As we grow older and realize more clearly the limitations of human happiness, we come to see that the only real and abiding pleasure in life is to give pleasure to other people. One must assume that the Efficient Baxter had not reached the age when this comes home to a man, for the fact that he had given genuine pleasure to some dozens of his fellow-men brought him no balm.
There was no doubt about the pleasure he had given. Once they had got over their disappointment at finding that he was not a dead burglar, the house party rejoiced whole-heartedly at the break in the monotony of life at Blandings Castle. Relations who had not been on speaking terms for years forgot their quarrels and strolled about the grounds in perfect harmony, abusing Baxter. The general verdict was that he was insane.
"Don't tell me that young fellow's all there," said Colonel Horace Mant; "because I know better. Have you noticed his eye? Furtive! Shifty! Nasty gleam in it. Besides—dash it!—did you happen to take a look at the hall last night after he had been there? It was in ruins, my dear sir—absolute dashed ruins. It was positively littered with broken china and tables that had been bowled over. Don't tell me that was just an accidental collision in the dark.
"My dear sir, the man must have been thrashing about—absolutely thrashing about, like a dashed salmon on a dashed hook. He must have had a paroxysm of some kind—some kind of a dashed fit. A doctor could give you the name for it. It's a well-known form of insanity. Paranoia—isn't that what they call it? Rush of blood to the head, followed by a general running amuck.
"I've heard fellows who have been in India talk of it. Natives get it. Don't know what they're doing, and charge through the streets taking cracks at people with dashed whacking great knives. Same with this young man, probably in a modified form at present. He ought to be in a home. One of these nights, if this grows on him, he will be massacring Emsworth in his bed."
"My dear Horace!" The Bishop of Godalming's voice was properly horror-stricken; but there was a certain unctuous relish in it.
"Take my word for it! Though, mind you, I don't say they aren't well suited. Everyone knows that Emsworth has been, to all practical intents and purposes, a dashed lunatic for years. What was it that young fellow Emerson, Freddie's American friend, was saying, the other day about some acquaintance of his who is not quite right in the head? Nobody in the house—is that it? Something to that effect, at any rate. I felt at the time it was a perfect description of Emsworth."
"My dear Horace! Your father-in-law! The head of the family!"
"A dashed lunatic, my dear sir—head of the family or no head of the family. A man as absent-minded as he is has no right to call himself sane. Nobody in the house—I recollect it now—nobody in the house except gas, and that has not been turned on. That's Emsworth!"
The Efficient Baxter, who had just left his presence, was feeling much the same about his noble employer. After a sleepless night he had begun at an early hour to try and corner Lord Emsworth in order to explain to him the true inwardness of last night's happenings. Eventually he had tracked him to the museum, where he found him happily engaged in painting a cabinet of birds' eggs. He was seated on a small stool, a large pot of red paint on the floor beside him, dabbing at the cabinet with a dripping brush. He was absorbed and made no attempt whatever to follow his secretary's remarks.
For ten minutes Baxter gave a vivid picture of his vigil and the manner in which it had been interrupted.
"Just so; just so, my dear fellow," said the earl when he had finished. "I quite understand. All I say is, if you do require additional food in the night let one of the servants bring it to your room before bedtime; then there will be no danger of these disturbances. There is no possible objection to your eating a hundred meals a day, my good Baxter, provided you do not rouse the whole house over them. Some of us like to sleep during the night."
"But, Lord Emsworth! I have just explained—It was not—I was not—"
"Never mind, my dear fellow; never mind. Why make such an important thing of it? Many people like a light snack before actually retiring. Doctors, I believe, sometimes recommend it. Tell me, Baxter, how do you think the museum looks now? A little brighter? Better for the dash of color? I think so. Museums are generally such gloomy places."
"Lord Emsworth, may I explain once again?"
The earl looked annoyed.
"My dear Baxter, I have told you that there is nothing to explain. You are getting a little tedious. What a deep, rich red this is, and how clean new paint smells! Do you know, Baxter, I have been longing to mess about with paint ever since I was a boy! I recollect my old father beating me with a walking stick. . . . That would be before your time, of course. By the way, if you see Freddie, will you tell him I want to speak to him? He probably is in the smoking-room. Send him to me here."
It was an overwrought Baxter who delivered the message to the Honorable Freddie, who, as predicted, was in the smoking-room, lounging in a deep armchair.
There are times when life presses hard on a man, and it pressed hard on Baxter now. Fate had played him a sorry trick. It had put him in a position where he had to choose between two courses, each as disagreeable as the other. He must either face a possible second fiasco like that of last night, or else he must abandon his post and cease to mount guard over his threatened treasure.
His imagination quailed at the thought of a repetition of last night's horrors. He had been badly shaken by his collision with the table and even more so by the events that had followed it. Those revolver shots still rang in his ears.
It was probably the memory of those shots that turned the scale. It was unlikely he would again become entangled with a man bearing a tongue and the other things—he had given up in despair the attempt to unravel the mystery of the tongue; it completely baffled him—but it was by no means unlikely that if he spent another night in the gallery looking on the hall he might not again become a target for Lord Emsworth's irresponsible firearm. Nothing, in fact, was more likely; for in the disturbed state of the public mind the slightest sound after nightfall would be sufficient cause for a fusillade.
He had actually overheard young Algernon Wooster telling Lord Stockheath he had a jolly good mind to sit on the stairs that night with a shotgun, because it was his opinion that there was a jolly sight more in this business than there seemed to be; and what he thought of the bally affair was that there was a gang of some kind at work, and that that feller—what's-his-name?—that feller Baxter was some sort of an accomplice.
With these things in his mind Baxter decided to remain that night in the security of his bedroom. He had lost his nerve. He formed this decision with the utmost reluctance, for the thought of leaving the road to the museum clear for marauders was bitter in the extreme. If he could have overheard a conversation between Joan Valentine and Ashe Marson it is probable he would have risked Lord Emsworth's revolver and the shotgun of the Honorable Algernon Wooster.
Ashe, when he met Joan and recounted the events of the night, at which Joan, who was a sound sleeper, had not been present, was inclined to blame himself as a failure. True, fate had been against him, but the fact remained that he had achieved nothing. Joan, however, was not of this opinion.
"You have done wonders," she said. "You have cleared the way for me. That is my idea of real teamwork. I'm so glad now that we formed our partnership. It would have been too bad if I had got all the advantage of your work and had jumped in and deprived you of the reward. As it is, I shall go down and finish the thing off to-night with a clear conscience."
"You can't mean that you dream of going down to the museum to-night!"
"Of course I do."
"But it's madness!"
