Fully six months had elapsed, and on returning from Singapore I had forgotten all about Adderley and the unsavoury stories connected with his reputation. Then, one evening as I was strolling aimlessly along St. James's Street, wondering how I was going to kill time—for almost everyone I knew was out of town, including Paul Harley, and London can be infinitely more lonely under such conditions than any desert—I saw a thick-set figure approaching along the other side of the street.
The swing of the shoulders, the aggressive turn of the head, were vaguely familiar, and while I was searching my memory and endeavouring to obtain a view of the man's face, he stared across in my direction.
It was Adderley.
He looked even more debauched than I remembered him, for whereas in Singapore he had had a tanned skin, now he looked unhealthily pallid and blotchy. He raised his hand, and:
“Knox!” he cried, and ran across to greet me.
His boisterous manner and a sort of coarse geniality which he possessed had made him popular with a certain set in former days, but I, who knew that this geniality was forced, and assumed to conceal a sort of appalling animalism, had never been deceived by it. Most people found Adderley out sooner or later, but I had detected the man's true nature from the very beginning. His eyes alone were danger signals for any amateur psychologist. However, I greeted him civilly enough:
“Bless my soul, you are looking as fit as a fiddle!” he cried. “Where have you been, and what have you been doing since I saw you last?”
“Nothing much,” I replied, “beyond trying to settle down in a reformed world.”
“Reformed world!” echoed Adderley. “More like a ruined world it has seemed to me.”
He laughed loudly. That he had already explored several bottles was palpable.
We were silent for a while, mentally weighing one another up, as it were. Then:
“Are you living in town?” asked Adderley.
“I am staying at the Carlton at the moment,” I replied. “My chambers are in the hands of the decorators. It's awkward. Interferes with my work.”
“Work!” cried Adderley. “Work! It's a nasty word, Knox. Are you doing anything now?”
“Nothing, until eight o'clock, when I have an appointment.”
“Come along to my place,” he suggested, “and have a cup of tea, or a whisky and soda if you prefer it.”
Probably I should have refused, but even as he spoke I was mentally translated to the lounge of the Hotel de l'Europe, and prompted by a very human curiosity I determined to accept his invitation. I wondered if Fate had thrown an opportunity in my way of learning the end of the peculiar story which had been related on that occasion.
I accompanied Adderley to his chambers, which were within a stone's throw of the spot where I had met him. That this gift for making himself unpopular with all and sundry, high and low, had not deserted him, was illustrated by the attitude of the liftman as we entered the hall of the chambers. He was barely civil to Adderley and even regarded myself with marked disfavour.
We were admitted by Adderley's man, whom I had not seen before, but who was some kind of foreigner, I think a Portuguese. It was characteristic of Adderley. No Englishman would ever serve him for long, and there had been more than one man in his old Company who had openly avowed his intention of dealing with Adderley on the first available occasion.
His chambers were ornately furnished; indeed, the room in which we sat more closely resembled a scene from an Oscar Asche production than a normal man's study. There was something unreal about it all. I have since thought that this unreality extended to the person of the man himself. Grossly material, he yet possessed an aura of mystery, mystery of an unsavoury sort. There was something furtive, secretive, about Adderley's entire mode of life.
I had never felt at ease in his company, and now as I sat staring wonderingly at the strange and costly ornaments with which the room was overladen I bethought me of the object of my visit. How I should have brought the conversation back to our Singapore days I know not, but a suitable opening was presently offered by Adderley himself.
“Do you ever see any of the old gang?” he inquired.
“I was in Singapore about six months ago,” I replied, “and I met some of them again.”
“What! Had they drifted back to the East after all?”
“Two or three of them were taking what Dr. Matheson described as a Busman's Holiday.”
At mention of Dr. Matheson's name Adderley visibly started.
“So you know Matheson,” he murmured. “I didn't know you had ever met him.”
Plainly to hide his confusion he stood up, and crossing the room drew my attention to a rather fine silver bowl of early Persian ware. He was displaying its peculiar virtues and showing a certain acquaintance with his subject when he was interrupted. A door opened suddenly and a girl came in. Adderley put down the bowl and turned rapidly as I rose from my seat.
It was the lady of Katong!
I recognized her at once, although she wore a very up-to-date gown. While it did not suit her dark good looks so well as the native dress which she had worn at Singapore, yet it could not conceal the fact that in a barbaric way she was a very beautiful woman. On finding a visitor in the room she became covered with confusion.
