For a full month the business, for which I had returned to London, detained me there: and even then it was only the urgent advice of my physician that induced me to leave it unfinished and pay another visit to Elveston.
Arthur had written once or twice during the month; but in none of his letters was there any mention of Lady Muriel. Still, I did not augur ill from his silence: to me it looked like the natural action of a lover, who, even while his heart was singing “She is mine!”, would fear to paint his happiness in the cold phrases of a written letter, but would wait to tell it by word of mouth. “Yes,” I thought, “I am to hear his song of triumph from his own lips!”
The night I arrived we had much to say on other matters: and, tired with the journey, I went to bed early, leaving the happy secret still untold. Next day, however, as we chatted on over the remains of luncheon, I ventured to put the momentous question. “Well, old friend, you have told me nothing of Lady Muriel—nor when the happy day is to be?”
“The happy day,” Arthur said, looking unexpectedly grave, “is yet in the dim future. We need to know—or, rather, she needs to know me better. I know her sweet nature, thoroughly, by this time. But I dare not speak till I am sure that my love is returned.”
“Don't wait too long!” I said gaily. “Faint heart never won fair lady!”
“It is 'faint heart,' perhaps. But really I dare not speak just yet.”
“But meanwhile,” I pleaded, “you are running a risk that perhaps you have not thought of. Some other man—”
“No,” said Arthur firmly. “She is heart-whole: I am sure of that. Yet, if she loves another better than me, so be it! I will not spoil her happiness. The secret shall die with me. But she is my first—and my only love!”
“That is all very beautiful sentiment,” I said, “but it is not practical. It is not like you.
He either fears his fate too much,Or his desert is small,Who dares not put it to the touch,To win or lose it all.”
“I dare not ask the question whether there is another!” he said passionately. “It would break my heart to know it!”
“Yet is it wise to leave it unasked? You must not waste your life upon an 'if'!”
“I tell you I dare not!,”
“May I find it out for you?” I asked, with the freedom of an old friend.
“No, no!” he replied with a pained look. “I entreat you to say nothing. Let it wait.”
“As you please,” I said: and judged it best to say no more just then. “But this evening,” I thought, “I will call on the Earl. I may be able to see how the land lies, without so much as saying a word!”
It was a very hot afternoon—too hot to go for a walk or do anything—or else it wouldn't have happened, I believe.
In the first place, I want to know—dear Child who reads this!—why Fairies should always be teaching us to do our duty, and lecturing us when we go wrong, and we should never teach them anything? You can't mean to say that Fairies are never greedy, or selfish, or cross, or deceitful, because that would be nonsense, you know. Well then, don't you think they might be all the better for a little lecturing and punishing now and then?
I really don't see why it shouldn't be tried, and I'm almost sure that, if you could only catch a Fairy, and put it in the corner, and give it nothing but bread and water for a day or two, you'd find it quite an improved character—it would take down its conceit a little, at all events.
The next question is, what is the best time for seeing Fairies? I believe I can tell you all about that.
The first rule is, that it must be a very hot day—that we may consider as settled: and you must be just a little sleepy—but not too sleepy to keep your eyes open, mind. Well, and you ought to feel a little—what one may call “fairyish “—the Scotch call it “eerie,” and perhaps that's a prettier word; if you don't know what it means, I'm afraid I can hardly explain it; you must wait till you meet a Fairy, and then you'll know.
And the last rule is, that the crickets should not be chirping. I can't stop to explain that: you must take it on trust for the present.
So, if all these things happen together, you have a good chance of seeing a Fairy—or at least a much better chance than if they didn't.
The first thing I noticed, as I went lazily along through an open place in the wood, was a large Beetle lying struggling on its back, and I went down upon one knee to help the poor thing to its feet again. In some things, you know, you ca'n't be quite sure what an insect would like: for instance, I never could quite settle, supposing I were a moth, whether I would rather be kept out of the candle, or be allowed to fly straight in and get burnt—or again, supposing I were a spider, I'm not sure if I should be quite pleased to have my web torn down, and the fly let loose—but I feel quite certain that, if I were a beetle and had rolled over on my back, I should always be glad to be helped up again.
So, as I was saying, I had gone down upon one knee, and was just reaching out a little stick to turn the Beetle over, when I saw a sight that made me draw back hastily and hold my breath, for fear of making any noise and frightening the little creature a way.
Not that she looked as if she would be easily frightened: she seemed so good and gentle that I'm sure she would never expect that any one could wish to hurt her. She was only a few inches high, and was dressed in green, so that you really would hardly have noticed her among the long grass; and she was so delicate and graceful that she quite seemed to belong to the place, almost as if she were one of the flowers. I may tell you, besides, that she had no wings (I don't believe in Fairies with wings), and that she had quantities of long brown hair and large earnest brown eyes, and then I shall have done all I can to give you an idea of her.
