II.

[1]

The term "erotic symbolism" has already been employed by Eulenburg (Sexuale Neuropathie, 1895, p. 101). It must be borne in mind that this term, implying the specific emotion, is much narrower than the term "sexual symbolism," which may be used to designate a great variety of ritual and social practices which have played a part in the evolution of civilization.

[2]

Sexual Selection in Man, iv, "Vision."

[3]

K. Groos,Der Æsthetische Genuss, p. 122. The psychology of the associations of contiguity and resemblance through which erotic symbolism operates its transference is briefly discussed by Ribot in thePsychology of the Emotions, Part 1, Chapter XII; the early chapters of the same author'sLogique des Sentimentsmay also be said to deal with the emotional basis on which erotic symbolism arises.

[4]

A number of synonyms for the female pudenda are brought together by Schurig—cunnus, hortus, concha, navis, fovea, larva, canis, annulus, focus, cymba, antrum, delta, myrtus, etc.—and he discusses many of them. (Muliebria, Section I, cap. I.)

[5]

Kleinpaul,Sprache Ohne Worte, pp. 24-29;cf.K. Pearson, on the general and special words for sex,Chances of Death, vol. ii, pp. 112-245; a selection of the literature of the rose will be found in a volume of translations entitledRos Rosarum.

[6]

G. S. Hall,Adolescence, vol. i, p. 470.

[7]

Goron,Les Parias de l'Amour, p. 45.

[8]

A. R. Reynolds,Medical Standard, vol. x, cited by Kiernan, "Responsibility in Sexual Perversion,"American Journal of Neurology and Psychiatry, 1882.

[9]

R. Burton,Anatomy of Melancholy, Part III, Section II, Mem. II, Subs. II, and Mem. III, Subs. I.

[10]

Numerous examples are given by Moll,Konträre Sexualempfindung, third edition, pp. 265-268.

[11]

Chevalier (De l'Inversion, 1885;id.,L'Inversion Sexuelle, 1892, p. 52), followed by E. Laurent (L'Amour Morbide, 1891, Chapter X), separates this group from other fetichistic perversions, under the head of "azoöphilie." I see no adequate ground for this step. The various forms of fetichism are too intimately associated to permit of any group of them being violently separated from the others.

[12]

This has already been considered as a perversion founded on vision, in discussingSexual Selection in Man. IV.

Foot-fetichism and Shoe-fetichism—Wide Prevalence and Normal Basis—Restif de la Bretonne—The Foot a Normal Focus of Sexual Attraction Among Some Peoples—The Chinese, Greeks, Romans, Spaniards, etc.—The Congenital Predisposition in Erotic Symbolism—The Influence of Early Association and Emotional Shock—Shoe-fetichism in Relation to Masochism—The Two Phenomena Independent Though Allied—The Desire to be Trodden On—The Fascination of Physical Constraint—The Symbolism of Self-inflicted Pain—The Dynamic Element in Erotic Symbolism—The Symbolism of Garments.

Of all forms of erotic symbolism the most frequent is that which idealizes the foot and the shoe. The phenomena we here encounter are sometimes so complex and raise so many interesting questions that it is necessary to discuss them somewhat fully.

It would seem that even for the normal lover the foot is one of the most attractive parts of the body. Stanley Hall found that among the parts specified as most admired in the other sex by young men and women who answered aquestionnairethe feet came fourth (after the eyes, hair, stature and size).[13]Casanova, an acute student and lover of women who was in no degree a foot fetichist, remarks that all men who share his interest in women are attracted by their feet; they offerthe same interest, he considers, as the question of the particular edition offers to the book-lover.[14]

In a report of the results of aquestionnaireconcerning children's sense of self, to which over 500 replies were received, Stanley Hall thus summarizes the main facts ascertained with reference to the feet: "A special period of noticing the feet comes somewhat later than that in which the hands are discovered to consciousness. Our records afford nearly twice as many cases for feet as for hands. The former are more remote from the primary psychic focus or position, and are also more often covered, so that the sight of them is a more marked and exceptional event. Some children become greatly excited whenever their feet are exposed. Some infants show signs of fear at the movement of their own knees and feet covered, and still more often fright is the first sensation which signalizes the child's discovery of its feet.... Many are described as playing with them as if fascinated by strange, newly-discovered toys. They pick them up and try to throw them away, or out of the cradle, or bring them to the mouth, where all things tend to go.... Children often handle their feet, pat and stroke them, offer them toys and the bottle, as if they, too, had an independent hunger to gratify, anegoof their own.... Children often develop [later] a special interest in the feet of others, and examine, feel them, etc., sometimes expressing surprise that the pinch of the mother's toe hurts her and not the child, or comparing their own and the feet of others point by point. Curious, too, are the intensifications of foot-consciousness throughout the early years of childhood, whenever children have the exceptional privilege of going barefoot, or have new shoes. The feet are often apostrophized, punished, beaten sometimes to the point of pain for breaking things, throwing the child down, etc. Several children have habits, which reach great intensity, and then vanish, of touching or tickling the feet, with gales of laughter, and a few are described as showing an almost morbid reluctance to wear anything upon the feet, or even to having them touched by others.... Several almost fall in love with the great toe or the little one, especially admiring some crease or dimple in it, dressing it in some rag of silk or bit of ribbon, or cut-off glove fingers, winding it with string, prolonging it by tying on bits of wood. Stroking the feet of others, especially if they are shapely, often becomes almost a passion with young children, and several adults confess a survival of the same impulse which it is an exquisite pleasure to gratify. The interest of some mothers in babies' toes, the expressions of which are ecstatic and almost incredible, is a factor of great importance." (G. Stanley Hall, "Some Aspects of theEarly Sense of Self,"American Journal of Psychology, April, 1898.) In childhood, Stanley Hall remarks elsewhere (Adolescence, vol. ii, p. 104), "a form of courtship may consist solely in touching feet under the desk." It would seem that even animals have a certain amount of sexual consciousness in the feet; I have noticed a male donkey, just before coitus, bite the feet of his partner.

At the same time it is scarcely usual for the normal lover, in most civilized countries to-day, to attach primary importance to the foot, such as he very frequently attaches to the eyes, though the feet play a very conspicuous part in the work of certain novelists.[15]

In a small but not inconsiderable minority of persons, however, the foot or the boot becomes the most attractive part of a woman, and in some morbid cases the woman herself is regarded as a comparatively unimportant appendage to her feet or her boots. The boots under civilized conditions much more frequently constitute the sexual symbol than do the feet themselves; this is not surprising since in ordinary life the feet are not often seen.