"On the contrary, to-night is the one night when there ought to be no risk at all."
"After what happened last night?"
"Because of what happened last night. Do you imagine Mr. Baxter will dare to stir from his bed after that? If ever there was a chance of getting this thing finished, it will be to-night."
"You're quite right. I never looked at it in that way. Baxter wouldn't risk a second disaster. I'll certainly make a success of it this time."
Joan raised her eyebrows.
"I don't quite understand you, Mr. Marson. Do you propose to try to get the scarab to-night?"
"Yes. It will be as easy as—"
"Are you forgetting that, by the terms of our agreement, it is my turn?"
"You surely don't intend to hold me to that?"
"Certainly I do."
"But, good heavens, consider my position! Do you seriously expect me to lie in bed while you do all the work, and then to take a half share in the reward?"
"I do."
"It's ridiculous!"
"It's no more ridiculous than that I should do the same. Mr. Marson, there's no use in our going over all this again. We settled it long ago."
Joan refused to discuss the matter further, leaving Ashe in a condition of anxious misery comparable only to that which, as night began to draw near, gnawed the vitals of the Efficient Baxter.
* * *
Breakfast at Blandings Castle was an informal meal. There was food and drink in the long dining-hall for such as were energetic enough to come down and get it; but the majority of the house party breakfasted in their rooms, Lord Emsworth, whom nothing in the world would have induced to begin the day in the company of a crowd of his relations, most of whom he disliked, setting them the example.
When, therefore, Baxter, yielding to Nature after having remained awake until the early morning, fell asleep at nine o'clock, nobody came to rouse him. He did not ring his bell, so he was not disturbed; and he slept on until half past eleven, by which time, it being Sunday morning and the house party including one bishop and several of the minor clergy, most of the occupants of the place had gone off to church.
Baxter shaved and dressed hastily, for he was in state of nervous apprehension. He blamed himself for having lain in bed so long. When every minute he was away might mean the loss of the scarab, he had passed several hours in dreamy sloth. He had wakened with a presentiment. Something told him the scarab had been stolen in the night, and he wished now that he had risked all and kept guard.
The house was very quiet as he made his way rapidly to the hall. As he passed a window he perceived Lord Emsworth, in an un-Sabbatarian suit of tweeds and bearing a garden fork—which must have pained the bishop—bending earnestly over a flower bed; but he was the only occupant of the grounds, and indoors there was a feeling of emptiness. The hall had that Sunday-morning air of wanting to be left to itself, and disapproving of the entry of anything human until lunch time, which can be felt only by a guest in a large house who remains at home when his fellows have gone to church.
The portraits on the walls, especially the one of the Countess of Emsworth in the character of Venus rising from the sea, stared at Baxter as he entered, with cold reproof. The very chairs seemed distant and unfriendly; but Baxter was in no mood to appreciate their attitude. His conscience slept. His mind was occupied, to the exclusion of all other things, by the scarab and its probable fate. How disastrously remiss it had been of him not to keep guard last night! Long before he opened the museum door he was feeling the absolute certainty that the worst had happened.
It had. The card which announced that here was an Egyptian scarab of the reign of Cheops of the Fourth Dynasty, presented by J. Preston Peters, Esquire, still lay on the cabinet in its wonted place; but now its neat lettering was false and misleading. The scarab was gone.
* * *
For all that he had expected this, for all his premonition of disaster, it was an appreciable time before the Efficient Baxter rallied from the blow. He stood transfixed, goggling at the empty place.
Then his mind resumed its functions. All, he perceived, was not yet lost. Baxter the watchdog must retire, to be succeeded by Baxter the sleuthhound. He had been unable to prevent the theft of the scarab, but he might still detect the thief.
For the Doctor Watsons of this world, as opposed to the Sherlock Holmeses, success in the province of detective work must always be, to a very large extent, the result of luck. Sherlock Holmes can extract a clew from a wisp of straw or a flake of cigar ash; but Doctor Watson has to have it taken out for him and dusted, and exhibited clearly, with a label attached.
The average man is a Doctor Watson. We are wont to scoff in a patronizing manner at that humble follower of the great investigator; but as a matter of fact we should have been just as dull ourselves. We should not even have risen to the modest height of a Scotland Yard bungler.
Baxter was a Doctor Watson. What he wanted was a clew; but it is so hard for the novice to tell what is a clew and what is not. And then he happened to look down—and there on the floor was a clew that nobody could have overlooked.
Baxter saw it, but did not immediately recognize it for what it was. What he saw, at first, was not a clew, but just a mess. He had a tidy soul and abhorred messes, and this was a particularly messy mess. A considerable portion of the floor was a sea of red paint. The can from which it had flowed was lying on its side—near the wall. He had noticed that the smell of paint had seemed particularly pungent, but had attributed this to a new freshet of energy on the part of Lord Emsworth. He had not perceived that paint had been spilled.
"Pah!" said Baxter.
Then suddenly, beneath the disguise of the mess, he saw the clew. A footmark! No less. A crimson footmark on the polished wood! It was as clear and distinct as though it had been left there for the purpose of assisting him. It was a feminine footmark, the print of a slim and pointed shoe.
This perplexed Baxter. He had looked on the siege of the scarab as an exclusively male affair. But he was not perplexed long. What could be simpler than that Mr. Peters should have enlisted female aid? The female of the species is more deadly than the male. Probably she makes a better purloiner of scarabs. At any rate, there the footprint was, unmistakably feminine.
Inspiration came to him. Aline Peters had a maid! What more likely than that secretly she should be a hireling of Mr. Peters, on whom he had now come to look as a man of the blackest and most sinister character? Mr. Peters was a collector; and when a collector makes up his mind to secure a treasure, he employs, Baxter knew, every possible means to that end.
Baxter was now in a state of great excitement. He was hot on the scent and his brain was working like a buzz saw in an ice box. According to his reasoning, if Aline Peters' maid had done this thing there should be red paint in the hall marking her retreat, and possibly a faint stain on the stairs leading to the servants' bedrooms.
He hastened from the museum and subjected the hall to a keen scrutiny. Yes; there was red paint on the carpet. He passed through the green-baize door and examined the stairs. On the bottom step there was a faint but conclusive stain of crimson!
He was wondering how best to follow up this clew when he perceived Ashe coming down the stairs. Ashe, like Baxter, and as the result of a night disturbed by anxious thoughts, had also overslept himself.
There are moments when the giddy excitement of being right on the trail causes the amateur—or Watsonian—detective to be incautious. If Baxter had been wise he would have achieved his object—the getting a glimpse of Joan's shoes—by a devious and snaky route. As it was, zeal getting the better of prudence, he rushed straight on. His early suspicion of Ashe had been temporarily obscured. Whatever Ashe's claims to be a suspect, it had not been his footprint Baxter had seen in the museum.
