QUESTION VI.DESCRIBE YOUR IDEAL?

QUESTION VI.DESCRIBE YOUR IDEAL?

1.  Her voice was ever soft,Gentle, and low; an excellent thing in woman.King Lear.Act v. Scene 3.2.  His words are bonds, his oaths are oracles;His love sincere, his thoughts immaculate;His tears, pure messengers sent from his heart;His heart as far from fraud, as heaven from earth.Two Gentlemen of Verona.Act ii. Scene 7.3.  She is not yet so oldBut she may learn; and happier than this,She is not bred so dull but she can learn.Merchant of Venice.Act iii. Scene 2.4.  She’s not froward, but modest as the dove;She is not hot, but temperate as the morn;For patience she will prove a second Grissel.Taming of the Shrew.Act ii. Scene 1.5.  She is not so divine,So full replete with choice of all delights,But, with as humble lowliness of mind,She is content to be at your command.Henry VI.Part I. Act v. Scene 5.6.  A rarer spirit neverDid steer humanity.Antony and Cleopatra.Act v. Scene 1.7.  He plays o’ the viol-de gambo, and speaksthree or four languages word for wordwithout book, and hath all the good giftsof nature.Twelfth Night.Act i. Scene 3.8.  One fairer than my love! the all-seeing sunNe’er saw her match, since first the world begun.Romeo and Juliet.Act i. Scene 2.9.  O, when she’s angry, she is keen and shrewd;She was a vixen when she went to school;And, though she be but little, she is fierce.Midsummer Night’s Dream.Act iii. Scene 2.10.  Whose beauty claimsNo worse a husband than the best of men;Whose virtue, and whose general graces, speakThat which none else can utter.Antony and Cleopatra.Act ii. Scene 2.11.  He is a very valiant trencher-man, he hathan excellent stomach.Much Ado About Nothing.Act i. Scene 1.12.  Gentle and fair.Measure for Measure.Act i. Scene 5.13.  I suppose him virtuous, know him noble,Of great estate, of fresh and stainless youth;In voices well divulg’d, free, learn’d, and valiant,And, in dimension, and the shape of nature,A gracious person.Twelfth Night.Act i. Scene 5.14.  He hath a tear for pity, and a handOpen as day for melting charity:Yet notwithstanding, being incens’d, he’s flint.Henry IV.Part II. Act iv. Scene 4.15.  A pure unspotted heart,Never yet taint with love.Henry VI.Part I. Act v. Scene 3.16.  The kindest man,The best condition’d and unwearied spiritIn doing courtesies; and one in whomThe ancient Roman honor more appears,Than any that draws breath.Merchant of Venice.Act iii. Scene 2.17.  Free from gross passion, or of mirth, or anger,Constant in spirit, not swerving with the blood.Henry V.Act ii. Scene 2.18.  The poor rude worldHath not her fellow.Merchant of Venice.Act iii. Scene 5.19.  Of a holy, cold, and still conversation.Antony and Cleopatra.Act ii. Scene 6.20.  Not yet old enough for a man, nor youngenough for a boy; as a squash is before’t is a peascod, or a codling when ’t is almostan apple:——He is very wellfavored, and he speaks very shrewishly.Twelfth Night.Act i. Scene 5.