It is usually only under exceptionally favoring conditions that foot-fetichism occurs, as in the case recorded by Marandon de Montyel of a doctor who had been brought up in the West Indies. His mother had been insane and he himself was subject to obsessions, especially of being incapable of urinating; he had had nocturnal incontinence of urine in childhood. All the women of the people in the West Indies go about with naked feet, which are often beautiful. His puberty evolved under this influence, and foot-fetichism developed. He especially admired large, fat, arched feet, with delicate skin and large, regular toes. He masturbated with images of feet. At 15 he had relations with a colored chambermaid, but feared to mention his fetichism, though it was the touch of her feet that chiefly excited him. He now gave up masturbation, and had a succession of mistresses, but was always ashamed to confess his fancies until, at the age of 33, in Paris, a very intelligent woman who had become his mistress discovered hismania and skillfully enabled him to yield to it without shock to his modesty. He was devoted to this mistress, who had very beautiful feet (he had been horrified by the feet of Europeans generally), until she finally left him. (Archives de Neurologie, October, 1904.)Probably the first case of shoe-fetichism ever recorded in any detail is that of Restif de la Bretonne (1734-1806), publicist and novelist, one of the most remarkable literary figures of the later eighteenth century in France. Restif was a neurotic subject, though not to an extreme degree, and his shoe-fetichism, though distinctly pronounced, was not pathological; that is to say, that the shoe was not itself an adequate gratification of the sexual impulse, but simply a highly important aid to tumescence, a prelude to the natural climax of detumescence; only occasionally, andfaute de mieux, in the absence of the beloved person, was the shoe used as an adjunct to masturbation. In Restif's stories and elsewhere the attraction of the shoe is frequently discussed or used as a motive. His first decided literary success,Le Pied de Fanchette, was suggested by a vision of a girl with a charming foot, casually seen in the street. While all such passages in his books are really founded on his own personal feelings and experiences, in his elaborate autobiography,Monsieur Nicolas, he has frankly set forth the gradual evolution and cause of his idiosyncrasy. The first remembered trace dated from the age of 4, when he was able to recall having remarked the feet of a young girl in his native place. Restif was a sexually precocious youth, and at the age of 9, though both delicate in health and shy in manners, his thoughts were already absorbed in the girls around him. "While little Monsieur Nicolas," he tells us, "passed for a Narcissus, his thoughts, as soon as he was alone, by night or by day, had no other object than that sex he seemed to flee from. The girls most careful of their persons were naturally those who pleased him most, and as the part least easy to keep clean is that which touches the earth it was to the foot-gear that he mechanically gave his chief attention. Agathe, Reine, and especially Madeleine, were the most elegant of the girls at that time; their carefully selected and kept shoes, instead of laces or buckles, which were not yet worn at Sacy, had blue or rose ribbon, according to the color of the skirt. I thought of these girls with emotion; I desired—I knew not what; but I desired something, if it were only to subdue them." The origin Restif here assigns to his shoe-fetichism may seem paradoxical; he admired the girls who were most clean and neat in their dress, he tells us, and, therefore, paid most attention to that part of their clothing which was least clean and neat. But, however paradoxical the remark may seem, it is psychologically sound. All fetichism is a kind of not necessarily morbid obsession, and as the careful work of Janet and others in that field has shown, an obsession is a fascinated attraction to some object or ideawhich gives the subject a kind of emotional shock by its contrast to his habitual moods or ideas. The ordinary morbid obsession cannot usually be harmoniously co-ordinated with the other experiences of the subject's daily life, and shows, therefore, no tendency to become pleasurable. Sexual fetichisms, on the other hand, have a reservoir of agreeable emotion to draw on, and are thus able to acquire both stability and harmony. It will also be seen that no element of masochism is involved in Restif's fetichism, though the mistake has been frequently made of supposing that these two manifestations are usually or even necessarily allied. Restif wishes to subject the girl who attracts him, he has no wish to be subjected by her. He was especially dazzled by a young girl from another town, whose shoes were of a fashionable cut, with buckles, "and who was a charming person besides." She was delicate as a fairy, and rendered his thoughts unfaithful to the robust beauties of his native Sacy. "No doubt," he remarks, "because, being frail and weak myself, it seemed to me that it would be easier to subdue her." "This taste for the beauty of the feet," he continues, "was so powerful in me that it unfailingly aroused desire and would have made me overlook ugliness. It is excessive in all those who have it." He admired the foot as well as the shoe: "The factitious taste for the shoe is only a reflection of that for pretty feet. When I entered a house and saw the boots arranged in a row, as is the custom, I would tremble with pleasure; I blushed and lowered my eyes as if in the presence of the girls themselves. With this vivacity of feeling and a voluptuousness of ideas inconceivable at the age of 10 I still fled, with an involuntary impulse of modesty, from the girls I adored."We may clearly see how this combination of sensitive and precocious sexual ardor with extreme shyness, furnished the soil on which the germ of shoe-fetichism was able to gain a firm root and persist in some degree throughout a long life very largely given up to a pursuit of women, abnormal rather by its excessiveness than its perversity. A few years later, he tells us, he happened to see a pretty pair of shoes in a bootmaker's shop, and on hearing that they belonged to a girl whom at that time he reverently adored at a distance he blushed and nearly fainted.In 1749 he was for a time attracted to a young woman very much older than himself; he secretly carried away one of her slippers and kept it for a day; a little later he again took away a shoe of the same woman which had fascinated him when on her foot, and, he seems to imply, he used it to masturbate with.Perhaps the chief passion of Restif's life was his love for Colette Parangon. He was still a boy (1752), she was the young and virtuous wife of the printer whose apprentice Restif was and in whose house he lived. Madame Parangon, a charming woman, as she is described,was not happily married, and she evidently felt a tender affection for the boy whose excessive love and reverence for her were not always successfully concealed. "Madonna Parangon," he tells us, "possessed a charm which I could never resist, a pretty little foot; it is a charm which arouses more than tenderness. Her shoes, made in Paris, had that voluptuous elegance which seems to communicate soul and life. Sometimes Colette wore shoes of simple white drugget or with silver flowers; sometimes rose-colored slippers with green heels, or green with rose heels; her supple feet, far from deforming her shoes, increased their grace and rendered the form more exciting." One day, on entering the house, he saw Madame Parangon elegantly dressed and wearing rose-colored shoes with tongues, and with green heels and a pretty rosette. They were new and she took them off to put on green slippers with rose heels and borders which he thought equally exciting. As soon as she had left the room, he continues, "carried away by the most impetuous passion and idolizing Colette, I seemed to see her and touch her in handling what she had just worn; my lips pressed one of these jewels, while the other, deceiving the sacred end of nature, from excess of exaltation replaced the object of sex (I cannot express myself more clearly). The warmth which she had communicated to the insensible object which had touched her still remained and gave a soul to it; a voluptuous cloud covered my eyes." He adds that he would kiss with rage and transport whatever had come in close contact with the woman he adored, and on one occasion eagerly pressed his lips to her cast-off underlinen,vela secretiora penetralium.At this period Restif's foot-fetichism reached its highest point of development. It was the aberration of a highly sensitive and very precocious boy. While the preoccupation with feet and shoes persisted throughout life, it never became a complete perversion and never replaced the normal end of sexual desire. His love for Madam Parangon, one of the deepest emotions in his whole life, was also the climax of his shoe-fetichism. She represented his ideal woman, an ethereal sylph with wasp-waist and a child's feet; it was always his highest praise for a woman that she resembled Madame Parangon, and he desired that her slipper should be buried with him. (Restif de la Bretonne,Monsieur Nicolas, vols. i-iv, vol. xiii, p. 5;id.,Mes Inscriptions, pp. ci-cv.)Shoe-fetichism, more especially if we include under this term all the cases of real or pseudo-masochism in which an attraction to the boots or slippers is the chief feature, is a not infrequent phenomenon, and is certainly the most frequently occurring form of fetichism. Many cases are brought together by Krafft-Ebing in hisPsychopathia Sexualis. Every prostitute of any experience has known men who merely desire to gaze at her shoes, or possibly to lick them, and who are quite willing to pay for this privilege. In London such a person is known as a "bootman," in Germany as a "Stiefelfrier."

