V

From the cool and dark-lipped furrows breathes a dim delightThrough the woodland's purple plumage to the diamond night.Aureoles of joy encircle every blade of grassWhere the dew-fed creatures silent and enraptured pass.And the restless ploughman pauses, turns, and, wondering,Deep beneath his rustic habit finds himself a king.

From the cool and dark-lipped furrows breathes a dim delight

Through the woodland's purple plumage to the diamond night.

Aureoles of joy encircle every blade of grass

Where the dew-fed creatures silent and enraptured pass.

And the restless ploughman pauses, turns, and, wondering,

Deep beneath his rustic habit finds himself a king.

This verse is obviously a poetical account of the experience he underwent "on some remote plain or steppe," and the final couplet of it gives the explanation of his belief in democracy. If he had no faith in the god in man, if he were not certain that "the restless ploughman ... deep beneath his rustic habit finds himself a king," he would probably offer his allegiance to autocracy and believe in government by a caste; but since he has seen visions and is convinced that there is a god in man, he cannot be other than a democrat. All his political strivings have been directed towards making this "a society where people will be at harmony in their economic life," as he writes in "The National Being," and "will readily listen to different opinions from their own, will not turn sour faces on those who do not think as they do, but will, by reason and sympathy, comprehendeach other, and come at last, through sympathy and affection, to a balancing of their diversities, as in that multitudinous diversity which is the universe, powers and dominions and elements are balanced, and are guided harmoniously by the Shepherd of the Ages." Whether such a world, balanced in that way, can be rightly described as a democracy is not a matter on which I offer any opinion here, though it seems to me to be a very long way from what the common man considers a democracy to be.

It is when we come to connect his visions and the beliefs he derives from them with the actual circumstances in which we find ourselves that we begin to be most dubious. "National ideals," he says in "The National Being," "are the possession of a few people only." That is an argument for aristocracy.

Yet we must spread them in wide commonalty over Ireland if we are to create a civilisation worthy of our hopes and our ages of struggle and sacrifice to attain the power to build. We must spread them in wide commonalty because it is certain that democracy will prevail in Ireland. The aristocratic classes with traditions ofgovernment, the manufacturing classes with economic experience, will alike be secondary in Ireland to the small farmers and the wage-earners in the towns. We must rely on the ideas common among our people, and on their power to discern among their countrymen the aristocracy of character and intellect.

With the deletion of the word "Ireland" and the substitution of the word "America," that quotation might stand just as effective for the United States as for Ireland. Why is it certain that democracy will prevail in Ireland? Because the small farmers and the wage-earners in the towns will take precedence over the aristocracy and the manufacturing classes! I do not follow that argument. I have seen nothing in England or America or Ireland or France to convince me that if the small farmers and the wage-earners in the towns were authoritative they would be any more democratic than the aristocratic or the manufacturing classes. I have seen much to make me feel certain that they will use their authority as implacably in their own interests as any aristocrat or manufacturer ever used or ever will use his. Mr. G. K. Chesterton, in his book, "Irish Impressions," produces this argument in favour of peasant proprietorship:

It may be that international Israel will launch against us out of the East an insane simplification of the unity of Man, as Islam once launched out of the East an insane simplification of the unity of God. If it be so, it is where property is well distributed that it will be well defended. The post of honor will be with those who fight in very truth for their own land.

It is indisputable that a peasant will fight for his own land, the tiny portion which he owns and cultivates, but will he fight for another man's land when that man is unjustly to be bereft of it? There is nothing meritable in a man who fights for his own goods and lands, nor does it seem to me that a peasant will fight for his potato-patch with any greater determination than a share holder in a railroad will fight for the interest on his capital. There certainly is not anything more noble or chivalrous in the peasant's desire to keep possession of his means of livelihood than there is in that of the Liberty Bondholder. The test of honour is, not what will you do for yourself, but what will you do for other men? The French peasant proprietors, the Pennsylvania Dutch, the Irish peasant proprietors may offer a guarantee of stability to society, but the offer may carry with it obstinatereaction and a gross disregard of the rights of those who are not possessors of land. It will not guarantee the landless man against exploitation in the price of food in times of war and necessity. It offers singularly little hope that "national ideals" will be spread in wide commonalty, if the peasants can help it. "A. E." will urge, perhaps, that while "national ideals are the possession of a few people only," they may be spread in wide commonalty if the "few people" will make the effort to spread them. The soil lies ready for the seed. But what is there in human affairs to justify any man in assuming that the mass of men are likely to be long-suffering in idealism? Is it not a fact of human nature that even when the multitude has been stirred to some act of exaltation, the staying power of the multitude has not been sufficient to maintain the exalted mood long enough to render the reactionaries hopeless? Where are the generous ideals of 1914 now? Has not the war that was to end war made war seem more probable? Is not the world at this moment suffering to the point of distraction because the multitude cannot live up to its own ideals long enough to make them practical? "The gods departed," says "A. E.","the half-gods also, hero and saint after that, and we [i. e. the Irish people] have dwindled down to a petty peasant nationality, rural and urban life alike mean in their externals." But he does not despair. "Yet the cavalcade, for all its tattered habiliments, has not lost spiritual dignity." And he hopes "the incorruptible atom" in us will make us great again. Divine optimism, but what is there in peasant society to justify it?

