CHAPTER XXXI

"You don't understand papa. He quibbles to irritate mamma. He meant like a waistband—separate—don't you see?"

"I see. But it wouldn't bend right." Sally's truthful nature postpones laughing at the Professor's absurdity; looks at the case on its merits. When she has done justice to this point, she laughs and adds: "What didyousay, Tishy?"

"Oh, I said what nonsense, and it wasn't tight round like all that; only a symptom. And we didn't even know mamma was there because of Speke and Grant's obelisk. There wasn't a soul! Papa saw it quite as I did, and was most reasonable. So I thought I would feel my way to developing an idea we had been broaching, Julius and I, just that very time by the obelisk. I asked papa flatly what he would do if I married Julius straight off. 'I believe, my dear,' said he, 'that I should be bound to disapprove most highly of your conduct and his.' 'Butshouldyou, papa?' I said. 'I should beboundto, my dear,' said he. 'But should you turn us out of the house?' I asked. 'Most certainlynot,' said he emphatically. 'But I should disapprove.' I said I should be awfully sorry for that. 'Of course you would,' said he. 'Any dutiful daughter would. But I don't exactly see what harm it would doyou.' And you see how his letter begins—that he is bound, as a parent, to feel the strongest disapprobation, and so on. No, I don't think we need be frightened of papa. As for mamma, of course it wouldn't be reasonable to expect her to...."

"To expect her to what?"

"Well, I was going to say keep her hair on. The expression is Egerton's, and I'm sorry to say his expressions are not always ladylike, however telling they are! So I hesitated. Now whatisthat baby talking about down there?"

For through the whole of Tishy's interesting tale that baby had been dwelling on the shocking occurrence of her sister's doll as before recorded. Her powers of narrative—giving a dramatic form to all things, and stimulated by Sally's statements of what the beach said to the sea, and the sea said back—had, it seemed, attracted shoals of fish from the ocean depths to hear her recital of the tragedy.

"Suppose, now, you come and tell it us up here, Gwenny," says the bride to the bridesmaid. And Sally adds: "Yes, deliciouslittle Miss Arkwright, come and tell us all about it too." Whereupon Miss Arkwright's musical tones are suddenly silent, and her eyes, that are so nearly the colour of the sea behind her, remain fixed on her two petitioners, their owner not seeming quite sure whether she shall acquiesce, or coquette, or possibly even burst into tears. She decides, however, on compliance, coming suddenly up the beach on all fours, and exclaiming, "Tate me!" flings herself bodily on Sally, who welcomes her with, "You sweet little darling!" while Mrs. Julius Bradshaw, anticipating requisition, looks in her bag for another chocolate. They will spoil that child between them.

"Now tell us about the fisses and dolly," says Sally. But the narrator, all the artist rising in her soul, will have everything in order.

"Itoldze fisses," she says, reproach in her voice.

"I see, ducky. You told the fishes, and now you'll tell us all about dolly."

"I seeps wiv dolly, because my bid sister Totey said 'Yes.' Dolly seeps in her fings. I seep in my nightgown. Kean from the wass——"

"How nice you must be! Well, then, what next?" Sally may be said to imbibe the narrator at intervals. Tishy calls her a selfish girl. "You've got her all to yourself," she says. The story goes on:

"I seep vethy thound. Papa seeps vethy thound. Dolly got between the theets and the blangticks, and came out. It was a dood dob. Danesaiditwas—a dood dob!"

"What did Jane say was a good job? Poor dolly coming out?" A long, grave headshake denies this. The constructive difficulties of the tale are beyond the young narrator's skill. She has to resort to ellipsis.

"Or I sood have been all over brang and sawduss. Danesaidso."

"Don't you see, Sally," says Tishy, "dolly was in another compartment—the other side of the sheet." But Sally says, of course,sheunderstands, perhaps even suspects Tishy of claiming more acquaintance with children than herself because she has been married three weeks. This isn't fair patronising.

"Dolly came out at ve stisses"—so the sad tale goes on—"and tyed,dolly did. Dane put her head on to ty wiv my pocket-hanshtiff!"

"I see, you little ducky, of course her head had come off, and she couldn't cry till it was put on, was that it? Don't dance, but say yes or no." This referred to a seated triumphal dance the chronicler indulged in at having put so much safely on record. Having subsided, she decided onzassas the proper thing to say, but it took time. Then she added suddenly: "But Itoldze fisses." Sally took a good long draught, and said: "Of course you did, darling. You shan't be done out of that!" But an addendum or appendix was forthcoming.

"My mummar says I must tate dolly to be socked for a penny where the man is wiv buttons—and the man let Totey look froo his pyglass, and see all ve long sips, sits miles long—and I shall see when I'm a glowed-up little girl, like Totey."