Probably the first case of shoe-fetichism ever recorded in any detail is that of Restif de la Bretonne (1734-1806), publicist and novelist, one of the most remarkable literary figures of the later eighteenth century in France. Restif was a neurotic subject, though not to an extreme degree, and his shoe-fetichism, though distinctly pronounced, was not pathological; that is to say, that the shoe was not itself an adequate gratification of the sexual impulse, but simply a highly important aid to tumescence, a prelude to the natural climax of detumescence; only occasionally, andfaute de mieux, in the absence of the beloved person, was the shoe used as an adjunct to masturbation. In Restif's stories and elsewhere the attraction of the shoe is frequently discussed or used as a motive. His first decided literary success,Le Pied de Fanchette, was suggested by a vision of a girl with a charming foot, casually seen in the street. While all such passages in his books are really founded on his own personal feelings and experiences, in his elaborate autobiography,Monsieur Nicolas, he has frankly set forth the gradual evolution and cause of his idiosyncrasy. The first remembered trace dated from the age of 4, when he was able to recall having remarked the feet of a young girl in his native place. Restif was a sexually precocious youth, and at the age of 9, though both delicate in health and shy in manners, his thoughts were already absorbed in the girls around him. "While little Monsieur Nicolas," he tells us, "passed for a Narcissus, his thoughts, as soon as he was alone, by night or by day, had no other object than that sex he seemed to flee from. The girls most careful of their persons were naturally those who pleased him most, and as the part least easy to keep clean is that which touches the earth it was to the foot-gear that he mechanically gave his chief attention. Agathe, Reine, and especially Madeleine, were the most elegant of the girls at that time; their carefully selected and kept shoes, instead of laces or buckles, which were not yet worn at Sacy, had blue or rose ribbon, according to the color of the skirt. I thought of these girls with emotion; I desired—I knew not what; but I desired something, if it were only to subdue them." The origin Restif here assigns to his shoe-fetichism may seem paradoxical; he admired the girls who were most clean and neat in their dress, he tells us, and, therefore, paid most attention to that part of their clothing which was least clean and neat. But, however paradoxical the remark may seem, it is psychologically sound. All fetichism is a kind of not necessarily morbid obsession, and as the careful work of Janet and others in that field has shown, an obsession is a fascinated attraction to some object or ideawhich gives the subject a kind of emotional shock by its contrast to his habitual moods or ideas. The ordinary morbid obsession cannot usually be harmoniously co-ordinated with the other experiences of the subject's daily life, and shows, therefore, no tendency to become pleasurable. Sexual fetichisms, on the other hand, have a reservoir of agreeable emotion to draw on, and are thus able to acquire both stability and harmony. It will also be seen that no element of masochism is involved in Restif's fetichism, though the mistake has been frequently made of supposing that these two manifestations are usually or even necessarily allied. Restif wishes to subject the girl who attracts him, he has no wish to be subjected by her. He was especially dazzled by a young girl from another town, whose shoes were of a fashionable cut, with buckles, "and who was a charming person besides." She was delicate as a fairy, and rendered his thoughts unfaithful to the robust beauties of his native Sacy. "No doubt," he remarks, "because, being frail and weak myself, it seemed to me that it would be easier to subdue her." "This taste for the beauty of the feet," he continues, "was so powerful in me that it unfailingly aroused desire and would have made me overlook ugliness. It is excessive in all those who have it." He admired the foot as well as the shoe: "The factitious taste for the shoe is only a reflection of that for pretty feet. When I entered a house and saw the boots arranged in a row, as is the custom, I would tremble with pleasure; I blushed and lowered my eyes as if in the presence of the girls themselves. With this vivacity of feeling and a voluptuousness of ideas inconceivable at the age of 10 I still fled, with an involuntary impulse of modesty, from the girls I adored."

We may clearly see how this combination of sensitive and precocious sexual ardor with extreme shyness, furnished the soil on which the germ of shoe-fetichism was able to gain a firm root and persist in some degree throughout a long life very largely given up to a pursuit of women, abnormal rather by its excessiveness than its perversity. A few years later, he tells us, he happened to see a pretty pair of shoes in a bootmaker's shop, and on hearing that they belonged to a girl whom at that time he reverently adored at a distance he blushed and nearly fainted.

