CHAPTER IIIPEEKING IN ON PEDDERS
Who started that dope about Heaven givin' us our relations but thanks be we can pick friends to suit ourselves? Anyway, it's phony. Strikes me we often have friends wished on us; sort of accumulate 'em by chance, as we do appendicitis, or shingles, or lawsuits. And at best it's a matter of who you meet most, and how.
Take J. Bayard Steele. Think I'd ever hunted him out and extended the fraternal grip, or him me? Not if everyone else in the world was deaf and dumb and had the itch! We're about as much alike in our tastes and gen'ral run of ideas as Bill Taft and Bill Haywood; about as congenial as our bull terrier and the chow dog next door. Yet here we are, him hailin' me as Shorty, and me callin' him anything from J. B. to Old Top, and confabbin' reg'lar most every day, as chummy as you please.
All on account of our bein' mixed up in carryin' out this batty will of Pyramid Gordon's. First off I didn't think I'd have to see him more'n once a month, and then only for a shortsession; but since he put through that first deal and collected his twenty-four hundred commission, he's been showin' up at the studio frequent, with next to no excuse for comin'.
You remember how he drew Twombley-Crane as the first one that he had to unload a kind and gen'rous act on, and how I made him give up the picture that he'd gloated over so long? Well, J. Bayard can't seem to get over the way that turned out. Here he'd been forced into doin' something nice for a party he had a grudge against, has discovered that Twombley-Crane ain't such a bad lot after all, and has been well paid for it besides, out of money left by his old enemy.
"Rather a remarkable set of circumstances, eh, Shorty?" says he, tiltin' back comf'table in one of my front office chairs and lightin' up a fresh twenty-five-cent cigar. "An instance of virtue being rewarded on a cash basis. Not only that, but I was royally entertained down at Twombley-Crane's the other night, you know. I think too I interested him in a little development scheme of mine."
"Jump off!" says I. "You're standin' on your foot. If you dream you can slip any of your fake stock onto him, you're due to wake up. Better stick to widows and orphans."
At which jab Mr. Steele only chuckles easy. "What an engagingly frank person you are!"says he. "As though rich widows weren't fair game! But with the practice of philanthropy so liberally compensated I'm not troubling them. Your friend, the late Mr. Gordon, has banished the wolf from my door; for the immediate present, at least. I wonder if he anticipated just how much I should enjoy his post-mortem munificence?"
And here J. Bayard gives a caressin' pat to his Grand Duke whiskers and glances approvin' down at the patent leathers which finish off a costume that's the last word in afternoon elegance. You've seen a pet cat stretch himself luxurious after a full meal? Well, that's J. Bayard. He'd hypothecated the canary. If he hadn't been such a dear friend of mine too, I could have kicked him hearty.
"Say, you're a wonder, you are!" says I. "But I expect if your kind was common, all the decent people would be demandin' to be jailed, out of self-respect."
Another chuckle from J. Bayard. "Is that envy," says he, "or merely epigram? But at least we will agree that our ethical standards vary. You scorn mine; I find yours curiously entertaining. The best thing about you is that you seem to bring me good luck."
"Don't trust that too far," says I. "I'm neither hump-backed, nor a live Billiken. How soon are you going to start on proposition Number Two?"
"Ah!" says he, straightenin'. "That isthe real business of the moment, isn't it? As a matter of fact, I was just about to seek your valuable advice on the subject."
"Shoot it, then," says I. "Who's the party?"
He explores his inside pockets, fishes out an envelop, and inspects it deliberate. It's sealed; but he makes no move to open it. "My next assignment in altruism," says he, holdin' it to the light. "Rich man, poor man, beggar man, thief—I wonder?"
"Ah, come!" says I, handin' him a paper knife.
"But there's no need for haste," says J. Bayard. "Just consider, Shorty: In this envelop is the name of some individual who was the victim of injustice, large or small, at the hands of Pyramid Gordon, someone who got in his way, perhaps years ago. Now I am to do something that will offset that old injury. While the name remains unread, we have a bit of mystery, an unknown adventure ahead of us, perhaps. And that, my dear McCabe, is the salt of life."
"Say, you ought to take that lecture out on the Chautauqua," says I. "Get busy—slit or quit!"
"Very well," says he, jabbin' the knife under the flap. "To discover the identity of the next in line!"
"Well?" says I, as he stares at the slip of paper. "Who do you pluck this time?"
"An enigma, so far as I am concerned," says he. "Listen: 'John Wesley Pedders, in 1894 cashier of the Merchants' Exchange Bank, at Tullington, Connecticut.' Ever hear of such a person, Shorty!"
"Not me," says I, "nor the place either."
