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Large was his bounty, and his soul sincere;Heaven did a recompense as largely send:He gave to misery—all he had—a tear,He gained from Heaven—'twas all he wished—a friend.No farther seek his merits to disclose,Or draw his frailties from their dread abode,—There they alike in trembling hope repose,—The bosom of his father and his God.

Large was his bounty, and his soul sincere;Heaven did a recompense as largely send:He gave to misery—all he had—a tear,He gained from Heaven—'twas all he wished—a friend.

No farther seek his merits to disclose,Or draw his frailties from their dread abode,—There they alike in trembling hope repose,—The bosom of his father and his God.

William Cowper is well known as a poet, having written one of the most popular hymns in the English language, and he is also one of the best of letter writers. It is commonly said that we have lost the gentle art of writing a good letter. When a man can send a postal card from Boston to San Francisco for one cent and one from New York to Paris for two cents, he is not likely to be so choice in his use of language as when he paid a shilling for the privilege of getting a letter. In the first letter which is here quoted we find Cowper writing an urgent invitation to his cousin, Lady Hesketh, to visit him at Olney.

"And now, my dear, let me tell you once more that your kindness in promising us a visit has charmed us both. I shall see you again. I shall hear your voice. We shall take walks together. I will show you my prospects, the hovel, the alcove, the Ouse and its banks, everything that I have described. Talk not of an inn! Mention it not for your life! We have never had so many visitors but we could accommodate them all, though we have received Unwin and his wife, and his sister, and his son, all at once. My dear, Iwill not let you come till the end of May, or beginning of June, because before that time my greenhouse will not be ready to receive us, and it is the only pleasant room belonging to us. When the plants go out, we go in. I line it with mats, and spread the floor with mats; and there you shall sit with a bed of mignonette at your side, and a hedge of honeysuckles, roses, and jasmine; and I will make you a bouquet of myrtle every day. Sooner than the time I mention the country will not be in complete beauty; and I will tell you what you shall find at your first entrance. Imprimis, as soon as you have entered the vestibule, if you cast a look on either side of you, you shall see on the right hand a box of my making. It is the box in which have been lodged all my hares, and in which lodges Puss (Cowper's pet hare) at present. But he, poor fellow, is worn out with age and promises to die before you can see him. On the right hand stands a cupboard, the work of the same author; it was once a dove-cage, but I transformed it. Opposite to you stands a table, which I also made. But a merciless servant having scrubbed it till it became paralytic, it serves no purpose now but of ornament, and all my clean shoes stand under it. On the left hand, at the farther end of this superb vestibule, you will find the door of the parlor, into which I will conduct you, and where I will introduce you to Mrs. Unwin, unless we should meet her before, and where we will be as happy as the day is long. Order yourself, my cousin, to theSwanat Newport and there you shall find me ready to conduct you to Olney. My dear, I have told Homer what you say about casks and urns, and have askedhim whether he is sure that it is a cask in which Jupiter keeps his wine. He swears that it is a cask, and that it will never be anything better than a cask to eternity. So if the god is content with it, we must even wonder at his taste, and be so too.—Adieu! my dearest, dearest cousin,—W.C."

Cowper's letters are not interesting because they treat of the great men and important affairs of his day. They are interesting because he lived a quiet life and was able in his own way to paint a picture treating of the common doings of an apparently unimportant life. Here is a picture of an election in the country, or rather of the candidates' methods in the old days:

"We were sitting yesterday after dinner, the two ladies and myself, very composedly, and without the least apprehension of any such intrusion, in our snug parlor, one lady knitting, the other netting, and the gentleman winding worsted, when, to our unspeakable surprise, a mob appeared before the window, a smart rap was heard at the door, the boys halloed, and the maid announced Mr. Grenville. Puss was unfortunately let out of her box, so that the candidate, with all his good friends at his heels, was refused entrance at the grand entry, and referred to the back door, as the only possible way of approach. Candidates are creatures not very susceptible to affronts, and would rather, I suppose, climb in at a window than be absolutely excluded. In a minute the yard, the kitchen, and the parlor were filled. Mr. Grenville, advancing toward me, shook me by the hand with a degree of cordiality that was extremely seducing. As soon as he and as many more as could find chairs were seated, he beganto open the intent of his visit. I told him I had no vote, for which he readily gave me credit. I assured him I had no influence, which he was not equally inclined to believe, and the less, no doubt, because Mr. Ashburner, the drapier, addressing himself to me at that moment, informed me that I had a great deal. Supposing that I could not be possessed of such a treasure without knowing it, I ventured to confirm my first assertion by saying that if I had any I was utterly at a loss to imagine where it could be, or wherein it consisted. Thus ended the conference. Mr. Grenville squeezed me by the hand again, kissed the ladies, and withdrew. He kissed likewise the maid in the kitchen, and seemed upon the whole a most loving, kissing, kind-hearted gentleman."

