"What! the girl of my heart by another embrac'd?What! the balm of her lips shall another man taste?What! touch'd in the twirl by another man's knee?What! panting recline on another than me?"
"What! the girl of my heart by another embrac'd?What! the balm of her lips shall another man taste?What! touch'd in the twirl by another man's knee?What! panting recline on another than me?"
Very properly rebuked thus:—
"Sir H. E. thinks each waltzing MissFrom every partner takes a kiss;Then O! how natural the whimThat makes them loath to dance with him."
"Sir H. E. thinks each waltzing MissFrom every partner takes a kiss;Then O! how natural the whimThat makes them loath to dance with him."
FASHIONABLES OF 1816 TAKING THE AIR IN HYDE PARK.
FASHIONABLES OF 1816 TAKING THE AIR IN HYDE PARK.
BELLES AND BEAUS; OR, A SCENE IN HYDE PARK, AUGUST 12, 1817.
BELLES AND BEAUS; OR, A SCENE IN HYDE PARK, AUGUST 12, 1817.
A DANDYESS, 1819.
A DANDYESS, 1819.
WALTZING.
WALTZING.
Read "The Waltz," by Lord Byron, and see what was thought of this dance. On June 9, 1817, we read: "Quadrilleshave had but a short run. They have now had a lamentable descent, not from the drawing-room to the kitchen, to supersede theContre Danse, but from Almack's to Hockley in the Hole. Though they have not yet fallen into the kitchen, the kitchen has risen to them. Some days ago the Lady of a Noble Admiral, lately returned from the Mediterranean, happened to come home from a Ball unexpectedly, when her Ladyship found all her domestics busily employed in aquadrillein the drawing-room, with the chandeliers lighted up, and a regular band of two violins, a bass, and a harp. Her Ladyship owns that they danced them with as much grace and spirit as is visible elsewhere." And they did dance in those days—there was no languid walking through a quadrille. All the steps were properly and accurately performed. I have before me engravings of a set of all the figures—1 Le Pantalon,2 L'Été,3 La Poule,4 La Trenise, or4 La PastoraleandLa Finale, which are delicious, but are too large for reproduction in this book.
Of course, theCrême de la crêmewent to Almack's, but numberless were the Peris who sighed to enter that Paradise, and could not. Capt. Gronow, writing of 1814, says: "At the present time one can hardly conceive the importance which was attached to getting admission to Almack's, the seventh heaven of the fashionable world.Of the three hundred officers of the Foot Guards, not more than half a dozen were honoured with vouchers of admission to this exclusive temple of thebeau monde; the gates of which were guarded by lady patronesses, whose smiles or frowns consigned men and women to happiness or despair. These lady patronesses were the Ladies Castlereagh, Jersey, Cowper, and Sefton, Mrs. Drummond Burrell, the Princess Esterhazy, and the Countess Lieven."
In a Newspaper of May 12, 1817, we read—"Therigorous ruleof entry established at Almack's Rooms produced a curious incident at the last Ball. The Marquis and Marchioness of W——r, the Marchioness of T——, Lady Charlotte C——, and her daughter, had all been so imprudent as to come to the rooms without tickets; and, though so intimately known to the Lady Managers, and so perfectly unexceptionable, they were politely requested to withdraw, and accordingly they all submitted to the injunction."
Again, at the beginning of the season of 1819 we find these female tyrants issuing the followingukase: "An order has been issued, we understand, by the Lady Patronesses of Almack's, to prevent the admission of Gentlemen inTrowsersandCossacksto the balls on Wednesdays—at the same time allowing an exception to those Gentlemen who may beknock-kneed, or otherwise deformed." But the male sex were equal to the occasion, as we find in the following lines:—
"TO THE LADY PATRONESSES OF ALMACK'S.Tired of our trousers are ye grown?But, since to them your anger reaches,Is it because 'tis so well known,Youalways loveto wear the breeches?"
"TO THE LADY PATRONESSES OF ALMACK'S.
Tired of our trousers are ye grown?But, since to them your anger reaches,Is it because 'tis so well known,Youalways loveto wear the breeches?"
I have collected a quantity ofanarespecting ladies' dress of this period, but some would take too long to explain their point, and others are toorisquéfor the modern Mrs. Grundy. However, here is one which can offend no one: "August, 1814. The Wife of a respectable citizen has excited a good deal of curiosity at Margate. She bathes in a green dress, without a cap; and, attached to the shoulders of the dress is something resembling fins. She swims remarkably well, and the peculiarity of her paraphernalia, together with her long black hair, have occasioned many to believe that she was amermaid."