"Coastguard's telescope, evidently," says Sally. "The man up at the flagstaff. Six miles long is how far off they were, not the length of the ships at all."

"I saw that. But what on earth were the socks? Does his wife sell doll's clothes?"

"We must try to find that out." And Sally sets herself to the task. But it's none so easy. Some mystery shrouds the approach to this passage in dolly's future life. It is connected with "kymin up," and "tandin' on a tep," and when it began it went wizzy, wizzy, wizz, and e-e-e-e, and never stopped. But Gwendolen had not been alarmed whatever it was, because her "puppar" was there. But it was exhausting to the intellect to tell of, for the description ended with a musical, if vacuous, laugh, and a plunge into Sally's bosom, where the narrator remained chuckling, but quite welcome.

"So Gwenny wasn't pitened! What a courageous little poppet! I wonder what on earth it was, Sally."

Thus Tishy, at a loss. But Sally is sharper, for in a moment the solution dawns upon her.

"What a couple of fools we are, Tishy dear! It wasn'tsocks—it wasshocks. It was the galvanic battery at the end of the pier. A penny a time, and you mustn't have it on full up, or you howl. Why on earth didn't we think of that before?"

But Nurse Jane comes in on the top of the laughter that follows,which Miss Gwendolen is joining in, rather claiming it as a triumph for her own dramatic power. She demurs to removal, but goes in the end on condition that all present shall come and see dolly galvanised at an early date. Jane agrees to replace dolly's vitals and sew her up to qualify her for this experience. And so they depart.

"What a dear little mite!" says Mrs. Julius; and then they let the mite lapse, and go back to the previous question.

"No, Sally dear, mamma will be mamma to the end of the time. But I didn't tell you all papa said, did I?"

"How on earth canItell, Tishy dear? You had got to 'any dutiful daughter would,' etcetera. Cut along! Comes of being in love, I suppose." This last is a reflection on the low state of Tishy's reasoning powers.

"Well, just after that, when I was going to kiss him and go, papa stopped me, and said he had something to say, only he mustn't be too long because he had to finish a paper on, I think, 'Some Technical Terms in use in Cnidos in the Sixth Century, B.C.' Or was it...?"

"That was it. That one'll do beautifully. Go ahead!"

"Well—of course it doesn't matter. It was like papa, anyhow.... Oh, yes—what he said then! It was about Aunt Priscilla's thousand pounds. He wanted to repeat that the interest would be paid to me half-yearly if by chance I married Julius or any other man without his consent. 'I wish it to be distinctly understood that if you marry Bradshaw it will be against my consent. But I only ask you to promise me this, Lætitia, that you won't marry any other man against my consent at present.' I promised, and he said I was a dutiful daughter. There won't be any trouble with papa."

"Don't look like it! I say, Tishy, that thousand pounds is very nice. How much will you have? Forty pounds a year?"

"It's more than that. It's gone up, somehow—sums of money do—or down. They're never the same as at first. I'm so glad about it. It's not as if I brought Julius absolutely nothing."

"How much is it?" Sally is under the impression that sums of money that exist on the word of signed documents only, and whose materialisation can only be witnessed by bankers, are like fourpence, one of whose properties is that itisfourpence. They arenot analogous, and Lætitia is being initiated into the higher knowledge.

"Well, dear, you see the stock has gone up, and it's at six three-quarters. You must ask Julius. He can do the arithmetic."

"Does that mean it's sixty-seven pounds ten?"

"You'd better ask Julius. Then, you know, there's the interest." Sally asked what interest. "Why, you see, Aunt Priscilla left it to me eleven years ago, so there's more." But a vendor of mauve and magenta woollen goods, known to Sally as "the beach-woman," was working up towards them.

"That woman never goes when she comes," said Sally. "Let's get up and go!"

We like lingering over this pleasant little time. It helps on but little, if at all, with our story. But in years to come this young couple, who only slip into it by a side-chance, having really little more to do with it than any of the thousand and one collaterals that interest the lives of all of us, and come and go and are forgotten—this Julius and Lætitia will talk of the pleasant three days or so they had at St. Sennans when they came back from France. And we, too, having choice of how much we shall tell of those three or four days, are in little haste to leave them. Those hours of unblushing idleness under a glorious sun—idleness fostered and encouraged until it seems one great exertion to call a fly, and another to subside into it—idleness on matchless moonlight nights, on land or on water—idleness with an affectation of astronomical study, just up to speculating on the identity of Aldebaran or Arcturus, but scarcely equal to metaphysics—idleness that lends itself readily to turning tables and automatic writing, and gets some convincing phenomena, and finds out that so-and-so is an extraordinary medium—idleness that says that letter will do just as well to-morrow, and Smith must wait—such hours as these disintegrate the moral fibre and anæsthetize our sense of responsibility, and make us so oblivious of musical criticism that we accept brass bands and inexplicable serenaders, white or black, and even accordions and hurdy-gurdies, as intrinsic features of theensemble—thefengshuiof the time and place—and give them a penny if we've got one.