In that celebrated literary club founded by Dr. Johnson and Sir Joshua Reynolds were Burke, Goldsmith, Garrick, Fox, Gibbon, and Sheridan. Of these Gibbon is not the least distinguished. He is an illustrious example of what an ordinary personality can accomplish by reason of an extraordinary devotion to one purpose. Some few men achieve fame by their brilliant versatility; some, as in the case of Samuel Johnson, by their commanding personal force; Gibbon has won a permanent place in literary history by spending his life in doing one thing. That one thing he did so well that E.A. Freeman, one of the prominent historians of the nineteenth century, has truthfully said,—"He remains the one historian of the eighteenth century whom modern research has neither set aside nor threatened to set aside."

In his memoirs Gibbon reveals himself as a man with little dignity or heroism. There is a droll story that is apt to suggest itself when one thinks of Gibbon. At one time, when asking a dignified lady for her hand in marriage, he fell upon his knees in proper lover-like manner. Unfortunately Gibbon was so stout that upon herrefusal he found himself in the embarrassing need of calling in a servant to help him to his feet again. Memories such as these, however, cannot blind us to the essential worth in the character of the great historian. In the light of his consecration to a worthy purpose his life is not without its heroism. To writeThe History of the Decline and Fall of the Roman Empireis a monumental achievement. To bend every energy to the fulfilling of a high resolve is heroic. From 1764 to 1787 his one aim in life was to write a scholarly history that should cover the vast field that he had chosen. He may lack that spiritual insight which enables one to estimate world movements in the upper regions of religion, but he did not lack unfaltering devotion to his purpose. So well did he do his work that his six volumes can be found in the library of every student of the past. The story is told of a great German who learned English in order to read Gibbon in the original.

In the following extract from his Autobiography is found his own explanation of the circumstances under which he conceived his vast project "amid the ruins of the Capitol," in 1764:

"My temper is not very susceptible of enthusiasm; and the enthusiasm which I do not feel, I have ever scorned to affect. But, at the distance of twenty-five years, I can neither forget nor express the strong emotions which agitated my mind as I first approached and entered the eternal city. After a sleepless night, I trod, with a lofty step, the ruins of the Forum; each memorable spot where Romulus stood, or Tully spoke, or Cæsar fell, was at once present to my eye; and several days of intoxication were lost or enjoyedbefore I could descend to a cool and minute investigation. My guide was Mr. Byers, a Scotch antiquary of experience and taste; but in the daily labor of eighteen weeks, the powers of attention were sometimes fatigued, till I was myself qualified, in a last review, to select and study the capital works of ancient and modern art. Six weeks were borrowed for my tour of Naples, the most populous of cities, relative to its size, whose luxurious inhabitants seem to dwell on the confines of paradise and hell-fire. I was presented to the boy-king by our new envoy, Sir William Hamilton, who, wisely diverting his correspondence from the Secretary of State to the Royal Society and British Museum, has elucidated a country of such inestimable value to the naturalist and antiquarian. On my return, I fondly embraced, for the last time, the miracles of Rome.... In my pilgrimage from Rome to Loretto I again crossed the Apennine; from the coast of the Adriatic I traversed a fruitful and populous country, which could alone disprove the paradox of Montesquieu, that modern Italy is a desert....

