IT was a puzzle to John as much as to the palpitating lady, and in the maze of his puzzledom the gleam of humour that visited him during their interview lost its way. Walter Herold's eyes, however, twinkled maliciously when he heard John's account at once rueful and pig-headed. Then he grew serious.
“It will be comic opera all the time. It can't be done.”
“It 's going to be done,” said John, obstinately. “There's nothing else to do. If I were a rich man, I could work wonders with a scratch in my cheque-book. I could hire an unexceptionable colonel's or clergyman's widow to do the business. But I'm not. How I'm going to get the house together, as it is, I don't know. Besides,” he added, turning with some savageness on his friend, “if you think it a comic-opera idea, kindly remember it was you who started it.”
Though Herold was silenced for the moment, to the back of his mind still clung the first suggestion he had made. It was the common-sense idea that, given a knowledge of John's relations with the Southcliff household, would have occurred to anybody. John had it in his power to befriend the unhappy child without trying the rash experiment of raising her social status. Wherein lay the advantage of bringing her up as a lady? A pampered maid in a luxurious home does not drag out the existence of a downtrodden slave. Such have been known to smile and sing, even to bless their stars, and finally to marry a prince in grocer's disguise, and to live happy ever afterwards. With John's description of the girl's dog-like eyes in his memory, Herold pictured her as a devoted handmaiden to Stellamaris, a romantic, mediaeval appanage of the sea-chamber. What more amazingly exquisite destiny could await not only one bred in the gutter, but any damsel far more highly born? Her silence as to the past could be insured under ghastly penalties which would have no need of imagination for their appeal. That of course would be an ultimate measure. He felt certain that a couple of months' probation in the atmosphere of the Channel House would compel any human being not a devil incarnate to unthinking obedience to the Unwritten Law. By following this scheme, Unity would achieve salvation, Stellamaris acquire a new interest in life, and John himself be saved not only from financial worries, but from grotesquely figuring in comic opera. As for Miss Lindon, he felt certain that she would fall down on her knees and offer up thanksgivings to the God of her grandmothers.
But of this scheme John would hear no word. He bellowed his disapproval like an angry bull, rushed out, as it were, with lowered head, into the thick of house-agents, and before Herold could catch him in a milder humour he had signed the lease of a little house in Kilburn, overlooking the Paddington Recreation Ground. By the time it was put in order and decorated, he declared, Unity would be in a fit condition to take up her abode there with Miss Lindon and himself.
“Where is this convalescent home you 're going to send her to?” asked Herold.
John did not know. A man could not attend to everything at once. But there were thousands. He would find one. Then, it being the end of the week, he went down to the Channel House, where, by the midnight train on Saturday, Herold joined him.
It was Herold who laid John's rash project before Sir Oliver and Lady Blount.
“Why in the world,” cried the latter, checking the hospitable flow of tea from the teapot and poising it in mid air—they were at breakfast—“why in the world does n't he send the child to us?”
John, in desperation, went over his arguments. The discussion grew heated. Sir Oliver, with a twirl of his white moustache, gave him to understand that to take folks out of the station to which it had pleased God to call them was an act of impiety to which he, Sir Oliver, would not be a party. His wife, irritated by her husband's dictatorial manner, demurred to the proposition. John had every right to do as he liked. If you adopted a child, you brought it up as a matter of course in your own rank in life. Why adopt it? Why not? They bickered as usual. At last John got up in a fume and went to cool his head in the garden. It was outrageous that he should never be allowed to mismanage his own affairs. There was the same quarreling interference when he proposed to go to Australia. He lit his pipe and puffed at it furiously. After a while Lady Blount joined him. She declared herself to be on his side; but, as in most sublunary things, there was a compromise.
“At any rate, my dear John, give your friends a little chance of helping you,” she said. “If you set your face against Walter's plan, at least you can send the child down here to recuperate. Nurse Holroyd will keep a trained eye on her, and she can play about the garden and on the beach as much as she likes. I do understand what you 're afraid of with regard to Stella—”
“Oliver and Walter are wooden-headed dolts,” cried John.
She smiled wifely agreement. “There need be no danger, I assure you. We can give the child a room in the other wing, and forbid her the use of Stella's side of the house. Stella's room will be guarded. You may trust me. Have I ever failed yet? And Stella need never know of her presence in the place. After all,” she continued, touching his coat-sleeve, “I think I am a bit nearer to your life than your Aunt Gladys.”
John laughed at the flash of jealousy.
“If you put it that way, it's very hard to refuse.”
“Then you 'll send her?”
He knocked the ashes out of his pipe against the heel of his boot, thus hiding the annoyance on his face, but he yielded. “For her convalescence only.”
The touch on his arm deepened into a squeeze.
“If you had said no, I should have been so hurt, dear.”