"Here, you!" said the Efficient Baxter excitedly.
"Sir?"
"The shoes!"
"I beg your pardon?"
"I wish to see the servants' shoes. Where are they?"
"I expect they have them on, sir."
"Yesterday's shoes, man—yesterday's shoes. Where are they?"
"Where are the shoes of yesteryear?" murmured Ashe. "I should say at a venture, sir, that they would be in a large basket somewhere near the kitchen. Our genial knife-and-shoe boy collects them, I believe, at early dawn."
"Would they have been cleaned yet?"
"If I know the lad, sir—no."
"Go and bring that basket to me. Bring it to me in this room."
* * *
The room to which he referred was none other than the private sanctum of Mr. Beach, the butler, the door of which, standing open, showed it to be empty. It was not Baxter's plan, excited as he was, to risk being discovered sifting shoes in the middle of a passage in the servants' quarters.
Ashe's brain was working rapidly as he made for the shoe cupboard, that little den of darkness and smells, where Billy, the knife-and-shoe boy, better known in the circle in which he moved as Young Bonehead, pursued his menial tasks. What exactly was at the back of the Efficient Baxter's mind prompting these maneuvers he did not know; but that there was something he was certain.
He had not yet seen Joan this morning, and he did not know whether or not she had carried out her resolve of attempting to steal the scarab on the previous night; but this activity and mystery on the part of their enemy must have some sinister significance. He gathered up the shoe basket thoughtfully. He staggered back with it and dumped it down on the floor of Mr. Beach's room. The Efficient Baxter stooped eagerly over it. Ashe, leaning against the wall, straightened the creases in his clothes and flicked disgustedly at an inky spot which the journey had transferred from the basket to his coat.
"We have here, sir," he said, "a fair selection of our various foot coverings."
"You did not drop any on your way?"
"Not one, sir."
The Efficient Baxter uttered a grunt of satisfaction and bent once more to his task. Shoes flew about the room. Baxter knelt on the floor beside the basket, and dug like a terrier at a rat hole. At last he made a find and with an exclamation of triumph rose to his feet. In his hand he held a shoe.
"Put those back," he said.
Ashe began to pick up the scattered footgear.
"That's the lot, sir," he said, rising.
"Now come with me. Leave the basket there. You can carry it back when you return."
"Shall I put back that shoe, sir?"
"Certainly not. I shall take this one with me."
"Shall I carry it for you, sir?"
Baxter reflected.
"Yes. I think that would be best."
Trouble had shaken his nerve. He was not certain that there might not be others besides Lord Emsworth in the garden; and it occurred to him that, especially after his reputation for eccentric conduct had been so firmly established by his misfortunes that night in the hall, it might cause comment should he appear before them carrying a shoe.
Ashe took the shoe and, doing so, understood what before had puzzled him. Across the toe was a broad splash of red paint. Though he had nothing else to go on, he saw all. The shoe he held was a female shoe. His own researches in the museum had made him aware of the presence there of red paint. It was not difficult to build up on these data a pretty accurate estimate of the position of affairs.
"Come with me," said Baxter.
He left the room. Ashe followed him.
In the garden Lord Emsworth, garden fork in hand, was dealing summarily with a green young weed that had incautiously shown its head in the middle of a flower bed. He listened to Baxter's statement with more interest than he usually showed in anybody's statements. He resented the loss of the scarab, not so much on account of its intrinsic worth as because it had been the gift of his friend Mr. Peters.
"Indeed!" he said, when Baxter had finished. "Really? Dear me! It certainly seems—It is extremely suggestive. You are certain there was red paint on this shoe?"
"I have it with me. I brought it on purpose to show you." He looked at Ashe, who stood in close attendance. "The shoe!"
Lord Emsworth polished his glasses and bent over the exhibit.
"Ah!" he said. "Now let me look at—This, you say, is the—Just so; just so! Just—My dear Baxter, it may be that I have not examined this shoe with sufficient care, but—Can you point out to me exactly where this paint is that you speak of?"
The Efficient Baxter stood staring at the shoe with wild, fixed stare. Of any suspicion of paint, red or otherwise, it was absolutely and entirely innocent!
The shoe became the center of attraction, the center of all eyes. The Efficient Baxter fixed it with the piercing glare of one who feels that his brain is tottering. Lord Emsworth looked at it with a mildly puzzled expression. Ashe Marson examined it with a sort of affectionate interest, as though he were waiting for it to do a trick of some kind. Baxter was the first to break the silence.
"There was paint on this shoe," he said vehemently. "I tell you there was a splash of red paint across the toe. This man here will bear me out in this. You saw paint on this shoe?"
"Paint, sir?"
"What! Do you mean to tell me you did not see it?"
"No, sir; there was no paint on this shoe."
"This is ridiculous. I saw it with my own eyes. It was a broad splash right across the toe."
Lord Emsworth interposed.
"You must have made a mistake, my dear Baxter. There is certainly no trace of paint on this shoe. These momentary optical delusions are, I fancy, not uncommon. Any doctor will tell you—"
"I had an aunt, your lordship," said Ashe chattily, "who was remarkably subject—"
"It is absurd! I cannot have been mistaken," said Baxter. "I am positively certain the toe of this shoe was red when I found it."
"It is quite black now, my dear Baxter."
"A sort of chameleon shoe," murmured Ashe.
The goaded secretary turned on him.
"What did you say?"
"Nothing, sir."
Baxter's old suspicion of this smooth young man came surging back to him.
"I strongly suspect you of having had something to do with this."
"Really, Baxter," said the earl, "that is surely the least probable of solutions. This young man could hardly have cleaned the shoe on his way from the house. A few days ago, when painting in the museum, I inadvertently splashed some paint on my own shoe. I can assure you it does not brush off. It needs a very systematic cleaning before all traces are removed."
"Exactly, your lordship," said Ashe. "My theory, if I may—"
"Yes?"
"My theory, your lordship, is that Mr. Baxter was deceived by the light-and-shade effects on the toe of the shoe. The morning sun, streaming in through the window, must have shone on the shoe in such a manner as to give it a momentary and fictitious aspect of redness. If Mr. Baxter recollects, he did not look long at the shoe. The picture on the retina of the eye consequently had not time to fade. I myself remember thinking at the moment that the shoe appeared to have a certain reddish tint. The mistake—"
"Bah!" said Baxter shortly.
