"I believe we don't know," he said, feeling a victim.
"There isn't room inthishouse for two such bobby-dazzlers, if you fly your kitesthathigh!" she rallied them. It was a nasty thrust.
He in his dinner jacket, and Clara in her green dress and bare arms, were confused. They felt they must shelter each other in that little kitchen.
"And look atthatblossom!" continued Mrs. Radford, pointing to Clara. "What does she reckon she did it for?"
Paul looked at Clara. She was rosy; her neck was warm with blushes. There was a moment of silence.
"You like to see it, don't you?" he asked.
The mother had them in her power. All the time his heart was beating hard, and he was tight with anxiety. But he would fight her.
"Me like to see it!" exclaimed the old woman. "What should I like to see her make a fool of herself for?"
"I've seen people look bigger fools," he said. Clara was under his protection now.
"Oh, ay! and when was that?" came the sarcastic rejoinder.
"When they made frights of themselves," he answered.
Mrs. Radford, large and threatening, stood suspended on the hearthrug, holding her fork.
"They're fools either road," she answered at length, turning to the Dutch oven.
"No," he said, fighting stoutly. "Folk ought to look as well as they can."
"And do you callthatlooking nice!" cried the mother, pointing a scornful fork at Clara. "That—that looks as if it wasn't properly dressed!"
"I believe you're jealous that you can't swank as well," he said, laughing.
"Me! I could have worn evening dress with anybody, if I'd wanted to!" came the scornful answer.
"And why didn't you want to?" he asked pertinently. "Ordidyou wear it?"
There was a long pause. Mrs. Radford readjusted the bacon in the Dutch oven. His heart beat fast, for fear he had offended her.
"Me!" she exclaimed at last. "No, I didn't! And when I was in service, I knew as soon as one of the maids came out in bare shoulders what sortshewas, going to her sixpenny hop!"
"Were you too good to go to a sixpenny hop?" he said.
Clara sat with bowed head. His eyes were dark and glittering. Mrs. Radford took the Dutch oven from the fire, and stood near him, putting bits of bacon on his plate.
"There'sa nice crozzly bit!" she said.
"Don't give me the best!" he said.
"She'sgot whatshewants," was the answer.
There was a sort of scornful forbearance in the woman's tone that made Paul know she was mollified.
"Butdohave some!" he said to Clara.
She looked up at him with her grey eyes, humiliated and lonely.
"No, thanks!" she said.
"Why won't you?" he answered, caressively.
The blood was beating up like fire in his veins. Mrs. Radford sat down again, large and impressive and aloof. He left Clara altogether to attend to the mother.
"They say Sarah Bernhardt's fifty," he said.
"Fifty! She's turned sixty!" came the scornful answer.
"Well," he said, "you'd never think it! She made me want to howl even now."
"I should like to see myself howling atthatbad old baggage!" said Mrs. Radford. "It's time she began to think herself a grandmother, not a shrieking catamaran——"
He laughed.
"A catamaran is a boat the Malays use," he said.
"And it's a word asIuse," she retorted.
"My mother does sometimes, and it's no good my telling her," he said.
"I s'd think she boxes your ears," said Mrs. Radford, good-humouredly.
"She'd like to, and she says she will, so I give her a little stool to stand on."
"That's the worst of my mother," said Clara. "She never wants a stool for anything."
"But she often can't touchthatlady with a long prop," retorted Mrs. Radford to Paul.
"I s'd think she doesn't want touching with a prop," he laughed. "Ishouldn't."
"It might do the pair of you good to give you a crack on the head with one," said the mother, laughing suddenly.
"Why are you so vindictive towards me?" he said. "I've not stolen anything from you."
"No; I'll watch that," laughed the older woman.
Soon the supper was finished. Mrs. Radford sat guard in her chair. Paul lit a cigarette. Clara went upstairs, returning with a sleeping-suit, which she spread on the fender to air.
"Why, I'd forgot all aboutthem!" said Mrs. Radford. "Where have they sprung from?"
"Out of my drawer."
"H'm! You bought 'em for Baxter, an' he wouldn't wear'em, would he?"—laughing. "Said he reckoned to do wi'out trousers i' bed." She turned confidentially to Paul, saying: "He couldn'tbear'em, them pyjama things."
The young man sat making rings of smoke.
"Well, it's everyone to his taste," he laughed.
Then followed a little discussion of the merits of pyjamas.
"My mother loves me in them," he said. "She says I'm a pierrot."
"I can imagine they'd suit you," said Mrs. Radford.
After a while he glanced at the little clock that was ticking on the mantelpiece. It was half-past twelve.
"It is funny," he said, "but it takes hours to settle down to sleep after the theatre."
"It's about time you did," said Mrs. Radford, clearing the table.
"Areyoutired?" he asked of Clara.
"Not the least bit," she answered, avoiding his eyes.
"Shall we have a game at cribbage?" he said.
"I've forgotten it."
"Well, I'll teach you again. May we play crib, Mrs. Radford?" he asked.
"You'll please yourselves," she said; "but it's pretty late."
"A game or so will make us sleepy," he answered.
Clara brought the cards, and sat spinning her wedding-ring whilst he shuffled them. Mrs. Radford was washing up in the scullery. As it grew later Paul felt the situation getting more and more tense.
"Fifteen two, fifteen four, fifteen six, and two's eight——!"
The clock struck one. Still the game continued. Mrs. Radford had done all the little jobs preparatory to going to bed, had locked the door and filled the kettle. Still Paul went on dealing and counting. He was obsessed by Clara's arms and throat. He believed he could see where the division was just beginning for her breasts. He could not leave her. She watched his hands, and felt her joints melt as they moved quickly. She was so near; it was almost as if he touched her, and yet not quite. His mettle was roused. He hated Mrs. Radford. She sat on, nearly dropping asleep, but determinedand obstinate in her chair. Paul glanced at her, then at Clara She met his eyes, that were angry, mocking, and hard as steel. Her own answered him in shame. He knewshe, at any rate, was of his mind. He played on.
At last Mrs. Radford roused herself stiffly, and said:
"Isn't it nigh on time you two was thinking o' bed?"