Women were not, as a rule, what we should now term, highly educated: they knew very little of the "ologies," but they were good women, and true. Their music had not reached the sublime height of the weird discord of Wagner, and they knew nothing of the "Higher Cult;" but they had as pretty ballads to sing as ever were sung, from which we are glad to borrow, and which are refreshing to hear. They did beautiful needlework, and vied with each other in this respect, they painted a little on velvet and satin—sometimes did a little mild water colouron paper—but their efforts were hardly commendable as works of art, according to our modern standard. But they were notable house wives, and there were female servants in those days who were not above their position, but knew their work, and did it. There were no five o'clock teas, no reception days; all had their circle of acquaintances, who were welcome to call whenever they chose, and were received without fuss: in fact, as a rule, the women were helps-meet for their spouses—thrifty, caring for their husbands and children, and were, essentially, home makers.
In the Country, the whir of the spinning-wheel might be heard—but such a thing is not to be seen in use now except in dilletante hands, like those of Her Most gracious Majesty. Then, too, at a Cottage door might be seen a woman making pillow lace, now getting rarer and rarer, and it is not an occupation much taken up by the higher classes, as it shows small results for much hand-and-brain work. Straw-plaiting in some districts, glove sewing in others. Now we get straw plait from China, and the gloves are machine sewn. Then all the milk carrying, especially in London, was done by a hardy race of women, principally Welsh, carrying yokes and pails, now the Milk Cart and Perambulator have superseded them.
AT THE SPINNING-WHEEL.
AT THE SPINNING-WHEEL.
MAKING PILLOW LACE.
MAKING PILLOW LACE.
MILK WOMAN.
MILK WOMAN.
And there must have been women of thews and muscle, with plenty of pluck, or we should not hear of so many female sailors, and soldiers, during this period. In May,1813, one was taken on board an American prize, and her sex was only discovered on her being sent to prison. In September of the same year, the master of a Collier, belonging to Ipswich, had reason to believe that one of his apprentices who had made two voyages, was a girl, and so it proved, and, as in the former case, the girl appeared to be a respectable, steady, young man, so in this latter, whilst she was on board, she conducted herself with great propriety, and was considered a very active clever lad. Again, in September, 1815, when the Crew of theQueen Charlotte, 110 guns, was paid off, one of the Crew, an African, was discovered to be a woman. She "had served as a seaman in the Royal Navy for upwards of eleven years, during several of which she had been rated able on the books of the above ship, by the name of William Brown, and had served for sometime as Captain of the foretop, highly to the satisfaction of the officers."
But the ladies did not confine themselves to "ploughing the main." We know what an attraction a red coat has for them, and therefore no surprise need be manifested, if some of them tried the Army. In January, 1813, was a rather romantic case: a girl, in man's clothes, was enlisted in the 53rd Regiment. Her sex was afterwards discovered when she said her lover was in the 43rd Regiment on foreign service, and she wanted to be near him. In 1814, Old Phœbe Hassel was alive, and at Brighton, aged 99. She had served in the army for seven years.I do not know when she died, but there is a portrait and biography of her in Hone's "Year Book," ed. 1838, pp. 209, 210, 211, 212, in which she is spoken of as being 106 in 1821. The Regent, after seeing her in 1814, allowed her half a guinea a week, and at her death ordered a stone to be put up to her memory. Another woman who had served five years in the German army, applied for relief to the German Committee at Baker's Coffee-house—she had been several times wounded, but was so badly hit at Leipsig, that she had to be taken to hospital, where her sex was discovered.
Women were then even as now, they aped the manners of the stronger sex. Now as we know, they invade the Smoking and Billiard Rooms, which used to be considered Man's strongholds; they won't let him alone even when shooting—for, so solicitous are they after his welfare, that they will bring him lunch: they run him hard in School Board, and County Council, and his last refuge is his Club, where, in some instances, he is not safe. We have seen how (vol. i. p. 86) they played Cricket publicly—a practice lately revived by "Actresses" and others. We know them well on the river, but I do not know of a revival of professional boat racing by them, so I give the following:
"Female Rowing Match.—A rowing match took place on Monday (September 29, 1817), on the river, between Chelsea and Battersea, which excited great interest. Six watermen's wives started in six scullers, to row a givendistance for a wherry. The ladies were dressed in appropriate trimmings, and the boats were discriminated by different colours waving gracefully in the wind, at the stern. In the first heat two of the Candidates were distanced. The remaining four then started, and the prize was won, at two heats, by a strapping woman, the mother of four children. At the moment of her arrival at the goal, her victory was proclaimed by the discharge of a pistol by the Judge on shore, and she was carried in triumph into a public-house on the beach. No jolly young waterman could handle his oar with more becoming dexterity than this dashing female. Her numerous friends crowded after her, and drank her health in copious libations."
They were equal to us even in "Female Pedestrianism. Esther Crozier, who commenced on Wednesday (29th of October, 1817) morning, on the Croydon road, to walk 1000 miles in 20 days, completed 50 miles that evening, at 35 minutes past 9. She commenced her second day's journey yesterday morning (October 30th) at a quarter before 7 o'clock, and, at a quarter past 4 she had gone 32¾ miles." She is mentioned again and again in the papers as going on with her task; but I do not think she accomplished it, as I find no triumphal record of it.