“Oh,” she said, speaking in Hindustani. “Why did you not tell me there was someone here?”
Adderley's reply was characteristically brutal.
“Get out,” he said. “You fool.”
I turned to go, for I was conscious of an intense desire to attack my host. But:
“Don't go, Knox, don't go!” he cried. “I am sorry, I am damned sorry, I———”
He paused, and looked at me in a queer sort of appealing way. The girl, her big eyes widely open, retreated again to the door, with curious lithe steps, characteristically Oriental. The door regained, she paused for a moment and extended one small hand in Adderley's direction.
“I hate you,” she said slowly, “hate you! Hate you!”
She went out, quietly closing the door behind her. Adderley turned to me with an embarrassed laugh.
“I know you think I am a brute and an outsider,” he said, “and perhaps I am. Everybody says I am, so I suppose there must be something in it. But if ever a man paid for his mistakes I have paid for mine, Knox. Good God, I haven't a friend in the world.”
“You probably don't deserve one,” I retorted.
“I know I don't, and that's the tragedy of it,” he replied. “You may not believe it, Knox; I don't expect anybody to believe me; but for more than a year I have been walking on the edge of Hell. Do you know where I have been since I saw you last?”
I shook my head in answer.
“I have been half round the world, Knox, trying to find peace.”
“You don't know where to look for it,” I said.
“If only you knew,” he whispered. “If only you knew,” and sank down upon the settee, ruffling his hair with his hands and looking the picture of haggard misery. Seeing that I was still set upon departure:
“Hold on a bit, Knox,” he implored. “Don't go yet. There is something I want to ask you, something very important.”
He crossed to a sideboard and mixed himself a stiff whisky-and-soda. He asked me to join him, but I refused.
“Won't you sit down again?”
I shook my head.
“You came to my place at Katong once,” he began abruptly. “I was damned drunk, I admit it. But something happened, do you remember?”
I nodded.
“This is what I want to ask you: Did you, or did you not, see that shadow?”
I stared him hard in the face.
“I remember the episode to which you refer,” I replied. “I certainly saw a shadow.”
“But what sort of shadow?”
“To me it seemed an indefinite, shapeless thing, as though caused by someone moving behind the curtain.”
“It didn't look to you like—the shadow of a hand?”
“It might have been, but I could not be positive.”
Adderley groaned.
“Knox,” he said, “money is a curse. It has been a curse to me. If I have had my fun, God knows I have paid for it.”
“Your idea of fun is probably a peculiar one,” I said dryly.
Let me confess that I was only suffering the man's society because of an intense curiosity which now possessed me on learning that the lady of Katong was still in Adderley's company.
Whether my repugnance for his society would have enabled me to remain any longer I cannot say. But as if Fate had deliberately planned that I should become a witness of the concluding phases of this secret drama, we were now interrupted a second time, and again in a dramatic fashion.
Adderley's nondescript valet came in with letters and a rather large brown paper parcel sealed and fastened with great care.
As the man went out:
“Surely that is from Singapore,” muttered Adderley, taking up the parcel.
He seemed to become temporarily oblivious of my presence, and his face grew even more haggard as he studied the writing upon the wrapper. With unsteady fingers he untied it, and I lingered, watching curiously. Presently out from the wrappings he took a very beautiful casket of ebony and ivory, cunningly carved and standing upon four claw-like ivory legs.
“What the devil's this?” he muttered.
He opened the box, which was lined with sandal-wood, and thereupon started back with a great cry, recoiling from the casket as though it had contained an adder. My former sentiments forgotten, I stepped forward and peered into the interior. Then I, in turn, recoiled.
In the box lay a shrivelled yellow hand—with long tapering and well-manicured nails—neatly severed at the wrist!
The nail of the index finger was enclosed in a tiny, delicately fashioned case of gold, upon which were engraved a number of Chinese characters.
Adderley sank down again upon the settee.
“My God!” he whispered, “his hand! His hand! He has sent me his hand!”
He began laughing. Whereupon, since I could see that the man was practically hysterical because of his mysterious fears:
“Stop that,” I said sharply. “Pull yourself together, Adderley. What the deuce is the matter with you?”
“Take it away!” he moaned, “take it away. Take the accursed thing away!”
“I admit it is an unpleasant gift to send to anybody,” I said, “but probably you know more about it than I do.”