“I only want to do what's decently right,” said he.
“I think you 're acting nobly,” she said.
“My dear Julia,” said he, “I'm not going to listen to infatuated rubbish.”
He cast off her hand somewhat roughly, but continued to walk with her up and down the terrace, talking intimately of his plans concerning the adopted child and the psychological problem she presented. No man, in his vain heart of hearts, really resents a woman calling him a noble fellow, be she ten years old or his great-great-grandmother. They parted soon afterward, Lady Blount to prepare herself for church, which Sir Oliver and she attended with official regularity, and John to worship in his own way—one equally acceptable, I should imagine, to the Almighty—in the sea-chamber of Stellamaris.
He found Herold there, in the midst of a dramatic entertainment, with Stellamaris and Constable for audience. How familiar and unchanging was the scene! The great, bright room, the wood fire blazing merrily up the chimney, the huge dog lifting his eyes and stirring his tail in welcome, and against the background of sea and sky the fairy head on its low pillow. Stella smiled, put a finger to her lips, and pointed to a chair.
“Go on,” she said to Herold.
“We 're in the middle of the first act, just before my exit,” said the latter.
John became aware, as he listened, that Herold was sketching the piece in which he was playing, a fragrant comedy full of delicate sentiment and humour. His own scenes he acted in full, taking all the parts. Stella lay entranced, and fixed on him glorious eyes of wonder. How could he do it? At one astonishing moment he was a young girl, at another her sailor sweetheart, at another a palsied, mumbling old man. And when, as the old man, he took the weeping girl under his arm and hobbled away on his stick, leaving the young fellow baffled and disappointed, it seemed an optical illusion, so vivid was the picture. He recrossed the room, smiling, the real Walter Herold again; Stella clapped her hands.
“Is n't he perfectly lovely!”
“Stunning,” said John, who had often witnessed similar histrionic exhibitions in that room, and had always been impressed with their exquisite art. “I wish you could see the real thing, dear.”
Stella glanced out to sea for a moment and glanced back at him.
“I don't think I do,” she said. “It would be too real.”
“What do you mean by that?”
Herold clapped John on the shoulder. “Can't you see what a subtle little artistic soul she has?” he cried enthusiastically. “She has evolved for herself the fundamental truth, the vital essence of all art—suggestion. She means that, in order that the proper harmony should be established between the artist and the person to whom he is making his appeal, the latter must go a certain way to meet him. He must exercise his imagination, too, on the same lines. The measure of your appreciation, say, of Turner, is the length of the imaginative journey you make toward him. When a thing needs no imaginative effort to get hold of it, it's not a work of art. You have n't got to go half way to the housemaid to realize a slice of bread and butter. That's where so-called realism fails. Stella 's' afraid that if she saw us all in flesh and blood on the stage, nothing would be left to her imagination. She's right in essence.”
Stella smiled on him gratefully. “That 's exactly how I feel, but I could n't have expressed it. How do you manage to know all these funny things that go on inside me?”
“I wish I did,” said Herold, with a touch of wistfulness.
“But you do.” She turned to John. “Does n't he, Belovedest?”
Herold glanced at the clock. “I must run. I promised Sir Oliver to go to church. We 'll have the rest of the play this afternoon.”
“Why don't you go to church, too?” Stella asked when Herold had gone.
“I 'm not so good as Walter,” he replied.
“You are,” she cried warmly.
He shook his head. He knew that Herold's churchgoing was not an act of great spiritual devotion; for the Southcliff service was dull, and the vicar, good, limited man, immeasurably duller. It was an act of characteristic unselfishness: he went so as to be a buffer between Sir Oliver and his wife, who invariably quarreled during their sedate, official walk to and from morning service, and on this particular occasion, with fresh contentious matter imported from the outside, were likely to hold discourse with each other more than usually acrimonious.
“Walter's a sort of saint,” said he, “who can hear the music of the spheres. I can't. I just jog along the ground and listen to barrel-organs.”,
They argued the point for a while, then drifted back to Herold's acting, thence to the story of the play.
“I wonder what 's going to happen,” said Stellamaris. “If Dorothy does n't marry her sailor, I shall never get over it.”
John laughed. “Suppose the sailor turns out to be a dark, double-dyed, awful villain?”
“Oh, he can't; he's young and beautiful.”
“Don't you believe that beautiful people can be villains?”
“No,” said Stella; “it 's silly.” She looked for a while out to her familiar sea, the source of all her inspiration, and her brows were delicately knitted. “I may as well tell you,” she said at last with great solemnity, “a conclusion I've come to after lots of thought—yes, dear Belovedest, I lie here and think lots and lots—I don't believe the Bible is true.”