I suppose the proudest day of a woman's life is her Marriage day, and so we will talk about Marriage in thesetimes. A trip over the border was a common event, but the smith who forged the matrimonial fetters at Gretna Green, was not always a common individual. Early in January, 1811, one of them, Joseph Paisley, died, at the ripe age of seventy-nine. He was by vocation a salmon-fisher, and a brandy drinker of such capacity, that he could drink a pint of brandy at a draught, without its having any appreciable effect upon him: he and a brother toper, between them, drank ten gallons of brandy in three days. He was a foul-mouthed blackguard, but he served his purpose of marrying runaway couples, as well as a better man, and his marriages were just as valid. He obtained the honour of an obituary notice in the London Daily Papers, theAnnual Register, and theLady's Magazine, in which he is also perpetuated by a copper-plate portrait—so that he must have been considered somebody.
These were not the only curious marriages of that time; take this as a sample (August 23, 1815): "The Naked Truth.—A scene of a singular and disgraceful nature took place a few days ago at Grimsby. A widow, under the impression of indemnifying hersecond, from the debts of herfirsthusband, proceeded out of the window, in a state of nudity, where she was received into the arms of herintended, in the presence of two substantial witnesses." This is a curious old tradition—the origin of which I must quote from myself.[35]"This is not uncommon,the object being, according to a vulgar error, to exempt the husband from the payment of any debts his wife may have contracted in her ante-nuptial condition. This error seems to have been founded on a misconception of the law, because it is laid down (Bacon's Abridgement, Tit. Baron and Feme) that 'the husband is liable for the wife's debts,becausehe acquires an absolute interest in the personal estate of the wife,' &c. An unlearned person, from this, might conclude, and not unreasonably, that, if his wifehad no estate whatever, he could not incur any liability."
One more little story about Matrimony in those times, and I have done. "A young man, having long wooed a buxom damsel, at last found a moment so favourable, that he persuaded her to accompany him to a Scotch Justice of the Peace, to have the ceremony performed between them. They stood very meekly under the operation until the Magistrate was laying the damsel under obligations to obey her husband. 'Say no more about that, Sir,' said the half-made husband, 'if this hand remains upon this body, I'll make her obey me!'—'Are we married yet?' said the exasperated maiden to the ratifier of Covenants between man and woman. 'No,' said the wondering Justice. 'Ah! very well,' cried she, enraptured, 'we will finish the remainder to-morrow!' and away skipped the damsel, congratulating herself on her narrow escape.
The Man of the period — Drinking habits — Dandies — Lord Petersham — A Dandy's diary — Gaming — Prize fighting — Country Sports.
And what was the man of the period like? Well! there is no concealing the fact that he was narrow-minded—because he had no opportunity of mixing much with his other fellow creatures either abroad or at home—war stopping the former, and means of communication the latter, and so, the necessary rubbing off of his angles did not take place. The Middle Class gentleman was not too well read. Latin, of course, he knew, or had learnt. Perhaps a little Greek—his French was very "Stratforde at yeBowe," and German was to him "unknowe." His English, too, was shaky. The Peninsular War over, the Officers brought back with them a smattering of Spanish, the Guitar, and the Cigar. Personally, he had plenty of Courage which found its vent in the Army and Navy, and, in Civil life, in duelling andboxing. As to duelling, it was so common that you can scarcely take up a London Newspaper of the time without some "affair of honour" being chronicled; and, as to boxing, every man learnt it, put his teaching into practice, and talked it. It was, except pedestrianism, the only athletic sport known. Rowing was not; of riding there was plenty, with a good breed of horses fit to carry a man. Cricket was played—but there was no football, nor cycling, if we except the short-lived dandy horse.
They worked longer hours at their divers businesses than we do, but they did far less work; they dined early, and had suppers, and, for evening amusements there were the theatre, and the social meeting at the Inn, where much Rum Punch and Brown Brandy was drunk, and the affairs of the Nation duly discussed, among a select Coterie. Those old boys could drink, too. A three-or four-bottle man, then common, would now be a phenomenon—and, mind you, it was not Claret or other light wines they drank—the war with France made that too great a luxury; but it was the stronger wines of Portugal and Spain, well fortified with brandy. I wonder how many died in "making their heads," and whether it was always "the survival of the fittest"!
No. 1. "Are you all charged, Gentlemen."No. 2. "A song, Gentlemen, if you please."No. 3. "Sing Old Rose, and burn the bellows."No. 4. "I humbly move to throw the waiter out of the window, and charge him in the bill!"
They were of Convivial habits, and did not "join the ladies" after dinner, or, if they did, they were slightly inebriate, and the accompanying illustrations are no caricature of an advanced stage of asymposium. No. 1 is,"Are you all charged, Gentlemen?" No. 2 is, "A Song, Gentlemen, if you please." No. 3 is, "Sing Old Rose and burn the bellows."[36]No. 4 says, "I humbly move to throw the waiter out of the window, and charge him in the bill!"