“Take it away,” he repeated. “Take it away, for God's sake, take it away, Knox!”
He was quite beyond reason, and therefore:
“Very well,” I said, and wrapped the casket in the brown paper in which it had come. “What do you want me to do with it?”
“Throw it in the river,” he answered. “Burn it. Do anything you like with it, but take it out of my sight!”
As I descended to the street the liftman regarded me in a curious and rather significant way. Finally, just as I was about to step out into the hall:
“Excuse me, sir,” he said, having evidently decided that I was a fit person to converse with, “but are you a friend of Mr. Adderley's?”
“Why do you ask?”
“Well, sir, I hope you will excuse me, but at times I have thought the gentleman was just a little bit queer, like.”
“You mean insane?” I asked sharply.
“Well, sir, I don't know, but he is always asking me if I can see shadows and things in the lift, and sometimes when he comes in late of a night he absolutely gives me the cold shivers, he does.”
I lingered, the box under my arm, reluctant to obtain confidences from a servant, but at the same time keenly interested. Thus encouraged:
“Then there's that lady friend of his who is always coming here,” the man continued. “She's haunted by shadows, too.” He paused, watching me narrowly.
“There's nothing better in this world than a clean conscience, sir,” he concluded.
Having returned to my room at the hotel, I set down the mysterious parcel, surveying it with much disfavour. That it contained the hand of the Mandarin Quong I could not doubt, the hand which had been amputated by Dr. Matheson. Its appearance in that dramatic fashion confirmed Matheson's idea that the mandarin's injury had been received at the hands of Adderley. What did all this portend, unless that the Mandarin Quong was dead? And if he were dead why was Adderley more afraid of him dead than he had been of him living?
I thought of the haunting shadow, I thought of the night at Katong, and I thought of Dr. Matheson's words when he had told us of his discovery of the Chinaman lying in the road that night outside Singapore.
I felt strangely disinclined to touch the relic, and it was only after some moments' hesitation that I undid the wrappings and raised the lid of the casket. Dusk was very near and I had not yet lighted the lamps; therefore at first I doubted the evidence of my senses. But having lighted up and peered long and anxiously into the sandal-wood lining of the casket I could doubt no longer.
The casket was empty!
It was like a conjuring trick. That the hand had been in the box when I had taken it up from Adderley's table I could have sworn before any jury. When and by whom it had been removed was a puzzle beyond my powers of unravelling. I stepped toward the telephone—and then remembered that Paul Harley was out of London. Vaguely wondering if Adderley had played me a particularly gruesome practical joke, I put the box on a sideboard and again contemplated the telephone doubtfully far a moment. It was in my mind to ring him up. Finally, taking all things into consideration, I determined that I would have nothing further to do with the man's unsavoury and mysterious affairs.
It was in vain, however, that I endeavoured to dismiss the matter from my mind; and throughout the evening, which I spent at a theatre with some American friends, I found myself constantly thinking of Adderley and the ivory casket, of the mandarin of Johore Bahru, and of the mystery of the shrivelled yellow hand.
I had been back in my room about half an hour, I suppose, and it was long past midnight, when I was startled by a ringing of my telephone bell. I took up the receiver, and:
“Knox! Knox!” came a choking cry.
“Yes, who is speaking?”
“It is I, Adderley. For God's sake come round to my place at once!”
His words were scarcely intelligible. Undoubtedly he was in the grip of intense emotion.
“What do you mean? What is the matter?”
“It is here, Knox, it is here! It is knocking on the door! Knocking! Knocking!”
“You have been drinking,” I said sternly. “Where is your man?”
“The cur has bolted. He bolted the moment he heard that damned knocking. I am all alone; I have no one else to appeal to.” There came a choking sound, then: “My God, Knox, it is getting in! I can see... the shadow on the blind...”
Convinced that Adderley's secret fears had driven him mad, I nevertheless felt called upon to attend to his urgent call, and without a moment's delay I hurried around to St. James's Street. The liftman was not on duty, the lower hall was in darkness, but I raced up the stairs and found to my astonishment that Adderley's door was wide open.
“Adderley!” I cried. “Adderley!”
There was no reply, and without further ceremony I entered and searched the chambers. They were empty. Deeply mystified, I was about to go out again when there came a ring at the door-bell. I walked to the door and a policeman was standing upon the landing.
“Good evening, sir,” he said, and then paused, staring at me curiously.
“Good evening, constable,” I replied.