That is and will be Mr. and Mrs. Julius Bradshaw's memory ofthose three days or so, when they have grown quite old together, as we hope they may. And if you add memory of an intoxicated delirium of love—of love that was on no account to be shown or declared or even hinted at—and of a tiresome hitch or qualification, an unselfish parent in full blow, you will have the record that is to remain in the mind of Conrad Vereker.

HOW SALLY DIDN'T CONFESS ABOUT THE DOCTOR, AND JEREMIAH CAME TO ST. SENNANS ONCE MORE

That evening Sally sat with her mother on the very uncomfortable seat they affected on what was known as the Parade, a stone's throw from the house for a good stone-thrower. It had a little platform of pebbles to stand on, and tamarisks to tickle you from behind when the wind was northerly. It was a corrugated and painful seat, and had a strange power of finding out your tender vertebræ and pulverising them, whatever your stature might be. It fell forward when its occupants, goaded to madness, bore too hard on its front bar, and convinced them they would do well, henceforward, to hold it artificially in its place. But Rosalind and her daughter forgave it all these defects—perhaps because they were really too lazy to protest even against torture. It was the sea air. Anyhow, there they sat that evening, waiting for Padlock's omnibus to come, bringing Fenwick from the station. Just at the moment at which the story overtakes them, Rosalind was looking wonderfully handsome in the sunset light, and Sally was thinking to herself what a beautiful mother she had; and how, when the after-glow dies, it will leave its memory in the red gold that is somewhere in the rich brown her eyes are resting on. Sally was fond of dwelling on her mother's beauty. Perhaps doing so satisfied her personal vanity by deputy. She was content with her own self, but had no admiration for it.

"Youarea dear good mammy. Fancy your losing all the best time of the morning indoors!"

"How the best time of the morning, chick?"

"Sitting with that old cat upstairs.... Well, I can't help it. Sheisan old cat."

"You're a perverse little monkey, kitten; that's whatyouare!" Rosalind laughed with an excuse—or caress, it may be—in her laugh."No," she continued, "we are much too hard on that old lady, both of us. Do you know, to-day she was quite entertaining—told me all about her own wedding-day, and how all the bridesmaids had the mumps."

"Has she never told you that before?"

"Only once. Then she told me about the late-lamented, and what a respect he had for her judgment, and how he referred to her at every crisis. I didn't think her at all bad company."

"Because you're a darling. I suppose you had it all about how Prosy, when he was a boy, wanted to study music, and how his pa said that the turning-point in the career of youth lay in the choice of a profession."

"Oh yes! And how his strong musical turn came from her side of the family. In herself it was dormant. But her Aunt Sophia had never once put her finger on a false note of the piano. This was confirmed by the authority of her eminent uncle, Dr. Everett Gayler, himself no mean musician."

"Poor Prosy! I know."

"And how musical faculty—amounting to genius—often remained absolutely unsuspected owing to its professor having no inheritance. But it would come out in the children. Then, and not till then, tardy justice was done.... Well, I don't know exactly how she worked it out, but she managed to suggest that she was Handel and Mozart in abeyance. Her son's fair complexion clinched matters. It was the true prototype of her own. A thoroughly musical complexion, bespeaking German ancestry."

"Isn't that the omnibus?" says Sally. But, no, it isn't. She continues: "I don't believe in musical complexions. Look at Julius Bradshaw—dark, with high cheek-bones, and a thin olive hand with blue veins in it. I say, mother...."

"What, chick?"

"He's changed his identity—Julius Bradshaw has. I can't believe he was that spooney boy that used to come hankering after me at church." And the amusement this memory makes hangs about Sally's lips as the two sit on into a pause of silence.

The face of the mother does not catch the amusement, but remains grave and thoughtful. She does not speak; but the handsome eyes that rest so lovingly on the speaker are full of something from the past—some record that it would be an utter bewildermentto Sally to read—a bewilderment far beyond that crux of the moment which maybe has struck her young mind for the first time—the old familiar puzzle of the change that comes to all of us in our transition from first to last experience of the strange phenomenon we call a friend. Sally can't make it out—the way a silly lad, love-struck about her indifferent self so short a while back, has become a totally altered person, the husband of her schoolmate, an actual identity of life and thought and feeling; he who was in those early days little more than a suit of clothes and a new prayer-book.

