SAC-AU-DOS
SAC-AU-DOS
BY JORIS KARL HUYSMANS
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Sac-au-dos means, literally, "pack-a-back." The "Athenæum" calls the story "a masterpiece of concentrated observation and description." It was first published, with stories by Zola, De Maupassant, and two others, in a collection called "Soirées de Médan." Huysmans, with his minute painting of detail, reminds us of his Dutch ancestry of artists. His art criticisms have marked him the most vigorous and intelligent champion of the impressionists, Moreau, Pissaro, Monet, and Whistler.He was born at Paris in 1848. After 1892, when he retired to the Trappe de Notre Dame d'Igny, Huysmans showed an altogether new side to his genius. His conversion to Roman Catholicism became complete, and his writings show a more sincere interest in religious matters.
Sac-au-dos means, literally, "pack-a-back." The "Athenæum" calls the story "a masterpiece of concentrated observation and description." It was first published, with stories by Zola, De Maupassant, and two others, in a collection called "Soirées de Médan." Huysmans, with his minute painting of detail, reminds us of his Dutch ancestry of artists. His art criticisms have marked him the most vigorous and intelligent champion of the impressionists, Moreau, Pissaro, Monet, and Whistler.
He was born at Paris in 1848. After 1892, when he retired to the Trappe de Notre Dame d'Igny, Huysmans showed an altogether new side to his genius. His conversion to Roman Catholicism became complete, and his writings show a more sincere interest in religious matters.
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