{Image...Fairy-sylvie}
Sylvie (I found out her name afterwards) had knelt down, just as I was doing, to help the Beetle; but it needed more than a little stick for her to get it on its legs again; it was as much as she could do, with both arms, to roll the heavy thing over; and all the while she was talking to it, half scolding and half comforting, as a nurse might do with a child that had fallen down.
“There, there! You needn't cry so much about it. You're not killed yet—though if you were, you couldn't cry, you know, and so it's a general rule against crying, my dear! And how did you come to tumble over? But I can see well enough how it was—I needn't ask you that—walking over sand-pits with your chin in the air, as usual. Of course if you go among sand-pits like that, you must expect to tumble. You should look.”
The Beetle murmured something that sounded like “I did look,” and Sylvie went on again.
“But I know you didn't! You never do! You always walk with your chin up—you're so dreadfully conceited. Well, let's see how many legs are broken this time. Why, none of them, I declare! And what's the good of having six legs, my dear, if you can only kick them all about in the air when you tumble? Legs are meant to walk with, you know. Now don't begin putting out your wings yet; I've more to say. Go to the frog that lives behind that buttercup—give him my compliments—Sylvie's compliments—can you say compliments'?”
The Beetle tried and, I suppose, succeeded.
“Yes, that's right. And tell him he's to give you some of that salve I left with him yesterday. And you'd better get him to rub it in for you. He's got rather cold hands, but you mustn't mind that.”
I think the Beetle must have shuddered at this idea, for Sylvie went on in a graver tone. “Now you needn't pretend to be so particular as all that, as if you were too grand to be rubbed by a frog. The fact is, you ought to be very much obliged to him. Suppose you could get nobody but a toad to do it, how would you like that?”
There was a little pause, and then Sylvie added “Now you may go. Be a good beetle, and don't keep your chin in the air.” And then began one of those performances of humming, and whizzing, and restless banging about, such as a beetle indulges in when it has decided on flying, but hasn't quite made up its mind which way to go. At last, in one of its awkward zigzags, it managed to fly right into my face, and, by the time I had recovered from the shock, the little Fairy was gone.
I looked about in all directions for the little creature, but there was no trace of her—and my 'eerie' feeling was quite gone off, and the crickets were chirping again merrily—so I knew she was really gone.
And now I've got time to tell you the rule about the crickets. They always leave off chirping when a Fairy goes by—because a Fairy's a kind of queen over them, I suppose—at all events it's a much grander thing than a cricket—so whenever you're walking out, and the crickets suddenly leave off chirping, you may be sure that they see a Fairy.
I walked on sadly enough, you may be sure. However, I comforted myself with thinking “It's been a very wonderful afternoon, so far. I'll just go quietly on and look about me, and I shouldn't wonder if I were to come across another Fairy somewhere.”
Peering about in this way, I happened to notice a plant with rounded leaves, and with queer little holes cut in the middle of several of them. “Ah, the leafcutter bee!” I carelessly remarked—you know I am very learned in Natural History (for instance, I can always tell kittens from chickens at one glance)—and I was passing on, when a sudden thought made me stoop down and examine the leaves.
Then a little thrill of delight ran through me—for I noticed that the holes were all arranged so as to form letters; there were three leaves side by side, with “B,” “R,” and “U” marked on them, and after some search I found two more, which contained an “N” and an “O.”
And then, all in a moment, a flash of inner light seemed to illumine a part of my life that had all but faded into oblivion—the strange visions I had experienced during my journey to Elveston: and with a thrill of delight I thought “Those visions are destined to be linked with my waking life!”
By this time the 'eerie' feeling had come back again, and I suddenly observed that no crickets were chirping; so I felt quite sure that Bruno was somewhere very near.
And so indeed he was—so near that I had very nearly walked over him without seeing him; which would have been dreadful, always supposing that Fairies can be walked over my own belief is that they are something of the nature of Will-o'-the-wisps: and there's no walking over them.
Think of any pretty little boy you know, with rosy cheeks, large dark eyes, and tangled brown hair, and then fancy him made small enough to go comfortably into a coffee-cup, and you'll have a very fair idea of him.
“What's your name, little one?” I began, in as soft a voice as I could manage. And, by the way, why is it we always begin by asking little children their names? Is it because we fancy a name will help to make them a little bigger? You never thought of asking a real large man his name, now, did you? But, however that may be, I felt it quite necessary to know his name; so, as he didn't answer my question, I asked it again a little louder. “What's your name, my little man?”
“What's oors?” he said, without looking up.
I told him my name quite gently, for he was much too small to be angry with.
“Duke of Anything?” he asked, just looking at me for a moment, and then going on with his work.