"Then it remains to be discovered first," says Steele, "whether for twenty years Pedders has stayed put or not. Haven't a Pathfinder handy, have you? Never mind, there are plenty at the hotel. And if to-morrow is such another fine spring day as this, I'll run up there. I'll let you know the results later; and then, my trusty colleague, we will plot joyously for the well-being of John Wesley Pedders."
"Huh!" says I. "Don't try to pull any steam yachts or French limousines on me this time. The kind stuff goes, remember."
"To your acute sense of fitness in such matters, McCabe," says he, "I bow profoundly," and with a jaunty wave of his hand he drifts out.
Honest, compared to the shifty-eyed, suspicious-actin' party that blew into my studio a few weeks back, he seems like a kid on a Coney Island holiday. I expect it's the prospects of easy money that's chirked him up so; but he sure is a misfit to be subbin' on a deeds-of-kindness job. That ain't my lookout, though. All I got to do is pass on his plans and see that he carries 'em out accordin' to specifications.So I don't even look up this tank station on the map.
A couple of days go by, three, and no bulletin from J. Bayard. Then here the other mornin' I gets a long distance call. It's from Steele.
"Eh?" says I. "Where the blazes are you?"
"Tullington," says he.
"Oh!" says I. "Still there, are you? Found Pedders?"
"Ye-e-es," says he; "but I am completely at a loss to know what to do for him. I say, McCabe, couldn't you run up here? It's a curious situation, and I—well, I need your advice badly. There's a train at eleven-thirty that connects at Danbury. Couldn't you?"
Well, I hadn't figured on bein' any travelin' inspector when I took this executor job; but as J. Bayard sends out the S O S so strong I can't very well duck. Besides, I might have been a little int'rested to know what he'd dug up.
So about three-fifteen that afternoon finds me pilin' off a branch accommodation at Tullington. Mr. Steele is waitin' on the platform to meet me, silk lid and all.
"What about Pedders?" says I.
"I want you to see him first," says J. Bayard.
"On exhibition, is he?" says I.
"In a town of this size," says he, "everyone is on exhibition continuously. It's the penaltyone pays for being rural, I suppose. I've been here only two days; but I'll venture to say that most of the inhabitants know me by name and have made their guess as to what my business here may be. It's the most pitiless kind of publicity I ever experienced. But come on up to the postoffice, and I'll show you Pedders."
"Fixture there, is he?" says I.
"Twice a day he comes for the mail," says J. Bayard. "Your train brought it up. He'll be on hand."
So we strolls up Main street from the station, while Steele points out the brass works, the carpet mill, the opera house, and Judge Hanks' slate-roofed mansion. It sure is a jay burg, but a lively one. Oh, yes! Why, the Ladies' Aid Society was holdin' a cake sale in a vacant store next to the Bijou movie show, and everybody was decoratin' for a firemen's parade to be pulled off next Saturday. We struck the postoffice just as they brought the mail sacks up in a pushcart and dragged 'em in through the front door.
"There he is," says Steele, nudgin' me, "over in the corner by the writing shelf!"
What he points out is a long-haired, gray-whiskered old guy, with a faded overcoat slung over his shoulders like a cape, and an old slouch hat pulled down over his eyes. He's standin' there as still and quiet as if his feet was stuck to the floor.
"Kind of a seedy old party, eh?" says I.
"Why not?" says J. Bayard. "He's an ex-jailbird."
"You don't say!" says I. "What brand?"
"Absconder," says he. "Got away with a hundred and fifty thousand from the local bank."
"Well, well!" says I. "Didn't spend it dollin' himself up, did he?"
"Oh, all that happened twenty years ago," says Steele. "The odd part of it is, though—— But come over to the hotel, where I can tell you the whole story."
And, say, he had a tale, all right. Seems Pedders had been one of the leadin' citizens,—cashier of the bank, pillar of the church, member of the town council, and all that,—with a wife who was a social fav'rite, and a girl that promised to be a beauty when she grew up. The Pedders never tried to cut any gash, though. They lived simple and respectable and happy. About the only wild plunge the neighbors ever laid up against him was when he paid out ten dollars once for some imported tulip bulbs.
Then all of a sudden it was discovered that a bunch of negotiable securities had disappeared from the bank vaults. The arrow pointed straight to Pedders. He denied; but he couldn't explain. He just shut up like a clam, and let 'em do their worst. He got ten years. Before he was put away they tried to make him confess, or give 'em some hint as to what he'ddone with the bonds. But there was nothin' doin' in that line. He just stood pat and took his medicine.
Bein' a quiet prisoner, that gave no trouble and kept his cell tidy, he scaled it down a couple of years. Nobody looked for him to come back to Tullington after he got loose. They all had it doped out that he'd salted away that hundred and fifty thousand somewhere, and would proceed to dig it up and enjoy it where he wa'n't known.