“My dear Stella!” he cried, scandalized. He himself did not believe in the Jonah and whale story or in many other things contained in Holy Writ, and did not go to church, and was sceptical as to existence of anthropomorphous angels; but he held the truly British conviction of the necessity of faith in the young and innocent. Stella having been bred in the unquestioning calm of Anglican orthodoxy, her atheistical pronouncement was staggering. “My dear Stella!” he cried. “The Bible not true?”
She flushed. “Oh, I believe it's all true as far as it goes,” she exclaimed quickly. “But it 's not true about people to-day. All those dreadful things that are told in it—the cruelty of Joseph's brethren, for instance—did happen; but they happened so long, long ago. People have had lots and lots of time to grow better. Have n't they?”
“They certainly have, my dear,” said John.
“And then Christ came to wash away everybody's sins.”
“He did,” said John.
“So it seems to me we can disregard a great deal of religion. It does n't affect us. We are n't good like the angels, I know,” she remarked with the seriousness of a young disputant in the school of Duns Scotus; “but men don't kill each other, or rob each other, or be cruel to the weak, and nobody tells horrible lies, do they?”
“I think we 've improved during the last few thousand years,” said John.
“So,” said Stellamaris, continuing her argument, “as the fathers have no particular sins, they can't be visited much on the children. And if there are no wicked people to go to hell, hell must be empty, and therefore useless. So it's no good believing in it.”
“Not the slightest good in the world,” said John, fervently.
“And now that everybody loves God,” she went on, “I don't see what's the good of religion. I love you, Great High Belovedest, but there's no need for me to get a form of words to say 'I love you,' 'I love you,' all day long. One's heart says it.”
“What 's your idea of God, Stella dear?” he asked in a curiously husky voice.
She beckoned to him. He drew his chair nearer and bent toward her. She waved her fragile arms bare to the elbow.
“I think we breathe God,” she said.
John Risca went back to Fenton Square and breathed the ghosts of the night-before-last's sprats, and he journeyed to the Orphanage of Saint Martha at Willesden and breathed the prison taint of that abode of hopelessness, and he wrote hard at night in a tiny room breathing the hot, electric atmosphere of a newspaper-office; and ever horribly dominant in his mind was the woman whom once he had held in his arms, who now performed degrading tasks in shameful outward investiture, and inwardly lashed at him with malignant hatred through the distorted prism of her soul, and he breathed the clammy dungeon atmosphere of his own despair; and sitting at his writing-table one night, after having spent the day in court listening to the loathsome details of a sickening murder, acrime passionnel, with the shock of which the wide world was ringing,—his American syndicate insisted on a vivid story, and he had to earn the journalist's daily bread,—the ignorant, fanciful words of Stellamaris flashed through his mind—“I think we breathe God.” He threw back his head and laughed aloud, and then let it drop upon his arms, folded over his wet page of copy, and sobbed in a man's dry-eyed agony of spirit.
And as the prophet Elijah, when sore beset, found the Lord neither in the wind nor in the earthquake nor in the fire, so did John Risca find Him not in all these daily things through which he had passed. Life was fierce, inhuman, a devastating medley of blind forces, making human effort a vain thing, human aspiration a derision, faith in mankind a grotesque savage Ju-ju superstition. There was no God, no beneficent influence making order out of chaos; for it was all chaos. Jezebel and her lusts and cruelties ruled the world—this cloaca of a world. Man argues ever from particular to general, instinctively flying to the illogic on which the acceptance of human life is based. To Risca, at nine and twenty, his pain translated itself into terms of the world-pain; and so will it happen to all generations of all the sons and daughters of men.
After a while, as he sat there motionless, he grew aware of something delicately soft touching his ear and hair. For a moment he had the absurd fancy that Stellamaris stood beside him with caressing fingers. It became so insistent that he dallied with it, persuaded himself that she was there; he would have only to turn to see her in her childish grace. He heard a sound as of murmured speech. She seemed to whisper of quiet, far-off things. And then he seemed to hear the words: “The door is open. Go out into the wide spaces under heaven.” He roused himself with a start, and, looking about him, perceived that the door of his sitting-room was indeed ajar, the ill-fitting old lock having slipped, thus causing a draught, which poured over his head and shoulders. He rose and clapped on his hat and went down-stairs. A ten-minutes' trudge on the pavements would clear his head for the work that had to be accomplished. But on his doorstep he halted. Away above the housetops on the other side of the dingy square sailed the full moon, casting a wake of splendour along the edge of a rack of cloud. And below it swam a single star.