And here I make a wide digression to discourse on nationalism and peasant states. The world conspires to believe that the spirit of nationality is a desirable one, filling men with the purest ideals; but we begin to realize now that the spirit of nationality, while it has animated many noble men and brought them to a condition of extraordinary selflessness, more often reduces a race to a state of mean brutality and insufferable smugness. The self-satisfaction of a Sinn Feiner is as sickening as the ruffianly behaviour of a Black-and-Tan, and the outrages committed by the former are more despicable than the outrages of thelatter, because the Black-and-Tan makes no pretences about himself, whereas the Sinn Feiner covers his blackguardly behaviour with a cloak of virtuous nationalism and high ideals. What is there to choose between the Sinn Feiners who seized an old man of seventy and dragged him from a tram-car in Dublin and murdered him in the presence of terrorized Irishmen (not one of whom had the common pluck to risk his life in an effort to save him) and the Black-and-Tans who dragged the Mayor of Limerick from his bed and brutally murdered him? What is there to choose between the noble-minded Sinn Feiners who took old Mrs. Lindsay, a woman of more than seventy years, and shot her and her aged servant dead because she had done what any spirited woman would do, warned soldiers who were on her side, that they were walking into an ambush—what is there to choose between them and the Orangemen who threw bombs into the midst of little Catholic children playing games in Belfast? What is there to choose between the Sinn Feiners who murdered four sick men (one of them dying of pleurisy) in their beds in a Galway hospital and the Orangemen who murdered the McMahon family in Belfast? Very little. If oneside is more condemnable than the other, it is those who, professing noble motives, practice foul deeds. One may, perhaps, find excuses for the evil acts of men whose minds are inflamed with patriotic emotions which cannot be found for a civilized government committing similar deeds of atrocity. Murder by the former may be less reprehensible than murder by the latter, but the difference between them is too slight to be worthy of consideration. Murder remains murder, whether it be done for imperial or national purposes, and I confess to feeling more respect for the plain Black-and-Tan, making no bones about his brutality and his murders, than I do for the Sinn Feiner who commits crimes and calls them acts of virtue. "A. E.'s" restless ploughman may pause and turn and wonder, but is more likely to find himself, "deep beneath his rustic habit" a Sinn Fein gunman than "a king." I do not know how "the incorruptible atom" is to be developed in men who have made a virtue of crime and covered up their infamies with hypocrisy; and "A. E." amazingly omits to tell us how it is to be done.

We Irish people—and I am as Irish in my origins and emotions as any man—suffer from the sinwhich afflicts all subject peoples: the sin of self-pity; and I desire self-government for Ireland, not because I believe that the Irish people can govern themselves better than the English have governed them—I take leave to doubt that when I remember the achievements of the Irish in America—but because I can see no hope of the Irish people acquiring a sense of reality until they have freed themselves from the complacency, the smugness, the self-satisfaction, the self-pity which are inevitable in subject peoples. When they have discovered the truth about themselves, they may be able to govern themselves. And the truth about the Irish people, whether they be Protestant or Catholic, from the North or the South, is that they are a brutal, cruel, greedy, mean and treacherous people who have humbugged the rest of the world into the belief that they are a faithful, generous, high-minded, kindly, noble and tolerant race. We have our virtues, but by our insufferable contentment with ourselves we have made vices of them. Our literature, particularly our modern literature, plainly reveals the truth about us. Synge, Padraic Colum, Lennox Robinson, Daniel Corkery, James Joyce—all these have shown us an Irish peoplecompletely false to the world's common belief about them. I remember, when Mr. Robinson's bitter comedy, "The White-Headed Boy," was first performed in London, being asked by an English dramatic critic whether I recognized my countrymen in Mr. Robinson's characters. I said "Yes," and he replied in accents of disgust, "But they'rehorriblepeople! There isn't one of them for whom any decent person can feel sympathy!..." "Exactly," I said. And what our literature is now revealing, our acts and history have long made clear. We are at the culmination of centuries of oppression and cruel treatment. To the natural treachery and brutality of the Celt must be added the treachery and brutality which are provoked by misgovernment. The broad fact about us is that we have been so accustomed, by nature and by circumstances, to occasions of harsh and violent conduct that we find nothing startling in them, provided we can give them a patriotic gloss. Our satisfaction with ourselves is so intense that we imagine our little efforts in literature to be greater than those of the rest of the world. We prate incessantly about the ancient Gælic literature, but are reluctant to produce the evidence for ourboasting. We forget that the Irishmen of distinction in literature, Goldsmith, Sheridan, Wilde, Shaw, Yeats, Moore and Synge, are not Celtic at all, but Anglo-Saxon in origin.[3]All of them, with the exception of Mr. Moore, are Protestant, and even Mr. Moore became a Protestant. "A. E." himself is an Ulster Protestant with a Scotch name. The O's and the Macs, who are reputed to be compounded of poetry and noble thoughts have furnished the world with little but soldiers, cattle-drivers, Sinn Fein gunmen and Tammany bosses. We have sponged upon the world, and the world is utterly sick of us.

Our absorption in ourselves is so complete that we demand consideration for our academic grievances which rightly belongs to the ruined races of Europe. Ireland is the only country in the world which made a profit out of the War, yet her behaviour during it was that of an hysterical woman who should rush into the presence of a man bleeding to death and exclaim, "My God, I've got toothache!" Millions of Russians are dying ofdisease and hunger with less complaint than a Sinn Feiner makes about his obsolete language which he cannot speak, will not write and does not wish to learn. Millions of Austrians are without the elementary decencies of life, but they do not whine over their ills as Sinn Feiners whine over ills which they have not got. Snivelling and whining, indeed, are the most obvious characteristics of the modern Irishman, Catholic or Protestant, added to an impudent demand that his affairs shall be treated as of greater consequence than those of the rest of mankind.

