A.A major Symphony (Beethoven),51,64,70,219,286.A major Pianoforte Quartett (Brahms),253,255,285,296.A minor String Quartett (Schumann),54;(Dvořák),197;(Brahms),302.Abendständchen,255.Academic Overture,268.Academy, The,262.Æolopantaleon,90.Æolsharfe,298.Æschylus,281,296.Ahle, Johann Rudolph,264.Aix-la-Chapelle,120.Albert Hall,205.Alcestis, the,53.Aldrich, T. B.,64.Alexander's Feast,264.Alfred (Dvořák's),190.Allgemeine Musikalische Zeitung,100,235,247,256.Ambros,251.America,183,208.Andrea del Sarto,168,233.Anselar Platz,231,234.Anstey, F.,65.Antigone, the,260.Antonin,92,108.Arago,134.Arbeau's Orchesographie,277.Aristotle, illustrations from,9,10,21,22,70,278.Art (limits of analysis),75,133,150,243.Art of Music (Dr Parry),283.Arts and Sciences (Order of),270.Asolando,149.Austen, Miss,64.Austin Dobson, Mr,31.Austria,185,208,259.AustrianKultusministerium,198-200.Austrio-Prussian War,258.Ave Maria(Brahms),247.Ave Maris Stella(Dvořák),194.B.B major Trio (Brahms),42.B flat Sestett (Brahms),247,253,282,287,296,299.B flat minor Sonata (Chopin),136,137,155,156.Bach, polyphony,278;relation to Brahms,283-286;illustrations from,20,30,40,45,66,68,70,86,161,168,217,218,232,259,278,279,280,281,282.Bacon,190,211.Bad Reinerz,91,93.Baillot,116.Ballades (Chopin),123,131,135,154,158.Balzac,67,134.Barbara Allen,38.Barbizon School,213.Barcarolle (Chopin),137.Barcelona,129.Bartered Bride, the,187,221.Basle,269.Beethoven, relation to Chopin,155;to Dvořák,219;to Brahms,286-290.Beethoven, illustrations from,7,11,20,22,24,30,33,39,42,43,46,47,51-53,55,64,66-68,70,72,80,97,98,106,149,153,156,157,163,167,168,189,221,223,225,232,234,236,237,243,247,252,253,258,259,262,265,266,280.Belleville, Mdlle. de,107.Bendl, Karel,188,191.Berlin,94,95,102,110,115,200.Berlin Iris,120.Berlioz, illustrations from,21,29,32,33,106,120,149,180,183,220,232,234,239,280,285.Birmingham Festival,206,208.Blätter für Theater Musik und Kunst,252,253.Blahetka,100.Blanc, Louis,133.Bluebells of Scotland,46.Blumendeutung,191.Böhmisch-Kamnitz,176.Bohemia, condition of music in,177;loss of independence,182;beginnings of renaissance,183,184;national movement,184-187,192,194,203,208,217,220.Bohemian Folksongs,215.Bohemian Theatre,191,195,204.Bonn,245,260.Brahms, Johannes, birth,231;early education,232-3;first concert,233;tour with Reményi,235;Göttingen,235;Hanover,237;Weimar,238;goes to Schumann at Dusseldorf,239;débutat Leipsic,240;appointment at Lippe Detmold,241;concerts,243;first pianoforte concerto,244,261;serenades,245;stay in Switzerland,246,247;goes to Vienna,249;débutin Vienna,252;first performance of B flat sestett,253;relation to Wagner,254;appointment to ViennaSingakademie,255;concert tour in Germany,255;concert tour in Switzerland,257;German Requiem,258,259;Hungarian dances,261;TriumphliedandSchicksalslied,262,263;appointed conductor of theGesellschaft der Musikfreunde,263;first symphony,265;doctor's degree at Breslau,267;tragic and academic overtures,267,268;concert tour,269;decorations from