLATE 168
Angle and Statue in the House of Pilate.
PLATE 169House of Pilate.Entrance to the Ante-room of the Chapel.
PLATE 169
House of Pilate.
Entrance to the Ante-room of the Chapel.
PLATE 170The Staircase in the House of Pilate, by Barrera.
PLATE 170
The Staircase in the House of Pilate, by Barrera.
PLATE 171House of Pilate.Entrance Door of the Oratory.
PLATE 171
House of Pilate.
Entrance Door of the Oratory.
PLATE 172House of Pilate.Way out to the Flat Roofs in the High Gallery.
PLATE 172
House of Pilate.
Way out to the Flat Roofs in the High Gallery.
PLATE 173Staircase in the House of Pilate.
PLATE 173
Staircase in the House of Pilate.
PLATE 174House of Pilate. Doors of the Offices in the High Gallery.
PLATE 174
House of Pilate. Doors of the Offices in the High Gallery.
PLATE 175House of Pilate.Window of the Prætor’s Hall leading to the Garden.
PLATE 175
House of Pilate.
Window of the Prætor’s Hall leading to the Garden.
PLATE 176House of Pilate.Barred Window in the Prætor’s Garden.
PLATE 176
House of Pilate.
Barred Window in the Prætor’s Garden.
PLATE 177House of Pilate. Bolt on the Prætor’s Gate.
PLATE 177
House of Pilate. Bolt on the Prætor’s Gate.
PLATE 178House of Pilate.Window in the Ante-room of the Chapel.
PLATE 178
House of Pilate.
Window in the Ante-room of the Chapel.
PLATE 179House of Pilate.Section of the Ceiling in the Prætor’s Hall.
PLATE 179
House of Pilate.
Section of the Ceiling in the Prætor’s Hall.
PLATE 180Palace of the Dueñas in Seville.
PLATE 180
Palace of the Dueñas in Seville.
PLATE 181House of Pilate.Mosaics in the Hall of the Fountain.
PLATE 181
House of Pilate.
Mosaics in the Hall of the Fountain.
PLATE 182Palace of the Dueñas in Seville.Glazed Tiles in the Socles of the Chapel and Arches.
PLATE 182
Palace of the Dueñas in Seville.
Glazed Tiles in the Socles of the Chapel and Arches.
PLATE 183Mosaic of the Peristyle in the Palace.
PLATE 183
Mosaic of the Peristyle in the Palace.
PLATE 184House of Pilate.Mosaic in the Hall of the Fountain.
PLATE 184
House of Pilate.
Mosaic in the Hall of the Fountain.
PLATE 185Mosaic in the Court of the House of Pilate.
PLATE 185
Mosaic in the Court of the House of Pilate.
PLATE 186Mosaic in the Court of the House of Pilate.
PLATE 186
Mosaic in the Court of the House of Pilate.
PLATE 187Mosaic in the Court of the House of Pilate.
PLATE 187
Mosaic in the Court of the House of Pilate.
PLATE 188House of Pilate.Mosaic in the Chapel.
PLATE 188
House of Pilate.
Mosaic in the Chapel.
PLATE 189Bartolomé Esteban Murillo.BORN IN SEVILLE, 1617.
PLATE 189
Bartolomé Esteban Murillo.
BORN IN SEVILLE, 1617.
PLATE 190Altar-screen of the La Gamba, by Luis de Vargas.SEVILLE CATHEDRAL.
PLATE 190
Altar-screen of the La Gamba, by Luis de Vargas.
SEVILLE CATHEDRAL.
PLATE 191Descent from the Cross, by Pedro Campaña.SEVILLE CATHEDRAL.
PLATE 191
Descent from the Cross, by Pedro Campaña.
SEVILLE CATHEDRAL.
PLATE 192St Anthony of Padua visited by the Infant Saviour while kneeling at his Prayers, by Murillo.SEVILLE CATHEDRAL.
PLATE 192
St Anthony of Padua visited by the Infant Saviour while kneeling at his Prayers, by Murillo.
SEVILLE CATHEDRAL.
PLATE 193Our Lord Baptized by St John Baptist, by Murillo.SEVILLE CATHEDRAL.
PLATE 193
Our Lord Baptized by St John Baptist, by Murillo.
SEVILLE CATHEDRAL.
PLATE 194The Guardian Angel, by Murillo.SEVILLE CATHEDRAL.
