FOOTNOTES:[9]The reader will remember that 'Single' is used as antithetical to 'Complex,' and 'Simple' to 'Complicated.' See note to page74.INDEX OF SCENESILLUSTRATED IN THE FOREGOING CHAPTERS.***Clarendon type is used where the passage referred to approaches the character of an analysis of the scene.JULIUS CÆSAR.Act I.Sc. i.180,188-9.ii.172,178-80,180,189-91.iii.191-4,195-6.Act II.Sc. i.171-2,172,174,175-6,176,180-1,187,191,194.ii.177,194-5.iii.196.iv.196-7Act III.Sc. i.172-3,177,177-8,182,183,196-9,285.ii.175,199-200.iii.180,200.Act IV.Sc. i.200.ii. and iii.172,173-4,182,200-1.Act V.Scs. iii, v.171,172,201.KING LEAR.Act I.Sc. i.203-5,206,285.ii.206.iv.210,220-1.v.210-1,221-2.Act II.Sc. i.283.ii.258, note.iv.209,211-4,222-3,283.Act III.Sc. i.209,214,215,223.ii.209,215,223.iii.209,215,216.iv.209,215,216,217-8,223,285.v.209,283.vi.207,209.vii.209,216,247.Act IV.Sc. i.216,217.vi.215.Act V.Sc. iii.208,215,259.MACBETH.Act I.Sc. iii.135,136,141,154,158-9,244,263-4.iv.135,150-1,244,260.v.149-50,156,159-60.vii.151-3,157,160-1.Act II.Sc. i.153-4.ii.154,155,161-3,244.iii.139-40,163-4,253,260.iv.140,164.Act III.Sc. i.129,154,164-5.ii.154,164-5,244.iii.127,285.iv.130,154,165-6,285.v.262,264.vi.128-9.Act IV.Sc. i.130,135-6,140,167,264.ii.130,140.iii.140-1.Act V.Sc. i.166-7.iii.167.v.167.vii. and viii.130,167,285.MERCHANT OF VENICE.Act I.Sc. i.48,61,70,76.ii.54,56,70.iii.48-9,61-4,262.Act II.Sc. i.53.ii.76.iii.76,84.iv.84,85.v.60,76,83.vi.84,85.vii.53,55.viii.78.ix.55-6.Act III.Sc. i.60,76,78,79,85.ii.54-5,56,67-9,76,78.iii.60,76,78.iv.85,86.v.76,85.Act IV.Scs. i. and ii.49-51,60,64-6,70-3,80,87-8,88-9,254,257,285.Act V.Sc. i.85,247.RICHARD III.Act I.Sc. i.92-3,96,100,101,123.ii.93,94,96,97-8,99,101,102,103-4,113.iii.95,96,111-3,115.iv.108,114,116,240-1.Act II.Sc. i.99,101,108,116,117-8.ii.95,100,109,111-2.Act III.Sc. i.91,99,100.ii.109,117,249.iii.114,115,120,285.iv.98,100,114,115.v, vii.96,99.Act IV.Sc. i.104,111-2,116.ii.110,262,280,285.iii.94,120-1.iv.91,95,111-2,115,121-2.Act V.Sc. i.115,118.iii.95,122-3.iv. and v.123.Corrections.The first line indicates the original, the second the correction.p.64:It has further been ushered in in a mannerIt has further been usheredin amannerp.310:his inability to bear suspense 154, 160, 162, 163, 163, 164-5, 243-5.his inability to bear suspense 154, 160, 162,163, 164-5,243-5.
FOOTNOTES:[9]The reader will remember that 'Single' is used as antithetical to 'Complex,' and 'Simple' to 'Complicated.' See note to page74.
[9]The reader will remember that 'Single' is used as antithetical to 'Complex,' and 'Simple' to 'Complicated.' See note to page74.
[9]The reader will remember that 'Single' is used as antithetical to 'Complex,' and 'Simple' to 'Complicated.' See note to page74.
ILLUSTRATED IN THE FOREGOING CHAPTERS.
***Clarendon type is used where the passage referred to approaches the character of an analysis of the scene.
JULIUS CÆSAR.
Act I.
Act II.
Act III.
Act IV.
Act V.
KING LEAR.
Act I.
Act II.
Act III.
Act IV.
Act V.
MACBETH.
Act I.
Act II.
Act III.
Act IV.
Act V.
MERCHANT OF VENICE.
Act I.
Act II.
Act III.
Act IV.
Act V.
RICHARD III.
Act I.
Act II.
Act III.
Act IV.
Act V.
Corrections.The first line indicates the original, the second the correction.p.64:It has further been ushered in in a mannerIt has further been usheredin amannerp.310:his inability to bear suspense 154, 160, 162, 163, 163, 164-5, 243-5.his inability to bear suspense 154, 160, 162,163, 164-5,243-5.
The first line indicates the original, the second the correction.
p.64:
p.310: