TWO AMERICANS

The colonel made a movement of impatience. “Tell Mr. Forsyth to bring them back at once,” he said.

But here a feminine chorus of excuses and expostulations rose from the carryall. “It's only Mrs. Lascelles going to show Friddy where the squaws and children bathe,” said Lady Runnybroke, “it's near the fort, and they'll be there as quick as we shall.”

“One moment, colonel,” said Peter, with mortified concern. “It's another folly of my sister's! pray let me take it upon myself to bring them back.”

“Very well, but see you don't linger, and,” turning to Cassidy, as Peter galloped away, he added, “you follow him.”

Peter kept the figures of the two women in view, but presently saw them disappear in the wood. He had no fear for their safety, but he was indignant at this last untimely caprice of his sister. He knew the idea had originated with her, and that the officers knew it, and yet she had made Lady Elfrida bear an equal share of the blame. He reached the edge of the copse, entered the first opening, but he had scarcely plunged into its shadow and shut out the plain behind him before he felt his arms and knees quickly seized from behind. So sudden and unexpected was the attack that he first thought his horse had stumbled against a coil of wild grapevine and was entangled, but the next moment he smelled the rank characteristic odor and saw the brown limbs of the Indian who had leaped on his crupper, while another rose at his horse's head. Then a warning voice in his ear said in the native tongue:—

“If the great white medicine man calls to his fighting men, the pale-faced girl and the squaw he calls his sister die! They are here, he understands.”

But Peter had neither struggled nor uttered a cry. At that touch, and with the accents of that tongue in his ears, all his own Indian blood seemed to leap and tingle through his veins. His eyes flashed; pinioned as he was he drew himself erect and answered haughtily in his captor's own speech:—

“Good! The great white medicine man obeys, for he and his sister have no fear. But if the pale-face girl is not sent back to her people before the sun sets, then the yellow jackets will swarm the woods, and they will follow her trail to the death. My brother is wise; let the girl go. I have spoken.”

“My brother is very cunning too. He would call to his fighting men through the lips of the pale-face girl.”

“He will not. The great white medicine man does not lie to his red brother. He will tell the pale-face girl to say to the chief of the yellow jackets that he and his sister are with his brothers, and all is peace. But the pale-face girl must not see the great white medicine man in these bonds, nor as a captive! I have spoken.”

The two Indians fell back. There was so much of force and dignity in the man, so much of their own stoic calmness, that they at once mechanically loosened the thongs of plaited deer hide with which they had bound him, and side by side led him into the recesses of the wood.

There was some astonishment, although little alarm at the fort, when Lady Elfrida returned accompanied by the orderly who had followed Peter to the wood, but without Peter and his sister. The reason given was perfectly natural and conceivable. Mrs. Lascelles had preceded Lady Elfrida in entering the wood and taken another opening, so that Lady Elfrida had found herself suddenly lost, and surrounded by two or three warriors in dreadful paint. They motioned her to dismount, and said something she did not understand, but she declined, knowing that she had heard Mr. Atherly and the orderly following her, and feeling no fear. And sure enough Mr. Atherly presently came up with a couple of braves, apologized to her for their mistake, but begged her to return to the fort at once and assure the colonel that everything was right, and that he and his sister were safe. He was perfectly cool and collected and like himself; she blushed slightly, as she said she thought that he wished to impress upon her, for some reason she could not understand, that he did not want the colonel to send any assistance. She was positive of that. She told her story unexcitedly; it was evident that she had not been frightened, but Lady Runnybroke noticed that there was a shade of anxious abstraction in her face.

When the officers were alone the colonel took hurried counsel of them. “I think,” said Captain Fleetwood, “that Lady Elfrida's story quite explains itself. I believe this affair is purely a local one, and has nothing whatever to do with the suspicious appearances we noticed this afternoon, or the presence of so large a body of Indians near Butternut. Had this been a hostile movement they would have scarcely allowed so valuable a capture as Lady Elfrida to escape them.”

“Unless they kept Atherly and his sister as a hostage,” said Captain Joyce.

“But Atherly is one of their friends; indeed he is their mediator and apostle, a non-combatant, and has their confidence,” returned the colonel. “It is much more reasonable to suppose that Atherly has noticed some disaffection among these 'friendlies,' and he fears that our sending a party to his assistance might precipitate a collision. Or he may have reason to believe that this stopping of the two women under the very walls of the fort is only a feint to draw our attention from something more serious. Did he know anything of our suspicions of the conduct of those Indians this morning?”

“Not unless he gathered it from what Lord Reginald foolishly told him. We said nothing, of course,” returned Captain Fleetwood, with a soldier's habitual distrust of the wisdom of the civil arm.

