All great literature touches nakedly and sanely on the central facts of sex. It is always consoling to remember this in an age of petty pruderies. And it is a satisfaction to know that it would not be possible to emasculate the literature of the great ages, however desirable it might seem to the men of more degenerate ages, or to close the avenues to that literature against the young. All our religious and literary traditions serve to fortify the position of the Bible and of Shakespeare. "So many men and women," writes a correspondent, a literary man, "gain sexual ideas in childhood from reading the Old Testament, that the Bible may be called an erotic text-book. Most persons of either sex with whom I have conversed on the subject, say that the Books of Moses, and the stories of Amnon and Tamar, Lot and his daughters, Potiphar's wife and Joseph, etc., caused speculation and curiosity, and gave them information of the sexual relationship. A boy and girl of fifteen, both friends of the writer, and now over thirty years of age, used to find out erotic passages in the Bible on Sunday mornings, while in a Dissenting chapel, and pass their Bibles to one another, with their fingers on the portions that interested them." In the same way many a young woman has borrowed Shakespeare in order to read the glowing erotic poetry ofVenus and Adonis, which her friends have told her about.The Bible, it may be remarked, is not in every respect, a model introduction for the young mind to the questions of sex. But even its frank acceptance, as of divine origin, of sexual rules so unlike those that are nominally our own, such as polygamy and concubinage, helps to enlarge the vision of the youthful mind by showing that the rules surrounding the child are not those everywhere and always valid, while the nakedness and realism of the Bible cannot but be a wholesome and tonic corrective to conventional pruderies.We must, indeed, always protest against the absurd confusionwhereby nakedness of speech is regarded as equivalent to immorality, and not the less because it is often adopted even in what are regarded as intellectual quarters. When in the House of Lords, in the last century, the question of the exclusion of Byron's statue from Westminster Abbey was under discussion, Lord Brougham "denied that Shakespeare was more moral than Byron. He could, on the contrary, point out in a single page of Shakespeare more grossness than was to be found in all Lord Byron's works." The conclusion Brougham thus reached, that Byron is an incomparably more moral writer than Shakespeare, ought to have been a sufficientreductio ad absurdumof his argument, but it does not appear that anyone pointed out the vulgar confusion into which he had fallen.It may be said that the special attractiveness which the nakedness of great literature sometimes possesses for young minds is unwholesome. But it must be remembered that the peculiar interest of this element is merely due to the fact that elsewhere there is an inveterate and abnormal concealment. It must also be said that the statements of the great writers about natural things are never degrading, nor even erotically exciting to the young, and what Emilia Pardo Bazan tells of herself and her delight when a child in the historical books of the Old Testament, that the crude passages in them failed to send the faintest cloud of trouble across her young imagination, is equally true of most children. It is necessary, indeed, that these naked and serious things should be left standing, even if only to counterbalance the lewdly comic efforts to besmirch love and sex, which are visible to all in every low-class bookseller's shop window.This point of view was vigorously championed by the speakers on sexual education at the Third Congress of the German Gesellschaft zur Bekämpfung der Geschlechtskrankheiten in 1907. Thus Enderlin, speaking as a headmaster, protested against the custom of bowdlerizing poems and folk-songs for the use of children, and thus robbing them of the finest introduction to purified sexual impulses and the highest sphere of emotion, while at the same time they are recklessly exposed to the "psychic infection" of the vulgar comic papers everywhere exposed for sale. "So long as children are too young to respond to erotic poetry it cannot hurt them; when they are old enough to respond it can only benefit them by opening to them the highest and purest channels of human emotion" (Sexualpädagogik, p. 60). Professor Schäfenacker (id., p. 98) expresses himself in the same sense, and remarks that "the method of removing from school-books all those passages which, in the opinion of short-sighted and narrow-hearted schoolmasters, are unsuited for youth, must be decisively condemned." Every healthy boy and girl who has reached the age of puberty may be safely allowed to ramble in any good library, however varied its contents. So far from needingguidance they will usually show a much more refined taste than their elders. At this age, when the emotions are still virginal and sensitive, the things that are realistic, ugly, or morbid, jar on the young spirit and are cast aside, though in adult life, with the coarsening of mental texture which comes of years and experience, this repugnance, doubtless by an equally sound and natural instinct, may become much less acute.Ellen Key in Ch. VI of herCentury of the Childwell summarizes the reasons against the practice of selecting for children books that are "suitable" for them, a practice which she considers one of the follies of modern education. The child should be free to read all great literature, and will himself instinctively put aside the things he is not yet ripe for. His cooler senses are undisturbed by scenes that his elders find too exciting, while even at a later stage it is not the nakedness of great literature, but much more the method of the modern novel, which is likely to stain the imagination, falsify reality and injure taste. It is concealment which misleads and coarsens, producing a state of mind in which even the Bible becomes a stimulus to the senses. The writings of the great masters yield the imaginative food which the child craves, and the erotic moment in them is too brief to be overheating. It is the more necessary, Ellen Key remarks, for children to be introduced to great literature, since they often have little opportunity to occupy themselves with it in later life. Many years earlier Ruskin, inSesame and Lilies, had eloquently urged that even young girls should be allowed to range freely in libraries.
All great literature touches nakedly and sanely on the central facts of sex. It is always consoling to remember this in an age of petty pruderies. And it is a satisfaction to know that it would not be possible to emasculate the literature of the great ages, however desirable it might seem to the men of more degenerate ages, or to close the avenues to that literature against the young. All our religious and literary traditions serve to fortify the position of the Bible and of Shakespeare. "So many men and women," writes a correspondent, a literary man, "gain sexual ideas in childhood from reading the Old Testament, that the Bible may be called an erotic text-book. Most persons of either sex with whom I have conversed on the subject, say that the Books of Moses, and the stories of Amnon and Tamar, Lot and his daughters, Potiphar's wife and Joseph, etc., caused speculation and curiosity, and gave them information of the sexual relationship. A boy and girl of fifteen, both friends of the writer, and now over thirty years of age, used to find out erotic passages in the Bible on Sunday mornings, while in a Dissenting chapel, and pass their Bibles to one another, with their fingers on the portions that interested them." In the same way many a young woman has borrowed Shakespeare in order to read the glowing erotic poetry ofVenus and Adonis, which her friends have told her about.
The Bible, it may be remarked, is not in every respect, a model introduction for the young mind to the questions of sex. But even its frank acceptance, as of divine origin, of sexual rules so unlike those that are nominally our own, such as polygamy and concubinage, helps to enlarge the vision of the youthful mind by showing that the rules surrounding the child are not those everywhere and always valid, while the nakedness and realism of the Bible cannot but be a wholesome and tonic corrective to conventional pruderies.
We must, indeed, always protest against the absurd confusionwhereby nakedness of speech is regarded as equivalent to immorality, and not the less because it is often adopted even in what are regarded as intellectual quarters. When in the House of Lords, in the last century, the question of the exclusion of Byron's statue from Westminster Abbey was under discussion, Lord Brougham "denied that Shakespeare was more moral than Byron. He could, on the contrary, point out in a single page of Shakespeare more grossness than was to be found in all Lord Byron's works." The conclusion Brougham thus reached, that Byron is an incomparably more moral writer than Shakespeare, ought to have been a sufficientreductio ad absurdumof his argument, but it does not appear that anyone pointed out the vulgar confusion into which he had fallen.
It may be said that the special attractiveness which the nakedness of great literature sometimes possesses for young minds is unwholesome. But it must be remembered that the peculiar interest of this element is merely due to the fact that elsewhere there is an inveterate and abnormal concealment. It must also be said that the statements of the great writers about natural things are never degrading, nor even erotically exciting to the young, and what Emilia Pardo Bazan tells of herself and her delight when a child in the historical books of the Old Testament, that the crude passages in them failed to send the faintest cloud of trouble across her young imagination, is equally true of most children. It is necessary, indeed, that these naked and serious things should be left standing, even if only to counterbalance the lewdly comic efforts to besmirch love and sex, which are visible to all in every low-class bookseller's shop window.