PLATE 194
The Guardian Angel, by Murillo.
SEVILLE CATHEDRAL.
PLATE 195St Leander, by Murillo.SEVILLE CATHEDRAL.
PLATE 195
St Leander, by Murillo.
SEVILLE CATHEDRAL.
PLATE 196St Isidore, by Murillo.SEVILLE CATHEDRAL.
PLATE 196
St Isidore, by Murillo.
SEVILLE CATHEDRAL.
PLATE 197St Ferdinand, Crowned and Robed, by Murillo.SEVILLE CATHEDRAL.
PLATE 197
St Ferdinand, Crowned and Robed, by Murillo.
SEVILLE CATHEDRAL.
PLATE 198Madre Francisca Dorotea Villalda, by Murillo.SEVILLE CATHEDRAL.
PLATE 198
Madre Francisca Dorotea Villalda, by Murillo.
SEVILLE CATHEDRAL.
PLATE 199St Anthony with the Infant Saviour, by Murillo.SEVILLE MUSEUM.
PLATE 199
St Anthony with the Infant Saviour, by Murillo.
SEVILLE MUSEUM.
PLATE 200Our Lady of the Immaculate Conception, by Murillo.SEVILLE MUSEUM.
PLATE 200
Our Lady of the Immaculate Conception, by Murillo.
SEVILLE MUSEUM.
PLATE 201Our Lady of the Immaculate Conception, by Murillo.SEVILLE MUSEUM.
PLATE 201
Our Lady of the Immaculate Conception, by Murillo.
SEVILLE MUSEUM.
PLATE 202Our Lady of the Immaculate Conception, by Murillo.SEVILLE MUSEUM.
PLATE 202
Our Lady of the Immaculate Conception, by Murillo.
SEVILLE MUSEUM.
PLATE 203Our Lady of the Immaculate Conception, by Murillo.SEVILLE MUSEUM.
PLATE 203
Our Lady of the Immaculate Conception, by Murillo.
SEVILLE MUSEUM.
PLATE 204St Justa and St Rufina, Patron Saints of Seville, holding between them the Giralda Tower, by Murillo.SEVILLE MUSEUM.
PLATE 204
St Justa and St Rufina, Patron Saints of Seville, holding between them the Giralda Tower, by Murillo.
SEVILLE MUSEUM.
PLATE 205St Bonaventure and St Leander, by Murillo.SEVILLE MUSEUM.
PLATE 205
St Bonaventure and St Leander, by Murillo.
SEVILLE MUSEUM.
PLATE 206St Thomas of Villanueva giving Alms at the Door of his Cathedral, by Murillo.SEVILLE MUSEUM.
PLATE 206
St Thomas of Villanueva giving Alms at the Door of his Cathedral, by Murillo.
SEVILLE MUSEUM.
PLATE 207The Annunciation of our Lady, by Murillo.SEVILLE MUSEUM.
PLATE 207
The Annunciation of our Lady, by Murillo.
SEVILLE MUSEUM.
PLATE 208St Felix of Cantalisi restoring to Our Lady the Infant Saviour, whom she had placed in his Arms, by Murillo.SEVILLE MUSEUM.
PLATE 208
St Felix of Cantalisi restoring to Our Lady the Infant Saviour, whom she had placed in his Arms, by Murillo.
SEVILLE MUSEUM.
PLATE 209Adoration of the Shepherds of Bethlehem, by Murillo.SEVILLE MUSEUM.
PLATE 209
Adoration of the Shepherds of Bethlehem, by Murillo.
SEVILLE MUSEUM.
PLATE 210St Peter Nolasco kneeling before Our Lady of Mercy, by Murillo.SEVILLE MUSEUM.
PLATE 210
St Peter Nolasco kneeling before Our Lady of Mercy, by Murillo.
SEVILLE MUSEUM.
PLATE 211The Deposition—St Francis of Assisi supporting the Body of Our Lord nailed by the Left Hand to the Cross, by Murillo.SEVILLE MUSEUM.
PLATE 211
The Deposition—St Francis of Assisi supporting the Body of Our Lord nailed by the Left Hand to the Cross, by Murillo.
SEVILLE MUSEUM.
PLATE 212St Joseph and the Infant Saviour, by Murillo.SEVILLE MUSEUM.
PLATE 212
St Joseph and the Infant Saviour, by Murillo.