In 1749 he was for a time attracted to a young woman very much older than himself; he secretly carried away one of her slippers and kept it for a day; a little later he again took away a shoe of the same woman which had fascinated him when on her foot, and, he seems to imply, he used it to masturbate with.

Perhaps the chief passion of Restif's life was his love for Colette Parangon. He was still a boy (1752), she was the young and virtuous wife of the printer whose apprentice Restif was and in whose house he lived. Madame Parangon, a charming woman, as she is described,was not happily married, and she evidently felt a tender affection for the boy whose excessive love and reverence for her were not always successfully concealed. "Madonna Parangon," he tells us, "possessed a charm which I could never resist, a pretty little foot; it is a charm which arouses more than tenderness. Her shoes, made in Paris, had that voluptuous elegance which seems to communicate soul and life. Sometimes Colette wore shoes of simple white drugget or with silver flowers; sometimes rose-colored slippers with green heels, or green with rose heels; her supple feet, far from deforming her shoes, increased their grace and rendered the form more exciting." One day, on entering the house, he saw Madame Parangon elegantly dressed and wearing rose-colored shoes with tongues, and with green heels and a pretty rosette. They were new and she took them off to put on green slippers with rose heels and borders which he thought equally exciting. As soon as she had left the room, he continues, "carried away by the most impetuous passion and idolizing Colette, I seemed to see her and touch her in handling what she had just worn; my lips pressed one of these jewels, while the other, deceiving the sacred end of nature, from excess of exaltation replaced the object of sex (I cannot express myself more clearly). The warmth which she had communicated to the insensible object which had touched her still remained and gave a soul to it; a voluptuous cloud covered my eyes." He adds that he would kiss with rage and transport whatever had come in close contact with the woman he adored, and on one occasion eagerly pressed his lips to her cast-off underlinen,vela secretiora penetralium.

At this period Restif's foot-fetichism reached its highest point of development. It was the aberration of a highly sensitive and very precocious boy. While the preoccupation with feet and shoes persisted throughout life, it never became a complete perversion and never replaced the normal end of sexual desire. His love for Madam Parangon, one of the deepest emotions in his whole life, was also the climax of his shoe-fetichism. She represented his ideal woman, an ethereal sylph with wasp-waist and a child's feet; it was always his highest praise for a woman that she resembled Madame Parangon, and he desired that her slipper should be buried with him. (Restif de la Bretonne,Monsieur Nicolas, vols. i-iv, vol. xiii, p. 5;id.,Mes Inscriptions, pp. ci-cv.)

Shoe-fetichism, more especially if we include under this term all the cases of real or pseudo-masochism in which an attraction to the boots or slippers is the chief feature, is a not infrequent phenomenon, and is certainly the most frequently occurring form of fetichism. Many cases are brought together by Krafft-Ebing in hisPsychopathia Sexualis. Every prostitute of any experience has known men who merely desire to gaze at her shoes, or possibly to lick them, and who are quite willing to pay for this privilege. In London such a person is known as a "bootman," in Germany as a "Stiefelfrier."

The predominance of the foot as a focus of sexual attraction, while among us to-day it is a not uncommon phenomenon, is still not sufficiently common to be called normal; the majority of even ardent lovers do not experience this attraction in any marked degree. But these manifestations of foot-fetichism which with us to-day are abnormal, even when they are not so extreme as to be morbid, may perhaps become more intelligible to us when we realize that in earlier periods of civilization, and even to-day in some parts of the world, the foot is generally recognized as a focus of sexual attraction, so that some degree of foot-fetichism becomes a normal phenomenon.

The most pronounced and the best known example of such normal foot-fetichism at the present day is certainly to be found among the Southern Chinese. For a Chinese husband his wife's foot is more interesting than her face. A Chinese woman is as shy of showing her feet to a man as a European woman her breasts; they are reserved for her husband's eyes alone, and to look at a woman's feet in the street is highly improper and indelicate. Chinese foot-fetichism is connected with the custom of compressing the feet. This custom appears to rest on the fact that Chinese women naturally possess a very small foot and is thus an example of the universal tendency in the search for beauty to accentuate, even by deformation, the racial characteristics. But there is more than this. Beauty is largely a name for sexual attractiveness, and the energy expended in the effort to make the Chinese woman's small foot still smaller is a measure of the sexual fascination which it exerts. The practice arose on the basis of the sexual attractiveness of the foot, though it has doubtless served to heighten that attractiveness, just as the small waist, which (if we may follow Stratz) is a characteristic beauty of the European woman, becomes to the average European man still more attractive when accentuated, even to the extent of deformity, by the compression of the corset.

Referring to the sexual fascination exerted by the foot in China, Matignon writes: "My attention has been drawn to this point by a large number of pornographic engravings, of which the Chinese are very fond. In all these lascivious scenes we see the male voluptuously fondlingthe woman's foot. When a Celestial takes into his hand a woman's foot, especially if it is very small, the effect upon him is precisely the same as is provoked in a European by the palpation of a young and firm bosom. All the Celestials whom I have interrogated on this point have replied unanimously: 'Oh, a little foot! You Europeans cannot understand how exquisite, how sweet, how exciting it is!' The contact of the genital organ with the little foot produces in the male an indescribable degree of voluptuous feeling, and women skilled in love know that to arouse the ardor of their lovers a better method than all Chinese aphrodisiacs—including 'giusen' and swallows' nests—is to take the penis between their feet. It is not rare to find Chinese Christians accusing themselves at confession of having had 'evil thoughts on looking at a woman's foot.'" (Dr. J. Matignon, "A propos d'un Pied de Chinoise,"Archives d'Anthropologie Criminelle, 1898.)It is said that a Chinese Empress, noted for her vice and having a congenital club foot, about the year 1100 B.C., desired all women to resemble her, and that the practice of compressing the foot thus arose. But this is only tradition, since, in 300 B.C., Chinese books were destroyed (Morache, Art. "Chine,"Dictionnaire Encyclopédique des Sciences Médicales, p. 191). It is also said that the practice owes its origin to the wish to keep women indoors. But women are not secluded in China, nor does foot compression usually render a woman unable to walk. Many intelligent Chinese are of opinion that its object is to promote the development of the sexual parts and of the thighs, and so to aid both intercourse and parturition. There is no ground for believing that it has any such influence, though Morache found that the mons veneris and labia are largely developed in Chinese women, and not in Tartar women living in Pekin (who do not compress the foot). If there is any correlation between the feet and the pelvic regions, it is more probably congenital than due to the artificial compression of the feet. The ancients seem to have believed that a small foot indicated a small vagina. Restif de la Bretonne, who had ample opportunities for forming an opinion on a matter in which he took so great an interest, believed that a small foot, round and short, indicated a large vagina (Monsieur Nicolas, vol. i, reprint of 1883, p. 92). Even, however, if we admit that there is a real correlation between the foot and the vagina, that would by no means suffice to render the foot a focus of sexual attraction.It remains the most reasonable view that the foot bandage must be regarded as strictly analogous to the waist bandage or corset which also tends to produce deformity of the constricted region. Stratz has ingeniously remarked (Frauenkleidung, third edition, p. 101) that the success of the Chinese in dwarfing trees may have suggested a similar attempt in regard to women's feet, and adds that in any case both dwarfed trees and bound feet bear witness in the Mongolian to the samelove for small and elegant, not to say deformed, things. For a Chinaman the deformed foot is a "golden water-lily."Many facts (together with illustrations) bearing on Chinese deformation of the foot will be found in Ploss,Das Weib, vol. i, Section IV.

