4 — HARRISON'S SLIGHT ERROR

The one o'clock down express was just on the point of starting. The engine-driver, with his hand on the lever, whiled away the moments, like the watchman inThe Agamemnon, by whistling. The guard endeavoured to talk to three people at once. Porters flitted to and fro, cleaving a path for themselves with trucks of luggage. The Usual Old Lady was asking if she was right for some place nobody had ever heard of. Everybody was saying good-bye to everybody else, and last, but not least, P. St H. Harrison, of St Austin's, was strolling at a leisurely pace towards the rear of the train. There was no need for him to hurry. For had not his friend, Mace, promised to keep a corner-seat for him while he went to the refreshment-room to lay in supplies? Undoubtedly he had, and Harrison, as he watched the struggling crowd, congratulated himself that he was not as other men. A corner seat in a carriage full of his own particular friends, with plenty of provisions, and something to read in case he got tired of talking—it would be perfect.

So engrossed was he in these reflections, that he did not notice that from the opposite end of the platform a youth of about his own age was also making for the compartment in question. The first intimation he had of his presence was when the latter, arriving first at the door by a short head, hurled a bag on to the rack, and sank gracefully into the identical corner seat which Harrison had long regarded as his own personal property. And to make matters worse, there was no other vacant seat in the compartment. Harrison was about to protest, when the guard blew his whistle. There was nothing for it but to jump in and argue the matter outen route. Harrison jumped in, to be greeted instantly by a chorus of nine male voices. 'Outside there! No room! Turn him out!' said the chorus. Then the chorus broke up into its component parts, and began to address him one by one.

'You rotter, Harrison,' said Babington, of Dacre's, 'what do you come barging in here for? Can't you see we're five aside already?'

'Hope you've brought a sardine-opener with you, old chap,' said Barrett, the peerless pride of Philpott's, ''cos we shall jolly well need one when we get to the good old Junct-i-on. Get up into the rack, Harrison, you're stopping the ventilation.'

The youth who had commandeered Harrison's seat so neatly took another unpardonable liberty at this point. He grinned. Not the timid, deprecating smile of one who wishes to ingratiate himself with strangers, but a good, six-inch grin right across his face. Harrison turned on him savagely.

'Look here,' he said, 'just you get out of that. What do you mean by bagging my seat?'

'Are you a director of this line?' enquired the youth politely. Roars of applause from the interested audience. Harrison began to feel hot and uncomfortable.

'Or only the Emperor of Germany?' pursued his antagonist.

More applause, during which Harrison dropped his bag of provisions, which were instantly seized and divided on the share and share alike system, among the gratified Austinians.

'Look here, none of your cheek,' was the shockingly feeble retort which alone occurred to him. The other said nothing. Harrison returned to the attack.

'Look here,' he said, 'are you going to get out, or have I got to make you?'

Not a word did his opponent utter. To quote the bard: 'The stripling smiled.' To tell the truth, the stripling smiled inanely.

The other occupants of the carriage were far from imitating his reserve. These treacherous friends, realizing that, for those who were themselves comfortably seated, the spectacle of Harrison standing up with aching limbs for a journey of some thirty miles would be both grateful and comforting, espoused the cause of the unknown with all the vigour of which they were capable.

'Beastly bully, Harrison,' said Barrett. 'Trying to turn the kid out of his seat! Why can't you leave the chap alone? Don't you move, kid.'

'Thanks,' said the unknown, 'I wasn't going to.'

'Now you see what comes of slacking,' said Grey. 'If you'd bucked up and got here in time you might have bagged this seat I've got. By Jove, Harrison, you've no idea how comfortable it is in this corner.'

'Punctuality,' said Babington, 'is the politeness of princes.'

And again the unknown maddened Harrison with a 'best-on-record' grin.

'But, I say, you chaps,' said he, determined as a last resource to appeal to their better feelings (if any), 'Mace was keeping this seat for me, while I went to get some grub. Weren't you, Mace?' He turned to Mace for corroboration. To his surprise, Mace was nowhere to be seen.

His sympathetic school-fellows grasped the full humour of the situation as one man, and gave tongue once more in chorus.

'You weed,' they yelled joyfully, 'you've got into the wrong carriage. Mace is next door.'

And then, with the sound of unquenchable laughter ringing in his ears, Harrison gave the thing up, and relapsed into a disgusted silence. No single word did he speak until the journey was done, and the carriage emptied itself of its occupants at the Junction. The local train was in readiness to take them on to St Austin's, and this time Harrison managed to find a seat without much difficulty. But it was a bitter moment when Mace, meeting him on the platform, addressed him as a rotter, for that he had not come to claim the corner seat which he had been reserving for him. They had had, said Mace, a rattling good time coming down. What sort of a time had Harrison had inhiscarriage? Harrison's reply was not remarkable for its clearness.