But if that is so strange to Sally, how measurelessly stranger is she herself to her mother beside her! And the man they are waiting and watching for, who is somewhere between this and St. Egbert's station in Padlock's venerable 'bus, what a crux ishe, compared now to that intoxicated young lover of two-and-twenty years ago, in that lawn-tennis garden that has passed so utterly from his memory! And a moment's doubt, "But—has it?" is caught and absorbed by what seemed to Rosalind now an almost absurd fact—that, a week before, he had been nothing but afidus Achatesof that other young man provided to make up the lawn-tennis set, and that it was that other young man at first, not he, that belonged toher. And he had changed away so easily to—who was it? Jessie Nairn, to be sure—and left the coast clear for his friend. Whatever nowwashis name? Oh dear, what a fool was Rosalind! said she to herself, to have half let slip that it washethat was Fenwick, and not Gerry at all. All this compares itself with Sally's experience of Bradshaw's metamorphosis, and her own seems the stranger.

Then a moment of sharp pain that she cannot talk to Sally of these things, but must lead a secret life in her own silent heart. And then she comes back into the living world, and finds Sally well on with the development of another topic.

"Of course, poor dears! They've not played a note together since the row. It's been nothing but Kensington Gardens or the Albert Hall. But I'm afraid he's no better. If only hecouldbe, it would make all the difference."

"What's that, darling?Whocould be...? Not your father?" For, as often as not, Rosalind would speak of her husband as Sally's father.

"Not Jeremiah—no. I was talking about Julius B. and his nervous system. Wouldn't it?"

"Wouldn't it what?"

"Make all the difference? I mean that he could get his violin-playing back. I told you about that letter?"

"No—what letter?"

"From an agent in Paris. Rateau, I think, was the name. Had heard Signor Carissimi had recovered his health completely, and was playing. Hoped he might be honoured with his instructions to make his arrangements in Paris, as he had done so four years ago. Wasn't it aggravating?"

"Does it make any difference?"

"Why, of course it does, mother darling. The aggravation! Just think now! Suppose he could rely on ten pounds a night, fancy that!"

"Suppose he could!... Yes, that would be nice." But there is a preoccupation in her tone, and Sally wants sympathy to be drawn with a vigorous outline.

"What's my maternal parent thinking about, as grave as a judge? Jeremiah's all right, mammy darling!He'snot killed in a railway accident. Catchhim!" This is part of a systematized relationship between the two. Each always discredits the possibility of mishap to the other. It might be described as chronic reciprocal Christian Science.

"I wasn't thinking of Gerry." Which is true in a sense, as she does not think of the Gerry her daughter knows. And the partial untruth does not cross her mind—a tacit recognition of the powers of change. "I was wool-gathering."

"No—whatwasshe thinking of?" For some reason the third person is thought more persuasive than the second.

"Thinking of her kitten." And this is true enough, as Rosalind is really always thinking of Sally, more or less.

"We-ell,I'mall right. What's the matter withme?"

"Nothing at all that I know of, darling." But it does cross the speaker's mind that the context of circumstances might make this an opportunity for getting at some information she wants. For Sally has remained perfectly inscrutable about Conrad Vereker, and Rosalind has been asking herself whether it is possible that, after all, thereisnothing. She doesn't know how to set aboutit, though. Perhaps the best thing would be to take a leaf out of Sally's own book, and go straight to the bull's-eye.

"Do you really want to know what I was thinking of, Sallykin?" But no sooner has she formulated the intention of asking a question, and allowed the intention to creep into her voice than Sally knows all about it.

"As if I don't know already. You mean me and Prosy."

"Of course. But how did you know?"

"Mammydear! As if I was born yesterday! If you want people not to know things, you mustn't have delicate inflexions of voice. I knew you were going to catechize about Prosy the minute you got to 'did I really want to know.'"

"But I'm not going to catechize, chick. Only when you ask me what I'm thinking about, and really want to know, I tell you. Iwasthinking about you and Conrad Vereker." For some mysterious reason this mention of his name in full seems to mature the conversation, and make clearer definition necessary.

Our own private opinion is that any one who closely observes human communion will see that two-thirds of it runs on lines like the foregoing. Very rarely indeed does a human creature say what it means. Exhaustive definition, lucid statements, concise terminology—even plain English—are foreign to its nature. The congenial soil in which the fruit of Intelligence ripens is Suggestion, and the wireless telegraphs of the mind are the means by which it rejoices to communicate. Don't try to say what you mean—becauseyoucan't. You are not clever enough. Try to mean what you want to say, and leave the dictionary to take care of itself.

This little bit of philosophizing of ours has just given Sally time, pondering gravely with the eyebrows all at rest and lips at ease, to deal with the developed position created by the mere substitution of a name for a nickname.