But Pedders fooled 'em again. Straight back from the bars he come, back to Tullington and the little white story-and-a-half cottage on a side street, where Mrs. Pedders and Luella was waitin' for him.
She'd had some hand-to-hand tussle meanwhile, Mrs. Pedders had; but she'd stuck it out noble. At the start about nine out of ten of her neighbors and kind friends was dead sure she knew where that bunch of securities was stowed, and some of 'em didn't make any bones of sayin' she ought to be in jail along with Pedders. So of course that made it nice and comfy for her all around. But she opened up a little millinery shop in her front parlor, and put up jams and jellies, and raised a few violets under a window sash in the back yard. She didn't quite starve that first year or so; though nobody knew just how close she shaved it. And in time even them that had been her closest friends begun to be sorry for her.
When Pedders showed up again all the old stories was hashed over, and the whole of Tullington held its breath watchin' for some sign that he's dug up his hank loot. But it didn't come. Pedders just camped down silent in his old home and let his whiskers grow. Twice a day he made reg'lar trips back and forth from the postoffice, lookin' at nobody, speakin' to nobody. Mrs. Pedders held her usual fall and spring openin's of freak millinery, while Luella taught in the fourth grade of the grammar school and gave a few piano lessons on the side. They didn't act like a fam'ly that had buried treasure.
But what had he done with that hundred and fifty thousand? How could he have blown so much without even acquirin' a toddy blossom? Or had he scattered it in the good old way, buckin' Wall Street? But he'd never seemed like that kind. No, they didn't think he had the nerve to take a chance on a turkey raffle. So that left the mystery deeper'n ever.
"No chance of him bein' not guilty to begin with, eh?" I suggests.
J. Bayard smiles cynical. "So far as I am able to learn," says he, "there is just one person, aside from Mrs. Pedders and her daughter, who believes him innocent. Strangely enough too, that's Norris, who was teller at the time. He's president of the bank now. I had a talk with him this morning. He insists that Pedders was too honest to touch a dollar; says heknew him too well. But he offers no explanation as to where the securities went. So there you are! Everyone else regards him as a convicted thief, who scarcely got his just deserts. He's a social outcast, and a broken, spiritless wretch besides. How can I do anything kind and generous for such a man?"
Well, I didn't know any more'n he did. "What gets me," I goes on, "is how he ever come to be mixed up with Pyramid Gordon. Got that traced out?"
"I sounded Norris on that point," says Steele; "but he'd never heard of Gordon's having been in Tullington, and was sure Pedders didn't know him."
"Then you ain't had a talk with Pedders himself?" says I.
"Why, no," says J. Bayard, shruggin' his shoulders scornful. "The poor devil! I didn't see what good it would do—an ex-convict, and——"
"You can't always be dealin' with Twombley-Cranes," I breaks in. "And it's Pedders you're after this trip. Come on. Let's go tackle him."
"What! Now?" says Steele, liftin' his eyebrows.
"Ah, you ain't plannin' to spend the summer here, are you?" says I. "Besides, it'll do you good to learn not to shy at a man just because he's done time. Show us the house."
I could have put it even stronger to him, ifI'd wanted to rub it in. Had about as much sympathy for a down-and-out, Steele did, as you'd find milk in a turnip. You should see the finicky airs he puts on as he follows me into the Pedders cottage, and sniffs at the worn, old-fashioned furniture in the sittin' room.
It's Mrs. Pedders that comes in from the shop to greet us. Must have been quite a good looker once, from the fine face and the still slim figure. But her hair has been frosted up pretty well, and there's plenty of trouble lines around the eyes. No, we couldn't see Mr. Pedders. She was sorry, but he didn't see anyone. If there was any business, perhaps she could——
"Maybe you can," says I; "although it ain't exactly business, either. It's a delayed boost we're agents for; friendly, and all that."
"I—I don't believe I understand," says she.
"We'll get to that later on," says I, "if you'll take our word and help. What we're tryin' to get a line on first off is where and how Mr. Pedders run against Pyramid Gordon."
"Gordon?" says she. "I don't think I ever heard him mention the name."
"Think 'way back, then," says I, "back before he was—before he had his trouble."
She tried, but couldn't dig it up. We was still on the subject when in floats Daughter. She's one of these nice, sweet, sensible lookin' girls, almost vergin' on the old maid. She'd just come home from her school. The case wasexplained to her; but she don't remember hearin' the name either.
"You see, I was only nine at the time," says she, "and there was so much going on, and Papa was so upset about all those letters."
"Which letters?" says I.