Lord Emsworth, now thoroughly bored with the whole affair and desiring nothing more than to be left alone with his weeds and his garden fork, put in his word. Baxter, he felt, was curiously irritating these days. He always seemed to be bobbing up. The Earl of Emsworth was conscious of a strong desire to be free from his secretary's company. He was efficient, yes—invaluable indeed—he did not know what he should do without Baxter; but there was no denying that his company tended after a while to become a trifle tedious. He took a fresh grip on his garden fork and shifted it about in the air as a hint that the interview had lasted long enough.
"It seems to me, my dear fellow," he said, "the only explanation that will square with the facts. A shoe that is really smeared with red paint does not become black of itself in the course of a few minutes."
"You are very right, your lordship," said Ashe approvingly. "MayI go now, your lordship?"
"Certainly—certainly; by all means."
"Shall I take the shoe with me, your lordship?"
"If you do not want it, Baxter."
The secretary passed the fraudulent piece of evidence to Ashe without a word; and the latter, having included both gentlemen in a kindly smile, left the garden.
On returning to the butler's room, Ashe's first act was to remove a shoe from the top of the pile in the basket. He was about to leave the room with it, when the sound of footsteps in the passage outside halted him.
"I do not in the least understand why you wish me to come here, my dear Baxter," said a voice, "and you are completely spoiling my morning, but—"
For a moment Ashe was at a loss. It was a crisis that called for swift action, and it was a little hard to know exactly what to do. It had been his intention to carry the paint-splashed shoe back to his own room, there to clean it at his leisure; but it appeared that his strategic line of retreat was blocked. Plainly, the possibility—nay, the certainty—that Ashe had substituted another shoe for the one with the incriminating splash of paint on it had occurred to the Efficient Baxter almost directly the former had left the garden.
The window was open. Ashe looked out. There were bushes below. It was a makeshift policy, and one which did not commend itself to him as the ideal method, but it seemed the only thing to be done, for already the footsteps had reached the door. He threw the shoe out of window, and it sank beneath the friendly surface of the long grass round a wisteria bush.
Ashe turned, relieved, and the next moment the door opened and Baxter walked in, accompanied—with obvious reluctance—-by his bored employer.
Baxter was brisk and peremptory.
"I wish to look at those shoes again," he said coldly.
"Certainly, sir," said Ashe.
"I can manage without your assistance," said Baxter.
"Very good, sir."
Leaning against the wall, Ashe watched him with silent interest, as he burrowed among the contents of the basket, like a terrier digging for rats. The Earl of Emsworth took no notice of the proceedings. He yawned plaintively, and pottered about the room. He was one of Nature's potterers.
The scrutiny of the man whom he had now placed definitely as a malefactor irritated Baxter. Ashe was looking at him in an insufferably tolerant manner, as if he were an indulgent father brooding over his infant son while engaged in some childish frolic. He lodged a protest.
"Don't stand there staring at me!"
"I was interested in what you were doing, sir."
"Never mind! Don't stare at me in that idiotic way."
"May I read a book, sir?"
"Yes, read if you like."
"Thank you, sir."
Ashe took a volume from the butler's slenderly stocked shelf. The shoe-expert resumed his investigations in the basket. He went through it twice, but each time without success. After the second search he stood up and looked wildly about the room. He was as certain as he could be of anything that the missing piece of evidence was somewhere within those four walls. There was very little cover in the room, even for so small a fugitive as a shoe. He raised the tablecloth and peered beneath the table.
"Are you looking for Mr. Beach, sir?" said Ashe. "I think he has gone to church."
Baxter, pink with his exertions, fastened a baleful glance upon him.
"You had better be careful," he said.
At this point the Earl of Emsworth, having done all the pottering possible in the restricted area, yawned like an alligator.
"Now, my dear Baxter—" he began querulously.
Baxter was not listening. He was on the trail. He had caught sight of a small closet in the wall, next to the mantelpiece, and it had stimulated him.
"What is in this closet?"
"That closet, sir?"
"Yes, this closet." He rapped the door irritably.
"I could not say, sir. Mr. Beach, to whom the closet belongs, possibly keeps a few odd trifles there. A ball of string, perhaps. Maybe an old pipe or something of that kind. Probably nothing of value or interest."
"Open it."
"It appears to be locked, sir—"
"Unlock it."
"But where is the key?"
Baxter thought for a moment.
"Lord Emsworth," he said, "I have my reasons for thinking that this man is deliberately keeping the contents of this closet from me. I am convinced that the shoe is in there. Have I your leave to break open the door?"
The earl looked a little dazed, as if he were unequal to the intellectual pressure of the conversation.
"Now, my dear Baxter," said the earl impatiently, "please tell me once again why you have brought me in here. I cannot make head or tail of what you have been saying. Apparently you accuse this young man of keeping his shoes in a closet. Why should you suspect him of keeping his shoes in a closet? And if he wishes to do so, why on earth should not he keep his shoes in a closet? This is a free country."
"Exactly, your lordship," said Ashe approvingly. "You have touched the spot."
"It all has to do with the theft of your scarab, Lord Emsworth.Somebody got into the museum and stole the scarab."
"Ah, yes; ah, yes—so they did. I remember now. You told me. Bad business that, my dear Baxter. Mr. Peters gave me that scarab. He will be most deucedly annoyed if it's lost. Yes, indeed."
"Whoever stole it upset the can of red paint and stepped in it."
"Devilish careless of them. It must have made the dickens of a mess. Why don't people look where they are walking?"
"I suspect this man of shielding the criminal by hiding her shoe in this closet."
"Oh, it's not his own shoes that this young man keeps in closets?"
"It is a woman's shoe, Lord Emsworth."
"The deuce it is! Then it was a woman who stole the scarab? Is that the way you figure it out? Bless my soul, Baxter, one wonders what women are coming to nowadays. It's all this movement, I suppose. The Vote, and all that—eh? I recollect having a chat with the Marquis of Petersfield some time ago. He is in the Cabinet, and he tells me it is perfectly infernal the way these women carry on. He said sometimes it got to such a pitch, with them waving banners and presenting petitions, and throwing flour and things at a fellow, that if he saw his own mother coming toward him, with a hand behind her back, he would run like a rabbit. Told me so himself."
"So," said the Efficient Baxter, cutting in on the flow of speech, "what I wish to do is to break open this closet."
"Eh? Why?"
"To get the shoe."
"The shoe? . . . Ah, yes, I recollect now. You were telling me."
"If your lordship has no objection."
"Objection, my dear fellow? None in the world. Why should I have any objection? Let me see! What is it you wish to do?"
"This," said Baxter shortly.