This point of view was vigorously championed by the speakers on sexual education at the Third Congress of the German Gesellschaft zur Bekämpfung der Geschlechtskrankheiten in 1907. Thus Enderlin, speaking as a headmaster, protested against the custom of bowdlerizing poems and folk-songs for the use of children, and thus robbing them of the finest introduction to purified sexual impulses and the highest sphere of emotion, while at the same time they are recklessly exposed to the "psychic infection" of the vulgar comic papers everywhere exposed for sale. "So long as children are too young to respond to erotic poetry it cannot hurt them; when they are old enough to respond it can only benefit them by opening to them the highest and purest channels of human emotion" (Sexualpädagogik, p. 60). Professor Schäfenacker (id., p. 98) expresses himself in the same sense, and remarks that "the method of removing from school-books all those passages which, in the opinion of short-sighted and narrow-hearted schoolmasters, are unsuited for youth, must be decisively condemned." Every healthy boy and girl who has reached the age of puberty may be safely allowed to ramble in any good library, however varied its contents. So far from needingguidance they will usually show a much more refined taste than their elders. At this age, when the emotions are still virginal and sensitive, the things that are realistic, ugly, or morbid, jar on the young spirit and are cast aside, though in adult life, with the coarsening of mental texture which comes of years and experience, this repugnance, doubtless by an equally sound and natural instinct, may become much less acute.
Ellen Key in Ch. VI of herCentury of the Childwell summarizes the reasons against the practice of selecting for children books that are "suitable" for them, a practice which she considers one of the follies of modern education. The child should be free to read all great literature, and will himself instinctively put aside the things he is not yet ripe for. His cooler senses are undisturbed by scenes that his elders find too exciting, while even at a later stage it is not the nakedness of great literature, but much more the method of the modern novel, which is likely to stain the imagination, falsify reality and injure taste. It is concealment which misleads and coarsens, producing a state of mind in which even the Bible becomes a stimulus to the senses. The writings of the great masters yield the imaginative food which the child craves, and the erotic moment in them is too brief to be overheating. It is the more necessary, Ellen Key remarks, for children to be introduced to great literature, since they often have little opportunity to occupy themselves with it in later life. Many years earlier Ruskin, inSesame and Lilies, had eloquently urged that even young girls should be allowed to range freely in libraries.
What has been said about literature applies equally to art. Art, as well as literature, and in the same indirect way, can be made a valuable aid in the task of sexual enlightenment and sexual hygiene. Modern art may, indeed, for the most part, be ignored from this point of view, but children cannot be too early familiarized with the representations of the nude in ancient sculpture and in the paintings of the old masters of the Italian school. In this way they may be immunized, as Enderlin expresses it, against those representations of the nude which make an appeal to the baser instincts. Early familiarity with nudity in art is at the same time an aid to the attainment of a proper attitude towards purity in nature. "He who has once learnt," as Höller remarks, "to enjoy peacefully nakedness in art, will be able to look on nakedness in nature as on a work of art."
Casts of classic nude statues and reproductions of the pictures of the old Venetian and other Italian masters may fittingly be used to adorn schoolrooms, not so much as objects of instruction as things of beauty with which the child cannot too early become familiarized. In Italy it is said to be usual for school classes to be taken by their teachers to the art museums with good results; such visits form part of the official scheme of education.There can be no doubt that such early familiarity with the beauty of nudity in classic art is widely needed among all social classes and in many countries. It is to this defect of our education that we must attribute the occasional, and indeed in America and England frequent, occurrence of such incidents as petitions and protests against the exhibition of nude statuary in art museums, the display of pictures so inoffensive as Leighton's "Bath of Psyche" in shop windows, and the demand for the draping of the naked personifications of abstract virtues in architectural street decoration. So imperfect is still the education of the multitude that in these matters the ill-bred fanatic of pruriency usually gains his will. Such a state of things cannot but have an unwholesome reaction on the moral atmosphere of the community in which it is possible. Even from the religious point of view, prurient prudery is not justifiable. Northcote has very temperately and sensibly discussed the question of the nude in art from the standpoint of Christian morality. He points out that not only is the nude in art not to be condemned without qualification, and that the nude is by no means necessarily the erotic, but he also adds that even erotic art, in its best and purest manifestations, only arouses emotions that are the legitimate object of man's aspirations. It would be impossible even to represent Biblical stories adequately on canvas or in marble if erotic art were to be tabooed (Rev. H. Northcote,Christianity and Sex Problems, Ch. XIV).Early familiarity with the nude in classic and early Italian art should be combined at puberty with an equal familiarity with photographs of beautiful and naturally developed nude models. In former years books containing such pictures in a suitable and attractive manner to place before the young were difficult to procure. Now this difficulty no longer exists. Dr. C. H. Stratz, of The Hague, has been the pioneer in this matter, and in a series of beautiful books (notably inDer Körper des Kindes, Die Schönheit des Weiblichen KörpersandDie Rassenschönheit des Weibes, all published by Enke in Stuttgart), he has brought together a large number of admirably selected photographs of nude but entirely chaste figures. More recently Dr. Shufeldt, of Washington (who dedicates his work to Stratz), has published hisStudies of the Human Formin which, in the same spirit, he has brought together the results of his own studies of the naked human form during many years. It is necessary to correct the impressions received fromclassic sources by good photographic illustrations on account of the false conventions prevailing in classic works, though those conventions were not necessarily false for the artists who originated them. The omission of the pudendal hair, in representations of the nude was, for instance, quite natural for the people of countries still under Oriental influence are accustomed to remove the hair from the body. If, however, under quite different conditions, we perpetuate that artistic convention to-day, we put ourselves into a perverse relation to nature. There is ample evidence of this. "There is one convention so ancient, so necessary, so universal," writes Mr. Frederic Harrison (Nineteenth Century and After, Aug., 1907), "that its deliberate defiance to-day may arouse the bile of the least squeamish of men and should make women withdraw at once." If boys and girls were brought up at their mother's knees in familiarity with pictures of beautiful and natural nakedness, it would be impossible for anyone to write such silly and shameful words as these.There can be no doubt that among ourselves the simple and direct attitude of the child towards nakedness is so early crushed out of him that intelligent education is necessary in order that he may be enabled to discern what is and what is not obscene. To the plough-boy and the country servant-girl all nakedness, including that of Greek statuary, is alike shameful or lustful. "I have a picture of women like that," said a countryman with a grin, as he pointed to a photograph of one of Tintoret's most beautiful groups, "smoking cigarettes." And the mass of people in most northern countries have still passed little beyond this stage of discernment; in ability to distinguish between the beautiful and the obscene they are still on the level of the plough-boy and the servant-girl.
Casts of classic nude statues and reproductions of the pictures of the old Venetian and other Italian masters may fittingly be used to adorn schoolrooms, not so much as objects of instruction as things of beauty with which the child cannot too early become familiarized. In Italy it is said to be usual for school classes to be taken by their teachers to the art museums with good results; such visits form part of the official scheme of education.
There can be no doubt that such early familiarity with the beauty of nudity in classic art is widely needed among all social classes and in many countries. It is to this defect of our education that we must attribute the occasional, and indeed in America and England frequent, occurrence of such incidents as petitions and protests against the exhibition of nude statuary in art museums, the display of pictures so inoffensive as Leighton's "Bath of Psyche" in shop windows, and the demand for the draping of the naked personifications of abstract virtues in architectural street decoration. So imperfect is still the education of the multitude that in these matters the ill-bred fanatic of pruriency usually gains his will. Such a state of things cannot but have an unwholesome reaction on the moral atmosphere of the community in which it is possible. Even from the religious point of view, prurient prudery is not justifiable. Northcote has very temperately and sensibly discussed the question of the nude in art from the standpoint of Christian morality. He points out that not only is the nude in art not to be condemned without qualification, and that the nude is by no means necessarily the erotic, but he also adds that even erotic art, in its best and purest manifestations, only arouses emotions that are the legitimate object of man's aspirations. It would be impossible even to represent Biblical stories adequately on canvas or in marble if erotic art were to be tabooed (Rev. H. Northcote,Christianity and Sex Problems, Ch. XIV).
