241,242Hunter, Sir Mark,176Idea of a Theater, The(Fergusson),29Income of players,21-22Ion(Euripides),32Isle of Dogs, The,3,5James I, King,x,15,20,22,104,133Jeronimo, The First Part of,xiv,96,204Jew of Malta, The,8,14John, King,168Johnson, Samuel,26,47Jones, Inigo,103Jonson, Ben,xiii,3,9,17,21,25-26,28,44,49,58,61,68-69,87,120,151,172;Every Man In His Humour,93;The New Inn,26.See alsoEvery Man Out of His Humour,Sejanus, andVolponeJoseph, Bertram,Elizabethan Acting,113-114,132Judge-figure in finale,36-38,208Katherens, Gilbert,105Keen, Frances,23Kemp, Will,viii,xii,135-136Kernodle, George R.,From Art to Theatre,102-105,158,216King’s men,ix,x,xiii,xiv,13-14,21,24,94,133-134.See alsoChamberlain-King’s men,Chamberlain’s men, andGlobe companyKittredge, G. L.,xi,xii,195,230Knack to Know an Honest Man, A,147Knight, G. Wilson,Principles of Shakespearean Production,39-40;Wheel of Fire,58,61Kreider, Paul,Repetition in Shakespeare’s Plays,197Kyd, Thomas,15,48,92“Law of reentry,”176Lawrence, W. J.,40,71,201Leicester’s company,122Leir, King,151Localization of action,64-68,72-73,220Longshank,6,11Lord Mayor’s Show,103-105Love’s Labour’s Lost,18Love’s Labour’s Won,xiLowin, J.,96-97,123,133,134-135Lucas, F. L.,45McManaway, J. G.,xiiMalone, Edmond,13,21,75Manly, John M.,30Mansions, use of,95Marivaux, Pierre,112-113Marlowe, Christopher,15,92,124;Doctor Faustus,14,17;The Jew of Malta,8,14;Tamberlaine,6,7,14Marston, John,xiv,96.See alsoThe MalcontentMerchant Tailors Company,105Meres, Francis,Palladis Tamia,x,xi,xiiMessalinatitle page,98-99Messenger scenes, staging of,205-206Middleton, Thomas,20;The Honest Whore I,145Midsummer Night’s Dream, A,130Mildmay, Sir Humphrey,21Mirror, image of art as a,27-29,59Mirror pattern,51-53Molière,21,112,136Moscow Art Theatre,112,132Moulton, R. G.,Shakespeare as a Dramatic Artist,40,41Much Ado About Nothing,xi-xii,136,150,153Nagler, Alois,Shakespeare’s Stage,96,99Nashe, Thomas,3Newington Butts,5,13,18New Inn, The(Jonson),26New plays, introduction of,9,11-13New World’s Tragedy, A,11Northern Lass, The,21Observation scenes, staging of,183,193-197Oedipus(Sophocles),31On Producing Shakespeare(Watkins),163-164,175,214Oresteia(Aeschylus),47Organization and Personnel of the Shakespearean Company, The(Baldwin),22,128,133-136Orlando Furioso(Greene),131-132,147Orsino, Virginio, Duke of Bracciano,23,96Ostler, William,133Palladis Tamia(F. Meres),x-xiiPalsgrave’s company,14Papers(Henslowe),75,79,94-95,125,217Peacham, Henry,Garden of Eloquence, The,118,119Peele, George,The Battle of Alcazar,147,176,179;Edward I,6Pembroke’s men,3Peripeteia,32Phaethon,18,20,79Phillips, Augustine,4,123,130,133Philoctetes(Sophocles),31Platter, Thomas,x,14,97Plautus,25,48Playes Confuted in Five Actions(Gosson),122Plays and Masques at Court(Steele),219Plutarch,74,214Poel, William,214Poetaster(Jonson),xiiiPoetics(Aristotle),29,31-32,39,49,58Polyphemus,10Pope, Thomas,4,123-124,133Prefaces to Shakespeare(Granville-Barker),41Prince’s men,14Principles of Art History(Wölfflin),27Principles of Shakespearean Production(Knight),39-40Privy Council,3,5,19Promos and Cassandra(Whetstone),139Properties, stage,74-82,158-174passim,221-225Puttenham, George,The Arte of English Poesie,28-29Pythagoras,11Queen of Bohemia’s company,14Queen’s men,121,122Ramus, P.,114,119Ranking-figure,38,210,212Red Bull, the,4,92,95,158Repetition in Shakespeare’s Plays(Kreider),197Resolving figure,211-212Return from Parnassus, II, The,136Revivals, system of,8,17-18Reynolds, George F.,63,65,72-73,175,214,216;The Staging of Elizabethan Plays at the Red Bull,92,95,158,174Rich, John,134Richard