"Oh, the people who wrote to him during the trial," says she. "You've no idea—hundreds and hundreds of letters, from all over the country; from strangers, you know, who'd read that he was—well, an absconder. They were awful letters. I think that's what hurt Papa most, that people were so ready to condemn him before he'd had a chance to show that he didn't do it. He would just sit at his old desk there by the hour, reading them over, and everyone seemed like another pound loaded on his poor shoulders. The letters kept coming long after he was sent away. There's a whole boxful in the garret that have never been opened."
"And he never shall see them!" announced Mrs. Pedders emphatic.
"H-m-m-m!" says I. "A whole boxful that nobody's opened? But suppose now that some of 'em wa'n't—say, why not take a look at the lot, just the outsides?"
Neither Mrs. Pedders nor Luella took kind to that proposition; but somehow I had a vague hunch it ought to be done. I couldn't say exactly why, either. But I kept urgin' and arguin', and at last they gave in. They'd showme the outsides, anyway; that is, Luella might, if she wanted to. Mrs. Pedders didn't even want to see the box.
"I meant to have burned them long ago," says she. "They're just letters from idle, cruel people, that's all. And you don't know how many such there are in the world, Mr. McCabe. I hope you never will know. But go up with Luella if you wish."
So we did, J. Bayard glancin' suspicious at the dust and cobwebs and protectin' his silk hat and clothes cautiously. It's a good-sized box too, with a staple and padlock to keep the cover down. Luella hunted up the key and handed out bunch after bunch. Why do people want to write to parties they've read about in the newspapers? What's the good too, of jumpin' on bank wreckers and such at long range? Why, some even let their spite slop over on the envelopes. To see such a lot of letters, and think how many hard thoughts they stood for, almost gave you chills on the spine.
Didn't seem to do much good to paw 'em over now, at this late date, either. I was almost givin' up my notion and tellin' Luella that would be about enough, when I noticed a long yellow document envelope stowed away by itself in a corner.
"There's a fat one," says I.
She hands it out mechanical, as she'd done the rest.
"Hello!" says I, glancin' at the corner.
"Gordon & Co., Broad Street, New York! Why, say, that's the Pyramid Gordon I was askin' about."
"Is it?" says she. "I hadn't noticed."
"Might give us some clew," I goes on, "as to what him and your Paw had a run-in about."
"Well, open it, if you like," says Luella careless.
J. Bayard and I takes it over to the window and inspects the cancel date.
"June, 1894," says I. "Twenty-eight cents postage; registered too. Quite a package. Well, here goes!"
"Bonds," says Steele, takin' a look. "That old Water Level Development Company's too."
"And here's a note inside," says I. "Read it."
It was to John Wesley Pedders, cashier of the Merchants' Exchange Bank, from Mr. Gordon. "In depositing securities for a loan, on my recent visit to your bank," it runs on, "I found I had brought the wrong set; so I took the liberty, without consulting your president, of substituting, for a few days, a bundle of blanks. I am now sending by registered mail the proper bonds, which you may file. Trusting this slight delay has caused you no inconvenience, I am——"
"The old fox!" cuts in J. Bayard. "A fair sample of his methods! Had to have a loan on those securities, and wanted to use them somewhere else at the same time; so he pickedout this little country bank to work the deal through. Oh, that was Pyramid Gordon, every time! And calmly allowed a poor cashier to go to State's prison for it!"
"Not Pyramid," says I. "I don't believe he ever heard a word of the trouble."
"Then why did he put Pedders' name on his list?" demands Steele.
"Maybe he thought sendin' on the bonds would clear up the mess," says I. "So it would, if they hadn't come a day or two late and got stowed away here. And here they've been for twenty years!"
"Yes, and quite as valuable to the bank as if they'd been in the vaults," sneers J. Bayard. "That Water Level stock never was worth the paper it was printed on, any more than it is now."
"We'll make it useful, then," says I. "Why, it's got Aladdin's lamp beat four ways for Wednesday! These bonds go to Pedders. Then Pedders shaves off his whiskers, puts on his Sunday suit, braces his shoulders back, walks down to the bank, and chucks this bunch of securities at 'em triumphant."
"But if the bank is still out a hundred and fifty thousand," objects Steele, "I don't see how——"
"They ain't out a cent," says I. "We'll find a customer for these bonds."
"Who?" says he.
"J. Bayard Steele," says I. "Ain't youactin' for a certain party that would have wanted it done?"
"By Jove!" says he. "Shorty, you've hit it! Why, I'd never have thought of——"
"No," says I; "you're still seein' only that twenty per cent commission. Well, you get that. But I want to see the look in Mrs. Pedders' eyes when she hears the news."
Say, it was worth makin' a way train trip to Tullington, believe me!
"I knew," says she. "Oh, I always have known John didn't do it! And now others will know. Oh, I'm glad, so glad!"