Very little need be said about their dress, the illustrations throughout the book show its different phases. The Regent, of course, set the fashions, for tailoring, and building, were his hobbies; but even he could not do anything against the dictum of George Bryan Brummell. When he retired in poverty to Calais, in 1816, he left the field entirely to the Regent. There were some who gained a nickname from some eccentricity in costumeas "Blue Hanger" (Lord Coleraine), or "Pea-green Haynes"—but they were not many.
The principal variation in men's attire, at this period, was the way in which they clothed their legs. Breeches and boots were now eschewed by fashionable men, and their place was taken by the pantaloon, made of some elastic stuff, generally "stockinette," fitting tightly to the leg, and after 1814 by the Cossack trouser: an example of both being given in two pictures of Lord Petersham, a distinguished leader of fashion, who married Miss Foote, the actress, and afterwards became Earl of Harrington. Over the trousered picture are these lines:—
"I'll prove these Cossack pantaloons(To one that's not a Goose)Are like two Continental townsCalled Too-long and Too-loose."
"I'll prove these Cossack pantaloons(To one that's not a Goose)Are like two Continental townsCalled Too-long and Too-loose."
A PORTRAIT (LORD PETERSHAM).(Published January 10, 1812, by H. Humphrey.)
A PORTRAIT (LORD PETERSHAM).
(Published January 10, 1812, by H. Humphrey.)
LORD PETERSHAM. 1815.
LORD PETERSHAM. 1815.
DANDY ON HORSEBACK.(November 2, 1818.)
DANDY ON HORSEBACK.
(November 2, 1818.)
A DANDY.(December 8, 1818.)
A DANDY.
(December 8, 1818.)
This was that Lord Petersham who never went out of doors till six p.m., and whose horses, carriage, and harness, were all of the same shade of brown. He had other foibles which are amusingly told by Capt. Gronow. "The room into which we were ushered was more like a shop than a gentleman's sitting room; all round the walls were shelves, upon which were placed the canisters, containing Congou, Pekoe, Souchong, Bohea, Gunpowder, Russian, and many other teas, all the best of their kind; on the other side of the room were beautiful jars, withnames, in gilt letters, of innumerable kinds of snuff, and all the necessary apparatus for moistening and mixing. Lord Petersham's mixture is still well known to all tobacconists. Other shelves, and many of the tables were covered with a great number of magnificent snuff-boxes; for Lord Petersham had, perhaps, the finest collection in England, and was supposed to have a fresh box for every day in the year. I heard him, on the occasion of a delightful old light blue Sèvres box he was using, being admired, say, in his lisping way—'Yes, it is a nice summer box, but would not do for winter wear.' In this museum there were also innumerable canes of very great value. The Viscount was likewise a great Mæcenas among the tailors, and a particular kind of great coat, when I was a young man, was called a Petersham."
These trousers later on (see illustration, Nov., 1818) were worn, instead of breeches and boots, on horseback, but this was only affected by the "Dandy," a term which came into vogue two or three years before this time, and which, according to Webster, is derived from the Frenchdandin, "a ninny, a silly fellow." The Dandy at his toilet is of the same date, and here we see him in his evening dress. The huge cocked hat is exaggerated, but it was the shape of thechapeau bras, which folded flat, and was carried as we now do aGibus. The looking-glass, wash-stand, &c., are very meagre according to our ideas, but much ornament was not lavished on bedroom furniture.
Here is the Diary of a Dandy (Sept., 1818):—
"Saturday.—Rose at twelve, with a d——d headache.Mem.Not to drink theRegent's Punchafter supper.—The green tea keeps one awake.
"Breakfasted at one.—Read theMorning Post—the best Paper after all—always full ofwit,fine writing, andgoodnews.
"Sent for the tailor and staymaker—ordered a morningdemi surtoutof the last Parisian cut, with the collarà la Guillotine, to show the neck behind—a pair ofPetersham Pantaloons, with striped flounces at bottom—and a pair ofCumberland corsetswith a whale-bone back.—A caution to the unwary.The last pair gave way in stooping to pick up Lady B.'s glove.—The Duke of C——e vulgar enough to laugh, and asked me in thesea slang, if I had notmissed stays in tacking. Find this is an old joke stolen from theFudge Family.—Query. Who is this Tom Brown? Not known atLong'sor theClarendon.
"Three o'clock.—Drove out in theDennet—took a few turns in Pall Mall, St. James's Street, and Piccadilly.—Got out at Grange's—was told the thermometer in theice cellarwas at 80.Prodigious!Had three glasses ofpineand one ofCuraçoa—thePrince's Fancy, as P—— calls it.—P. isa wag in his way.
"Five to seven. Dressed for the evening—dined at half-past eight, 'nobody with me but myself,' as the old Duke of Cumberland said—a neat dinner, inLong's beststyle, viz., A tureen of turtle, a small turbot, a dish of Carlton House Cutlets.—Remove—a turkey poult, and an apricot tart.—Dessert—Pine apple and brandy cherries.