“You are not the gentleman who ran out awhile ago,” he said, a note of suspicion coming into his voice.
I handed him my card and explained what had occurred, then:
“It must have been Mr. Adderley I saw,” muttered the constable.
“You saw—when?”
“Just before you arrived, sir. He came racing out into St. James's Street and dashed off like a madman.”
“In which direction was he going?”
“Toward Pall Mall.”
The neighbourhood was practically deserted at that hour. But from the guard on duty before the palace we obtained our first evidence of Adderley's movements. He had raced by some five minutes before, frantically looking back over his shoulder and behaving like a man flying for his life. No one else had seen him. No one else ever did see him alive. At two o'clock there was no news, but I had informed Scotland Yard and official inquiries had been set afoot.
Nothing further came to light that night, but as all readers of the daily press will remember, Adderley's body was taken out of the pond in St. James's Park on the following day. Death was due to drowning, but his throat was greatly discoloured as though it had been clutched in a fierce grip.
It was I who identified the body, and as many people will know, in spite of the closest inquiries, the mystery of Adderley's death has not been properly cleared up to this day. The identity of the lady who visited him at his chambers was never discovered. She completely disappeared.
The ebony and ivory casket lies on my table at this present moment, visible evidence of an invisible menace from which Adderley had fled around the world.
Doubtless the truth will never be known now. A significant discovery, however, was made some days after the recovery of Adderley's body.
From the bottom of the pond in St. James's Park a patient Scotland Yard official brought up the gold nail-case with its mysterious engravings—and it contained, torn at the root, the incredibly long finger-nail of the Mandarin Quong!
The note of a silver bell quivered musically through the scented air of the ante-room. Madame de Medici stirred slightly upon the divan with its many silken cushions, turning her head toward the closed door with the languorous, almost insolent, indifference which one perceives in the movements of a tigress. Below, in the lobby, where the pillars of Mokattam alabaster upheld the painted roof, the little yellow man from Pekin shivered slightly, although the air was warm for Limehouse, and always turned his mysterious eyes toward a corner of the great staircase which was visible from where he sat, coiled up, a lonely figure in the mushrabiyeh chair. Madame blew a wreath of smoke from her lips, and, through half-closed eyes, watched it ascend, unbroken, toward the canopy of cloth-of-gold which masked the ceiling. A Madonna by Leonardo da Vinci faced her across the apartment, the painted figure seeming to watch the living one upon the divan. Madame smiled into the eyes of the Madonna. Surely even the great Leonardo must have failed to reproduce that smile—the great Leonardo whose supreme art has captured the smile of Mona Lisa. Madame had the smile of Cleopatra, which, it is said, made Caesar mad, though in repose the beauty of Egypt's queen left him cold. A robe of Kashmiri silk, fine with a phantom fineness, draped her exquisite shape as the art of Cellini draped the classic figures which he wrought in gold and silver; it seemed incorporate with her beauty.
A second wreath of smoke curled upward to the canopy, and Madame watched this one also through the veil of her curved black lashes, as the Eastern woman watches the world through her veil. Those eyes were notable even in so lovely a setting, for they were of a hue rarely seen in human eyes, being like the eyes of a tigress; yet they could seem voluptuously soft, twin pools of liquid amber, in whose depths a man might lose his soul.
Again the silver bell sounded in the ante-room, and, below, the little yellow man shivered sympathetically. Again Madame stirred with that high disdain that so became her, who had the eyes of a tigress. Her carmine lips possessed the antique curve which we are told distinguished the lips of the Comtesse de Cagliostro; her cheeks had the freshness of flowers, and her hair the blackness of ebony, enhancing the miracle of her skin, which had the whiteness of ivory—not of African ivory, but of that fossil ivory which has lain for untold ages beneath the snows of Siberia.
She dropped the cigarette from her tapered fingers into a little silver bowl upon a table at her side, then lightly touched the bell which stood there also. Its soft note answered to the bell in the ante-room; a white-robed Chinese servant silently descended the great staircase, his soft red slippers sinking into the rich pile of the carpet; and the little yellow man from the great temple in Pekin followed him back up the stairway and was ushered into the presence of Madame de Medici.
The servant closed the door silently and the little yellow man, fixing his eyes upon the beautiful woman before him, fell upon his knees and bowed his forehead to the carpet.
Madame's lovely lips curved again in the disdainful smile, and she extended one bare ivory arm toward the visitor who knelt as a suppliant at her feet.