To crown all, we are allowing ourselves to be dominated by peasant ideals: the little narrow demands of men who care only for their own interests and not at all for their neighbours'. We have seen how the curse of nationality together with the curse of peasant principles have helped to ruin Europe. When we are asked to believe in "the incorruptible atom" of the peasant, we look to the Balkan States and see a foulness which spread a plague across a continent. When we are told of "the spiritual dignity" of the peasant community, we look to France and see a nation so corrupted with peasant greed and peasant fright that thePeace Treaty threatens to be a more potent force for war and bloodshed than all the Kaisers that have ever lived put together. And when we are told that the patriotic peasant "deep beneath his rustic habit finds himself a king" we look to Ireland and see young men, masked and armed, seizing old, unarmed men and old, unarmed women and sick and dying men and little children, and brutally murdering them. These be your Gods, O Israel. These be your high-minded patriots, your selfless peasants, your noble army of idealists!

If we are to govern ourselves, we can only hope to do so manfully if we begin by humiliating ourselves before God and man. We have made claims on the world's regard which we are not entitled to make and cannot maintain. If "the incorruptible atom" is in our national being at all—if we are not a foul and cantankerous race destined by Almighty God to perish utterly from the earth because we are unfit to survive—then for each of us the principal purpose of life must be a prolonged process of purification. We have sinned, we have sinned, we have sinned, but we have not repented. We have pretended that our sin was a virtue and have demanded admission to the societyof our betters on the plea that we are their equals, if not their superiors, when in fact we are not fit to be in their company at all; and our task now and for a long time must be the bitter one of acknowledging the truth to ourselves and striving to justify our boasting to other men. We have to rid ourselves of vain-glory and self-pity, of cant and humbug, of cruelty and hatred, of backbiting and slander, of false pride, of whining and snivelling, of corrupt living and a mean religion. There are evil things in our nature and more evil things in our circumstances which we must somehow subdue if we are to come to equality with the civilized races of the world, but they will not be subdued until we have learned to acknowledge facts and have discovered that hatred is a device of the devil whereby men are destroyed and the world is made a wilderness. We can neither live nor let live until we have filled our hearts with love and charity. Nor will there be any hope in our lives until we have abandoned the mean divisions which keep the North Irishman in bitter enmity with the South Irishman. These two are necessary to each other, the first for his stability and judgment and governing ability, the second for his vision andfaith and docility. There are millions of Irishmen or men of Irish origin in the United States, yet no Irish Catholic or man of Irish Catholic origin has risen to Presidency of his country. Three men of Ulster Protestant origin have done this. The Irish Catholic has given corrupt politics to America. He has not given anything else. The Ulster people, the only compact people in Ireland, whose blood has hardly been mingled with other blood in three centuries and more—there is not a drop of English blood in my veins, a claim which cannot easily be maintained by Irishmen south of the Boyne—contemplate the scene in Ireland now with misgiving and astonishment. They, whatever their faults, chose an Irishman for their leader, but the Sinn Feiners could not throw up from among themselves a man to lead them. They chose, first, an Englishman, called Padraic Pearse. They chose second, an American Jew, called De Valera, whose principal adviser is an Englishman, called Erskine Childers, whose domestic urge is his American wife, infatuated with the thought that she is the reincarnation of Joan of Arc. And the Ulstermen, free from dialectical intricacies, listen to the tortured, worn-out sentiments uttered by Mr.De Valera, not in fear, but in contempt. That long, lean Jew, trained by Jesuits, possessed in double measure of the narrow, uninspired idealism of his race and furnished with the casuistical devotion of his teachers, is an honest man, with cold, humourless, fanatical eyes, whose unreceptive mind guards itself against knowledge by barriers of bigotry, hatred, obstinacy, disbelief and self-deception. He has the dishonesty that is sometimes found in a very honest man, the dishonesty one might expect to find in a man trained in a Jesuit school: for there are few acts of unscrupulousness that he will not commit to achieve the end he devoutly desires. When he was asked on one occasion what his attitude would be to the Ulster people if they refused to give allegiance to an Irish Republic, he replied that he would blast Ulster from his path, unaware seemingly that blasting is a bad business in which more than one party can participate. I put the question to him myself in the Commodore Hotel in New York at a meeting of the League of Free Nations; and his reply was that he would present the Ulster people with these alternatives: they might remain in Ireland under the Republic or they might go out of Irelandaltogether with compensation for their property. It did not occur to Mr. De Valera that of these alternatives, Ulstermen would choose neither. How far he had considered the question of finance involved in schemes of compensation, I do not know, although I suspect his mind to be innocent of much financial knowledge; but I wonder how he would raise the money with which to compensate a single firm in Belfast, that of Harland and Wolff, the shipbuilders, if they elected to build their ships in Southampton; and I wonder still more how he would raise the men and the money to carry on those works after Harland and Wolff had taken themselves away! But such suppositions are idle, for Ulstermen will not let themselves be disturbed in their homes by one who is not their countryman. The story of my family in Ulster is typical of the story of hundreds and thousands of families there. All my forefathers, on my mother's side and my father's side, for three hundred years of which we have record and for a longer period of which we have incomplete records, were born and bred and buried in the County of Down, with the exception of my maternal grandfather who, although born and bred in Down, died and wasburied in America. And we, so indigenous to the soil as that, are bidden to acknowledge Mr. De Valera for our President or clear out of our homes, although Mr. De Valera is an American citizen, born in New York, whose first act, if he were President of the Irish Republic, would have to be one of naturalization! We will see Mr. De Valera damned first. This strange intruder into Irish politics has brought in his trail a terrible procession of young men trained to take life lightly, to listen to no argument but that of the revolver; and the end of that procession is out of sight. It is more easy to train men to take life than it is to train them to preserve it. We cannot say to a man, "Thus far shalt thou kill, but no further!" and those whom we have taught to commit crime in the name of patriotism, may continue to commit crime for personal profit. "And so, to the end of history," as Cæsar says in Mr. Shaw's play "murder shall breed murder, always in the name of right and honour and peace, until the gods are tired of blood and create a race that can understand."

