Chapter 27

[315:A]Kirk's Essay, pp. 1. 7, 8, 9, reprint.

[315:B]Ibid. p. 6.

[315:C]Ibid. p. 10.

[317:A]Remains of Nithsdale and Galloway Song, 8vo. 1810. pp. 295, 296, 297.

[317:B]The resemblance between the search of Svegder for Godheim or Fairy-land, and the object of Sir Thopas's expedition, cannot but strike the reader:—"In his sadel he clombe anon,And pricked over stile and stonAn elf quene for to espie;Til he so long had riden and goneThat he fond, in aprivie wone,Thecountree of Faërie.Wherein he saughte north and south,And often spired with his mouth,In many aforeste wilde;For in that countree nas ther non,That to him dorst ride or gon,Neither wif ne childe."Cant. Tales, apud Tyrwhitt, v. 13726.

[317:B]The resemblance between the search of Svegder for Godheim or Fairy-land, and the object of Sir Thopas's expedition, cannot but strike the reader:—

"In his sadel he clombe anon,And pricked over stile and stonAn elf quene for to espie;Til he so long had riden and goneThat he fond, in aprivie wone,Thecountree of Faërie.Wherein he saughte north and south,And often spired with his mouth,In many aforeste wilde;For in that countree nas ther non,That to him dorst ride or gon,Neither wif ne childe."

"In his sadel he clombe anon,And pricked over stile and stonAn elf quene for to espie;Til he so long had riden and goneThat he fond, in aprivie wone,Thecountree of Faërie.

"In his sadel he clombe anon,

And pricked over stile and ston

An elf quene for to espie;

Til he so long had riden and gone

That he fond, in aprivie wone,

Thecountree of Faërie.

Wherein he saughte north and south,And often spired with his mouth,In many aforeste wilde;For in that countree nas ther non,That to him dorst ride or gon,Neither wif ne childe."

Wherein he saughte north and south,

And often spired with his mouth,

In many aforeste wilde;

For in that countree nas ther non,

That to him dorst ride or gon,

Neither wif ne childe."

Cant. Tales, apud Tyrwhitt, v. 13726.

[318:A]Essay, pp. 5. 12. 18.

[318:B]"Scenes of Infancy: descriptive of Teviotdale," 1st edit. 12mo. p. 161.

[318:C]Sir John Sinclair's Statistical Account of Scotland, vol. xiii. p. 245.

[319:A]Minstrelsy of the Scottish Border, vol. ii. p. 206. 1st edit.

[319:B]Lindsay's Works, 1592, p. 222.

[319:C]Watson's Collection of Scots Poems, 1709, part iii. p. 12.

[319:D]Vide Scott's Minstrelsy, vol. ii. p. 250. note.

[320:A]Thomas The Rhymer, part i., Scott's Minstrelsy, vol. ii. pp. 253, 254.

[320:B]Tale of the Young Tamlane, Minstrelsy, vol. ii. p. 235.

[320:C]"If you speak word in Elflyn land,Ye'll ne'er get back to your ain countrie."Thomas the Rhymer; Minstrelsy, vol. ii. p. 253.

[320:C]

"If you speak word in Elflyn land,Ye'll ne'er get back to your ain countrie."

"If you speak word in Elflyn land,

Ye'll ne'er get back to your ain countrie."

Thomas the Rhymer; Minstrelsy, vol. ii. p. 253.

[321:A]Scenes of Infancy, book ii. pp. 71-73. This poem abounds in passages of exquisite pathos and splendid imagination. The book, whence the lines just quoted are taken, closes with the following apostrophe to Mr. Scott:—"O Scott! with whom, in youth's serenest prime,I wove, with careless hand, the fairy rhyme,Bade chivalry's barbaric pomp return,And heroes wake from every mouldering urn!Thy powerful verse, to grace the courtly hall,Shall many a tale of elder time recall,The deeds of knights, the loves of dames, proclaim,And give forgotten bards their former fame.Enough for me, if Fancy wake the shell,To eastern minstrels strains like thine to tell;Till saddening memory all our haunts restore,The wild-wood walks by Esk's romantic shore,The circled hearth, which ne'er was wont to failIn cheerful joke, or legendary tale,Thy mind, whose fearless frankness nought could move,Thy friendship, like an elder brother's love,While from each scene of early life I part,True to the beatings of this ardent heart,When, half-deceased, with half the world between,My name shall be unmentioned on the green,When years combine with distance, let me be,By all forgot,remembered yet by thee!"If Mr. Scott, yielding to this appeal, would present us with a complete edition of the poetical works, together with a life, of his lamented friend, who was not less remarkable for his learning than his genius, he would confer no trifling obligation on the literary world.