Early familiarity with the nude in classic and early Italian art should be combined at puberty with an equal familiarity with photographs of beautiful and naturally developed nude models. In former years books containing such pictures in a suitable and attractive manner to place before the young were difficult to procure. Now this difficulty no longer exists. Dr. C. H. Stratz, of The Hague, has been the pioneer in this matter, and in a series of beautiful books (notably inDer Körper des Kindes, Die Schönheit des Weiblichen KörpersandDie Rassenschönheit des Weibes, all published by Enke in Stuttgart), he has brought together a large number of admirably selected photographs of nude but entirely chaste figures. More recently Dr. Shufeldt, of Washington (who dedicates his work to Stratz), has published hisStudies of the Human Formin which, in the same spirit, he has brought together the results of his own studies of the naked human form during many years. It is necessary to correct the impressions received fromclassic sources by good photographic illustrations on account of the false conventions prevailing in classic works, though those conventions were not necessarily false for the artists who originated them. The omission of the pudendal hair, in representations of the nude was, for instance, quite natural for the people of countries still under Oriental influence are accustomed to remove the hair from the body. If, however, under quite different conditions, we perpetuate that artistic convention to-day, we put ourselves into a perverse relation to nature. There is ample evidence of this. "There is one convention so ancient, so necessary, so universal," writes Mr. Frederic Harrison (Nineteenth Century and After, Aug., 1907), "that its deliberate defiance to-day may arouse the bile of the least squeamish of men and should make women withdraw at once." If boys and girls were brought up at their mother's knees in familiarity with pictures of beautiful and natural nakedness, it would be impossible for anyone to write such silly and shameful words as these.
There can be no doubt that among ourselves the simple and direct attitude of the child towards nakedness is so early crushed out of him that intelligent education is necessary in order that he may be enabled to discern what is and what is not obscene. To the plough-boy and the country servant-girl all nakedness, including that of Greek statuary, is alike shameful or lustful. "I have a picture of women like that," said a countryman with a grin, as he pointed to a photograph of one of Tintoret's most beautiful groups, "smoking cigarettes." And the mass of people in most northern countries have still passed little beyond this stage of discernment; in ability to distinguish between the beautiful and the obscene they are still on the level of the plough-boy and the servant-girl.
[18]
These manifestations have been dealt with in the study of Autoerotism in vol. i of the presentStudies. It may be added that the sexual life of the child has been exhaustively investigated by Moll,Das Sexualleben des Kindes, 1909.
These manifestations have been dealt with in the study of Autoerotism in vol. i of the presentStudies. It may be added that the sexual life of the child has been exhaustively investigated by Moll,Das Sexualleben des Kindes, 1909.
[19]
This genital efflorescence in the sexual glands and breasts at birth or in early infancy has been discussed in a Paris thesis, by Camille Renouf (La Crise Génital et les Manifestations Connexes chez le Fœtus et le Nouveau-né, 1905); he is unable to offer a satisfactory explanation of these phenomena.
This genital efflorescence in the sexual glands and breasts at birth or in early infancy has been discussed in a Paris thesis, by Camille Renouf (La Crise Génital et les Manifestations Connexes chez le Fœtus et le Nouveau-né, 1905); he is unable to offer a satisfactory explanation of these phenomena.
[20]
Amélineau,La Morale des Egyptiens, p. 64.
Amélineau,La Morale des Egyptiens, p. 64.
[21]
"The Social Evil in Philadelphia,"Arena, March, 1896.
"The Social Evil in Philadelphia,"Arena, March, 1896.
[22]
Moll,Konträre Sexualempfindung, third edition, p. 592.
Moll,Konträre Sexualempfindung, third edition, p. 592.
[23]
This powerlessness of the law and the police is well recognized by lawyers familiar with the matter. Thus F. Werthauer (Sittlichkeitsdelikte der Grosstadt, 1907) insists throughout on the importance of parents and teachers imparting to children from their early years a progressively increasing knowledge of sexual matters.
This powerlessness of the law and the police is well recognized by lawyers familiar with the matter. Thus F. Werthauer (Sittlichkeitsdelikte der Grosstadt, 1907) insists throughout on the importance of parents and teachers imparting to children from their early years a progressively increasing knowledge of sexual matters.
[24]
"Parents must be taught how to impart information," remarks E. L. Keyes ("Education upon Sexual Matters,"New York Medical Journal, Feb. 10, 1906), "and this teaching of the parent should begin when he is himself a child."
"Parents must be taught how to impart information," remarks E. L. Keyes ("Education upon Sexual Matters,"New York Medical Journal, Feb. 10, 1906), "and this teaching of the parent should begin when he is himself a child."
[25]
Moll (op. cit., p. 224) argues well how impossible it is to preserve children from sights and influence connected with the sexual life.
Moll (op. cit., p. 224) argues well how impossible it is to preserve children from sights and influence connected with the sexual life.
[26]
Girls are not even prepared, in many cases, for the appearance of the pubic hair. This unexpected growth of hair frequently causes young girls much secret worry, and often they carefully cut it off.
Girls are not even prepared, in many cases, for the appearance of the pubic hair. This unexpected growth of hair frequently causes young girls much secret worry, and often they carefully cut it off.
[27]
G. S. Hall,Adolescence, vol. i, p. 511. Many years ago, in 1875, the late Dr. Clarke, in hisSex in Education, advised menstrual rest for girls, and thereby aroused a violent opposition which would certainly not be found nowadays, when the special risks of womanhood are becoming more clearly understood.
G. S. Hall,Adolescence, vol. i, p. 511. Many years ago, in 1875, the late Dr. Clarke, in hisSex in Education, advised menstrual rest for girls, and thereby aroused a violent opposition which would certainly not be found nowadays, when the special risks of womanhood are becoming more clearly understood.
[28]
For a summary of the physical and mental phenomena of the menstrual period, see Havelock Ellis:Man and Woman, Ch. XI. The primitive conception of menstruation is briefly discussed in Appendix A to the first volume of theseStudies, and more elaborately by J. G. Frazer inThe Golden Bough. A large collection of facts with regard to the menstrual seclusion of women throughout the world will be found in Ploss and Bartels,Das Weib. The pubertal seclusion of girls at Torres Straits has been especially studied by Seligmann,Reports Anthropological Expedition to Torres Straits, vol. v, Ch. VI.
For a summary of the physical and mental phenomena of the menstrual period, see Havelock Ellis:Man and Woman, Ch. XI. The primitive conception of menstruation is briefly discussed in Appendix A to the first volume of theseStudies, and more elaborately by J. G. Frazer inThe Golden Bough. A large collection of facts with regard to the menstrual seclusion of women throughout the world will be found in Ploss and Bartels,Das Weib. The pubertal seclusion of girls at Torres Straits has been especially studied by Seligmann,Reports Anthropological Expedition to Torres Straits, vol. v, Ch. VI.
[29]
Thus Miss Lura Sanborn, Director of Physical Training at the Chicago Normal School, found that a bath once a fortnight was not unusual. At the menstrual period especially there is still a superstitious dread of water. Girls should always be taught that at this period, above all, cleanliness is imperatively necessary. There should be a tepid hip bath night and morning, and a vaginal douche (which should never be cold) is always advantageous, both for comfort as well as cleanliness. There is not the slightest reason to dread water during menstruation. This point was discussed a few years ago in theBritish Medical Journalwith complete unanimity of opinion. A distinguished American obstetrician, also, Dr. J. Clifton Edgar, after a careful study of opinion and practice in this matter ("Bathing During the Menstrual Period,"American Journal Obstetrics, Sept., 1900), concludes that it is possible and beneficial to take cold baths (though not sea-baths) during the period, provided due precautions are observed, and that there are no sudden changes of habits. Such a course should not be indiscriminately adopted, but there can be no doubt that in sturdy peasant women who are inured to it early in life even prolonged immersion in the sea in fishing has no evil results, and is even beneficial. Houzel (Annales de Gynécologie, Dec., 1894) has published statistics of the menstrual life of 123 fisherwomen on the French coast. They were accustomed to shrimp for hours at a time in the sea, often to above the waist, and then walk about in their wet clothes selling the shrimps. They all insisted that their menstruation was easier when they were actively at work. Their periods are notably regular, and their fertility is high.