“Not Duke at all,” I said, a little ashamed of having to confess it.
“Oo're big enough to be two Dukes,” said the little creature. “I suppose oo're Sir Something, then?”
“No,” I said, feeling more and more ashamed. “I haven't got any title.”
The Fairy seemed to think that in that case I really wasn't worth the trouble of talking to, for he quietly went on digging, and tearing the flowers to pieces.
After a few minutes I tried again. “Please tell me what your name is.”
“Bruno,” the little fellow answered, very readily. “Why didn't oo say 'please' before?”
“That's something like what we used to be taught in the nursery,” I thought to myself, looking back through the long years (about a hundred of them, since you ask the question), to the time when I was a little child. And here an idea came into my head, and I asked him “Aren't you one of the Fairies that teach children to be good?”
“Well, we have to do that sometimes,” said Bruno, “and a dreadful bother it is.” As he said this, he savagely tore a heartsease in two, and trampled on the pieces.
“What are you doing there, Bruno?” I said.
“Spoiling Sylvie's garden,” was all the answer Bruno would give at first. But, as he went on tearing up the flowers, he muttered to himself “The nasty cross thing wouldn't let me go and play this morning,—said I must finish my lessons first—lessons, indeed! I'll vex her finely, though!”
“Oh, Bruno, you shouldn't do that!” I cried. “Don't you know that's revenge? And revenge is a wicked, cruel, dangerous thing!”
“River-edge?” said Bruno. “What a funny word! I suppose oo call it cruel and dangerous 'cause, if oo wented too far and tumbleded in, oo'd get drownded.”
“No, not river-edge,” I explained: “revenge” (saying the word very slowly). But I couldn't help thinking that Bruno's explanation did very well for either word.
“Oh!” said Bruno, opening his eyes very wide, but without trying to repeat the word.
“Come! Try and pronounce it, Bruno!” I said, cheerfully. “Re-venge, re-venge.”
But Bruno only tossed his little head, and said he couldn't; that his mouth wasn't the right shape for words of that kind. And the more I laughed, the more sulky the little fellow got about it.
“Well, never mind, my little man!” I said. “Shall I help you with that job?”
“Yes, please,” Bruno said, quite pacified.
“Only I wiss I could think of somefin to vex her more than this. Oo don't know how hard it is to make her angry!”
“Now listen to me, Bruno, and I'll teach you quite a splendid kind of revenge!”
“Somefin that'll vex her finely?” he asked with gleaming eyes.
“Something that will vex her finely. First, we'll get up all the weeds in her garden. See, there are a good many at this end quite hiding the flowers.”
“But that won't vex her!” said Bruno.
“After that,” I said, without noticing the remark, “we'll water this highest bed—up here. You see it's getting quite dry and dusty.”
Bruno looked at me inquisitively, but he said nothing this time.
“Then after that,” I went on, “the walks want sweeping a bit; and I think you might cut down that tall nettle—it's so close to the garden that it's quite in the way—”
“What is oo talking about?” Bruno impatiently interrupted me. “All that won't vex her a bit!”
“Won't it?” I said, innocently. “Then, after that, suppose we put in some of these coloured pebbles—just to mark the divisions between the different kinds of flowers, you know. That'll have a very pretty effect.”
Bruno turned round and had another good stare at me. At last there came an odd little twinkle into his eyes, and he said, with quite a new meaning in his voice, “That'll do nicely. Let's put 'em in rows—all the red together, and all the blue together.”
“That'll do capitally,” I said; “and then—what kind of flowers does Sylvie like best?”
Bruno had to put his thumb in his mouth and consider a little before he could answer. “Violets,” he said, at last.
“There's a beautiful bed of violets down by the brook—”
“Oh, let's fetch 'em!” cried Bruno, giving a little skip into the air. “Here! Catch hold of my hand, and I'll help oo along. The grass is rather thick down that way.”
I couldn't help laughing at his having so entirely forgotten what a big creature he was talking to. “No, not yet, Bruno,” I said: “we must consider what's the right thing to do first. You see we've got quite a business before us.”
“Yes, let's consider,” said Bruno, putting his thumb into his mouth again, and sitting down upon a dead mouse.
“What do you keep that mouse for?” I said. “You should either bury it, or else throw it into the brook.”
“Why, it's to measure with!” cried Bruno. “How ever would oo do a garden without one? We make each bed three mouses and a half long, and two mouses wide.”
I stopped him, as he was dragging it off by the tail to show me how it was used, for I was half afraid the 'eerie' feeling might go off before we had finished the garden, and in that case I should see no more of him or Sylvie. “I think the best way will be for you to weed the beds, while I sort out these pebbles, ready to mark the walks with.”
“That's it!” cried Bruno. “And I'll tell oo about the caterpillars while we work.”