Paul played on without answering. He hated her sufficiently to murder her.
"Half a minute!" he said.
The elder woman rose and sailed stubbornly into the scullery, returning with his candle, which she put on the mantelpiece. Then she sat down again. The hatred of her went so hot down his veins, he dropped his cards.
"We'll stop, then," he said, but his voice was still a challenge.
Clara saw his mouth shut hard. Again he glanced at her. It seemed like an agreement. She bent over the cards, coughing, to clear her throat.
"Well, I'm glad you've finished," said Mrs. Radford. "Here, take your things"—she thrust the warm suit in his hand—"and this is your candle. Your room's over this; there's only two, so you can't go far wrong. Well, good-night. I hope you'll rest well."
"I'm sure I shall; I always do," he said.
"Yes; and so you ought at your age," she replied.
He bade good-night to Clara, and went. The twisting stairs of white, scrubbed wood creaked and clanged at every step. He went doggedly. The two doors faced each other. He went in his room, pushed the door to, without fastening the latch.
It was a small room with a large bed. Some of Clara's hairpins were on the dressing-table—her hair-brush. Her clothes and some skirts hung under a cloth in a corner. There was actually a pair of stockings over a chair. He explored the room. Two books of his own were there on the shelf. He undressed, folded his suit, and sat on the bed, listening. Then he blew out the candle, lay down, and in two minutes was almost asleep. Then click!—he was wide awake andwrithing in torment. It was as if, when he had nearly got to sleep, something had bitten him suddenly and sent him mad. He sat up and looked at the room in the darkness, his feet doubled under him, perfectly motionless, listening. He heard a cat somewhere away outside; then the heavy, poised tread of the mother; then Clara's distinct voice:
"Will you unfasten my dress?"
There was silence for some time. At last the mother said:
"Now then! aren't you coming up?"
"No, not yet," replied the daughter calmly.
"Oh, very well then! If it's not late enough, stop a bit longer. Only you needn't come waking me up when I've got to sleep."
"I shan't be long," said Clara.
Immediately afterwards Paul heard the mother slowly mounting the stairs. The candle-light flashed through the cracks in his door. Her dress brushed the door, and his heart jumped. Then it was dark, and he heard the chatter of her latch. She was very leisurely indeed in her preparations for sleep. After a long time it was quite still. He sat strung up on the bed, shivering slightly. His door was an inch open. As Clara came upstairs, he would intercept her. He waited. All was dead silence. The clock struck two. Then he heard a slight scrape of the fender downstairs. Now he could not help himself. His shivering was uncontrollable. He felt he must go or die.
He stepped off the bed, and stood a moment, shuddering. Then he went straight to the door. He tried to step lightly. The first stair cracked like a shot. He listened. The old woman stirred in her bed. The staircase was dark. There was a slit of light under the stair-foot door, which opened into the kitchen. He stood a moment. Then he went on, mechanically. Every step creaked, and his back was creeping, lest the old woman's door should open behind him up above. He fumbled with the door at the bottom. The latch opened with a loud clack. He went through into the kitchen, and shut the door noisily behind him. The old woman daren't come now.
Then he stood, arrested. Clara was kneeling on a pile of white underclothing on the hearthrug, her back towards him, warming herself. She did not look round, but sat crouching on her heels, and her rounded, beautiful back was towards him, and her face was hidden. She was warming her body at the fire for consolation. The glow was rosy on one side, the shadow was dark and warm on the other. Her arms hung slack.
He shuddered violently, clenching his teeth and fists hard to keep control. Then he went forward to her. He put one hand on her shoulder, the fingers of the other hand under her chin to raise her face. A convulsed shiver ran through her, once, twice, at his touch. She kept her head bent.
"Sorry!" he murmured, realizing that his hands were very cold.
Then she looked up at him, frightened, like a thing that is afraid of death.
"My hands are so cold," he murmured.
"I like it," she whispered, closing her eyes.
The breath of her words was on his mouth. Her arms clasped his knees. The cord of his sleeping-suit dangled against her and made her shiver. As the warmth went into him, his shuddering became less.
At length, unable to stand so any more, he raised her, and she buried her head on his shoulder. His hands went over her slowly with an infinite tenderness of caress. She clung close to him, trying to hide herself against him. He clasped her very fast. Then at last she looked at him, mute, imploring, looking to see if she must be ashamed.
His eyes were dark, very deep, and very quiet. It was as if her beauty and his taking it hurt him, made him sorrowful. He looked at her with a little pain, and was afraid. He was so humble before her. She kissed him fervently on the eyes, first one, then the other, and she folded herself to him. She gave herself. He held her fast. It was a moment intense almost to agony.
She stood letting him adore her and tremble with joy of her. It healed her hurt pride. It healed her; it made her glad.It made her feel erect and proud again. Her pride had been wounded inside her. She had been cheapened. Now she radiated with joy and pride again. It was her restoration and her recognition.
Then he looked at her, his face radiant. They laughed to each other, and he strained her to his chest. The seconds ticked off, the minutes passed, and still the two stood clasped rigid together, mouth to mouth, like a statue in one block.
But again his fingers went seeking over her, restless, wandering, dissatisfied. The hot blood came up wave upon wave. She laid her head on his shoulder.
"Come you to my room," he murmured.
She looked at him and shook her head, her mouth pouting disconsolately, her eyes heavy with passion. He watched her fixedly.
"Yes!" he said.
Again she shook her head.
"Why not?" he asked.
She looked at him still heavily, sorrowfully, and again she shook her head. His eyes hardened, and he gave way.
When, later on, he was back in bed, he wondered why she had refused to come to him openly, so that her mother would know. At any rate, then things would have been definite. And she could have stayed with him the night, without having to go, as she was, to her mother's bed. It was strange, and he could not understand it. And then almost immediately he fell asleep.
He awoke in the morning with someone speaking to him. Opening his eyes, he saw Mrs. Radford, big and stately, looking down on him. She held a cup of tea in her hand.
"Do you think you're going to sleep till Doomsday?" she said.
