He slept little and arose at dawn. Before going down he stepped to the window to consult the weather. In stepping back his eyes fell on the entrance to the cellar. It was open.
Don Rocco went down to the cellar, and came out again with a most unusual expression. The wine was no longer there. Neither wine nor cask. But outside there were fresh marks of wheels.
Don Rocco followed these as far as the main road. There they disappeared. There remained but a short curve from the edge to the middle of the road into the labyrinth of all the other wheel tracks. Don Rocco did not think at that time to go in search of the authorities in order to make a complaint. Ideas came to him very slowly, and perhaps this particular one would not be due before midday.
On the contrary he returned, wrapped in meditation, to St. Luke. "Those blows," said he to himself, "that stone thrown! It is fortunate that the Moro was with me then; otherwise, he would have been suspected." He went back to the cellar entrance, examined minutely the fractured door, contemplated the place where the cask had stood, and, scratching his head, went into the church to repeat some prayers.
At Mass there was a crowd. Both before and after it there was a great deal of talk of the theft. Everybody wanted to see the empty cellar, the broken door, the traces of the wheels.
Two bottles which had escaped the thieves disappeared into the pockets of one of the faithful. No one understood how the priest could have avoided noticing something; because he did assert without further explanation that he had heard nothing. The women were sorry for him, but the men for the most part admired the deed and laughed at the poor priest, who had the great fault, in their eyes, of being abstemious and not knowing how to mingle with people with that easy-going fraternity which comes only from emptying the wine glass together.
They laughed, especially during the sermon, at the deep frown on the priest's face, which they attributed to the empty cellar.
No one mentioned the Moro. Neither did he appear at St. Luke, either at the Mass or afterwards; so that poor Don Rocco was full of scruples and remorse, fearing that he had not conducted the affair properly. But quite late the police arrived, examined everything, and questioned the priest. Had he no suspicions? No, none. Where did he sleep? How did it happen that he had not heard? Really, he did not know himself; there had been people in the house. At what time? Some time between eleven and one o'clock. One of the police smiled knowingly, but Don Rocco, innocent as a child, did not notice it. The other one asked if he did not suspect a certain Moro, knowing, as they did, that shortly before eleven o'clock he had been seen going up to St. Luke. At once Don Rocco showed great fervor in protesting that the man was certainly innocent, and, somewhat pressed by questions, brought forth his great reason: it was precisely the Moro who had visited him at that hour, on his own business. "Perhaps it was not on the business that you think," said the policeman. "If you knew what I think!" Don Rocco did not know, and in his humble placidity did not wish to know. He never bothered himself with the thoughts of others. It was sufficiently difficult for him to get a little lucidity into his own. They asked him a few more questions, and then left, carrying with them the only object that they found in the cellar, a corkscrew, which the scrupulous Don Rocco was not willing, through the uncertainty of his memory, to claim as belonging to him, although he had paid his predecessor twice the value of it. And now his cellar and his conscience were equally clear.
Towards dusk on the same day Don Rocco was reading the office, walking up and down for a little exercise without going far from the house. Who could tell? Perhaps that man might yet come. Every now and then Don Rocco would stop and listen. He heard nothing but the voices of wagon-drivers on the plain below, the noise of wheels, the barking of dogs. Finally there was a step on the little path that led down through the cypress trees; a step slow but not heavy, a lordly step, with a certain subdued creak of ecclesiastical shoes; a step which had its hidden meaning, expressing to the understanding mind a purpose which, though not urgent, was serious.
The gate opened, and Don Rocco, standing in the middle of the courtyard, saw the delicate, ironical face of Professor Marin.
The professor, when he perceived Don Rocco, came to a stand, with his legs well apart, his hands clasped behind his back, silently wagging his head and his shoulders from right to left, and smiling with an inexpressible mixture of condolence and banter. Poor Don Rocco on his side looked at him, also silent, smiling obsequiously, red as a tomato.
"The whole business, eh?" finally said the professor, cutting short his mimicry and becoming serious.
"Yes, the whole business," answered Don Rocco in sepulchral tones."They didn't leave a drop."
"Thunder!" exclaimed the other, stifling a laugh; and he came forward.
"It is nothing, nothing at all, you know, my son," said he with sudden good nature. "Give me a pinch. It is nothing," he continued, taking the snuff. "These are things that can be remedied. The Countess Carlotta has made so much wine that, as I say, for her a few casks more, a few casks less… You understand me! She is a good woman, my son, the Countess Carlotta; a good woman."
"Yes, good, good," mumbled Don Rocco, looking into his snuff-box.
"You are a lucky man, my dear," continued Marin, slapping him on the shoulder. "You are as well off here as the Pope."
"I am satisfied, I am satisfied," said Don Rocco, smiling and smoothing out his brows for a moment. It pleased him to hear these words from an intimate friend of the Countess Carlotta.
The professor gazed around admiringly as if he saw the place for the first time. "It is a paradise!" said he, letting his eyes pass along the dirty walls of the courtyard and then raising them to the fig tree picturesquely hidden under the bell-tower in the high corner between the gateway and the old convent.
"Only for that fig tree!" he added. "Is it not a beauty? Does it not express the poetry of the southern winter, tepid and quiet? It is like a word of sweetness, of happy innocence, tempering the severity of the sacred walls. Beautiful!"
Don Rocco looked at his fig tree as if he saw it for the first time. He was fond of it, but he had never suspected that it possessed such wonderful qualities.
"But it gives little figs," said he, in the tone of a father who hears his son praised in his presence and rejoices, but says something severe lest he become puffed up, and also to hide his own emotion. Then he invited the professor to make himself at home in the house.