"Drank two tumblers of the Regent's Punch, iced, and a pint of Madeira.—Went to the Opera in high spirits—just over—forgot the curtain drops on Saturdays before twelve.—Mem.To dine at seven on Saturdays.
"Supped at the Clarendon with theDandy Club—cold collation—played a few rounds of Chicken Hazard, and went to bed quite cool.
"Sunday.Breakfasted at three—ordered theTilbury—took a round ofRotten Row, and theSqueeze, in Hyde Park—cursedly annoyed with dust in all directions—dined soberly with P——m and went to the Marchioness of S——y'sConversationein the evening—dull but genteel—P. calls it theSunday School.
"N.B. P——m, who is curious in his snuff as well as in his snuff boxes, has invented a newmixture, Wellington's and Blücher's, which he has named, in honour of the meeting of the two heroes, after the battle of Waterloo—La belle Alliance—a good hit—not to be sneezed at."
"A DANDYI do remember me in Hertford streetsWalking at noon, I met an exquisite,A thing, whose neck in Oriental tie,Where not a crease is seen, so stiff withalThe powers of starch had rendered it, tho' madeOf finest muslin, that to my wondering gaze,(Unlike the ease of Nature's masterpiece),It seem'd as 'twere a mere automaton;And then its shape, so all unlike a man,So tightly laced that 'twas self-evidentHe walk'd in pain, if walking 't could be call'd,Since from the earth to raise his languid foot,It seem'd a labour too Herculean;But, still, thus mincingly, he reached the Bell—There stopped. I, being anxious to o'erhearThe sounds this creature, nicknam'd man, would utter,Entered the room apologizing to it;No answer I receiv'd, save a low murmur,For too fatiguing 'twas to articulate.Finding it useless farther to intrude,I asked the waiter who and whence he was?'One of our College[37]Dandies,' he replied.No longer wondering, straight I left the Inn."
"A DANDY
I do remember me in Hertford streetsWalking at noon, I met an exquisite,A thing, whose neck in Oriental tie,Where not a crease is seen, so stiff withalThe powers of starch had rendered it, tho' madeOf finest muslin, that to my wondering gaze,(Unlike the ease of Nature's masterpiece),It seem'd as 'twere a mere automaton;And then its shape, so all unlike a man,So tightly laced that 'twas self-evidentHe walk'd in pain, if walking 't could be call'd,Since from the earth to raise his languid foot,It seem'd a labour too Herculean;But, still, thus mincingly, he reached the Bell—There stopped. I, being anxious to o'erhearThe sounds this creature, nicknam'd man, would utter,Entered the room apologizing to it;No answer I receiv'd, save a low murmur,For too fatiguing 'twas to articulate.Finding it useless farther to intrude,I asked the waiter who and whence he was?'One of our College[37]Dandies,' he replied.No longer wondering, straight I left the Inn."
Naturally, the tight-fitting pantaloon required a well-made leg, so those gentlemen to whom Nature had not been bountiful, used false calves, and thus passed muster. They took snuff in quantities, but very rarely smoked. When Lord Petersham's Collection of Snuff was sold, it took one of the partners in the firm of Fribourg and Treyer, of the Haymarket, and two assistants three days to weigh it—and the same firm, when they bought George IV.'s collection, at his death, set a room apart, entirely for its sale.
They gambled terribly, not perhaps as much as now,but still large sums were won, and lost, on the cast of a die. March 28, 1811: "The brother of a Noble Marquis, is said to have lately won athazardupwards of £30,000, all in one night!" April 3, 1811: "A young gentleman of family and fortune lost £7,000 on Sunday Morning at a gaming house in the neighbourhood of Pall Mall." But, although the Turf was an Institution of the day, there was but very little betting, compared to what goes on in that gigantic Cancer which so grievously afflicts England in the present day. Nor had they such a stupendous gamble as our Stock Exchange. There was plenty of betting on Cock fighting, which was a very fashionable amusement, even patronized by our Imperial Guest, the Grand Duke Nicholas, who, on February 10, 1817, accompanied by the Duke of Devonshire, the Russian Ambassador, Sir William Congreve, Baron Nichola, General Kutusoff, &c., &c., went to the Cockpit and saw five Cock fights. "His Imperial Highness remained an hour and a half, and appeared much amused, never having seen Cock fighting before."
But then he was here to study our manners and customs, and even went to a prize fight. February 14, 1817: "An Imperial Boxing Match, to use the general term of the ring, took place yesterday at Coombe Warren, for a subscription purse of twenty guineas, between Croxey the Sailor, abustlingsecond rater, and a candidate formillingnotoriety.... The Grand Duke Nicholasdesirous of viewing the British character throughout, signified his wish to see the method of English boxing.... His Imperial Highness arrived at the ring in a carriage and four, at one o'clock, accompanied by his own suite, and some English Noblemen, admirers of gymnastics. A waggon was reserved for the Grand Duke's reception, and he ascended it with a hearty laugh. Under it were placed the bull dogs andbull hankersfor the last sports of the day. Bill Gibbons introduced his trusty bitch to the Patricians in the waggon as the favourite for theBullprize."