Sometimes I say to myself that "A. E." has lived too long and too exclusively in Ireland. He is not free from the mush of sentimentality with which Irishmen regard themselves, this everlasting self-congratulation that Irishmen are not as Englishmen, this smug preoccupation with their own virtues and bland disregard of their vices, this eternal denial that they have any demerits. If the Irish people are to recover the dignity and the stature of the gods, they must display god-like qualities or prove that they possess them. It is not sufficient to assert that they possess these qualities, at the same time denying them by nagging continually at their neighbours. I have wished at times that "A. E." could be removed from the atmosphere of adulation which envelopes him in Dublin, and sent, without letters of introduction, on a tour round the world. He has probably travelled less than any other educated man in Ireland. He passes from his home in Rathmines, a suburb of Dublin, to the office of theIrish Homesteadin Merrion Square, from one centre of adulation to another, with occasional visits to the home ofJames Stephens, where he meets the same people that visit him on Sunday nights, or to the Hermetic Society, where he meets them again. He is too fine a spirit to be seriously affected by the paltry gabble of the third-rate minds he encounters on most occasions in Dublin, and perhaps it hardly matters that he seldom leaves Dublin and hardly ever leaves Ireland; but even so rare a man as "A. E." must suffer contraction within the narrow limits of Dublin. He has resources that few men possess: a quiet mind, a vivid faith and the love and respect of very dissimilar people. He can turn from the consideration of agricultural prices in theIrish Homesteadto the esoteric alphabet with which he speaks to the Gods, or he can go off to the mountains of Donegal and make pictures. When painting no longer delights him, he can spend his nights and days in making poems. He is extravagantly generous to young writers, giving greater praise to them sometimes than they deserve, giving less of criticism than is necessary. There are minor poets in Dublin, authors of thin books of thin verse, who have persuaded themselves, because of "A. E's." praise, that they are more meritable than they are. There are people inDublin who seem to believe that Ireland has produced a greater literature than England and will denounce you as a traitor to your country if you protest that she cannot show poets of the stature of Chaucer, Shakespeare, Milton, Shelley, Keats, Wordsworth, Browning and Tennyson, with the exception of Mr. Yeats. I am the sort of patriot who would like to see his country raise herself to the level of other countries, but I am not the sort of patriot who will pretend that she is on the level of England and France and Germany when, in fact, she is far below it. "A. E." is not entirely free from blame for this. He could have given Ireland a sense of proportion, had he cared to do so.

I have a picture by "A. E." of an ascending road on the side of a mountain. There is rain in the air, and the road has a lonely, unfrequented look. Yet, though there is no living creature visible in the picture, Life fills it. I feel sometimes when I sit back in my chair and look at "The Mountain Road" that there are divine beings behind thebushes, that if I could only climb up that road and turn the corner of the mountain, I should come upon the Golden Age. Is it not ungracious to make complaint, even if the complaint be a slight one, of a man who can make the invisible world so powerfully felt as that? And if he persuades me, by nature sceptical, almost to believe in the Shining Ones, how much more strong must his influence be on those who are eager to believe! When the evil temper which possesses Ireland at this moment has subsided, the fine temper of "A. E." will rise again and call Irishmen to a kindlier mood. The little town of Lurgan, in which he was born, is notorious in Ulster for the harshness of its religious dissensions. A base bigotry flourishes there. It is in the nature of things that from a place of great bitterness should have come a man of reconciliation, bidding Catholic and Protestant to meet, not in Geneva or in Rome, but on the holy hills of Ireland, under the protection of the ancient gods.

FOOTNOTES:[1]Mr. Darrell Figgis, in his book on "A. E.", explains the pen-name thus: "Wanting at one time a new pen-name, he subscribed himself as Aeon. His penmanship not at all times being of the legiblest, the printer deciphered the first diphthong and set a query for the rest; whereupon the writer, in his proof-sheets, stroked out the query and stood by the diphthong." Since then, however, Mr. Russell has abandoned the diphthong and prints his pen name as two separate letters.[2]I leave that passage unmodified, despite the fact that the Black-and-Tans in the course of their fight with the Sinn Feiners (equally disgraceful to both of them) burnt down many of the creameries. They will be built again. Mr. Lloyd George jeered at Sir Horace Plunkett soon after the Black-and-Tans had performed most of their infamous work, but any decent person would infinitely prefer to be Sir Horace with his burnt creameries than Mr. Lloyd George with his burnt principles.[3]Parnell, the greatest political leader the Irish Catholics have ever had, was a Protestant of Anglo-Saxon origin. Like Synge, he belonged to a family which came to Ireland originally from Cheshire in the North of England.

[1]Mr. Darrell Figgis, in his book on "A. E.", explains the pen-name thus: "Wanting at one time a new pen-name, he subscribed himself as Aeon. His penmanship not at all times being of the legiblest, the printer deciphered the first diphthong and set a query for the rest; whereupon the writer, in his proof-sheets, stroked out the query and stood by the diphthong." Since then, however, Mr. Russell has abandoned the diphthong and prints his pen name as two separate letters.

[2]I leave that passage unmodified, despite the fact that the Black-and-Tans in the course of their fight with the Sinn Feiners (equally disgraceful to both of them) burnt down many of the creameries. They will be built again. Mr. Lloyd George jeered at Sir Horace Plunkett soon after the Black-and-Tans had performed most of their infamous work, but any decent person would infinitely prefer to be Sir Horace with his burnt creameries than Mr. Lloyd George with his burnt principles.

[3]Parnell, the greatest political leader the Irish Catholics have ever had, was a Protestant of Anglo-Saxon origin. Like Synge, he belonged to a family which came to Ireland originally from Cheshire in the North of England.