Even brought a slight dew to them shifty eyes of J. Bayard's, that little scene did. "McCabe," says he, as we settles ourselves in the night express headed towards Broadway, "this isn't such a bad game, after all, is it?"
CHAPTER IVTWO SINGLES TO GOOBER
"Shorty," says Sadie, hangin' up the 'phone and turnin' to me excited, "what do you think? Young Hollister is back in town!"
"So are lots of other folks," says I, "and more comin' every day."
"But you know he promised to stay away," she goes on, "and his mother will feel dreadfully about it when she hears."
"I know," says I. "And a livelier widow never hailed from Peachtree street, Atlanta; which is sayin' a lot. Who sends in this bulletin about Sonny?"
"Purdy-Pell," says Sadie, "and he doesn't know what to do."
"Never does," says I.
Sadie flickers a grin. "It seems Robin came two days ago, and has hardly been seen about the house since. Besides, Purdy-Pell could do nothing with him when he was here before, you remember."
"Awful state of things, ain't it?" says I. "The youngster's all of nineteen, ain't he?"
"He's nearly twenty-one," says Sadie. "And Mrs. Hollister's such a dear!"
"All of which leads up to what?" says I, tearin' my eyes from the sportin' page reluctant.
"Why," says Sadie, cuddlin' up on the chair arm, "Purdy-Pell suggests that, as Robin appeared to take such a fancy to you, perhaps you wouldn't mind——"
"Say," I breaks in, "he's a perfectly punk suggester! I'd mind a lot!"
Course that opened the debate, and while I begins by statin' flat-footed that Robin could come or go for all I cared, it ends in the usual compromise. I agrees to take the eight-forty-five into town and skirmish for Sonny. He'd be almost sure to show up at Purdy-Pell's to-night, Sadie says, and if I was on hand I might induce him to quit wreckin' the city and be good.
"Shouldn't I wear a nurse's cap and apron?" I remarks as I grabs my hat.
For, honest, so far as I've ever seen, this young Hollister was a nice, quiet, peaceable chap, with all the earmarks of a perfect gent. He'd been brought up from the South and put into Purdy-Pell's offices, and he'd made a fair stab at holdin' down his job. But of course, bein' turned loose in New York for the first time, I expect he went out now and then to see what was goin' on under the white lights.
From some youngsters that might have called for such panicky protests as Mother and Mrs. Purdy-Pell put up; but young Robin had agood head on him, and didn't act like he meant to develop into a rounder. Course I didn't hear the details; but all of a sudden something happened that caused a grand howl. I know Sadie was consulted, then Mrs. Hollister was sent for, and it ended by Robin marchin' into the studio one mornin' to say good-by. He explains that he's bein' shipped home. They'd got a job for him with an uncle out in the country somewhere. That must have been a year or so ago, and now it looked like he'd slipped his halter and had headed back for Broadway.
I finds Purdy-Pell peeved and sarcastic. "To be sure," he says, "I feel honored that the young man should make my house his headquarters whenever his fancy leads him to indulge his sportive instincts. Youth must be served, you know. But Mrs. Hollister has such a charmingly unreasonable way of holding me responsible for her son's conduct! And since she happens just now to be our guest—well, you get the idea, McCabe."
"What do you think he's up to?" says I.
Purdy-Pell shrugs his shoulders. "If he were the average youth, one might guess," says he; "but Robin Hollister is different. His mother is a Pitt Medway, one of the Georgia Medways."
"You don't say!" says I. I expect I ought to know just how a Georgia Medway differs from a New Jersey Medway, or the Connecticut brand; but, sad to say, I don't. Purdy-Pell, though,havin' been raised in the South himself, seems to think that everyone ought to know the traits of all the leadin' fam'lies between the Potomac and the Chattahoochee.
"Last time, you know," goes on Purdy-Pell, "it was a Miss Maggie Toots, a restaurant cashier, and a perfectly impossible person. We broke that up, though."
"Ye-e-es?" says I.
"Robin's mother seemed to think then," says he, "that it was largely my fault. I suppose she'll feel the same about whatever mischief he's in now. If I could only find the young scamp! But really I haven't time. I'm an hour late at the Boomer Days' as it is."
"Then toddle along," says I. "If I'm unanimously elected to do this kid-reformin' act, I expect I might as well get busy."
So as soon as the butler's through loadin' Purdy-Pell into the limousine I cross-examines Jarvis about young Mr. Hollister's motions. Yes, he'd shown up at the house both nights. It might have been late, perhaps quite late. Then this afternoon he'd 'phoned to have his evenin' clothes sent uptown by messenger. No, he couldn't remember the number, or the name of the hotel.
"Ah, come, Jarvis!" says I. "We know you're strong for the young man, and all that. But this is for the best. Dig it up now! You must have put the number down at the time. Where's the 'phone pad?"