"Ought there to be ... anything to think about?" Thus Sally; and her mother sees, or thinks she sees, a little new colour in the girl's cheeks. Or is it only the sunset? Then Rosalind says to herself that perhaps she has made a mistake, had better have left it alone. Perhaps. But it's done now. She is not one that goes back on her resolutions. It is best not to be too tugging and solemn over it. She speaks with a laugh.

"It's not my little daughter I'm afraid of, Sallykin. She's got the key of the position. It's that dear good boy."

"He's not a boy. He's thirty-one next February. Only he's not got a birthday, because it's not leap-year. Going by birthdays he's not quite half-past seven."

"Then it won't do to go by birthdays. Even at thirty-one, though, some boys are not old enough to know better. He's very inexperienced in some things."

"A babe unborn—only he can write prescriptions. Only they don't do you any good. ("Ungrateful child!"... "Well, theydon't.") You see, he hasn't any one to go to to ask about things except me. Of courseIcan tell him, if you come to that!"

"There's his mother."

"His mother! That old dianthus! Oh, mammy darling, what different sorts of mothers do crop up when you think of it!" And Sally is so moved by this scientific marvel that she suddenly kisses her mother, there out on the public parade with a gentleman in check trousers and an eye-glass coming along!

"Why do you call the old lady a dianthus, chick? Really, the way you treat that poor old body!..."

"Not when Prosy's there. I know my place.... We-ell, you know what a dianthus's figure is like? When the tentacles are in, I mean."

But Rosalind tacitly condemns the analogy. Is she not herself a mother, and bound to take part with her kind, however obese? "What were you and the doctor talking about in the boat all that long time yesterday?" she asks, skipping an interval which might easily have contained a review of Mrs. Vereker inside-out like a sea-anemone. Sally is quite equal to it.

"Resuscitation after drowning. Prosy says death is really due to carbonic acid poisoning. Anybody would think it was choking, but it's nothing of the sort. The arterial blood is insufficiently fed with oxygen, and death ensues."

"How long did you talk about that?"

"Ever so long. Till I asked him what he should do if a visitor were drowned and couldn't be brought to. Not at the hotel; down here. Me, for instance."

"What did he say?"

"He was jolly solemn over it, Prosy was. Said he should try hisbest, and as soon as he was sure it was no go, put an end to his own existence. I said that would be wrong, and besides, he couldn't do it. He said, oh yes, he could—he could inject air into a vein, and lots of things. He went on a physiological tack, so I quoted Hamlet."

"What did he make of Hamlet?"

"Said the researches of modern science all tended to prove that extinction awaited us at death, and he would take his chance. He was quite serious over it."

"And then you said?..."

"I said, suppose it turned out that modern science was tommy-rot, wouldn't he feel like a fool when all was said and done? He admitted that he might, in that case. But he would take his chance, he said. And then we had a long argument, Prosy and I."

"Has he ever resuscitated a drowned person?"

"Oh yes, two or three. But he says he should like a little more practice, as it's a very interesting subject."

"You really are the most ridiculous little kitten there ever was! Talking like the President of the Royal College of Surgeons! Not a smile."

"We-ell, there's nothing inthat." Slightly offended dignity on Miss Sally's part. "I say, the 'bus is very late; it's striking seven."

But just as St. Sennan ceases, and leaves the air clear for listening, Rosalind exclaims, "Isn't that it?" And this time it is it, and by ten minutes past seven Fenwick is in the arms of his family, who congratulate him on a beautiful new suit of navy-blue serge, in which he looks very handsome.

Often now when she looks back to those days can Rosalind see before her the grave young face in the sundown, and hear the tale of Dr. Conrad's materialism. And then she sees once more over the smooth purple sea of the day before the little boat sculled by Vereker, with Sally in the stern steering. And the white sails of the Grace Darling of St. Sennans, that had taken a large party out at sixpence each person three hours ago, and couldn't get back by herself for want of wind, and had to be towed by a row-boat, whose oars sounded rhythmically across themile of intervening water. She was doing nothing to help, was Grace, but her sails flopped a little now and again, just enough to show how glad she would have been to do so with a little encouragement. Rosalind can see it all again quite plain, and the little white creamy cloud that had taken pity on the doctor sculling in the boat, and made a cool island of shadow, coloured imperial purple on the sea, for him and Sally to float in, and talk of how some unknown person, fool enough to get drowned, should one day be recalled from the gate of Death.

HOW SALLY DIVED OFF THE BOAT, AND SHOCKED THE BEACH. OF THE SENSITIVE DELICACY OF THE OCTOPUS. AND OF DR. EVERETT GAYLER'S OPINIONS

Fenwick had been granted, or had appropriated, another week's holiday, and the wine-trade was to lose some of his valuable services during that time. Not all, because in these days you can do so much by telegraph. Consequently the chimney-piece with the rabbits made of shells on each side, and the model of the Dreadnought—with real planks and a companion-ladder that went too far down, and almost serviceable brass carronades ready for action—and a sampler by Mercy Lobjoit (1763), showing David much too small for the stitches he was composed of, and even Goliath not big enough to have two lips—this chimney-piece soon become a magazine of yellow telegrams, which blew away when the window and door were open at the same time.