"No, no, my dear," answered the professor, silently laughing at that phrase about the little figs. "Let us take a short stroll: it is better."
Passing slowly across the courtyard, they came out into the vineyard, whose festoons crowned both declivities of the hill, and they passed along the easy, grassy ascent between one declivity and the other.
"It is delicious!" said the professor.
Between the immense cold sky and the damp shadows of the plain the last glimpses of light were softly dying away on the grayish hill, on the red vines, all at rest. The air was warm and still.
"Is all this yours?" asked the professor.
Don Rocco, perhaps through humility, perhaps through apprehension of what the immediate future might bring, kept silence.
"Make up your mind to stay here, my son," continued he. "I know very well, believe me, there is not another place as fortunate as this in the whole diocese."
"Well, as for me!…" began Don Rocco.
Professor Marin stopped.
"By the way!" said he, "Countess Carlotta has spoken to me. Look here,Don Rocco! I really hope that you will not be foolish!"
Don Rocco gazed savagely at his feet.
"Goodness!" continued the professor. "Sometimes the countess is impossible, but this time, my dear son, she is right. You know that I speak frankly. You are the only one here who does not know these things. It is a scandal, my son! The whole village cries out against it."
"I have never heard, I have not…" mumbled Don Rocco.
"Now I tell you of it myself! and the countess has told you more than once."
"You know what I answered her last night?"
"They were absurd things that you said to her."
At this blow Don Rocco shook himself a little, and with his eyes still lowered spoke up eagerly in his own defence.
"I answered according to my convictions, and now I cannot change."
He was humble-hearted, but here was a question of justice and truth. To speak according to truth, according to what one believes to be the truth, is a duty; therefore, why did they persecute him?
"You cannot change?" said the professor, bending over him and fixing on his face two squinting eyes. "You cannot change?"
Don Rocco kept silent.
The professor straightened up and started on his walk again.
"Very well," he said, with ostentatious quiet. "You are at liberty to do so."
He suddenly turned to Don Rocco, who was following him with heavy steps.
"Gracious!" he exclaimed with annoyance, "do you really think that you have in your house a regular saint? Do you take no account of the gossip, of the scandal? To go against the whole country, to go against those who give you your living, to go against your own good, against Providence, for that creature? Really, if I did not know you, my dear Don Rocco, I would not know what to think."
Don Rocco squirmed, winking furiously, as if he were fighting against secret anguish, and breathless, as if words were trying to break forth involuntarily.
"I cannot change; it is just that," said he when he got through his grimaces. "I cannot."
"But why, in the name of heaven?"
"Because I cannot, conscientiously."
Don Rocco finally raised his eyes. "I have already told the countess that I cannot go against justice."
"What justice! Your justice is blind, my dear. Blind, deaf, and bald. And if you said a foolish thing yesterday do you wish to repeat it again to-day? And if you do not believe what is said of Lucia are there lacking reasons for sending away a servant? Send her away because she does not take the spots off your coat, because she does not darn your stockings. Anything! Send her away because she cooks your macaroni without sauce, and your squash without salt."
"The real reason would always be the other one," answered Don Rocco gloomily.
Even Professor Marin could not easily answer an argument of this kind.He could only mumble between his teeth: "Holy Virgin, what a pig-head!"
They reached the few consumptive cypresses along the ridge that led from the hill to another still higher hill. There they stopped again; and the professor, who was fond of Don Rocco on account of his simple goodness, and also because he could make him the butt of amiable banter, made him sit down by his side on the grass, and attempted a final argument, seeking in every way to extract from him his reasons for continuing so long to believe in the innocence of Lucia; but he did not succeed in getting at any result. Don Rocco kept always referring to what he had said the evening before to Countess Carlotta, and repeated that he could not change.
"Then, good-bye St. Luke, my son," said the resigned Marin.
Don Rocco began to wink furiously, but said not a word.
"The Countess Carlotta was expecting you today," said the professor, "but you did not go to her. She therefore charged me to tell you that if you did not immediately consent to send away Lucia on the first of December, you will be free for the new year, and even before if you wish."
"I cannot leave before Christmas," said Don Rocco timidly. "The parish priest always needs assistance at that time."
The professor smiled.
"What do you suppose?" said he. "That Countess Carlotta hasn't a priest ready and waiting? Think it over, for there is still time."
Don Rocco communed with himself. It rarely happened that he went through so rapid a process of reasoning. Granted, that this woman was a cause for scandal in the country, and that the countess had another priest at her disposal, the decision to be taken was obvious.
"Then," he answered, "I will leave as soon as possible. My father and my sister were to come and visit me one of these days. So that now it will be I who will visit them instead."
He even had in his heart the idea of taking this woman away from the village with him. His people had no need of a servant, and he, if he delayed finding a place, would not be able to keep her. But certain reasonable ideas, certain necessary things, never reached his heart, and reached his head very late, and when they did Don Rocco would either give himself a knock on the forehead, or a scratch behind, as if it bothered him.
In returning to St. Luke the professor told how the police were in search of the Moro, who was suspected as an accomplice in a recent highway murder, certain authors of which had fallen that very morning into the hands of justice. Don Rocco heard this not without satisfaction; for he now was able to explain why the man had not come. "Who knows," he made bold to say, "that he may not have gone away, and that he may not return? And then all this gossip will come to an end. Do you not think so?"
"Yes, my dear," answered the professor, who understood the point of his discourse, "but you know the Countess Carlotta. Henceforth whether the Moro goes or remains is of no consequence to her. Lucia must be dismissed."
Don Rocco said no more, neither did the professor. The former accompanied the latter as far as the church cypresses, stood looking after him until he disappeared at the end of the lane, and then returned, sighing, to his house. Later, when, bending under the weight of his cloak, he was passing, lamp in hand, through the entry leading to the choir of St. Luke, his doubt of the previous night came up again violently. "Had it really been a confession?" He stopped in the shadow of the deserted entry, looking at the lamp, giving vent for a moment to the sweet, tempting thoughts of the inert spirit. "Were he to take some pretext to send the woman away, to live and die in peace in his St. Luke." All at once his heart began to beat fiercely. These were thoughts from the devil. In the same way as perhaps in ancient times and in the same place some monk, tormented by heated nocturnal visions of love and of pleasure, may have done, Don Rocco made hastily the sign of the cross, hastened to the choir, and became immersed in a devout reading of the prayer-book.
Ten days after, at the same hour, Don Rocco was praying before the altar of the Virgin, under the pulpit.
He was on the eve of leaving St. Luke for ever. He had agreed with the Countess Carlotta to give as an excuse a brief absence, a visit of a couple of weeks to his old father; and to write afterwards that for family reasons he could not return, and then this had happened that the poor old peasant, before learning of the new state of affairs, had written, asking for assistance; and Don Rocco had been obliged to sell some furniture as well to save cost of transportation as in order not to arrive home with empty hands. He was returning with the intention of remaining as short a time as possible, and of going away as chaplain wherever it pleased the Curia to which he had directed his request.
No certain information had been secured, either of the wine or of the thieves; but suspicions were rife against a woman who kept an inn, a new favorite of the Moro, who was thought to have received the wine. The Moro was said by some to have fled, by others to have gone into hiding. It seemed as if the police were of the second opinion. They came and went, searching everywhere, but always uselessly.
Lucia had returned, and for several days had behaved in an unusual and peculiar manner. She neglected her work, was brusque with her master, and wept without apparent motive. One evening she went out, saying that she intended going to the parish church to say her prayers. At nine o'clock Don Rocco, as she had not returned, went philosophically to bed, and never knew at what time she came into the house. On the contrary, he congratulated himself the next day on the happy change that had taken place in her, owing to her religious exercises, because she seemed no longer as she had been, but was quiet, attentive, active, spoke with satisfaction of the approaching departure, the position which Don Rocco hoped to find for her with a certain arch-priest, a friend of his; a promotion for her. She seemed to be possessed of an entirely novel ascetic zeal. As soon as Don Rocco retired for the night, she would go to church to spend there hour after hour.
And now, Don Rocco had taken his last supper in the monastic refectory, was reading his breviary for the last time in the little church of St. Luke, as rustic, simple, and religious as he, from its pavement to the black beams of its roof. His heart was heavy, poor priest, thus to leave his nest without honor; to carry humiliation and bitterness to his father and his sister, whose only hope and pride he was! He had every reason to frown as he looked at his breviary.
When he had finished reading, he took his seat on a bench. It was painful to him to take leave of his church. It was his last evening! He stood there with fixed eyes, his eyelids moving regularly, discouraged, cast down, like a stricken beast awaiting the axe. He had passed some hours of the afternoon among his vines, those planted three years before, which had already given him their first fruit. The large cypresses, the splendid view of the plain and of the other hillsides, inspired him with not a single dream; his peasant's heart grew tender toward the beautiful vines, the fertile furrows. Though blushing and ashamed of it, he had taken a sprig of a vine and an ear of corn to carry away as mementos. This was his poetry. Of the church he could carry away nothing. But he left there his heart, a little everywhere; on the altar that had witnessed his first exposition of the Gospel, on the ancient altar front that inspired him with devotion as he said Mass, on the beautiful Madonna, whose mantle had been modestly raised around her neck by his care, on the tomb of a bishop to whom, two centuries before, the peace of St. Luke had seemed preferable to worldly splendors. Who could tell whether he would ever have again a church so his own—entirely his own? He could not seem to rise, he felt an inner sense of dissolution, of which he had never dreamed. His eyelids kept on winking as if bidding away importunate tears. In fact, he did not weep, but his little eyes shone more than usual.
At half-past nine Lucia entered the church through the choir to look after her master. "I am coming at once, at once, go back," said Don Rocco.
He believed himself alone in the church, but had he bent his head back he might have seen something unusual. Very slowly a human head showed itself in the pulpit by the light of the petroleum lamp and looked down upon the priest. It had the diabolic eyes of the Moro set in a shaven ecclesiastical face. The head rose up in the shadow, two long arms made in the air a violent gesture of impatience. At the same time Don Rocco repeated to the woman who stood hesitating: "Go back, go back, I am coming at once."
She went out.
Then the priest got up from his bench and went up to the high altar. The human figure in the pulpit came down again, and went rapidly into hiding. Don Rocco turned around so as to stand in cornu epistolae, toward the empty benches, imagined them full of people, of his people of every Sunday, and a spirit of eloquence entered into him.
"I bless you all," said he in a strong voice. "I wish that you were allpresent, but that is not possible, because I must not let any one know.I bless you all, and ask you to pardon me if I have been wanting.Gloria Dei cum omnibus vobis."
The temptation was too strong for a certain person to resist. A cavernous voice resounded through the empty church:
"Amen."
Don Rocco remained breathless, with his hands in the air.
"Hurry up," said the servant, returning. "Do you not remember that you must leave out your cloak and your clothes?"
Poor Don Rocco was not well found in clothes, for he carried on his back omnia bona sua, and there was sewing to be done and spots to be taken out, according to Lucia, before the journey of the next morning. Don Rocco descended from the altar without answering and went all through the church, lowering the lamp between all the benches and confessionals.