"O Scott! with whom, in youth's serenest prime,I wove, with careless hand, the fairy rhyme,Bade chivalry's barbaric pomp return,And heroes wake from every mouldering urn!Thy powerful verse, to grace the courtly hall,Shall many a tale of elder time recall,The deeds of knights, the loves of dames, proclaim,And give forgotten bards their former fame.Enough for me, if Fancy wake the shell,To eastern minstrels strains like thine to tell;Till saddening memory all our haunts restore,The wild-wood walks by Esk's romantic shore,The circled hearth, which ne'er was wont to failIn cheerful joke, or legendary tale,Thy mind, whose fearless frankness nought could move,Thy friendship, like an elder brother's love,While from each scene of early life I part,True to the beatings of this ardent heart,When, half-deceased, with half the world between,My name shall be unmentioned on the green,When years combine with distance, let me be,By all forgot,remembered yet by thee!"

"O Scott! with whom, in youth's serenest prime,

I wove, with careless hand, the fairy rhyme,

Bade chivalry's barbaric pomp return,

And heroes wake from every mouldering urn!

Thy powerful verse, to grace the courtly hall,

Shall many a tale of elder time recall,

The deeds of knights, the loves of dames, proclaim,

And give forgotten bards their former fame.

Enough for me, if Fancy wake the shell,

To eastern minstrels strains like thine to tell;

Till saddening memory all our haunts restore,

The wild-wood walks by Esk's romantic shore,

The circled hearth, which ne'er was wont to fail

In cheerful joke, or legendary tale,

Thy mind, whose fearless frankness nought could move,

Thy friendship, like an elder brother's love,

While from each scene of early life I part,

True to the beatings of this ardent heart,

When, half-deceased, with half the world between,

My name shall be unmentioned on the green,

When years combine with distance, let me be,

By all forgot,remembered yet by thee!"

If Mr. Scott, yielding to this appeal, would present us with a complete edition of the poetical works, together with a life, of his lamented friend, who was not less remarkable for his learning than his genius, he would confer no trifling obligation on the literary world.

[322:A]Kirk's Essay on Fairies, pp. 2, 3.

[322:B]A remarkable instance of the continuance of this superstition, even in the present day, is recorded by Mr. Cromek, to whom an old woman of Nithsdale gave the following detail, "with the artless simplicity of sure belief." "I' the night afore Roodsmass," said she, "I had trysted wi' a neeber lass, a Scots mile frae hame, to talk anent buying braws i' the fair:—we had nae sutten lang aneath the haw-buss, till we heard the loud laugh o' fowk riding, wi' the jingling o' bridles, an' the clanking o' hoofs. We banged up, thinking they wad ryde owre us;—we kent nae but it was drunken fowk riding to the fair, i' the fore night. We glowred roun' and roun', an' sune saw it was theFairie fowk's Rade. We cowered down till they passed by. A learn o' light was dancing owre them, mair bonnie than moon-shine: they were a wee, wee fowk, wi' green scarfs on, but ane that rade foremost, an' that ane was a gude deal larger than the lave, wi' bonnie lang hair bun' about wi' a strap, whilk glented lyke stars. They rade on braw wee whyte naigs, wi' unco lang swooping tails, an' manes hung wi' whustles that the win' played on. This, an' their tongue whan they sang, was like the soun of a far awa Psalm. Marion an' me was in a brade lea fiel' whare they cam by us, a high hedge o' bawtrees keep it them frae gaun through Johnnie Corrie's corn;—but they lap a' owre't like sparrows, an' gallop't into a greene knowe beyont it. We gade i' the morning to look at the tredded corn, but the fient a hoof mark was there, nor a blade broken."—Remains of Nithsdale and Galloway Song, pp. 298, 299.

[323:A]Vide Minstrelsy of the Scottish Border, vol. ii. p. 214.; and Tyrwhitt's Note on Canterbury Tales, v. 6437.

[324:A]Leyden's Scenes of Infancy, p. 24.

[324:B]Kirk's Essay on Fairies, pp. 5, 6.

