. . . They were putting half as much again on top of the already loaded elephant.
. . . Certain phrases went through Skag's brain, as he watched the thing done—over and over.No one had called this elephant back. He came before they knew themselves that an elephant was sick. When the mahouts first went to examine the sick one—this one was already on the way. How did he know?
The extra loaded elephant rose and started again. Then a great shout went up. Tones of many voices filled the slanting sun-rays in all the glamour of dust. The wonderful voice of the master-mahout loomed above all:
"Wisdom and excellence are thy parts, oh Thou! Justice and kindness—we who are poor in them—will learn of thee! Thou son of strength, thou child of ancient knowledges and worth!"
And the mahouts shouted again!
At that moment Skag knew as well as he knew anything in life, that he stood somewhere in the outer courts of a great animal-cult; and he was convinced that it was of a mystic nature—however that could be. He swore in his heart that he would never give up, till he got further in.
The master-mahout's voice ascended now on a strange call. It was a lift-lift-lifting tone.
"What does that mean?" Skag asked.
"All the elephants know that—it's the lifting call," Horace explained. "When an elephant is sick—unless they have an extra number in the regiment—they always call for two to volunteer; and they divide the load of the sick elephant between them. They use these tones instead of a name—just for that. There comes a male now, to take the rest of this load."
Skag watched the added load going into place on the volunteer. It was almost finished, when a trumpet blast sounded directly behind him—toward Hurda. Several elephants answered from the regiment; and many mahouts called to each other.
"Is that the bad fighter coming?" Skag asked.
"Yes, Skag Sahib, that's Nut Kut. But I don't know just what you're going to see—the ones who ought to handle him are all gone."
The master-mahout's voice was rising up into the vault of heaven and falling over upon the horizon. It seemed to Skag the like was never heard before.
"He's calling the two big tuskers back," Horace chuckled, "but there'll be doings on before they get here! Will you listen to Nut Kut's challenge?"
Skag turned to face the looming trumpet tones. There were no tones behind him like them. Smooth and mellow, they were yet so full of power as to make all the others sound insignificant. They were like love-tones translated into thunder.
But when Nut Kut came in sight, Skag caught his breath. The shape was made of gleaming bronze. No detail showed; it was a thing that took the eye and the breath and the blood. There was no look of effort in its inscrutable motion.
They stood in the open, between this thing and the regiment behind. There was no obstruction. And Skag moved to be between it and Horace—when it should pass them on its way. The regiment of thoroughly trained elephants were standing firmly in their places; but they were making the welkin ring with a thousand trumpets in the air.
Certainly Skag knew that this incredible thing before him—bigger every second—was Nut Kut. He looked to see why the great challenge-tones had stopped, and revelation went through him—like an explosion. Nut Kut had seen Horace and was coming straight for him.
Skag leaped to meet Nut Kut first, but he couldn't catch the elephant's eye. The huge shape was upon him and he was flung aside. Recovering himself almost instantly, he got around in time to see—but not in time to prevent.
Horace lifted both arms and leaned forward—his grey eyes gone black—as Nut Kut's trunk caught him. A little broken cry came from him and his death-white face hung down an instant—from high up.
Then, backing away, swaying from side to side, Nut Kut set his eyes on the man who followed—his red eyes, blazing with red warning. The American animal trainer did not fail to understand; he paused.
Slowly the great bronze trunk curled and cuddled about Horace Dickson's body and began to swing him. Skag knew that elephants swing men when they intend to kill them; and he heard a low moaning—like wind—rise up from the multitude of mahouts behind.
. . . Further and further the boy swung in the elephant's trunk, back and forth—back and forth. Unnatural tones startled Skag—sounding like delirium. Nut Kut put little Horace Dickson down, close under his own throat, his long trunk curling outside—always curling about—feeling up and down the boy's limbs, his frame, his face. The small mouth was open; the little red tongue—flickering.
Horace seemed oblivious; but when he laughed aloud. Nut Kut caught him up again—lightning quick. This time he swung the boy higher, till he rounded a perfect circle in the air; backing still further away and lifting his head. Nut Kut flung him round and round and yet around—faster and yet faster.
The moaning—like wind—still came from behind.
After endless time—like perdition—Skag heard Horace gasping, choking. He thought there were words; but couldn't be sure. And while this was going on. Nut Kut brought the boy down—flat on the ground. The impact must have broken a man. But Horace got to his feet—staggering in the circle of the trunk—looking dazed.
Now Skag moved forward, holding his hands out—as he came nearer to the big black head.
"I know you now, Nut Kut," he said quietly, "you're white inside all right. You're not meaning to hurt him. You like him—so do I."
But Nut Kut backed away, gathering the boy with him, looking down into the American's eyes—the red danger signals flaring up in his own again.
"Nut Kut, old man," Skag reasoned in perfectly natural tones, "you can't bluff me. I tell you, I know you. I know you as well as if we came out of the same egg!"
Nut Kut was still backing away and Skag was following up.
"You may take me, if you want—I can't let you wear him out, you know."
And then, while Nut Kut wrapped about and drew Horace in closer, Skag laid his fingers on the great bronze trunk, gently but firmly stroking—the red eyes focused in his own. For seconds the man and the elephant looked into each other. Suddenly Nut Kut loosed Horace and laid hold on Skag.
The moaning ascended and broke—like wind going up a mountain khud. There was nothing certain to the mahouts, but that this man of courage would be dashed to death before their eyes.
Skag squirmed in the grip about his body as Nut Kut held him high. It looked as if he were being crushed. But when he got his hands on the trunk again, he laughed. Now Nut Kut lowered him quickly—holding him before his own red eyes. The touch of the elephant was the touch of a master. But the eyes of the man were mastership itself.
. . . They were just so, when Ram Yaksahn—with a ghastly haggard face—lurched from behind Nut Kut, fairly sobbing. Nut Kut jerked Skag tight (it was like a hug), released him deliberately and turning, put his own sick mahout up on his own neck, with a movement that looked like a flick of his trunk.
"Now easy, Majesty, go easy with me—indeed I am very ill!" Ram Yaksahn protested in plaintive tones, as Nut Kut wheeled away with him.
Seeing Horace in the hands of a strange native—and certainly recovering—Skag looked away toward Hurda and wonder aloud if Nut Kut would be punished. It was the master-mahout who answered him:
"Nay, Sahib. He has done no harm."
"I'd like to have a chance with him," said Skag.
The master-mahout smiled—a mystic-musical smile, like his voice.