It was on the second of Fenwick's days on this visit that an unusual storm of telegrams, as he came in to breakfast after an early dip in the sea, confirmed the statement in the paper of the evening before that W. and S.W. breezes might be expected later. "Wind freshening," was the phrase in which the forecast threw doubts on the permanency of its recent references to a smooth Channel-passage. However, faith had already been undermined by current testimony to light easterly winds backing north, on the coast of Ireland. Sally was denouncing meteorology as imposture when the returning bather produced the effect recorded. It interrupted a question on his lips as he entered, and postponed it until the telegram papers had all been reinstated and the window closed, so that Mrs. Lobjoit might come in with the hot rolls and eggs and not have anything blown away. Then peace reigned and the question got asked.

"What are we going to do to-day?" said Sally, repeating it. "Iknow what I'm going to do first. I'm going to swim round the buoy."

"My dear, they'll never put the machines down to-day." This was her mother.

"They'll do it fast enough, if I tell 'em to. It's half the fun, having it a little rough."

"Well, kitten, I suppose you'll go your own way; only I shall be very glad when you're back in your machine. Coffee, Gerry?"

"Yes, coffee—in the big cup with the chip, and lots of milk. You're a dangerous young monkey, Sarah; and I shall get old Benjamin's boat, and hang about. And then you'll be happy, Rosey, eh?"

"No, I shan't! We shall have you getting capsized, too. (I put in three lumps of sugar.... No,notlittle ones—bigones!) What a thing it is to be connected with aquatic characters!"

"Never you mind the mother, Jeremiah. You get the boat. I should like it to dive off."

"All right, I'll get Vereker, and we'll row out. The doctor's not bad as an oarsman. Bradshaw doesn't make much of it. (Yes, thanks; another egg. The brown one preferred; don't know why!) Yes, I'll get Dr. Conrad, and you shall come and dive off."

All which was duly done, and Sally got into great disgrace by scrambling up into the boat with the help of a looped rope hung over the side, and was thereafter known to more than one decorous family group frequenting the beach as that bold Miss Nightingale. But what did Sally care what those stuffy people thought about her, with such a set-off against their bad opinion as the glorious plunge down into the depths, and the rushing sea-murmur in her ears, the only sound in the strange green silence; and then the sudden magic of the change back to the dazzling sun on the moving foam, and some human voice that was speaking when she dived only just ending off? Surely, after so long a plunge down, down, that voice should have passed on to some new topic.

For that black and shining merpussy, during one deep dive into the under-world of trackless waters, had had time to recollect an appointment with a friend, and had settled in her mind that, as soon as she was once more in upper air, she would mentionit to the crew of the boat she had dived from. She was long enough under for that. Then up she came into the rise and fall and ripple overhead like a sudden Loreley, and as soon as she could see where the boat had got to, and was free of a long stem of floating weed she had caught up in the foam, she found her voice. And in it, as it rang out in the morning air, was a world of youth and life and hope from which care was an outcast, flung to the winds and the waves.

"I say, Jeremiah, we've got to meet a friend of yours on the pier this afternoon."

"Time for you to come out of that water, Sarah." This name had become nearly invariable on Fenwick's part. "Who's your friend?"

"A young lady for you! She's going to bring her dolly to be electrified for a penny. She'll cry if we don't go; so will dolly."

"Then wemustgo, clearly. The doctor must come to see fair, or dolly may get electrocuted, like me." Fenwick very rarely spoke of his accident now; most likely would not have done so this time but for a motive akin to his wife's nettle-grasping. He knew Sally would think of it, and would not have her suppose he shirked speaking of it.

But the laugh goes for a moment out of the face down there in the water, and the pearls that glittered in the sun have vanished and the eyes are grave beneath their brows. Only for a moment; then all the Loreley is back in evidence again, and Sally is petitioning for only one more plunge, and then she really will swim in. The crew protests, but the Loreley has her way; her sort generally has.

"I always wonder," says Dr. Conrad, as they row to shore with studied slowness—one must, to keep down to the pace of the swiftest swimmer—"I always wonder whether they found that half-crown." Probably he, too, only says this to accentuate the not-necessarily-to-be-avoided character of the subject.