[324:C]Thus Gervase of Tilbury tells us, that onePeter De Cabinamresiding in a city of Catalonia, being teazed by his daughter, wished in his passion, that the devil might take her, when she was instantly borne away. "About seven years afterwards, an inhabitant of the same city, passing by the mountain (adjacent to it), met a man who complained bitterly of the burthen he was constantly forced to bear. Upon enquiring the cause of his complaining, as he did not seem to carry any load, the man related, that he had been unwarily devoted to the spirits by an execration, and that they now employed him constantly as a vehicle of burden." As a proof of his assertion, he added, that "the daughter of his fellow citizen was detained by the spirits, but that they were willing to restore her, if her father would come and demand her on the mountain.Peter de Cabinam, on being informed of this, ascended the mountain to a lake (on its summit), and, in the name of God, demanded his daughter; when a tall, thin, withered figure, with wandering eyes, and almost bereft of understanding, was wafted to him in a blast of wind."—Scott's Minstrelsy, vol. ii. pp. 181, 182.

[324:D]See Pennant's Tour in Scotland, 8vo. 1769.

[325:A]Cromek on Nithsdale and Galloway Song, p. 307.

[325:B]Minstrelsy of the Scottish Border, vol. ii. p. 208.

[325:C]Scott's Minstrelsy, vol. ii. p. 238.

[326:A]Remains of Nithsdale and Galloway Song, pp. 308, 309.

[327:A]Bale.—A Faggot.

[327:B]Minstrelsy of the Scottish Border, vol. ii. pp. 240, 241.

[328:A]See Collins's Poems, Sharpe's edition, pp. 106, 107, 108.

[328:B]Encyclopedia Britannica, in verbo.

[328:C]Essay on Fairies, p. 12.

[329:A]Essay on Fairies, pp. 1. 5. 7.

[329:B]Essay, pp. 11, 12.

[329:C]See Scott's Minstrelsy, vol. ii. p. 356.

[329:D]"Brown dwarf, that o'er the muir-land strays,Thy name to Keeldar tell."—"The Brown Man of the Muirs, who staysBeneath the heather bell."Scott's Minstrelsy, vol. ii. p. 360.Walsingham, says Dr. Leyden, mentions a story of an unfortunate youth, whose brains were extracted from his skull, during his sleep, by this malicious being. P. 356.

[329:D]

"Brown dwarf, that o'er the muir-land strays,Thy name to Keeldar tell."—

"Brown dwarf, that o'er the muir-land strays,

Thy name to Keeldar tell."—

"The Brown Man of the Muirs, who staysBeneath the heather bell."

"The Brown Man of the Muirs, who stays

Beneath the heather bell."

Scott's Minstrelsy, vol. ii. p. 360.

Walsingham, says Dr. Leyden, mentions a story of an unfortunate youth, whose brains were extracted from his skull, during his sleep, by this malicious being. P. 356.

[330:A]Essay on Fairies, p. 37.

[330:B]Kirk, after mentioning as his fifth curiosity, "A being Proof of Lead, Iron, and Silver," adds the following curious notice of the strong attachment of the Scotch to music. "Our Northern-Scotish, and our Athole Men are so much addicted to and delighted with Harps and Musick, as if, like King Saul, they were possessed with a forrein Spirit, only with this Difference, that Musick did put Saul's Play-fellow a sleep, but roused and awaked our Men, vanquishing their own Spirits at Pleasure, as if they were impotent of its Powers, and unable to command it; for wee have seen some poor Beggars of them, chattering their Teeth for Cold, that how soon they saw the Fire, and heard the Harp, leapt throw the House like Goats and Satyrs." Pp. 37, 38.

[330:C]The Workes of King James, folio, 1616, p. 127.

[331:A]Description of the Western Islands of Scotland, p. 334.

[336:A]Remains of Nithsdale and Galloway Song, pp. 330, 331. et seq.

[336:B]Collins's Poems, Sharpe's edition, p. 105.

[337a:A]That Warner'sFairy-landwas in the infernal regions, is sufficiently proved from the following lines:—"TheElves, andFairies, taking fists,Did hop a merrie round:AndCerberushad lap enough:AndCharonleasure found."Chalmers's English Poets, vol. iv. p. 458. col. 2.

[337a:A]That Warner'sFairy-landwas in the infernal regions, is sufficiently proved from the following lines:—

"TheElves, andFairies, taking fists,Did hop a merrie round:AndCerberushad lap enough:AndCharonleasure found."