"What is it; what are you looking for?" asked the servant, anxiously coming along behind him. For a while Don Rocco did not answer.
"I said a few words of prayer," he said finally, "and I heard some one answer 'Amen.'"
"You fancied so." replied Lucia. "It must have been a trick of the imagination."
"No, no," said Don Rocco. "I really heard the 'Amen.' It seemed to be a voice from under the earth. A great big voice. It did not seem that of a man, but rather of a bull."
"It may have been the bishop," suggested the woman. "Isn't there a bishop buried here? Such things have been heard of."
Don Rocco kept silent. In his simplicity, in his innate disposition to faith, he was inclined to willingly believe anything supernatural, especially if connected with religion. The more astonishing it was, the more did he in sign of reverence knit his brows and drink it in devoutly.
"Now let us go," said the woman. "It is late, you know, and I have considerable work to do."
"Let us at least recite a pater, an ave, and a gloria to St. Luke," said Don Rocco. "It is the last evening that I say my prayers here. I must leave a salute." He spoke of a pater, and an ave, and a gloria; but he strung along at least a dozen, finding as many reasons to salute other saints of his particular acquaintance. One was to promote the eternal salvation of the two devotees, one their temporal salvation, one the grace to conquer temptations, one a suitable position, one a good death, and another a good journey. The last pater was recited by Don Rocco with remarkable fervor for the complete conversion of a sinful soul. Had the priest been less absorbed in his paters he might, perhaps, have heard after the fourth or fifth some smothered ejaculations of that humorous bishop who had perpetrated the "Amen." But he heard only Lucia answering him with much devotion, and was touched to the heart by it.
A few moments after he was still meditating, in the dark, in the wretched little bed of his cell, on the salutary and evident effects of the divine grace which he had sought in the sacraments. He meditated also on the action of the Moro, on the ray of light that had shone into that dark conscience, harbinger, if nothing less, of better and lasting light. And in his mystic imagination he saw the design of Providence which recompensed him for a sacrifice which he had suffered for duty's sake. It was a blessing to think of that, to know that he was losing all his few earthly possessions for such a recompense. He offered up also the sorrow of his father and his sister, his own humiliation, the straitened circumstances in which he should find himself. He saw in front of his bed, through the window, the vague, far-off brightness of the sky, his hope, his end. Little by little his eyes closed, in a delicious sense of confidence and peace. He slept profoundly.
He was not yet entirely awake when the clock of St. Luke struck half-past seven. Immediately after the bells also rang, because Don Rocco had the day before notified the boy accustomed to serve him at Mass that he would meet him at about eight o'clock. He jumped out of bed, and went to get the clothes that Lucia was to have placed outside the door. Nothing there. He called once, twice, three times. No answer. Perplexed, he returned to his room and called out of the window: "Lucia! Lucia!" Perfect silence. Finally the little sacristan appeared. He had not seen Lucia. He had come to get the keys of the church, had found the gate of the courtyard open, as well as the door of the house; no one in the kitchen, no one in the sitting-room. Not finding the keys, he had entered the church by the inner entry. Don Rocco sent him to the sitting-room to get his clothes, as it was there that Lucia usually worked in the evening. The boy returned to say that there were no clothes there. "How? There are no clothes?" Don Rocco ordered him to stand on guard before the entrance of the house and went down to look for them himself, in his shirt. Half-way down the stairs he stopped and sniffed. What an abominable odor of pipe was this? Don Rocco, with darkened brow, went on. He went directly to the sitting-room, looked, searched; there was nothing. He returned to the kitchen, his heart beating. A horrid smell, but no clothes. Yes, under the table there was a little pile of soiled things; a jacket, a pair of drawers, a peasant's hat. Don Rocco gathered up, unfolded, and examined them with portentous frowns. It seemed to him that he had seen these things somewhere before. His brain did not yet understand anything, but his heart began to understand and to beat more strongly than before. He took hold of his chin and his cheeks with his left hand, squeezed them hard, trying to squeeze from them the where, the how, and the when. And lo! his eyes rested on the wall, and he finally perceived something there which was not there the day before. There was written in charcoal on the right: "Many salutations." And on the left:
"The wine is good."
"The servant is good."
"The cloak is good."
"Don Rocco is good."
He read, raised his hand to his head, read again—read again, seemed to lose his eyesight, felt a sensation of cold, of torpidity spreading from his breast throughout his body. Some one called out in the courtyard, "Where is that Don Rocco?" With difficulty he went up to his room again, cast himself on his bed, almost without knowing what he was doing, almost without thought or sensation.
Below they were looking and calling for him. Professor Marin was there, and some few other persons who had come to attend the Mass. No one could understand how the door of the church was still closed. The professor went into the house, called Lucia, called Don Rocco, without receiving any answer. He finally reached the room of the priest and stood still on the doorsill, amazed to see him in bed. "Well," said he, "Don Rocco! in bed? And what about Mass?"
"I cannot," answered Don Rocco in a low voice, immovable on his back like a mummy.
"But what is it?" replied the other, approaching the bed with sincere alarm. "What is the matter with you?"
This troubled face, this affectionate tone, softened poor Don Rocco's heart, petrified by pain and surprise. This time two real tears fell from his palpitating eyelids. His mouth, closed tight, was twisting and trembling, but still resisted. Seeing then that he answered not a word, the professor ran to the stairs and called down that the physician should be sent for.
"No, no," Don Rocco forced himself to say without moving. His voice was filled with sobs. The professor heard him only as he was returning to the bed.
"No?" said he. "But what, then, is the matter? Speak."