He laughed at once.
"It ought only to be about five o'clock," he said.
"Well," she answered, "it's half-past seven, whether or not. Here, I've brought you a cup of tea."
He rubbed his face, pushed the tumbled hair off his forehead, and roused himself.
"What's it so late for!" he grumbled.
He resented being awakened. It amused her. She saw his neck in the flannel sleeping-jacket, as white and round as a girl's. He rubbed his hair crossly.
"It's no good your scratching your head," she said. "It won't make it no earlier. Here, an' how long d'you think I'm going to stand waiting wi' this here cup?"
"Oh, dash the cup!" he said.
"You should go to bed earlier," said the woman.
He looked up at her, laughing with impudence.
"I went to bed beforeyoudid," he said.
"Yes, my Guyney, you did!" she exclaimed.
"Fancy," he said, stirring his tea, "having tea brought to bed to me! My mother'll think I'm ruined for life."
"Don't she never do it?" asked Mrs. Radford.
"She'd as leave think of flying."
"Ah, I always spoilt my lot! That's why they've turned out such bad uns," said the elderly woman.
"You'd only Clara," he said. "And Mr. Radford's in heaven. So I suppose there's only you left to be the bad un."
"I'm not bad; I'm only soft," she said, as she went out of the bedroom. "I'm only a fool, I am!"
Clara was very quiet at breakfast, but she had a sort of air of proprietorship over him that pleased him infinitely. Mrs. Radford was evidently fond of him. He began to talk of his painting.
"What's the good," exclaimed the mother, "of your whittling and worrying and twistin' and too-in' at that painting of yours? Whatgooddoes it do you, I should like to know? You'd better be enjoyin' yourself."
"Oh, but," exclaimed Paul, "I made over thirty guineas last year."
"Did you! Well, that's a consideration, but it's nothing to the time you put in."
"And I've got four pounds owing. A man said he'd give me five pounds if I'd paint him and his missis and the dog and the cottage. And I went and put the fowls in instead of the dog, and he was waxy, so I had to knock a quid off. Iwas sick of it, and I didn't like the dog. I made a picture of it. What shall I do when he pays me the four pounds?"
"Nay! you know your own uses for your money," said Mrs. Radford.
"But I'm going to bust this four pounds. Should we go to the seaside for a day or two?"
"Who?"
"You and Clara and me."
"What, on your money!" she exclaimed, half wrathful.
"Why not?"
"Youwouldn't be long in breaking your neck at a hurdle race!" she said.
"So long as I get a good run for my money! Will you?"
"Nay; you may settle that atween you."
"And you're willing?" he asked, amazed and rejoicing.
"You'll do as you like," said Mrs. Radford, "whether I'm willing or not."
Soon after Paul had been to the theatre with Clara, he was drinking in the Punch Bowl with some friends of his when Dawes came in. Clara's husband was growing stout; his eyelids were getting slack over his brown eyes; he was losing his healthy firmness of flesh. He was very evidently on the downward track. Having quarrelled with his sister, he had gone into cheap lodgings. His mistress had left him for a man who would marry her. He had been in prison one night for fighting when he was drunk, and there was a shady betting episode in which he was concerned.
Paul and he were confirmed enemies, and yet there was between them that peculiar feeling of intimacy, as if they were secretly near to each other, which sometimes exists between two people, although they never speak to one another. Paul often thought of Baxter Dawes, often wanted to get at him and be friends with him. He knew that Dawes often thought about him, and that the man was drawn to him by some bond or other. And yet the two never looked at each other save in hostility.
Since he was a superior employee at Jordan's, it was the thing for Paul to offer Dawes a drink.
"What'll you have?" he asked of him.
"Nowt wi' a bleeder like you!" replied the man.
Paul turned away with a slight disdainful movement of the shoulders, very irritating.
"The aristocracy," he continued, "is really a military institution. Take Germany, now. She's got thousands of aristocrats whose only means of existence is the army. They're deadly poor, and life's deadly slow. So they hope for a war. They look for war as a chance of getting on. Till there's awar they are idle good-for-nothings. When there's a war, they are leaders and commanders. There you are, then—theywantwar!"
He was not a favourite debater in the public-house, being too quick and overbearing. He irritated the older men by his assertive manner, and his cocksureness. They listened in silence, and were not sorry when he finished.
Dawes interrupted the young man's flow of eloquence by asking, in a loud sneer:
"Did you learn all that at th' theatre th' other night?"
Paul looked at him; their eyes met. Then he knew Dawes had seen him coming out of the theatre with Clara.
"Why, what about th' theatre?" asked one of Paul's associates, glad to get a dig at the young fellow, and sniffing something tasty.
"Oh, him in a bob-tailed evening suit, on the lardy-da!" sneered Dawes, jerking his head contemptuously at Paul.
"That's comin' it strong," said the mutual friend. "Tart an' all?"
"Tart, begod!" said Dawes.
"Go on; let's have it!" cried the mutual friend.
"You've got it," said Dawes, "an' I reckon Morelly had it an' all."
"Well, I'll be jiggered!" said the mutual friend. "An' was it a proper tart?"
"Tart, God blimey—yes!"
"How do you know?"
"Oh," said Dawes, "I reckon he spent th' night——"
There was a good deal of laughter at Paul's expense.
"But who was she? D'you know her?" asked the mutual friend.
"I shouldshay sho," said Dawes.
This brought another burst of laughter.
"Then spit it out," said the mutual friend.
Dawes shook his head, and took a gulp of beer.
"It's a wonder he hasn't let on himself," he said. "He'll be braggin' of it in a bit."
"Come on, Paul," said the friend; "it's no good. You might just as well own up."
"Own up what? That I happened to take a friend to the theatre?"
"Oh well, if it was all right, tell us who she was, lad," said the friend.
"Shewasall right," said Dawes.
Paul was furious. Dawes wiped his golden moustache with his fingers, sneering.
"Strike me—! One o' that sort?" said the mutual friend, "Paul, boy, I'm surprised at you. And do you know her, Baxter?"
"Just a bit, like!"
He winked at the other men.
