POEMS
ACT. DUMB-PLAY. CHORUS.
And all this dumb-play had his acts made plainWith tears, which chorus-like her eyes did rain.
And all this dumb-play had his acts made plainWith tears, which chorus-like her eyes did rain.
And all this dumb-play had his acts made plainWith tears, which chorus-like her eyes did rain.
And all this dumb-play had his acts made plain
With tears, which chorus-like her eyes did rain.
Venus and Adonis, line359.
Many critics have inferred that this poem was composed whilst Shakespeare still resided in Stratford. By the above lines it would be nearer the mark to assert that the first heir of his invention was composed after he had been acquainted with the theatrical literature of the London theatres.
ACTOR. STAGE. PART.
As an imperfect actor on the stageWho with his fear is put beside his part.
As an imperfect actor on the stageWho with his fear is put beside his part.
As an imperfect actor on the stageWho with his fear is put beside his part.
As an imperfect actor on the stage
Who with his fear is put beside his part.
Sonnet23,line1.
CHORUS. SCENE.
Co-supremes and stars of loveAs chorus to their tragic scene.
Co-supremes and stars of loveAs chorus to their tragic scene.
Co-supremes and stars of loveAs chorus to their tragic scene.
Co-supremes and stars of love
As chorus to their tragic scene.
Phœnix and Turtle, line52.
STAGE. SHOWS.
This huge stage presenteth nought but shows.
This huge stage presenteth nought but shows.
This huge stage presenteth nought but shows.
This huge stage presenteth nought but shows.
Sonnet15,line3.
STAGE. PART.
My part is youth and beat these from the stage.
My part is youth and beat these from the stage.
My part is youth and beat these from the stage.
My part is youth and beat these from the stage.
Lucrece, line278.
Black stage for tragedies and murders fell.
Black stage for tragedies and murders fell.
Black stage for tragedies and murders fell.
Black stage for tragedies and murders fell.
Lucrece, line766.
“My part is youth” may refer to some particular play, but “Lusty Juventus,” suggested by Stevens, contains no such scene.
In the interlude of “Youth,” youth drives charity from the stage, but with threats not blows. Malone supposes that Shakespeare was thinking of the conflicts between the Devil and the Vice in the old Morality plays, where the Vice was always victorious and drove the Devil roaring off the stage.
Black stage for tragedies refers to the custom of draping the stage in black when tragedies were performed. Another allusion to this custom is found in the first part of Henry VI.
SHOWS.
Or to turn white and swoon at tragic shows.
Or to turn white and swoon at tragic shows.
Or to turn white and swoon at tragic shows.
Or to turn white and swoon at tragic shows.
Lover’s Complaint, line308.