"I have come from my place for a moment," he said, looking intently into Skag's eyes, "for a purpose. We have heard of you, Son-of-Power. The wisdom of the ages is to know the instant when to act; not too late, not too soon. We have seen you work this day; and the fame of it will go before and after you, the length and breadth of India—among the mahouts."
He turned, pointing toward the elephant regiment. Many mahouts were shouting something together; their right hands flung high.
"It is right for you to know," the master-mahout went on, "that mahouts are a kind of men by themselves apart. Their knowledges are of elephants—sealed—not open to those from without. Yet I speak as one of my kind, being qualified, if in the future you have need of anything from us—it is yours."
And without giving Skag a chance to answer him, but with a stately gesture of salaam, the master-mahout had returned to his place and was calling another elephant.
Skag turned toward Horace, who was drawing a fine looking native forward by the hand. The boy spoke with repressed excitement—otherwise showing no sign of Nut Kut's strenuous handling:
"Skag Sahib, I want you to know Kudrat Sharif, the malik of the Chief Commissioner's elephant stockades. It is not known, you understand—meaning my father—but the malik has always been very wonderful to me."
Kudrat Sharif smiled with frank affection on the boy, as he drew his right hand away, to touch his forehead in the Indian salaam. The gesture showed both grace and dignity—as Dickson Sahib had said.
"I am exalted to carry back to my stockades the story of the manner of your work, Son-of-Power," he began.
"My name is Sanford Hantee," Skag deprecated gently.
"But you will always be known to Indians of India as Son-of-Power!" Kudrat Sharif protested. "It is a lofty title, yet you have established it before many."
Just then a great elephant came near, playfully reaching for KudratSharif with his trunk.
"And this is Neela Deo, the leader of the caravan!" laughed Horace.
"It is my shame that there is no howdah on him to carry you; we came like flight, when Nut Kut's escape was known," Kudrat Sharif apologised. "But after some days, when Nut Kut's excitement sleeps, we shall be distinguished if Son-of-Power chooses to come to the stockades and consider him.
"I heard your judgment of his nature, Sahib; and I say with humility that I shall remember it, in what I have to do with the most strange elephant I have ever met. Truly we are not sure of Nut Kut, whether he is a mighty being of extreme exaltation, above others of his kind in the world, or—a prince from the pit!"
Kudrat Sharif salaamed again; and Neela Deo lifted him to his great neck and carried him away.
Walking home, Horace expressed himself to his friend—as the heart of a boy may be expressed; and Skag dropped his arm about the slender shoulders, speaking softly:
"Remember, son, a little more—would have been too much."
"All right, Skag Sahib, because now you understand; but—isn't he interesting?"
Knowing well what the boy meant about the great strange creature—more than his fighting propensities, deeper than his physical might—Skag assented thoughtfully:
"Yes; I would like to know him better."
Blue Beast
Across the river at the military camp, the cavalry outfits were preparing for a jungle outing. It isn't easy to name the thing they contemplated. Pig-sticking couldn't be called a quest, yet there are "cracks" at the game, quite the same as at polo or billiards.
Horse and man carry their lives on the outside, so to speak. The trick of it all is that a man never knows what the tusker will do. You can't even count on him doing the opposite. And he does it quick. Often he sniffs first, but you don't hear that until after it is done. Men have heard that sniff as they lay under a horse that was kicking its life out; yet the sniff really sounded while they were still in the saddle—the horse still whole.
All the words that have to do with this sport are ugly. It's more like a snort than a sniff. . . . You really must see it. A trampled place in the jungle—tusker at bay—-a mounted sticker on each side waiting for the move. The tusker stands still. He looks nowhere, out of eyes like burning cellars. That is as near as you can come with words—trapdoors opening into cellars, smoke and flame below.
At this moment you are like a negative, being exposed. There is filmed among your enduring pictures thereafter, the raking curving snout, yellow tusks, blue bristling hollows from which the eyes burn. The lances glint green from the creepers. . . .
Then the flick of the head that goes with the snort. The boar isn't there—lanced doubtless. . . . Yes, the cavalry "cracks" get him for the most part and then you hear men's laughter and bits of comment and the strike of a match or two, for very much relished cigarettes. But now and then, the scene shifts too quickly and theotherrider may see his friend's mount stand up incredibly gashed—a white horse possibly—and thisothermust charge and lance true right now, for the boar is waiting for the man in the saddle to come down.
Nobody ever thinks of the boar's part. Queer about that. It's the bad revolting curve that goes with a tusker's snout, in the sag of which the eye is set, that puts him out of reach of decent regard. Only two other curves touch it for malignity—the curve of a hyena's shoulder and the curve of a shark's jaw. Three scavengers that haven't had a real chance. They weren't bred right.
Among the visitors that came in for the jungle play was Ian Deal, one of the younger of Carlin's seven brothers; one of the two who hadn't appeared for her marriage. The other missing brother was in Australia, but Ian Deal had been in India at the time of the ceremony and not the full-length of India away. Skag had thought about this; Carlin had doubtless done more than that. Once she had flushed, when someone had marked Ian's absence to the point of speaking of it. Before that, Skag had only heard that Ian was one of the best-loved of all. . . .
He watched the meeting of the brother and sister. It was at the railway station in Hurda, and Skag couldn't very well get away. There was something almost like anguish in the face of the young man as he hastened forward—anguish of devotion that never hoped to express itself; anguish by no means sure of itself, because it burned with the thought of Carlin being nearer to any man. Ian didn't speak, as he stopped with a rush before his sister. He merely touched her cheek, but his eyes were the eyes of a man whose heart was starving. The English observe that this jealous affection occasionally exists between twins; the Hindus suggest certain mysterious spiritual relations as accounting for it. . . . Finally Skag realised that Carlin's eyes were turned to him, something of pity in them and something of appeal.
It was all very quick then. Skag's hand was out to her brother. Ian didn't see it. Only his right elbow raised the slightest bit; his dark face flushed and paled that second. The stare was refined; it wasn't hate so much as astonishment that any man could ever bring the thing about to touch Carlin's heart. Back of it all was the matter that Ian Deal would have died before confessing—the pain and powerlessness of a brother who loves jealously.
Few beings of his years would have seen so deep and kept his nerve that instant, but Skag had been different since his battle with the cobra. He had decided never to lose his nerve again. This was the first test since that day. . . . His throat tightened a second, so that he had to clear it. All he knew then was that her brother was striding away, having muttered something about the need to see after unshipping Kala Khan, his Arab mount, which was aboard the train. There was a sort of shimmer between Skag's eyes and Ian Deal's vanishing legs that made them seem lifted out of all proportion. Then Carlin caught his arm, carried him forward and to her at the same time, as she whispered:
"You were perfect, Skag-ji. I never loved you so much as that moment, when poor Ian refused to take your hand—"
Skag cleared his throat a second time. . . . Carlin had used that name only once or twice before; and only in moments of her greater joy in him. He had been told by Horace Dickson that "ji" used intimately was "nicer" than any English word.