He caught himself repeating stupidly, “Stella Maris, Star of the Sea.” With an impatient shake of the shoulders he went his way through the narrow streets and emerged upon the broad and quiet thoroughfares about the Abbey and the Houses of Parliament. On Westminster Bridge the startling silver of the moonlit river brought him to a stand. The same glory was overspreading the mild sea below the windows of the Channel House. Perhaps Stella even then lay awake, as she often did of nights, and was watching it and was “breathing God.” A great longing arose within him to stand on the beach beneath her window in the wide spaces under heaven. So he walked on, thinking vaguely of Stellamaris and her ways and mysteries, and reached his home again in a chastened mood. Like Elijah, he had found God neither in the wind nor in the earthquake nor in the fire; but who can tell whether he had not been brought into touch with something of the divine by the still, small voice that came through the draught of the crazy door?
THINGS happened as John and Lady Blount had planned them. Sister Theophila, having satisfied herself that Unity Blake was not a second time being thrown to the wolves—Lady Blount herself undertook the negotiations—surrendered her without many regretful pangs. Unity Blake, fatalistic child of circumstance, surrendered herself without coherent thought. World authorities, vague in their nature, but irresistibly compelling in their force, had governed her life from her earliest years. The possibility of revolt, of assertion of her own individuality, was undreamed of in her narrow philosophy. She had the outlook on life of the slave; not the slave of the mettlesome temperament depicted by the late Mrs. Harriet Beecher Stowe and the late Mr. Longfellow, but the unaspiring deaf-mute of a barbaric harem. It is true that Lady Blount asked her whether she would like to go away to a nice house by the seaside, and afterward live for ever and ever with the kind gentleman who gave her peppermint bull's-eyes and the kind lady who had visited her one day, bringing her a pair of woollen mittens, and that Unity, after the manner of her class, had said, “Yes, ma'am”; but the consultation of Unity's wishes had been a pure formality. She had no idea of what the seaside meant, having never seen the sea or speculated on its nature. She could form no notion of her future life with the kind lady and gentleman, save perhaps that the pokers of the establishment might have other uses than as instruments of chastisement and that, at any rate, they might be applied cold and not red-hot. If they had taken her up without a word, and put her in an open coffin, and lowered her into an open grave, and left her there, Unity would have made no complaint, having at once no standard whereby to assess the right and wrong done to her, and no tribunal to which she could appeal higher than the vague world authorities above mentioned. The instinctive animal might have clambered out of the pit and wandered about the country-side in search of food and shelter, but that would have been all. The fervent human soul would have played but a small part.
So one day the matron came and dressed her in the parody of attire which she had worn during her lamentable excursion into the world, and men carried her, a creature of no volition, down-stairs, and put her into a cab with Lady Blount, and the two journeyed in a train for an hour or so, Unity lying flat on her back along one side of the carriage, and the lady sitting opposite, reading a magazine. The jolting of the train hurt her, but that was not the lady's fault. Sometimes the lady spoke to her, and she said, “Yes, ma'am,” and, “No, ma'am,” as she had been taught to do at the orphanage; but what the lady was saying she did not very well understand. She grasped, however, the lady's kindness of intention; and now and then the lady, looking up from her magazine, smiled and nodded encouragingly, an unfathomably mysterious proceeding, but curiously comforting. On the opposite side of the compartment was the most beautiful picture she had ever seen—lovely ladies in gorgeous raiment and handsome gentlemen sitting at little lamp-lit tables, eating a meal which chiefly consisted of scarlet birds; and there were other gentlemen, not quite so handsome, hovering about with dishes and bottles of wine; and the pillars of the hall were of pure marble, and the tops of them gold, and the ceiling was golden, too. In the foreground sat a peculiarly lovely lady in a red, low-cut frock, and an entrancingly handsome gentleman, and they were bending over the table and he held a wine-glass in his hand. Below she read the legend, “Supper at the Coliseum Hotel.” She could scarcely keep her eyes off the picture. Lady Blount, noticing her rapt gaze, questioned her, and from her answers it was obvious that it was only the details that attracted her—the lovely ladies, the handsome men, the glitter and colour of the preposterously gaudy scene. The essence of it she did not grasp; her spirit was not transported into the shoddy fairy-land; her imagination was untouched by the potentialities of life which to a mind a little, a very little, more awakened it might, with all its vulgar crudity, have suggested.
After the railway journey she was lifted into another cab, and taken into a big house with wonderfully soft carpets and pictures on the walls. They carried her into a pretty room that looked like a bower of roses,—it had a rose-pattern wall-paper,—and from the window she could see trees and a great rolling expanse of country. She wondered why the place had no streets. They undressed her. A maid-servant, so trim and spruce that she addressed her as “ma'am,” pointed to the heap of poor garments and asked:
“What are we to do with these, my lady?”
“Bury them,” said Lady Blount.
“Ain't I never going out again, ma'am?” Unity inquired humbly.
“Of course, child. But we'll give you some decent clothes,” said Lady Blount.