One night, some years before the outbreak of the European War, I arrived in the town of Hanley in the County of Stafford in the midlands of England to deliver a lecture on some subject, the name of which I do not now remember, although I suspect it was connected with the general improvement of mankind. I had accepted the invitation to lecture in Hanley, not because I had anything of importance to say to its inhabitants, but because I had lately read "The Old Wives' Tale" by Mr. Arnold Bennett, and was eager to see the place and the people from which that great book had sprung. My recollections of the visit are very vague now, but I remember that my host, a man of serious mind, a little over-weighted, perhaps, by the troubles of the universe, took me for a walk on Sunday morning through some of "the Five Towns," in the course of which he displayedmuch knowledge of the topography of Mr. Bennett's books without displaying much knowledge of the books themselves. He informed me that the real name of "Trafalgar Road" in "The Old Wives' Tale" is "Waterloo Road" and that the fictitious name of Hanley is "Hanbridge." He speculated incuriously on the oddness which had caused Mr. Bennett to alter real names in this palpable manner, and ended his discourse with the statement that he seldom read novels (which he persisted in calling "Works of Fiction") being more inclined to the study of serious books. I learned that he read chiefly in the writings of sociologists and political economists and similar serious persons. I suggested to him that he might more profitably read novels than sociological books if he wished to discover something about human character. He was a polite and kindly man, and he did not abruptly tell me of my folly, but I could see that he considered me to be a fool or, at best, a flippant person, and I am sure that had he not been my host he would not have troubled to attend my lecture that evening. He smiled in the benign way men have when they abstain from expressing their frank opinion, as helistened to me saying that he would find in novels a greater fund of information about human nature than he could hope to find in all the works that all the sociologists in the world have written. Men of affairs, I said, spend their lives in writing ponderous volumes on society which are out-of-date as soon as they are published, whereas the novel or the play of a man of genius remains true for ever. Henry Fielding and Adam Smith were contemporaries, but I imagine few will deny that there is more durable stuff, stuff more continuously applicable to human concerns, in "Tom Jones" than there is in "The Wealth of Nations." But my friend would have none of this, and seemed to think that any man who spent time in reading Fielding's novel which might be spent in reading Adam Smith was shamefully misusing his mind. He led me, I remember, through much of the territory which is generically known as "the Five Towns." I saw the Square in which the Baineses lived, and was told that although Mr. Bennett called it "St. Luke's Square" in "The Old Wives' Tale," the local authorities preferred to call it after St. John. So great was the influence of the novel upon me that when I peered through the window of the shop inwhich, so I was told, Constance and Sophia Baines were born, I almost expected to see the half-heroic figure of Samuel Povey behind the counter or to meet the cold, un-human glance of that frozen spinster, Miss Marie Insull, who once, and once only, displayed signs of human emotion—on the occasion when Mr. Critchlow brought her into the presence of the widowed Constance to announce his betrothal to her:

The dog had leisurely strolled forward to inspect the edges of the fiancé's trousers. Miss Insull summoned the animal with a noise of the fingers, and then bent down and caressed it. A strange gesture proving the validity of Charles Critchlow's discovery that in Maria Insull a human being was buried.

My host led me up stony streets, in which every sort of domestic architecture was visible—for "the Five Towns" are so independent that even in the workmen's houses there is no uniformity of style or harmony of design, a fact which makes, not for a pleasing diversity, but for shapelessness and incoherence—and pointed to places in the ground where, so he said, the earth had opened, owing to underground operations, and swallowed whosoever should happen to be passing over it. There wasa story of a man who had set forth in the morning to go to his work, but, before he had travelled many yards from his home, was suddenly consumed by the opening earth and was never seen again. I will admit that I trod those streets thereafter with trepidation and considerable care! I had begun to tire of the ugly houses with their insufferable architecture, and of the grime caused by innumerable chimneys emitting thick, black smoke, when I was led up a steep street at the top of which I was told to halt and gaze about me. I saw the whole of "the Five Towns" and much of the surrounding country spread out like the kingdoms of the world and realized how strangely moving such a scene can be because of its suggestion of human presences. It was not without beauty, in spite of the gloom of an industrial area, but it impressed me most by its air of effort and power and achievement. I became conscious of the activities of men and women, of great labours, of confused strivings out of which some human need is satisfied, and I came away, as I always come away from such sights, immensely impressed by human organization and very satisfied with great machines. When we had descended from that high street and hadwalked elsewhere, I found myself suddenly confronting a railway station on which I saw the romantic name ofETRURIA.