"Oh well," said Paul, "I'll be going!"
The mutual friend laid a detaining hand on his shoulder.
"Nay," he said, "you don't get off as easy as that, my lad. We've got to have a full account of this business."
"Then get it from Dawes!" he said.
"You shouldn't funk your own deeds, man," remonstrated the friend.
Then Dawes made a remark which caused Paul to throw half a glass of beer in his face.
"Oh, Mr. Morel!" cried the barmaid, and she rang the bell for the "chucker-out."
Dawes spat and rushed for the young man. At that minute a brawny fellow with his shirt-sleeves rolled up and his trousers tight over his haunches intervened.
"Now, then!" he said, pushing his chest in front of Dawes.
"Come out!" cried Dawes.
Paul was leaning, white and quivering, against the brass rail of the bar. He hated Dawes, wished something could exterminate him at that minute; and at the same time, seeing the wet hair on the man's forehead, he thought he looked pathetic. He did not move.
"Come out, you—," said Dawes.
"That's enough, Dawes," cried the barmaid.
"Come on," said the "chucker-out," with kindly insistence, "you'd better be getting on."
And, by making Dawes edge away from his own close proximity, he worked him to the door.
"That'sthe little sod as started it!" cried Dawes, half cowed, pointing to Paul Morel.
"Why, what a story, Mr. Dawes!" said the barmaid. "You know it was you all the time."
Still the "chucker-out" kept thrusting his chest forward at him, still he kept edging back, until he was in the doorway and on the steps outside; then he turned round.
"All right," he said, nodding straight at his rival.
Paul had a curious sensation of pity, almost of affection, mingled with violent hate, for the man. The coloured door swung to; there was silence in the bar.
"Serve him jolly well right!" said the barmaid.
"But it's a nasty thing to get a glass of beer in your eyes," said the mutual friend.
"I tell youIwas glad he did," said the barmaid. "Will you have another, Mr. Morel?"
She held up Paul's glass questioningly. He nodded.
"He's a man as doesn't care for anything, is Baxter Dawes," said one.
"Pooh! is he?" said the barmaid. "He's a loud-mouthed one, he is, and they're never much good. Give me a pleasant-spoken chap, if you want a devil!"
"Well, Paul, my lad," said the friend, "you'll have to take care of yourself now for a while."
"You won't have to give him a chance over you, that's all," said the barmaid.
"Can you box?" asked a friend.
"Not a bit," he answered, still very white.
"I might give you a turn or two," said the friend.
"Thanks, I haven't time."
And presently he took his departure.
"Go along with him, Mr. Jenkinson," whispered the barmaid, tipping Mr. Jenkinson the wink.
The man nodded, took his hat, said "Good-night all!" very heartily, and followed Paul, calling:
"Half a minute, old man. You an' me's going the same road, I believe."
"Mr. Morel doesn't like it," said the barmaid. "You'll see, we shan't have him in much more. I'm sorry; he's good company. And Baxter Dawes wants locking up, that's what he wants."
Paul would have died rather than his mother should get to know of this affair. He suffered tortures of humiliation and self-consciousness. There was now a good deal of his life of which necessarily he could not speak to his mother. He had a life apart from her—his sexual life. The rest she still kept. But he felt he had to conceal something from her, and it irked him. There was a certain silence between them, and he felt he had, in that silence, to defend himself against her; he felt condemned by her. Then sometimes he hated her, and pulled at her bondage. His life wanted to free itself of her. It was like a circle where life turned back on itself, and got no farther. She bore him, loved him, kept him, and his love turned back into her, so that he could not be free to go forward with his own life, really love another woman. At this period, unknowingly, he resisted his mother's influence. He did not tell her things; there was a distance between them.
Clara was happy, almost sure of him. She felt she had at last got him for herself; and then again came the uncertainty. He told her jestingly of the affair with her husband. Her colour came up, her grey eyes flashed.
"That's him to a 'T,'" she cried—"like a navvy! He's not fit for mixing with decent folk."
"Yet you married him," he said.
It made her furious that he reminded her.
"I did!" she cried. "But how was I to know!"
"I think he might have been rather nice," he said.
"You thinkImade him what he is!" she exclaimed.
"Oh no! He made himself. But there's something about him——"
Clara looked at her lover closely. There was something in him she hated, a sort of detached criticism of herself, a coldness which made her woman's soul harden against him.
"And what are you going to do?" she asked.
"How?"
"About Baxter."
"There's nothing to do, is there?" he replied.
"You can fight him if you have to, I suppose?" she said.
"No; I haven't the least sense of the 'fist.' It's funny. With most men there's the instinct to clench the fist and hit. It's not so with me. I should want a knife or a pistol or something to fight with."
"Then you'd better carry something," she said.
"Nay," he laughed; "I'm not daggeroso."
"But he'll do something to you. You don't know him."
"All right," he said, "we'll see."
"And you'll let him?"
"Perhaps, if I can't help it."
"And if he kills you?" she said.
"I should be sorry, for his sake and mine."
Clara was silent for a moment.
"Youdomake me angry!" she exclaimed.
"That's nothing afresh," he laughed.
"But why are you so silly? You don't know him."
"And don't want."
"Yes, but you're not going to let a man do as he likes with you?"
"What must I do?" he replied, laughing.
"Ishould carry a revolver," she said. "I'm sure he's dangerous."
"I might blow my fingers off," he said.
"No; but won't you?" she pleaded.
"No."
"Not anything?"
"No."
"And you'll leave him to——?"
"Yes."
"You are a fool!"
"Fact!"
She set her teeth with anger.
"I couldshakeyou!" she cried, trembling with passion.
"Why?"
"Let a man likehimdo as he likes with you."
"You can go back to him if he triumphs," he said.
"Do you want me to hate you?" she asked.
"Well, I only tell you," he said.
"Andyousay youloveme!" she exclaimed, low and indignant.
"Ought I to slay him to please you?" he said. "But if I did, see what a hold he'd have over me."
"Do you think I'm a fool?" she exclaimed.
"Not at all. But you don't understand me, my dear."
There was a pause between them.