The unknown had also entered the local train. It was plain, therefore, that he was coming to the School as a new boy. Harrison began to wonder if, under these circumstances, something might not be done in the matter by way of levelling up things. He pondered. When St Austin's station was reached, and the travellers began to stream up the road towards the College, he discovered that the newcomer was a member of his own House. He was standing close beside him, and heard Babington explaining to him the way to Merevale's. Merevale was Harrison's House-master.

It was two minutes after he had found out this fact that the Grand Idea came to Harrison. He saw his way now to a revenge so artistic, so beautifully simple, that it was with some difficulty that he restrained himself from bursting into song. For two pins, he felt, he could have done a cake-walk.

He checked his emotion. He beat it steadily back, and quenched it. When he arrived at Merevale's, he went first to the matron's room. 'Has Venables come back yet?' he asked.

Venables was the head of Merevale's House, captain of the School cricket, wing three-quarter of the School Fifteen, and a great man altogether.

'Yes,' said the matron, 'he came back early this afternoon.'

Harrison knew it. Venables always came back early on the last day of the holidays.

'He was upstairs a short while ago,' continued the matron. 'He was putting his study tidy.'

Harrison knew it. Venables always put his study tidy on the last day of the holidays. He took a keen and perfectly justifiable pride in his study, which was the most luxurious in the House.

'Is he there now?' asked Harrison.

'No. He has gone over to see the Headmaster.'

'Thanks,' said Harrison, 'it doesn't matter. It wasn't anything important.'

He retired triumphant. Things were going excellently well for his scheme.

His next act was to go to the fags' room, where, as he had expected, he found his friend of the train. Luck continued to be with him. The unknown was alone.

'Hullo!' said Harrison.

'Hullo!' said the fellow-traveller. He had resolved to follow Harrison's lead. If Harrison was bringing war, then war let it be. If, however, his intentions were friendly, he would be friendly too.

'I didn't know you were coming to Merevale's. It's the best House in the School.'

'Oh!'

'Yes, for one thing, everybody except the kids has a study.'

'What? Not really? Why, I thought we had to keep to this room. One of the chaps told me so.'

'Trying to green you, probably. You must look out for that sort of thing. I'll show you the way to your study, if you like. Come along upstairs.'

'Thanks, awfully. It's awfully good of you,' said the gratified unknown, and they went upstairs together.

One of the doors which they passed on their way was open, disclosing to view a room which, though bare at present, looked as if it might be made exceedingly comfortable.

'That's my den,' said Harrison. It was perhaps lucky that Graham, to whom the room belonged, in fact, as opposed to fiction, did not hear the remark. Graham and Harrison were old and tried foes. 'This is yours.' Harrison pushed open another door at the end of the passage.

His companion stared blankly at the Oriental luxury which met his eye. 'But, I say,' he said, 'are you sure? This seems to be occupied already.'

'Oh, no, that's all right,' said Harrison, airily. 'The chap who used to be here left last term. He didn't know he was going to leave till it was too late to pack up all his things, so he left his study as it was. All you've got to do is to cart the things out into the passage and leave them there. The Moke'll take 'em away.'

The Moke was the official who combined in a single body the duties of butler and bootboy at Merevale's House. 'Oh, right-ho!' said the unknown, and Harrison left him.

Harrison's idea was that when Venables returned and found an absolute stranger placidly engaged in wrecking his carefully-tidied study, he would at once, and without making inquiries, fall upon that absolute stranger and blot him off the face of the earth. Afterwards it might possibly come out that he, Harrison, had been not altogether unconnected with the business, and then, he was fain to admit, there might be trouble. But he was a youth who never took overmuch heed for the morrow. Sufficient unto the day was his motto. And, besides, it was distinctly worth risking. The main point, and the one with which alone the House would concern itself, was that he had completely taken in, scored off, and overwhelmed the youth who had done as much by him in the train, and his reputation as one not to be lightly trifled with would be restored to its former brilliance. Anything that might happen between himself and Venables subsequently would be regarded as a purely private matter between man and man, affecting the main point not at all.

About an hour later a small Merevalian informed Harrison that Venables wished to see him in his study. He went. Experience had taught him that when the Head of the House sent for him, it was as a rule as well to humour his whim and go. He was prepared for a good deal, for he had come to the conclusion that it was impossible for him to preserve his incognito in the matter, but he was certainly not prepared for what he saw.

Venables and the stranger were seated in two armchairs, apparently on the very best of terms with one another. And this, in spite of the fact that these two armchairs were the only furniture left in the study. The rest, as he had noted with a grin before he had knocked at the door, was picturesquely scattered about the passage.

'Hullo, Harrison,' said Venables, 'I wanted to see you. There seems to have been a slight mistake somewhere. Did you tell my brother to shift all the furniture out of the study?'