Meanwhile three poor women and a beggar, who had come to listen to Mass, entered quite frightened into the room, surrounding the two, and in their turn questioning Don Rocco. He kept silent like a Job, seeking to master himself. Perhaps his annoyance at all these curious faces hanging over his own helped him. "Go away," said he finally to the last comers. "There is no need of the doctor, no need of anything, go away!"
The four faces withdrew somewhat, but continued looking at him fixedly with an expression, perhaps, of increased alarm.
"Go away, I tell you!" continued Don Rocco.
They went out silently and stopped outside to listen and spy.
"Well, then," said the professor, "what are your feelings?"
"Nothing."
"But, then, why are you in bed?"
Don Rocco turned with his face to the wall. The tears were coming back again now. He was unable to speak.
"But in the name of heaven," insisted the professor, "what is it?"
"I am getting over it, I am getting over it," sobbed Don Rocco.
The professor did not know what to do nor what to think. He asked him whether he wanted water, and the old beggar went down at once to get a glassful and gave it to Marin. Don Rocco did not want it in the least, but kept on repeating: "Thanks, thanks, I am getting over it," and drank it obsequiously.
"Well, then?" continued the professor.
"You are right," answered Don Rocco.
"About what?"
"About the woman."
"Lucia? Right! And by the way, where is Lucia? Not here? Run away?"
Don Rocco nodded. Marin looked at him stupefied and repeating, "Run away? Run away?" The other four came back into the room echoing, "Run away? Run away?"
"But listen!" said the professor. "Are you staying in bed for this reason? Are you humiliating yourself in this way? Come on and get dressed."
Don Rocco looked at him, reddened up to the top of his head, narrowed his tear-wet eyes in a smile, which meant: "Now it will be your turn to laugh."
"I have no clothes," he said.
"What?"
The professor added to this word a gesture which meant, "Did she carry them away?" Don Rocco responded also by a mere nod; and seeing that his friend with difficulty restrained a burst of laughter, he also tried to laugh.
"Poor Don Rocco," said the professor, and added, still with a laugh in his throat, heartfelt words of sympathy, of comfort, and asked for every detail of what had happened. "Oh, if you had only listened to me!" he concluded. "If you had only sent her away!"
"Yes," said Don Rocco, accepting even this with humiliation. "You are right. And now what will the countess say?"
The professor sighed.
"What can I say, my son? She will say nothing. This also has happened, that your successor wrote yesterday that he had definitively gotten rid of his present engagements and was at the disposal of the countess."
Don Rocco was silent, heart-broken. "I must look at the time," said he, after a moment's silence, "because at half-past nine they will come here with a horse to take me away. It will be necessary to ask the archpriest or the chaplain to lend me a suit of clothes."
"Let me, let me!" exclaimed the professor, full of zeal. "I will go home and send it to you immediately. You will give it back to me at your leisure, when you are able." A lively gratitude cleared the face and moved the eyelids of Don Rocco.
"Thanks!" said he, fixing his eyes humbly on the end of his nose."Thank you very much!"
"Body of Bacchus!" he added to himself, as the professor was going down the stairs. "He is a span higher than I am, that just occurs to me!"
But it certainly did not occur to him to call him back.
At half-past nine Don Rocco appeared in the doorway of his house to start on his exodus. The overcoat of the professor danced around his heels and swallowed up his hands down to his finger tips. The stove-pipe hat, of enormous size, came down to his ears. The professor followed right behind him, laughing silently. In the courtyard some people attracted by the report of what had happened were laughing. "Oh, Don Rocco, see what he looks like!" said the women. And one of them would tell him about some action of Lucia, and another about another, things of all kinds which he had never suspected. "Enough, enough," he answered, disturbed in his conscience at all this malicious gossip. "It is now all over, all over."
He went on, followed by them all, gave a last look at the fig tree near the bell-tower, and passing between the cypresses in front of the church, turned back toward the door, devoutly raised his hat, and bent his knee.
The little wagon was awaiting him on the main road. The driver, seeing him in this costume, laughed no less heartily than the rest.
Then Don Rocco took leave of all, again thanked the professor, sent his respects to the countess, and reduced to silence those who were still heaping abuse on Lucia. When he had taken his seat the beggar approached him and put his right hand upon one of his shoes. "Is this yours?" said he.
"Yes, yes, the shoes are," answered the priest with a certain satisfaction, as the horse started.
The beggar carried to his forehead the hand that had touched the shoe of Don Rocco, and said with solemnity:
"In nomine Patris et Filii et Spiritus Sancti. Amen."
The Translation by George McLean Harper.
The great sandy piazza, glittered as if strewn with powdered pumice. Its whitewashed houses held a strange metallic glow, like the walls of an immense furnace cooling off. The glare of the clouds, reflected from the stone pillars of the church at its far end, gave them the appearance of red granite. The church windows blazed as with inward fire. The sacred images had assumed life-like colors and attitudes, and the massive edifice seemed lifted now, in the splendor of the new celestial phenomenon, to a prouder domination than ever, above the houses of Radusa.
Groups of men and women, gesticulating and talking loudly, were pouring from the streets into the square. Superstitious terror grew in leaps and bounds from face to face. A thousand awful images of divine punishment rose out of their rude fancies; and comments, eager disputes, plaintive appeals, wild stories, prayers, and cries were mingled in a deep uproar, as of a hurricane approaching. For some time past this bloody redness of the sky had lasted through the night, disturbing its tranquillity, illumining sullenly the sleeping fields, and making dogs howl.
"Giacobbe! Giacobbe!" shouted some, waving their arms, who till then had stood in a compact band around a pillar of the church portico, talking in low tones, "Giacobbe!"