“Ah, let's hear about the caterpillars,” I said, as I drew the pebbles together into a heap and began dividing them into colours.
And Bruno went on in a low, rapid tone, more as if he were talking to himself. “Yesterday I saw two little caterpillars, when I was sitting by the brook, just where oo go into the wood. They were quite green, and they had yellow eyes, and they didn't see me. And one of them had got a moth's wing to carry—a great brown moth's wing, oo know, all dry, with feathers. So he couldn't want it to eat, I should think—perhaps he meant to make a cloak for the winter?”
“Perhaps,” I said, for Bruno had twisted up the last word into a sort of question, and was looking at me for an answer.
One word was quite enough for the little fellow, and he went on merrily. “Well, and so he didn't want the other caterpillar to see the moth's wing, oo know—so what must he do but try to carry it with all his left legs, and he tried to walk on the other set. Of course he toppled over after that.”
“After what?” I said, catching at the last word, for, to tell the truth, I hadn't been attending much.
“He toppled over,” Bruno repeated, very gravely, “and if oo ever saw a caterpillar topple over, oo'd know it's a welly serious thing, and not sit grinning like that—and I sha'n't tell oo no more!”
“Indeed and indeed, Bruno, I didn't mean to grin. See, I'm quite grave again now.”
But Bruno only folded his arms, and said “Don't tell me. I see a little twinkle in one of oor eyes—just like the moon.”
“Why do you think I'm like the moon, Bruno?” I asked.
“Oor face is large and round like the moon,” Bruno answered, looking at me thoughtfully. “It doosn't shine quite so bright—but it's more cleaner.”
I couldn't help smiling at this. “You know I sometimes wash my face, Bruno. The moon never does that.”
“Oh, doosn't she though!” cried Bruno; and he leant forwards and added in a solemn whisper, “The moon's face gets dirtier and dirtier every night, till it's black all across. And then, when it's dirty all over—so—” (he passed his hand across his own rosy cheeks as he spoke) “then she washes it.”
“Then it's all clean again, isn't it?”
“Not all in a moment,” said Bruno. “What a deal of teaching oo wants! She washes it little by little—only she begins at the other edge, oo know.”
By this time he was sitting quietly on the dead mouse with his arms folded, and the weeding wasn't getting on a bit: so I had to say “Work first, pleasure afterwards: no more talking till that bed's finished.”
After that we had a few minutes of silence, while I sorted out the pebbles, and amused myself with watching Bruno's plan of gardening. It was quite a new plan to me: he always measured each bed before he weeded it, as if he was afraid the weeding would make it shrink; and once, when it came out longer than he wished, he set to work to thump the mouse with his little fist, crying out “There now! It's all gone wrong again! Why don't oo keep oor tail straight when I tell oo!”
“I'll tell you what I'll do,” Bruno said in a half-whisper, as we worked. “Oo like Fairies, don't oo?”
“Yes,” I said: “of course I do, or I shouldn't have come here. I should have gone to some place where there are no Fairies.”
Bruno laughed contemptuously. “Why, oo might as well say oo'd go to some place where there wasn't any air—supposing oo didn't like air!”
This was a rather difficult idea to grasp. I tried a change of subject. “You're nearly the first Fairy I ever saw. Have you ever seen any people besides me?”
“Plenty!” said Bruno. “We see'em when we walk in the road.”
“But they ca'n't see you. How is it they never tread on you?”
“Ca'n't tread on us,” said Bruno, looking amused at my ignorance. “Why, suppose oo're walking, here—so—” (making little marks on the ground) “and suppose there's a Fairy—that's me—walking here. Very well then, oo put one foot here, and one foot here, so oo doosn't tread on the Fairy.”
This was all very well as an explanation, but it didn't convince me. “Why shouldn't I put one foot on the Fairy?” I asked.
“I don't know why,” the little fellow said in a thoughtful tone. “But I know oo wouldn't. Nobody never walked on the top of a Fairy. Now I'll tell oo what I'll do, as oo're so fond of Fairies. I'll get oo an invitation to the Fairy-King's dinner-party. I know one of the head-waiters.”
I couldn't help laughing at this idea. “Do the waiters invite the guests?” I asked.
“Oh, not to sit down!” Bruno said. “But to wait at table. Oo'd like that, wouldn't oo? To hand about plates, and so on.”
“Well, but that's not so nice as sitting at the table, is it?”
“Of course it isn't,” Bruno said, in a tone as if he rather pitied my ignorance; “but if oo're not even Sir Anything, oo ca'n't expect to be allowed to sit at the table, oo know.”
I said, as meekly as I could, that I didn't expect it, but it was the only way of going to a dinner-party that I really enjoyed. And Bruno tossed his head, and said, in a rather offended tone that I might do as I pleased—there were many he knew that would give their ears to go.