Harrison turned a delicate shade of green.

'Your—er—brother?' he gurgled.

'Yes. I ought to have told you my brother was coming to the Coll. this term. I told the Old Man and Merevale and the rest of the authorities. Can't make out why I forgot you. Slipped my mind somehow. However, you seem to have been doing the square thing by him, showing him round and so on. Very good of you.'

Harrison smiled feebly. Venables junior grinned. What seemed to Harrison a mystery was how the brothers had managed to arrive at the School at different times. The explanation of which was in reality very simple. The elder Venables had been spending the last week of the holidays with MacArthur, the captain of the St Austin's Fifteen, the same being a day boy, suspended within a mile of the School.

'But what I can't make out,' went on Venables, relentlessly, 'is this furniture business. To the best of my knowledge I didn't leave suddenly at the end of last term. I'll ask if you like, to make sure, but I fancy you'll find you've been mistaken. Must have been thinking of someone else. Anyhow, we thought you must know best, so we lugged all the furniture out into the passage, and now it appears there's been a mistake of sorts, and the stuff ought to be inside all the time. So would you mind putting it back again? We'd help you, only we're going out to the shop to get some tea. You might have it done by the time we get back. Thanks, awfully.'

Harrison coughed nervously, and rose to a point of order.

'I was going out to tea, too,' he said.

'I'm sorry, but I think you'll have to scratch the engagement,' said Venables.

Harrison made a last effort.

'I'm fagging for Welch this term,' he protested.

It was the rule at St Austin's that every fag had the right to refuse to serve two masters. Otherwise there would have been no peace for that down-trodden race.

'That,' said Venables, 'ought to be awfully jolly for Welch, don't you know, but as a matter of fact term hasn't begun yet. It doesn't start till tomorrow. Weigh in.'

Various feelings began to wage war beneath Harrison's Eton waistcoat. A profound disinclination to undertake the suggested task battled briskly with a feeling that, if he refused the commission, things might—nay, would—happen.

'Harrison,' said Venables gently, but with meaning, as he hesitated, 'do you know what it is to wish you had never been born?'

And Harrison, with a thoughtful expression on his face, picked up a photograph from the floor, and hung it neatly in its place over the mantelpiece.

The qualities which in later years rendered Frederick Wackerbath Bradshaw so conspicuous a figure in connection with the now celebrated affair of the European, African, and Asiatic Pork Pie and Ham Sandwich Supply Company frauds, were sufficiently in evidence during his school career to make his masters prophesy gloomily concerning his future. The boy was in every detail the father of the man. There was the same genial unscrupulousness, upon which the judge commented so bitterly during the trial, the same readiness to seize an opportunity and make the most of it, the same brilliance of tactics. Only once during those years can I remember an occasion on which Justice scored a point against him. I can remember it, because I was in a sense responsible for his failure. And he can remember it, I should be inclined to think, for other reasons. Our then Headmaster was a man with a straight eye and a good deal of muscular energy, and it is probable that the talented Frederick, in spite of the passage of years, has a tender recollection of these facts.

It was the eve of the Euripides examination in the Upper Fourth. Euripides is not difficult compared to some other authors, but he does demand a certain amount of preparation. Bradshaw was a youth who did less preparation than anybody I have ever seen, heard of, or read of, partly because he preferred to peruse a novel under the table during prep., but chiefly, I think, because he had reduced cribbing in form to such an exact science that he loved it for its own sake, and would no sooner have come tamely into school with a prepared lesson than a sportsman would shoot a sitting bird. It was not the marks that he cared for. He despised them. What he enjoyed was the refined pleasure of swindling under a master's very eye. At the trial the judge, who had, so ran report, been himself rather badly bitten by the Ham Sandwich Company, put the case briefly and neatly in the words, 'You appear to revel in villainy for villainy's sake,' and I am almost certain that I saw the beginnings of a gratified smile on Frederick's expressive face as he heard the remark. The rest of our study—the juniors at St Austin's pigged in quartettes—were in a state of considerable mental activity on account of this Euripides examination. There had been House-matches during the preceding fortnight, and House-matches are not a help to study, especially if you are on the very fringe of the cock-house team, as I was. By dint of practising every minute of spare time, I had got the eleventh place for my fielding. And, better still, I had caught two catches in the second innings, one of them a regular gallery affair, and both off the captain's bowling. It was magnificent, but it was not Euripides, and I wished now that it had been. Mellish, our form-master, had an unpleasant habit of coming down with both feet, as it were, on members of his form who failed in the book-papers.

We were working, therefore, under forced draught, and it was distinctly annoying to see the wretched Bradshaw lounging in our only armchair with one of Rider Haggard's best, seemingly quite unmoved at the prospect of Euripides examinations. For all he appeared to care, Euripides might never have written a line in his life.

Kendal voiced the opinion of the meeting.