1.  Her voice was ever soft,Gentle, and low; an excellent thing in woman.King Lear.Act v. Scene 3.2.  His words are bonds, his oaths are oracles;His love sincere, his thoughts immaculate;His tears, pure messengers sent from his heart;His heart as far from fraud, as heaven from earth.Two Gentlemen of Verona.Act ii. Scene 7.3.  She is not yet so oldBut she may learn; and happier than this,She is not bred so dull but she can learn.Merchant of Venice.Act iii. Scene 2.4.  She’s not froward, but modest as the dove;She is not hot, but temperate as the morn;For patience she will prove a second Grissel.Taming of the Shrew.Act ii. Scene 1.5.  She is not so divine,So full replete with choice of all delights,But, with as humble lowliness of mind,She is content to be at your command.Henry VI.Part I. Act v. Scene 5.6.  A rarer spirit neverDid steer humanity.Antony and Cleopatra.Act v. Scene 1.7.  He plays o’ the viol-de gambo, and speaksthree or four languages word for wordwithout book, and hath all the good giftsof nature.Twelfth Night.Act i. Scene 3.8.  One fairer than my love! the all-seeing sunNe’er saw her match, since first the world begun.Romeo and Juliet.Act i. Scene 2.9.  O, when she’s angry, she is keen and shrewd;She was a vixen when she went to school;And, though she be but little, she is fierce.Midsummer Night’s Dream.Act iii. Scene 2.10.  Whose beauty claimsNo worse a husband than the best of men;Whose virtue, and whose general graces, speakThat which none else can utter.Antony and Cleopatra.Act ii. Scene 2.11.  He is a very valiant trencher-man, he hathan excellent stomach.Much Ado About Nothing.Act i. Scene 1.12.  Gentle and fair.Measure for Measure.Act i. Scene 5.13.  I suppose him virtuous, know him noble,Of great estate, of fresh and stainless youth;In voices well divulg’d, free, learn’d, and valiant,And, in dimension, and the shape of nature,A gracious person.Twelfth Night.Act i. Scene 5.14.  He hath a tear for pity, and a handOpen as day for melting charity:Yet notwithstanding, being incens’d, he’s flint.Henry IV.Part II. Act iv. Scene 4.15.  A pure unspotted heart,Never yet taint with love.Henry VI.Part I. Act v. Scene 3.16.  The kindest man,The best condition’d and unwearied spiritIn doing courtesies; and one in whomThe ancient Roman honor more appears,Than any that draws breath.Merchant of Venice.Act iii. Scene 2.17.  Free from gross passion, or of mirth, or anger,Constant in spirit, not swerving with the blood.Henry V.Act ii. Scene 2.18.  The poor rude worldHath not her fellow.Merchant of Venice.Act iii. Scene 5.19.  Of a holy, cold, and still conversation.Antony and Cleopatra.Act ii. Scene 6.20.  Not yet old enough for a man, nor youngenough for a boy; as a squash is before’t is a peascod, or a codling when ’t is almostan apple:——He is very wellfavored, and he speaks very shrewishly.Twelfth Night.Act i. Scene 5.

1.  Her voice was ever soft,Gentle, and low; an excellent thing in woman.King Lear.Act v. Scene 3.

1.  Her voice was ever soft,

Gentle, and low; an excellent thing in woman.

King Lear.Act v. Scene 3.

2.  His words are bonds, his oaths are oracles;His love sincere, his thoughts immaculate;His tears, pure messengers sent from his heart;His heart as far from fraud, as heaven from earth.Two Gentlemen of Verona.Act ii. Scene 7.

2.  His words are bonds, his oaths are oracles;

His love sincere, his thoughts immaculate;

His tears, pure messengers sent from his heart;

His heart as far from fraud, as heaven from earth.

Two Gentlemen of Verona.Act ii. Scene 7.

3.  She is not yet so oldBut she may learn; and happier than this,She is not bred so dull but she can learn.Merchant of Venice.Act iii. Scene 2.

3.  She is not yet so old

But she may learn; and happier than this,

She is not bred so dull but she can learn.

Merchant of Venice.Act iii. Scene 2.

4.  She’s not froward, but modest as the dove;She is not hot, but temperate as the morn;For patience she will prove a second Grissel.Taming of the Shrew.Act ii. Scene 1.

4.  She’s not froward, but modest as the dove;

She is not hot, but temperate as the morn;

For patience she will prove a second Grissel.

Taming of the Shrew.Act ii. Scene 1.

5.  She is not so divine,So full replete with choice of all delights,But, with as humble lowliness of mind,She is content to be at your command.Henry VI.Part I. Act v. Scene 5.

5.  She is not so divine,

So full replete with choice of all delights,

But, with as humble lowliness of mind,

She is content to be at your command.

Henry VI.Part I. Act v. Scene 5.

6.  A rarer spirit neverDid steer humanity.Antony and Cleopatra.Act v. Scene 1.

6.  A rarer spirit never

Did steer humanity.

Antony and Cleopatra.Act v. Scene 1.

7.  He plays o’ the viol-de gambo, and speaksthree or four languages word for wordwithout book, and hath all the good giftsof nature.Twelfth Night.Act i. Scene 3.