There came out through the main door, and drew near to those who called him, a long, emaciated man, apparently consumptive, whose head was bald at the top, but had a crown of long reddish hair about the temples and above the nape of the neck. His little sunken eyes, animated with the fire of a deep passion, were set close and had no particular color. The absence of his two upper front teeth gave to his mouth when speaking, and to his sharp chin with its few scattered hairs, the strangeness of a senile faun. The rest of his body was a wretched structure of bones ill-concealed by his clothes. The skin on his hands, his wrists, the back of his arms, and his breast was full of blue punctures made with a pin and india-ink, the souvenirs of sanctuaries visited, pardons obtained, and vows performed.
When the fanatic approached the group at the pillar, a swarm of questions arose from the anxious men. "Well, then? what did Don Console say? Will they send out only the silver arm? Would not the whole bust do better? When would Pallura come back with the candles? Was it one hundred pounds of wax? Only one hundred? And when would the bells begin to ring? Well, then? Well, then?"
The clamor increased around Giacobbe. Those on the outskirts of the crowd pushed toward the church. From all the streets people poured into the square till they filled it. And Giacobbe kept answering his questions, whispering, as if revealing dreadful secrets and bringing prophecies from far. He had seen aloft in the bloody sky a threatening hand, and then a black veil, and then a sword and a trumpet.
"Go ahead! Go ahead!" they urged him, looking in each other's faces, and seized with a strange desire to hear of marvels, while the wonder grew from mouth to mouth in the crowd.
The vast crimson zone rose slowly from the horizon to the zenith and bade fair to cover the whole vault of heaven. An undulating vapor of molten metal seemed pouring down on the roofs of the town; and in the descending crepuscule yellow and violet rays flashed through a trembling and iridescent glow. One long streak brighter than the others pointed towards a street which opened on the river-front, and at the end of this street the water flamed away between the tall slim poplar-trunks, and beyond the stream lay a strip of luxuriant country, from which the old Saracen towers stood out confusedly, like stone islets, in the dark. The air was full of the stifling emanations of mown hay, with now and then a whiff from putrefied silkworms in the bushes. Flights of swallows crossed this space with quick, scolding cries, trafficking between the river sands and the eaves.
An expectant silence had interrupted the murmur of the multitude. The name Pallura ran from lip to lip. Signs of angry impatience broke forth here and there. The wagon was not yet to be seen along the river-road; the candles had not come; Don Consolo therefore was delaying the exposition of the relics and the acts of exorcism; the danger still threatened. Panic fear invaded the hearts of all those people crowded together like a flock of sheep, and no longer venturing to raise their eyes to heaven. The women burst out sobbing, and at the sound of weeping every mind was oppressed and filled with consternation.
Then at last the bells began to ring. As they were hung low, their deep quivering strokes seemed to graze the heads of the people, and a sort of continuous wailing filled the intervals.
"San Pantaleone! San Pantaleone!"
It was an immense, unanimous cry of desperate men imploring aid.Kneeling, with blanched faces and outstretched hands, they supplicated.
"San Pantaleone!"
Then, at the church door, in the midst of the smoke of two censers, Don Consolo appeared, resplendent in a violet chasuble, with gold embroidery. He held aloft the sacred arm of silver, and conjured the air, shouting the Latin words:
"Ut fidelibus tuis aeris serenitatem concedere digneris. Te rogamus, audi nos."
At sight of the relic the multitude went delirious with affectionate joy. Tears ran from all eyes, and through glistening tears these eyes beheld a miraculous gleam emanate from the three fingers held up as if in the act of benediction. The arm appeared larger now, in the enkindled air.
The dim light awoke strange scintillations in the precious stones. The balsamic odor of incense spread quickly to the nostrils of the devotees.
"Te rogamus, audi nos!"
But when the arm was carried back and the tolling stopped, in that moment of silence a tinkling of little bells was heard near at hand coming from the river road. Then of a sudden the crowd rushed in that direction and many voices cried:
"It is Pallura with the candles! It is Pallura coming! Here's Pallura!"
The wagon came screeching over the gravel, drawn at a walk by a heavy gray mare, over whose shoulders hung a great shining brass horn, like a half-moon. When Giacobbe and the others made towards her, the pacific animal stopped and breathed hard. Giacobbe, who reached the wagon first, saw stretched out on its floor the bloody body of Pallura, and screamed, waving his arms towards the crowd, "He is dead! He is dead!"
The sad news spread like lightning. People crowded around the wagon, and craned their necks to see, thinking no longer of the threats in the sky, because struck by the unexpected happening and filled with that natural ferocious curiosity which the sight of blood awakens.
"He is dead? What killed him?"
Pallura lay on his back upon the boards, with a broad wound in the middle of his forehead, with one ear torn, with gashes on his arms, his sides, and one thigh. A warm stream flowed down to his chin and neck, staining his shirt and forming dark, shining clots on his breast, his leathern belt, and even his breeches. Giacobbe hung over the body; all the rest waited around him; an auroral flush lighted up their perplexed faces; and at that moment of silence, from the river-bank arose the song of the frogs, and bats skimmed back and forth above the heads of the crowd.
Suddenly Giacobbe, straightening up, with one cheek bloody, cried:
"He is not dead. He still breathes."
A hollow murmur ran through the crowd, and the nearest strained forward to look. The anxiety of those at a distance commenced to break into clamor. Two women brought a jug of water, another some strips of linen. A youth held out a gourd full of wine.
The wounded man's face was washed; the flow of blood from his forehead was checked; his head was raised. Then voices inquired loudly the cause of this deed. The hundred pounds of wax were missing; only a few fragments of candles remained in the cracks of the wagon-bed.