"The use of foreign travel has been often debated as a general question; but the conclusion must be finally applied to the character and circumstances of each individual. With the education of boys, where or how they may pass over some juvenile years with the least mischief to themselves or others, I have no concern. But after supposing the previous and indispensable requisites of age, judgment, a competent knowledge of men and books, and a freedom from domestic prejudices, I will briefly describe the qualifications which I deem most essential to atraveler. He should be endowed with an active, indefatigable vigor of mind and body, which can seize every mode of conveyance, and support, with a careless smile, every hardship of the road, the weather, or the inn. The benefits of foreign travel will correspond with the degrees of these qualifications; but, in this sketch, those to whom I am known will not accuse me of framing my own panegyric. It was at Rome, on the 15th of October, 1764, as I sat musing amidst the ruins of the Capitol, while the bare-footed friars were singing vespers in the temple of Jupiter, that the idea of writing the decline and fall of the city first started to my mind."

When Robert Burns and his brother were working hard on the Mount Oliphant farm, Robert fell in love. This experience, alas, in after years became too frequent an occurrence to occasion much comment, for the ease with which the poet fell in and out of love was the chief fault in a faulty life. But when this episode occurred the boy was still an innocent country lad in his fifteenth year, a lad perhaps somewhat rude and clownish, at least such is an unfounded tradition. Out of the monotony of this life of prosaic toil and drudgery, Burns is lifted by the romance which fortunately he has himself described.

"You know," he says, "our country custom of coupling a man and woman together as partners in the labors of the harvest. In my fifteenth summer my partner was a bewitching creature, a year younger than myself. My scarcity of English denies me the power of doing her justice in that language, but you know the Scottish idiom. She was a bonnie, sweet, sonsie lass. In short, she, altogether unwittingly to herself, initiated me in that delicious passion, which in spite of acid disappointment, gin-house prudence, andbook-worm philosophy, I hold to be the first of human joys here below! How she caught the contagion I cannot tell.... Indeed, I did not know myself why I liked so much to loiter behind with her, when returning in the evening from our labors; why the tones of her voice made my heartstrings thrill like an Æolian harp; and especially why my pulse beat such a furious ratan when I looked and fingered over her little hand, to pick out the cruel nettle-stings and thistles. Among her love-inspiring qualities, she sung sweetly; and it was her favorite reel to which I attempted giving an embodied vehicle in rhyme. I was not so presumptuous as to imagine that I could make verses like printed ones, composed by men who read Greek and Latin; but my girl sung a song which was said to be composed by a country laird's son, on one of his father's maids, with whom he was in love; and I saw no reason why I might not rhyme as well as he; for, excepting that he could shear sheep and cast peats, his father living in the moorlands, he had no more scholar-craft than myself. Thus with me began love and poetry."

Robert BurnsROBERT BURNSFrom the portrait by NasmythToList

ROBERT BURNSFrom the portrait by NasmythToList

The song that was due to this boyish passion is called "Handsome Nell," and is said to be the first he wrote. It can be found in any complete edition of the poet's work. In after years he himself calls it puerile and silly, but, while lacking the exquisite perfection of Burns' later lyrics, it is far superior to the usual first attempts of poets. The last two stanzas run thus:

A gaudy dress and gentle airMay slightly touch the heart;But it's Innocence and ModestyThat polishes the dart.'Tis this in Nelly pleases me,[52]'Tis this enchants my soul!For absolutely in my breastShe reigns without control.

A gaudy dress and gentle airMay slightly touch the heart;But it's Innocence and ModestyThat polishes the dart.

'Tis this in Nelly pleases me,[52]'Tis this enchants my soul!For absolutely in my breastShe reigns without control.

"I composed it," says Burns, "in a wild enthusiasm of passion, and to this hour I never recollect it but my heart melts, my blood sallies at the remembrance."

Poor Burns! How much happier he would have been had all his loves been as innocent as this first experience! In one of Tennyson's most vigorous passages in theIdyllswe read,

... for indeed I knewOf no more subtle master under heavenThan is the maiden passion for a maid,Not only to keep down the base in man,But teach high thoughts, and amiable wordsAnd courtliness, and the desire of fame,And love of truth, and all that makes a man.

... for indeed I knewOf no more subtle master under heavenThan is the maiden passion for a maid,Not only to keep down the base in man,But teach high thoughts, and amiable wordsAnd courtliness, and the desire of fame,And love of truth, and all that makes a man.