He seized the poker from the fireplace and delivered two rapid blows on the closet door. The wood was splintered. A third blow smashed the flimsy lock. The closet, with any skeletons it might contain, was open for all to view.
It contained a corkscrew, a box of matches, a paper-covered copy of a book entitled "Mary, the Beautiful Mill-Hand," a bottle of embrocation, a spool of cotton, two pencil-stubs, and other useful and entertaining objects. It contained, in fact, almost everything except a paint-splashed shoe, and Baxter gazed at the collection in dumb disappointment.
"Are you satisfied now, my dear Baxter," said the earl, "or is there any more furniture that you would like to break? You know, this furniture breaking is becoming a positive craze with you, my dear fellow. You ought to fight against it. The night before last, I don't know how many tables broken in the hall; and now this closet. You will ruin me. No purse can stand the constant drain."
Baxter did not reply. He was still trying to rally from the blow. A chance remark of Lord Emsworth's set him off on the trail once more. Lord Emsworth, having said his say, had dismissed the affair from his mind and begun to potter again. The course of his pottering had brought him to the fireplace, where a little pile of soot on the fender caught his eye. He bent down to inspect it.
"Dear me!" he said. "I must remember to tell Beach to have his chimney swept. It seems to need it badly."
No trumpet-call ever acted more instantaneously on old war-horse than this simple remark on the Efficient Baxter. He was still convinced that Ashe had hidden the shoe somewhere in the room, and, now that the closet had proved an alibi, the chimney was the only spot that remained unsearched. He dived forward with a rush, nearly knocking Lord Emsworth off his feet, and thrust an arm up into the unknown. The startled peer, having recovered his balance, met Ashe's respectfully pitying gaze.
"We must humor him," said the gaze, more plainly than speech.
Baxter continued to grope. The chimney was a roomy chimney, and needed careful examination. He wriggled his hand about clutchingly. From time to time soot fell in gentle showers.
"My dear Baxter!"
Baxter was baffled. He withdrew his hand from the chimney, and straightened himself. He brushed a bead of perspiration from his face with the back of his hand. Unfortunately, he used the sooty hand, and the result was too much for Lord Emsworth's politeness. He burst into a series of pleased chuckles.
"Your face, my dear Baxter! Your face! It is positively covered with soot—positively! You must go and wash it. You are quite black. Really, my dear fellow, you present rather an extraordinary appearance. Run off to your room."
Against this crowning blow the Efficient Baxter could not stand up. It was the end.
"Soot!" he murmured weakly. "Soot!"
"Your face is covered, my dear fellow—quite covered."
"It certainly has a faintly sooty aspect, sir," said Ashe.
His voice roused the sufferer to one last flicker of spirit.
"You will hear more of this," he said. "You will—"
At this moment, slightly muffled by the intervening door and passageway, there came from the direction of the hall a sound like the delivery of a ton of coal. A heavy body bumped down the stairs, and a voice which all three recognized as that of the Honorable Freddie uttered an oath that lost itself in a final crash and a musical splintering sound, which Baxter for one had no difficulty in recognizing as the dissolution of occasional china.
Even if they had not so able a detective as Baxter with them, Lord Emsworth and Ashe would have been at no loss to guess what had happened. Doctor Watson himself could have deduced it from the evidence. The Honorable Freddie had fallen downstairs.
* * *
With a little ingenuity this portion of the story of Mr. Peters' scarab could be converted into an excellent tract, driving home the perils, even in this world, of absenting one's self from church on Sunday morning. If the Honorable Freddie had gone to church he would not have been running down the great staircase at the castle at this hour; and if he had not been running down the great staircase at the castle at that hour he would not have encountered Muriel.
Muriel was a Persian cat belonging to Lady Ann Warblington. Lady Ann had breakfasted in bed and lain there late, as she rather fancied she had one of her sick headaches coming on. Muriel had left her room in the wake of the breakfast tray, being anxious to be present at the obsequies of a fried sole that had formed Lady Ann's simple morning meal, and had followed the maid who bore it until she had reached the hall.
At this point the maid, who disliked Muriel, stopped and made a noise like an exploding pop bottle, at the same time taking a little run in Muriel's direction and kicking at her with a menacing foot. Muriel, wounded and startled, had turned in her tracks and sprinted back up the staircase at the exact moment when the Honorable Freddie, who for some reason was in a great hurry, ran lightly down.
There was an instant when Freddie could have saved himself by planting a number-ten shoe on Muriel's spine, but even in that crisis he bethought him that he hardly stood solid enough with the authorities to risk adding to his misdeeds the slaughter of his aunt's favorite cat, and he executed a rapid swerve. The spared cat proceeded on her journey upstairs, while Freddie, touching the staircase at intervals, went on down.
Having reached the bottom, he sat amid the occasional china, like Marius among the ruins of Carthage, and endeavored to ascertain the extent of his injuries. He had a dazed suspicion that he was irretrievably fractured in a dozen places. It was in this attitude that the rescue party found him. He gazed up at them with silent pathos.
"In the name of goodness, Frederick," said Lord Emsworth peevishly, "what do you imagine you are doing?"
Freddie endeavored to rise, but sank back again with a stifled howl.
"It was that bally cat of Aunt Ann's," he said. "It came legging it up the stairs. I think I've broken my leg."
"You have certainly broken everything else," said his father unsympathetically. "Between you and Baxter, I wonder there's a stick of furniture standing in the house."
"Thanks, old chap," said Freddie gratefully as Ashe stepped forward and lent him an arm. "I think my bally ankle must have got twisted. I wish you would give me a hand up to my room."
"And, Baxter, my dear fellow," said Lord Emsworth, "you might telephone to Doctor Bird, in Market Blandings, and ask him to be good enough to drive out. I am sorry, Freddie," he added, "that you should have met with this accident; but—but everything is so—so disturbing nowadays that I feel—I feel most disturbed."
Ashe and the Honorable Freddie began to move across the hall—Freddie hopping, Ashe advancing with a sort of polka step. As they reached the stairs there was a sound of wheels outside and the vanguard of the house party, returned from church, entered the house.
"It's all very well to give it out officially that Freddie has fallen downstairs and sprained his ankle," said Colonel Horace Mant, discussing the affair with the Bishop of Godalming later in the afternoon; "but it's my firm belief that that fellow Baxter did precisely as I said he would—ran amuck and inflicted dashed frightful injuries on young Freddie. When I got into the house there was Freddie being helped up the stairs, while Baxter, with his face covered with soot, was looking after him with a sort of evil grin. What had he smeared his face with soot for, I should like to know, if he were perfectly sane?