Etruria, the country of the Etruscans in Italy, was, I suppose, a very different place from Etruria, the small town between Hanley and Burslem ("Hanbridge" and "Bursley") where Josiah Wedgwood founded his pottery in the eighteenth century, but the spirit which produced the Etruscan ceramics was not dissimilar from the spirit which produces the famous Wedgwood ware; and I thought to myself as I looked at the romantic name of that grimy-looking town in Staffordshire that I had stumbled on the secret of Mr. Bennett. Underneath the plain appearance of the pottery town, there is a spirit which has persisted in the production of beautiful things for the best part of two centuries, a spirit so much in love with delicate ware that it calls an unsightly town by the name of an ancient and reputedly beautiful one; and underneath the hard and fact-ridden style of Mr. Bennett there is an ineradicable desire for romance. Isaid of him once that he fights the battles of the romantic with the weapons of the realist, and that description seems to me to be strictly accurate. Mr. Bennett mingles, even in his Christian names, the gritty and the graceful in a way that is singularly characteristic of the people of his district. "Enoch Arnold Bennett" is a combination of names not easily imagined, but it is not more unusual than the combination of Etruria and Staffordshire, of lovely ceramics and "the Five Towns." Mr. Bennett has many times been charged with addiction to dusty realism, a dull love of facts. His critics say of him, after reading such a book as "Your United States," that he must have spent his time on the liner in which he went to America in counting the rivets in her plates for the sheer love of counting them, and they conclude that he is a materialist because of his interest in numbers and in things. They even complain of him that he is infatuated with largeness, just as Queen Victoria was, and that he imagines a thing to be good when it is merely big. This is undiscerning criticism. It is as if a child were charged with being a disciple of Haeckel because it thinks that ten things are more wonderful than one thing. Wemay think that Mr. Bennett is a fact-ridden modern, incapable of romance, because he inordinately admires electricity, but to do so is to announce ourselves as dunderheads for not discovering that his love of electricity is the Romantic's love of the Magic Lamp! How easily most of us are dissuaded from our faith in romantic things! We are in ecstasies when we hear of St. Francis of Assisi preaching to the fishes and the birds and addressing them as little brothers, but we are horribly shocked and humiliated when Mr. Bernard Shaw makes the mad priest in "John Bull's Other Island" speak of a pig as our little brother! There is prettiness in the community of men and birds, even of men and the smaller fish, but pigs—PORK!! We find romance in the spectacle of a man rubbing a dirty lantern with his fingers in order to summon up a serving genie, but cannot perceive the greater romance found by Mr. Bennett in the spectacle of a man pressing a switch and illuminating a room with power drawn by wires from a station many miles away! We are enchanted with the thought of transport on Magic Carpets, but unmoved by the thought that presently great ships will be guided into New YorkHarbour, not by pilots, but by means of wireless telegraphy! Some dullards have exclaimed despairingly of Mr. Bennett because of what they called his trivial and commonplace interests as revealed in that enthralling book, "Things That Have Interested Me," failing utterly to discern that it is his interest in these things which is so infallible a sign of his zest for life. Any one can be interested in the Rocky Mountains, but it is only a superbly romantic man who can be absorbed in Tarrytown. There is not anything in the round world, made by God or by man, which does not interest Mr. Bennett. Familiarity breeds contempt in most of us, but it does not breed contempt in him.He never gets used to things.Most of us are too dull of mind, too destitute of imagination to feel interest or astonishment unless we are abruptly confronted with the unusual or the violent, and our capacity for romantic enjoyment is limited and soon exhausted. We would exclaim with astonishment on beholding an eruption of Mount Vesuvius for the first time, but we would exclaim rather less on perceiving the ninety-ninth eruption. Mr. Bennett would experience as much excitement on the ninety-ninth occasion as he would on the first.Nothing less than an earthquake is necessary to stir some of us, but Mr. Bennett can be stirred by the sight of a taxicab. The genesis of "The Old Wives' Tale," as described in the preface to one of the later editions, is a clear illustration of his romantic possession:

In the autumn of 1903 [he writes], I used to dine frequently in a restaurant in the Rue de Clichy, Paris. Here were, among others, two waitresses that attracted my attention. One was a beautiful, pale young girl, to whom I never spoke, for she was employed far away from the table I affected. The other, a stout, middle-aged, managing Breton woman, had sole command over my table and me, and gradually she began to assume such a maternal tone towards me that I saw I should be compelled to leave that restaurant. If I was absent for a couple of nights running she would reproach me sharply: "What! you are unfaithful to me?" Once when I complained about some French beans, she informed me roundly that "French beans were a subject which I did not understand...."

I break the quotation here to exclaim at the obtuseness of that Breton woman who, in the course of her management of Mr. Bennett, failed to discover that he loves to regard himself as an authority on such matters as French beans. Thereis a kind of romantic pride which makes some men believe that they know the one place in a city where the best brand of a particular article is to be purchased. Mr. Bennett has that pride. The heaviness of the Breton's blow to it can be imagined after reading the next sentence in the passage from which I am making the quotation:

I then decided to be eternally unfaithful to her, and I abandoned the restaurant. A few nights before the final parting an old woman came into the restaurant to dine. She was fat, shapeless, ugly and grotesque. She had a ridiculous voice and ridiculous gestures. It was easy to see that she lived alone, and that in the long lapse of years she had developed the kind of peculiarity which induces guffaws among the thoughtless. She was burdened with a lot of small parcels which she kept dropping. She chose one seat; and then, not liking it, chose another; and then another. In a few moments she had the whole restaurant laughing at her. That my middle-aged Breton should laugh was indifferent to me, but I was pained to see a coarse grimace of giggling on the pale face of the beautiful young waitress to whom I had never spoken. I reflected, concerning the grotesque diner: This woman was once young, slim, perhaps beautiful; certainly free from these ridiculous mannerisms. Very probably she is unconscious of her singularities. Her case is a tragedy. One ought to be ableto make a heartrending novel out of the history of a woman such as she. Every stout, ageing woman is not grotesque—far from it!—but there is an extreme pathos in the mere fact that every stout, ageing woman was once a young girl with the unique charm of youth in her form and movements and in her mind. And the fact that the change from the young girl to the stout, ageing woman is made up of an infinite number of infinitesimal changes, each unperceived by her, only intensifies the pathos. It was at that instant that I was visited by the idea of writing the book which ultimately became "The Old Wives' Tale." ...