'Bradshaw, you worm,' he said. 'Aren't you going to doanywork?'

'Think not. What's the good? Can't get up a whole play of Euripides in two hours.'

'Mellish'll give you beans.'

'Let him.'

'You'll get a jolly bad report.'

'Shan't get a report at all. I always intercept it before my guardian can get it. He never says anything.'

'Mellish'll probably run you in to the Old Man,' said White, the fourth occupant of the study.

Bradshaw turned on us with a wearied air.

'Oh, do give us a rest,' he said. 'Here you are just going to do a most important exam., and you sit jawing away as if you were paid for it. Oh, I say, by the way, who's setting the paper tomorrow?'

'Mellish, of course,' said White.

'No, he isn't,' I said. 'Shows what a lot you know about it. Mellish is setting the Livy paper.'

'Then, who's doing this one?' asked Bradshaw.

'Yorke.'

Yorke was the master of the Upper Fifth. He generally set one of the upper fourth book-papers.

'Certain?' said Bradshaw.

'Absolutely.'

'Thanks. That's all I wanted to know. By Jove, I advise you chaps to read this. It's grand. Shall I read out this bit about a fight?'

'No!' we shouted virtuously, all together, though we were dying to hear it, and we turned once more to the loathsome inanities of the second chorus. If we had been doing Homer, we should have felt more in touch with Bradshaw. There's a good deal of similarity, when you come to compare them, between Homer and Haggard. They both deal largely in bloodshed, for instance. As events proved, the Euripides paper, like many things which seem formidable at a distance, was not nearly so bad as I had expected. I did a fair-to-moderate paper, and Kendal and White both seemed satisfied with themselves. Bradshaw confessed without emotion that he had only attempted the last half of the last question, and on being pressed for further information, merely laughed mysteriously, and said vaguely that it would be all right.

It now became plain that he had something up his sleeve. We expressed a unanimous desire to know what it was.

'You might tell a chap,' I said.

'Out with it, Bradshaw, or we'll lynch you,' added Kendal.

Bradshaw, however, was not to be drawn. Much of his success in the paths of crime, both at school and afterwards, was due to his secretive habits. He never permitted accomplices.

On the following Wednesday the marks were read out. Out of a possible hundred I had obtained sixty—which pleased me very much indeed—White, fifty-five, Kendal, sixty-one. The unspeakable Bradshaw's net total was four.

Mellish always read out bad marks in a hushed voice, expressive of disgust and horror, but four per cent was too much for him. He shouted it, and the form yelled applause, until Ponsonby came in from the Upper Fifth next door with Mr Yorke's compliments, 'and would we recollect that his form were trying to do an examination'.

When order had been restored, Mellish settled his glasses and glared through them at Bradshaw, who, it may be remarked, had not turned a hair.

'Bradshaw,' he said, 'how do you explain this?'

It was merely a sighting shot, so to speak. Nobody was ever expected to answer the question. Bradshaw, however, proved himself the exception to the rule.

'I can explain, sir,' he said, 'if I may speak to you privately afterwards.'

I have seldom seen anyone so astonished as Mellish was at these words. In the whole course of his professional experience, he had never met with a parallel case. It was hard on the poor man not to be allowed to speak his mind about a matter of four per cent in a book-paper, but what could he do? He could not proceed with his denunciation, for if Bradshaw's explanation turned out a sufficient excuse, he would have to withdraw it all again, and vast stores of golden eloquence would be wasted. But, then, if he bottled up what he wished to say altogether, it might do him a serious internal injury. At last he hit on a compromise. He said, 'Very well, Bradshaw, I will hear what you have to say,' and then sprang, like the cat in the poem, 'all claws', upon an unfortunate individual who had scored twenty-nine, and who had been congratulating himself that Bradshaw's failings would act as a sort of lightning-conductor to him. Bradshaw worked off his explanation in under five minutes. I tried to stay behind to listen, on the pretext of wanting to tidy up my desk, but was ejected by request. Bradshaw explained that his statement was private.

After a time they came out together like long-lost brothers, Mellish with his hand on Bradshaw's shoulder. It was some small comfort to me to remember that Bradshaw had the greatest dislike to this sort of thing.

It was evident that Bradshaw, able exponent of the art of fiction that he was, must have excelled himself on this occasion. I tried to get the story out of him in the study that evening. White and Kendal assisted. We tried persuasion first. That having failed, we tried taunts. Then we tried kindness. Kendal sat on his legs, and I sat on his head, and White twisted his arm. I think that we should have extracted something soon, either his arm from its socket or a full confession, but we were interrupted. The door flew open, and Prater (the same being our House-master, and rather a good sort) appeared.

'Now then, now then,' he said. Prater's manner is always abrupt.

'What's this? I can't have this. I can't have this. Get up at once. Where's Bradshaw?'