They put her in a bath and washed her. The soap smelled so good that surreptitiously she got hold of the cake and nosed it like a young dog. They dried her in warm towels, and slipped a night-dress over her meagre shoulders. It was then, perhaps, that fingering the gossamer thing, taking up a bunch of stuff in her fist and slowly letting it go, in a dreamy wonder, she first began to realize that she was on the threshold of a new life. Not even the soft bed or the delicious chicken-broth that was brought later eclipsed the effect produced by the night-dress. It had embroidery and all sorts of blue ribbons—an epoch-making garment.
Some time later, the maid, having drawn the curtains and smoothed her pillow and tucked her in, said:
“If you want anything in the night, just touch that bell, and I 'll come to you.”
Unity looked at her half comprehendingly. “Ring a bell? I should n't dare.”
“Why?”
“It's only missuses that ring bells.”
“Those are Lady Blount's orders, anyway,” laughed the maid. “'Ere,” said Unity, with a beckoning finger. “What are they treating me like this for?”
So might a succulently fed sailor have suspiciously interrogated one of a cannibal tribe.
“How else would you want them to treat you?” asked the unpercipient maid. “You 've come down here to get well, have n't you?” She bent down and tied a loosened ribbon in a bow. “I declare if you have n't got on one of Miss Stella's nighties!”
“Who is Miss Stella?” asked Unity.
“Miss Stella?” The maid stared. To be in the Channel House and not know who Miss Stella was! “Miss Stella?” she repeated blankly. “Why, Miss Stella, of course.”
The days passed quickly, and in the pure, strong air and under the generous treatment Unity began to mend. She also began to form a dim conception of Miss Stella. It was gradually borne in upon her mind that not only the household, but the whole cosmic scheme, revolved round Miss Stella. Sometimes they called her by another name, Stellamaris, which sounded queer, like the names of princesses in the fairy-tales they had given her to read. Perhaps this Miss Stella was a fairy-princess. Why not? Thus it came to pass that even in the darkened mind of this child of wretchedness Stellamaris began to shine with a lambent glow of mystery.
Now and then the kind gentleman came to visit her, with gifts of chocolates (as became her new estate), which she accepted meekly, though in her heart she regretted the peppermint bull's-eyes of fuller and more satisfying flavour. She learned in course of time that he was the husband of the woman whose image still brought sweating fright into her dreams. To save her from waking terror, Lady Blount spent much time and tact, enlisting her sympathy for John by convincing her that he himself had received barbarous usage from the same abhorred hands. Unity, whose habit of mind was to translate conceptions into terms of the objective, wondered what form of physical torture was applied to John. She pitied him immensely, but consoled herself by the reflection that as he was very big and strong, his probable sufferings were not inordinate. That so big and strong a man, however, should have suffered unresistingly she could not understand.
“Why did n't he wipe her over the 'ed, m' lady?” she asked simply. The “m' lady” was the result of the maid's instructions.
Lady Blount administered the necessary linguistic corrections, and, proceeding to the sociological side, informed her that gentlemen never struck women, no matter how great the provocation. Unity was quick to apply the proposition personally.
“Then Mr. Risca will never beat me, even if I do wrong?”
“Good Heavens! no, child,” cried Lady Blount, horrified. “Mr. Risca is as gentle as a kitten. You should see him with Miss Stella.”
“Miss Stella loves him very much, m' lady?”
“Of course she does.”
“And he loves her, too?”
“Everybody loves her,” said Lady Blount, tenderly. The next time that John came to Southcliff he found a convalescent Unity. Dressmakers and other fabricators of feminine raiment had been at work, and she was clad in blouse and short serge skirt and her scanty, brown hair, instead of being screwed up in a diminutive bun at the back of her head, was combed and brushed and secured, after the manner of hair of young persons of sixteen, with bows of ribbon. She stood gawkily before him, confused in her own metamorphosis. At the orphanage she had worn the same uniform from early childhood. During her excursion into the world she had masqueraded as the grown woman. In the conventional attire of the English school-girl she did not recognize herself. Her coarse hands, scarcely refined by illness, hung awkwardly by her side. An appeal for mercy hovered at the back of her dull and patient eyes. Despite the trim dress and hair, she looked hopelessly unprepossessing, with her snub nose, wide mouth, weak chin, and bulgy and shiny forehead. Scragginess, too, had marked her for its own.
“Well, Unity,” said John, “so you 're up at last. Have you been in the garden?”
She made the bob taught at the orphanage.
“Yes, sir.”
“And you 're feeling well and strong?”
“Yes, sir.”
“And don't you think it's a very lovely place?”
“Yes, sir,” said Unity.
They were always shy in each other's company, question and answer being the form of their conversation. John, who could talk all day long to Stella, felt curiously constrained in the presence of this unfamiliar type of humanity; and Unity, regarding him at the same time as a god who had delivered her out of the House of Bondage and as a fellow-victim at the hands of the Unspeakable, scarcely found breath for the utterance of her monosyllables.