In the commotion their minds grew more and more inflamed, exasperated, and contentious. And as an old hereditary hatred burned in them against the town of Mascalico, on the opposite bank of the river, Giacobbe said venomously, in a hoarse voice:
"What if the candles have been offered to San Gonselvo?"
It was like the first flash of a conflagration! The spirit of church-rivalry awoke all at once in these people brutalized by many years of blind, savage worship of their own one idol. The fanatic's words flew from mouth to mouth. And beneath the tragic dull-red sky, the raging multitude resembled a tribe of mutinous gypsies.
The name of the saint broke from all throats, like a war-cry. The most excited hurled curses towards the river, and waved their arms and shook their fists. Then all these faces blazing with anger, and reddened also by the unusual light,—all these faces, broad and massive, to which their gold ear-rings and thick overhanging hair gave a wild, barbaric character,—all these faces turned eagerly towards the man lying there, and grew soft with pity. Women, with pious care, tried to bring him back to life. Loving hands changed the cloths on his wounds, sprinkled water in his face, set the gourd of wine to his lips, made a sort of pillow under his head.
"Pallura, poor Pallura, won't you answer?" He lay supine, his eyes closed, his mouth half open, with brown soft hair on his cheeks and chin, the gentle beauty of youth still showing in his features contracted with pain. From beneath the bandage on his forehead a mere thread of blood trickled down over his temples; at the corners of his mouth stood little beads of pale red foam, and from his throat issued a faint broken hiss, like the sound of a sick man gargling. About him attentions, questions, feverish glances multiplied. The mare from time to time shook her head and neighed in the direction of the houses. An atmosphere as of an impending hurricane hung over the whole town.
Then from the square rang out the screams of a woman, of a mother. They seemed all the louder for the sudden hushing of all other voices, and an enormous woman, suffocated in her fat, broke through the crowd and hurried to the wagon, crying aloud. Being heavy and unable to climb into it, she seized her son's feet, with sobbing words of love, with such sharp broken cries and such a terribly comic expression of grief, that all the bystanders shuddered and averted their faces.
"Zaccheo! Zaccheo! My heart, my joy!" screamed the widow unceasingly, kissing the feet of the wounded man and dragging him to her towards the ground.
The wounded man stirred, his mouth was contorted by a spasm, but although he opened his eyes and looked up, they were veiled with damp, so that he could not see. Big tears began to well forth at the corners of his eyelids and roll down over his cheeks and neck. His mouth was still awry. A vain effort to speak was betrayed by the hoarse whistling in his throat. And the crowd pressed closer, saying:
"Speak, Pallura! Who hurt you? Who hurt you? Speak! Speak!"
Beneath this question was a trembling rage, an intensifying fury, a deep tumult of reawakened feelings of vengeance; and the hereditary hatred boiled in every heart.
"Speak! Who hurt you? Tell us! Tell us!"
The dying man opened his eyes again; and as they were holding his hands tightly, perhaps this warm living contact gave him a momentary strength, for his gaze quickened and a vague stammering sound came to his lips. The words were not yet distinguishable. The panting breath of the multitude could be heard through the silence. Their eyes had an inward flame, because all expected one single word.
"Ma—Ma—Mascalico—"
"Mascalico! Mascalico!" shrieked Giacobbe, who was bending over him, with ear intent to snatch the weak syllables from his dying lips.
An immense roar greeted the cry. The multitude swayed at first as if tempest-swept. Then, when a voice, dominating the tumult, gave the order of attack, the mob broke up in haste. A single thought drove these men forward, a thought which seemed to have been stamped by lightning upon all minds at once: to arm themselves with some weapon. Towering above the consciousness of all arose a sort of bloody fatality, beneath the great tawny glare of the heavens, and in the electric odor emanating from the anxious fields.
And the phalanx, armed with scythes, bill-hooks, axes, hoes, and guns, reunited in the square before the church. And all cried: "San Pantaleone!"
Don Consolo, terrified by the din, had taken refuge in a stall behind the altar. A handful of fanatics, led by Giacobbe, made their way into the principal chapel, forced the bronze grille, and went into the underground chamber where the bust of the saint was kept. Three lamps, fed with olive oil, burned softly in the damp air of the sacristy, where in a glass case the Christian idol glittered, with its white head surrounded by a broad gilt halo; and the walls were hidden under the wealth of native offerings.
When the idol, borne on the shoulders of four herculean men, appeared at last between the pillars and shone in the auroral light, a long gasp of passion ran through the waiting crowd, and a quiver of joy passed like a breath of wind over all their faces. And the column moved away, the enormous head of the saint oscillating above, with its empty eye-sockets turned to the front.
Now through the sky, in the deep, diffused glow, brighter meteors ploughed their furrows; groups of thin clouds broke away from the hem of the vapor zone and floated off, dissolving slowly. The whole town of Radusa stood out like a smouldering mountain of ashes. Behind and before, as far as eye could reach, the country lay in an indistinctly lucent mass. A great singing of frogs filled the sonorous solitude.
On the river-road Pallura's wagon blocked the way. It was empty, but still soiled, here and there, with blood. Angry curses broke suddenly from the mob. Giacobbe shouted:
"Let us put the saint in it!"
So the bust was placed in the wagon-bed and drawn by many arms into the ford. The battleline thus crossed the frontier. Metallic gleams ran along the files. The parted water broke in luminous spray, and the current flamed away red between the poplars, in the distance, towards the quadrangular towers. Mascalico showed itself on a little hill, among olive trees, asleep. The dogs were barking here and there, with a persistent fury of reply. The column, issuing from the ford, left the public road and advanced rapidly straight across country. The silver bust was borne again on men's shoulders, and towered above their heads amid the tall, odorous grain, starred with bright fireflies.