I rose gracefully to my feet, thereby disclosing the classic features of the lost one.

'The Headmaster wants to see you at once, Bradshaw, at the School House. You others had better find something to do, or you will be getting into trouble.'

He and Bradshaw left together, while we speculated on the cause of the summons.

We were not left very long in suspense. In a quarter of an hour Bradshaw returned, walking painfully, and bearing what, to the expert's eye, are the unmistakable signs of a 'touching up', which, being interpreted, is corporal punishment.

'Hullo,' said White, as he appeared, 'what's all this?'

'How many?' enquired the statistically-minded Kendal. 'You'll be thankful for this when you're a man, Bradshaw.'

'That's what I always say to myself when I'm touched up,' added Kendal.

I said nothing, but it was to me that the wounded one addressed himself.

'You utter ass,' he said, in tones of concentrated venom.

'Look here, Bradshaw—' I began, protestingly.

'It's all through you—you idiot,' he snarled. 'I got twelve.'

'Twelve isn't so dusty,' said White, critically. 'Most I ever got was six.'

'But why was it?' asked Kendal. 'That's what we want to know. What have you been and gone and done?'

'It's about that Euripides paper,' said Bradshaw.

'Ah!' said Kendal.

'Yes, I don't mind telling you about it now. When Mellish had me up after school today, I'd got my yarn all ready. There wasn't a flaw in it anywhere as far as I could see. My idea was this. I told him I'd been to Yorke's room the day before the exam, to ask him if he had any marks for us. That was all right. Yorke was doing the two Unseen papers, and it was just the sort of thing a fellow would do to go and ask him about the marks.'

'Well?'

'Then when I got there he was out, and I looked about for the marks, and on the table I saw the Euripides paper.'

'By Jove!' said Kendal. We began to understand, and to realize that here was a master-mind.

'Well, of course, I read it, not knowing what it was, and then, as the only way of not taking an unfair advantage, I did as badly as I could in the exam. That was what I told Mellish. Any beak would have swallowed it.'

'Well, didn't he?'

'Mellish did all right, but the rotter couldn't keep it to himself. Went and told the Old Man. The Old Man sent for me. He was as decent as anything at first. That was just his guile. He made me describe exactly where I had seen the paper, and so on. That was rather risky, of course, but I put it as vaguely as I could. When I had finished, he suddenly whipped round, and said, "Bradshaw, why are you telling me all these lies?" That's the sort of thing that makes you feel rather a wreck. I was too surprised to say anything.'

'I can guess the rest,' said Kendal. 'But how on earth did he know it was all lies? Why didn't you stick to your yarn?'

'And, besides,' I put in, 'where do I come in? I don't see what I've got to do with it.'

Bradshaw eyed me fiercely. 'Why, the whole thing was your fault,' he said. 'You told me Yorke was setting the paper.'

'Well, so he did, didn't he?'

'No, he didn't. The Old Man set it himself,' said Bradshaw, gloomily.

The Bradshaw who appears in the following tale is the same youth who figures as the hero—or villain, label him as you like—of the preceding equally veracious narrative. I mention this because I should not care for you to go away with the idea that a waistcoat marked with the name of Bradshaw must of necessity cover a scheming heart. It may, however, be noticed that a good many members of the Bradshaw family possess a keen and rather sinister sense of the humorous, inherited doubtless from their great ancestor, the dry wag who wrote that monument of quiet drollery,Bradshaw's Railway Guide. So with the hero of my story.

Frederick Wackerbath Bradshaw was, as I have pointed out, my contemporary at St Austin's. We were in the same House, and together we sported on the green—and elsewhere—and did our best to turn the majority of the staff of masters into confirmed pessimists, they in the meantime endeavouring to do the same by us with every weapon that lay to their hand. And the worst of these weapons were the end-of-term examination papers. Mellish was our form-master, and once a term a demon entered into Mellish. He brooded silently apart from the madding crowd. He wandered through dry places seeking rest, and at intervals he would smile evilly, and jot down a note on the back of an envelope. These notes, collected and printed closely on the vilest paper, made up the examination questions.

Our form read two authors a term, one Latin and one Greek. It was the Greek that we feared most. Mellish had a sort of genius for picking out absolutely untranslatable passages, and desiring us (in print) to render the same with full notes. This term the book had been Thucydides, Book II, with regard to which I may echo the words of a certain critic when called upon to give his candid opinion of a friend's first novel, 'I dare not say what I think about that book.'

About a week before the commencement of the examinations, the ordinary night-work used to cease, and we were supposed, during that week, to be steadily going over the old ground and arming ourselves for the approaching struggle. There were, I suppose, people who actually did do this, but for my own part I always used to regard those seven days as a blessed period of rest, set apart specially to enable me to keep abreast of the light fiction of the day. And most of the form, so far as I know, thought the same. It was only on the night before the examination that one began to revise in real earnest. One's methods on that night resolved themselves into sitting in a chair and wondering where to begin. Just as one came to a decision, it was bedtime.