"The whole thing is dashed fishy and mysterious and the sooner I can get Mildred safely out of the place, the better I shall be pleased. The fellow's as mad as a hatter!"
When Lord Emsworth, sighting Mr. Peters in the group of returned churchgoers, drew him aside and broke the news that the valuable scarab, so kindly presented by him to the castle museum, had been stolen in the night by some person unknown, he thought the millionaire took it exceedingly well. Though the stolen object no longer belonged to him, Mr. Peters no doubt still continued to take an affectionate interest in it and might have been excused had he shown annoyance that his gift had been so carelessly guarded.
Mr. Peters was, however, thoroughly magnanimous about the matter. He deprecated the notion that the earl could possibly have prevented this unfortunate occurrence. He quite understood. He was not in the least hurt. Nobody could have foreseen such a calamity. These things happened and one had to accept them. He himself had once suffered in much the same way, the gem of his collection having been removed almost beneath his eyes in the smoothest possible fashion.
Altogether, he relieved Lord Emsworth's mind very much; and when he had finished doing so he departed swiftly and rang for Ashe. When Ashe arrived he bubbled over with enthusiasm. He was lyrical in his praise. He went so far as to slap Ashe on the back. It was only when the latter disclaimed all credit for what had occurred that he checked the flow of approbation.
"It wasn't you who got it? Who was it, then?"
"It was Miss Peters' maid. It's a long story; but we were working in partnership. I tried for the thing and failed, and she succeeded."
It was with mixed feelings that Ashe listened while Mr. Peters transferred his adjectives of commendation to Joan. He admired Joan's courage, he was relieved that her venture had ended without disaster, and he knew that she deserved whatever anyone could find to say in praise of her enterprise: but, at first, though he tried to crush it down, he could not help feeling a certain amount of chagrin that a girl should have succeeded where he, though having the advantage of first chance, had failed. The terms of his partnership with Joan had jarred on him from the beginning.
A man may be in sympathy with the modern movement for the emancipation of woman and yet feel aggrieved when a mere girl proves herself a more efficient thief than himself. Woman is invading man's sphere more successfully every day; but there are still certain fields in which man may consider that he is rightfully entitled to a monopoly—and the purloining of scarabs in the watches of the night is surely one of them. Joan, in Ashe's opinion, should have played a meeker and less active part.
These unworthy emotions did not last long. Whatever his other shortcomings, Ashe possessed a just mind. By the time he had found Joan, after Mr. Peters had said his say, and dispatched him below stairs for that purpose, he had purged himself of petty regrets and was prepared to congratulate her whole-heartedly. He was, however, resolved that nothing should induce him to share in the reward. On that point, he resolved, he would refuse to be shaken.
"I have just left Mr. Peters," he began. "All is well. His check book lies before him on the table and he is trying to make his fountain pen work long enough to write a check. But there is just one thing I want to say—"
She interrupted him. To his surprise, she was eyeing him coldly and with disapproval.
"And there is just one thing I want to say," she said; "and that is, if you imagine I shall consent to accept a penny of the reward—"
"Exactly what I was going to say. Of course I couldn't dream of taking any of it."
"I don't understand you. You are certainly going to have it all. I told you when we made our agreement that I should only take my share if you let me do my share of the work. Now that you have broken that agreement, nothing could induce me to take it. I know you meant it kindly, Mr. Marson, but I simply can't feel grateful. I told you that ours was a business contract and that I wouldn't have any chivalry; and I thought that after you had given me your promise—"
"One moment," said Ashe, bewildered. "I can't follow this. What do you mean?"
"What do I mean? Why, that you went down to the museum last night before me and took the scarab, though you had promised to stay away and give me my chance."
"But I didn't do anything of the sort."
It was Joan's turn to look bewildered.
"But you have got the scarab, Mr. Marson?"
"Why, you have got it!"
"No!"
"But—but it has gone!"
"I know. I went down to the museum last night, as we had arranged; and when I got there there was no scarab. It had disappeared."
They looked at each other in consternation. Ashe was the first to speak.
"It was gone when you got to the museum?"
"There wasn't a trace of it. I took it for granted that you had been down before me. I was furious!"
"But this is ridiculous!" said Ashe. "Who can have taken it? There was nobody beside ourselves who knew Mr. Peters was offering the reward. What exactly happened last night?"
"I waited until one o'clock. Then I slipped down, got into the museum, struck a match, and looked for the scarab. It wasn't there. I couldn't believe it at first. I struck some more matches—quite a number—but it was no good. The scarab was gone; so I went back to bed and thought hard thoughts about you. It was silly of me. I ought to have known you would not break your word; but there didn't seem any other solution of the thing's disappearance.
"Well, somebody must have taken it; and the question is, what are we to do?" She laughed. "It seems to me that we were a little premature in quarreling about how we are to divide that reward. It looks as though there wasn't going to be any reward."
"Meantime," said Ashe gloomily, "I suppose I have got to go back and tell Peters. I expect it will break his heart."
Blandings Castle dozed in the calm of an English Sunday afternoon. All was peace. Freddie was in bed, with orders from the doctor to stay there until further notice. Baxter had washed his face. Lord Emsworth had returned to his garden fork. The rest of the house party strolled about the grounds or sat in them, for the day was one of those late spring days that are warm with a premature suggestion of midsummer.
Aline Peters was sitting at the open window of her bedroom, which commanded an extensive view of the terraces. A pile of letters lay on the table beside her, for she had just finished reading her mail. The postman came late to the castle on Sundays and she had not been able to do this until luncheon was over.
Aline was puzzled. She was conscious of a fit of depression for which she could in no way account. She had a feeling that all was not well with the world, which was the more remarkable in that she was usually keenly susceptible to weather conditions and reveled in sunshine like a kitten. Yet here was a day nearly as fine as an American day—and she found no solace in it.
She looked down on the terrace; as she looked the figure of George Emerson appeared, walking swiftly. And at the sight of him something seemed to tell her that she had found the key to her gloom.
There are many kinds of walk. George Emerson's was the walk of mental unrest. His hands were clasped behind his back, his eyes stared straight in front of him from beneath lowering brows, and between his teeth was an unlighted cigar. No man who is not a professional politician holds an unlighted cigar in his mouth unless he wishes to irritate and baffle a ticket chopper in the subway, or because unpleasant meditations have caused him to forget he has it there. Plainly, then, all was not well with George Emerson.
Aline had suspected as much at luncheon; and looking back she realized that it was at luncheon her depression had begun. The discovery startled her a little. She had not been aware, or she had refused to admit to herself, that George's troubles bulked so large on her horizon. She had always told herself that she liked George, that George was a dear old friend, that George amused and stimulated her; but she would have denied she was so wrapped up in George that the sight of him in trouble would be enough to spoil for her the finest day she had seen since she left America.