Thus Miss Lura Sanborn, Director of Physical Training at the Chicago Normal School, found that a bath once a fortnight was not unusual. At the menstrual period especially there is still a superstitious dread of water. Girls should always be taught that at this period, above all, cleanliness is imperatively necessary. There should be a tepid hip bath night and morning, and a vaginal douche (which should never be cold) is always advantageous, both for comfort as well as cleanliness. There is not the slightest reason to dread water during menstruation. This point was discussed a few years ago in theBritish Medical Journalwith complete unanimity of opinion. A distinguished American obstetrician, also, Dr. J. Clifton Edgar, after a careful study of opinion and practice in this matter ("Bathing During the Menstrual Period,"American Journal Obstetrics, Sept., 1900), concludes that it is possible and beneficial to take cold baths (though not sea-baths) during the period, provided due precautions are observed, and that there are no sudden changes of habits. Such a course should not be indiscriminately adopted, but there can be no doubt that in sturdy peasant women who are inured to it early in life even prolonged immersion in the sea in fishing has no evil results, and is even beneficial. Houzel (Annales de Gynécologie, Dec., 1894) has published statistics of the menstrual life of 123 fisherwomen on the French coast. They were accustomed to shrimp for hours at a time in the sea, often to above the waist, and then walk about in their wet clothes selling the shrimps. They all insisted that their menstruation was easier when they were actively at work. Their periods are notably regular, and their fertility is high.
[30]
J. H. McBride, "The Life and Health of Our Girls in Relation to Their Future,"Alienist and Neurologist, Feb., 1904.
J. H. McBride, "The Life and Health of Our Girls in Relation to Their Future,"Alienist and Neurologist, Feb., 1904.
[31]
W. G. Chambers, "The Evolution of Ideals,"Pedagogical Seminary, March, 1903; Catherine Dodd, "School Children's Ideals,"National Review, Feb. and Dec., 1900, and June, 1901. No German girls acknowledged a wish to be men; they said it would be wicked. Among Flemish girls, however, Varendonck found at Ghent (Archives de Psychologie, July, 1908) that 26 per cent. had men as their ideals.
W. G. Chambers, "The Evolution of Ideals,"Pedagogical Seminary, March, 1903; Catherine Dodd, "School Children's Ideals,"National Review, Feb. and Dec., 1900, and June, 1901. No German girls acknowledged a wish to be men; they said it would be wicked. Among Flemish girls, however, Varendonck found at Ghent (Archives de Psychologie, July, 1908) that 26 per cent. had men as their ideals.
[32]
A. Reibmayr,Die Entwicklungsgeschichte des Talentes und Genies, 1908, Bd. i, p. 70.
A. Reibmayr,Die Entwicklungsgeschichte des Talentes und Genies, 1908, Bd. i, p. 70.
[33]
R. Hellmann,Ueber Geschlechtsfreiheit, p. 14.
R. Hellmann,Ueber Geschlechtsfreiheit, p. 14.
[34]
This belief seems frequent among young girls in Continental Europe. It forms the subject of one of Marcel Prevost'sLettres de Femmes. In Austria, according to Freud, it is not uncommon, exclusively among girls.
This belief seems frequent among young girls in Continental Europe. It forms the subject of one of Marcel Prevost'sLettres de Femmes. In Austria, according to Freud, it is not uncommon, exclusively among girls.
[35]
Yet, according to English law, rape is a crime which it is impossible for a husband to commit on his wife (see,e.g., Nevill Geary,The Law of Marriage, Ch. XV, Sect. V). The performance of the marriage ceremony, however, even if it necessarily involved a clear explanation of marital privileges, cannot be regarded as adequate justification for an act of sexual intercourse performed with violence or without the wife's consent.
Yet, according to English law, rape is a crime which it is impossible for a husband to commit on his wife (see,e.g., Nevill Geary,The Law of Marriage, Ch. XV, Sect. V). The performance of the marriage ceremony, however, even if it necessarily involved a clear explanation of marital privileges, cannot be regarded as adequate justification for an act of sexual intercourse performed with violence or without the wife's consent.
[36]
Hirschfeld,Jahrbuch für Sexuelle Zwischenstufen, 1903, p. 88. It may be added that a horror of coitus is not necessarily due to bad education, and may also occur in hereditarily degenerate women, whose ancestors have shown similar or allied mental peculiarities. A case of such "functional impotence" has been reported in a young Italian wife of twenty-one, who was otherwise healthy, and strongly attached to her husband. The marriage was annulled on the ground that "rudimentary sexual or emotional paranoia, which renders a wife invincibly refractory to sexual union, notwithstanding the integrity of the sexual organs, constitutes psychic functional impotence" (Archivio di Psichiatria, 1906, fasc. vi, p. 806).
Hirschfeld,Jahrbuch für Sexuelle Zwischenstufen, 1903, p. 88. It may be added that a horror of coitus is not necessarily due to bad education, and may also occur in hereditarily degenerate women, whose ancestors have shown similar or allied mental peculiarities. A case of such "functional impotence" has been reported in a young Italian wife of twenty-one, who was otherwise healthy, and strongly attached to her husband. The marriage was annulled on the ground that "rudimentary sexual or emotional paranoia, which renders a wife invincibly refractory to sexual union, notwithstanding the integrity of the sexual organs, constitutes psychic functional impotence" (Archivio di Psichiatria, 1906, fasc. vi, p. 806).
[37]
The reasonableness of this step is so obvious that it should scarcely need insistence. "The instruction of school-boys and school-girls is most adequately effected by an elderly doctor," Näcke remarks, "sometimes perhaps the school-doctor." "I strongly advocate," says Clouston (The Hygiene of Mind, p. 249), "that the family doctor, guided by the parent and the teacher, is by far the best instructor and monitor." Moll is of the same opinion.
The reasonableness of this step is so obvious that it should scarcely need insistence. "The instruction of school-boys and school-girls is most adequately effected by an elderly doctor," Näcke remarks, "sometimes perhaps the school-doctor." "I strongly advocate," says Clouston (The Hygiene of Mind, p. 249), "that the family doctor, guided by the parent and the teacher, is by far the best instructor and monitor." Moll is of the same opinion.
[38]
I have further developed this argument in "Religion and the Child,"Nineteenth Century and After, 1907.
I have further developed this argument in "Religion and the Child,"Nineteenth Century and After, 1907.
[39]
The intimate relation of art and poetry to the sexual impulse has been realized in a fragmentary way by many who have not attained to any wide vision of auto-erotic activity in life. "Poetry is necessarily related to the sexual function," says Metchnikoff (Essais Optimistes, p. 352), who also quotes with approval the statement of Möbius (previously made by Ferrero and many others) that "artistic aptitudes must probably be considered as secondary sexual characters."
The intimate relation of art and poetry to the sexual impulse has been realized in a fragmentary way by many who have not attained to any wide vision of auto-erotic activity in life. "Poetry is necessarily related to the sexual function," says Metchnikoff (Essais Optimistes, p. 352), who also quotes with approval the statement of Möbius (previously made by Ferrero and many others) that "artistic aptitudes must probably be considered as secondary sexual characters."
The Greek Attitude Towards Nakedness—How the Romans Modified That Attitude—The Influence of Christianity—Nakedness in Mediæval Times—Evolution of the Horror of Nakedness—Concomitant Change in the Conception of Nakedness—Prudery—The Romantic Movement—Rise of a New Feeling in Regard to Nakedness—The Hygienic Aspect of Nakedness—How Children May Be Accustomed to Nakedness—Nakedness Not Inimical to Modesty—The Instinct of Physical Pride—The Value of Nakedness in Education—The Æsthetic Value of Nakedness—The Human Body as One of the Prime Tonics of Life—How Nakedness May Be Cultivated—The Moral Value of Nakedness.