"TheElves, andFairies, taking fists,

Did hop a merrie round:

AndCerberushad lap enough:

AndCharonleasure found."

Chalmers's English Poets, vol. iv. p. 458. col. 2.

[338a:A]Reed's Shakspeare, vol. iv. pp. 433, 434. Act iii. sc. 2.

[338a:B]"Full often time he Pluto and his quene,Proserpina, and alle hir Faerie,Disporten hem and maken melodie."—"Pluto, that is the king of Faerie,And many a ladie in his compagnieFolwing his wif, the quene Proserpina."The Marchantes Tale, vide Chalmers's English Poets,vol. i. p. 77. col. 1.; p. 78. col. 2.

[338a:B]

"Full often time he Pluto and his quene,Proserpina, and alle hir Faerie,Disporten hem and maken melodie."—

"Full often time he Pluto and his quene,

Proserpina, and alle hir Faerie,

Disporten hem and maken melodie."—

"Pluto, that is the king of Faerie,And many a ladie in his compagnieFolwing his wif, the quene Proserpina."

"Pluto, that is the king of Faerie,

And many a ladie in his compagnie

Folwing his wif, the quene Proserpina."

The Marchantes Tale, vide Chalmers's English Poets,vol. i. p. 77. col. 1.; p. 78. col. 2.

[337b:A]Oberon, or, more properlyAuberon, has been derived, by some antiquaries, from "l'aubedu jour;" andMabhis Queen, fromamabilis, so thatlucidityandamiability, their characteristics, as delineated by Shakspeare, may be traced in their names.

[337b:B]Reed's Shakspeare, vol. iv. pp. 363-366. Act ii. sc. 2.

[338b:A]Reed's Shakspeare, vol. iv. pp. 367, 368. Act ii. sc. 2.

[338b:B]The Quip Modest, 8vo. 1788, p. 12.

[338b:C]Essay on Fairies, p. 8. and p. 44.

[339:A]Reed's Shakspeare, vol. iv. p. 448. Act iv. sc. 1.

[339:B]Ibid. vol. iv. pp. 495, 496. Act v. sc. 2.

[339:C]Essay on Fairies, pp. 7, 8.

[340:A]Reed's Shakspeare, vol. v. pp. 204, 205. 208, 209. Merry Wives of Windsor, act v. sc. 5.

[341:A]Reed's Shakspeare, vol. iv. p. 346. Midsummer-Night's Dream, act ii. sc. 1.

[341:B]Ibid. vol. iv. pp. 154, 155. Tempest, act v. sc. 1.

[341:C]Ibid. vol. v. p. 202. Merry Wives of Windsor, act v. sc. 5.

[341:D]Ibid. vol. iv. p. 381. Midsummer-Night's Dream, act ii. sc. 3.

[341:E]Ibid. vol. iv. p. 379. Act ii. sc. 2.

[341:F]Ibid. vol. iv. p. 344. Act ii. sc. 1.

[341:G]Ibid. vol. iv. p. 402. Act iii. sc. 1.

[341:H]Ibid. vol. iv. p. 403. Act iii. sc. 1.

[342:A]Reed's Shakspeare, vol. xx. pp. 51-56. Romeo and Juliet, act i. sc. 4.

[342:B]Ibid. vol. iv. pp. 356, 357. Midsummer-Night's Dream, act ii. sc. 2.

[342:C]Ibid. vol. iv. p. 151. Tempest, act v. sc. 1.—Thus Milton, in conformity with these passages, describes his fairy night-scene:—————————————— "Faery elves,Whose midnight revels, by a forest side,Or fountain, some belated peasant sees,Or dreams he sees, while over-head the moonSits arbitress, and nearer to the earthWheels her pale course; they, on their mirth and danceIntent, with jocund musick charm his ear."Todd's Milton, 2d edit. vol. ii. pp. 368, 369.The music here alluded to is beautifully described, as an accompaniment of the Scottish Fairies, in Sir John Sinclair's Statistical Account of Scotland:—"Notwithstanding the progressive increase of knowledge, and proportional decay of superstition in the Highlands, these genii are still supposed by many of the people to exist in the woods and sequestered valleys of the mountains, where they frequently appear to the lonely traveller, clothed in green, with dishevelled hair floating over their shoulders, and with faces more blooming than the vermil blush of a summer morning. At night in particular, when fancy assimilates to its own preconceived ideas, every appearance, and every sound, the wandering enthusiast is frequently entertained by their musick, more melodious than he ever before heard." Vol. xii. p. 462. note.