In that passage there is revealed much, I think, of Mr. Bennett's character and spirit. He dislikes the sensation of being managed because he likes the sensation of managing. The Breton woman could have won him to faithful service for ever if she had deferred to him in the matter of French beans, and who knows what tricks of duplicity she could have played upon him had she stooped to guile? But she wounded him in his pride when she bluntly told him that her judgment on beans was sounder than his, and thus lost the custom of the most interesting of herdiners. The first fact, therefore, that one discovers in this passage is that Mr. Bennett has a profound respect for his own opinion: he feels pretty sure of himself. This may be considered to be a sign of conceit, but that consideration is not necessarily true. It could only be a sign of conceit if Mr. Bennett's respect for his own opinion were misplaced, and there is nothing in his record to show that it is misplaced. There is, on the contrary, much to show that it is placed with the utmost propriety. He has done many of the things which he said he would do, and has done them exceedingly well. If all of us could have faith in ourselves with as much justification as Mr. Bennett has faith in himself, we would do well to practice our faith with fervour. The second fact about Mr. Bennett which is revealed by this passage is the romantic nature of him, but before I discuss it, I wish to point out a third and minor fact which is something of a flaw in him, not an important flaw, but one which must be remembered by his admirers. It is his occasional tendency to let his romanticism degenerate into sentimentality. Observe how he seems to have romanced about the pale and beautiful waitress to whom he neverspoke, how he assumes that because she is beautiful she must also be generous and sympathetic and kindly, with what dismay he discovers that, just as a man can smile and smile and be a villain, so a woman can be pale and beautiful, and yet be as cruel or lacking in perception as the ruddiest and least lovely of her sex. He declares, indeed, that he quitted the restaurant in the Rue de Clichy because of the insolence of the Breton woman who disputed his authority on beans, but may he not be deceiving himself, may he not in fact have quitted that place because his illusion about the beautiful, pale young waitress was shattered by her coarse grimaces, her unkindly giggles? After all, it is easy enough to live with those who will not accept our estimate of ourselves, but how hard it is to live with lost beliefs. One of the most painful things about shell-shock cases resulting in mental derangement is that the patient seems to loathe most those whom he formerly loved most, and here in England many of us know of pitiful women who dare not go to see their unbalanced husbands because the mere sight of them throws the unhappy men into paroxysms of rage and anguish!...

But it is when we come to consider Mr.Bennett's attitude towards the foolish old woman who changed her seat and dropped her parcels so often in the restaurant in the Rue de Clichy that we discover his chief characteristic. If he were the fact-ridden realist that some of his critics pronounce him to be, he could not possibly have perceived in that old woman, "fat, shapeless, ugly and grotesque," the lineaments of a girl, "young, slim, perhaps beautiful; certainly free from these ridiculous mannerisms." A fact-ridden realist might not have joined in the laughter of the Breton woman and the giggling pale waitress, but he would have judged the old woman with harsh contempt, more intolerable even than mocking laughter, and he would have turned away from her in irritation and disgust because of her inefficiency, her clumsiness, her indecision, her displeasing exterior. At best, he would have seen her solely as a fat, ugly and grotesque person who had always been incompetent, fat, ugly and grotesque. But Mr. Bennett, incorrigibly romantic, regarding her closely and with kindliness, insists that beneath the bulk of her body there is a soul, that the too, too solid flesh once wore "the feature of blown youth," even as Ophelia foundit in Hamlet! She may not be beautiful now, he tells himself, but how beautiful may she not once have been. That is the spirit of romance. It is a certain sign of the romantic in a man that he will not permit himself to be bluffed by appearances when appearances are bad, although he may often be bluffed by them when they are good. Mr. Bennett was not deceived by the old woman's looks, but he was terribly deceived by the looks of the pale, young waitress, and it is true of him, I think, that he is very easily deceived by youth, to which he is uncommonly generous. Observe how he shows his willingness to be deceived by youth in the passage which I have quoted. He tells himself that the old woman was once "young, slim, perhaps beautiful," which is likely enough, but he goes on, not romantically, but sentimentally, to add, that she was "certainly free from these ridiculous mannerisms." Now, there is no warrant in human experience for such an assumption. I am prepared to believe that an old woman, "fat, shapeless, ugly and grotesque" was once "slim, perhaps beautiful," but I am not prepared to believe that an indecisive, footling old woman was, in her girlhood, any other than indecisive andfootling. We do not change our natures to that extent as we grow older unless we lose our wits or suffer gravely in health, and the tragedy of old age is that habits and mannerisms which are charming and attractive in youth are merely silly and annoying in age. We are amused by the violent opinions of a clever young man of twenty, inclined even to applaud him for holding them because they are significant of an active and developing mind, but they are less amusing to us and win less applause if they are still being expressed by him when he is thirty. We cease altogether to applaud or be amused when we hear him still at them when he is forty. We no longer describe him as a clever young man, but a damned fool. No one has any right to be a clever young man all his life. The law should forbid any one to be a clever young man after the age of twenty-seven. The world is entitled to demand that its clever young men shall grow up and achieve some sort of sanity and right judgment by the age of thirty, and if they refuse to grow up, then they are not free to complain if the world revises its judgment on them and inexorably thrusts them from its regard. Mr. Bennett's old woman droppedher parcels and changed her seat just as frequently in her youth as she did on that evening when he saw her in the Rue de Clichy, but she was young and perhaps pretty then, and people forgave her for her footling ways because of her youthfulness and in the hope that someday she would acquire steadiness of character and control over her packages. I think I can give a fairly accurate description of that old woman when she was a girl. She was always late for everything, but her demure ways and a sort of foal-like clumsiness about her made men willing to wait and be gracious about it. She always remembered at the last moment nineteen different things which she had forgotten to do, which must immediately be done, which inevitably caused greater delay. She could never find her railway ticket when the inspector came round to examine it and frequently held up trains while every one in her carriage hunted high and low for it. She persistently dropped her gloves, her handkerchief and her vanity-bag or left them behind her wherever she went. She never went out of doors without losing something. She never had any small change, and invariably tendered a ten-dollar bill, when buying a ten-centnewspaper, in the fond belief that the clerk at the news stand or even the boy in the street was certain to have plenty of change and be all too eager to oblige her. She always got on to the wrong train or trolley-car and did not discover her mistake until too late to dismount from it!... But she succeeded in putting over that sort of fatuous behaviour on the strength of her youth and prettiness; and men, who would go raving mad if they had to live with a middle-aged or elderly woman of such habits, readily excused her imbecilities because they were those of youth.