There was something not only startling but shocking in the thought; for she was honest enough with herself to recognize that Freddie, her official loved one, might have paced the grounds of the castle chewing an unlighted cigar by the hour without stirring any emotion in her at all.
And she was to marry Freddie next month! This was surely a matter that called for thought. She proceeded, gazing down the while at the perambulating George, to give it thought.
Aline's was not a deep nature. She had never pretended to herself that she loved the Honorable Freddie in the sense in which the word is used in books. She liked him and she liked the idea of being connected with the peerage; her father liked the idea and she liked her father. And the combination of these likings had caused her to reply "Yes" when, last Autumn, Freddie, swelling himself out like an embarrassed frog and gulping, had uttered that memorable speech beginning, "I say, you know, it's like this, don't you know!"—and ending, "What I mean is, will you marry me—what?"
She had looked forward to being placidly happy as the Honorable Mrs. Frederick Threepwood. And then George Emerson had reappeared in her life, a disturbing element.
Until to-day she would have resented the suggestion that she was in love with George. She liked to be with him, partly because he was so easy to talk to, and partly because it was exciting to be continually resisting the will power he made no secret of trying to exercise. But to-day there was a difference. She had suspected it at luncheon and she realized it now. As she looked down at him from behind the curtain, and marked his air of gloom, she could no longer disguise it from herself.
She felt maternal—horribly maternal. George was in trouble and she wanted to comfort him.
Freddie, too, was in trouble. But did she want to comfort Freddie? No. On the contrary, she was already regretting her promise, so lightly given before luncheon, to go and sit with him that afternoon. A well-marked feeling of annoyance that he should have been so silly as to tumble downstairs and sprain his ankle was her chief sentiment respecting Freddie.
George Emerson continued to perambulate and Aline continued to watch him. At last she could endure it no longer. She gathered up her letters, stacked them in a corner of the dressing-table and left the room. George had reached the end of the terrace and turned when she began to descend the stone steps outside the front door. He quickened his pace as he caught sight of her. He halted before her and surveyed her morosely.
"I have been looking for you," he said.
"And here I am. Cheer up, George! Whatever is the matter? I've been sitting in my room looking at you, and you have been simply prowling. What has gone wrong?"
"Everything!"
"How do you mean—everything?"
"Exactly what I say. I'm done for. Read this."
Aline took the yellow slip of paper. "A cable," added George. "I got it this morning—mailed on from my rooms in London. Read it."
"I'm trying to. It doesn't seem to make sense."
George laughed grimly.
"It makes sense all right."
"I don't see how you can say that. 'Meredith elephant kangaroo—?'"
"Office cipher; I was forgetting. 'Elephant' means 'Seriously ill and unable to attend to duty.' Meredith is one of the partners in my firm in New York."
"Oh, I'm so sorry! Do you think he is very sick? Are you very fond of Mr. Meredith?"
"Meredith is a good fellow and I like him; but if it was simply a matter of his being ill I'm afraid I could manage to bear up under the news. Unfortunately 'kangaroo' means 'Return, without fail, by the next boat.'"
"You must return by the next boat?" Aline looked at him, in her eyes a slow-growing comprehension of the situation. "Oh!" she said at length.
"I put it stronger than that," said George.
"But—the next boat—— That means on Wednesday."
"Wednesday morning, from Southampton. I shall have to leave here to-morrow."
Aline's eyes were fixed on the blue hills across the valley, but she did not see them. There was a mist between. She was feeling crushed and ill-treated and lonely. It was as though George was already gone and she left alone in an alien land.
"But, George!" she said; she could find no other words for her protest against the inevitable.
"It's bad luck," said Emerson quietly; "but I shouldn't wonder if it is not the best thing that really could have happened. It finishes me cleanly, instead of letting me drag on and make both of us miserable. If this cable hadn't come I suppose I should have gone on bothering you up to the day of your wedding. I should have fancied, to the last moment, that there was a chance for me; but this ends me with one punch.
"Even I haven't the nerve to imagine that I can work a miracle in the few hours before the train leaves to-morrow. I must just make the best of it. If we ever meet again—and I don't see why we should—you will be married. My particular brand of mental suggestion doesn't work at long range. I shan't hope to influence you by telepathy."
He leaned on the balustrade at her side and spoke in a low, level voice.
"This thing," he said, "coming as a shock, coming out of the blue sky without warning—Meredith is the last man in the world you would expect to crack up; he looked as fit as a dray horse the last time I saw him—somehow seems to have hammered a certain amount of sense into me. Odd it never struck me before; but I suppose I have been about the most bumptious, conceited fool that ever happened.
"Why I should have imagined that there was a sort of irresistible fascination in me, which was bound to make you break off your engagement and upset the whole universe simply to win the wonderful reward of marrying me, is more than I can understand. I suppose it takes a shock to make a fellow see exactly what he really amounts to. I couldn't think any more of you than I do; but, if I could, the way you have put up with my mouthing and swaggering and posing as a sort of superman, would make me do it. You have been wonderful!"
Aline could not speak. She felt as though her whole world had been turned upside down in the last quarter of an hour. This was a new George Emerson, a George at whom it was impossible to laugh, but an insidiously attractive George. Her heart beat quickly. Her mind was not clear; but dimly she realized that he had pulled down her chief barrier of defense and that she was more open to attack than she had ever been. Obstinacy, the automatic desire to resist the pressure of a will that attempted to overcome her own, had kept her cool and level-headed in the past. With masterfulness she had been able to cope. Humility was another thing altogether.
Soft-heartedness was Aline's weakness. She had never clearly recognized it, but it had been partly pity that had induced her to accept Freddie; he had seemed so downtrodden and sorry for himself during those Autumn days when they had first met. Prudence warned her that strange things might happen if once she allowed herself to pity George Emerson.
The silence lengthened. Aline could find nothing to say. In her present mood there was danger in speech.
"We have known each other so long," said Emerson, "and I have told you so often that I love you, we have come to make almost a joke of it, as though we were playing some game. It just happens that that is our way—to laugh at things; but I am going to say it once again, even though it has come to be a sort of catch phrase. I love you! I'm reconciled to the fact that I am done for, out of the running, and that you are going to marry somebody else; but I am not going to stop loving you.
"It isn't a question of whether I should be happier if I forgot you. I can't do it. It's just an impossibility—and that's all there is to it. Whatever I may be to you, you are part of me, and you always will be part of me. I might just as well try to go on living without breathing as living without loving you."