The Greek Attitude Towards Nakedness—How the Romans Modified That Attitude—The Influence of Christianity—Nakedness in Mediæval Times—Evolution of the Horror of Nakedness—Concomitant Change in the Conception of Nakedness—Prudery—The Romantic Movement—Rise of a New Feeling in Regard to Nakedness—The Hygienic Aspect of Nakedness—How Children May Be Accustomed to Nakedness—Nakedness Not Inimical to Modesty—The Instinct of Physical Pride—The Value of Nakedness in Education—The Æsthetic Value of Nakedness—The Human Body as One of the Prime Tonics of Life—How Nakedness May Be Cultivated—The Moral Value of Nakedness.
The discussion of the value of nakedness in art leads us on to the allied question of nakedness in nature. What is the psychological influence of familiarity with nakedness? How far should children be made familiar with the naked body? This is a question in regard to which different opinions have been held in different ages, and during recent years a remarkable change has begun to come over the minds of practical educationalists in regard to it.
In Sparta, in Chios, and elsewhere in Greece, women at one time practiced gymnastic feats and dances in nakedness, together with the men, or in their presence.[40]Plato in hisRepublicapproved of such customs and said that the ridicule of those who laughed at them was but "unripe fruit plucked from the tree of knowledge." On many questions Plato's opinions changed, but not on this. In theLaws, which are the last outcome of his philosophic reflection in old age, he still advocates (Bk. viii) a similar co-education of the sexes and their coöperation in all the works of life, in part with a view to blunt the over-keen edge ofsexual appetite; with the same object he advocated the association together of youths and girls without constraint in costumes which offered no concealment to the form.
It is noteworthy that the Romans, a coarser-grained people than the Greeks and in our narrow modern sense more "moral," showed no perception of the moralizing and refining influence of nakedness. Nudity to them was merely a licentious indulgence, to be treated with contempt even when it was enjoyed. It was confined to the stage, and clamored for by the populace. In the Floralia, especially, the crowd seem to have claimed it as their right that the actors should play naked, probably, it has been thought, as a survival of a folk-ritual. But the Romans, though they were eager to run to the theatre, felt nothing but disdain for the performers. "Flagitii principium est, nudare inter cives corpora." So thought old Ennius, as reported by Cicero, and that remained the genuine Roman feeling to the last. "Quanta perversitas!" as Tertullian exclaimed. "Artem magnificant, artificem notant."[41]In this matter the Romans, although they aroused the horror of the Christians, were yet in reality laying the foundation of Christian morality.
Christianity, which found so many of Plato's opinions congenial, would have nothing to do with his view of nakedness and failed to recognize its psychological correctness. The reason was simple, and indeed simple-minded. The Church was passionately eager to fight against what it called "the flesh," and thus fell into the error of confusing the subjective question of sexual desire with the objective spectacle of the naked form. "The flesh" is evil; therefore, "the flesh" must be hidden. And they hid it, without understanding that in so doing they had not suppressed the craving for the human form, but, on the contrary, had heightened it by imparting to it the additional fascination of a forbidden mystery.
Burton, in hisAnatomy of Melancholy(Part III, Sect II, Mem. II, Subs. IV), referring to the recommendations of Plato, adds: "ButEusebiusandTheodoretworthily lash him for it; and well they might:for as one saith, the very sight of naked parts,causeth enormous, exceeding concupiscences, and stirs up both men and women to burning lust." Yet, as Burton himself adds further on in the same section of his work (Mem. V, Subs. III), without protest, "some are of opinion, that to see a woman naked, is able of itself to alter his affection; and it is worthy of consideration, saithMontaigne, the Frenchman, in his Essays, that the skilfullest masters of amorous dalliance appoint for a remedy of venereous passions, a full survey of the body."There ought to be no question regarding the fact that it is the adorned, the partially concealed body, and not the absolutely naked body, which acts as a sexual excitant. I have brought together some evidence on this point in the study of "The Evolution of Modesty." "In Madagascar, West Africa, and the Cape," says G. F. Scott Elliot (A Naturalist in Mid-Africa, p. 36), "I have always found the same rule. Chastity varies inversely as the amount of clothing." It is now indeed generally held that one of the chief primary objects of ornament and clothing was the stimulation of sexual desire, and artists' models are well aware that when they are completely unclothed, they are most safe from undesired masculine advances. "A favorite model of mine told me," remarks Dr. Shufeldt (Medical Brief, Oct., 1904), the distinguished author ofStudies of the Human Form, "that it was her practice to disrobe as soon after entering the artist's studio as possible, for, as men are not always responsible for their emotions, she felt that she was far less likely to arouse or excite them when entirely nude than when only semi-draped." This fact is, indeed, quite familiar to artists' models. If the conquest of sexual desire were the first and last consideration of life it would be more reasonable to prohibit clothing than to prohibit nakedness.
Burton, in hisAnatomy of Melancholy(Part III, Sect II, Mem. II, Subs. IV), referring to the recommendations of Plato, adds: "ButEusebiusandTheodoretworthily lash him for it; and well they might:for as one saith, the very sight of naked parts,causeth enormous, exceeding concupiscences, and stirs up both men and women to burning lust." Yet, as Burton himself adds further on in the same section of his work (Mem. V, Subs. III), without protest, "some are of opinion, that to see a woman naked, is able of itself to alter his affection; and it is worthy of consideration, saithMontaigne, the Frenchman, in his Essays, that the skilfullest masters of amorous dalliance appoint for a remedy of venereous passions, a full survey of the body."
There ought to be no question regarding the fact that it is the adorned, the partially concealed body, and not the absolutely naked body, which acts as a sexual excitant. I have brought together some evidence on this point in the study of "The Evolution of Modesty." "In Madagascar, West Africa, and the Cape," says G. F. Scott Elliot (A Naturalist in Mid-Africa, p. 36), "I have always found the same rule. Chastity varies inversely as the amount of clothing." It is now indeed generally held that one of the chief primary objects of ornament and clothing was the stimulation of sexual desire, and artists' models are well aware that when they are completely unclothed, they are most safe from undesired masculine advances. "A favorite model of mine told me," remarks Dr. Shufeldt (Medical Brief, Oct., 1904), the distinguished author ofStudies of the Human Form, "that it was her practice to disrobe as soon after entering the artist's studio as possible, for, as men are not always responsible for their emotions, she felt that she was far less likely to arouse or excite them when entirely nude than when only semi-draped." This fact is, indeed, quite familiar to artists' models. If the conquest of sexual desire were the first and last consideration of life it would be more reasonable to prohibit clothing than to prohibit nakedness.
When Christianity absorbed the whole of the European world this strict avoidance of even the sight of "the flesh," although nominally accepted by all as the desirable ideal, could only be carried out, thoroughly and completely, in the cloister. In the practice of the world outside, although the original Christian ideals remained influential, various pagan and primitive traditions in favor of nakedness still persisted, and were, to some extent, allowed to manifest themselves, alike in ordinary custom and on special occasions.
How widespread is the occasional or habitual practice of nakedness in the world generally, and how entirely concordant it is with even a most sensitive modesty, has been set forth in "The Evolution of Modesty," in vol. i of theseStudies.Even during the Christian era the impulse to adopt nudity, often with the feeling that it was an especially sacred practice, has persisted. The Adamites of the second century, who read and prayed naked, and celebrated the sacrament naked, according to the statement quoted by St. Augustine, seem to have caused little scandal so long as they only practiced nudity in their sacred ceremonies. The German Brethren of the Free Spirit, in the thirteenth century, combined so much chastity with promiscuous nakedness that orthodox Catholics believed they were assisted by the Devil. The French Picards, at a much later date, insisted on public nakedness, believing that God had sent their leader into the world as a new Adam to reestablish the law of Nature; they were persecuted and were finally exterminated by the Hussites.In daily life, however, a considerable degree of nakedness was tolerated during mediæval times. This was notably so in the public baths, frequented by men and women together. Thus Alwin Schultz remarks (in hisHöfische Leben zur Zeit der Minnesänger), that the women of the aristocratic classes, though not the men, were often naked in these baths except for a hat and a necklace.It is sometimes stated that in the mediæval religious plays Adam and Eve were absolutely naked. Chambers doubts this, and thinks they wore flesh-colored tights, or were, as in a later play of this kind, "apparelled in white leather" (E. K. Chambers,The Mediæval Stage, vol. i, p. 5). It may be so, but the public exposure even of the sexual organs was permitted, and that in aristocratic houses, for John of Salisbury (in a passage quoted by Buckle,Commonplace Book, 541) protests against this custom.The women of the feminist sixteenth century in France, as R. de Maulde la Clavière remarks (Revue de l'Art, Jan., 1898), had no scruple in recompensing their adorers by admitting them to their toilette, or even their bath. Late in the century they became still less prudish, and many well-known ladies allowed themselves to be painted naked down to the waist, as we see in the portrait of "Gabrielle d'Estrées au Bain" at Chantilly. Many of these pictures, however, are certainly not real portraits.Even in the middle of the seventeenth century in England nakedness was not prohibited in public, for Pepys tells us that on July 29, 1667, a Quaker came into Westminster Hall, crying, "Repent! Repent!" being in a state of nakedness, except that he was "very civilly tied about the privities to avoid scandal." (This was doubtless Solomon Eccles, who was accustomed to go about in this costume, both before and after the Restoration. He had been a distinguished musician, and, though eccentric, was apparently not insane.)In a chapter, "De la Nudité," and in the appendices of his book,De l'Amour(vol. i, p. 221), Sénancour gives instances of the occasionalpractice of nudity in Europe, and adds some interesting remarks of his own; so, also, Dulaure (Des Divinités Génératrices, Ch. XV). It would appear, as a rule, that though complete nudity was allowed in other respects, it was usual to cover the sexual parts.