“Sit down and go on with your work,” said he. He had come upon her as she sat by the window of her room sewing some household linen. She obeyed meekly. He watched her busy, skilful fingers for some time.
“Do you like sewing?”
“Yes, sir; can sew beautiful.”
John lounged about the rose-covered room. What could he say next. On previous visits he had discoursed on their proposed life together, and she had been singularly unresponsive. He had also plugged her mind full, as he hoped, of moral precepts which should be of great value hereafter. But being no original aphorist, he had exhausted his ready-made stock. He thrust his hands into his pockets and looked out of the window. The little town of Southcliff lay hidden below the bluff, and all that he saw was the Sussex weald lit by the May sunshine and rolling lazily in pasture and woodland into the hazy distance. Within, the monotonous scrabble of the needle going in and out of stiff material alone broke the silence.
Presently the maid came in.
“Miss Stella's compliments, sir, and if you 're disengaged, she would like to speak to you for a minute.”
She had a habit of summoning thus politely, but autocratically, her high ministers of state.
“I will come to Miss Stella immediately,” said John. He turned to Unity. “Now that you can get about again, I suppose Lady Blount has told you not to go to the other side of the house.”
“Yes, sir.”
“Do you understand why?”
She raised her eyebrows. Having lived under the despotism of the world authorities, she had never dreamed of questioning the why and wherefore of any ordinance.
“It 's forbidden, sir.”
“No one goes there without express invitation from Miss Stella,” said John, indiscreetly. “If any one did, I don't know what would happen to him.”
He left her with a new idea in her confused little brain. Mr. Risca was obviously speaking the truth, as he himself had just been summoned by the mysterious princess. Unity knew that she was very beautiful and lay all her life on a bed looking out to sea; that she was an angel of goodness; that she was worshipped by the whole household, even by the humbler members of the servants' hall, who had never seen her. A kitchen-maid summoned into the presence for the first time—it was a question of the carriage of coal—decked herself out in her trimmest and cleanest and departed on her errand with the beating heart of one who approaches royalty. There was a tradition, too, that Miss Stella was magically endowed with a knowledge of everything that went on in the house and that nothing was done without her bidding and guidance. Special flowers in the garden were grown for Miss Stella. Special fowls in the poultry-yard laid eggs exclusively for Miss Stella. A day was bright because Miss Stella had requested the sun to shine. Unity knew all this, and when John went out, her heart began to flutter with a wild hope. She laid her sewing in her lap and pictured the scene: the maid would open the door. “Unity, Miss Stella desires to see you.” The fairy-books said that you kissed a princess's hand. I think this must have been Unity Blake's first day-dream. It was a sign of a spirit's emancipation.
The days passed, however, without the dream coming true. But she was very humble. Why should Miss Stella want to see any one so ugly and unimportant? Besides, the garden, with its walks and lawns and shrubberies and great, green trees; the unimagined sea rolling from, the purple rim far away, to dash itself in spray upon the shingle of the beach; the almost terrifying freedom; the young animal's unconscious exultation in returning health; the feminine, instinctive delight in tasteful dress; the singular absence of harsh, cold speech; the curious privilege of satiating her young hunger at every meal—all these new joys combined to protect her from disappointment. There was Constable, too. At her first meeting with the great dog in the garden, she was paralyzed with fright. He stood some way off, watching her with pricked-up ears; then he walked slowly up to her, and smelled her all over with awful gravity. She felt his cold nose touch her cheek. She could not run. Every instant she expected him to open his huge mouth and devour her. But after an eternity he turned away with a sniff, and suddenly began to roll on his back, writhing his neck and body in odd contortions and throwing up his great feet in the air. A gardener appeared from a shrubbery close by, and Unity made a wild rush for his protection. The man saw that she was frightened and reassured her. Constable had only wanted to make certain that she was not a wicked person come with intent to harm Miss Stella. He was Miss Stella's own dog, her bodyguard, who saw to it that no unauthorized person came into her presence.
“He would be fierce then?” she asked.
The gardener was amused. “He 'd gobble you up like winking.” He called the dog, who rose in a dignified way from his gambol.
“Just pat him on the head, and don't look afraid,” counselled the gardener.
So Unity, taking courage, did as she was bidden, and Constable, searching her soul with his wise eyes, admitted her to his friendship. From that time she looked forward to her casual meetings with the dog, although she always felt a certain awe at his strength and bulk, even when he allowed her to be most familiar. And he was invested with a human significance that also made for reverence. Gambol though he might, like the friskiest and least responsible of lambs, he filled, in the workaday hours of life, a post of extraordinary honour and responsibility. He had his being in that inner shrine of mystery where the fairy-princess dwelt; he guarded her most sacred body; he was her most intimate friend and servant. Sometimes, holding the dog's face between her hands, she would ask a child's question.