He produces it, blank. "You see, Sir," says he, "I tore off the leaf and gave it to the messenger."
"But you're a heavy writer, ain't you?" says I. "Find me a readin' glass."
And, sure enough, by holdin' the pad under the big electrolier in the lib'ry, we could trace out the address.
"Huh!" says I. "The Maison Maxixe, one of them new trot palaces! Ring up a taxi, Jarvis."
Didn't happen to be up around there yourself that night, did you? If you had, you couldn't missed seein' him,—the old guy with the Dixie lid and the prophet's beard, and the snake-killer staff in his fist,—for with that gold and green entrance as a background, and in all that glare of electric lights, he was some prominent.
Sort of a cross between Father Time and Santa Claus, he looks like, with his bumper crop of white alfalfa, his rosy cheeks, and his husky build. Also he's attired in a wide-brimmed black felt hat, considerable dusty, and a long black coat with a rip in the shoulder seam. I heard a couple of squabs just ahead of me giggle, and one of 'em gasps:
"Heavings, Lulu! Will you lamp the movie grandpop! I wonder if them lambrequins are real?"
She says it loud enough to be heard around on Broadway, and I looks to see how the old boytakes it; but he keeps right on beamin' mild and sort of curious at the crowds pushin' in. It was them calm, gentle old blue eyes of his, gazin' steady, like he was lookin' for someone, that caught me. First thing, I knew he was smilin' folksy straight at me, and liftin' one hand hesitatin', as if he wanted to give me the hail.
"Well, old scout?" says I, haltin' on the first step.
"Excuse me, Neighbor," says he, drawlin' it out deep and soft, "but be yo' goin' in thayah?"
"I don't say it boastin'," says I, "but that was the intention."
"We-e-e-ell," he drawls, half chucklin', half sing-songy, "I wisht I could get you to kind of look around for a young fellah in thayah,—sort of a well favored, upstandin' young man, straight as a cornstalk, and with his front haiah a little wavy. Would you?"
"I might find fifty that would answer to that description," says I.
"No, Suh, I reckon not," says he, waggin' his noble old head. "Not fifty like him, nor one! He'll have his chin up, Suh, and there'll be a twinkle in his brown eyes you can't mistake."
"Maybe so," says I. "I'll scout around a bit. And if I find him, what then?"
"Jes' give him the word, Neighbor," says he, "that Uncle Noah's a waitin' outside,wantin' to see him a minute when he gets through. He'll understand, Robin will."
"Eh?" says I. "Robin who?"
"Young Mistuh Hollister I should say, Suh," says he.
"Well, well!" says I, gawpin' at him. "You lookin' for Robin Hollister too? Why, so am I!"
"Then we ought to find him between us, hadn't we?" says he, smilin' friendly. "Lott's my name, Suh."
"Wha-a-at!" says I, grinnin' broad as the combination strikes me. "Not Uncle Noah Lott?"
"It's a powerful misleadin' name, I got to admit," says he, returnin' the grin; "but I reckon my folks didn't figure jes' how it was goin' to sound when they tacked the Noah onto me, or else they didn't allow for my growin' up so simple. But I've had it so long I'm used to it, and so is most everyone else down in my part of Jawgy."
"Ah!" says I. "Then you're from Georgia, eh? Down where they sent Robin, I expect?"
"That's right," says he. "I'm from Goober."
"Goober!" I echoes. "Say, that's a choice one too! No wonder Robin couldn't stand it! Sent you up to fetch him back, did they?"
"No, Suh," says he. "Mistuh Phil Hollister didn't send me at all. I jes' come, Suh, andI can't say if I'm goin' to carry him back or no. You see it's like this: Robin, he's a good boy. We set a heap by him, we do. And Robin was doin' well, keepin' the bale books, lookin' after the weighin', and takin' general charge around the cotton gin. Always had a good word for me in the mornin' when I hands over the keys, me bein' night watchman, Suh. 'Well, Uncle Noah,' it would be, 'didn't let anybody steal presses, did you?' 'No, Mistuh Robin,' I'd say, 'didn't lose nary press last night, and only part of the smokestack.' We was that way, me and Robin. And when Mistuh Phil and his folks started off to visit their married daughter, up in Richmond, he says to me, 'Uncle Noah, I expect you to look after Robin while I'm gone, and see that he don't git into no trouble.' Them was his very words, Suh."
"And Robin's kept you busy, eh?" says I.
"Well, he's a good boy, Robin is," insists Uncle Noah. "I reckon it took him sort of sudden, this wantin' to leave Goober. Just had to come to New York, it seems like. I dunno what for, and I ain't askin'; only I promised his Uncle Phil I'd see he didn't git into no trouble, and—well, I'm a waitin' around, you see, waitin' around."