'Bradshaw,' I said, as I reached page 103 without having read a line, 'do you know any likely bits?'

Bradshaw looked up from his book. He was attempting to get a general idea of Thucydides' style by readingPickwick.

'What?' he said.

I obliged with a repetition of my remark.

'Likely bits? Oh, you mean for the Thucydides. I don't know. Mellish never sets the bits any decent ordinary individual would set. I should take my chance if I were you.'

'What are you going to do?'

'I'm going to readPickwick. Thicksides doesn't come within a mile of it.'

I thought so too.

'But how about tomorrow?'

'Oh, I shan't be there,' he said, as if it were the most ordinary of statements.

'Not there! Why, have you been sacked?'

This really seemed the only possible explanation. Such an event would not have come as a surprise. It was always a matter for wonder to mewhythe authorities never sacked Bradshaw, or at the least requested him to leave. Possibly it was another case of the ass and the bundles of hay. They could not make up their minds which special misdemeanour of his to attack first.

'No, I've not been sacked,' said Bradshaw.

A light dawned upon me.

'Oh,' I said, 'you're going to slumber in.' For the benefit of the uninitiated, I may mention that to slumber in is to stay in the House during school on a pretence of illness.

'That,' replied the man of mystery, with considerable asperity, 'is exactly the silly rotten kid's idea that would come naturally to a complete idiot like you.'

As a rule, I resent being called a complete idiot, but this was not the time for asserting one's personal dignity. I had to know what Bradshaw's scheme for evading the examination was. Perhaps there might be room for two in it; in which case I should have been exceedingly glad to have lent my moral support to it. I pressed for an explanation.

'You may jaw,' said Bradshaw at last, 'as much as you jolly well please, but I'm not going to give this away. All you're going to know is that I shan't be there tomorrow.'

'I bet you are, and I bet you do a jolly rank paper too,' I said, remembering that the sceptic is sometimes vouchsafed revelations to which the most devout believer may not aspire. It is, for instance, always the young man who scoffs at ghosts that the family spectre chooses as his audience. But it required more than a mere sneer or an empty gibe to pump information out of Bradshaw. He took me up at once.

'What'll you bet?' he said.

Now I was prepared to wager imaginary sums to any extent he might have cared to name, but as my actual worldly wealth at that moment consisted of one penny, and my expectations were limited to the shilling pocket-money which I should receive on the following Saturday—half of which was already mortgaged—it behoved me to avoid doing anything rash with my ready money. But, since a refusal would have meant the downfall of my arguments, I was obliged to name a figure. I named an even sixpence. After all, I felt, I must win. By what means, other than illness, could Bradshaw possibly avoid putting in an appearance at the Thucydides examination?

'All right,' said Bradshaw, 'an even sixpence. You'll lose.'

'Slumbering in barred.'

'Of course.'

'Real illness barred too,' I said. Bradshaw is a man of resource, and has been known to make himself genuinely ill in similar emergencies.

'Right you are. Slumbering in and real illness both barred. Anything else you'd like to bar?'

I thought.

'No. Unless—' an idea struck me—'You're not going to run away?'

Bradshaw scorned to answer the question.

'Now you'd better buck up with your work,' he said, opening his book again. 'You've got about as long odds as anyone ever got. But you'll lose all the same.'

It scarcely seemed possible. And yet—Bradshaw was generally right. If he said he had a scheme for doing—though it was generally for not doing—something, it rarely failed to come off. I thought of my sixpence, my only sixpence, and felt a distinct pang of remorse. After all, only the other day the chaplain had said how wrong it was to bet. By Jove, so he had. Decent man the chaplain. Pity to do anything he would disapprove of. I was on the point of recalling my wager, when before my mind's eye rose a vision of Bradshaw rampant and sneering, and myself writhing in my chair a crushed and scored-off wreck. I drew the line at that. I valued my self-respect at more than sixpence. If it had been a shilling now—. So I set my teeth and turned once more to my Thucydides. Bradshaw, having picked up the thread of his story again, emitted hoarse chuckles like minute guns, until I very nearly rose and fell upon him. It is maddening to listen to a person laughing and not to know the joke.

'You will be allowed two hours for this paper,' said Mellish on the following afternoon, as he returned to his desk after distributing the Thucydides questions. 'At five minutes to four I shall begin to collect your papers, but those who wish may go on till ten past. Write only on one side of the paper, and put your names in the top right-hand corner. Marks will be given for neatness. Any boy whom I see looking at his neighbour's—where's Bradshaw?'

It was already five minutes past the hour. The latest of the late always had the decency to appear at least by three minutes past.