“Rise, my friend!” she said, in purest Chinese, which fell from her lips with the music of a crystal spring. “How may I serve you?”
The yellow man rose and advanced a step nearer to the divan, but the strange beauty of Madame had spoken straight to his Eastern heart, had awakened his soul to a new life. His glance travelled over the vision before him, from the little Persian slipper that peeped below the drapery of Kashmir silk to the small classic head with its crown of ebon locks; yet he dared not meet the glance of the amber eyes.
“Sit here beside me,” directed Madame, and she slightly changed her position with that languorous and lithe grace suggestive of a creature of the jungle.
Breathing rapidly betwixt the importance of his mission and a new, intoxicating emotion which had come upon him at the moment of entering the perfumed room, the yellow man obeyed, but always with glance averted from the taunting face of Madame. A golden incense-burner stood upon the floor, over between the high, draped windows, and a faint pencil from its dying fires stole grayly upward. Upon the scented smoke the Buddhist priest fixed his eyes, and began, with a rapidity that grew as he proceeded, to pour out his tale. Seated beside him, one round arm resting upon the cushions so as almost to touch him, Madame listened, watching the averted yellow face, and always smiling—smiling.
The tale was done at last; the incense-burner was cold, and breathlessly the Buddhist clutched his knees with lean, clawish fingers and swayed to and fro, striving to conquer the emotions that whirled and fought within him. Selecting another cigarette from the box beside her, and lighting it deliberately, Madame de Medici spoke.
“My friend of old,” she said, and of the language of China she made strange music, “you come to me from your home in the secret city, because you know that I can serve you. It is enough.”
She touched the bell upon the table, and the white-robed servant reentered, and, bowing low, held open the door. The little yellow man, first kneeling upon the carpet before the divan as before an altar, hurried from the apartment. As the door was reclosed, and Madame found herself alone again, she laughed lightly, as Calypso laughed when Ulysses' ship appeared off the shores of her isle.
God fashions few such women. It is well.
“By heavens, Annesley!” whispered Rene Deacon, “what eyes that woman has!” His companion, following the direction of Deacon's glance, nodded rather grimly.
“The eyes of a Circe, or at times the eyes of a tigress.”
“She is magnificent!” murmured Deacon rapturously. “I have never seen so beautiful a woman.”
His glance followed the tall figure as it passed into a smaller salon on the left; nor was he alone in his regard. Fashionable society was well represented in the gallery—where a collection of pictures by a celebrated artist was being shown; and prior to the entrance of the lady in the strangely fashioned tiger-skin cloak, the somewhat extraordinary works of art had engaged the interest even of the most fickle, but, from the moment the tiger-lady made her appearance, even the most daring canvases were forgotten.
“She wears tiger-skin shoes!” whispered one.
“She is like a design for a poster!” laughed another.
“I have never seen anything so flashy in my life,” was the acrid comment of a third.
“What a dazzlingly beautiful woman!” remarked another—this one a man. While:
“Who is she?” arose upon all sides.
Judging from the isolation of the barbaric figure, it would seem that society did not know the tiger-lady, but Deacon, seizing his companion by the arm and almost dragging him into the small salon which the lady had entered, turned in the doorway and looked into Annesley's eyes. Annesley palpably sought to evade the glance.
“You know everybody,” whispered Deacon. “You must be acquainted with her.”
A great number of people were now thronging into the room, not so much because of the pictures it contained, but rather out of curiosity respecting the beautiful unknown. Annesley tried to withdraw; his uneasiness grew momentarily greater.
“I scarcely know her well enough,” he protested, “to present you. Moreover———”
“But she's smiling at you!” interrupted Deacon eagerly.
His handsome but rather weak face was flushed; he was, as an old clubman had recently said of him, “so very young.” He lacked the restraint usual in cultured Englishmen, and had the frankly passionate manner which one associates with the South. His uncle, Colonel Deacon, a mordant wit, would say apologetically:
“Reggie” (Deacon's father) “married a Gascon woman. She was delightfully pretty. Poor Reggie!”
Certainly Rene was impetuous to an embarrassing degree, nor lightly to be thwarted. Boldly meeting the glance of the woman of the amber eyes, he pushed Annesley forward, not troubling to disguise his anxiety to be presented to the tiger-lady. She turned her head languidly, with that wild-animal grace of hers, and unsmiling now, regarded Annesley.