"But you oughtnotto expose yourself," she pleaded.
He shrugged his shoulders.
"'The man in righteousness arrayed,The pure and blameless liver,Needs not the keen Toledo blade,Nor venom-freighted quiver,'"
"'The man in righteousness arrayed,The pure and blameless liver,Needs not the keen Toledo blade,Nor venom-freighted quiver,'"
"'The man in righteousness arrayed,The pure and blameless liver,Needs not the keen Toledo blade,Nor venom-freighted quiver,'"
"'The man in righteousness arrayed,
The pure and blameless liver,
Needs not the keen Toledo blade,
Nor venom-freighted quiver,'"
he quoted.
She looked at him searchingly.
"I wish I could understand you," she said.
"There's simply nothing to understand," he laughed.
She bowed her head, brooding.
He did not see Dawes for several days; then one morning as he ran upstairs from the spiral room he almost collided with the burly metal-worker.
"What the—!" cried the smith.
"Sorry!" said Paul, and passed on.
"Sorry!" sneered Dawes.
Paul whistled lightly, "Put Me among the Girls."
"I'll stop your whistle, my jockey!" he said.
The other took no notice.
"You're goin' to answer for that job of the other night."
Paul went to his desk in his corner, and turned over the leaves of the ledger.
"Go and tell Fanny I want order 097, quick!" he said to his boy.
Dawes stood in the doorway, tall and threatening, looking at the top of the young man's head.
"Six and five's eleven and seven's one-and-six," Paul added aloud.
"An' you hear, do you!" said Dawes.
"Five and ninepence!" He wrote a figure. "What's that?" he said.
"I'm going to show you what it is," said the smith.
The other went on adding the figures aloud.
"Yer crawlin' little—, yer daresn't face me proper!"
Paul quickly snatched the heavy ruler. Dawes started. The young man ruled some lines in his ledger. The elder man was infuriated.
"But wait till I light on you, no matter where it is, I'll settle your hash for a bit, yer little swine!"
"All right," said Paul.
At that the smith started heavily from the doorway. Just then a whistle piped shrilly. Paul went to the speaking-tube.
"Yes!" he said, and he listened. "Er—yes!" He listened, then he laughed. "I'll come down directly. I've got a visitor just now."
Dawes knew from his tone that he had been speaking to Clara. He stepped forward.
"Yer little devil!" he said. "I'll visitor you, inside of two minutes! Think I'm goin' ter haveyouwhipperty-snappin' round?"
The other clerks in the warehouse looked up. Paul's office-boy appeared, holding some white article.
"Fanny says you could have had it last night if you'd let her know," he said.
"All right," answered Paul, looking at the stocking. "Get it off."
Dawes stood frustrated, helpless with rage. Morel turned round.
"Excuse me a minute," he said to Dawes, and he would have run downstairs.
"By God, I'll stop your gallop!" shouted the smith, seizing him by the arm. He turned quickly.
"Hey! hey!" cried the office-boy, alarmed.
Thomas Jordan started out of his little glass office, and came running down the room.
"What's a-matter, what's a-matter?" he said, in his old man's sharp voice.
"I'm just goin' ter settle this little—, that's all," said Dawes desperately.
"What do you mean?" snapped Thomas Jordan.
"What I say," said Dawes, but he hung fire.
Morel was leaning against the counter, ashamed, half grinning.
"What's it all about?" snapped Thomas Jordan.
"Couldn't say," said Paul, shaking his head and shrugging his shoulders.
"Couldn't yer, couldn't yer!" cried Dawes, thrusting forward his handsome, furious face, and squaring his fist.
"Have you finished?" cried the old man, strutting. "Get off about your business, and don't come here tipsy in the morning."
Dawes turned his big frame slowly upon him.
"Tipsy!" he said. "Who's tipsy? I'm no more tipsy thanyouare!"
"We've heard that song before," snapped the old man. "Now you get off, and don't be long about it. Comin'herewith your rowdying."
The smith looked down contemptuously on his employer. His hands, large and grimy, and yet well shaped for his labour, worked restlessly. Paul remembered they were the hands of Clara's husband, and a flash of hate went through him.
"Get out before you're turned out!" snapped Thomas Jordan.
"Why, who'll turn me out?" said Dawes, beginning to sneer.
Mr. Jordan started, marched up to the smith, waving him off, thrusting his stout little figure at the man, saying:
"Get off my premises—get off!"
He seized and twitched Dawes' arm.
"Come off!" said the smith, and with a jerk of the elbow he sent the little manufacturer staggering backwards.
Before anyone could help him, Thomas Jordan had collided with the flimsy spring-door. It had given way, and let him crash down the half-dozen steps into Fanny's room. There was a second of amazement; then men and girls were running. Dawes stood a moment looking bitterly on the scene, then he took his departure.
Thomas Jordan was shaken and bruised, not otherwise hurt. He was, however, beside himself with rage. He dismissed Dawes from his employment, and summoned him for assault.
At the trial Paul Morel had to give evidence. Asked how the trouble began, he said:
"Dawes took occasion to insult Mrs. Dawes and me because I accompanied her to the theatre one evening; then I threw some beer at him, and he wanted his revenge."
"Cherchez la femme!" smiled the magistrate.
The case was dismissed after the magistrate had told Dawes he thought him a skunk.
"You gave the case away," snapped Mr. Jordan to Paul.
"I don't think I did," replied the latter. "Besides, you didn't really want a conviction, did you?"
"What do you think I took the case up for?"
"Well," said Paul, "I'm sorry if I said the wrong thing."
Clara was also very angry.
"Why needmyname have been dragged in?" she said.
"Better speak it openly than leave it to be whispered."
"There was no need for anything at all," she declared.
"We are none the poorer," he said indifferently.
"Youmay not be," she said.
"And you?" he asked.
"I need never have been mentioned."
"I'm sorry," he said; but he did not sound sorry.
He told himself easily: "She will come round." And she did.
He told his mother about the fall of Mr. Jordan and the trial of Dawes. Mrs. Morel watched him closely.
"And what do you think of it all?" she asked him.