"How'd you come to locate him, Uncle?" says I.
"We-e-ell," says he, "I reckon I shouldn't a done it nohow, but he left the envelope to herletter on his desk,—a Miss Toots it come from,—and the address was on the back. It was directly afterwards that Robin quits Goober so sudden."
"Ah-ha!" says I. "Maggie Toots again, eh?"
Looked like the myst'ry was solved too, and while I wa'n't plannin' to restrict any interstate romance, or throw the switch on love's young dream, I thought as long as I'd gone this far I might as well take a look.
"Maybe he'll be too busy to receive any home delegation just now," says I; "but if you want to stick around while I do a little scoutin' inside, Uncle, I'll be out after a bit."
"I'll be a waitin'," says Uncle Noah, smilin' patient, and I leaves him backed up against the front of the buildin' with his hands crossed peaceful on the top of his home-made walkin' stick.
It's some giddy push I gets into after I've put up my dollar for a ballroom ticket and crowded in where a twenty-piece orchestra was busy with the toe-throbby stuff. And there's such a mob on the floor and along the side lines that pickin' out one particular young gent seems like a hopeless job.
I drifts around, though, elbowin' in and out, gettin' glared at by fat old dames, and bein' bumped by tangoin' couples, until I finds a spot in a corner where I could hang up and have a fair view. About then someone blows a whistle,and out on the platform in front of the orchestra appears a tall, bullet-headed, pimple-faced young gent, wearin' white spats with his frock-coat costume, and leadin' by the hand a zippy young lady who's attired mostly in black net and a pair of gauze wings growin' out between her shoulder blades. It's announced that they will do a fancy hesitation.
Take it from me, I never saw it danced like that before! It was more'n a dance: it was an acrobatic act, an assault with intent to maim, and other things we won't talk about. The careless way that young sport tossed around this party with the gauze wings was enough to make you wonder what was happenin' to her wishbone. First he'd swing her round with her head bent back until her barrette almost scraped the floor; then he'd yank her up, toss her in the air, and let her trickle graceful down his shirt front, like he was a human stair rail. Next, as the music hit the high spots, they'd go to a close clinch, and whirl and dip and pivot until she breaks loose, takes a flyin' leap, and lands shoulder high in his hands, while he walks around with her like she was something he was bringin' in on a tray.
The hesitation, eh? Say, that's what Mrs. McCabe has been at me to take lessons in. I can see myself, with Sadie tippin' the scales at one hundred and sixty-eight! But when I go home to-night I'll agree to try it if she's willin' to have her spine removed first.
The young lady in black, though, don't seem to mind. She bows smilin' at the finish, and then trips off with Pimple Face, lookin' whole and happy. I was watchin' 'em as they made their way out towards the front. Seemed to be gen'ral fav'rites with the crowd, for they were swappin' hails right and left, and she was makin' dates for the next ground and lofty number, I expect; when all of a sudden they're stopped by someone, there's a brief but breezy little argument, and I hears a soft thud that listens like a short arm jab bein' nestled up against a jawbone. And there's Pimple Face doin' a back flip that ain't in his repertoire at all.
Course that spilled the beans. There was squeals, and shrieks, and a gen'ral mixup; some tryin' to get closer, others beatin' it to get away, and all the makin's of a young riot. But the management at the Maison Maxixe don't stand for any rough stuff. In less than a minute a bunch of house detectives was on the spot, the young hesitationer was whisked into a cloakroom, and the other gent was bein' shot towards the fresh air.
Just a glimpse that I caught of his flushed face as it was bein' tucked under a bouncer's arm set me in action. I made a break for a side exit; but there's such a jam everywhere that it's two or three minutes before I can get around to the front.
And there's young Hollister, with an end ofhis dress collar draped jaunty over his right ear, tryin' to kick the belt buckle off a two-hundred-pound cop who's holdin' him at arm's length with one hand and rappin' his nightstick for help with the other; while Uncle Noah stands one side, starin' some disturbed at the spectacle. I knew that was no time to butt in!
In that section of the White Light district too you can call up plenty of help by a few taps from the locust. Cops came on the jump from two adjoinin' posts,—big husky Broadway cops,—and they swoops down on young Robin like a bunch of Rockefeller deacons on a Ferrer school graduate who rises in prayer meetin' to ask the latest news from Paint Creek.
"What you got, Jim?" puffs one.
"Young hick that got messy in the tango joint," says Jim.
"Ah, fan him a few!" remarks the other. "Hold him still now while I——"
At which Uncle Noah pushes in and holds up a protestin' hand. "Now see heah, Mistuh Constable," says he, "I wouldn't go for to do anything like that!"
