FOOTNOTES:
1Henry Holden Frankum, Esq.
1Henry Holden Frankum, Esq.
2“’Twixt the gloaming and the murk,When the kye comes hame.”—Hogg.
2
“’Twixt the gloaming and the murk,When the kye comes hame.”—Hogg.
“’Twixt the gloaming and the murk,When the kye comes hame.”—Hogg.
“’Twixt the gloaming and the murk,When the kye comes hame.”—Hogg.
“’Twixt the gloaming and the murk,
When the kye comes hame.”—Hogg.
3Φιλομμειδὴς Ἀφροδίτη. Iliad, iii. 414.
3Φιλομμειδὴς Ἀφροδίτη. Iliad, iii. 414.
4After “Cupiditate et Amore,” Livy ungallantly adds, “quæ maxime ad muliebre ingenium efficaces preces sunt.”
4After “Cupiditate et Amore,” Livy ungallantly adds, “quæ maxime ad muliebre ingenium efficaces preces sunt.”
5Lady Morgan, I think, calls dancing, “the Poetry of Motion.”
5Lady Morgan, I think, calls dancing, “the Poetry of Motion.”
6“Qu’est-ce que la danse? le sourire des jambes. Qu’est-ce que le sourire? la danse du visage.”—Bibliophile Jacob.
6“Qu’est-ce que la danse? le sourire des jambes. Qu’est-ce que le sourire? la danse du visage.”—Bibliophile Jacob.
7The theatre at Boulogne stands on the site of the old convent garden belonging to the Cordeliers, the sea formerly flowed close to the spot. When Henry VIII. took Boulogne, he converted the convent into a marine arsenal.
7The theatre at Boulogne stands on the site of the old convent garden belonging to the Cordeliers, the sea formerly flowed close to the spot. When Henry VIII. took Boulogne, he converted the convent into a marine arsenal.