Perhaps, if Burns in a later love affair had been successful in his suit, his life and reputation would not have suffered as they have, for the most culpable trait in the character of the famous Scotch poet is the ease with which he abandoned one lover for another. He was forever falling in love, and there is some evidence to the effect that he loved two or three at the same time. There is only too much truth in Burns' own lines,

Where'er I gaed, where'er I rade,A mistress still I had aye.

Where'er I gaed, where'er I rade,A mistress still I had aye.

But perhaps all this would have been different had Ellison Begbie, the daughter of a small farmer, smiled favorably upon the advances of the young farmer from Lochlea. She is said to have been a young woman of great charm and liveliness of mind, though not a beauty. In afteryears Burns always spoke of her with the greatest of respect and as the one woman, of the many upon whom he had lavished his fickle affection, who most likely would have made a pleasant partner for life.

His love affair with this young lady took place near the close of his twenty-second year. Her refusal seems to have had a malign influence upon the career of our poet. Up to this time his love affairs, although numerous, were innocent. As his brother Gilbert says, they were "governed by the strictest rules of virtue and modesty." But henceforth there is a change in the character of Burns. Shortly after the fair Ellison had turned a deaf ear to the letters and love-songs of the importunate wooer, Robert and his brother Gilbert went to Irvine, hoping that in this flax-dressing center they could increase their income by dressing the flax raised on their own farm. Here Burns, always very susceptible to new influences,—he would not be the poet he is had he not been keenly alive and susceptible,—fell under the malignant charm of a wild sailor-lad whose habits were loose and irregular. "He was," says Burns, "the only man I ever knew who was a greater fool than myself, where woman was the presiding star; but he spoke of lawless love with levity, which hitherto I had regarded with horror.Here his friendship did me a mischief."

Burns was in trouble; he had failed as a farmer, and as a young man he had wounded the sensibilities of his family. It seemed best to try a new life in a new land, so he promised a Mr. Douglas to go to Jamaica and become a bookkeeper on his estate there. But where should he get the money to pay his passage? There were the poems lying in his table-drawer—might they not be published and money be raised by the sale? His friends encouraged him to publish them, and what is more to the point, they subscribed in advance for a number of the copies. John Wilson of Kilmarnock was to do the printing. During May, June, and July of 1786 the printer was doing his work. At the end of July the volume appeared, and soon the fame of the Ayrshire Plowman was established. Let us hear Burns himself give his account of the venture:

"I gave up my part of the farm to my brother, and made what little preparation was in my power for Jamaica. But, before leaving my native country forever, I resolved to publish my poems. I weighed my productions as impartially as was in my power; I thought they had merit; and it was a delicious idea that I should be calleda clever fellow, even though it should never reach my ears—a poor negro-driver, or perhaps a victim to that inhospitable clime, and gone to the world of spirits! I can truly say thatpauvre inconnuas I then was, I had pretty nearly as high an idea of my works as I have at this moment, when the public has decided in their favor....

"I threw off about six hundred copies, of which I got subscriptions for about three hundred and fifty. My vanity was highly gratified by the reception I met with from the public; and besides, I pocketed, all expenses deducted, nearly twenty pounds. This sum came very seasonably, as I was thinking of indenting myself, for want of money, to procure a passage. As soon as I was master of nine guineas, the price of wafting me to the torrid zone, I took a steerage passage in the first ship that was to sail from the Clyde, for

'Hungry ruin had me in the wind.'

'Hungry ruin had me in the wind.'

"I had been for some days skulking from covert to covert, under all the terrors of a jail, as some ill-advised people had uncoupled the merciless pack of the law at my heels. I had taken the last farewell of my friends; my chest was on the way to Greenock; I had composed the last song I should ever measure in Caledonia, 'The gloomy night is gathering fast,' when a letter from Dr. Blackwood to a friend of mine overthrew all my schemes, by opening up new prospects to my poetic ambition."

The success of the first edition of his poems was so pronounced that Burns soon gave up the idea of going away to Jamaica. Ayrshire wasflattered to discover that within its borders lived a genuine poet. Robert Heron, a young literary man living in that neighborhood, gives us an account of the reception of the little book of poems: "Old and young, high and low, grave and gay, learned or ignorant, were alike delighted, agitated, transported. I was at that time resident in Galloway, contiguous to Ayrshire, and I can well remember how even plowboys and maidservants would have gladly bestowed the wages they earned most hardly, and which they wanted to purchase necessary clothing, if they might procure the works of Burns."