How widespread is the occasional or habitual practice of nakedness in the world generally, and how entirely concordant it is with even a most sensitive modesty, has been set forth in "The Evolution of Modesty," in vol. i of theseStudies.
Even during the Christian era the impulse to adopt nudity, often with the feeling that it was an especially sacred practice, has persisted. The Adamites of the second century, who read and prayed naked, and celebrated the sacrament naked, according to the statement quoted by St. Augustine, seem to have caused little scandal so long as they only practiced nudity in their sacred ceremonies. The German Brethren of the Free Spirit, in the thirteenth century, combined so much chastity with promiscuous nakedness that orthodox Catholics believed they were assisted by the Devil. The French Picards, at a much later date, insisted on public nakedness, believing that God had sent their leader into the world as a new Adam to reestablish the law of Nature; they were persecuted and were finally exterminated by the Hussites.
In daily life, however, a considerable degree of nakedness was tolerated during mediæval times. This was notably so in the public baths, frequented by men and women together. Thus Alwin Schultz remarks (in hisHöfische Leben zur Zeit der Minnesänger), that the women of the aristocratic classes, though not the men, were often naked in these baths except for a hat and a necklace.
It is sometimes stated that in the mediæval religious plays Adam and Eve were absolutely naked. Chambers doubts this, and thinks they wore flesh-colored tights, or were, as in a later play of this kind, "apparelled in white leather" (E. K. Chambers,The Mediæval Stage, vol. i, p. 5). It may be so, but the public exposure even of the sexual organs was permitted, and that in aristocratic houses, for John of Salisbury (in a passage quoted by Buckle,Commonplace Book, 541) protests against this custom.
The women of the feminist sixteenth century in France, as R. de Maulde la Clavière remarks (Revue de l'Art, Jan., 1898), had no scruple in recompensing their adorers by admitting them to their toilette, or even their bath. Late in the century they became still less prudish, and many well-known ladies allowed themselves to be painted naked down to the waist, as we see in the portrait of "Gabrielle d'Estrées au Bain" at Chantilly. Many of these pictures, however, are certainly not real portraits.
Even in the middle of the seventeenth century in England nakedness was not prohibited in public, for Pepys tells us that on July 29, 1667, a Quaker came into Westminster Hall, crying, "Repent! Repent!" being in a state of nakedness, except that he was "very civilly tied about the privities to avoid scandal." (This was doubtless Solomon Eccles, who was accustomed to go about in this costume, both before and after the Restoration. He had been a distinguished musician, and, though eccentric, was apparently not insane.)
In a chapter, "De la Nudité," and in the appendices of his book,De l'Amour(vol. i, p. 221), Sénancour gives instances of the occasionalpractice of nudity in Europe, and adds some interesting remarks of his own; so, also, Dulaure (Des Divinités Génératrices, Ch. XV). It would appear, as a rule, that though complete nudity was allowed in other respects, it was usual to cover the sexual parts.
The movement of revolt against nakedness never became completely victorious until the nineteenth century. That century represented the triumph of all the forces that banned public nakedness everywhere and altogether. If, as Pudor insists, nakedness is aristocratic and the slavery of clothes a plebeian characteristic imposed on the lower classes by an upper class who reserved to themselves the privilege of physical culture, we may perhaps connect this with the outburst of democratic plebeianism which, as Nietzsche pointed out, reached its climax in the nineteenth century. It is in any case certainly interesting to observe that by this time the movement had entirely changed its character. It had become general, but at the same time its foundation had been undermined. It had largely lost its religious and moral character, and instead was regarded as a matter of convention. The nineteenth century man who encountered the spectacle of white limbs flashing in the sunlight no longer felt like the mediæval ascetic that he was risking the salvation of his immortal soul or even courting the depravation of his morals; he merely felt that it was "indecent" or, in extreme cases, "disgusting." That is to say he regarded the matter as simply a question of conventional etiquette, at the worst, of taste, of æsthetics. In thus bringing down his repugnance to nakedness to so low a plane he had indeed rendered it generally acceptable, but at the same time he had deprived it of high sanction. His profound horror of nakedness was out of relation to the frivolous grounds on which he based it.
We must not, however, under-rate the tenacity with which this horror of nakedness was held. Nothing illustrates more vividly the deeply ingrained hatred which the nineteenth century felt of nakedness than the ferocity—there is no other word for it—with which Christian missionaries to savages all over the world, even in the tropics, insisted on their converts adopting the conventional clothing of Northern Europe. Travellers' narratives abound in references to the emphasis placed bymissionaries on this change of custom, which was both injurious to the health of the people and degrading to their dignity. It is sufficient to quote one authoritative witness, Lord Stanmore, formerly Governor of Fiji, who read a long paper to the Anglican Missionary Conference in 1894 on the subject of "Undue Introduction of Western Ways." "In the centre of the village," he remarked in quoting a typical case (and referring not to Fiji but to Tonga), "is the church, a wooden barn-like building. If the day be Sunday, we shall find the native minister arrayed in a greenish-black swallow-tail coat, a neckcloth, once white, and a pair of spectacles, which he probably does not need, preaching to a congregation, the male portion of which is dressed in much the same manner as himself, while the women are dizened out in old battered hats or bonnets, and shapeless gowns like bathing dresses, or it may be in crinolines of an early type. Chiefs of influence and women of high birth, who in their native dress would look, and do look, the ladies and gentlemen they are, are, by their Sunday finery, given the appearance of attendants upon Jack-in-the-Green. If a visit be paid to the houses of the town, after the morning's work of the people is over, the family will be found sitting on chairs, listless and uncomfortable, in a room full of litter. In the houses of the superior native clergy there will be a yet greater aping of the manners of the West. There will be chairs covered with hideous antimacassars, tasteless round worsted-work mats for absent flower jars, and a lot of ugly cheap and vulgar china chimney ornaments, which, there being no fireplace, and consequently no chimney-piece, are set out in order on a rickety deal table. The whole life of these village folk is one piece of unreal acting. They are continually asking themselves whether they are incurring any of the penalties entailed by infraction of the long table of prohibitions, and whether they are living up to the foreign garments they wear. Their faces have, for the most part, an expression of sullen discontent, they move about silently and joylessly, rebels in heart to the restrictive code on them, but which they fear to cast off, partly from a vague apprehension of possible secular results, and partly because they suppose they will cease to be good Christians if they do so. They have good ground for their dissatisfaction. At the time when I visited the villages I have specially in my eye, it was punishable by fine and imprisonment to wear native clothing, punishable by fine and imprisonment to wear long hair or a garland of flowers; punishable by fine or imprisonment to wrestle or to play at ball; punishable by fine and imprisonment to build a native-fashioned house; punishable not to wear shirt and trousers, and in certain localities coat and shoes also; and, in addition to laws enforcing a strictly puritanical observation of the Sabbath, it was punishable by fine and imprisonment to bathe on Sundays. In some other places bathing on Sunday was punishable by flogging; andto my knowledge women have been flogged for no other offense. Men in such circumstances are ripe for revolt, and sometimes the revolt comes."An obvious result of reducing the feeling about nakedness to an unreasoning but imperative convention is the tendency to prudishness. This, as we know, is a form of pseudo-modesty which, being a convention, and not a natural feeling, is capable of unlimited extension. It is by no means confined to modern times or to Christian Europe. The ancient Hebrews were not entirely free from prudishness, and we find in the Old Testament that by a curious euphemism the sexual organs are sometimes referred to as "the feet." The Turks are capable of prudishness. So, indeed, were even the ancient Greeks. "Dion the philosopher tells us," remarks Clement of Alexandria (Stromates, Bk. IV, Ch. XIX) "that a certain woman, Lysidica, through excess of modesty, bathed in her clothes, and that Philotera, when she was to enter the bath, gradually drew back her tunic as the water covered her naked parts; and then rising by degrees, put it on." Mincing prudes were found among the early Christians, and their ways are graphically described by St. Jerome in one of his letters to Eustochium: "These women," he says, "speak between their teeth or with the edge of the lips, and with a lisping tongue, only half pronouncing their words, because they regard as gross whatever is natural. Such as these," declares Jerome, the scholar in him overcoming the ascetic, "corrupt even language." Whenever a new and artificial "modesty" is imposed upon savages prudery tends to arise. Haddon describes this among the natives of Torres Straits, where even the children now suffer from exaggerated prudishness, though formerly absolutely naked and unashamed (Cambridge Anthropological Expedition to Torres Straits, vol. v, p. 271).