“Have you ever been yourself, Bruno?”
“They invited me once, last week,” Bruno said, very gravely. “It was to wash up the soup-plates—no, the cheese-plates I mean that was grand enough. And I waited at table. And I didn't hardly make only one mistake.”
“What was it?” I said. “You needn't mind telling me.”
“Only bringing scissors to cut the beef with,” Bruno said carelessly. “But the grandest thing of all was, I fetched the King a glass of cider!”
“That was grand!” I said, biting my lip to keep myself from laughing.
“Wasn't it?” said Bruno, very earnestly. “Oo know it isn't every one that's had such an honour as that!”
This set me thinking of the various queer things we call “an honour” in this world, but which, after all, haven't a bit more honour in them than what Bruno enjoyed, when he took the King a glass of cider.
I don't know how long I might not have dreamed on in this way, if Bruno hadn't suddenly roused me. “Oh, come here quick!” he cried, in a state of the wildest excitement. “Catch hold of his other horn! I ca'n't hold him more than a minute!”
He was struggling desperately with a great snail, clinging to one of its horns, and nearly breaking his poor little back in his efforts to drag it over a blade of grass.
I saw we should have no more gardening if I let this sort of thing go on, so I quietly took the snail away, and put it on a bank where he couldn't reach it. “We'll hunt it afterwards, Bruno,” I said, “if you really want to catch it. But what's the use of it when you've got it?”
“What's the use of a fox when oo've got it?” said Bruno. “I know oo big things hunt foxes.”
I tried to think of some good reason why “big things” should hunt foxes, and he should not hunt snails, but none came into my head: so I said at last, “Well, I suppose one's as good as the other. I'll go snail-hunting myself some day.”
“I should think oo wouldn't be so silly,” said Bruno, “as to go snail-hunting by oor-self. Why, oo'd never get the snail along, if oo hadn't somebody to hold on to his other horn!”
“Of course I sha'n't go alone,” I said, quite gravely. “By the way, is that the best kind to hunt, or do you recommend the ones without shells?”
“Oh, no, we never hunt the ones without shells,” Bruno said, with a little shudder at the thought of it. “They're always so cross about it; and then, if oo tumbles over them, they're ever so sticky!”
By this time we had nearly finished the garden. I had fetched some violets, and Bruno was just helping me to put in the last, when he suddenly stopped and said “I'm tired.”
“Rest then,” I said: “I can go on without you, quite well.”
Bruno needed no second invitation: he at once began arranging the dead mouse as a kind of sofa. “And I'll sing oo a little song,” he said, as he rolled it about.
“Do,” said I: “I like songs very much.”
“Which song will oo choose?” Bruno said, as he dragged the mouse into a place where he could get a good view of me. “'Ting, ting, ting' is the nicest.”
There was no resisting such a strong hint as this: however, I pretended to think about it for a moment, and then said “Well, I like 'Ting, ting, ting,' best of all.”
{Image...Bruno's revenge}
“That shows oo're a good judge of music,” Bruno said, with a pleased look. “How many hare-bells would oo like?” And he put his thumb into his mouth to help me to consider.
As there was only one cluster of hare-bells within easy reach, I said very gravely that I thought one would do this time, and I picked it and gave it to him. Bruno ran his hand once or twice up and down the flowers, like a musician trying an instrument, producing a most delicious delicate tinkling as he did so. I had never heard flower-music before—I don't think one can, unless one's in the 'eerie' state and I don't know quite how to give you an idea of what it was like, except by saying that it sounded like a peal of bells a thousand miles off. When he had satisfied himself that the flowers were in tune, he seated himself on the dead mouse (he never seemed really comfortable anywhere else), and, looking up at me with a merry twinkle in his eyes, he began. By the way, the tune was rather a curious one, and you might like to try it for yourself, so here are the notes.
{Image...Music for hare-bells}
“Rise, oh, rise! The daylight dies:The owls are hooting, ting, ting, ting!Wake, oh, wake! Beside the lakeThe elves are fluting, ting, ting, ting!Welcoming our Fairy King,We sing, sing, sing.”
He sang the first four lines briskly and merrily, making the hare-bells chime in time with the music; but the last two he sang quite slowly and gently, and merely waved the flowers backwards and forwards. Then he left off to explain. “The Fairy-King is Oberon, and he lives across the lake—and sometimes he comes in a little boat—and we go and meet him and then we sing this song, you know.”
“And then you go and dine with him?” I said, mischievously.
“Oo shouldn't talk,” Bruno hastily said: “it interrupts the song so.”
I said I wouldn't do it again.