When Burns wished a second edition of his poems, he had a very poor offer from his printer. So he went to Edinburgh to see whether he could not make a more advantageous bargain in the Scottish capital. He reached that famous city on the 28th of November, 1786. Here he was feted and banqueted, admired and criticised. In April, 1787, the second edition appeared. The volume was a handsome octavo. The Scottish public had subscribed very liberally, and eventually Burns received 500 pounds, but Creech, his publisher, was so slow in making payments that Burns had to wait a long time before he received his due.

Walter Scott was among the many who met Burns during his stay in Edinburgh. Scott was but a boy of fifteen, but he never forgot the glance of approval bestowed upon him by the poet. We are especially fortunate in having Scott's own account of the incident: "As for Burns, I may truly say, 'Virgilium vidi tantum.' I was a lad of fifteen when he came to Edinburgh. I saw himone day at the late venerable Professor Adam Fergusson's. Of course we youngsters sat silent, looked, and listened. The only thing I remember which was remarkable in Burns' manner, was the effect produced upon him by a print of Bunbury's, representing a soldier lying dead on the snow, his dog sitting in misery on one side—on the other his widow, with her child in her arms. These lines were written beneath:

Cold on Canadian hills, or Minden's plain,Perhaps that parent wept her soldier slain—Bent o'er the babe, her eye dissolved in dew,The big drops mingling with the milk he drew,Gave the sad presage of his future years,The child of misery baptized in tears.

Cold on Canadian hills, or Minden's plain,Perhaps that parent wept her soldier slain—Bent o'er the babe, her eye dissolved in dew,The big drops mingling with the milk he drew,Gave the sad presage of his future years,The child of misery baptized in tears.

"Burns seemed much affected by the print: he actually shed tears. He asked whose the lines were, and it chanced that nobody but myself remembered that they occur in a half-forgotten poem of Langhorne's, called by the unpromising title ofThe Justice of Peace. I whispered my information to a friend present, who mentioned it to Burns, who rewarded me with a look and a word, which though of mere civility, I then received with very great pleasure. His person was strong and robust; his manner rustic, not clownish; a sort of dignified plainness and simplicity. His countenance was more massive than it looks in any of the portraits. I would have taken the poet, had I not known who he was, for a very sagacious country farmer of the old Scotch school—thedouce gudemanwho held his own plow. There was a strong expression of sense and shrewdness in all his lineaments; the eye alone, I think, indicated the poetical character andtemperament. It was large, and of a dark cast, which glowed (I say literally, glowed) when he spoke with feeling or interest. I never saw such another eye in a human head, though I have seen the most distinguished men of my time."

The following affecting narrative, written in Coleridge's person by the tender-hearted Elia, gives the best view possible of Coleridge's scanty and suffering commencement of life. At that time, it may be premised, the dietary of Christ's Hospital was of the lowest: breakfast consisting of a "quarter of penny loaf, moistened with attenuated small beer in wooden piggins, smacking of the pitched leathern jack it was poured from," and the weekly rule giving "three banyan-days to four meat days."

"I was a poor, friendless boy; my parents, and those who should have cared for me, were far away. Those few acquaintances of theirs, whom they could reckon upon being kind to me in the great city, after a little forced notice, which they had the grace to take of me on my first arrival in town, soon grew tired of my holiday visits. They seemed to them to recur too often, though I thought them few enough. One after another they all failed me, and I felt myself alone among six hundred playmates. Oh the cruelty of separating a poor lad from his early homestead! The yearnings which I used to have towards it in those unfledged years!... The warm, long days ofsummer never return but they bring with them a gloom from the haunting memory of thosewhole days' leave, when, by some strange arrangement, we were turned out for the livelong day, upon our own hands, whether we had friends to go to or none. I remember those bathing excursions to the New River which Lamb recalls with so much relish, better, I think, than he can—for he was a home-seeking lad, and did not care much for such water-parties. How we would sally forth into the fields, and strip under the first warmth of the sun, and wanton like young dace in the streams, getting appetites for the noon; which those of us that were penniless (our scanty morning crust long since exhausted) had not the means of allaying—while the cattle and the birds and the fishes were at feed about us, and we had nothing to satisfy our cravings; the very beauty of the day and the exercise of the pastime, and the sense of liberty setting a keener edge upon them! How faint and languid, finally, we would return toward nightfall to our desired morsel, half rejoicing, half reluctant, that the hours of uneasy liberty had expired!