I wondered often, when I was in America, why I saw so many old or middle-aged husbands with girl-wives. People told me that the cost of living is so high in America that young men cannot afford to marry young girls, but must either marry older and richer women or refrain from marriage until they are middle-aged. Young women, so I was told, must marry the elderly and the bald, the slack and the flabby because, otherwise, they cannot hope for a good time until they are no longer of an age to enjoy it. I do not much esteem young women who refuse the great adventure of marriage with young, poor men in order that they may havea good time with unenthusiastic, tamed and middle-aged men, especially when I remember that a good time in such circumstances means only a fatly comfortable one, being well-fed, well-housed and well-clothed without ever having had the fun of fighting for such comforts. But I am not entirely convinced by the arguments which were put to me in explanation of this singular and unnatural conjunction of the young and the middle-aged. There may be truth in the statement that American girls marry elderly men for the comfort they receive, but I doubt whether the elderly men marry for that reason. I am very certain that such marriages are made because the men are romantic and will not believe that the young girl's "charming ways" will not be retained by her when she is no longer young. The plain and undeniable fact is that elderly men marry girls because they cannot believe that a girl who has foolish habits will not cease to have them when she is older. The romantic is a man who is everlastingly hoping for the best, everlastingly striving to obtain the best. A romantic realist is a man who, while striving for the best, knows that he may only obtain the worst. The sentimentalist is a man who removeshimself from the region of reality and refuses to admit that there is a worst, who insists that all is for the best in the best of all possible worlds. Mr. Arnold Bennett is a romantic realist, with a slight tendency towards sentimentalism.

His romantic realism seems to plunge desperately into sentimentalism when he contemplates very old age and death. Dr. Johnson had a strange horror of death, "so much so, Sir," as he said to Boswell, "that the whole of life is but keeping away the thoughts of it." But he achieved quietness of mind when his end came and his last recorded words were of a benignant character. "God bless you, my dear!" he said to Miss Morris, forbidden by his faithful negro servant, Francis, to come nearer to his bed than the outer room. Mr. Bennett seldom, if ever, permits his very old people to die placidly. Their disappointments press hardly upon them, if they are not prevented from remembering them by senility or gross disease. Paralysis claims many of them. Age does not beautify them nor bring peace to them, nor dothey face their end with undiminished heads. He is remarkably consistent in this view of old age and death, and perhaps it is natural that he should regard it so gloomily when one remembers how completely he is enthralled by youth. But his view is an unbalanced one.

Old age is not always graceless and crabbed and unlovely. Such an old man as Mr. Thomas Hardy has a grace and quietness and courage discoverable only in those who have endured many things but have not been conquered by them. Mr. Bennett, however, looks upon age as a calamity which must, indeed, happen to all of us, if we live long enough, but cannot possibly be mitigated.

He is able to detect the "young, slim, perhaps beautiful" girl in the "fat, shapeless, ugly and grotesque" old woman, but he cannot so easily detect the gracious old man or woman in the boy and girl. I am oppressed sometimes by the thought that if Mr. Bennett had seen the "young, slim, perhaps beautiful" girl, his romantic nature would have let him down, yielding place to his cynicism, and he would have detected the coming wrinkles on her brow, would have seen that her eyes would grow dull, might even have pointedout her tendency to obesity. "Of course, I should!" Mr. Bennett may retort, "for I am a realist as well as a romantic, and in this case, I should have been right!" And so he would, but the trouble is that, while Mr. Bennett romantically and rightly sees the slim, perhaps beautiful girl in the fat old woman, he always realistically and wrongly sees the fat old woman in the slim young girl! I think that the spirit of "the Five Towns" is entirely responsible for the fact that Mr. Bennett never sees beauty in age. It is a harsh, acquisitive spirit, busy principally in the accumulation of material things (despite the fact that it produces lovely pottery) and inclined to measure a man's worth by the amount of his fortune. The leisurely and gracious things of life are not the immediate or even the ultimate concerns of life in "the Potteries," and old age is likely, in such places, to be harsh and acquisitive. When men and women, who have spent their activities entirely in money-making, reach the age at which they possess much money but are no longer able to employ themselves in its acquisition, they become crabbed, unlovely, mean, for they have no resources. You cannot derive pleasure fromliterature or music or painting or any other art when you bring to its consideration only the fag-end of your life. One has seen men who were notorious among their neighbours for their hard work—always engaged in their employment from early morning until late night—seldom, if ever, resting or taking holiday. One has seen these men, after they have retired from business, so helpless without their work to occupy their minds that they steadily declined into a condition of misery which brought about premature death! They lived for one thing, and when that thing was no longer available for them, they perished because they had no other resources and it was too late to acquire any! Mr. Bennett must have seen such men many times during his early years in "the Five Towns" and the pitiful spectacle so impressed his mind that old age has become to him a terrifying thing, a complete debâcle of the brain and energies. This life, this youth, is so wonderful, so full of romantic possibilities, that age and death seem to him merely obscene interruptions of an enthralling spectacle.

Once only, so far as I can discover, did he make a poem. It was published inThe English Reviewin the brave days when that magazine was edited by Mr. Ford Madox Hueffer, and since it is singularly characteristic, as a poem ought to be, of its author's outlook on life, I quote it here in full. But first I must affirm my belief thatThe English Review, under the editorship of Mr. Hueffer, was the greatest magazine that this world has ever known. That is a tremendous title to claim for any magazine, but I doubt whether any one, familiar with great magazines, will seriously dispute it. The title of Mr. Bennett's poem is "Town and Country." Here it is:

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