'Has anybody seen Bradshaw?' repeated Mellish. 'You, what's-your-name—' (I am what's-your-name, very much at your service) '—you are in his House. Have you seen him?'

I could have pointed out with some pleasure at this juncture that if Cain expressed indignation at being asked where his brother was, I, by a simple sum in proportion, might with even greater justice feel annoyed at having to locate a person who was no relative of mine at all. Did Mr Mellish expect me to keep an eye on every member of my House? Did Mr Mellish—in short, what did he mean by it?

This was what I thought. I said, 'No, sir.'

'This is extraordinary,' said Mellish, 'most extraordinary. Why, the boy was in school this morning.'

This was true. The boy had been in school that morning to some purpose, having beaten all records (his own records) in the gentle sport of Mellish-baiting. This evidently occurred to Mellish at the time, for he dropped the subject at once, and told us to begin our papers.

Now I have remarked already that I dare not say what I think of Thucydides, Book II. How then shall I frame my opinion of that examination paper? It was Thucydides, Book II, with the few easy parts left out. It was Thucydides, Book II, with special home-made difficulties added. It was—well, in its way it was a masterpiece. Without going into details—I dislike sensational and realistic writing—I may say that I personally was not one of those who required an extra ten minutes to finish their papers. I finished mine at half-past two, and amused myself for the remaining hour and a half by writing neatly on several sheets of foolscap exactly what I thought of Mr Mellish, and precisely what I hoped would happen to him some day. It was grateful and comforting.

At intervals I wondered what had become of Bradshaw. I was not surprised at his absence. At first I had feared that he would keep his word in that matter. As time went on I knew that he would. At more frequent intervals I wondered how I should enjoy being a bankrupt.

Four o'clock came round, and found me so engrossed in putting the finishing touches to my excursus of Mr Mellish's character, that I stayed on in the form-room till ten past. Two other members of the form stayed too, writing with the despairing energy of those who had five minutes to say what they would like to spread over five hours. At last Mellish collected the papers. He seemed a trifle surprised when I gave up my modest three sheets. Brown and Morrison, who had their eye on the form prize, each gave up reams. Brown told me subsequently that he had only had time to do sixteen sheets, and wanted to know whether I had adopted Rutherford's emendation in preference to the old reading in Question II. My prolonged stay had made him regard me as a possible rival.

I dwell upon this part of my story, because it has an important bearing on subsequent events. If I had not waited in the form-room I should not have gone downstairs just behind Mellish. And if I had not gone downstairs just behind Mellish, I should not have been in at the death, that is to say the discovery of Bradshaw, and this story would have been all beginning and middle, and no ending, for I am certain that Bradshaw would never have told me a word. He was a most secretive animal.

I went downstairs, as I say, just behind Mellish. St Austin's, you must know, is composed of three blocks of buildings, the senior, the middle, and the junior, joined by cloisters. We left the senior block by the door. To the captious critic this information may seem superfluous, but let me tell him that I have left the block in my time, and entered it, too, though never, it is true, in the company of a master, in other ways. There are windows.

Our procession of two, Mellish leading by a couple of yards, passed through the cloisters, and came to the middle block, where the Masters' Common Room is. I had no particular reason for going to that block, but it was all on my way to the House, and I knew that Mellish hated having his footsteps dogged. That Thucydides paper rankled slightly.

In the middle block, at the top of the building, far from the haunts of men, is the Science Museum, containing—so I have heard, I have never been near the place myself—two stuffed rats, a case of mouldering butterflies, and other objects of acute interest. The room has a staircase all to itself, and this was the reason why, directly I heard shouts proceeding from that staircase, I deduced that they came from the Museum. I am like Sherlock Holmes, I don't mind explaining my methods.

'Help!' shouted the voice. 'Help!'

The voice was Bradshaw's.

Mellish was talking to M. Gerard, the French master, at the moment. He had evidently been telling him of Bradshaw's non-appearance, for at the sound of his voice they both spun round, and stood looking at the staircase like a couple of pointers.

'Help,' cried the voice again.

Mellish and Gerard bounded up the stairs. I had never seen a French master run before. It was a pleasant sight. I followed. As we reached the door of the Museum, which was shut, renewed shouts filtered through it. Mellish gave tongue.

'Bradshaw!'

'Yes, sir,' from within.

'Are you there?' This I thought, and still think, quite a superfluous question.

'Yes, sir,' said Bradshaw.

'What are you doing in there, Bradshaw? Why were you not in school this afternoon? Come out at once.' This in deep and thrilling tones.

'Please, sir,' said Bradshaw complainingly, 'I can't open the door.' Now, the immediate effect of telling a person that you are unable to open a door is to make him try his hand at it. Someone observes that there are three things which everyone thinks he can do better than anyone else, namely poking a fire, writing a novel, and opening a door.

Gerard was no exception to the rule.