"I think he's a fool," he said.
But he was very uncomfortable, nevertheless.
"Have you ever considered where it will end?" his mother said.
"No," he answered; "things work out of themselves."
"They do, in a way one doesn't like, as a rule," said his mother.
"And then one has to put up with them," he said.
"You'll find you're not as good at 'putting up' as you imagine," she said.
He went on working rapidly at his design.
"Do you ever askheropinion?" she said at length.
"What of?"
"Of you, and the whole thing."
"I don't care what her opinion of me is. She's fearfully in love with me, but it's not very deep."
"But quite as deep as your feeling for her."
He looked up at his mother curiously.
"Yes," he said. "You know, mother, I think there must be something the matter with me, that Ican'tlove. When she's there, as a rule, Idolove her. Sometimes, when I see her just asthe woman, I love her, mother; but then, when she talks and criticizes, I often don't listen to her."
"Yet she's as much sense as Miriam."
"Perhaps; and I love her better than Miriam. Butwhydon't they hold me?"
The last question was almost a lamentation. His mother turned away her face, sat looking across the room, very quiet, grave, with something of renunciation.
"But you wouldn't want to marry Clara?" she said.
"No; at first perhaps I would. But why—why don't I want to marry her or anybody? I feel sometimes as if I wronged my women, mother."
"How wronged them, my son?"
"I don't know."
He went on painting rather despairingly; he had touched the quick of the trouble.
"And as for wanting to marry," said his mother, "there's plenty of time yet."
"But no, mother. I even love Clara, and I did Miriam; but togivemyself to them in marriage I couldn't. I couldn't belong to them. They seem to wantme, and I can't ever give it them."
"You haven't met the right woman."
"And I never shall meet the right woman while you live," he said.
She was very quiet. Now she began to feel again tired, as if she were done.
"We'll see, my son," she answered.
The feeling that things were going in a circle made him mad.
Clara was, indeed, passionately in love with him, and he with her, as far as passion went. In the daytime he forgot her a good deal. She was working in the same building, but he was not aware of it. He was busy, and her existence was of no matter to him. But all the time she was in her spiral room she had a sense that he was upstairs, a physical sense of his person in the same building. Every second she expected him to come through the door, and when he came it was a shock to her. But he was often short and offhand with her. He gave her his directions in an official manner, keeping her at bay. With what wits she had left she listened to him. She dared not misunderstand or fail to remember, but it was a cruelty to her. She wanted to touch his chest. She knew exactly how his breast was shapen under the waistcoat, and she wanted to touch it. It maddened her to hear his mechanical voice giving orders about the work. She wanted to break through the sham of it, smash the trivial coating of business which covered him with hardness, get at the man again; but she was afraid, and before she could feel one touch of his warmth he was gone, and she ached again.
He knew that she was dreary every evening she did not see him, so he gave her a good deal of his time. The dayswere often a misery to her, but the evenings and the nights were usually a bliss to them both. Then they were silent. For hours they sat together, or walked together in the dark, and talked only a few, almost meaningless words. But he had her hand in his, and her bosom left its warmth in his chest, making him feel whole.
One evening they were walking down by the canal, and something was troubling him. She knew she had not got him. All the time he whistled softly and persistently to himself. She listened, feeling she could learn more from his whistling than from his speech. It was a sad, dissatisfied tune—a tune that made her feel he would not stay with her. She walked on in silence. When they came to the swing bridge he sat down on the great pole, looking at the stars in the water. He was a long way from her. She had been thinking.
"Will you always stay at Jordan's?" she asked.
"No," he answered without reflecting. "No; I s'll leave Nottingham and go abroad—soon."
"Go abroad! What for?"
"I dunno! I feel restless."
"But what shall you do?"
"I shall have to get some steady designing work, and some sort of sale for my pictures first," he said. "I am gradually making my way. I know I am."
"And when do you think you'll go?"
"I don't know. I shall hardly go for long, while there's my mother."
"You couldn't leave her?"
"Not for long."
She looked at the stars in the black water. They lay very white and staring. It was an agony to know he would leave her, but it was almost an agony to have him near her.
"And if you made a nice lot of money, what would you do?" she asked.
"Go somewhere in a pretty house near London with my mother."
"I see."
There was a long pause.
"I could still come and see you," he said. "I don't know. Don't ask me what I should do; I don't know."
There was a silence. The stars shuddered and broke upon the water. There came a breath of wind. He went suddenly to her, and put his hand on her shoulder.
"Don't ask me anything about the future," he said miserably. "I don't know anything. Be with me now, will you, no matter what it is?"
And she took him in her arms. After all, she was a married woman, and she had no right even to what he gave her. He needed her badly. She had him in her arms, and he was miserable. With her warmth she folded him over, consoled him, loved him. She would let the moment stand for itself.
After a moment he lifted his head as if he wanted to speak.
"Clara," he said, struggling.
She caught him passionately to her, pressed his head down on her breast with her hand. She could not bear the suffering in his voice. She was afraid in her soul. He might have anything of her—anything; but she did not want toknow. She felt she could not bear it. She wanted him to be soothed upon her—soothed. She stood clasping him and caressing him, and he was something unknown to her—something almost uncanny. She wanted to soothe him into forgetfulness.
And soon the struggle went down in his soul, and he forgot. But then Clara was not there for him, only a woman, warm, something he loved and almost worshipped, there in the dark. But it was not Clara, and she submitted to him. The naked hunger and inevitability of his loving her, something strong and blind and ruthless in its primitiveness, made the hour almost terrible to her. She knew how stark and alone he was, and she felt it was great that he came to her; and she took him simply because his need was bigger either than her or him, and her soul was still within her. She did this for him in his need, even if he left her, for she loved him.
All the while the peewits were screaming in the field. When he came to, he wondered what was near his eyes,curving and strong with life in the dark, and what voice it was speaking. Then he realized it was the grass, and the peewit was calling. The warmth was Clara's breathing heaving. He lifted his head, and looked into her eyes. They were dark and shining and strange, life wild at the source staring into his life, stranger to him, yet meeting him; and he put his face down on her throat, afraid. What was she? A strong, strange, wild life, that breathed with his in the darkness through this hour. It was all so much bigger than themselves that he was hushed. They had met, and included in their meeting the thrust of the manifold grass-stems, the cry of the peewit, the wheel of the stars.