Something in this experience threw Skag back to the point of the cobra and the last experience with crippling nerves. Of course, it was the thought of Carlin imprisoned in the playhouse that broke him. Starting to run when he first saw the cobra on the threshold, he counted Failure. That burst of speed for ten steps had put the king into fighting mood. Skag had beaten thin in his own mind the possibility of ever committing Failure again. A man must not lose his nerve in the stress of a loved one's peril. One doesn't act so well to bring the event to a winning. In fact, there is no excuse and no advantage and no decency in losing one's nerve, any time, any place. . . .
Skag hadknownthings in certain seconds of his duel with the cobra. (Mostly, a man only thinks he knows.) Carlin had stood on the threshold, not more than fifteen feet away, while he was engaged. No one had told him at that time, that the man does not live who can continue to keep off a fighting cobra from striking home; but Skag learned in that short interval. He faced not only the fastest thing he had ever seen move, but it was also thestillest. It would come to a dead stop before him—stillness compared to which a post or a wall is mere squat inertia. This lifted head and hood was sustained, elate—having the moveless calm one might imagine at the centre of a solar system. Its outline was mysteriously clear. Often the background was Carlin's own self. The action took place in the period of the Indian afterglow, in which one can see better than in brilliant sunlight, a light that breathes soft and delicate effulgences. The cobra at the point of stillness was like dark dulled jewels against it—dulled so that the raying of the jewels would not obscure the contour.
And once toward the last, as he fought (the inside of his head feeling like a smear of opened arteries), Skag had seen Carlin over the hood of the cobra. She had seemed utterly tall, utterly enfolding; his relation to her, one of the inevitables of creation. Nothing could ever happen to take her away for long. Matters which men call life and death were mere exigencies of his scheme and herstogether.
In a word, it was a breath of the thing he had been yearning for, from the moment he first saw her in the monkey glen; the need was the core of the anguish he had known in the long pursuit of the thief elephant; the thing that must come to a man and a maid who have found each other, if there is to be any equity in the romantic plan at all, unless the two are altogether asleep and content in the tight dimensions of three-score-and-ten.
Skag had seen that he could not win; but he had also seen that Carlin wasthere—there to stay! . . . Something in her—that no fever or poison or death could take away—something for him! The thing was vivid to him for moments afterward; it lingered in dimmer outlines for hours; but as the days passed, he could only hold the vital essence of what he had learned that hour.
Carlin was more to him every day—more dear and intimate in a hundred ways; yet always she held the quest of her before him; a constant suggestion of marvels of reserve; mysteries always unfolding, of no will or design of hers. It seemed to the two that they were treading the paths of a larger design than they could imagine; and Skag was sure it was only the dullness of his faculty and the slowness of his taking, not Carlin's resources of magic, that limited the joy.
Ian Deal took up his quarters across the river with the cavalry. He did not come to the bungalow.
"He has always been strange," Carlin said. "In some ways he has been closer to me than any of the others. Always strange—doing things one time that showed the tenderest feeling for me and again the harshest resentment. You could not know what he suffered—remaining away when we were married. He has always hoped I would stay single. The idea was like a passion in him. Some of the others have it, but not to the same degree. . . . You know we have all felt the tragedy over us. We are different. The English feel it and the natives, too; yet we hold the respect of both, as no other half-caste line in India. It is because of the austerity of our views on one subject—to keep the lineage above reproach as it began. . . . No, Ian will not come here. He has seen his sister. He will make that do—"
"Why don't you go to him?" Skag asked.
She turned her head softly.
"You Americans are amazing."
"Why?" he laughed.
"An Englishman or any of my brothers in your place, wouldn't thinkIndia could contain Ian Deal and himself."
"It wouldn't do any good to fight that sort of feeling," Skag said.
"Only a man whose courage is proven would dare to say that."
"If I were on the right side, it would not be my part to leave India."
Carlin liked this so well that she decided Skag deserved to hear of a certain matter.
". . . Ian has something on his side. You see I had almost decided not to marry—almost promised him. He always said he would never marry if I didn't; that our people would do better forgotten—so much hid sorrow in the heart of us. . . . Something always kept me from making the covenant with him; yet I have been closer and closer up the years to the point of giving my life to the natives altogether. . . . That day in the monkey glen, after the work was done . . . I looked into your face! . . . You went away and came again. I had heard your voice. The old tiger down by the river had madeyouforget everything—but your power"—
Carlin laughed. The last phrases had been spoken low and rapidly.
"I didn't forget everything, dear," she went on. "I didn't forget anything! Everything meantyou—all else tentative and preparatory. I knew then that the plan was for joy, as soon as we knew enough to take it—"
On the third morning of the pig-sticking Ian Deal rode by the elephant stockades in Hurda just as the American passed. The hands were long that held the bridle-rein, the narrowest Skag had ever seen on a man. The boots were narrow like a poster drawing. It was plainly an advantage for this man to ship his own horse from the south for the few days of sport. The black Arab, Kala Khan, seemed built on the same frame as its rider—speed and power done into delicacy, utter balance of show and stamina. When the Arab is black, he is a keener black than a man could think. His eyes were fierce, but it was the fierceness of fidelity; of that darkness which intimates light; no red burning of violence within.
Ian's face was darker from the saddle; the body superb in its high tension and slender grace. Was this the brother that Roderick Deal, the eldest, had spoken of as being darker than the average native? Yet the caste-mark was not apparent; the two bloods perfectly blent.
The depth of Skag's feeling was called to pity as well as admiration. The rift in this Deal's nature was emotional not physical—some mad poetic thing, forever struggling in the tight matrices of a hard-set world. India was rising clearer to Skag; even certain of her profound complexities. He knew that instant how the fertilising pollen of the West was needed here, and how the West needed the enfolding spiritual culture which is the breath within the breath of the East. This swift realisation had something to do with his own real work. It was filmy, yet memorable—like the first glimpse of one's sealed orders, carried long, to be opened at maturity. Also Skag had the dim impulse of a thought that he had something for Ian Deal. He meant to speak to Carlin of this at the right time.
"Pig-sticking no-end," the cavalry officers had promised and they were making good.