"It was worse in the days of winter, to go prowling about the streets objectless, shivering at cold windows of printshops, to extract a little amusement; or haply, as a last resort, in the hope of a little novelty, to pay a fifty-times-repeated visit (where our individual faces would be as well known to the warden as those of his own charges) to the lions in the Tower, to whoselevée, by courtesy immemorial, we had a prescriptive right of admission."

This melancholy and harsh life was, however,ameliorated by some curious personal incidents. Once, for example, the solitary boy, moving along the crowded streets, fancied, in the strange vividness of his waking dream, that he was Leander swimming across the Hellespont. His hand "came in contact with a gentleman's pocket" as he pursued this visionary amusement, and for two or three minutes Coleridge was in danger of being taken into custody as a pickpocket. On finding out how matters really stood, however, this stranger—genial, nameless soul—immediately gave to the strange boy the advantage of a subscription to a library close by, thus setting him up, as it were, in life. On another occasion, one of the higher boys, a "deputy-Grecian," found him seated in a corner reading Virgil. "Are you studying your lesson?" he asked. "No, I am reading for pleasure," said the boy, who was not sufficiently advanced to read Virgil in school. This introduced him to the favorable notice of the head-master Bowyer, and made of the elder scholar, Middleton by name, a steady friend and counselor for years. Yet at this time Coleridge was considered by the lower-master, under whom he was, "a dull and inept scholar who could not be made to repeat a single rule of syntax, although he would give a rule in his own way." The life, however, of this great school, with all its injudicious liberties and confinements, must have been anything but a healthy one. Starved and solitary, careless of play as play, and already full of that consuming spiritual curiosity which never left him, Coleridge's devotion to the indiscriminate stores of the circulating library gave the last aggravation to all the unwholesomeparticulars of his life. "Conceive what I must have been at fourteen," he exclaims. "I was in a continual low fever. My whole being was, with eyes closed to every object of present sense, to crumple myself up in a sunny corner and read, read, read; fancy myself on Robinson Crusoe's island finding a mountain of plum-cake, and eating a room for myself, and then eating it into the shapes of tables and chairs—hunger, and fancy!" ...

A droll incident occurred about this period of his life, which shows ... his absolute want of ambition. The friendless boy had made acquaintance with a shoemaker and his wife, who had a shop near the school, and who were kind to him; and thereupon he conceived the extraordinary idea of getting himself apprenticed to his friend, whom he persuaded to go to the head-master to make this wonderful proposal. "Od's, my life, man, what d'ye mean?" cried the master, with not unnatural indignation mingling with his amazement; and notwithstanding Coleridge's support of the application, the shoemaker was turned out of the place, and the would-be apprentice chosen, "against my will," he says, "as one of those destined for the university." The same irascible yet excellent master flogged the boy severely on hearing that he boasted of being an infidel....

His next stage in life was not a shoemaker's shop in Newgate Street, but Jesus College, Cambridge, which he entered in 1791 at the age of nineteen—the object of many high prophecies and hopes on the part of his school and schoolfellows, who had unanimously determined that he was to be great and do them honor. The first thing hedid, however, was alas! too common an incident: he got into debt, though not, it would appear, for an overwhelming sum, or in any discreditable way. So long as his friend of Christ's Hospital, Middleton, remained in Cambridge, Coleridge pursued his studies with a great deal of regularity and in his first year won the prize for a Greek ode. But after awhile his industry slackened, and a kind of dreamy idleness—implying no languor of the soul or common reluctance to mental work, but rather, it would seem, a disinclination to work in the usual grooves, and do what was expected of him—took possession of the young scholar. "He was very studious, but his reading was desultory and capricious," writes a fellow-student. "He was ready at any time to shed his mind in conversation, and for the sake of this his rooms were a constant rendezvous of conversation-loving friends. What evenings I have spent in these rooms! What little suppers, orsizings, as they were called, have I enjoyed; when Aeschylus and Plato and Thucydides were pushed aside with a pile of lexicons and the like, to discuss the pamphlets of the day! Ever and anon a pamphlet issued from the pen of Burke. There was no need of having the book before us; Coleridge had read it in the morning and in the evening he would repeat whole pagesverbatim."