The fight, or rather the fights, for there were two of them, took place, but they were stigmatized as very poor and tame affairs. "The Bull was the next object of attack, for a silver collar, and all the fancy buffers the town could produce were let go from the Royal waggon, which was decorated with purple flags. Gibbons' fancy dog was lamed early, but the best of the fun was, after the bull had broken a horn, he began to snort up on end, and went and got loose. Helter skelter was the consequence, and the bull, as regardless of men as dogs, made play through the ground, reclining his head, and tossing mortals before him, until he got clear off, upsetting carts, &c., that impeded his way. The fun concluded just before dark, and the whole sport went off withéclat."
PLAYING AT BOWLS AND QUOITS.
PLAYING AT BOWLS AND QUOITS.
Aproposof prize fighting the last sentence in the following paragraph is worthy of note. Feb. 28, 1817: "Carternext asked to be backed to fight any man, when Cribb mounted the table, and challenged to fight any thing in being, fromthreetotwelvehundred, observing he had fought so often that he should not again prostitute his talent for a trifle. Carter said he thought the Carlisle people would back him for £300, and he would ask them. After devouring about twenty dozen of wine, the lads departedto spend the evening, and amuse themselves at the expense of lamp contractors and watchmen's rattles."
Although we may think all this very brutal, yet, with the exception of the bull baiting, which was only made illegal in 1835, I fancy that things go on very much now, as they did then, only they are done more quietly. In the country, men had their hunting, shooting, and fishing to amuse them, and they were as keen then as in our time. True, they did not rent deer forests in Scotland, at fabulous prices, nor did they take salmon rivers in Norway; but although they did not enjoy breechloaders, with spare gun ready loaded handed as soon as the other is discharged, and though they were innocent of the cruel slaughter of abattue, yet they had good sport both in wood and stubble, and the old flint gun, if held straight, would make a respectable bag to carry home. Then they played cricket, but they did not armour themselves, because there was no necessity for so doing, the ball then being bowled and not hurled as if from a cannon. Thenfor the quieter and middle-aged there were the healthy out-door games of bowls or quoits.
Among the younger men the manly sports of wrestling, quarter-staff, and back-sword, had not died out, but then they had not the advantage that we have of football and Rugby rules.
Eating and drinking — Recipe for Punch — The Stage — Baron Geramb — Romeo Coates — Actors and Actresses — Mrs. Jordan.
Perhaps they ate more solid food than we do, and it was a point of honour, at a dinner, to provide and display vastly more food than could possibly be eaten. As an example. On Jan. 1, 1811, General Grosvenor, Mayor of Chester, gave a dinner to his friends and two hundred sat down. Here is the bill of fare: "Sixteen tureens of turtle, eight boiled turkeys, three hams, four dishes ofà la modebeef, five pigeon pies, three saddles of mutton, thirteen plum puddings, six dishes of murinade pork, eight French pies, four roasted turkeys, eight dishes of rabbits, three legs of mutton, four geese, two fillets of veal, ten dishes of chickens, four dishes of veal surprise, three beef-steak pies, three dishes of sweetbreads, six hares, six venison pasties, eight dishes of ducks, six oyster patties, six dishes of mutton casserole,six dishes of pig, six lemon puddings, eight dishes of haricoed mutton, four neat's tongues, three dishes of collared veal, and a round of beef.
"Removes—Ten haunches of venison, ten necks of venison.
"Sweets—Thirty salvers of whips and jellies, twenty moulds of jelly, forty moulds of blanc mange, tarts, cheese cakes, mince pies, puffs, &c., &c."
The guests must have needed appetites such as were possessed by the gentlemen chronicled in the two following paragraphs. Sept. 9, 1812: "On Wednesday last, two gentlemen, in the neighbourhood of Ratcliffe Highway, had a wager of £5 upon a man namedLeurnen, a coal-heaver, that he should devour, in the space of three-quarters of an hour, nine pounds of bullock's heart roasted, three pounds of potatoes, half a quartern loaf, and drink a pot of porter. The parties met at the Queen's Head public-house, Broad Street, Ratcliffe Highway, and the spectators, of whom there were a considerable number, paid sixpence each to be admitted. He completed his task, and drank three or four glasses of rum besides, within the time allowed him, without producing the smallest apparent inconvenience."
Aug. 2, 1816: "Yesterday morning a young man, of the name of Robert Hunt, better known by the name ofRob-the-Grinder, he being a knifegrinder by trade, undertook, for a wager, to eat three quarts of peas, three poundsof fat bacon, half a quartern loaf of bread, and drink two quarts of porter, and a pint of gin in the space of one hour. He sat down to his meal at eleven o'clock in the forenoon, and he devoured the whole in fifty-two minutes, with seeming ease saying it was only a good lunch, as his appetite would serve to a good dinner by two o'clock."