We must not, however, under-rate the tenacity with which this horror of nakedness was held. Nothing illustrates more vividly the deeply ingrained hatred which the nineteenth century felt of nakedness than the ferocity—there is no other word for it—with which Christian missionaries to savages all over the world, even in the tropics, insisted on their converts adopting the conventional clothing of Northern Europe. Travellers' narratives abound in references to the emphasis placed bymissionaries on this change of custom, which was both injurious to the health of the people and degrading to their dignity. It is sufficient to quote one authoritative witness, Lord Stanmore, formerly Governor of Fiji, who read a long paper to the Anglican Missionary Conference in 1894 on the subject of "Undue Introduction of Western Ways." "In the centre of the village," he remarked in quoting a typical case (and referring not to Fiji but to Tonga), "is the church, a wooden barn-like building. If the day be Sunday, we shall find the native minister arrayed in a greenish-black swallow-tail coat, a neckcloth, once white, and a pair of spectacles, which he probably does not need, preaching to a congregation, the male portion of which is dressed in much the same manner as himself, while the women are dizened out in old battered hats or bonnets, and shapeless gowns like bathing dresses, or it may be in crinolines of an early type. Chiefs of influence and women of high birth, who in their native dress would look, and do look, the ladies and gentlemen they are, are, by their Sunday finery, given the appearance of attendants upon Jack-in-the-Green. If a visit be paid to the houses of the town, after the morning's work of the people is over, the family will be found sitting on chairs, listless and uncomfortable, in a room full of litter. In the houses of the superior native clergy there will be a yet greater aping of the manners of the West. There will be chairs covered with hideous antimacassars, tasteless round worsted-work mats for absent flower jars, and a lot of ugly cheap and vulgar china chimney ornaments, which, there being no fireplace, and consequently no chimney-piece, are set out in order on a rickety deal table. The whole life of these village folk is one piece of unreal acting. They are continually asking themselves whether they are incurring any of the penalties entailed by infraction of the long table of prohibitions, and whether they are living up to the foreign garments they wear. Their faces have, for the most part, an expression of sullen discontent, they move about silently and joylessly, rebels in heart to the restrictive code on them, but which they fear to cast off, partly from a vague apprehension of possible secular results, and partly because they suppose they will cease to be good Christians if they do so. They have good ground for their dissatisfaction. At the time when I visited the villages I have specially in my eye, it was punishable by fine and imprisonment to wear native clothing, punishable by fine and imprisonment to wear long hair or a garland of flowers; punishable by fine or imprisonment to wrestle or to play at ball; punishable by fine and imprisonment to build a native-fashioned house; punishable not to wear shirt and trousers, and in certain localities coat and shoes also; and, in addition to laws enforcing a strictly puritanical observation of the Sabbath, it was punishable by fine and imprisonment to bathe on Sundays. In some other places bathing on Sunday was punishable by flogging; andto my knowledge women have been flogged for no other offense. Men in such circumstances are ripe for revolt, and sometimes the revolt comes."
An obvious result of reducing the feeling about nakedness to an unreasoning but imperative convention is the tendency to prudishness. This, as we know, is a form of pseudo-modesty which, being a convention, and not a natural feeling, is capable of unlimited extension. It is by no means confined to modern times or to Christian Europe. The ancient Hebrews were not entirely free from prudishness, and we find in the Old Testament that by a curious euphemism the sexual organs are sometimes referred to as "the feet." The Turks are capable of prudishness. So, indeed, were even the ancient Greeks. "Dion the philosopher tells us," remarks Clement of Alexandria (Stromates, Bk. IV, Ch. XIX) "that a certain woman, Lysidica, through excess of modesty, bathed in her clothes, and that Philotera, when she was to enter the bath, gradually drew back her tunic as the water covered her naked parts; and then rising by degrees, put it on." Mincing prudes were found among the early Christians, and their ways are graphically described by St. Jerome in one of his letters to Eustochium: "These women," he says, "speak between their teeth or with the edge of the lips, and with a lisping tongue, only half pronouncing their words, because they regard as gross whatever is natural. Such as these," declares Jerome, the scholar in him overcoming the ascetic, "corrupt even language." Whenever a new and artificial "modesty" is imposed upon savages prudery tends to arise. Haddon describes this among the natives of Torres Straits, where even the children now suffer from exaggerated prudishness, though formerly absolutely naked and unashamed (Cambridge Anthropological Expedition to Torres Straits, vol. v, p. 271).
The nineteenth century, which witnessed the triumph of timidity and prudery in this matter, also produced the first fruitful germ of new conceptions of nakedness. To some extent these were embodied in the great Romantic movement. Rousseau, indeed, had placed no special insistence on nakedness as an element of the return to Nature which he preached so influentially. A new feeling in this matter emerged, however, with characteristic extravagance, in some of the episodes of the Revolution, while in Germany in the pioneeringLucindeof Friedrich Schlegel, a characteristic figure in the Romantic movement, a still unfamiliar conception of the body was set forth in a serious and earnest spirit.
In England, Blake with his strange and flaming genius,proclaimed a mystical gospel which involved the spiritual glorification of the body and contempt for the civilized worship of clothes ("As to a modern man," he wrote, "stripped from his load of clothing he is like a dead corpse"); while, later, in America, Thoreau and Whitman and Burroughs asserted, still more definitely, a not dissimilar message concerning the need of returning to Nature.
