[Contents]The Fiddler and The Sea Nymph.Many years ago a dancing society of Brästa, a village in the parish of Stora Mellösa, planned a great Christmas festival, to which, on the appointed day, old and young flocked from far and near, knowing that Sexton Kant, of Norrbyås, would be there with his fiddle, and assured that fun would run riot. Kant, it is related, was no ordinary fiddler, not a little proud of his skill, and ready at the least word of praise to laud himself to the skies.When the merry making had gone well into the night and the pleasures were at their height, some one remarked that not many could measure themselves with Father Kant, when he let the bow leap over the strings and played in “four voices,” as he himself called it. Nothing further was needed. Kant, always ready to begin where the others left off, declared that the devil, good player as he was reputed to be, could not compete with him in the waltz which they had just heard. This boast came near costing Kant dear. When the dance ended and he set out in the night on his way home, he met, near the hill of Bjurbäcka, a young woman clad in white, who saluted him and addressed him as follows:“If you will play a polka for me, Father Kant, I will dance for you.”So said, so done. Father Kant sat himself upon a stone and applied the bow to the strings of the[163]instrument. Instantly he lost all control of himself. Such a polka as now came from his fiddle he had never expected to hear, much less play. The tones seemed to come without help from him. The bow bounded over the strings and his arm was forced to follow. One melody followed another; his arm became numb, but the music continued in the same wild measure.Kant now understood that something was wrong. Finally he burst forth:“God forgive me, poor sinner. What have I brought upon myself?”Upon the instant the fiddle strings parted, and an awful-sounding laugh was heard from the brook at the foot of the hill. Heavy of heart, Kant hastened homeward, acknowledging to himself that the devil, after all, was his superior. For a long time he could not be persuaded to again take up his fiddle, but, when he finally complied, he found that one of the beautiful waltzes he had played on the eventful night had fastened itself upon his memory, and he acquired greater renown than before as a fiddler.[164]
[Contents]The Fiddler and The Sea Nymph.Many years ago a dancing society of Brästa, a village in the parish of Stora Mellösa, planned a great Christmas festival, to which, on the appointed day, old and young flocked from far and near, knowing that Sexton Kant, of Norrbyås, would be there with his fiddle, and assured that fun would run riot. Kant, it is related, was no ordinary fiddler, not a little proud of his skill, and ready at the least word of praise to laud himself to the skies.When the merry making had gone well into the night and the pleasures were at their height, some one remarked that not many could measure themselves with Father Kant, when he let the bow leap over the strings and played in “four voices,” as he himself called it. Nothing further was needed. Kant, always ready to begin where the others left off, declared that the devil, good player as he was reputed to be, could not compete with him in the waltz which they had just heard. This boast came near costing Kant dear. When the dance ended and he set out in the night on his way home, he met, near the hill of Bjurbäcka, a young woman clad in white, who saluted him and addressed him as follows:“If you will play a polka for me, Father Kant, I will dance for you.”So said, so done. Father Kant sat himself upon a stone and applied the bow to the strings of the[163]instrument. Instantly he lost all control of himself. Such a polka as now came from his fiddle he had never expected to hear, much less play. The tones seemed to come without help from him. The bow bounded over the strings and his arm was forced to follow. One melody followed another; his arm became numb, but the music continued in the same wild measure.Kant now understood that something was wrong. Finally he burst forth:“God forgive me, poor sinner. What have I brought upon myself?”Upon the instant the fiddle strings parted, and an awful-sounding laugh was heard from the brook at the foot of the hill. Heavy of heart, Kant hastened homeward, acknowledging to himself that the devil, after all, was his superior. For a long time he could not be persuaded to again take up his fiddle, but, when he finally complied, he found that one of the beautiful waltzes he had played on the eventful night had fastened itself upon his memory, and he acquired greater renown than before as a fiddler.[164]
The Fiddler and The Sea Nymph.
Many years ago a dancing society of Brästa, a village in the parish of Stora Mellösa, planned a great Christmas festival, to which, on the appointed day, old and young flocked from far and near, knowing that Sexton Kant, of Norrbyås, would be there with his fiddle, and assured that fun would run riot. Kant, it is related, was no ordinary fiddler, not a little proud of his skill, and ready at the least word of praise to laud himself to the skies.When the merry making had gone well into the night and the pleasures were at their height, some one remarked that not many could measure themselves with Father Kant, when he let the bow leap over the strings and played in “four voices,” as he himself called it. Nothing further was needed. Kant, always ready to begin where the others left off, declared that the devil, good player as he was reputed to be, could not compete with him in the waltz which they had just heard. This boast came near costing Kant dear. When the dance ended and he set out in the night on his way home, he met, near the hill of Bjurbäcka, a young woman clad in white, who saluted him and addressed him as follows:“If you will play a polka for me, Father Kant, I will dance for you.”So said, so done. Father Kant sat himself upon a stone and applied the bow to the strings of the[163]instrument. Instantly he lost all control of himself. Such a polka as now came from his fiddle he had never expected to hear, much less play. The tones seemed to come without help from him. The bow bounded over the strings and his arm was forced to follow. One melody followed another; his arm became numb, but the music continued in the same wild measure.Kant now understood that something was wrong. Finally he burst forth:“God forgive me, poor sinner. What have I brought upon myself?”Upon the instant the fiddle strings parted, and an awful-sounding laugh was heard from the brook at the foot of the hill. Heavy of heart, Kant hastened homeward, acknowledging to himself that the devil, after all, was his superior. For a long time he could not be persuaded to again take up his fiddle, but, when he finally complied, he found that one of the beautiful waltzes he had played on the eventful night had fastened itself upon his memory, and he acquired greater renown than before as a fiddler.[164]
Many years ago a dancing society of Brästa, a village in the parish of Stora Mellösa, planned a great Christmas festival, to which, on the appointed day, old and young flocked from far and near, knowing that Sexton Kant, of Norrbyås, would be there with his fiddle, and assured that fun would run riot. Kant, it is related, was no ordinary fiddler, not a little proud of his skill, and ready at the least word of praise to laud himself to the skies.
When the merry making had gone well into the night and the pleasures were at their height, some one remarked that not many could measure themselves with Father Kant, when he let the bow leap over the strings and played in “four voices,” as he himself called it. Nothing further was needed. Kant, always ready to begin where the others left off, declared that the devil, good player as he was reputed to be, could not compete with him in the waltz which they had just heard. This boast came near costing Kant dear. When the dance ended and he set out in the night on his way home, he met, near the hill of Bjurbäcka, a young woman clad in white, who saluted him and addressed him as follows:
“If you will play a polka for me, Father Kant, I will dance for you.”
So said, so done. Father Kant sat himself upon a stone and applied the bow to the strings of the[163]instrument. Instantly he lost all control of himself. Such a polka as now came from his fiddle he had never expected to hear, much less play. The tones seemed to come without help from him. The bow bounded over the strings and his arm was forced to follow. One melody followed another; his arm became numb, but the music continued in the same wild measure.
Kant now understood that something was wrong. Finally he burst forth:
“God forgive me, poor sinner. What have I brought upon myself?”
Upon the instant the fiddle strings parted, and an awful-sounding laugh was heard from the brook at the foot of the hill. Heavy of heart, Kant hastened homeward, acknowledging to himself that the devil, after all, was his superior. For a long time he could not be persuaded to again take up his fiddle, but, when he finally complied, he found that one of the beautiful waltzes he had played on the eventful night had fastened itself upon his memory, and he acquired greater renown than before as a fiddler.[164]