He stopped and straightened himself.
"That's all! I don't want to spoil a perfectly good Spring afternoon for you by pulling out the tragic stop. I had to say all that; but it's the last time. It shan't occur again. There will be no tragedy when I step into the train to-morrow. Is there any chance that you might come and see me off?"
Aline nodded.
"You will? That will be splendid! Now I'll go and pack and break it to my host that I must leave him. I expect, it will be news to him to learn that I am here. I doubt if he knows me by sight."
Aline stood where he had left her, leaning on the balustrade. In the fullness of time there came to her the recollection she had promised Freddie that shortly after luncheon she would sit with him.
* * *
The Honorable Freddie, draped in purple pyjamas and propped up with many pillows, was lying in bed, reading Gridley Quayle, Investigator. Aline's entrance occurred at a peculiarly poignant moment in the story and gave him a feeling of having been brought violently to earth from a flight in the clouds. It is not often an author has the good fortune to grip a reader as the author of Gridley Quayle gripped Freddie.
One of the results of his absorbed mood was that he greeted Aline with a stare of an even glassier quality than usual. His eyes were by nature a trifle prominent; and to Aline, in the overstrung condition in which her talk with George Emerson had left her, they seemed to bulge at her like a snail's. A man seldom looks his best in bed, and to Aline, seeing him for the first time at this disadvantage, the Honorable Freddie seemed quite repulsive. It was with a feeling of positive panic that she wondered whether he would want her to kiss him.
Freddie made no such demand. He was not one of your demonstrative lovers. He contented himself with rolling over in bed and dropping his lower jaw.
"Hello, Aline!"
Aline sat down on the edge of the bed.
"Well, Freddie?"
Her betrothed improved his appearance a little by hitching up his jaw. As though feeling that would be too extreme a measure, he did not close his mouth altogether; but he diminished the abyss. The Honorable Freddie belonged to the class of persons who move through life with their mouths always restfully open.
It seemed to Aline that on this particular afternoon a strange dumbness had descended on her. She had been unable to speak to George and now she could not think of anything to say to Freddie. She looked at him and he looked at her; and the clock on the mantel-piece went on ticking.
"It was that bally cat of Aunt Ann's," said Freddie at length, essaying light conversation. "It came legging it up the stairs and I took the most frightful toss. I hate cats! Do you hate cats? I knew a fellow in London who couldn't stand cats."
Aline began to wonder whether there was not something permanently wrong with her organs of speech. It should have been a simple matter to develop the cat theme, but she found herself unable to do so. Her mind was concentrated, to the exclusion of all else, on the repellent nature of the spectacle provided by her loved one in pyjamas. Freddie resumed the conversation.
"I was just reading a corking book. Have you ever read these things? They come out every month, and they're corking. The fellow who writes them must be a corker. It beats me how he thinks of these things. They are about a detective—a chap called Gridley Quayle. Frightfully exciting!"
An obvious remedy for dumbness struck Aline.
"Shall I read to you, Freddie?"
"Right-ho! Good scheme! I've got to the top of this page."
Aline took the paper-covered book.
"'Seven guns covered him with deadly precision.' Did you get as far as that?"
"Yes; just beyond. It's a bit thick, don't you know! This chappie Quayle has been trapped in a lonely house, thinking he was going to see a pal in distress; and instead of the pal there pop out a whole squad of masked blighters with guns. I don't see how he's going to get out of it, myself; but I'll bet he does. He's a corker!"
If anybody could have pitied Aline more than she pitied herself, as she waded through the adventures of Mr. Quayle, it would have been Ashe Marson. He had writhed as he wrote the words and she writhed as she read them. The Honorable Freddie also writhed, but with tense excitement.
"What's the matter? Don't stop!" he cried as Aline's voice ceased.
"I'm getting hoarse, Freddie."
Freddie hesitated. The desire to remain on the trail with Gridley struggled with rudimentary politeness.
"How would it be—Would you mind if I just took a look at the rest of it myself? We could talk afterward, you know. I shan't be long."
"Of course! Do read if you want to. But do you really like this sort of thing, Freddie?"
"Me? Rather! Why—don't you?"
"I don't know. It seems a little—I don't know."
Freddie had become absorbed in his story. Aline did not attempt further analysis of her attitude toward Mr. Quayle; she relapsed into silence.
It was a silence pregnant with thought. For the first time in their relations, she was trying to visualize to herself exactly what marriage with this young man would mean. Hitherto, it struck her, she had really seen so little of Freddie that she had scarcely had a chance of examining him. In the crowded world outside he had always seemed a tolerable enough person. To-day, somehow, he was different. Everything was different to-day.
This, she took it, was a fair sample of what she might expect after marriage. Marriage meant—to come to essentials—that two people were very often and for lengthy periods alone together, dependent on each other for mutual entertainment. What exactly would it be like, being alone often and for lengthy periods with Freddie? Well, it would, she assumed, be like this.
"It's all right," said Freddie without looking up. "He did get out! He had a bomb on him, and he threatened to drop it and blow the place to pieces unless the blighters let him go. So they cheesed it. I knew he had something up his sleeve."
Like this! Aline drew a deep breath. It would be like this—forever and ever and ever—until she died. She bent forward and stared at him.
"Freddie," she said, "do you love me?" There was no reply. "Freddie, do you love me? Am I a part of you? If you hadn't me would it be like trying to go on living without breathing?"
The Honorable Freddie raised a flushed face and gazed at her with an absent eye.
"Eh? What?" he said. "Do I—Oh; yes, rather! I say, one of the blighters has just loosed a rattlesnake into Gridley Quayle's bedroom through the transom!"
Aline rose from her seat and left the room softly. The HonorableFreddie read on, unheeding.
* * *
Ashe Marson had not fallen far short of the truth in his estimate of the probable effect on Mr. Peters of the information that his precious scarab had once more been removed by alien hands and was now farther from his grasp than ever. A drawback to success in life is that failure, when it does come, acquires an exaggerated importance. Success had made Mr. Peters, in certain aspects of his character, a spoiled child.
At the moment when Ashe broke the news he would have parted with half his fortune to recover the scarab. Its recovery had become a point of honor. He saw it as the prize of a contest between his will and that of whatever malignant powers there might be ranged against him in the effort to show him that there were limits to what he could achieve. He felt as he had felt in the old days when people sneaked up on him in Wall Street and tried to loosen his grip on a railroad or a pet stock. He was suffering from that form of paranoia which makes men multimillionaires. Nobody would be foolish enough to become a multimillionaire if it were not for the desire to prove himself irresistible.