The reason Fenwick answered nothing, but remained thoughtfully silent, was, as Dr. Vereker perceived after he had spoken, that the half-crown was mere hearsay to him, and, as such, naturally enforced speculation on the strange "B.C." period of which he knew nothing. Time did but little to minimise the painfulcharacter of such speculations, although it seemed to make them less and less frequent. Vereker said no more, partly because he felt this, partly because he was so engrossed with the Loreley. He dropped the half-crown.

"You needn't row away yet," said the voice from the water. "The machines are miles off. Look here, I'm going to swim under the boat and come up on the other side!"

Said Fenwick: "You'll be drowned, Sarah, before you've done! Do consider your mother a little!"

Said the Loreley: "All right! good-bye!" and disappeared. She was so long under that it was quite a relief when she reappeared, well off the boat's counter; for, of course, there was some way on the boat, and Sally made none. The crew's eyes had been watching the wrong water over the beam.

"Didn't I do that nicely?... 'Beautifully?' Yes, I should rather think I did! Good-bye; I must go to my machine! They won't leave it down any longer."

Off went the swimmer in the highest spirits, and landed with some difficulty, so much had the south-west wind freshened; and the machine started up the beach at a brisk canter to rejoin its many unused companions on their higher level.

Dr. Conrad, with the exhilaration of the Loreley in his heart, was to meet with a damper administered to him by his affectionate parent, who had improved immensely in the sea air, and was getting quite an appetite.

"There is nothing, my dear, that I detest more cordially than interference," said she, after accepting, rather more easily than usual, her son's apologies for coming in late to lunch, and also being distinctly gracious to Mrs. Iggulden about the beefsteak-pudding. "Your father disapproved of it, and the whole of my family. The words 'never meddle' were on their lips from morning till night. Is it wonderful that I abstain from speaking, as I so often do? Whatever I see, I am silent." And accordingly was for a few illustrative seconds.

But her son, conceiving that the pause was one very common in cases of incipient beefsteak-pudding, and really due to kidneys, made an autopsy of the centre of Mrs. Iggulden's masterpiece; but when he had differentiated its contents and insulated kidneys beyonda doubt, he stood exposed and reproved by the tone in which his mother resumed:

"Not for me; I have oceans. I shall never eat what I have, and itisso wasteful!... No, my dear. You ask, 'What is it, then?' But I was going to tell you when you interrupted me." Here a pause for the Universe to settle down to attention. "There is always so much disturbance; but my meaning is plain. When I was a girl young women were different.... I dare say it is all right. I do not wish to lay myself open to ridicule for my old-fashioned opinions.... Whatisit? I came back early, certainly, because I found the sun so tiring; but surely, my dear, you cannot have failed to see that our front window commands a full view of the bathing-machines. But I am silent.... Mrs. Iggulden does not understand making mustard. Hers runs."

Dr. Conrad was not interested in the mustard. Hewasabout the cryptic attack on Sally's swimming and diving, which he felt to have been dexterously conveyed in his parent's speech with scarcely a word really to the point. There was no lack of skill in the Goody's method. He flushed slightly, and made no immediate reply—even to a superhumanly meek, "I know I shall be told I am wrong"—until after he had complied with a requisition for a very little more—so small a quantity as to seem somehow to reduce the lady's previous total morally, though it added to it physically—and then he spoke, taking the indictment for granted:

"I can't see what you find fault with. Not Miss Sally's bathing-costume; nobody could!" Which was truth itself, for nothing more elegant could have been found in the annals of bathing. "And if she has a boat to dive off, somebody must row it. Besides, her mother would object if...." But the doctor is impatient and annoyed—a rare thing with him. He treats his beefsteak-pudding coldly, causing his mother to say: "Then you can ring the bell."

However, she did not intend her text to be spoiled by irruptions of Mrs. Iggulden, so she waited until the frequent rice-pudding had elapsed, and then resumed at an advantage:

"You were very snappish and peevish with me just now, Conrad, without waiting to hear what I had to say. But I overlook it.I am your mother. If you had waited, I should have told you that I have no fault whatever to find with Miss Nightingale's bathing-dress. It is, no doubt, strictlyen règle. Nor can I say, in these days, what I think of girls practising exercises that inmyday were thought unwomanly. All is changed now, and I am old-fashioned. But this I do say, that had your father, or your great-uncle, Dr. Everett Gayler, been told forty years ago that a time would come when it would be thought no disgrace for anEnglish girlto jump off a boat with anunmarried manin it.... My dear, I am sure the latter would have made one of those acrid and biting remarks for which he was celebrated in his own circle, and which have even, I believe, been repeated by Royalty. That is the only thing I have to say. I say nothing of girls learning to swim and dive. I say nothing of their bicycling. Possibly the young lady who passed the window this morning with a gentlemanon the same bicyclewas properly engaged to him; or his sister. Even about the practice of Sandow, or Japanese wrestling, I have nothing to say. But if they are to dive off boats in the open sea, in the face of all the beach, at least let the boats be rowed by married men. That is all I ask. It is very little."