SEVILLE MUSEUM.
PLATE 213St John the Baptist in the Desert leaning against a Rock, by Murillo.SEVILLE MUSEUM.
PLATE 213
St John the Baptist in the Desert leaning against a Rock, by Murillo.
SEVILLE MUSEUM.
PLATE 214St Augustine and the Flaming Heart, by Murillo.SEVILLE MUSEUM.
PLATE 214
St Augustine and the Flaming Heart, by Murillo.
SEVILLE MUSEUM.
PLATE 215St Felix of Cantalisi and the Infant Jesus, known as, “San Felix de Las Arrugas,” by Murillo.SEVILLE MUSEUM.
PLATE 215
St Felix of Cantalisi and the Infant Jesus, known as, “San Felix de Las Arrugas,” by Murillo.
SEVILLE MUSEUM.
PLATE 216St Anthony with the Infant Saviour, by Murillo.SEVILLE MUSEUM.
PLATE 216
St Anthony with the Infant Saviour, by Murillo.
SEVILLE MUSEUM.
PLATE 217Deposition from the Cross, by Murillo.SEVILLE MUSEUM..
PLATE 217
Deposition from the Cross, by Murillo.
SEVILLE MUSEUM..
PLATE 218Our Lady with the Infant Saviour in her Arms, by Murillo.(AN EARLY PICTURE.)SEVILLE MUSEUM.
PLATE 218
Our Lady with the Infant Saviour in her Arms, by Murillo.
(AN EARLY PICTURE.)
SEVILLE MUSEUM.
PLATE 219Our Lady and the Infant Saviour, known as “La Virgen de la Servilleta,” by Murillo.SEVILLE MUSEUM.
PLATE 219
Our Lady and the Infant Saviour, known as “La Virgen de la Servilleta,” by Murillo.
SEVILLE MUSEUM.
PLATE 220Our Lady seated, with the Infant Saviour in her Lap, by Murillo.(AN EARLY PICTURE.)SEVILLE MUSEUM.
PLATE 220
Our Lady seated, with the Infant Saviour in her Lap, by Murillo.
(AN EARLY PICTURE.)
SEVILLE MUSEUM.
PLATE 221St Thomas of Aquin, by, Zurbarán.SEVILLE MUSEUM.
PLATE 221
St Thomas of Aquin, by, Zurbarán.
SEVILLE MUSEUM.
PLATE 222The Virgin of the Grotto, by Zurbarán.SEVILLE MUSEUM.
PLATE 222
The Virgin of the Grotto, by Zurbarán.
SEVILLE MUSEUM.
PLATE 223St Bruno talking to the Pope, by Zurbarán.SEVILLE MUSEUM.
PLATE 223
St Bruno talking to the Pope, by Zurbarán.
SEVILLE MUSEUM.
PLATE 224The Day of Judgment, by Martin de Vos.SEVILLE MUSEUM.
PLATE 224
The Day of Judgment, by Martin de Vos.
SEVILLE MUSEUM.
PLATE 225Our Lady of the Immaculate Conception, by J. Valdes Leal.SEVILLE MUSEUM.
PLATE 225
Our Lady of the Immaculate Conception, by J. Valdes Leal.
SEVILLE MUSEUM.
PLATE 226Jesus crowning St Joseph, by Zurbarán.SEVILLE MUSEUM.
PLATE 226
Jesus crowning St Joseph, by Zurbarán.
SEVILLE MUSEUM.
PLATE 227The Devout Punyon, by Zurbarán.SEVILLE MUSEUM.
PLATE 227
The Devout Punyon, by Zurbarán.
SEVILLE MUSEUM.
PLATE 228Our Lady of the Immaculate Conception. The Virgin surrounded by Cherubim. By Fr. Pacheco.SEVILLE MUSEUM.
PLATE 228
Our Lady of the Immaculate Conception. The Virgin surrounded by Cherubim. By Fr. Pacheco.
SEVILLE MUSEUM.
PLATE 229Our Lord’s Miracle of the Loaves and Fishes, by Murillo.SEVILLE HOSPITAL.
PLATE 229
Our Lord’s Miracle of the Loaves and Fishes, by Murillo.
SEVILLE HOSPITAL.
PLATE 230Moses striking the Rock in Horeb, by Murillo.LA CARIDAD, SEVILLE.
PLATE 230
Moses striking the Rock in Horeb, by Murillo.