"Wha-a-at?" snarls the copper. "Say, you old billy-goat, beat it!" And he proceeds to clip young Mr. Hollister a glancin' blow on the side of the bead. His next aim was better; but this time the nightstick didn't connect.
There's been let loose a weird, high-pitched howl, which I didn't recognize at the time as the old Rebel yell, but know now that it was. UncleNoah had gone into action. That walkin' stick of his was a second-growth hickory club as thick as your wrist at the big end. He swung it quick and accurate, and if that cop ain't nursin' a broken forearm to-day he's lucky. I expect his dome was solid iv'ry,—most of them sluggers have that kind,—and in this case he needed it; for, once he gets goin', Uncle Noah makes a thorough job of it. He lands his next swipe square on the copper's head and tumbles him to the sidewalk like a bag of meal. The other two was at him with their clubs by this time, swingin' on him vicious; but somehow they couldn't get in anything but body blows that echoed on Uncle Noah's ribs like thumpin' a barrel. Must have been a tough old boy; for that never fazed him. And the crowd, that was a block deep by this time, seemed to be right with him.
"Slug the clubbers!" they yelled. "Knock their blocks off! Go to it, old man!"
He didn't need that to encourage him; for he wades in lively, raps first one head and then the other, until he had 'em all three on the pavement. That set the crowd wild.
"Now sneak while the sneakin's good, old top!" shouts one.
"Jump a cab!" sings out another.
Say, the idea that either of 'em might get out of this muss without goin' to the station house hadn't occurred to me before. But here was a taxi, jam up against the curb not a dozen feetoff, with the chauffeur swingin' his cap enthusiastic.
"Quick, Uncle!" says I, gettin' him by the arm. "It's your one chance. You too, Robin. But show some speed about it."
At that, if it hadn't been for half a dozen chaps in the front row of the crowd that helped me shove 'em in, and the others that blocked off the groggy coppers who were wabblin' to their feet, we couldn't have pulled it off. But we piled 'em in, I gave the cabby the Purdy-Pells' street number, and away they was whirled. And you can bet I didn't linger in front of the Maison Maxixe long after that.
Twenty minutes later we had a little reunion in the Purdy-Pell lib'ry. Robin was holdin' some cracked ice to a lump on his forehead, and Uncle Noah was sittin' uncomf'table on the edge of a big leather chair.
"How cheery!" says I. "But take it from me, Uncle, you're some two-fisted scrapper! I didn't think it was in you."
"We-e-ell," he drawls out, still breathin' a bit hard, but gettin' back his gentle smile, "I didn't want to do no fursin' with them constables; but you know Mistuh Phil he told me to see that Robin didn't git into no trouble, and—and—we-e-ell, I didn't care for their motions none at all, I didn't. So I jes' had to tap 'em a little."
"Now see hea-uh, Mistuh Vonstable," says he, "I wouldn't go for to do anything like that.""Now see hea-uh, Mistuh Vonstable," says he, "I wouldn't go for to do anything like that."
"Tappin' is good!" says I. "And how about you, Robin? How do you come to be mixin' it up so conspicuous?"
"I'm sorry," says he. "I suppose I made an awful ass of myself. But even if she is a public dancer, that snipe shouldn't have insulted her. Of course I'd found out long before that Miss Toots was no longer anything to me; but——"
"Then that was the famous Maggie, was it?" I breaks in. "The one that lured you up from Dixie?"
"Not exactly a lure," says he. "She didn't think I'd be chump enough to come. But that's all off now."
"I ain't curious," says I, "but the fam'ly has sort of delegated me to keep track of your moves. What's next, if you know?"
Robin shrugs his shoulders sort of listless. "I don't know," says he. Then he turns to Uncle Noah. "Uncle," says he, "how will those scuppernongs be about now on the big arbor in front of Uncle Phil's?"
"Bless you, Mistuh Robin," says old Noah, "they'll be dead ripe by now, and there's jes' doodlins of 'em. Miss Peggy Culpepper, she'll be mighty lonesome, a pickin' of 'em all by herself."
"Humph!" says Robin, tintin' up. "Think so, do you?"
"I don't have to think, Mistuh Robin," says Uncle Noah. "Miss Peggy told me that herself the mornin' I come away."
Young Mr. Hollister gazes earnest into them gentle old blue eyes for a second, then he takes a turn or two up and down the lib'ry, and fin'lly claps Uncle Noah on the shoulder. "I've been waiting all summer for a taste of those grapes," says he. "Come, we can just catch the midnight. I've had enough of Broadway to last me for a long time."
And my partin' glimpse of 'em was at eleven-fifty-six, when they pushed through the gate bound for Goober, Georgia.
"After all," thinks I, "it may not be so bad as it sounds."