“What does she talk to you about? Why don't you tell me?” And she would whisper messages in his ear. Once she stuck a dandelion in his collar, and bade him give it to his mistress with her love. Then frightened at her own temerity, she took it back. The dream did not come true, but Constable became a very substantial and comforting part of its fabric.
Then there was Walter Herold. He had the faculty of getting through the deep-encrusted shell of apathy which baffled her other friends. His quick, laughing eyes and sensitive face compelled confidence. He did not wrap himself in the gloomy majesty of her protector, nor was he abrupt and disconcerting like Sir Oliver. The iron repression of her life had kept her dumb. Even now, when she took the initiative in conversation, making a statement or asking a question instead of answering one, instinct jerked her eyes from her interlocutor to space around, as though in apprehension of the fall of an audacity-avenging thunderbolt. Ignorant and inarticulate, she now had unjustly a reputation for sullenness in the household. Keen and sympathetic as were Lady Blount and the nurse, who had undertaken to give her elementary instruction in personal and table manners, they could elicit nothing but commonplaces from the chaotic mind. To Herold alone could the child that she was chatter freely. She told him of her life at the orphanage, the daily routine, the squabbles with school-mates. She spoke of her five-months' inferno.
“But why did n't you run out into the street and tell the first policeman you met?”
“I was always 'fraid of p'licemen. And 'ow was I to know that was n't the regular thing in service? Where I came from, before I went to the orphanage, everybody used to knock each other about. And sometimes they used to beat us at the orphanage, but more often they put us in the cell on bread and water. Most of the girls 'drather to be licked. When I was at Smith Street, I thought the cell heaven.” She paused for a moment, and her eyes hardened evilly. “I'm jolly glad she's in quod, though. Will they beat her there?”
“No, my dear,” said Herold; “they 're trying to make her good.”
She laughed scornfully. “'Er good? If I 'd known then what I know now, I 'd 'ave poured scaldin' water over her. S'welp me!”
“I'm very glad you did n't, for you and I would n't be sitting here now by this beautiful sea.” He put his hand gently on her head. “Do you know how you can repay all these people who are so kind to you?”
“No,” said Unity.
“By trying to forget everything that happened to you in the past. Don't think of it.”
“I must,” she replied in a dull, concentrated tone. “I should like to have her 'ere now and cut her throat.” Herold remonstrated, and talked perhaps more platitudinously than was his wont. When he reported this interview to John, for it was from Herold that he learned most of the psychology of Unity Blake, John frowned.
“That's a bad trait.”
“It will pass,” said Herold. “She has come from the dungeons into the garden of life. She is for the first time just beginning to realize herself as a human being. Naturally the savage peeps out. That will be tamed. She has wonderful latent capacities for good. Already she has invented a kind of religion with Stellamaris as divinity.”
“What does she know about Stella?” John asked roughly.
“Virtually everything,” laughed Herold. “We talk Stella interminably. When she spoke of throat-cutting, I brought in Stella with great effect. I made her go down on her knees on the big rock and look up at the window and say, 'Princess Stellamaris, I am a bad and wicked girl, and I am very sorry.' She looked so penitent, poor little kid, that I kissed her.”
John laughed half contemptuously and then looked glum. “I can never get a word out of her.”
“That's not her fault,” said Herold. “She confuses you, in some way, with God. And if you stand over her like an early Hebrew Jah in his most direful aspect, you can't expect the poor child to chirrup like a grasshopper.”
“I 'll be glad when I get her under my own control,” said John.
And all this time, while she was being deified, Stellamaris remained tranquilly unaware of the existence of her new devotee. The discipline of the house was so rigid that not a hint or whisper reached the sea-chamber. Perhaps Constable in his wistful, doggy way may have tried to convey Unity's messages, but how can a whine and a shake of the head and a touch of the paw express such a terribly complicated thing as the love of one human being for another? If only Unity had let the dandelion remain, or had slipped a note under his collar, Constable would have done his best to please. At any rate, as the days went on, he showed himself more and more gracious to Unity.
Now it happened one Saturday morning that Stellamaris was wearing a brand-new dressing-jacket. It was a wondrous affair of pale, shot silk that shimmered like mother-of-pearl, and it had frills and sleeves of filmy old Buckingham lace. More than ever did she look like some rare and sweet sea-creature. The jacket had come home during the week, but though it had been the object of her feminine delight, she had reserved the great first wearing for Saturday and the eyes of her Great High Belovedest. Her chances for coquetry were few. She surveyed herself in a hand-mirror, and saw that she was fair.
“Constable,” she said, “if he does n't think it perfectly ravishingly beautiful, I shall die. You think it beautiful, don't you?”