“I never talk myself when I'm singing,” he went on very gravely: “so oo shouldn't either.” Then he tuned the hare-bells once more, and sang:—-
“Hear, oh, hear! From far and nearThe music stealing, ting, ting, ting!Fairy belts adown the dellsAre merrily pealing, ting, ting, ting!Welcoming our Fairy King,We ring, ring, ring.“See, oh, see! On every treeWhat lamps are shining, ting, ting, ting!They are eyes of fiery fliesTo light our dining, ting, ting, ting!Welcoming our Fairy KingThey swing, swing, swing.“Haste, oh haste, to take and tasteThe dainties waiting, ting, ting, ting!Honey-dew is stored—”
“Hush, Bruno!” I interrupted in a warning whisper. “She's coming!”
Bruno checked his song, and, as she slowly made her way through the long grass, he suddenly rushed out headlong at her like a little bull, shouting “Look the other way! Look the other way!”
“Which way?” Sylvie asked, in rather a frightened tone, as she looked round in all directions to see where the danger could be.
“That way!” said Bruno, carefully turning her round with her face to the wood. “Now, walk backwards walk gently—don't be frightened: oo sha'n't trip!”
But Sylvie did trip notwithstanding: in fact he led her, in his hurry, across so many little sticks and stones, that it was really a wonder the poor child could keep on her feet at all. But he was far too much excited to think of what he was doing.
I silently pointed out to Bruno the best place to lead her to, so as to get a view of the whole garden at once: it was a little rising ground, about the height of a potato; and, when they had mounted it, I drew back into the shade, that Sylvie mightn't see me.
I heard Bruno cry out triumphantly “Now oo may look!” and then followed a clapping of hands, but it was all done by Bruno himself. Sylvie: was silent—she only stood and gazed with her hands clasped together, and I was half afraid she didn't like it after all.
Bruno too was watching her anxiously, and when she jumped down off the mound, and began wandering up and down the little walks, he cautiously followed her about, evidently anxious that she should form her own opinion of it all, without any hint from him. And when at last she drew a long breath, and gave her verdict—in a hurried whisper, and without the slightest regard to grammar—“It's the loveliest thing as I never saw in all my life before!” the little fellow looked as well pleased as if it had been given by all the judges and juries in England put together.
“And did you really do it all by yourself, Bruno?” said Sylvie. “And all for me?”
“I was helped a bit,” Bruno began, with a merry little laugh at her surprise. “We've been at it all the afternoon—I thought oo'd like—” and here the poor little fellow's lip began to quiver, and all in a moment he burst out crying, and running up to Sylvie he flung his arms passionately round her neck, and hid his face on her shoulder.
There was a little quiver in Sylvie's voice too, as she whispered “Why, what's the matter, darling?” and tried to lift up his head and kiss him.
But Bruno only clung to her, sobbing, and wouldn't be comforted till he had confessed. “I tried—to spoil oor garden—first—but I'll never—never—” and then came another burst of tears, which drowned the rest of the sentence. At last he got out the words “I liked—putting in the flowers—for oo, Sylvie—and I never was so happy before.” And the rosy little face came up at last to be kissed, all wet with tears as it was.
Sylvie was crying too by this time, and she said nothing but “Bruno, dear!” and “I never was so happy before,” though why these two children who had never been so happy before should both be crying was a mystery to me.
I felt very happy too, but of course I didn't cry: “big things” never do, you know we leave all that to the Fairies. Only I think it must have been raining a little just then, for I found a drop or two on my cheeks.
After that they went through the whole garden again, flower by flower, as if it were a long sentence they were spelling out, with kisses for commas, and a great hug by way of a full-stop when they got to the end.
“Doos oo know, that was my river-edge, Sylvie?” Bruno solemnly began.
Sylvie laughed merrily. “What do you mean?” she said. And she pushed back her heavy brown hair with both hands, and looked at him with dancing eyes in which the big teardrops were still glittering.
Bruno drew in a long breath, and made up his mouth for a great effort. “I mean revenge,” he said: “now oo under'tand.” And he looked so happy and proud at having said the word right at last, that I quite envied him. I rather think Sylvie didn't “under'tand” at all; but she gave him a little kiss on each cheek, which seemed to do just as well.
So they wandered off lovingly together, in among the buttercups, each with an arm twined round the other, whispering and laughing as they went, and never so much as once looked back at poor me. Yes, once, just before I quite lost sight of them, Bruno half turned his head, and nodded me a saucy little good-bye over one shoulder. And that was all the thanks I got for my trouble. The very last thing I saw of them was this—Sylvie was stooping down with her arms round Bruno's neck, and saying coaxingly in his ear, “Do you know, Bruno, I've quite forgotten that hard word. Do say it once more. Come! Only this once, dear!”
But Bruno wouldn't try it again.