II, King,14,130Richard III, King,61,136,158,165,168River pattern,48,50-51Romeo and Juliet,viiiRose, the,5-7,22Roxanatitle page,97-99,180Royal entries,103-104Sands, James,134Scaffolds on stage,79-80,82Schücking, L. L.,Character Problems in Shakespeare’s Plays,45,47Seleo and Olempo,7Selimus,126,147Seneca,48Seven Days of the Week,6,11Seven Deadly Sins,123,133Shakespeare (?), Ned,134Shakespeare and the Audience(Sprague),186Shakespeare and the Nature of Man(Spencer),139Shakespeare and the Rival Traditions(Harbage),ixShakespeare as a Dramatic Artist(Moulton),40,41Shakespeare’s Audience(Harbage),22Shakespeare’s Five-Act Structure(Baldwin),26,29,40Shakespeare’s Life and Art(Alexander),xiiShakespeare’s Motley(Hotson),125Shakespeare’s Stage(Nagler),96,99Shakespeare Studies(Stoll),58Shakespeare’s Theater(Thorndike),66,175Shakespeare’s Tragic Heroes(L. B. Campbell),139,141Shakespeare’s Wooden O(Hotson),95-97Shakespeare vs. Shallow(Hotson),xiiShakesperian Stage, The(Albright),65,214Sidney, Sir Philip,The Defence of Poesie,24,58,66Simultaneous setting,158-160,164Sir Clyomon and Sir Clamydes,121,125-126Sir Thomas More,121Sly, William,96-97,123,133,135Smith, Irwin,73Smith, Warren,79-80,186,230Smith, Wentworth,20Soliloquies, staging of,183-186Southern, Richard,84,101Spanish Tragedy, The(Kyd),14,17Spencer, Theodore,Shakespeare and the Nature of Man,139Sprague, A. C.,Shakespeare and the Audience,186Stage doors, use of,70-71Staging of Elizabethan Plays at the Red Bull, The(Reynolds),92,95,158,174Stanislavsky, C.,215Steele, Mary S.,Plays and Masques at Court,219Stoll, Elmer E.,Shakespeare Studies,58Stools, use of,77-78Strange News Out of Poland,9Strange’s men,17Streetcar Named Desire, A(Williams),60,149Streete, Peter,ix,x,105Swan drawing,72,94,97-102,169Symbolism in staging,216Tableaux vivants,102-103Table of Humane Passions, A(Coeffeteau),143Tables, use of,76-77,82-83Talaeus, Audomarus,119Tambercame II,18Tamberlaine, I & II(Marlowe),6-7,14Tarleton, Richard,122,123Tents, use of,81Terence,26,40,48Theatre, the,vii-ix,71,128Théâtre-Libre, the,112Themes and Conventions of Elizabethan Tragedy(Bradbrook),26,30-31,51,58Thome Strowd, II,10Thorndike, Ashley,Shakespeare’s Theater,66,175Three Ladies of London(R. Wilson),147Three Lords and Three Ladies of London, The(R. Wilson),147Tillyard, E. M. W.,The Elizabethan World Picture,139Titus Andronicus,viiiTooley, Nicholas,123,133Tourneur, Cyril,xiiiToy to Please Chaste Ladies, A,6-8,11Traps, use of,92-93,106,201-202Treatise of Melancholie, A(Bright),139,143-144Troublesome Reign of King John, The,147True Tragedy of King Richard III, The,126Two Angry Women of Abington, II(Porter),10Underwood, John,133Van Buchell, Arend,100Walker, Albert,125,153-154Warning for Fair Women, A,81,94,147,200,203Watkins, Ronald,On Producing Shakespeare,163-164,175,214Watson, C. B.,37Weather, The(J. Heywood),124Webster, John,xiv,45,96.See alsoThe MalcontentWheel of Fire(Knight),58,61Whetstone, George,Promos and Cassandra,139Whitehall Palace,x,96Wilkins, George,xiii.See alsoMiseries of Enforced MarriageWilliam Shakespeare(E. K. Chambers),x-xiiWilson, J. Dover,xWilson, Jack,134Wilson, Robert,122,123;Three Ladies of LondonandThe Three Lords and ThreeLadies of London,147Wilson, Thomas,The Art of Rhetorique,114-115,117,119Winter’s Tale, The,15Wits, The,98,180Witts, The(Davenant),21Wölfflin, Heinrich,Principles of Art History,27Wollaton Hall,167-168Woman Killed with Kindness, A(T. Heywood),10Woman of Andros(Terence),26Wonder of a Woman,7,11Worcester-Queen’s men,4Worcester’s men,3-4,10,12-13,16,133Worde, Wynken de,104Yegor Bulichev and Others(Gorki),61