[342:C]Ibid. vol. iv. p. 151. Tempest, act v. sc. 1.—Thus Milton, in conformity with these passages, describes his fairy night-scene:—

————————————— "Faery elves,Whose midnight revels, by a forest side,Or fountain, some belated peasant sees,Or dreams he sees, while over-head the moonSits arbitress, and nearer to the earthWheels her pale course; they, on their mirth and danceIntent, with jocund musick charm his ear."

————————————— "Faery elves,

Whose midnight revels, by a forest side,

Or fountain, some belated peasant sees,

Or dreams he sees, while over-head the moon

Sits arbitress, and nearer to the earth

Wheels her pale course; they, on their mirth and dance

Intent, with jocund musick charm his ear."

Todd's Milton, 2d edit. vol. ii. pp. 368, 369.

The music here alluded to is beautifully described, as an accompaniment of the Scottish Fairies, in Sir John Sinclair's Statistical Account of Scotland:—"Notwithstanding the progressive increase of knowledge, and proportional decay of superstition in the Highlands, these genii are still supposed by many of the people to exist in the woods and sequestered valleys of the mountains, where they frequently appear to the lonely traveller, clothed in green, with dishevelled hair floating over their shoulders, and with faces more blooming than the vermil blush of a summer morning. At night in particular, when fancy assimilates to its own preconceived ideas, every appearance, and every sound, the wandering enthusiast is frequently entertained by their musick, more melodious than he ever before heard." Vol. xii. p. 462. note.

[343:A]Reed's Shakspeare, vol. v. pp. 206, 207. Merry Wives of Windsor, act v. sc. 5.

[343:B]Ibid. vol. iv. p. 343. Midsummer-Night's Dream, act ii. sc. 1.

[344:A]Reed's Shakspeare, vol. iv. pp. 150, 151. Tempest, act v. sc. 1.

[344:B]Ibid. vol. iv. pp. 344, 345. Midsummer-Night's Dream, act ii. sc. 1.

[344:C]Ibid. vol. iv. p. 379. Act ii. sc. 2.

[345:A]Reed's Shakspeare, vol. iv. pp. 380-383. Midsummer-Night's Dream, act ii. sc. 3.

[346:A]Reed's Shakspeare, vol. iv. pp. 402, 403. Midsummer-Night's Dream, act iii. sc. 1.

[346:B]Ibid. p. 493. Act v. sc. 2.

[347:A]Reed's Shakspeare, vol. v. pp. 205, 206. Merry Wives of Windsor, act v. sc. 5.

[347:B]Ibid. vol. xx. p. 59. Romeo and Juliet, act i. sc. 4.

[347:C]Ibid. vol. v. p. 203. Merry Wives of Windsor, act v. sc. 5.

[348:A]Burton's account of the Fairies, first published in 1617, is given with his usual erudition, and the part alluded to in the text, proceeds thus:—"A bigger kind there is of them (fairies), called with usHobgoblins, andRobin Good fellows, that would in those superstitious times, grind corn for a mess of milk, cut wood, or do any manner of drudgery work. They would mend old Irons in those Æolian Isles of Lypara, in former ages, and have been often seen and heard.Tholosanuscalls themTrullosandGetulos, and saith, that in his dayes they were common in many places of France.Dithmarus Bleskenius, in his description of Island, reports for a certainty, that almost in every family they have yet some such familiar spirits; andFælix Malleolusin his book de crudel. dæmon., affirms as much, that theseTrolliorTelchines, are very common in Norway,and seen to do drudgerywork, to draw water, saithWierus, lib. i. cap. 32, dress meat or any such thing."Anatomy of Melancholy, fol. 7th edit., 1676, p. 29, col. 1.

Anatomy of Melancholy, fol. 7th edit., 1676, p. 29, col. 1.

[348:B]The Discoverie of Witchcraft, 4to., 1584, pp. 152, 153.

[349:A]Reed's Shakspeare, vol. iv. pp. 347, 348. Midsummer-Night's Dream, act ii. sc. 1.

[349:B]Ibid. vol. iv. pp. 350-352.