“So you forget me so soon, Mr. Annesley,” she murmured, “or is it that you play the good shepherd?”
“My dear Madame,” said Annesley, recovering with an effort his wonted sang-froid, “I was merely endeavouring to calm the rhapsodies of my friend, who seemed disposed to throw himself at your feet in knight-errant fashion.”
“He is a very handsome boy,” murmured Madame; and as the great eyes were turned upon Deacon the carmine lips curved again in the Cleopatrian smile.
She was indeed wonderful, for while she spoke as the woman of the world to the boy, there was nothing maternal in her patronage, and her eyes were twin flambeaux, luring—luring, and her sweet voice was a siren's song.
“May I beg leave to present my friend, Mr. Rene Deacon, Madame de Medici?” said Annesley; and as the two exchanged glances—the boy's a glance of undisguised passionate admiration, the woman's a glance unfathomable—he slightly shrugged his shoulders and stood aside.
There were others in the salon, who, perceiving that the unknown beauty was acquainted with Annesley, began to move from canvas to canvas toward that end of the room where the trio stood. But Madame did not appear anxious to make new acquaintances.
“I have seen quite enough of this very entertaining exhibition,” she said languidly, toying with a great unset emerald which swung by a thin gold chain about her neck. “Might I entreat you to take pity upon a very lonely woman and return with me to tea?”
Annesley seemed on the point of refusing, when:
“I have acquired a reputed Leonardo,” continued Madame, “and I wish you to see it.”
There was something so like a command in the words that Deacon stared at his companion in frank surprise. The latter avoided his glance, and:
“Come!” said Madame de Medici.
As of old the great Catherine of her name might have withdrawn with her suite, so now the lady of the tiger skins withdrew from the gallery, the two men following obediently, and one of them at least a happy courtier.
The white-robed Chinese servant entered and placed fresh perfume upon the burning charcoal of the silver incense-burner. As the scented smoke began to rise he withdrew, and a second servant entered, who facially, in dress, in figure and bearing, was a duplicate of the first. This one carried a large tray upon which was set an exquisite porcelain tea-service. He placed the tray upon a low table beside the divan, and in turn withdrew.
Deacon, seated in a great ebony chair, smoked rapidly and nervously—looking about the strangely appointed room with its huge picture of the Madonna, its jade Buddha surmounting a gilded Burmese cabinet, its Persian canopy and Egyptian divan, at the thousand and one costly curiosities which it displayed, at this mingling of East and West, of Christianity and paganism, with a growing wonder.
To one of his blood there was delight, intoxication, in that room; but something of apprehension, too, now grew up within him.
Madame de Medici entered. The garish motor-coat was discarded now, and her supple figure was seen to best advantage in one of those dark silken gowns which she affected, and which had a seeming of the ultra-fashionable because they defied fashion. She held in her hand an orchid, its structure that of an odontoglossum, but of a delicate green colour heavily splashed with scarlet—a weird and unnatural-looking bloom.
Just within the doorway she paused, as Deacon leaped up, and looked at him through the veil of the curved lashes.
“For you,” she said, twirling the blossom between her fingers and gliding toward him with her tigerish step.
He spoke no word, but, face flushed, sought to look into her eyes as she pinned the orchid in the button-hole of his coat. Her hands were flawless in shape and colouring, being beautiful as the sculptured hands preserved in the works of Phidias.
The slight draught occasioned by the opening of the door caused the smoke from the incense-burner to be wafted toward the centre of the room. Like a blue-gray phantom it coiled about the two standing there upon a red and gold Bedouin rug, and the heavy perfume, or the close proximity of this singularly lovely woman, wrought upon the high-strung sensibilities of Deacon to such an extent that he was conscious of a growing faintness.
“Ah! You are not well!” exclaimed Madame with deep concern. “It is the perfume which that foolish Ah Li has lighted. He forgets that we are in England.”
“Not at all,” protested Deacon faintly, and conscious that he was making a fool of himself. “I think I have perhaps been overdoing it rather of late. Forgive me if I sit down.”
He sank on the cushioned divan, his heart beating furiously, while Madame touched the little bell, whereupon one of the servants entered.
She spoke in Chinese, pointing to the incense-burner.
Ah Li bowed and removed the censer. As the door softly reclosed:
“You are better?” she whispered, sweetly solicitous, and, seating herself beside Deacon, she laid her hand lightly upon his arm.
“Quite,” he replied hoarsely; “please do not worry about me. I am wondering what has become of Annesley.”