When they stood up they saw other lovers stealing down the opposite hedge. It seemed natural they were there; the night contained them.
And after such an evening they both were very still, having known the immensity of passion. They felt small, half afraid, childish, and wondering, like Adam and Eve when they lost their innocence and realized the magnificence of the power which drove them out of Paradise and across the great night and the great day of humanity. It was for each of them an initiation and a satisfaction. To know their own nothingness, to know the tremendous living flood which carried them always, gave them rest within themselves. If so great a magnificent power could overwhelm them, identify them altogether with itself, so that they knew they were only grains in the tremendous heave that lifted every grass-blade its little height, and every tree, and living thing, then why fret about themselves? They could let themselves be carried by life, and they felt a sort of peace each in the other. There was a verification which they had had together. Nothing could nullify it, nothing could take it away; it was almost their belief in life.
But Clara was not satisfied. Something great was there, she knew; something great enveloped her. But it did not keep her. In the morning it was not the same. They hadknown, but she could not keep the moment. She wanted it again; she wanted something permanent. She had not realizedfully. She thought it was he whom she wanted. He was not safe to her. This that had been between them might never be again; he might leave her. She had not got him; she was not satisfied. She had been there, but she had not gripped the—the something—she knew not what—which she was mad to have.
In the morning he had considerable peace, and was happy in himself. It seemed almost as if he had known the baptism of fire in passion, and it left him at rest. But it was not Clara. It was something that happened because of her, but it was not her. They were scarcely any nearer each other. It was as if they had been blind agents of a great force.
When she saw him that day at the factory her heart melted like a drop of fire. It was his body, his brows. The drop of fire grew more intense in her breast; she must hold him. But he, very quiet, very subdued this morning, went on giving his instructions. She followed him into the dark, ugly basement, and lifted her arms to him. He kissed her, and the intensity of passion began to burn him again. Somebody was at the door. He ran upstairs; she returned to her room, moving as if in a trance.
After that the fire slowly went down. He felt more and more that his experience had been impersonal, and not Clara. He loved her. There was a big tenderness, as after a strong emotion they had known together; but it was not she who could keep his soul steady. He had wanted her to be something she could not be.
And she was mad with desire of him. She could not see him without touching him. In the factory, as he talked to her about spiral hose, she ran her hand secretly along his side. She followed him out into the basement for a quick kiss; her eyes, always mute and yearning, full of unrestrained passion, she kept fixed on his. He was afraid of her, lest she should too flagrantly give herself away before the other girls. She invariably waited for him at dinner-time for him to embrace her before she went. He felt as if she were helpless, almost a burden to him, and it irritated him.
"But what do you always want to be kissing and embracingfor?" he said. "Surely there's a time for everything."
She looked up at him, and the hate came into her eyes.
"DoI always want to be kissing you?" she said.
"Always, even if I come to ask you about the work. I don't want anything to do with love when I'm at work. Work's work——"
"And what is love?" she asked. "Has it to have special hours?"
"Yes; out of work hours."
"And you'll regulate it according to Mr. Jordan's closing time?"
"Yes; and according to the freedom from business of any sort."
"It is only to exist in spare time?"
"That's all, and not always then—not the kissing sort of love."
"And that's all you think of it?"
"It's quite enough."
"I'm glad you think so."
And she was cold to him for some time—she hated him; and while she was cold and contemptuous, he was uneasy till she had forgiven him again. But when they started afresh they were not any nearer. He kept her because he never satisfied her.
In the spring they went together to the seaside. They had rooms at a little cottage near Theddlethorpe, and lived as man and wife. Mrs. Radford sometimes went with them.
It was known in Nottingham that Paul Morel and Mrs. Dawes were going together, but as nothing was very obvious, and Clara was always a solitary person, and he seemed so simple and innocent, it did not make much difference.
He loved the Lincolnshire coast, and she loved the sea. In the early morning they often went out together to bathe. The grey of the dawn, the far, desolate reaches of the fenland smitten with winter, the sea-meadows rank with herbage, were stark enough to rejoice his soul. As they stepped on to the highroad from their plank bridge, and lookedround at the endless monotony of levels, the land a little darker than the sky, the sea sounding small beyond the sandhills, his heart filled strong with the sweeping relentlessness of life. She loved him then. He was solitary and strong, and his eyes had a beautiful light.
They shuddered with cold; then he raced her down the road to the green turf bridge. She could run well. Her colour soon came, her throat was bare, her eyes shone. He loved her for being so luxuriously heavy, and yet so quick. Himself was light; she went with a beautiful rush. They grew warm, and walked hand in hand.
A flush came into the sky; the wan moon, half-way down the west, sank into insignificance. On the shadowy land things began to take life, plants with great leaves became distinct. They came through a pass in the big, cold sandhills on to the beach. The long waste of foreshore lay moaning under the dawn and the sea; the ocean was a flat dark strip with a white edge. Over the gloomy sea the sky grew red. Quickly the fire spread among the clouds and scattered them. Crimson burned to orange, orange to dull gold, and in a golden glitter the sun came up, dribbling fierily over the waves in little splashes, as if someone had gone along and the light had spilled from her pail as she walked.
The breakers ran down the shore in long, hoarse strokes. Tiny seagulls, like specks of spray, wheeled above the line of surf. Their crying seemed larger than they. Far away the coast reached out, and melted into the morning, the tussocky sandhills seemed to sink to a level with the beach. Mablethorpe was tiny on their right. They had alone the space of all this level shore, the sea, and the upcoming sun, the faint noise of the waters, the sharp crying of the gulls.
They had a warm hollow in the sandhills where the wind did not come. He stood looking out to sea.
"It's very fine," he said.
"Now don't get sentimental," she said.
It irritated her to see him standing gazing at the sea, like a solitary and poetic person. He laughed. She quickly undressed.