Constable, thus appealed to, rose from the hearthrug, stretched himself, and, approaching, laid his head against his mistress's cheek. Then, a favourite habit, he put his forepaws on the edge of the bed, and stood towering over the sacred charge and gazed with wrinkled brow across the channel, as though scanning the horizon for hostile ships. He had done this a thousand times with no mishap. He would as soon have thought of biting her as of putting a heavy paw on beloved body or limb. But on this particular occasion the edge of the bed gave treacherous footing. To steady himself, he shifted his left paw an inch nearer her arm, and happened to strike the Buckingham lace.
“Down, Constable!” she cried.
He obeyed; but his claw caught in the lace, and away it ripped from the shoulder.
“Oh, darling, you 've ruined my beautiful jacket!”
Constable wagged his tail, and came up to be petted. A man would have confounded himself in apologies, and made matters worse. In such a circumstance the way of the dog may be recommended.
Stella rang the bell. The maid entered. Her Serene High-and-Mightiness the nurse was summoned. Dismay reigned in the sea-chamber. The dressing and undressing of Stellamaris was a tragic matter.
“If it 's not mended before Mr. Risca comes, my heart will break,” she said.
The maid took the dressing-jacket and the torn lace down-stairs. Inspecting them, she found the damage not irreparable. The rents might be temporarily concealed from the unseeing eyes of man. But it would take time. She was busy, in the midst of some work for her mistress. Human nature asserting itself, she dratted Constable. On her way to her room she glanced out of a window that overlooked the lawn. There, in the May sunshine, sat Unity, hemming dusters. Now, Unity was made for higher things of the needle than dusters. She had a genius for needlework. The maid knew it. In a few moments, therefore, Unity had exchanged the dull duster for the exquisite and thrilling garment, warm from the sweet body of the Lady of Mystery herself. The maid brought the necessary battery of implements with which such delicate repairs are executed, and left an enraptured orphan on a rustic bench.
Unity set to work. The mending of torn lace is a ticklish affair under the most prosaic of conditions: when goddesses and fairy-princesses and Stellamarises are mixed up in it, the occupation absorbs mind and soul. Unity's first awakening to the fact of an outside world was effected by a huge, grayish blue head thrust between her face and her needle. It was Constable, who had been let loose for his morning frisk. She pushed him away. Even the most majestic of Great Danes is moist about the jowl. Suppose he dribbled on the sacred vesture! Marrow-freezing possibility! She held his head at arm's length, and bade him begone. But Constable broke through her puny restraint and sniffed at the dressing-jacket. He sniffed at it in so insistent and truculent a manner that Unity grew frightened. She held the dressing-jacket high in the air.
“Just you clear out!” she cried and jerked the arm in an indiscreet gesture. Whimsical fate decreed that it should slip through her fingers. It fell on the lawn. She pounced. Constable pounced. He pounced first, caught the jacket in his mouth, and trotted across the lawn. She pursued. The trot became a loping gallop. She ran, she called. The gutter child's vernacular came to her aid; she called him unrecordable things. Constable, whose ears had never been so shocked before, galloped the faster. He bolted into the house, head erect, the body of the jacket in his mouth, and a forlorn sleeve trailing on the ground. Unity pursued breathless, in the awful excitement of despair. She had no idea of place. Here was a horrible dog—he had lapsed utterly from grace—robbing her of the only thing in her life that had been precious. Her childish soul was concentrated on the rescue of the holy garment. Constable darted with scrabbling pads up the stairs. On the landing he halted for a moment, and, panting, looked down on her at the bottom of the flight. She crept up slowly, using hypocritical terms of endearment. He cocked derisive ears. When she had reached half way, he tossed his head and loped on down a corridor, up more stairs. In the house not a soul was stirring, not a sound was heard save the dull thud of the dog's pads on the carpet. Outside a cuckoo expressed ironical views on the situation. Once Unity nearly caught the robber, but he sprang beyond her grasp.
At last he butted a door open with his head, and vanished. Unity followed blindly, and stood transfixed a yard or two beyond the threshold of the room.
It was a vast chamber, apparently all window and blue sky, and on a bed by a window was a face framed in a mass of brown hair—the face of a girl with beautiful eyes that looked at you like stars. To Unity it seemed two or three miles from where she stood to the bedside. Constable was there already, and he had surrendered the jacket. His tail wagged slowly, and his head, with cocked ears, was on one side.
“Oh, Constable, it 's very good of you, but now you've done for my jacket altogether! Why will you try to be a lady's maid?”
It was the most exquisite voice in the world. Unity stood spellbound. She realized that she had unwittingly penetrated into the Holy of Holies. It was the princess herself.
“Who are you, my dear?” asked Stellamaris.