“Ah, the poor man!” exclaimed Madame, with a silver laugh, and began to busy herself with the teacups. “He remembered, as he was looking at my new Leonardo, an appointment which he had quite forgotten.”
“I can understand his forgetting anything under the circumstances.”
Madame de Medici raised a tiny cup and bent slightly toward him. He felt that he was losing control of himself, and, averting his eyes, he stooped and smelled the orchid in his buttonhole. Then, accepting the cup, he was about to utter some light commonplace when the faintness returned overwhelmingly, and, hurriedly replacing the cup upon the tray, he fell back among the cushions. The stifling perfume of the place seemed to be choking him.
“Ah, poor boy! You are really not at all well. How sorry I am!”
The sweet tones reached him as from a great distance; but as one dying in the desert turns his face toward the distant oasis, Deacon turned weakly to the speaker. She placed one fair arm behind his head, pillowing him, and with a peacock fan which had lain amid the cushions fanned his face. The strange scene became wholly unreal to him; he thought himself some dying barbaric chief.
“Rest there,” murmured the sweet voice.
The great eyes, unveiled now by the black lashes, were two twin lakes of fairest amber. They seemed to merge together, so that he stood upon the brink of an unfathomable amber pool—which swallowed him up—which swallowed him up.
He awoke to an instantaneous consciousness of the fact that he had been guilty of inexcusably bad form. He could not account for his faintness, and reclining there amid the silken cushions, with Madame de Medici watching him anxiously, he felt a hot flush stealing over his face.
“What is the matter with me!” he exclaimed, and sprang to his feet. “I feel quite well now.”
She watched him, smiling, but did not speak. He was a “very young man” again, and badly embarrassed. He glanced at his wrist-watch.
“Gracious heavens!” he cried, and noted that the tea-tray had been removed, “there must be something radically wrong with my health. It is nearly seven o'clock!”
The note of the silver bell sounded in the ante-room.
“Can you forgive me?” he said.
But Madame, rising to her feet, leaned lightly upon his shoulder, toying with the petals of the orchid in his buttonhole.
“I think it was the perfume which that foolish Ah Li lighted,” she whispered, looking intently into his eyes, “and it is you who have to forgive me. But you will, I know!” The silver bell rang again. “When you have come to see me again—many, many times, you will grow to love it—because I love it.”
She touched the bell upon the table, and Ah Li entered silently. When Madame de Medici held out her hand to him Deacon raised the white fingers to his lips and kissed them rapturously; then he turned, the Gascon within him uppermost again, and ran from the room.
A purple curtain was drawn across the lobby, screening the caller newly arrived from the one so hurriedly departing.
It was past midnight when Colonel Deacon returned to the house. Rene was waiting for him, pacing up and down the big library. Their relationship was curious, as subsisting between ward and guardian, for these two, despite the disparity of their ages, had few secrets from one another. Rene burned to pour out his story of the wonderful Madame de Medici, of the secret house in Chinatown with its deceptively mean exterior and its gorgeous interior, to the shrewd and worldly elder man. That was his way. But Fate had an oddly bitter moment in store for him.
“Hallo, boy!” cried the Colonel, looking into the library; “glad you're home. I might not see you in the morning, and I want to tell you about—er—a lady who will be coming here in the afternoon.”
The words died upon Rene's lips unspoken, and he stared blankly at the Colonel.
“I thought I knew all there was to know about pictures, antiques, and all that sort of lumber,” continued Colonel Deacon in his rapid and off-hand manner. “Thought there weren't many men in London could teach me anything; certainly never suspected a woman could. But I've met one, boy! Gad! What a splendid creature! You know there isn't much in the world I haven't seen—north, south, east and west. I know all the advertised beauties of Europe and Asia—stage, opera, and ballet, and all the rest of them. But this one—Gad!”
He dropped into an arm-chair, clapping both his hands upon his knees. Rene stood at the farther end of the library, in the shadow, watching him.
“She's coming here to-morrow, boy—coming here. Gad! you dog! You'll fall in love with her the moment you see her—sure to, sure to! I did, and I'm three times your age!”
“Who is this lady, sir?” asked Rene, very quietly.
“God knows, boy! Everybody's mad to meet her, but nobody knows who she is. But wait till you see her. Lady Dascot seems to be acquainted with her, but you will see when they come to-morrow—see for yourself. Gad, boy!... what did you say?”