LA CARIDAD, SEVILLE.
PLATE 231St John of God, sinking under the Weight of a Sick Man, assisted by an Angel, by Murillo.LA CARIDAD, SEVILLE.
PLATE 231
St John of God, sinking under the Weight of a Sick Man, assisted by an Angel, by Murillo.
LA CARIDAD, SEVILLE.
PLATE 232The Death of St Hermenigild, by J. de las Roelas.HOSPITAL DE LA SANGRE, SEVILLE.
PLATE 232
The Death of St Hermenigild, by J. de las Roelas.
HOSPITAL DE LA SANGRE, SEVILLE.
PLATE 233The Apostleship, by Juan de las Roelas.HOSPITAL DE LA SANGRE, SEVILLE.
PLATE 233
The Apostleship, by Juan de las Roelas.
HOSPITAL DE LA SANGRE, SEVILLE.
PLATE 234The End of this World’s Glories, by Valdes Leal.LA CARIDAD, SEVILLE.
PLATE 234
The End of this World’s Glories, by Valdes Leal.
LA CARIDAD, SEVILLE.
PLATE 235The Pietà, or the Virgin supporting the Dead Body of her Divine Son, Altar-screen, by Luis de Vargas.SANTA MARIA DE LA BLANCA, SEVILLE.
PLATE 235
The Pietà, or the Virgin supporting the Dead Body of her Divine Son, Altar-screen, by Luis de Vargas.
SANTA MARIA DE LA BLANCA, SEVILLE.
PLATE 236St Joseph holding the Infant Saviour in His Arms, by Murillo.SAN TELMO, SEVILLE.
PLATE 236
St Joseph holding the Infant Saviour in His Arms, by Murillo.
SAN TELMO, SEVILLE.
PLATE 237Our Lady of the Girdle, by Murillo.SAN TELMO, SEVILLE.
PLATE 237
Our Lady of the Girdle, by Murillo.
SAN TELMO, SEVILLE.
PLATE 238Portrait of Ferdinand VII., by Goya.SAN TELMO, SEVILLE.
PLATE 238
Portrait of Ferdinand VII., by Goya.
SAN TELMO, SEVILLE.
PLATE 239Portrait of Charles IV., by Goya.SAN TELMO, SEVILLE.
PLATE 239
Portrait of Charles IV., by Goya.
SAN TELMO, SEVILLE.
PLATE 240The Annunciation, by F. Zurbarán.SAN TELMO, SEVILLE.
PLATE 240
The Annunciation, by F. Zurbarán.
SAN TELMO, SEVILLE.
PLATE 241The Death of Laocoön and his Sons at the Siege of Troy, by El Greco.SAN TELMO, SEVILLE.
PLATE 241
The Death of Laocoön and his Sons at the Siege of Troy, by El Greco.
SAN TELMO, SEVILLE.
PLATE 242Caton of Utique tearing open his wounds, by Josef Ribera.SAN TELMO, SEVILLE.
PLATE 242
Caton of Utique tearing open his wounds, by Josef Ribera.
SAN TELMO, SEVILLE.
PLATE 243Pietà. The Virgin holding the Dead Saviour in her Arms, by Morales.SAN TELMO, SEVILLE.
PLATE 243
Pietà. The Virgin holding the Dead Saviour in her Arms, by Morales.
SAN TELMO, SEVILLE.
PLATE 244Portrait of El Greco, by Himself.GALLERY OF SAN TELMO, SEVILLE.
PLATE 244
Portrait of El Greco, by Himself.
GALLERY OF SAN TELMO, SEVILLE.
PLATE 245The Miracle of St Vœu. St Hugo in the Refectory with several Chartreux, by Zurbarán.SEVILLE MUSEUM.
PLATE 245
The Miracle of St Vœu. St Hugo in the Refectory with several Chartreux, by Zurbarán.
SEVILLE MUSEUM.
PLATE 246The Martyrdom of St Andrew, by J. de las Roelas.SEVILLE MUSEUM.
PLATE 246
The Martyrdom of St Andrew, by J. de las Roelas.
SEVILLE MUSEUM.
PLATE 247The Last Supper, by P. de Cespedes.SEVILLE MUSEUM.
PLATE 247
The Last Supper, by P. de Cespedes.
SEVILLE MUSEUM.
PLATE 248Christ on the Cross, by Zurbarán.SEVILLE MUSEUM.