'Can't open the door?' he said. 'Nonsense, nonsense.' And, swooping at the handle, he grasped it firmly, and turned it.

At this point he made an attempt, a very spirited attempt, to lower the world's record for the standing high jump. I have spoken above of the pleasure it gave me to see a French master run. But for good, square enjoyment, warranted free from all injurious chemicals, give me a French master jumping.

'My dear Gerard,' said the amazed Mellish.

'I have received a shock. Dear me, I have received a most terrible shock.'

So had I, only of another kind. I really thought I should have expired in my tracks with the effort of keeping my enjoyment strictly to myself. I saw what had happened. The Museum is lit by electric light. To turn it on one has to shoot the bolt of the door, which, like the handle, is made of metal. It is on the killing two birds with one stone principle. You lock yourself in and light yourself up with one movement. It was plain that the current had gone wrong somehow, run amock, as it were. Mellish meanwhile, instead of being warned by Gerard's fate, had followed his example, and tried to turn the handle. His jump, though quite a creditable effort, fell short of Gerard's by some six inches. I began to feel as if some sort of round game were going on. I hoped that they would not want me to take a hand. I also hoped that the thing would continue for a good while longer. The success of the piece certainly warranted the prolongation of its run. But here I was disappointed. The disturbance had attracted another spectator, Blaize, the science and chemistry master. The matter was hastily explained to him in all its bearings. There was Bradshaw entombed within the Museum, with every prospect of death by starvation, unless he could support life for the next few years on the two stuffed rats and the case of butterflies. The authorities did not see their way to adding a human specimen (youth's size) to the treasures in the Museum,so—how was he to be got out?

The scientific mind is equal to every emergency.

'Bradshaw,' shouted Blaize through the keyhole.

'Sir?'

'Are you there?'

I should imagine that Bradshaw was growing tired of this question by this time. Besides, it cast aspersions on the veracity of Gerard and Mellish. Bradshaw, with perfect politeness, hastened to inform the gentleman that he was there.

'Have you a piece of paper?'

'Will an envelope do, sir?'

'Bless the boy, anything will do so long as it is paper.'

Dear me, I thought, is it as bad as all that? Is Blaize, in despair of ever rescuing the unfortunate prisoner, going to ask him to draw up a 'last dying words' document, to be pushed under the door and despatched to his sorrowing guardian?

'Put it over your hand, and then shoot back the bolt.'

'But, sir, the electricity.'

'Pooh, boy!'

The scientific mind is always intolerant of lay ignorance.

'Pooh, boy, paper is a non-conductor. You won't get hurt.'

Bradshaw apparently acted on his instructions. From the other side of the door came the sharp sound of the bolt as it was shot back, and at the same time the light ceased to shine through the keyhole. A moment later the handle turned, and Bradshaw stepped forth—free!

'Dear me,' said Mellish. 'Now I never knew that before, Blaize. Remarkable. But this ought to be seen to. In the meantime, I had better ask the Headmaster to give out that the Museum is closed until further notice, I think.'

And closed the Museum has been ever since. That further notice has never been given. And yet nobody seems to feel as if an essential part of their life had ceased to be, so to speak. Curious. Bradshaw, after a short explanation, was allowed to go away without a stain—that is to say, without any additional stain—on his character. We left the authorities discussing the matter, and went downstairs.

'Sixpence isn't enough,' I said, 'take this penny. It's all I've got. You shall have the sixpence on Saturday.'

'Thanks,' said Bradshaw.' Was the Thucydides paper pretty warm?'

'Warmish. But, I say, didn't you get a beastly shock when you locked the door?'

'I did the week before last, the first time I ever went to the place. This time I was more or less prepared for it. Blaize seems to think that paper dodge a special invention of his own. He'll be taking out a patent for it one of these days. Why, every kid knows that paper doesn't conduct electricity.'

'I didn't,' I said honestly.

'You don't know much,' said Bradshaw, with equal honesty.

'I don't,' I replied. 'Bradshaw, you're a great man, but you missed the best part of it all.'

'What, the Thucydides paper?' asked he with a grin.

'No, you missed seeing Gerard jump quite six feet.'

Bradshaw's face expressed keen disappointment.

'No, did he really? Oh, I say, I wish I'd seen it.'

The moral of which is that the wicked do not always prosper. If Bradshaw had not been in the Museum, he might have seen Gerard jump six feet, which would have made him happy for weeks. On second thoughts, though, that does not work out quite right, for if Bradshaw had not been in the Museum, Gerard would not have jumped at all. No, better put it this way. I was virtuous, and I had the pleasure of witnessing the sight I have referred to. But then there was the Thucydides paper, which Bradshaw missed but which I did not. No. On consideration, the moral of this story shall be withdrawn and submitted to a committee of experts. Perhaps they will be able to say what it is.


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