But there was luxury in eating, as well as gross feeding. Green peas sometimes fetched several guineas a quart—the following is very mild. May 22, 1811: "This is the earliest season known for many years. In Covent Garden Market, green peas were sold at eight shillings per quart on Saturday last, and moss roses which had blown in the open air at one shilling each."
And, being connoisseurs, those old gentlemen knew good wine, and would pay a long price for it. At the sale of the Duke of Queensberry's effects, in 1811, some Tokay fetched £84 a dozen quarts, or £7 a bottle! The prices fetched at the sale of the Duke of Cumberland's wine pale into insignificance before this, but then he had no Tokay for sale.
A sale is chronicled May 13, 1817: "Friday, the cellars of Alexander Davison, Esq., were emptied to the best bidders. The prices, at which the several lots were knocked down, were unusually high. Three dozen of red Madeira, bottled in 1801, were knocked down ateighteenguineas per dozen, it was supposed, for a distinguished member of the Royal Family. One lot of Hock, a hundred and seventeen years old, sold at ten guineas per dozen, and very little of the Sherry went at less than five and six guineas per dozen."
The middle classes could not, of course, afford these wines, but they drank sound Port, Sherry, and Madeira, brown Brandy and Gin—Whiskey was almost unknown. But for conviviality, Punch, in bowls, was the drink. Green tea was introduced into the manufacture of Rum Punch—and may be now, for aught I know, if there is anybody living who knows how to make it—but here is a metrical recipe for Milk Punch, of the year 1815, which reads remarkably well.
"Take seven large lemons, and pare them as thinAs a wafer, or, what is yet thinner, your skin;A quart of French Brandy, or Rum is still better,(For you ne'er, in Receipts, should stick to the letter.)Six ounces of sugar next take, and pray mind,The sugar must be the best double refin'd;Boil the sugar in as near half a pint of spring water,In the neat silver saucepan you bought for your daughter;But be sure that the syrup you carefully skim,When the scum, as 'tis call'd, rises up to the brim.The fourth part of a pint you next must allowOf New Milk, made as warm as it comes from the Cow.Put the rinds of the lemons, the milk, and the syrup,With the rum in a jar and give them a stir up:And, if you approve it, you may put some perfume,Goatstone, or whatever you like in its room.Let it stand thus three days, but remember to shake it,And the closer you stop it the richer you make it.Then, filtered through paper, 'twill sparkle and rise,Be as soft as your lips, and as bright as your eyes.Last bottle it up...."
"Take seven large lemons, and pare them as thinAs a wafer, or, what is yet thinner, your skin;A quart of French Brandy, or Rum is still better,(For you ne'er, in Receipts, should stick to the letter.)Six ounces of sugar next take, and pray mind,The sugar must be the best double refin'd;Boil the sugar in as near half a pint of spring water,In the neat silver saucepan you bought for your daughter;But be sure that the syrup you carefully skim,When the scum, as 'tis call'd, rises up to the brim.The fourth part of a pint you next must allowOf New Milk, made as warm as it comes from the Cow.Put the rinds of the lemons, the milk, and the syrup,With the rum in a jar and give them a stir up:And, if you approve it, you may put some perfume,Goatstone, or whatever you like in its room.Let it stand thus three days, but remember to shake it,And the closer you stop it the richer you make it.Then, filtered through paper, 'twill sparkle and rise,Be as soft as your lips, and as bright as your eyes.Last bottle it up...."
It seems wrong to chronicle good living when bread was so dear—especially in the early years of the Regency where receipts for rice bread, and cheap adulterants of wheaten bread, were pressed upon the notice of the middle classes. One article of food they had which we should like at the same price—the very finest Native Oysters at 9s. and 10s. a barrel.
It was a brilliant period for the Stage. Kean was to make his appearance on the boards, but then Mrs. Siddons and Kemble retired. Death, too, was busy with some old dramatic favourites, and people connected with the Stage. In these nine years were called away—R. Cumberland, W. T. Lewis, Malone, G. F. Cooke, Chas. Dibbin, Chas. Burney, Mrs. Abingdon, H. Siddons, Mrs. Jordan, Sheridan, Signora Storace, and Miss Pope.
In 1811 there were but three regular theatres in London—Drury Lane, Covent Garden, and "The Little Theatre"in the Haymarket—and they all did a good business, although the prices charged their audiences were very moderate, so were the salaries of the actors. The pit was all pit, and the pittites were a discriminating audience, who were neither ashamed nor afraid to applaud, or censure, as their judgment led them. The plays were frequently changed. There were no runs of hundreds of nights, and the consequence was that the actor, "playing many parts," could not acquire mannerism, and gained greater experience in his profession.