It is said that a Chinese Empress, noted for her vice and having a congenital club foot, about the year 1100 B.C., desired all women to resemble her, and that the practice of compressing the foot thus arose. But this is only tradition, since, in 300 B.C., Chinese books were destroyed (Morache, Art. "Chine,"Dictionnaire Encyclopédique des Sciences Médicales, p. 191). It is also said that the practice owes its origin to the wish to keep women indoors. But women are not secluded in China, nor does foot compression usually render a woman unable to walk. Many intelligent Chinese are of opinion that its object is to promote the development of the sexual parts and of the thighs, and so to aid both intercourse and parturition. There is no ground for believing that it has any such influence, though Morache found that the mons veneris and labia are largely developed in Chinese women, and not in Tartar women living in Pekin (who do not compress the foot). If there is any correlation between the feet and the pelvic regions, it is more probably congenital than due to the artificial compression of the feet. The ancients seem to have believed that a small foot indicated a small vagina. Restif de la Bretonne, who had ample opportunities for forming an opinion on a matter in which he took so great an interest, believed that a small foot, round and short, indicated a large vagina (Monsieur Nicolas, vol. i, reprint of 1883, p. 92). Even, however, if we admit that there is a real correlation between the foot and the vagina, that would by no means suffice to render the foot a focus of sexual attraction.

It remains the most reasonable view that the foot bandage must be regarded as strictly analogous to the waist bandage or corset which also tends to produce deformity of the constricted region. Stratz has ingeniously remarked (Frauenkleidung, third edition, p. 101) that the success of the Chinese in dwarfing trees may have suggested a similar attempt in regard to women's feet, and adds that in any case both dwarfed trees and bound feet bear witness in the Mongolian to the samelove for small and elegant, not to say deformed, things. For a Chinaman the deformed foot is a "golden water-lily."

Many facts (together with illustrations) bearing on Chinese deformation of the foot will be found in Ploss,Das Weib, vol. i, Section IV.

The significance of the sexual emotion aroused by the female foot in China and the origin of its compression begin to become clear when we realize that this foot-fetichism is merely an extreme development of a tendency which is fairly well marked among nearly all the peoples of yellow race. Jacoby, who has brought together a number of interesting facts bearing on the sexual significance of the foot, states that a similar tendency is to be found among the Mongol and Turk peoples of Siberia, and in the east and central parts of European Russia, among the Permiaks, the Wotiaks, etc. Here the woman, at all events when young, has always her feet, as well as head, covered, however little clothing she may otherwise wear.

"On hot nights or on baking days," Jacoby states, "you may see these women with uncovered breasts, or even entirely naked without embarrassment, but you will never see them with bare feet, and no male relations, except the husband, will ever see the feet and lower part of the legs of the women in the house. These women have their modesty in their feet, and also their coquetry; to unbind the feet of a woman is for a man a voluptuous act, and the touch of the bands produces the same effect as a corset still warm from a woman's body on a European man. A woman's beauty, that which attracts and excites a man, lies in her foot; in Mordvin love poems celebrating the beauty of women there is much about her attire, especially her embroidered chemise, but as regards the charms of her person the poet is content to state that 'her feet are beautiful;' with that everything is said. The young peasant woman of the central provinces as part of her holiday raiment puts on great woolen stockings which come up to the groin and are then folded over to below the knee. To uncover the feet of a person of the opposite sex is a sexual act, and has thus become the symbol of sexual possession, so that the stocking or foot-gear became the emblem of marriage, as later the ring. (It was so among the Jews, as we see in the book ofRuth, Chapter III, v. 4, and Chapter IV, vv. 7 and 8). St. Vladimir the Great asked in marriage the daughter of Prince Rogvold; as Vladimir's mother had been a serf, the princess proudly replied that she 'would not uncover the feet of a slave.' At the present time in theeast of Russia when a young girl tries to find out by divination whom she will have as a husband the traditional formula is 'Come and take my stockings off.' Among the populations of the north and east, it is sometimes the bride who must do this for her husband on the wedding night, and sometimes the bridegroom for his wife, not as a token of love, but as a nuptial ceremony. Among the professional classes and small nobility in Russia parents place money in the stocking of their child at marriage as a present for the other partner, it being supposed that the couple mutually remove each other's foot raiment, as an act of sexual possession, the emblem of coitus." (Paul Jacoby,Archives d'Anthropologie Criminelle, December, 1903, p. 793.) The practice among ourselves of children hanging up their stockings at night for presents would seem to be a relic of the last-mentioned custom.