That third afternoon Carlin and Skag took Nels out toward the open jungle, which thrust a narrow triangular strip in toward the town. At intervals they heard shouts, far deeper in. The Great Dane was in his highest form, after weeks of care and training by Bhanah. He could well carry his poise in a walk like this; having his full exercise night and morning. A marvel thing, like nothing else—this dignity of Nels. . . . The two neared their own magic place—not the monkey glen; that was deeper in the jungle—the place where they had really found each other as belonging, in the moment of afterglow.
"It was wonderful then," he said, "but I think—it is even more wonderful now."
That was about as much as Sanford Hantee had ever put into a sentence. Carlin looked at him steadily. They were getting past the need of words. She saw that he was fulfilling her dream. Their story loomed higher and more gleaming to him with the days. He had touched the secret of all—that love is Quest; that love means on and on, means not to stay; love from the first moment, but always lovelier, range on range. It could only burn continually with higher power and whiter light, through steady giving to others.
A woman knows this first, but she must bide her time until the man catches up; until he enters into the working knowledge that the farther vistas of perfection only open as two pull together with all their art and power; that the intimate and ineffable between man and woman is only accomplished by their united bestowal to the world.
They walked long in silence and deeper into the jungle before halting again. Nels brushed the man's thigh and stood close. Skag's hand dropped and he felt the rising hackles, before his eyes left Carlin's. They heard the Dane's rumble and the world came back to them—the shouting nearer.
For a moment they stood, a sense of languor stealing between them. Without a word, their thoughts formed the same possibility, as two who have a child that is vaguely threatened. They were deeper in the jungle than they thought. . . . The cordon of native beaters was still a mile away in its nearest arc, but there is never any telling what a pig will do. . . . They turned back, walking together without haste, Nels behind. They heard the thudding of a mount that runs and swerves and runs again. It was nearer. . . . Their hands touched, but they did not hasten.
When Carlin turned to him, Skag saw what he had seen on the cobra day—weariness, but courage perfect. A kind of vague revolt rose in him, that it should ever be called again to her eyes—more, that it should come so soon.Hewas ready, but not for Carlin to enter the vortex again.
This foreboding they knew, together. Love made them sentient. Not merely a possibility, but almost a glimpse had come—as if an ominous presence had stolen in with the languor.
"Let's hurry, Carlin—"
She was smiling in a child's delicate way, as their steps quickened. The thrash of the chase was nearer; the jungle was clearing as they made their way to the border near Hurda. The low rumbling was from Nels. He would stand, turning back an instant, then trot to overtake them. . . . No question now. One pig at least, was clear of the beaters, coming this way, someone in chase.
The great trees were far apart. They were neartheirplace, after many minutes. They had caught a glimpse of a mounted man through the trees—playing his game alone—the pig, but a crash in the undergrowth. . . . There was silence, as if the hunter were listening—then a cutting squeal, a laugh from the absorbed horseman, and it was all before their eyes!
The tusker halted at the border of their little clearing. He had just seen them and the dog—more enemies. . . . Hideous bone-rack—long as a pony, tapering to the absurd piggy haunches—head as long as a pony's head, with a look of decay round the yellow tusks—dripping gash from a lance-wound under one ear—standing stock just now, at the end of all flight!
Nels seemed to slide forward two feet, like a shoved statue. It was a penetrating silence before the voice of Ian Deal:
"You two—what in God's name—"
That was all of words.
His black Arab, Kala Khan, had come to halt twice a lance-length from the tusker. Carlin and Skag and Nels stood half the circle away from the man and mount, a little farther from the still beast, the red right eye of which made the central point of the whole tableau.
Ian looked hunched. He seemed suddenly ungainly—as if all sport like this were mockery and he had merely been carried on in these lower currents for a price. His lance wobbled across his bridle-arm which was too rigid, the curb checking the perfect spring of the Arab's action.
The tusker was bone-still, with that cocked look which means anything but flight. Skag moved a step forward. His knees touched Nels; his left hand was stretched back to hold Carlin in her place. There was no word, no sound—and that was the last second of the tableau.
The tusker broke the picture. Flick of the head, a snort—and he wasn't there. He wasn't on the lance! His side-charge, with no turn which the eye could follow, carried him under the point of Ian's thrust in direct drive at the black Arab's belly.
Kala Khan was standing straight up, yet they heard his scream. The boar's head seemed on a swivel as he passed beneath. Ian Deal standing in the stirrups swung forward, one arm round his mount's neck, but badly out of the saddle. . . . The tusker turned to do it again.
Skag spoke. That was the instant Nels charged. In the same second, the Arab, still on his hind legs, made a teetering plunge back, to dodge the second drive of the beast, and Ian Deal fell, head-long on the far side, his narrow boot locked in the steel stirrup.
Skag spoke again. It was to Kala Khan this time. Nels' smashing drive at the throat had carried the tusker from under the Arab's feet. His rumbling challenge had seemed to take up the scream of the horse; it ended in the piercing squeal of the throated boar.
Skag still talked to Kala Khan, as he moved forward. The Arab stood braced, facing him now—the tumbled head-down thing to the left, arms sprawled, face turned away. A thousand to one, among the best mounts, would have broken before the second charge and thrashed the hanging head against the ground.
Skag's tones were continuous, his empty hand held out. There was never a glance of his eye to the battle of the Dane and the beast. Four feet from his hand was the hanging rein, his eyes to the eyes of the black, his tones steadily lower, never rising, never ceasing. His loose fingers closed upon the bridle rein; his free hand pressed the Arab's cheek.
He felt Carlin beside him and turned—one of the tremendous moments of life to find her there. (It was like the last instant of the cobra fight, when he had seen her over the hood—utterly white, utterly tall.) She took the rein from his hand. Her face turned to Nels' struggle—but her eyes pressed shut.
Skag stepped to Kala Khan's side, lifted the leather fender, slipped the cinch, and let the light hunting saddle slide over, releasing Ian Deal. Then he sprang to Nels, calling as he caught up the fallen lance:
"Coming, old man—coming to you!"
Nels on his feet was bent to the task—the tusker sprawling, the piggy haunches settling flat.
". . . So, it's all done, son," the man said softly. "You're the best of them all to-day."
He laughed. Nels looked up at him in a bored way, but he still held. Skag went back to Carlin. Ian Deal had partly risen. The American did not catch his eye, and now Kala Khan stood between them, Carlin still holding the rein. Skag's hand rested upon the wet trembling withers, where the saddle had covered. There was a blue glisten to the moisture. Skag loved the Arab very hard that moment, and no less afterward. Kala Khan needed care at once. His wound was long and deep, from the hock on the inside, up to the stifle-joint.
Ian Deal was on his feet, the Arab still between him and Skag's eyes. But now her brother drew off, back turned, walking away, his arms and hands fumbling queerly about his head, as he staggered a little.