In 1811 there were two persons, amateurs, who mightily affected theatrical company, namely, the Baron Geramb and Romeo Coates. The Baron was principally known for his enormously long whiskers—so feelingly alluded to by the Regent (vol. ii. p. 85), and there is a very good account of him inThe Annual Register, April 6, 1812:—
"The much talked of Baron Geramb, who has, for a year or two past, made so conspicuous a figure in this metropolis, is, at last, ordered out of the country. This singular person ushered himself into public notice by publishing a most inflated and ridiculous letter, which he dedicated to the Earl of Moira; in which he described himself as a Hungarian baron who had headed a corps of volunteers in the cause of Austria against France, and stated that, after the peace, he went to Spain to give the benefit of his courage and profound military experience to the oppressed patriots of the Peninsula. He accompaniedthis production with every other mode of obtaining notoriety, such as filling print-shop windows with three or four different engravings of his person, which few fools bought, in various costumes; a star, a death's head and cross-bones, and other terrific emblems, adorned the person of the baron. Nobody has walked the public streets for some time past who does not know this redoubtable nobleman.
"Wherever notoriety could be acquired, there was the Baron Geramb. At the funeral of the late Duke of Albuquerque he exhibited himself in all the parade of grief, in a jet black uniform. Where money alone could not gain admittance, the magnificent exterior of this seeming magnate of Hungary was sure of procuring an introduction. At the Opera, at the Theatres, and the Park, his furred mantle and resplendent stars were seldom missed. When that wonderful master of histrionic art, Mr. Coates, played, or rather attempted to play, Lothario, last winter, at the Haymarket, the Hungarian baron sat with indescribable dignity in the stage box, and appeared the patron of the absurdities of the night, consoling the white-plumed Lothario with his nods, and bows, and cheers, for all the coarse and severe, but justly merited, raillery which was unsparingly dealt out to him from the pit and galleries.
"But the baron was formed to embellish a Court as well as to dignify a playhouse. He was frequent in his inquiriesafter the health of the British Sovereign at St. James's; and appeared with more than usual splendour at the celebratedfêteof the Prince Regent at Carlton House. The fascinations of that scene of courtly festivity and princely elegance became the subject of the Baron's pen; and he accordingly published a letter to 'Sophie' describing, in the most romantic language, all the splendid objects of the night.... The baron, it is reported, has had uncommon success in certain gaming houses. He is now at Harwich, on his way to the Continent. He is said to be a German Jew, who, having married the widow of a Hungarian baron, assumed the title by which he passed."
Robert Coates, generally known as Romeo, was the son of a merchant and sugar planter at Antigua; he was educated in England, and then returned to his father. At his death, in 1807, young Coates came back to England not only very wealthy, but with a large collection of splendid diamonds. He settled at Bath, which town he soon made lively by his vagaries. He drove about, drawn by white horses, his curricle being shaped like a kettledrum, in front of which was a large gilt cock, and its motto was, "While I live I'll crow." He developed a curious craze for theatricals, and on the 9th of February, 1810, he appeared at the Bath Theatre as Romeo. Let Capt. Gronow tell the story of that night:—
"His dress wasoutréin the extreme; whether Spanish, Italian, or English, no one could say; it was like nothingever worn. In a cloak of sky blue silk, profusely spangled, red pantaloons, a vest of white muslin, surmounted by an enormously thick cravat, and a wigà laCharles II., capped by an Opera hat, he presented one of the most grotesque spectacles ever witnessed upon the stage. The whole of his garments were evidently too tight for him; and his movements appeared so incongruous that every time he raised his arm, or moved a limb, it was impossible to refrain from laughter.
"But what chiefly convulsed the audience, was the bursting of a seam in an inexpressible part of his dress, and the sudden extrusion through the red rents, of a quantity of white linen, sufficient to make a Bourbon flag, which was visible whenever he turned round. This was at first supposed to be a wilful offence against common decency, and some disapprobation was evinced; but the utter unconsciousness of the odd creature was soon apparent, and then unrestrained mirth reigned throughout the boxes, pit, and gallery....
"In the midst of one of Juliet's impassioned exclamations, Romeo quietly took out his snuff-box, and applied a pinch to his nose; on this a wag in the gallery bawled out, 'I say, Romeo, give us a pinch,' when the impassioned lover, in the most affected manner, walked to the side boxes, and offered the contents of his box, first to the gentleman, and then, with great gallantry, to the ladies....
"But how shall I describe his death? Out came a dirty silk handkerchief from his pocket, with which he carefully swept the ground; then his Opera hat was carefully placed for a pillow, and down he laid himself. After various tossings about, he seemed reconciled to the position; but the house vociferously bawled out, 'Die again, Romeo!' and, obedient to the command, he rose up, and went through the ceremony again. Scarcely had he lain quietly down when the call was again heard, and the well-pleased amateur was evidently prepared to enact a third death; but Juliet now rose from her tomb, and gracefully put an end to this ludicrous scene by advancing to the front of the stage and aptly applying a quotation from Shakespeare—