7.  He plays o’ the viol-de gambo, and speaks

three or four languages word for word

without book, and hath all the good gifts

of nature.

Twelfth Night.Act i. Scene 3.

8.  One fairer than my love! the all-seeing sunNe’er saw her match, since first the world begun.Romeo and Juliet.Act i. Scene 2.

8.  One fairer than my love! the all-seeing sun

Ne’er saw her match, since first the world begun.

Romeo and Juliet.Act i. Scene 2.

9.  O, when she’s angry, she is keen and shrewd;She was a vixen when she went to school;And, though she be but little, she is fierce.Midsummer Night’s Dream.Act iii. Scene 2.

9.  O, when she’s angry, she is keen and shrewd;

She was a vixen when she went to school;

And, though she be but little, she is fierce.

Midsummer Night’s Dream.Act iii. Scene 2.

10.  Whose beauty claimsNo worse a husband than the best of men;Whose virtue, and whose general graces, speakThat which none else can utter.Antony and Cleopatra.Act ii. Scene 2.

10.  Whose beauty claims

No worse a husband than the best of men;

Whose virtue, and whose general graces, speak

That which none else can utter.

Antony and Cleopatra.Act ii. Scene 2.

11.  He is a very valiant trencher-man, he hathan excellent stomach.Much Ado About Nothing.Act i. Scene 1.

11.  He is a very valiant trencher-man, he hath

an excellent stomach.

Much Ado About Nothing.Act i. Scene 1.

12.  Gentle and fair.Measure for Measure.Act i. Scene 5.

12.  Gentle and fair.

Measure for Measure.Act i. Scene 5.

13.  I suppose him virtuous, know him noble,Of great estate, of fresh and stainless youth;In voices well divulg’d, free, learn’d, and valiant,And, in dimension, and the shape of nature,A gracious person.Twelfth Night.Act i. Scene 5.

13.  I suppose him virtuous, know him noble,

Of great estate, of fresh and stainless youth;

In voices well divulg’d, free, learn’d, and valiant,

And, in dimension, and the shape of nature,

A gracious person.

Twelfth Night.Act i. Scene 5.

14.  He hath a tear for pity, and a handOpen as day for melting charity:Yet notwithstanding, being incens’d, he’s flint.Henry IV.Part II. Act iv. Scene 4.

14.  He hath a tear for pity, and a hand

Open as day for melting charity:

Yet notwithstanding, being incens’d, he’s flint.

Henry IV.Part II. Act iv. Scene 4.

15.  A pure unspotted heart,Never yet taint with love.Henry VI.Part I. Act v. Scene 3.

15.  A pure unspotted heart,

Never yet taint with love.

Henry VI.Part I. Act v. Scene 3.

16.  The kindest man,The best condition’d and unwearied spiritIn doing courtesies; and one in whomThe ancient Roman honor more appears,Than any that draws breath.Merchant of Venice.Act iii. Scene 2.

16.  The kindest man,

The best condition’d and unwearied spirit

In doing courtesies; and one in whom

The ancient Roman honor more appears,

Than any that draws breath.

Merchant of Venice.Act iii. Scene 2.

17.  Free from gross passion, or of mirth, or anger,Constant in spirit, not swerving with the blood.Henry V.Act ii. Scene 2.

17.  Free from gross passion, or of mirth, or anger,

Constant in spirit, not swerving with the blood.

Henry V.Act ii. Scene 2.

18.  The poor rude worldHath not her fellow.Merchant of Venice.Act iii. Scene 5.

18.  The poor rude world

Hath not her fellow.

Merchant of Venice.Act iii. Scene 5.

19.  Of a holy, cold, and still conversation.Antony and Cleopatra.Act ii. Scene 6.

19.  Of a holy, cold, and still conversation.

Antony and Cleopatra.Act ii. Scene 6.

20.  Not yet old enough for a man, nor youngenough for a boy; as a squash is before’t is a peascod, or a codling when ’t is almostan apple:——He is very wellfavored, and he speaks very shrewishly.Twelfth Night.Act i. Scene 5.

20.  Not yet old enough for a man, nor young

enough for a boy; as a squash is before

’t is a peascod, or a codling when ’t is almost

an apple:——He is very well

favored, and he speaks very shrewishly.

Twelfth Night.Act i. Scene 5.


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