"He will come back!" Carlin whispered.
Nels loosed now, but sat by his game—sat upon his haunches, bringing first-aid cleansing to his shoulders and chest, where the pinned tusker had worn against him in the battle. . . . All in astonishingly few seconds—the blue beast still with an isolated kick or two.
It was as Carlin said. They had scarcely started toward Hurda before they saw Ian Deal following. His pace quickened as he neared—his first words queerly shocking:
"Is he hurt—oh, I say—is the Arab hurt?"
Skag answered: "A bad cut, but he'll be sound in a week or two."
"One might ask first, you know. He's rather a fine thing—"
Carlin seemed paler, as she held her brother with curious eyes. Ian didn't see her. He was slowly taking in Skag, full-length.
"One might ask, you know," he repeated presently. "One couldn't make a gift of a damaged thing. Oh, yes, you're to have him, Hantee. Things of Kala Khan's quality gravitate to you—I was thinking of the dog, you know—"
Skag shook his head.
"Don't make it harder for me!" Ian said fiercely. "He belongs to you—Carlin, too, of course—no resistance of mine left. A man sees differently—toes up."
Carlin pressed Skag's arm.
The American bowed. Ian Deal straightened.
"That's better," he breathed. "You'll see to the mount? I'd do it for you, but I need an hour—in here among the trees, you know, alone. . . . If it isn't quite clear to me, I'll cock one foot up in the crotch of a tree—until it's straight again. . . . But it's clear, Hantee," he added. "I'm seeing now—the man she sees—or something like!"
Ian turned toward the deeper growths. . . . They walked in silence. The untellable thing—for Skag alone—lingered in Carlin's eyes, in the pallor of her face. She was the one who spoke:
"It is terrible—terribly dear, like a blending of two souls in a white heat together—those moments at the play-house and now—as you held Kala Khan—"
"It was not one alone," he answered strangely. "Something from you was with me—half, with mine."
Neela Deo, King of All Elephants
This is the story of Neela Deo, King of all elephants! Protector of the Innocent! Defender of Defenders! Equitable King!
For his sake, knowledge of the place where he was known and of those who looked upon his person, shall go down from generation to generation into the future and shall be continued forever, under the illumination of his name.
How he preserved the great judge and how he fought that mightiest of all battles, for the honour of his kind and for the preservation of his liege-son, must be told in order.
The fortune of the season, the features of the town, and the chief names must be established.
See that nothing shall be added. See that no part be left unspoken.It is the law.
The great rains had passed on their way north; and they had been good to the Central Provinces country. The water-courses were even yet but a line below flood; the tanks were full, the wells abrim. The earth was clothed with new garmenture. Jungle creatures were all in their annual high-carnival. Life-forces were driving to full speed.
The town of Hurda, on the great triple Highway-of-all-India, clung to the side of her little river leaning against the massive buttressed walls of her old grey stone terraces, where—on their wide step-landings—at all seasons, she burned her human dead by the tide's margin.
The great Highway spanned the river on a broad low stone bridge and turned—just south of the burning ghats—with a majestic sweep northward, between its four lines of sacred, flowering, perfumed and shade trees. Remember, those trees were planted by the forgotten peoples of dead kings, for each within his own realm; they were all nourished under the unfailing rivalry that the highway of each king should be more excellent in beneficence and in beauty than the highway of his neighbour kings.
But from High Himalaya to the beaches of Madras, from sea to sea, the triple Highway-of-all-India was nowhere more august than here, where Neela Deo lived. The exalted splendours of those so ancient and imperial trees rendered distinction to the town, in passing through it, like a procession of the radiant gods.
Beyond the hill and well outside the town—which would be called a city if it were walled, which would be walled if a wall would not separate it from the great Highway—was the station Oval, where railway people lived in European bungalows of many colours, round about thegymkhana—a building made to contain music and strange games; but from the arches of all its verandahs the railway people saw.
On the other side from the Oval and toward Hurda, was the little old bungalow where Margaret Annesley—of the tender heart—out of her lonely garden, looked that day and saw.
Across the great Highway from the temple of Manu, the bungalow of Dickson Sahib sheltered under the mighty sweep of full bearing mango trees. His small son stood between two teachers in the deep verandah and beat his hands together while he saw.
At the top of the hill, the bare bungalow of the old missionary Sahib made protest against the perfume-drunken orient and the colour-mad European world of India with its carbolic-acid whitewash and chaste lines. Down the driveway his children ran away from their teachers and saw.
But in sight of the town—as should be—and beside the courts—as should be—stood the austere home of the Chief Commissioner, most high civil judge of Hurda and all surrounding villages. One of his deputies leaned from an upper balcony and saw.
Back of his park, more than three quarters of a mile away, were the stockades of the Chief Commissioner's elephants. A round parade ground spread its almost level disk straight away front of the stockade buildings. Perfectly rimmed by a variety of low jungle growths, nesting thick at the feet of a circle of tall tamarisk trees, its effect was satisfying to the eye beyond anything seen about the homes of men. Nay, the avenues which led up to the palaces of ancient kings were not so good!
Now all is established concerning the time and the place and those who saw; and it will not be questioned by any save the very ignorant—who are not considered in the telling of tales.
So in the day of Neela Deo, most exalted King of all elephants, came a runner at the end of his last strength. Stripped naked, but for his meagre loincloth, the oils of his body ran thick down all his limbs and his splitting veins shed blood from his nostrils and from his mouth. In the market-place he fell and with his last breaths coughed out a broken message.
Many gathered to discover his meaning. Spread a swift excitement. The shops were emptied, the doorways and alleys opened, and streams of people poured out into a common tide.
Perfume dealers brought copper flasks of priceless oils. Flower merchants gathered up their entire stock of freshly prepared garlands of marigold and tuberose and jasmine and champak blooms—banked masses of garlands were hung on scores of scores of reaching arms, lifted to carry them. Sixty full pieces of white turban-cloth were caught from the shelves of cloth sellers.
Companies and companies of nautch-girls, with their men-servants and instruments to accompany them—even the most costly of these, who were also singing women—poured out of the districts where the towns-women lived and blended in their groups as individual units, in the increasing surge that flowed out along the great Highway, like a river which had broken its dam.
The multitude followed the great highway past the station oval and turned aside into the open jungle—deepening, thickening, swelling, teeming forward. Twenty thousand voices, lifted in all pitches of the human compass, were caught by tom-toms and the impelling cadence of the singing nautch-girls—like drift-wood in a swift current—and driven into rhythmic pulsation.
So the people of Hurda went out to meet Neela Deo, King of all elephants.