PLATE 248
Christ on the Cross, by Zurbarán.
SEVILLE MUSEUM.
PLATE 249Portrait of the Figure in Pacheco’s Picture at Seville, supposed to represent Cervantes.
PLATE 249
Portrait of the Figure in Pacheco’s Picture at Seville, supposed to represent Cervantes.
PLATE 250The Virgin and the Child Jesus, by Alonso Cano.SEVILLE CATHEDRAL.
PLATE 250
The Virgin and the Child Jesus, by Alonso Cano.
SEVILLE CATHEDRAL.
PLATE 251The Descent from the Cross, by Alejo Fernandez.SEVILLE CATHEDRAL.
PLATE 251
The Descent from the Cross, by Alejo Fernandez.
SEVILLE CATHEDRAL.
PLATE 252The Cathedral.
PLATE 252
The Cathedral.
PLATE 253The Giralda.
PLATE 253
The Giralda.
PLATE 254The Giralda.
PLATE 254
The Giralda.
PLATE 255Cathedral. The Gate of Pardon.
PLATE 255
Cathedral. The Gate of Pardon.
PLATE 256Cathedral. Puerta de los Palos.
PLATE 256
Cathedral. Puerta de los Palos.
PLATE 257SEVILLE CATHEDRALSpecially drawn for The Spanish Series
PLATE 257
SEVILLE CATHEDRAL
Specially drawn for The Spanish Series
PLATE 258Cathedral. View of an Organ.
PLATE 258
Cathedral. View of an Organ.
PLATE 259Cathedral. Monument to Columbus.
PLATE 259
Cathedral. Monument to Columbus.
PLATE 260Cathedral. Silver Tabernacle (weighing 45 arrobas).
PLATE 260
Cathedral. Silver Tabernacle (weighing 45 arrobas).
PLATE 261Alcazar Gardens.
PLATE 261
Alcazar Gardens.
PLATE 262Alcazar Gardens.
PLATE 262
Alcazar Gardens.
PLATE 263Alcazar Gardens.
PLATE 263
Alcazar Gardens.
PLATE 264House of Pilate. The Goddess Ceres.
PLATE 264
House of Pilate. The Goddess Ceres.
PLATE 265House of Pilate. The Goddess Pallas Pacifer.
PLATE 265
House of Pilate. The Goddess Pallas Pacifer.
PLATE 266Italica.
PLATE 266
Italica.
PLATE 267Roman Walls.
PLATE 267
Roman Walls.
PLATE 268Patio de Banderas and the Giralda.
PLATE 268
Patio de Banderas and the Giralda.
PLATE 269Plaza de San Francisco.
PLATE 269
Plaza de San Francisco.
PLATE 270St Mark’s Church.
PLATE 270
St Mark’s Church.
PLATE 271Plaza de San Fernando.
PLATE 271
Plaza de San Fernando.
PLATE 272The Town Hall. Details of the Old Part.
PLATE 272
The Town Hall. Details of the Old Part.
PLATE 273Façade of the Palace of San Telmo.
PLATE 273
Façade of the Palace of San Telmo.
PLATE 274Statue of Velaquez.
PLATE 274
Statue of Velaquez.
PLATE 275Plaza de la Constitución.
PLATE 275
Plaza de la Constitución.
PLATE 276Plaza de la Constitución.
PLATE 276
Plaza de la Constitución.
PLATE 277Calle de Sierpes.
PLATE 277
Calle de Sierpes.
PLATE 278Calle de Sierpes.
PLATE 278
Calle de Sierpes.
PLATE 279A Street in Seville.
PLATE 279
A Street in Seville.
PLATE 280Hercules Avenue.
PLATE 280
Hercules Avenue.
PLATE 281The Pasadera.
PLATE 281
The Pasadera.
PLATE 282Courtyard of La Caridad.
PLATE 282
Courtyard of La Caridad.
PLATE 283Plaza de San Fernando.
PLATE 283
Plaza de San Fernando.
PLATE 284Plaza de Gavidia.
PLATE 284
Plaza de Gavidia.
PLATE 285View from the Pasadera.
PLATE 285
View from the Pasadera.
PLATE 286The Drive.
PLATE 286
The Drive.
PLATE 287Paseo de las Delicias.
PLATE 287
Paseo de las Delicias.
PLATE 288The Quay.