—Adapted fromBlackwood's Magazine.

In 1858 Trelawney published hisRecollections of the Last Days of Shelley and Byron. In many ways this is a remarkable book. It is the one source of information as to the last days of Shelley; concerning Byron's, others have furnished material. Trelawney is suspected of mingling some fiction with his truth, but the general tendency nowadays is to place confidence in theseRecollections. He may not always give us a literal report, but he has likely reproduced the spirit. He is much more sympathetic in his treatment of Shelley than he is in his account of Byron. Trelawney himself was a remarkable character. He lived far into the time of a new generation, dying in his eighty-ninth year in 1881. Mary Shelley, in a letter to Maria Gisborne, February, 1822, describes him as "A kind of half-Arab Englishman.... He is clever: for his moral qualities I am yet in the dark. He is a strange web which I am endeavoring to unravel."

In theRecollectionsoccurs this interesting account of Byron:

Byron has been accused of drinking deeply. Our universities, certainly, did turn out more famous drinkers than scholars. In the good oldtimes, to drink lustily was the characteristic of all Englishmen, just as tuft-hunting is now. Eternal swilling, and the rank habits and braggadocio manners which it engendered, came to a climax in George IV's reign. Since then, excessive drinking has gone out of fashion, but an elaborate style of gastronomy has come in to fill the void; so there is not much gained. Byron used to boast of the quantity of wine he had drunk. He said, "We young Whigs imbibed claret, and so saved our constitutions: the Tories stuck to port, and destroyed theirs and their country's."

Lord ByronLORD BYRONFrom the portrait by T. PhillipsToList

LORD BYRONFrom the portrait by T. PhillipsToList

He bragged, too, of his prowess in riding, boxing, fencing, and even walking; but to excel in these things feet are as necessary as hands. It was difficult to avoid smiling at his boasting and self-glorification. In the water a fin is better than a foot, and in that element he did well; he was built for floating,—with a flexible body, open chest, broad beam, and round limbs. If the sea was smooth and warm, he would stay in it for hours; but as he seldom indulged in this sport, and when he did, over-exerted himself, he suffered severely; which observing, and knowing how deeply he would be mortified at being beaten, I had the magnanimity when contending with him to give in.

He had a misgiving in his mind that I was trifling with him; and one day as we were on the shore, and theBolivarat anchor, about three miles off, he insisted on our trying conclusions; we were to swim to the yacht, dine in the sea alongside of her, treading water the while, and then to return to the shore. It was calm and hot, and seeing he would not be fobbed off, we started.I reached the boat a long time before he did; ordered the edibles to be ready, and floated until he arrived. We ate our fare leisurely, from off a grating that floated alongside, drank a bottle of ale, and I smoked a cigar, which he tried to extinguish,—as he never smoked. We then put about, and struck off towards the shore. We had not got a hundred yards on our passage, when he retched violently, and, as that is often followed by cramp, I urged him to put his hand on my shoulder that I might tow him back to the schooner.

"Keep off, you villain, don't touch me. I'll drown ere I give in."

I answered as Iago did to Roderigo:

"'A fig for drowning! drown cats and blind puppies.' I shall go on board and try the effects of a glass of grog to stay my stomach."

"Come on," he shouted, "I am always better after vomiting."

With difficulty I deluded him back; I went on board, and he sat on the steps of the accommodation-ladder, with his feet in the water. I handed him a wineglass of brandy, and screened him from the burning sun. He was in a sullen mood, but after a time resumed his usual tone. Nothing could induce him to be landed in the schooner's boat, though I protested I had had enough of the water.

"You may do as you like," he called out, and plumped in, and we swam on shore.

He never afterwards alluded to this event, nor to his prowess in swimming, to me, except in the past tense. He was ill, and kept to his bed for two days afterwards.