When the front of the throng went by his place, Hand-of-a-God enquired of running men from his own gateway. By his side the Gul Moti stood with Son of Power. When they understood, she pushed her chosen of all men through the vine-made arch and he sprang away and ran with the people.
They shared their garlands with him, that he should not come into Neela Deo's presence with empty hands; and they exulted because he ran with them, for the fame of Son-of-Power was already established.
At the margins of the true jungle, a high-tenor voice came out to meet them. The feeling in it chained Skag's ear; it was like a strong man contending bravely with his tongue, but calling on the gods for help, with his heart. Listening intently, the American began to get the words:
"What are we before thee—oh thou most Exalted! Children of men, our generations pass before thee as the seasons. But thou, oh mighty King—thou Destroyer of the devastator, thou Protector of our wise judge, blessed among men is he for whom thou hast spilled thy blood! We will send his name down from generation to generation under the light of thy name! Thou most Glorious!"
The next words were more difficult to catch:
"Nay, nay! but my beloved, it is a little hurt! Do I not know, who serve thee? I whose father served thee before me—whose father served thee before him? I whose son shall serve thee after me? As my small son lives, he shall serve thee—being come a man—in his day, even as I serve thee in this my day!"
This was evidently enticing the great creature to live. But the voice winged away again:
"Ah, thou heart of my heart, thou life of my life! Hear me, the milk of a thousand goats shall cool thee. The petals of a thousand blooms shall comfort thee. Tuberose and jasmine and champak shall comfort thee, thou Lover of rare things! Nay, it is not enough, but the offerings of the heart's core of love shall satisfy thee—the blood of a million-million blooms shall anoint thee, to thy refreshment!"
The words were lost for a moment, before they rang again:
"Are not the coverings of our heads upon thy wounds? Thou, most excellent in majesty! Have we not laid the symbols of our honour upon thy wounds? Thou, with the wisdom of all ages in thy head and the tenderness of all women in thy heart! We have seen thee suffer, that he who is worthy might live! Thou Discerner of men! We have seen thee destroy the killer, without hurt to him who is kind! Thou Equitable King!"
And slowly out of the shadows of forest trees, came the Chief Commissioner's elephant caravan, trailing in very dejected formation, behind Neela Deo, who showed naked as to his back—for his housings had been stripped off him; and as to his neck, for Kudrat Sharif was not on it but on the ground—walking backward step by step, enticing him with the adoration and sympathy of his voice.
Sanford Hantee saw Neela Deo stop to receive the first garlands on his trunk. From there on, the great elephant paused deliberately after every step to take the offerings of homage from hundreds of reaching hands.
When the American had laid his garlands over Neela Deo's trunk and was about to make his turn in the press, he saw the Chief Commissioner himself, walking behind the wounded elephant with uncovered head. After a keen glance, the great judge motioned Skag to close in by his side. His strong face was shadowed by deep concern; and for some time he did not speak. This was the man of whom Skag had heard that his name was one to conjure with. His fame was for unfailing equity, which—together with strange powers of discernment and bewildering kindness—had won for him the profound devotion of the people. Skag's thoughts were on these matters when he heard, on a low explosive breath:
"Most extraordinary thing I've ever seen!"
The Englishman's eye scarcely left the huge figure swaying before him and the distress in his face was obvious.
"I see you're greatly concerned," Skag said gently.
"Well, you understand, I've jolly good right to be—he saved my life! And he's got a hole in his neck you can put your head into—only it's filled up and covered up with twenty dirty turbans! And by the way, you may not know, but it's unwritten law—past touching—the man in this country never uncovers his head excepting in the presence of his own women. It's more than a man's life is worth to knock another's turban off, even by accident. But look, yonder are the turbans of my caravan—deputies, law-clerks and servants together—on Neela Deo's neck! Their heads are bare before this multitude and without shame. What's one to make of it? There's no knowing these people!"
Skag's eye quite unconsciously dropped to the white helmet, carried ceremonially in the hand; and glancing away quickly, he caught a mounting flush on the stern countenance.
Presently the Chief Commissioner spoke again:
"We were coming in on the best trail through a steady bit of really old tree-jungle—Neela Deo leading, as always. We've been out nine weeks from home, among the villages. It's not supposed to be spoken, but a stretch like that is rather a grind. The elephants wanted their own stockades; they were tired of pickets. You understand, they're all thoroughly trained. They answer their individual mahouts like a man's own fingers. Neela Deo is the only elephant I've heard of who has been known to run; I mean, to really run—and then only when he's coming in from too many weeks out.
"Few European men have ever seen an elephant run. Nothing alive can pass him on the ground but the great snake. I stayed on top of Neela Deo once when he ran home. It was not good sitting. I've never cared for the experience again.
"As the jungle began to open toward Hurda, he was nervous. Of course I should have been more alive to his behaviour—should have made out what was disturbing him. If we lose him, I shall feel very much responsible. But his mahout was easing him with low chants—made of a thousand love-words. They're not bad to think by. I was clear away off in an adjustment of old Hindu and British law—you know we have to use both together; and sometimes they're hard to fit.
"I know no more about how it happened than you do. I was knocked well up out of my abstraction by a most unmerciful jolt. Kudrat Sharif had been raked off Neela Deo's neck and was scrambling to his feet on the ground. In one glimpse I saw hisdothiwas torn and a long dripping cut on one thigh. He shouted, but I couldn't make it out, because all the elephants were trumpeting to the universe.
"There are always four hunting pieces in the howdah and I reached for the heaviest automatically, leaning over to see whatever it was. There was nothing intelligible in the hell of noise and nothing in sight. I tell you, I could not see a hair of any creature under me—but Neela Deo. And don't fancy Neela Deo was quiet this while. My howdah was pitching me to the four quarters of heaven—with no one to tell which next. Six of the hunters had rifles trained on us, but I knew they dared not fire for the fear of hitting me or him. And I'm confident they would be as ready to do the one as the other.
"Then he began swaying from side to side with me. It was a frightful jog at first, but he went more and more evenly, further and further every swing, till I kept myself from spilling out by the sheer grip of my hands. The rifles were knocking about loose.
"At last I was up-ended cornerwise and I thought, on my word, I thought my elephant had turned upside down. A shriek fairly split my head open and Neela Deo was dancing straight up and down on one spot. It was a thorough churning, but it was a change.
"I should say his dance had lasted sixty seconds or more, before he himself spoke; then he put up his trunk and uttered a long strong blast. I've never heard anything like it; in eighteen years among elephants, I've never heard anything like it.
"After that he slowed down and they closed in on him, with weeping and laughter and pandemonium of demonstrations, mostly without meaning to me, till I climbed down and saw the remains of what must have been a prime Bengali tiger—under his feet.