PLATE 288
The Quay.
PLATE 289Partial View of Seville.
PLATE 289
Partial View of Seville.
PLATE 290Plaza de Toros.
PLATE 290
Plaza de Toros.
PLATE 291Fields of San Sebastian.
PLATE 291
Fields of San Sebastian.
PLATE 292Park of Maria Luisa.
PLATE 292
Park of Maria Luisa.
PLATE 293Railway Station of M.Z.A. Principal Façade.
PLATE 293
Railway Station of M.Z.A. Principal Façade.
PLATE 294Railway Station of M.Z.A. General View.
PLATE 294
Railway Station of M.Z.A. General View.
PLATE 295Triana Bridge.
PLATE 295
Triana Bridge.
PLATE 296View from Triana Bridge.
PLATE 296
View from Triana Bridge.
PLATE 297View from Triana.
PLATE 297
View from Triana.
PLATE 298San Telmo from Triana.
PLATE 298
San Telmo from Triana.
PLATE 299The Cathedral. Our Lord Crucified. Sculpture in the Sacristy.
PLATE 299
The Cathedral. Our Lord Crucified. Sculpture in the Sacristy.
PLATE 300SEVILLESpecially drawn for The Spanish Series
PLATE 300
SEVILLE
Specially drawn for The Spanish Series
FOOTNOTES:[A]There is one picture only by Roelas in the Prado. His work is hardly known outside Seville. In England we have at least one of his pictures, a fine example, in a private collection.[B]There is a picture by El Greco, the wonderful portrait of himself, in the Museum. It came quite recently from the Palace of San Telmo, where also was once the really grand picture, “The Death of Laocoön and his Sons at the Siege of Troy.” The remarkable and interesting “Trinity” in the Cathedral, attributed to El Greco, is the work of his pupil Luis Tristan, a painter neglected too long. Seville has no picture by Navarrete; the one work of Morales, the triptych in the Sacristiá de los Calices of the Cathedral, is not typical of his strange power.[C]The most important is the “Adoration of the Shepherds,” until recently in the Palace of San Telmo; but this work has been removed with other pictures in the collection of the Infanta Maria Luisa Fernanda de Bourbon. The really fine picture on the same subject in our National Gallery is now attributed to Zurbarán; probably to him, too, belongs the “Dead Warrior,” now assigned to Velazquez.
FOOTNOTES:
[A]There is one picture only by Roelas in the Prado. His work is hardly known outside Seville. In England we have at least one of his pictures, a fine example, in a private collection.
[A]There is one picture only by Roelas in the Prado. His work is hardly known outside Seville. In England we have at least one of his pictures, a fine example, in a private collection.
[B]There is a picture by El Greco, the wonderful portrait of himself, in the Museum. It came quite recently from the Palace of San Telmo, where also was once the really grand picture, “The Death of Laocoön and his Sons at the Siege of Troy.” The remarkable and interesting “Trinity” in the Cathedral, attributed to El Greco, is the work of his pupil Luis Tristan, a painter neglected too long. Seville has no picture by Navarrete; the one work of Morales, the triptych in the Sacristiá de los Calices of the Cathedral, is not typical of his strange power.
[B]There is a picture by El Greco, the wonderful portrait of himself, in the Museum. It came quite recently from the Palace of San Telmo, where also was once the really grand picture, “The Death of Laocoön and his Sons at the Siege of Troy.” The remarkable and interesting “Trinity” in the Cathedral, attributed to El Greco, is the work of his pupil Luis Tristan, a painter neglected too long. Seville has no picture by Navarrete; the one work of Morales, the triptych in the Sacristiá de los Calices of the Cathedral, is not typical of his strange power.
[C]The most important is the “Adoration of the Shepherds,” until recently in the Palace of San Telmo; but this work has been removed with other pictures in the collection of the Infanta Maria Luisa Fernanda de Bourbon. The really fine picture on the same subject in our National Gallery is now attributed to Zurbarán; probably to him, too, belongs the “Dead Warrior,” now assigned to Velazquez.
[C]The most important is the “Adoration of the Shepherds,” until recently in the Palace of San Telmo; but this work has been removed with other pictures in the collection of the Infanta Maria Luisa Fernanda de Bourbon. The really fine picture on the same subject in our National Gallery is now attributed to Zurbarán; probably to him, too, belongs the “Dead Warrior,” now assigned to Velazquez.