The Marvellous—the Mysterious—had quite passed out of my life for the moment: and the Common-place reigned supreme. I turned in the direction of the Earl's house, as it was now 'the witching hour' of five, and I knew I should find them ready for a cup of tea and a quiet chat.
Lady Muriel and her father gave me a delightfully warm welcome. They were not of the folk we meet in fashionable drawing-rooms who conceal all such feelings as they may chance to possess beneath the impenetrable mask of a conventional placidity. 'The Man with the Iron Mask' was, no doubt, a rarity and a marvel in his own age: in modern London no one would turn his head to give him a second look! No, these were real people. When they looked pleased, it meant that they were pleased: and when Lady Muriel said, with a bright smile, “I'm very glad to see you again!”, I knew that it was true.
Still I did not venture to disobey the injunctions—crazy as I felt them to be—of the lovesick young Doctor, by so much as alluding to his existence: and it was only after they had given me full details of a projected picnic, to which they invited me, that Lady Muriel exclaimed, almost as an after-thought, “and do, if you can, bring Doctor Forester with you! I'm sure a day in the country would do him good. I'm afraid he studies too much—”
It was 'on the tip of my tongue' to quote the words “His only books are woman's looks!” but I checked myself just in time—with something of the feeling of one who has crossed a street, and has been all but run over by a passing 'Hansom.'
“—and I think he has too lonely a life,” she went on, with a gentle earnestness that left no room whatever to suspect a double meaning. “Do get him to come! And don't forget the day, Tuesday week. We can drive you over. It would be a pity to go by rail——there is so much pretty scenery on the road. And our open carriage just holds four.”
“Oh, I'll persuade him to come!” I said with confidence—thinking “it would take all my powers of persuasion to keep him away!”
The picnic was to take place in ten days: and though Arthur readily accepted the invitation I brought him, nothing that I could say would induce him to call—either with me or without me on the Earl and his daughter in the meanwhile. No: he feared to “wear out his welcome,” he said: they had “seen enough of him for one while”: and, when at last the day for the expedition arrived, he was so childishly nervous and uneasy that I thought it best so to arrange our plans that we should go separately to the house—my intention being to arrive some time after him, so as to give him time to get over a meeting.
With this object I purposely made a considerable circuit on my way to the Hall (as we called the Earl's house): “and if I could only manage to lose my way a bit,” I thought to myself, “that would suit me capitally!”
In this I succeeded better, and sooner, than I had ventured to hope for. The path through the wood had been made familiar to me, by many a solitary stroll, in my former visit to Elveston; and how I could have so suddenly and so entirely lost it—even though I was so engrossed in thinking of Arthur and his lady-love that I heeded little else—was a mystery to me. “And this open place,” I said to myself, “seems to have some memory about it I cannot distinctly recall—surely it is the very spot where I saw those Fairy-Children! But I hope there are no snakes about!” I mused aloud, taking my seat on a fallen tree. “I certainly do not like snakes—and I don't suppose Bruno likes them, either!”
“No, he doesn't like them!” said a demure little voice at my side. “He's not afraid of them, you know. But he doesn't like them. He says they're too waggly!”
Words fail me to describe the beauty of the little group—couched on a patch of moss, on the trunk of the fallen tree, that met my eager gaze: Sylvie reclining with her elbow buried in the moss, and her rosy cheek resting in the palm of her hand, and Bruno stretched at her feet with his head in her lap.
{Image...Fairies resting}
“Too waggly?” was all I could say in so sudden an emergency.
“I'm not praticular,” Bruno said, carelessly: “but I do like straight animals best—”
“But you like a dog when it wags its tail,” Sylvie interrupted. “You know you do, Bruno!”
“But there's more of a dog, isn't there, Mister Sir?” Bruno appealed to me. “You wouldn't like to have a dog if it hadn't got nuffin but a head and a tail?”
I admitted that a dog of that kind would be uninteresting.
“There isn't such a dog as that,” Sylvie thoughtfully remarked.
“But there would be,” cried Bruno, “if the Professor shortened it up for us!”
“Shortened it up?” I said. “That's something new. How does he do it?”
“He's got a curious machine,” Sylvie was beginning to explain.
“A welly curious machine,” Bruno broke in, not at all willing to have the story thus taken out of his mouth, “and if oo puts in—some-finoruvver—at one end, oo know and he turns the handle—and it comes out at the uvver end, oh, ever so short!”
“As short as short!” Sylvie echoed.
“And one day when we was in Outland, oo know—before we came to Fairyland me and Sylvie took him a big Crocodile. And he shortened it up for us. And it did look so funny! And it kept looking round, and saying 'wherever is the rest of me got to?' And then its eyes looked unhappy—”
“Not both its eyes,” Sylvie interrupted.