Suddenly a shepherd in his straw hut, where he lay to guard the grain, seized with mad panic at sight of so many armed men, started to run up the hill, yelling, "Help! Help!" And his screams echoed in the olive grove.
Then it was that the Radusani charged. Among tree-trunks and dry reeds the silver saint tottered, ringing as he struck low branches, and glittering momentarily at every steep place in the path. Ten, twelve, twenty guns, in a vibrating flash, rattled their shot against the mass of houses. Crashes, then cries, were heard; then a great commotion. Doors were opened; others were slammed shut. Window-panes fell shattered. Vases fell from the church and broke on the street. In the track of the assailants a white smoke rose quietly up through the incandescent air. They all, blinded and in bestial rage, cried, "Kill! kill!"
A group of fanatics remained about San Pantaleone. Atrocious insults for San Gonselvo broke out amid waving scythes and brandished hooks:
"Thief! Thief! Beggar! The candles! The candles!"
Other bands took the houses by assault, breaking down the doors with hatchets. And as they fell, unhinged and shivered, San Pantaleone's followers leaped in, howling, to kill the defenders.
The women, half-naked, took refuge in corners, imploring pity. They warded off the blows, grasping the weapons and cutting their fingers. They rolled at full length on the floor, amid heaps of blankets and sheets.
Giacobbe, long, quick, red as a Turkish scimitar, led the persecution, stopping ever and anon to make sweeping imperious gestures over the heads of the others with a great scythe. Pallid, bare-headed, he held the van, in the name of San Pantaleone. More than thirty men followed him. They all had a dull, confused sense of walking through a conflagration, over quaking ground, and beneath a blazing vault ready to crumble.
But from all sides began to come the defenders, the Mascalicesi, strong and dark as mulattos, sanguinary foes, fighting with long spring-bladed knives, and aiming at the belly and the throat, with guttural cries at every blow.
The melee rolled away, step by step, towards the church. From the roofs of two or three houses flames were already bursting. A horde of women and children, wan-eyed and terror-stricken, were fleeing headlong among the olive trees. Then the hand-to-hand struggle between the males, unimpeded by tears and lamentations, became more concentrated and ferocious.
Under the rust-colored sky, the ground was strewn with corpses. Broken imprecations were hissed through the teeth of the wounded; and steadily, through all the clamor, still came the cry of the Radusani:
"The candles! The candles!"
But the enormous church door of oak, studded with nails, remained barred. The Mascalicesi defended it against the pushing crowd and the axes. The white, impassive silver saint oscillated in the thick of the fight, still upheld on the shoulders of the four giants, who refused to fall, though bleeding from head to foot. It was the supreme desire of the assailants to place their idol on the enemy's altar.
Now while the Mascalicesi fought like lions, performing prodigies on the stone steps, Giacobbe suddenly disappeared around the corner of the building, seeking an undefended opening through which to enter the sacristy. And beholding a narrow window not far from the ground, he climbed up to it, wedged himself into its embrasure, doubled up his long body, and succeeded in crawling through. The cordial aroma of incense floated in the solitude of God's house. Feeling his way in the dark, guided by the roar of the fight outside, he crept towards the door, stumbling against chairs and bruising his face and hands.
The furious thunder of the Radusan axes was echoing from the tough oak, when he began to force the lock with an iron bar, panting, suffocated by a violent agonizing palpitation which diminished his strength, blind, giddy, stiffened by the pain of his wounds, and dripping with tepid blood.
"San Pantaleone! San Pantaleone!" bellowed the hoarse voices of his comrades outside, redoubling their blows as they felt the door slowly yield. Through the wood came to his ears the heavy thump of falling bodies, the quick thud of knife-thrusts nailing some one through the back. And a grand sentiment, like the divine uplift of the soul of a hero saving his country, flamed up then in that bestial beggar's heart.
By a final effort the door was flung open. The Radusani rushed in, with an immense howl of victory, across the bodies of the dead, to carry the silver saint to the altar. A vivid quivering light was reflected suddenly into the obscure nave, making the golden candlesticks shine, and the organ-pipes above. And in that yellow glow, which now came from the burning houses and now disappeared again, a second battle was fought. Bodies grappled together and rolled over the brick floor, never to rise, but to bound hither and thither in the contortions of rage, to strike the benches, and die under them, or on the chapel steps, or against the taper-spikes about the confessionals. Under the peaceful vault of God's house the chilling sound of iron penetrating men's flesh or sliding along their bones, the single broken groan of men struck in a vital spot, the crushing of skulls, the roar of victims unwilling to die, the atrocious hilarity of those who had succeeded in killing an enemy,—all this re-echoed distinctly. And a sweet, faint odor of incense floated above the strife.
The silver idol had not, however, reached the altar in triumph, for a hostile circle stood between. Giacobbe fought with his scythe, and, though wounded in several places, did not yield a hand's breadth of the stair which he had been the first to gain. Only two men were left to hold up the saint, whose enormous white head heaved and reeled grotesquely like a drunken mask. The men of Mascalico were growing furious.
Then San Pantaleone fell on the pavement, with a sharp, vibrant ring. As Giacobbe dashed forward to pick him up, a big devil of a man dealt him a blow with a bill-hook, which stretched him out on his back. Twice he rose and twice was struck down again. Blood covered his face, his breast, his hands, yet he persisted in getting up. Enraged by this ferocious tenacity of life, three, four, five clumsy peasants together stabbed him furiously in the belly, and the fanatic fell over, with the back of his neck against the silver bust. He turned like a flash and put his face against the metal, with his arms outspread and his legs drawn up. And San Pantaleone was lost.