“I did not speak.”
“Thought you did. Have a whisky-and-soda?”
“No, thank you, sir—good night.”
“Good night, boy!” cried the Colonel. “Good night. Don't forget to be in to-morrow afternoon or you'll miss meeting the loveliest woman in London, and the most brilliant.”
“What is her name?”
“Eh? She calls herself Madame de Medici. She's a mystery, but what a splendid creature!”
Rene Deacon walked slowly upstairs, entered his bedroom, and for fully an hour sat in the darkness, thinking—thinking.
“Am I going mad?” he murmured. “Or is this witch driving all London mad?”
He strove to recover something of the glamour which had mastered him when in the presence of Madame de Medici, but failed. Yet he knew that, once near her again, it would all return. His reflections were bitter, and when at last wearily he undressed and went to bed it was to toss restlessly far into the small hours ere sleep came to soothe his troubled mind.
But his sleep was disturbed: a series of dreadfully realistic dreams danced through his brain. First he seemed to be standing upon a high mountain peak with eternal snows stretched all about him. He looked down, past the snow line, past the fir woods, into the depths of a lovely lake, far down in the valley below. It was a lake of liquid amber, and as he looked it seemed to become two lakes, and they were like two great eyes looking up at him and summoning him to leap. He thought that he leaped, a prodigious leap, far out into space; then fell—fell—fell. When he splashed into the amber deeps they became churned up in a milky foam, and this closed about him with a strangle grip. But it was no longer foam, but the clinging arms of Madame de Medici!...
Then he stood upon a fragile bridge of bamboo spanning a raging torrent. Right and left of the torrent below were jungles in which moved tigerish shapes. Upon the farther side of the bridge Madame de Medici, clad in a single garment of flame-coloured silk, beckoned to him. He sought to cross the bridge, but it collapsed, and he fell near the edge of the torrent. Below were the raging waters, and ever nearing him the tigerish shapes, which now Madame was calling to as to a pack of hounds. They were about to devour him, when———
He was crouching upon a ledge, high above a street which seemed to be vaguely familiar. He could not see very well, because of a silk mask tied upon his face, and the eyeholes of which were badly cut. From the ledge he stepped to another, perilously. He gained it, and crouching there, where there was scarce foothold for a cat, he managed fully to raise a window which already was raised some six inches. Then softly and silently—for he was bare-footed—he entered the room.
Someone slept in a bed facing the window by which he had entered, and upon a table at the side of the sleeper lay a purse, a bunch of keys, an electric torch, and a Service revolver. Gliding to the table Rene took the keys and the electric torch, unlocked the door of the room, and crept down a thickly carpeted stair to a room below. The door of this also he opened with one of the keys in the bunch, and by the light of the torch found his way through a quantity of antique furniture and piled up curiosities to a safe set in the farther wall.
He seemed, in his dream, to be familiar with the lock combination, and, selecting the correct key from the bunch, he soon had the safe open. The shelves within were laden principally with antique jewellery, statuettes, medals, scarabs; and a number of little leather-covered boxes were there also. One of these he abstracted, relocked the safe, and stepped out of the room, locking the door behind him. Up the stairs he mounted to the bedroom wherein he had left the sleeper. Having entered, he locked the door from within, placed the keys and the torch upon the table, and crept out again upon the dizzy ledge.
Poised there, high above the thoroughfare below, a great nausea attacked him. Glancing to the right, in the direction of the window through which he had come, he perceived Madame de Medici leaning out and beckoning to him. Her arm gleamed whitely in the faint light. A new courage came to him. He succeeded, crouched there upon the narrow ledge, in relowering the window, and leaving it in the state in which he had found it, he stood up and essayed that sickly stride to the adjoining ledge. He accomplished it, knelt, and crept back into the room from which he had started....
The head of an ivory image of Buddha loomed up out of the utter darkness, growing and growing until it seemed like a great mountain. He could not believe that there was so much ivory in the world, and he felt it with his fingers, wonderingly. As he did so it began to shrink, and shrink, and shrink, and shrink, until it was no larger than a seated human figure. Then beneath his trembling hands it became animate; it moved, extended ivory arms, and wrapped them about his neck. Its lips became carmine—perfumed; they bent to him... and he was looking into the bewitching face of Madame de Medici!
He awoke, gasping for air and bathed in cold perspiration. The dawn was just breaking over London and stealing grayly from object to object in his bedroom.