While we may witness the sexual symbolism of the foot, with or without an associated foot-fetichism, most highly developed in Asia and Eastern Europe, it has by no means been altogether unknown in some stages of western civilization, and traces of it may be found here and there even yet. Schinz refers to the connection between the feet and sexual pleasure as existing not only among the Egyptians and the Arabs, but among the ancient Germans and the modern Spaniards,[16]while Jacoby points out that among the Greeks, the Romans, and especially the Etruscans, it was usual to represent chaste and virgin goddesses with their feet covered, even though they might be otherwise nude. Ovid, again, is never weary of dwelling on the sexual charm of the feminine foot. He represents the chaste matron as wearing a weightedstolawhich always fell so as to cover her feet; it was only the courtesan, or the nymph who is taking part in an erotic festival, who appears with raised robes, revealing her feet.[17]So grave a historian as Strabo, as well as Ælian,refers to the story of the courtesan Rhodope whose sandal was carried off by an eagle and dropped in the King of Egypt's lap as he was administering justice, so that he could not rest until he had discovered to whom this delicately small sandal belonged, and finally made her his queen. Kleinpaul, who repeats this story, has collected many European sayings and customs (including Turkish), indicating that the slipper is a very ancient symbol of a woman's sexual parts.[18]

In Rome, Dufour remarks, "Matrons having appropriated the use of the shoe (soccus) prostitutes were not allowed to use it, and were obliged to have their feet always naked in sandals or slippers (crepidaandsolea), which they fastened over the instep with gilt bands. Tibullus delights to describe his mistress's little foot, compressed by the band that imprisoned it:Ansaque compressos colligat arcta pedes. Nudity of the foot in woman was a sign of prostitution, and their brilliant whiteness acted afar as a pimp to attract looks and desires." (Dufour,Histoire de la Prostitution, vol. II., ch. xviii.)This feeling seems to have survived in a more or less vague and unconscious form in mediæval Europe. "In the tenth century," according to Dufour (Histoire de la Prostitution, vol. VI., p. 11), "shoesa la poulaine, with a claw or beak, pursued for more than four centuries by the anathemas of popes and the invectives of preachers, were always regarded by mediæval casuists as the most abominable emblems of immodesty. At a first glance it is not easy to see why these shoes—terminating in a lion's claw, an eagle's beak, the prow of a ship, or other metal appendage—should be so scandalous. The excommunication inflicted on this kind of foot-gear preceded the impudent invention of some libertine, who worepoulainesin the shape of the phallus, a custom adopted also by women. This kind ofpoulainewas denounced asmandite de Dicu(Ducange's Glossary, at the word Poulainia) and prohibited by royal ordinances (see letter of Charles V., 17 October, 1367, regarding the garments of the women of Montpellier). Great lords and ladies continued, however, to wearpoulaines." In Louis XL's court they were still worn of a quarter of an ell in length.Spain, ever tenacious of ancient ideas, appears to have preservedlonger than other countries the ancient classic traditions in regard to the foot as a focus of modesty and an object of sexual attraction. In Spanish religious pictures it was always necessary that the Virgin's feet should be concealed, the clergy ordaining that her robe should be long and flowing, so that the feet might be covered with decent folds. Pacheco, the master and father-in-law of Velasquez, writes in 1649 in hisArte de la Pintura: "What can be more foreign from the respect which we owe to the purity of Our Lady the Virgin than to paint her sitting down with one of her knees placed over the other, and often with her sacred feet uncovered and naked. Let thanks be given to the Holy Inquisition which commands that this liberty should be corrected!" It was Pacheco's duty in Seville to see that these commands were obeyed. At the court of Philip IV. at this time the princesses never showed their feet, as we may see in the pictures of Velasquez. When a local manufacturer desired to present that monarch's second bride, Mariana of Austria, with some silk stockings the offer was indignantly rejected by the Court Chamberlain: "The Queen of Spain has no legs!" Philip V.'s, queen was thrown from her horse and dragged by the feet; no one ventured to interfere until two gentlemen bravely rescued her and then fled, dreading punishment by the king: they were, however, graciously pardoned. Reinach ("Pieds Pudiques,"Cultes, Mythes et Religions, pp. 105-110) brings together several passages from the Countess D'Aulnoy's account of the Madrid Court in the seventeenth century and from other sources, showing how careful Spanish ladies were as regards their feet, and how jealous Spanish husbands were in this matter. At this time, when Spanish influence was considerable, the fashion of Spain seems to have spread to other countries. One may note that in Vandyck's pictures of English beauties the feet are not visible, though in the more characteristically English painters of a somewhat later age it became usual to display them conspicuously, while the French custom in this matter is the farthest removed from the Spanish. At the present day a well-bred Spanish woman shows as little as possible of her feet in walking, and even in some of the most characteristic Spanish dances there is little or no kicking, and the feet may even be invisible throughout. It is noteworthy that in numerous figures of Spanish women (probably artists' models) reproduced in Ploss'sDas Weibthe stockings are worn, although the women are otherwise, in most cases, quite naked. Max Dessoir mentions ("Psychologie der Vita Sexualis,"Zeitschrift für Psychiatrie, 1894, p. 954) that in Spanish pornographic photographs women always have their shoes on, and he considers this an indication of perversity. I have seen the statement (attributed to Gautier'sVoyage en Espagne, where, however, it does not occur) that Spanish prostitutes uncover their feet in sign of assent, and Madame d'Aulnoy stated that in her time to show her lover her feet was a Spanish woman's final favor.

This feeling seems to have survived in a more or less vague and unconscious form in mediæval Europe. "In the tenth century," according to Dufour (Histoire de la Prostitution, vol. VI., p. 11), "shoesa la poulaine, with a claw or beak, pursued for more than four centuries by the anathemas of popes and the invectives of preachers, were always regarded by mediæval casuists as the most abominable emblems of immodesty. At a first glance it is not easy to see why these shoes—terminating in a lion's claw, an eagle's beak, the prow of a ship, or other metal appendage—should be so scandalous. The excommunication inflicted on this kind of foot-gear preceded the impudent invention of some libertine, who worepoulainesin the shape of the phallus, a custom adopted also by women. This kind ofpoulainewas denounced asmandite de Dicu(Ducange's Glossary, at the word Poulainia) and prohibited by royal ordinances (see letter of Charles V., 17 October, 1367, regarding the garments of the women of Montpellier). Great lords and ladies continued, however, to wearpoulaines." In Louis XL's court they were still worn of a quarter of an ell in length.