To return to his drinking propensities, after this digression about his gymnastic prowess: I must say, that of all his vauntings, it was, luckily for him, the emptiest—that is, after he left England and his boon companions, as I know nothing of what he did there. From all that I heard or witnessed of his habits abroad, he was and had been exceedingly abstemious in eating and drinking. When alone, he drank a glass or two of small claret or hock, and when utterly exhausted at night, a single glass of grog; which when I mixed it for him I lowered to what sailors call "water bewitched," and he never made any remark. I once, to try him, omitted the alcohol; he then said, "Tre, have you not forgotten the creature comfort?" I then put in two spoonfuls, and he was satisfied. This does not look like an habitual toper. His English acquaintances in Italy were, he said in derision, all milksops. On the rare occasion of any of his former friends visiting him, he would urge them to have a carouse with him, but they had grown wiser. He used to say that little Tommy Moore was the only man he knew who stuck to the bottle and put him on his mettle, adding, "But he is a native of the damp isle, where men subsist by suction."

Byron had not damaged his body by strong drinks, but his terror of getting fat was so great that he reduced his diet to the point of absolute starvation. He was of that soft, lymphatic temperament which it is almost impossible to keep within moderate compass, particularly as in his case his lameness prevented his taking exercise. When he added to his weight, even standing was painful, so he resolved to keep down to elevenstone, or shoot himself. He said everything he swallowed was instantly converted into tallow and deposited on his ribs.

He was the only human being I ever met with who had sufficient self-restraint and resolution to resist this proneness to fatten: he did so, and at Genoa, where he was last weighed, he was ten stone and nine pounds, and looked much less. This was not from vanity about his personal appearance, but from a better motive; and as, like Justice Greedy, he was always hungry, his merit was the greater. Occasionally he relaxed his vigilance, when he swelled apace.

I remember one of his old friends saying, "Byron, how well you are looking!" If he had stopped there it had been well, but when he added, "You are getting fat," Byron's brow reddened, and his eyes flashed—"Do you call getting fat looking well, as if I were a hog?" and, turning to me, he muttered, "The beast, I can hardly keep my hands off him." The man who thus offended him was the husband of the lady addressed as "Genevra," and the original of his "Zuleika," in theBride of Abydos. I don't think he had much appetite for his dinner that day, or for many days, and never forgave the man who, so far from wishing to offend, intended to pay him a compliment.

Byron said he had tried all sorts of experiments to stay his hunger, without adding to his bulk. "I swelled," he said, "at one time to fourteen stone, so I clapped the muzzle to my jaws, and, like the hibernating animals, consumed my own fat."

He would exist on biscuits and soda-water fordays together, then, to allay the eternal hunger gnawing at his vitals, he would make up a horrid mess of cold potatoes, rice, fish, or greens, deluged in vinegar, and gobble it up like a famished dog. On either of these unsavory dishes, with a biscuit and a glass or two of Rhine wine, he cared not how sour, he called feasting sumptuously. Upon my observing he might as well have fresh fish and vegetables, instead of stale, he laughed and answered:

"I have an advantage over you, I have no palate; one thing is as good as another to me."

"Nothing," I said, "disagrees with the natural man; he fasts and gorges, his nerves and brain don't bother him; but if you wish to live?—

"Who wants to live?" he replied, "not I. The Byrons are a short-lived race on both sides, father and mother; longevity is hereditary: I am nearly at the end of my tether. I don't care for death a ——; it is her sting! I can't bear pain."

His habits and want of exercise damaged him, not drink. It must be borne in mind, moreover, that his brain was always working at high pressure. The consequences resulting from his way of life were low or intermittent fevers; these last had fastened on him in his early travels in the Levant; and there is this peculiarity in malarial fevers, that if you have once had them, you are ever afterwards susceptible to a renewal of their attacks if within their reach, and Byron was hardly ever out of it. Venice and Ravenna are belted in with swamps, and fevers are rife in the autumn. By starving his body Byron kept his brains clear; no man had brighter eyes or a clearer voice; and his resolute bearing andprompt replies, when excited, gave to his body an appearance of muscular power that imposed on strangers. I never doubted, for he was indifferent to life, and prouder than Lucifer, that if he had drawn his sword in Greece, or elsewhere, he would have thrown away the scabbard.


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