“Course not!” said the little fellow. “Only the eye that couldn't see wherever the rest of it had got to. But the eye that could see wherever—”
“How short was the crocodile?” I asked, as the story was getting a little complicated.
“Half as short again as when we caught it—so long,” said Bruno, spreading out his arms to their full stretch.
I tried to calculate what this would come to, but it was too hard for me. Please make it out for me, dear Child who reads this!
“But you didn't leave the poor thing so short as that, did you?”
“Well, no. Sylvie and me took it back again and we got it stretched to—to—how much was it, Sylvie?”
“Two times and a half, and a little bit more,” said Sylvie.
“It wouldn't like that better than the other way, I'm afraid?”
“Oh, but it did though!” Bruno put in eagerly. “It were proud of its new tail! Oo never saw a Crocodile so proud! Why, it could go round and walk on the top of its tail, and along its back, all the way to its head!”
{Image...A changed crocodile}
“Not quite all the way,” said Sylvie. “It couldn't, you know.”
“Ah, but it did, once!” Bruno cried triumphantly. “Oo weren't looking—but I watched it. And it walked on tippiety-toe, so as it wouldn't wake itself, 'cause it thought it were asleep. And it got both its paws on its tail. And it walked and it walked all the way along its back. And it walked and it walked on its forehead. And it walked a tiny little way down its nose! There now!”
This was a good deal worse than the last puzzle. Please, dear Child, help again!
“I don't believe no Crocodile never walked along its own forehead!” Sylvie cried, too much excited by the controversy to limit the number of her negatives.
“Oo don't know the reason why it did it!” Bruno scornfully retorted. “It had a welly good reason. I heerd it say 'Why shouldn't I walk on my own forehead?' So a course it did, oo know!”
“If that's a good reason, Bruno,” I said, “why shouldn't you get up that tree?”
“Shall, in a minute,” said Bruno: “soon as we've done talking. Only two peoples ca'n't talk comfably togevver, when one's getting up a tree, and the other isn't!”
It appeared to me that a conversation would scarcely be 'comfable' while trees were being climbed, even if both the 'peoples' were doing it: but it was evidently dangerous to oppose any theory of Bruno's; so I thought it best to let the question drop, and to ask for an account of the machine that made things longer.
This time Bruno was at a loss, and left it to Sylvie. “It's like a mangle,” she said: “if things are put in, they get squoze—”
“Squeezeled!” Bruno interrupted.
“Yes.” Sylvie accepted the correction, but did not attempt to pronounce the word, which was evidently new to her. “They get—like that—and they come out, oh, ever so long!”
“Once,” Bruno began again, “Sylvie and me writed—”
“Wrote!” Sylvie whispered.
“Well, we wroted a Nursery-Song, and the Professor mangled it longer for us. It were 'There was a little Man, And he had a little gun, And the bullets—'”
“I know the rest,” I interrupted. “But would you say it long I mean the way that it came out of the mangle?”
“We'll get the Professor to sing it for you,” said Sylvie. “It would spoil it to say it.”
“I would like to meet the Professor,” I said. “And I would like to take you all with me, to see some friends of mine, that live near here. Would you like to come?”
“I don't think the Professor would like to come,” said Sylvie. “He's very shy. But we'd like it very much. Only we'd better not come this size, you know.”
The difficulty had occurred to me already: and I had felt that perhaps there would be a slight awkwardness in introducing two such tiny friends into Society. “What size will you be?” I enquired.
“We'd better come as—common children,” Sylvie thoughtfully replied. “That's the easiest size to manage.”
“Could you come to-day?” I said, thinking “then we could have you at the picnic!”
Sylvie considered a little. “Not to-day,” she replied. “We haven't got the things ready. We'll come on—Tuesday next, if you like. And now, really Bruno, you must come and do your lessons.”
“I wiss oo wouldn't say 'really Bruno!'” the little fellow pleaded, with pouting lips that made him look prettier than ever. “It always show's there's something horrid coming! And I won't kiss you, if you're so unkind.”
“Ah, but you have kissed me!” Sylvie exclaimed in merry triumph.
“Well then, I'll unkiss you!” And he threw his arms round her neck for this novel, but apparently not very painful, operation.
“It's very like kissing!” Sylvie remarked, as soon as her lips were again free for speech.
“Oo don't know nuffin about it! It were just the conkery!” Bruno replied with much severity, as he marched away.
Sylvie turned her laughing face to me. “Shall we come on Tuesday?” she said.
“Very well,” I said: “let it be Tuesday next. But where is the Professor? Did he come with you to Fairyland?”
“No,” said Sylvie. “But he promised he'd come and see us, some day. He's getting his Lecture ready. So he has to stay at home.”
“At home?” I said dreamily, not feeling quite sure what she had said.
“Yes, Sir. His Lordship and Lady Muriel are at home. Please to walk this way.”