Spain, ever tenacious of ancient ideas, appears to have preservedlonger than other countries the ancient classic traditions in regard to the foot as a focus of modesty and an object of sexual attraction. In Spanish religious pictures it was always necessary that the Virgin's feet should be concealed, the clergy ordaining that her robe should be long and flowing, so that the feet might be covered with decent folds. Pacheco, the master and father-in-law of Velasquez, writes in 1649 in hisArte de la Pintura: "What can be more foreign from the respect which we owe to the purity of Our Lady the Virgin than to paint her sitting down with one of her knees placed over the other, and often with her sacred feet uncovered and naked. Let thanks be given to the Holy Inquisition which commands that this liberty should be corrected!" It was Pacheco's duty in Seville to see that these commands were obeyed. At the court of Philip IV. at this time the princesses never showed their feet, as we may see in the pictures of Velasquez. When a local manufacturer desired to present that monarch's second bride, Mariana of Austria, with some silk stockings the offer was indignantly rejected by the Court Chamberlain: "The Queen of Spain has no legs!" Philip V.'s, queen was thrown from her horse and dragged by the feet; no one ventured to interfere until two gentlemen bravely rescued her and then fled, dreading punishment by the king: they were, however, graciously pardoned. Reinach ("Pieds Pudiques,"Cultes, Mythes et Religions, pp. 105-110) brings together several passages from the Countess D'Aulnoy's account of the Madrid Court in the seventeenth century and from other sources, showing how careful Spanish ladies were as regards their feet, and how jealous Spanish husbands were in this matter. At this time, when Spanish influence was considerable, the fashion of Spain seems to have spread to other countries. One may note that in Vandyck's pictures of English beauties the feet are not visible, though in the more characteristically English painters of a somewhat later age it became usual to display them conspicuously, while the French custom in this matter is the farthest removed from the Spanish. At the present day a well-bred Spanish woman shows as little as possible of her feet in walking, and even in some of the most characteristic Spanish dances there is little or no kicking, and the feet may even be invisible throughout. It is noteworthy that in numerous figures of Spanish women (probably artists' models) reproduced in Ploss'sDas Weibthe stockings are worn, although the women are otherwise, in most cases, quite naked. Max Dessoir mentions ("Psychologie der Vita Sexualis,"Zeitschrift für Psychiatrie, 1894, p. 954) that in Spanish pornographic photographs women always have their shoes on, and he considers this an indication of perversity. I have seen the statement (attributed to Gautier'sVoyage en Espagne, where, however, it does not occur) that Spanish prostitutes uncover their feet in sign of assent, and Madame d'Aulnoy stated that in her time to show her lover her feet was a Spanish woman's final favor.

The tendency, which we thus find to be normal at some earlier periods of civilization, to insist on the sexual symbolism of the feminine foot or its coverings, and to regard them as a special sexual fascination, is not without significance for the interpretation of the sporadic manifestations of foot-fetichism among ourselves. Eccentric as foot-fetichism may appear to us, it is simply the re-emergence, by a pseudo-atavism or arrest of development, of a mental or emotional impulse which was probably experienced by our forefathers, and is often traceable among young children to-day.[19]The occasional reappearance of this bygone impulse and the stability which it may acquire are thus conditioned by the sensitive reaction of an abnormally nervous and usually precocious organism to influences which, among the average and ordinary population of Europe to-day, are either never felt, or quickly outgrown, or very strictly subordinated in the highly complex crystallizations which the course of love and the process of tumescence create within us.

It may be added that this is by no means true of foot-fetichism only. In some other fetichisms a seemingly congenital predisposition is even more marked. This is not only the case as regards hair-fetichism and fur-fetichism (see,e.g., Krafft-Ebing,Psychopathia Sexualis, English translation of tenth edition, pp. 233, 255, 262). In many cases of fetichisms of all kinds not only is there no record of any commencement in a definite episode (an absence which may be accounted for by the supposition that the original incident has been forgotten), but it would seem in some cases that the fetichism developed very slowly.

In this sense, it will be seen, although it is hazardous to speak of foot-fetichism as strictly an atavism, it may certainly be said to arise on a congenital basis. It represents the rare development of an inborn germ, usually latent among ourselves, which in earlier stages of civilization frequently reached a normal and general fruition.

It is of interest to emphasize this congenital element of foot symbolism, because more than any other forms of sexual perversion the fetichisms are those which are most vaguely conditioned by inborn states of the organism and most definitely aroused by seemingly accidental associations or shocks in early life. Inversion is sometimes so fundamentally ingrained in the individual's constitution that it arises and develops in spite of the very strongest influence in a contrary direction. But a fetichism, while it tends to occur in sensitive, nervous, timid, precocious individuals—that is to say, individuals of more or less neuropathic heredity—can usually, though not always, be traced to a definite starting point in the shock of some sexually emotional episode in early life.

A few examples of the influences of such association may here be given, referring miscellaneously to various forms of erotic symbolism. Magnan has recorded the case of a hair-fetichist, living in a district where the women wore their hair done up, who at the age of 15 experienced pleasurable feelings with erection at the sight of a village beauty combing her hair; from that time flowing hair became his fetich, and he could not resist the temptation to touch it and if possible sever it, thus becoming a hair-despoiler, for which he was arrested but not sentenced. (Archives de l'Anthropologie Criminelle, vol. v, No. 28.)I have elsewhere recorded the history of a boy of 14, having already had imperfect connection with a grown-up woman, who associated much with a young married lady; he had no sexual relations with her, but one day she urinated in his presence, and he saw that her mons veneris was covered by very thick hair; from that time he worshiped this woman in secret and acquired a life-long fetichistic attraction to women whose pubic hair was similarly abundant (Studies in the Psychology of Sex, vol. iii, Appendix B, History V).Roubaud reported the case of a general's son, sexually initiated at the age of 14 by a blonde young lady of 21 who, in order to avoid detection, always retained her clothing: gaiters, a corset and a silk dress; when the boy's studies were completed and he was sent to a garrison where he could enjoy freedom he found that his sexual desires could only be aroused by blonde women dressed like the lady who had first aroused his sexual desires; consequently he gave up all thoughts of matrimony, as a woman in nightclothes produced impotence (Traité de l'Impuissance, p. 439). Krafft-Ebing records the somewhat similar case of a nervous Polish boy of old family seduced at the age of 17 by a French governess, who during several months practiced mutual masturbationwith him; in this way his attention became attracted by her very elegant boots, and in the end he became a confirmed boot-fetichist (Psychopathia Sexualis, English translation, p. 249).A boy of 7, of bad heredity, was taught to masturbate by a servant girl; on one occasion she practiced this on him with her foot without taking off her shoe; it was the first time the manœuvre gave him any pleasure, and an association was thus established which led to shoe-fetichism (Hammond,Sexual Impotence, p. 44). A government official whose first coitus in youth took place on a staircase; the sound of his partner's creaking shoes against the stairs, produced by her efforts to accelerate orgasm, formed an association which developed into an auditory shoe-fetichism; in the streets he was compelled to follow ladies whose shoes creaked, ejaculation being thus produced, while to obtain complete satisfaction he would make a prostitute, otherwise naked, sit in front of him in her shoes, moving her feet so that the shoes creaked. (Moraglia,Archivio di Psichiatria, vol. xiii, p. 568.)Bechterew, in St. Petersburg, has recorded the case of a man who when a child used to fall asleep at the knees of his nurse with his head buried in the folds of her apron; in this position he first experienced erection and voluptuous sensations; when a youth he had no attraction to naked women, and in real life and in dreams was only excited sexually under conditions recalling his early experience; in his relations with women he preferred them dressed, and was excited by the rustling sound of their skirts; in this case there was no traceable neuropathic taint nor any other personal peculiarity. (Summarized inJournal de Psychologie Normale et Pathologique, January-February, 1904, p. 72.)In a curious case recorded in detail by Moll, a philologist of sensitive temperament but sound heredity, who had always been fond of flowers, at the age of 21 became engaged to a young lady who wore large roses fastened in her jacket; from this time roses became to him a sexual fetich, to kiss them caused erection, and his erotic dreams were accompanied by visions of roses and the hallucination of their odor; the engagement was finally broken off and the rose-fetichism disappeared (Untersuchungen über Libido Sexualis, bd. i, p. 540).