What fools mothers sometimes are about their sons! They contrive that these sons shall pass through youth to early manhood without a suspicion that even mothers have human weaknesses. Then, all in a moment, just when love has ridden triumphant into the citadel of the boys' souls, they will sacrifice all—all they have won in a lifetime—to indulge some petty spleen against the newrégimethat threatens their dethronement. And there is no surer way of undermining a son's loyalty than to suggest a want of delicate feeling in the new Queen—nothing that can make him question the past so effectually as to force him to hold his nostrils in a smell of propriety, puffed into what seems to him a gale from heaven.

The contrast between the recent merpussy in the freshening seas, and this, as it seemed to him, perfectly gratuitous intrusion of moral carbolic acid, gave Dr. Conrad a sense of nausea, which his love for his mother enjoined ignorance of. His mind cast about, not for ways of excusing Sally—the idea!—but of whitewashing his mother, without seeming to suggest that her own mind had anything Fescennine about it. This is always the greatdifficulty skywardness has in dealing with the moral scavenger. Are not the motives of purity unimpeachable?

Goody Vereker, however, did not suspect herself of being a fool. On the contrary, she felt highly satisfied with her speech, and may be said to have hugged its peroration. Her son flushed slightly and bit his lip, giving the old lady time for a corollary in a subdued and chastened voice.

"Had I been asked—had you consulted me, my dear—I should certainly have advised that Mr. Fenwick should have been accompanied by another married man, certainly not by a young, single gentleman. The man himself—I am referring to the owner of the boat—would have done quite well, whether married or single. Boatmen are seldom unmarried, though frequently tattooed with ladies' names when they have been in the navy. You see something to laugh at, Conrad? In your mother! But I am used to it." The doctor's smile was in memory of two sun-browned arms that had pushed the boat off two hours ago. One had Elinor and Kate on it, the other Bessie and a Union Jack.

"Don't you think, mother dear," said the doctor at last, "that if Mrs. Fenwick, who knew all about it, had seen anything outrageous she would have spoken? She really only seemed anxious none of us should get drowned."

"Very likely, my dear; she would be. You will, I am sure, do me this justice, that I have throughout said, from the very beginning, that Mrs. Fenwick is a most excellent person, though I have sometimes found her tiring."

"I am sorry she has tired you. You must always tell her, you know, when you're tired, and then she'll come and fetch me." The doctor resisted a temptation to ask, "From the very beginning ofwhat?" For the suggestion that materials for laceration were simmering was without foundation; was, in fact, only an example of the speaker's method. She followed it with another.

"It is so often the case with women who have passed a good deal of time in India."

"Are women tiring when they have passed a good deal of time in India?"

"My dear Conrad,is it likelyI should talk such nonsense? You know perfectly well what I mean." But the doctor merely awaitednatural development, which came. "Mind, I do not say IbelieveMrs. Julius Bradshaw's story. But it would quite account for it—fully!"

What would account for what? Heaven only knew! However, the speaker was getting the bit in her teeth, and earth would know very soon. Dr. Conrad was conscious at this moment of the sensation which had once made Sally speak of his mamma as an Octopus. She threw out a tentacle.

"And, of course, Mrs. Julius Bradshaw's story may be nothing but idle talk. I am the last person to give credit to mere irresponsible gossip. Let us hope it is ill founded."

Whereupon her son, who knew another tentacle would come and entangle him if he slipped clear from this one, surrendered at discretion. WhatwasMrs. Julius Bradshaw's story? A most uncandid way of putting it, for the fact was he had heard it all from Sally in the strictest confidence. So the insincerity was compulsory, in a sense.

The Octopus, who was by this time anchored in her knitting-chair and awaiting her mixture—two tablespoonfuls after every meal—closed her eyes to pursue the subject, but warmed to the chace visibly.

"Are you going to tell me, my dear Conrad, that you donotknow that it has been said—I vouch for nothing, remember—that Miss Nightingale's mother was divorced from her father twenty years ago in India?"

"I don't think it's any concern of yours or mine." But having said this, he would have liked to recall it and substitute something else. It was brusque, and he was not sure that it was a fair way of stating the case, especially as this matter had been freely discussed between them in the days of their first acquaintance with Sally and her mother. Dr. Conrad felt mean for renegading from his apparent admission at that time that the divorce was an affair they might properly speculate about. Mrs. Vereker knew well that her son would be hard on himself for the slightest unfairness, and forthwith climbed up to a pinnacle of flawless rectitude, for his confusion.

"My dear, it is absolutelynone. Am I saying that it is? People's past lives are no affair of ours. Am I saying that they are?"


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