We find the importance of the sight of the body—though very narrowly, for the avoidance of fraud in the preliminaries of marriage—set forth as early as the sixteenth century by Sir Thomas More in hisUtopia, which is so rich in new and fruitful ideas. In Utopia, according to Sir Thomas More, before marriage, a staid and honest matron "showeth the woman, be she maid or widow, naked to the wooer. And likewise a sage and discreet man exhibiteth the wooer naked to the woman. At this custom we laughed and disallowed it as foolish. But they, on their part, do greatly wonder at the folly of all other nations which, in buying a colt where a little money is in hazard, be so chary and circumspect that though he be almost all bare, yet they will not buy him unless the saddle and all the harness be taken off, lest under these coverings be hid some gall or sore. And yet, in choosing a wife, which shall be either pleasure or displeasure to them all their life after, they be so reckless that all the residue of the woman's body being covered with clothes, they estimate her scarcely by one handsbreadth (for they can see no more but her face) and so join her to them, not without great jeopardy of evil agreeing together, if anything in her body afterward should chance to offend or mislike them. Verily, so foul deformity may be hid under these coverings that it may quite alienate and take away the man's mind from his wife, when it shall not be lawful for their bodies to be separate again. If such deformity happen by any chance after the marriage is consummate and finished, well, there is no remedy but patience. But it were well done that a law were made whereby all such deceits were eschewed and avoided beforehand."The clear conception of what may be called the spiritual value of nakedness—by no means from More's point of view, but as a part of natural hygiene in the widest sense, and as a high and special aspect of the purifying and ennobling function of beauty—is of much later date. It is not clearly expressed until the time of the Romantic movement at the beginning of the nineteenth century. We have it admirably set forth in Sénancour'sDe l'Amour(first edition, 1806; fourth and enlarged edition, 1834), which still remains one of the best books on the morality of love. After remarking that nakedness by no means abolishes modesty, he proceeds to advocate occasional partial or completenudity. "Let us suppose," he remarks, somewhat in the spirit of Plato, "a country in which at certain general festivals the women should be absolutely free to be nearly or even quite naked. Swimming, waltzing, walking, those who thought good to do so might remain unclothed in the presence of men. No doubt the illusions of love would be little known, and passion would see a diminution of its transports. But is it passion that in general ennobles human affairs? We need honest attachments and delicate delights, and all these we may obtain while still preserving our common-sense.... Such nakedness would demand corresponding institutions, strong and simple, and a great respect for those conventions which belong to all times" (Sénancour,De l'Amour, vol. i, p. 314).From that time onwards references to the value and desirability of nakedness become more and more frequent in all civilized countries, sometimes mingled with sarcastic allusions to the false conventions we have inherited in this matter. Thus Thoreau writes in his journal on June 12, 1852, as he looks at boys bathing in the river: "The color of their bodies in the sun at a distance is pleasing. I hear the sound of their sport borne over the water. As yet we have not man in Nature. What a singular fact for an angel visitant to this earth to carry back in his note-book, that men were forbidden to expose their bodies under the severest penalties."Iwan Bloch, in Chapter VII of hisSexual Life of Our Time, discusses this question of nakedness from the modern point of view, and concludes: "A natural conception of nakedness: that is the watchword of the future. All the hygienic, æsthetic, and moral efforts of our time are pointing in that direction."Stratz, as befits one who has worked so strenuously in the cause of human health and beauty, admirably sets forth the stage which we have now attained in this matter. After pointing out (Die Frauenkleidung, third edition, 1904, p. 30) that, in opposition to the pagan world which worshipped naked gods, Christianity developed the idea that nakedness was merely sexual, and therefore immoral, he proceeds: "But over all glimmered on the heavenly heights of the Cross, the naked body of the Saviour. Under that protection there has gradually disengaged itself from the confusion of ideas a new transfigured form of nakedness made free after long struggle. I would call thisartistic nakedness, for as it was immortalized by the old Greeks through art, so also among us it has been awakened to new life by art. Artistic nakedness is, in its nature, much higher than either the natural or the sensual conception of nakedness. The simple child of Nature sees in nakedness nothing at all; the clothed man sees in the uncovered body only a sensual irritation. But at the highest standpoint man consciously returns to Nature, and recognizes that under the manifold coverings of humanfabrication there is hidden the most splendid creature that God has created. One may stand in silent, worshipping wonder before the sight; another may be impelled to imitate and show to his fellow-man what in that holy moment he has seen. But both enjoy the spectacle of human beauty with full consciousness and enlightened purity of thought."
We find the importance of the sight of the body—though very narrowly, for the avoidance of fraud in the preliminaries of marriage—set forth as early as the sixteenth century by Sir Thomas More in hisUtopia, which is so rich in new and fruitful ideas. In Utopia, according to Sir Thomas More, before marriage, a staid and honest matron "showeth the woman, be she maid or widow, naked to the wooer. And likewise a sage and discreet man exhibiteth the wooer naked to the woman. At this custom we laughed and disallowed it as foolish. But they, on their part, do greatly wonder at the folly of all other nations which, in buying a colt where a little money is in hazard, be so chary and circumspect that though he be almost all bare, yet they will not buy him unless the saddle and all the harness be taken off, lest under these coverings be hid some gall or sore. And yet, in choosing a wife, which shall be either pleasure or displeasure to them all their life after, they be so reckless that all the residue of the woman's body being covered with clothes, they estimate her scarcely by one handsbreadth (for they can see no more but her face) and so join her to them, not without great jeopardy of evil agreeing together, if anything in her body afterward should chance to offend or mislike them. Verily, so foul deformity may be hid under these coverings that it may quite alienate and take away the man's mind from his wife, when it shall not be lawful for their bodies to be separate again. If such deformity happen by any chance after the marriage is consummate and finished, well, there is no remedy but patience. But it were well done that a law were made whereby all such deceits were eschewed and avoided beforehand."
The clear conception of what may be called the spiritual value of nakedness—by no means from More's point of view, but as a part of natural hygiene in the widest sense, and as a high and special aspect of the purifying and ennobling function of beauty—is of much later date. It is not clearly expressed until the time of the Romantic movement at the beginning of the nineteenth century. We have it admirably set forth in Sénancour'sDe l'Amour(first edition, 1806; fourth and enlarged edition, 1834), which still remains one of the best books on the morality of love. After remarking that nakedness by no means abolishes modesty, he proceeds to advocate occasional partial or completenudity. "Let us suppose," he remarks, somewhat in the spirit of Plato, "a country in which at certain general festivals the women should be absolutely free to be nearly or even quite naked. Swimming, waltzing, walking, those who thought good to do so might remain unclothed in the presence of men. No doubt the illusions of love would be little known, and passion would see a diminution of its transports. But is it passion that in general ennobles human affairs? We need honest attachments and delicate delights, and all these we may obtain while still preserving our common-sense.... Such nakedness would demand corresponding institutions, strong and simple, and a great respect for those conventions which belong to all times" (Sénancour,De l'Amour, vol. i, p. 314).
From that time onwards references to the value and desirability of nakedness become more and more frequent in all civilized countries, sometimes mingled with sarcastic allusions to the false conventions we have inherited in this matter. Thus Thoreau writes in his journal on June 12, 1852, as he looks at boys bathing in the river: "The color of their bodies in the sun at a distance is pleasing. I hear the sound of their sport borne over the water. As yet we have not man in Nature. What a singular fact for an angel visitant to this earth to carry back in his note-book, that men were forbidden to expose their bodies under the severest penalties."
Iwan Bloch, in Chapter VII of hisSexual Life of Our Time, discusses this question of nakedness from the modern point of view, and concludes: "A natural conception of nakedness: that is the watchword of the future. All the hygienic, æsthetic, and moral efforts of our time are pointing in that direction."
Stratz, as befits one who has worked so strenuously in the cause of human health and beauty, admirably sets forth the stage which we have now attained in this matter. After pointing out (Die Frauenkleidung, third edition, 1904, p. 30) that, in opposition to the pagan world which worshipped naked gods, Christianity developed the idea that nakedness was merely sexual, and therefore immoral, he proceeds: "But over all glimmered on the heavenly heights of the Cross, the naked body of the Saviour. Under that protection there has gradually disengaged itself from the confusion of ideas a new transfigured form of nakedness made free after long struggle. I would call thisartistic nakedness, for as it was immortalized by the old Greeks through art, so also among us it has been awakened to new life by art. Artistic nakedness is, in its nature, much higher than either the natural or the sensual conception of nakedness. The simple child of Nature sees in nakedness nothing at all; the clothed man sees in the uncovered body only a sensual irritation. But at the highest standpoint man consciously returns to Nature, and recognizes that under the manifold coverings of humanfabrication there is hidden the most splendid creature that God has created. One may stand in silent, worshipping wonder before the sight; another may be impelled to imitate and show to his fellow-man what in that holy moment he has seen. But both enjoy the spectacle of human beauty with full consciousness and enlightened purity of thought."
It was not, however, so much on these more spiritual sides, but on the side of hygiene, that the nineteenth century furnished its chief practical contribution to the new attitude towards nakedness.