[350:A]Reed's Shakspeare, vol. iv. p. 398.

[350:B]Vide De Otiis Imperialibus, dec. iii. cap. 61, 62.

[350:C]Of Ghostes and Spirites walking by nyght, 4to. 1572, p. 49.

[351:A]Of Ghostes and Spirites walking by nyght, 4to. 1572, p. 75.

[351:B]Discoverie of Witchcraft, 4to. 1581, p. 521.

[351:C]Discoverie, p. 85.

[351:D]Reed's Shakspeare, vol. iv. p. 409.

[351:E]"Cut off the head of a horsse or an asse (before they be dead), otherwise the vertue or strength thereof will be the lesse effectuall, and make an earthen vessell of fit capacitie to conteine the same, and let it be filled with the oile and fat thereof; cover it close, and dawbe it over with lome: let it boile over a soft fier three daies continuallie, that the flesh boiled may run into oile, so as the bare bones may be seene: beate the haire into powder, and mingle the same with the oile; and annoint the heads of the standers by, and they shall seeme to have horsses or asses heads."—Discoverie of Witchcraft, 1584, p. 315.

[352:A]Reed's Shakspeare, vol. iv. p. 434. Midsummer-Night's Dream, act iii. sc. 2.

[352:B]Ibid. vol. iv. p. 416.

[352:C]Discoverie of Witchcraft, 1584.—Epistle to the Readers, in which he afterwards speaks of "the want of Robin Goodfellowe and the fairies, which were woont to mainteine chat, and the common peoples talke in this behalfe."

[352:D]Reed's Shakspeare, vol. iv. p. 406. Midsummer-Night's Dream, act iii. sc. 2."Ob.Here comes mymessenger."

[352:D]Reed's Shakspeare, vol. iv. p. 406. Midsummer-Night's Dream, act iii. sc. 2.

"Ob.Here comes mymessenger."

[352:E]Ibid. vol. iv. p. 380. Act ii. sc. 3."Puck.Fear not, my lord, yourservantshall do so."

[352:E]Ibid. vol. iv. p. 380. Act ii. sc. 3.

"Puck.Fear not, my lord, yourservantshall do so."

[352:F]Ibid. vol. iv. p. 369. Act ii. sc. 2."Ob.MygentlePuck, come hither:"

[352:F]Ibid. vol. iv. p. 369. Act ii. sc. 2.

"Ob.MygentlePuck, come hither:"

[352:G]Ibid. vol. iv. p. 445. Act iv. sc. 1."Ob.Welcome,goodRobin."

[352:G]Ibid. vol. iv. p. 445. Act iv. sc. 1.

"Ob.Welcome,goodRobin."

[353:A]Reed's Shakspeare, vol. iv. p. 374. Midsummer-Night's Dream, act ii. sc. 2.

[353:B]Ibid. vol. iv. p. 415. Act iii. sc. 2.

[354:A]This beautiful and highly fanciful poem could not certainly have been written before 1605; for the Don Quixote of Cervantes, which was first published in Spain during the above year, is expressly mentioned in one of the stanzas; and Mr. Malone thinks that the earliest edition of the Nymphidia was printed in 1619.—Vide Reed's Shakspeare, vol. iv. p. 350.

[354:B]Peck attributes this song to Ben Jonson; and Percy observes, that it seems to have been originally intended for some masque.—Reliques, vol. iii. p. 203. ed. 1594.

[354:C]See Fletcher's Faithful Shepherdess, and Browne's Britannia's Pastorals.

[354:D]Herrick, as I have observed in a former work, seems more particularly to have delighted in drawing the manners and costume of the fairy world.—He has devoted several of his most elaborate poems to these sportive creations of fancy. Under the titles of The Fairy Temple, Oberon's Palace, The Fairy Queen, and Oberon's Feast, a variety of curious and minute imagery is appositely introduced. Literary Hours, 3d edit. vol. iii. p. 85.—To these may be added another elegantly descriptive piece, entitled, King Oberon's Apparel, written by Sir John Mennis, and published in The Musarum Deliciæ, or The Muses Recreation, 1656.

[354:E]In his political ballad entitled The Fairies Farewell.

[354:F]Vide L'Allegro, and the occasional sketches in Paradise Lost and Comus.

[355:A]See Shepherd's Pipe, Eglogue I. Chalmers's English Poets, vol. vi. p. 315. col. 2.

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