Germany, Bavaria and Austria,270;made citizen of Hamburg,271;later compositions,271,272.Brahms as composer. The 'fifth landmark,' 281,282;relation to Bach,283-286;relation to Beethoven,287-290;further developments of structure,291-294;emotional range,295,296;melody,296-299;rhythm,300,301;conclusion,302,304.Brahms, illustrations from,18,30,40,42,54,55,62,70,187,214,225.Brahms, Johann Jakob,231,234;Frau,231,234;Fritz,235,246.Brandenburgs in Bohemia, the,187.Brault, Augustine,137.Breitkopf and Härtel,91.Bremen,259,262.Breslau,111,267.Broadwoods, the,123.Brontë, Charlotte,64.Browning, illustrations from,13,149,233.Bruch, Max,259.Bruckner,250.Brüll, Ignaz,250.Bückeburg,238.Buda-Pesth,258,269.Burger,29,206.Burns,47,152,177.Burton,17.Byron,35,200.C.Calderon,212.Cambridge,208,267,272.Carlsbad,121.Carlsruhe,255,262,265.Carnaval Overture,224.Carpaccio,157.Catalani,88,107.Cauvière, Dr,132.Cavalleria Rusticana,217.Cellini,90.Chapelain,133.Cherubini,91,116.Chiarina,122.Chopin, Frederick, birth,83;early education,85-87;first compositions,90;visit to Berlin,94;first visit to Vienna,97;return to Warsaw,101;Constance Gladkowska,102;concerts in Warsaw,105,109;leaves Poland,110;second visit to Vienna,111-115;arrival in Paris,116;concerts in Paris,118,120,129,135,143;tour in Germany,121-123;visits to London and Marienbad,123;meets George Sand,124;at Nohaut,129,132,133,134,137,140;winter in Majorca,129-132;pupils,134,135;death of his father,136;breakdown in health,137;rupture with George Sand,137-142;second visit to England,143,144;return to Paris,144;death,145.Chopin as composer. Style,150;relation to Polish folk-music,151-154;structure,155,156;melody,158;harmony,160-163;accompaniment figures,164-166;treatment of pianoforte,166-168.Chopin, illustrations from,17,18,31,53,55,57,60,66,218,220,232,233,267,286.Chopin, Nicholas,83,90,94,121,126.Chopin, Louisa,85;Isabella,85;Emily,85,93.Choral Symphony,38,160,289.Chrysander, Dr,256.Clary, Prince,100.Clementi,134.Clesinger,138.Coda,52.Cologne,243,255.Concerto in F minor (Chopin),105,106,123;in E minor (Chopin),105,109,115,117,119;Violin Concerto (Dvořák),220,224;(Brahms),266,300;in D minor (Brahms),244,261;in B flat (Brahms),269;double,270;Brahms' treatment of,292.Congress of Vienna,83.Conservatoire, Warsaw,102,110;Paris,117,120,180;Prague,208.Constable,213.Constance,246.Corelli,279.Corneille,45,254.Correggio,60.Couperin,31,279.Cour d'Orléans,133,142.Covent Garden,183.Cracow,97.Crystal Palace,272.Cunning Peasant, the,201Czerny,98.D.D minor Symphony (Dvořák),194,207,216,222.D minor Concerto (Brahms),244,247,261.Dante,7,155,296.Danzic,93.Darwin,6.David,255.Davidsbund,122.Deiters, Dr,243,256.Delacroix,121,133.Der Freischütz,101,195.Dessoff,250.DettingenTe Deum,264.Development section,52.Dietrich,259.Dimitrij,204.Dobrovsky,189.Dorian mode,154.Dresden,101,111,121,122,187,234.Dryden,283.Du bist wie eine Blume,38.Dufay,277.Dürer,7.Dumas,134,219.Du Maurier,63,163.Dumka,220.Dunstable,277.Dusseldorf,120,236,239.Dussek,183.Dvořák, Antonin, birth,