I have elsewhere recorded the history of a boy of 14, having already had imperfect connection with a grown-up woman, who associated much with a young married lady; he had no sexual relations with her, but one day she urinated in his presence, and he saw that her mons veneris was covered by very thick hair; from that time he worshiped this woman in secret and acquired a life-long fetichistic attraction to women whose pubic hair was similarly abundant (Studies in the Psychology of Sex, vol. iii, Appendix B, History V).

Roubaud reported the case of a general's son, sexually initiated at the age of 14 by a blonde young lady of 21 who, in order to avoid detection, always retained her clothing: gaiters, a corset and a silk dress; when the boy's studies were completed and he was sent to a garrison where he could enjoy freedom he found that his sexual desires could only be aroused by blonde women dressed like the lady who had first aroused his sexual desires; consequently he gave up all thoughts of matrimony, as a woman in nightclothes produced impotence (Traité de l'Impuissance, p. 439). Krafft-Ebing records the somewhat similar case of a nervous Polish boy of old family seduced at the age of 17 by a French governess, who during several months practiced mutual masturbationwith him; in this way his attention became attracted by her very elegant boots, and in the end he became a confirmed boot-fetichist (Psychopathia Sexualis, English translation, p. 249).

A boy of 7, of bad heredity, was taught to masturbate by a servant girl; on one occasion she practiced this on him with her foot without taking off her shoe; it was the first time the manœuvre gave him any pleasure, and an association was thus established which led to shoe-fetichism (Hammond,Sexual Impotence, p. 44). A government official whose first coitus in youth took place on a staircase; the sound of his partner's creaking shoes against the stairs, produced by her efforts to accelerate orgasm, formed an association which developed into an auditory shoe-fetichism; in the streets he was compelled to follow ladies whose shoes creaked, ejaculation being thus produced, while to obtain complete satisfaction he would make a prostitute, otherwise naked, sit in front of him in her shoes, moving her feet so that the shoes creaked. (Moraglia,Archivio di Psichiatria, vol. xiii, p. 568.)

Bechterew, in St. Petersburg, has recorded the case of a man who when a child used to fall asleep at the knees of his nurse with his head buried in the folds of her apron; in this position he first experienced erection and voluptuous sensations; when a youth he had no attraction to naked women, and in real life and in dreams was only excited sexually under conditions recalling his early experience; in his relations with women he preferred them dressed, and was excited by the rustling sound of their skirts; in this case there was no traceable neuropathic taint nor any other personal peculiarity. (Summarized inJournal de Psychologie Normale et Pathologique, January-February, 1904, p. 72.)

In a curious case recorded in detail by Moll, a philologist of sensitive temperament but sound heredity, who had always been fond of flowers, at the age of 21 became engaged to a young lady who wore large roses fastened in her jacket; from this time roses became to him a sexual fetich, to kiss them caused erection, and his erotic dreams were accompanied by visions of roses and the hallucination of their odor; the engagement was finally broken off and the rose-fetichism disappeared (Untersuchungen über Libido Sexualis, bd. i, p. 540).

Such associations may naturally occur in the early experiences of even the most normal persons. The degree to which they will influence the subsequent life and thought and feeling depends on the degree of the individual's morbid emotional receptivity, on the extent to which he is hereditarily susceptible of abnormal deviation. Precocity is undoubtedly a condition which favors such deviation; a child who is precociously andabnormally sensitive to persons of the opposite sex before puberty has established the normal channels of sexual desire, is peculiarly liable to become the prey of a chance symbolism. All degrees of such symbolism are possible. While the average insensitive person may fail to perceive them at all, for the more alert and imaginative lover they are a fascinating part of the highly charged crystallization of passion. A more nervously exceptional person, when once such a symbolism has become firmly implanted, may find it an absolutely essential element in the charm of a beloved and charming person. Finally, for the individual who is thoroughly unsound the symbol becomes generalized; a person is no longer desired at all, being merely regarded as an appendage of the symbol, or being dispensed with altogether; the symbol is alone desired, and is fully adequate to impart by itself complete sexual gratification. While it must be considered a morbid state to demand a symbol as an almost essential part of the charm of a desired person, it is only in the final condition, in which the symbol becomes all-sufficing, that we have a true and complete perversion. In the less complete forms of symbolism it is still the woman who is desired, and the ends of procreation may be served; when the woman is ignored and the mere symbol is an adequate and even preferred stimulus to detumescence the pathological condition becomes complete.

Krafft-Ebing regarded shoe-fetichism as, in large measure, a more or less latent form of masochism, the foot or the shoe being the symbol of the subjection and humiliation which the masochist feels in the presence of the beloved object. Moll is also inclined to accept such a connection.

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