"There are some fine waves this morning," she said triumphantly.
She was a better swimmer than he; he stood idly watching her.
"Aren't you coming?" she said.
"In a minute," he answered.
She was white and velvet skinned, with heavy shoulders. A little wind, coming from the sea, blew across her body and ruffled her hair.
The morning was of a lovely limpid gold colour. Veils of shadow seemed to be drifting away on the north and the south. Clara stood shrinking slightly from the touch of the wind, twisting her hair. The sea-grass rose behind the white stripped woman. She glanced at the sea, then looked at him. He was watching her with dark eyes which she loved and could not understand. She hugged her breasts between her arms, cringing, laughing:
"Oo, it will be so cold!" she said.
He bent forward and kissed her, held her suddenly close, and kissed her again. She stood waiting. He looked into her eyes, then away at the pale sands.
"Go, then!" he said quietly.
She flung her arms round his neck, drew him against her, kissed him passionately, and went, saying:
"But you'll come in?"
"In a minute."
She went plodding heavily over the sand that was soft as velvet. He, on the sandhills, watched the great pale coast envelop her. She grew smaller, lost proportion, seemed only like a large white bird toiling forward.
"Not much more than a big white pebble on the beach, not much more than a clot of foam being blown and rolled over the sand," he said to himself.
She seemed to move very slowly across the vast sounding shore. As he watched, he lost her. She was dazzled out of sight by the sunshine. Again he saw her, the merest white speck moving against the white, muttering sea-edge.
"Look how little she is!" he said to himself. "She's lost likea grain of sand in the beach—just a concentrated speck blown along, a tiny white foam-bubble, almost nothing among the morning. Why does she absorb me?"
The morning was altogether uninterrupted: she was gone in the water. Far and wide the beach, the sandhills with their blue marrain, the shining water, glowed together in immense, unbroken solitude.
"What is she, after all?" he said to himself. "Here's the sea-coast morning, big and permanent and beautiful; there is she, fretting, always unsatisfied, and temporary as a bubble of foam. What does she mean to me, after all? She represents something, like a bubble of foam represents the sea. But what isshe? It's not her I care for."
Then, startled by his own unconscious thoughts, that seemed to speak so distinctly that all the morning could hear, he undressed and ran quickly down the sands. She was watching for him. Her arm flashed up to him, she heaved on a wave, subsided, her shoulders in a pool of liquid silver. He jumped through the breakers, and in a moment her hand was on his shoulder.
He was a poor swimmer, and could not stay long in the water. She played round him in triumph, sporting with her superiority, which he begrudged her. The sunshine stood deep and fine on the water. They laughed in the sea for a minute or two, then raced each other back to the sandhills.
When they were drying themselves, panting heavily, he watched her laughing, breathless face, her bright shoulders, her breasts that swayed and made him frightened as she rubbed them, and he thought again:
"But she is magnificent, and even bigger than the morning and the sea. Is she—? is she—?"
She, seeing his dark eyes fixed on her, broke off from her drying with a laugh.
"What are you looking at?" she said.
"You," he answered, laughing.
Her eyes met his, and in a moment he was kissing her white "goose-fleshed" shoulder, and thinking:
"What is she? What is she?"
She loved him in the morning. There was something detached, hard, and elemental about his kisses then, as if he were only conscious of his own will, not in the least of her and her wanting him.
Later in the day he went out sketching.
"You," he said to her, "go with your mother to Sutton. I am so dull."
She stood and looked at him. He knew she wanted to come with him, but he preferred to be alone. She made him feel imprisoned when she was there, as if he could not get a free deep breath, as if there were something on top of him. She felt his desire to be free of her.
In the evening he came back to her. They walked down the shore in the darkness, then sat for awhile in the shelter of the sandhills.
"It seems," she said, as they stared over the darkness of the sea, where no light was to be seen—"it seemed as if you only loved me at night—as if you didn't love me in the daytime."
He ran the cold sand through his fingers, feeling guilty under the accusation.
"The night is free to you," he replied. "In the daytime I want to be by myself."
"But why?" she said. "Why, even now, when we are on this short holiday?"
"I don't know. Love-making stifles me in the daytime."
"But it needn't be always love-making," she said.
"It always is," he answered, "when you and I are together."
She sat feeling very bitter.
"Do you ever want to marry me?" he asked curiously.
"Do you me?" she replied.
"Yes, yes; I should like us to have children," he answered slowly.
She sat with her head bent, fingering the sand.
"But you don't really want a divorce from Baxter, do you?" he said.
It was some minutes before she replied.
"No," she said, very deliberately; "I don't think I do."
"Why?"
"I don't know."
"Do you feel as if you belonged to him?"
"No; I don't think so."
"What, then?"
"I think he belongs to me," she replied.
He was silent for some minutes, listening to the wind blowing over the hoarse, dark sea.
"And you never really intended to belong tome?" he said.
"Yes, I do belong to you," she answered.
"No," he said; "because you don't want to be divorced."
It was a knot they could not untie, so they left it, took what they could get, and what they could not attain they ignored.
"I consider you treated Baxter rottenly," he said another time.
He half expected Clara to answer him, as his mother would: "You consider your own affairs, and don't know so much about other people's." But she took him seriously, almost to his own surprise.
"Why?" she said.
"I suppose you thought he was a lily of the valley, and so you put him in an appropriate pot, and tended him according. You made up your mind he was a lily of the valley, and it was no good his being a cow-parsnip. You wouldn't have it."
"I certainly never imagined him a lily of the valley."
"You imagined him something he wasn't. That's just what a woman is. She thinks she knows what's good for a man, and she's going to see he gets it; and no matter if he's starving, he may sit and whistle for what he needs, while she's got him, and is giving him what's good for him."
"And what are you doing?" she asked.
"I'm thinking what tune I shall whistle," he laughed.
And instead of boxing his ears, she considered him in earnest.
"You think I want to give you what's good for you?" she asked.
"I hope so; but love should give a sense of freedom, not of prison. Miriam made me feel tied up like a donkey to a stake. I must feed on her patch, and nowhere else. It's sickening!"