"It had charged his neck and gotten a hold and eaten in for the big blood-drink. It had gripped and clung with its four feet—there are ghastly enough wounds—but the hole it chewed in his neck is hideous.
"He poured blood in a shocking stream till they checked it with some kind of jungle leaves and their turbans. And you see—he's groggy. He's quite liable to stagger to his knees any moment. If he gets in to his own stockades, there may be a chance for him; but he doesn't look it just now. Still, I fancy they're keeping him up rather. Eh? Oh yes, quite so."
The Chief Commissioner wiped his forehead patiently, before he went on:
"You're an extraordinary young man, Sir. I've heard about you; the people call you Son-of-Power. You haven't interrupted me once—not one in twenty could have done it. I'm glad to know you."
This was spoken very rapidly and Skag smiled:
"I'm interested."
The Chief Commissioner's eyes bored into Skag with almost impersonal penetration, till the young American knew why this big Englishman's name was one to conjure with. Then he went on:
"Yes, we'll have much in common. You see, I'm working it out in my own mind. . . . The curious part of it all is, they say an elephant has never been known to behave in this manner before. The mahouts seem to understand; I don't. This I do know: When a tiger charges an elephant's neck, the elephant's way is—if the tiger has gotten in past the thrust of his head—to plunge dead weight against a big tree, an upstanding rock, or lacking these—the ground. In that case he always rolls. You see where I would have been very much mixed with the tiger.
"In this case, Neela Deo measured his balance on a swing and when he found how far he dare go, he took his chance and struck the cat off with his own front leg. It's past belief if you know an elephant's anatomy."
The Chief Commissioner broke off. Neela Deo had lurched and was wavering, as if about to go down. The sense of tears was in Kudrat Sharif's voice; but it loomed into courage, as it chanted the superior excellence of Neela Deo's attributes.
Then Neela Deo braced himself and went on, but more slowly. The bigEnglishman smiled tenderly:
"He's a white-wizard, is Kudrat Sharif—that mahout! He does beautiful magic, with his passion and with his pain. It's practically worship, you understand; but the point is, it works!
"The mahouts say Neela Deo did the thing for me; stood up and took it, till he could kill the beast without killing me. Oh, you'll never convince them otherwise. They'll make much of it. They're already pledged to establish it in tradition—which means more than one would think. These mahouts come of lines that know the elephant from before our ancestors were named. They know him as entirely as men can. All his customs are common knowledge to them—in all ordinary and in all extraordinary circumstances. They say that once in many generations an elephant appears who is superior to his fellows—he's the one who sometimes surprises them."
The Chief Commissioner stopped, looking into Skag's eyes for a minute, before he finished:
"I'm a Briton, you understand; stubborn to a degree—positively require demonstration. I'm not qualified to open the elephant-cult to you—it's as sealed as anything—but I've had bits; and I recommend you—if you'll permit me—to give courtesy to whatever the mahouts may choose to tell you. You'll find it more than interesting."
"I'm very grateful to you," Skag answered. "I've had a promise of something and I mean to know more about the mahouts and about elephants."
It was well on in the night when the elephants turned down out of the great highway into their own stockades. Neela Deo staggered and swayed ever so slowly forward, with his head low and his trunk resting heavy and inert on Kudrat Sharif's shoulder; but he got in.
After that no man saw him for sixteen weeks—save the mahouts of his own stockades. But every morning the flower merchants sent huge mounds of flower garlands to comfort him.
Then a proclamation was shouted in the marketplace—in the name of the Chief Commissioner—calling all to come and sit in seats which had been prepared around the parade ground before his elephant stockades—to witness the celebration of Neela Deo's recovery. Great was the rejoicing.
Many Europeans of distinction answered the Chief Commissioner's invitation—from as far as Bombay. But all the Europeans together looked very few; for from the surrounding villages and towns and cities, a vast multitude had been flooding in for days. Sixty-two thousand people found places in good sight of the arena, in prepared seats. That number had been reckoned for; but half as many more thronged the roofs of the stockade buildings and hung—multicoloured density—from their parapets. And above all, a few tall tamarisk trees drooped long branches under hundreds of small boys.
Famous nautch-girls had come from distant cities and trained with those of Hurda for an important part in the celebration. They were all staged on twelve Persian-carpeted platforms, ranged on the ground within the outer edge of the arena and close against the foot of the circular tier of seats. Artists of the world had wrought to clothe these women. Artists in fabric-weaving, in living singing dyes; in cloths of gold, in pure wrought-gold and in the setting of gems.
People were looking to find the concealed lights which revealed this scene of amazing splendour, when thirty-nine of the Chief Commissioner's elephants came out through the stockade gates, single file. Many drums of different kinds, together with a thousand voices, beat a slow double pulse. The elephants, setting their feet precisely to the steady rhythm of it, marched around the entire arena three times. Those elephants were perfect enough—and they knew it! They were freshly bathed and groomed. Their ears showed rose-tinted linings, when they flapped. Their ivories were smooth and pure. Their howdahs—new-lacquered—gleamed rose and orange and blue, with crimson and green silk curtains. Their caparisons of rich velvets, hung heavy with new gold fringes.
Every elephant turned toward the centre of the arena, coming to pause at his own appointed station, evenly spaced around the circle. Then every mahout straightened, freezing to a fixed position that did not differ by a line from the position of his neighbour on either side. Now the people saw that this celebration for Neela Deo, King of all elephants, was to show as much pomp as is prepared for kings of men—and they were deeply content.
The strings of one sitar began to breathe delicate tones. Other sitars came in illusively, till they snared the current of human blood in a golden mesh and measured its flow to the time of mounting emotion. Then Neela Deo himself—Neela Deo, the Blue God!—appeared at the stockade gates alone, with Kudrat Sharif on his neck. His caparison was of crimson velvet, all over-wrought with gold thread. The gold fringes were a yard deep. The howdah was lacquered in raw gold—its curtains were imperial blue. Kudrat Sharif was clothed in pure thin white—like the son of a prince—but he was very frail; and ninety-odd thousand people sent his name, with the name of Neela Deo, up into the Indian night—for the Indian gods to hear.
Neela Deo was barely in on the sanded disk, when the elephants lifted their heads as one and saluted him with an earth-rocking blast; again and yet again. Then he thrust his head forward, reached his trumpet-tip—quivering before him—and made speed till he came close to the Chief Commissioner's place, where he rendered one soft salute and wheeled into position by the stand. This was a movement no one had anticipated. Nothing like it was in the plan; the Chief Commissioner had not intended to ride! But Neela Deo demanded him and there was nothing for it but to go; so with a very white face, he stepped into the howdah.
Waves upon waves of enthusiasm swept the multitude. They shouted to heaven—for all time it was established. No man could ever deny it—Neela Deo himself had made his meaning perfectly plain, that he had done the marvel thing sixteen weeks before, to save the life of his friend—their friend! They stood up and flung their flower-garlands on both of them—as Neela Deo, with a stately tread, carried the Chief Commissioner around the circle. The nautch-girls sprang from their platforms into the middle of the arena and danced their most wonderful dances—tossing the fallen garlands, like forest fairies at play.
Then a thousand voices lifted upon the great chorus of laudation, which had been prepared in high-processional time; the drums and the sitars furnishing a dim background for the volume of sound. The elephants turned out of their stations as Neela Deo passed them and came into their accustomed formation behind him. The tread of four times forty such ponderous feet, in perfect time with the music, shook the earth.
The chorus told the story of the incredible manner of their Chief Commissioner's deliverance; it exalted his record and his character; it pledged the preservation of his fame. Then a master-mahout from High Himalaya went alone to the centre of the disk and in incomparable tones—such as master-mahouts use—having no accompaniment at all, told the story of Neela Deo's birthright. The people were utterly hushed; but the elephants kept their even pace—as if listening. Then the great chorus came back, rendering the acknowledgment of a human race.
At last the multitude rose up and loosed its strangling exultation in mighty shouts. The elephants raised their big heads, threw high their trumpets and rent the leagues of outer night—as if calling to their brothers in the Vindha Hills.
The next part of the celebration was to happen suddenly. The mahouts had planned it in sheer boyishness; and to their mountain hearts it meant something like the clown-play in a western circus. Its success depended on whether Neela Deo had enough foolishness in him—to play the game. So now they wheeled the elephants into their stations again, just in time before one section of the enclosure folded down flat on the ground. This left that part open to the outside world; for the shrubs that used to grow thick at the feet of the tamarisk trees had been rooted up and green tenting-cloth stretched in their place. One shrub still grew in the midst of that opening.
Neela Deo stopped short one moment—frozen so still that he looked like a granite image—then, feeling toward the shrub with his trumpet tip an instant only, flung up his head with a joyous squeal and was upon it before a man could think. The shrub melted to pulp under his tramping feet. Then they saw the black and yellow stripes of the tiger he had killed in this same way—tramping, tramping. He was doing it over again, for them.
The mahouts laughed, calling their strange mountain calls; and the people went quite mad. Even the English taxidermist who had taken the trouble to sew and roughly stuff that mangled tiger-skin for the mahouts—even he shouted with them. Every time Neela Deo put that little quirk into his trunk and slanted his head in that absurd angle—Neela Deo, whose smooth dignity had never shown a wrinkle before—they broke out afresh.
This clown-play certainly brought the people back to earth; but it did something queer to the elephants. Having learned to know human voices, they had already felt the mounting excitement; they had already been tamping the ground with hard driving strokes, as if making speed on the open highway—for some time. But in this abandonment to amusement, this joyous unrestraint, they must have found some reminder. They did not have Neela Deo's sense of humour. But they must have remembered the unwalled distances of their own Hills—the hedge of shrubs had been taken away; the tall slender tamarisk trees still standing, made no obstruction. Beyond the waning torches they must have looked and seen the quenchless glory of the same old Indian stars.
It was Nut Kut, the great black elephant not long down from his own wilds among the Vindha Hills, who left his station first and moved on out into the night. Gunpat Rao followed him. . . . One by one they filed away. Indeed, there was not one shrub left to bar their path. But in this falling of calamity upon their so successful foolish plan, the mahouts were stricken—desperate. There was something grotesque about their hands, as they disappeared. With wild gestures and twisted-back faces many of them went out of sight. The elephants were surely their masters, in that hour.
They all passed quite close to where the Chief Commissioner sat in Neela Deo's howdah. Neela Deo had regained his dignity; he was gravely driving fragments of black and yellow stripes into the sand—patiently finishing his job. But Kudrat Sharif's voice had no effect upon the others; and the Chief Commissioner was entirely helpless. No one could prevent their going. Then it appeared that one had not gone—one other, beside Neela Deo.
Mitha Baba, the greatest female of the caravan, under her pale rose caparison and gold lacquered howdah with its curtains of frost-green, was beating the ground with angry feet and thrusting her head aside impatiently. Something was holding her. When he saw, the Chief Commissioner made haste to reach her—leaving Kudrat Sharif, who was confident of keeping Neela Deo.
Mitha Baba's station in the circle was close to where the Gul Moti sat; her new housings had been specially designed to recognise her devotion to the Gul Moti, whose low 'cello tones were now soothing the great creature and restraining her. But when the Chief Commissioner approached, Mitha Baba started, flinging herself forward—and the Gul Moti was suddenly at the edge of the stand. Just as the elephant lunged out to take her stride, the colourful voice that she had never refused to obey said:
"Come near, Mitha Baba, come near!"
Mitha Baba was not sure about it; she struck the voice aside with her head. But the voice was saying:
"Mitha Baba, you may take me with you!"
Then Son-of-Power was on his feet, but it was too late—Mitha Baba decided quickly and she acted soon—he could not reach the edge in time to go himself, but on an impulse he threw his great-coat into the Gul Moti's hands and she laughed as she caught it from the howdah.
In swerving suddenly to pass close by the stand, the elephant had unbalanced her boy-mahout from her neck; but his father—the very old mahout—was coming as fast as he could across the space before them, calling to her—like the lover of wild creatures that he was.
Carlin bent from her howdah and spoke joyously:
"Put him up, Mitha Baba, put him up!"
And Mitha Baba scarcely broke her stride, which was lengthening every step, as she obediently circled the old man with her trunk and carelessly flung him on her neck.
"We'll fetch them all home!" the Gul Moti's voice floated back, as they melted away into the night.
The Chief Commissioner gave Son-of-Power his hand—being without words, for the moment.
"Is she safe?" Skag asked.
"Absolutely safe!" the Chief Commissioner assured him. "The caparisons may be doused in the Nerbudda, but the howdahs will not be in the least wet."
"What did she mean—that she'd fetch them all back?"
"She meant that Mitha Baba has been used in the High Hills—for years before she was sent down—to decoy wild elephants into the trap-stockades. She's entirely competent, is Mitha Baba; she's the leader of my caravan—next to Neela Deo. Of course Neela Deo is our only hope of overtaking them; he's fast enough, but this is rather soon after his injury, and he'll have to rest a bit. In the meantime, come away up to the house; we'll talk there."