“That will do, gentlemen,” said the colonel, as the officers dispersed; “send Cassidy here.”

The colonel was alone on the veranda as Cassidy came up.

“You followed Mr. Atherly to-day?”

“Yes sorr.”

“And you saw him when he gave the message to the young lady?”

“Yes sorr.”

“Did you form any opinion from anything else you saw, of his object in sending that message?”

“Only from what I saw of HIM.”

“Well, what was that?”

“I saw him look afther the young leddy as she rode away, and then wheel about and go straight back into the wood.”

“And what did you think of that?” said the colonel, with a half smile.

“I thought it was shacrifice, sorr.”

“What do you mean?” said the colonel sharply.

“I mane, sorr,” said Cassidy stoutly, “that he was givin' up hisself and his sister for that young leddy.”

The colonel looked at the sergeant. “Ask Mr. Forsyth to come to me privately, and return here with him.”

As darkness fell, some half a dozen dismounted troopers, headed by Forsyth and Cassidy, passed quietly out of the lower gate and entered the wood. An hour later the colonel was summoned from the dinner table, and the guests heard the quick rattle of a wagon turning out of the road gate—but the colonel did not return. An indefinable uneasiness crept over the little party, which reached its climax in the summoning of the other officers, and the sudden flashing out of news. The reconnoitring party had found the dead bodies of Peter Atherly and his sister on the plains at the edge of the empty wood.

The women were gathered in the commandant's quarters, and for the moment seemed to have been forgotten. The officers' wives talked with professional sympathy and disciplined quiet; the English ladies were equally sympathetic, but collected. Lady Elfrida, rather white, but patient, asked a few questions in a voice whose contralto was rather deepened. One and all wished to “do something”—anything “to help”—and one and all rebelled that the colonel had begged them to remain within doors. There was an occasional quick step on the veranda, or the clatter of a hoof on the parade, a continued but subdued murmur from the whitewashed barracks, but everywhere a sense of keen restraint.

When they emerged on the veranda again, the whole aspect of the garrison seemed to have changed in that brief time. In the faint moonlight they could see motionless files of troopers filling the parade, the officers in belted tunics and slouched hats,—but apparently not the same men; the half lounging ease and lazy dandyism gone, a grim tension in all their faces, a set abstraction in all their acts. Then there was the rolling of heavy wheels in the road, and the two horses of the ambulance appeared. The sentries presented arms; the colonel took off his hat; the officers uncovered; the wagon wheeled into the parade; the surgeon stepped out. He exchanged a single word with the colonel, and lifted the curtain of the ambulance.

As the colonel glanced within, a deep but embarrassed voice fell upon his ear. He turned quickly. It was Lord Reginald, flushed and sympathetic.

“He was a friend,—a relation of ours, you know,” he stammered. “My sister would like—to look at him again.”

“Not now,” said the colonel in a low voice. The surgeon added something in a voice still lower, which scarcely reached the veranda.

Lord Reginald turned away with a white face.

“Fall back there!” Captain Fleetwood rode up.

“All ready, sir.”

“One moment, captain,” said the colonel quietly. “File your first half company before that ambulance, and bid the men look in.”

The singular order was obeyed. The men filed slowly forward, each in turn halting before the motionless wagon and its immobile freight. They were men inured to frontier bloodshed and savage warfare; some halted and hurried on; others lingered, others turned to look again. One man burst into a short laugh, but when the others turned indignantly upon him, they saw that in his face that held them in awe. What they saw in the ambulance did not transpire; what they felt was not known. Strangely enough, however, what they repressed themselves was mysteriously communicated to their horses, who snorted and quivered with eagerness and impatience as they rode back again. The horse of the trooper who had laughed almost leaped into the air. Only Sergeant Cassidy was communicative; he took a larger circuit in returning to his place, and managed to lean over and whisper hoarsely in the ear of a camp follower spectator, “Tell the young leddy that the torturin' divvils couldn't take the smile off him!”

The little column filed out of the gateway into the road. As Captain Fleetwood passed Colonel Carter the two men's eyes met. The colonel said quietly, “Good night, captain. Let us have a good report from you.”

The captain replied only with his gauntleted hand against the brim of his slouched hat, but the next moment his voice was heard strong and clear enough in the road. The little column trotted away as evenly as on parade. But those who climbed the roof of the barracks a quarter of an hour later saw, in the moonlight, a white cloud drifting rapidly across the plain towards the west. It was a small cloud in that bare, menacing, cruel, and illimitable waste; but in its breast was crammed a thunderbolt.

It fell thirty miles away, blasting and scattering a thousand warriors and their camp, giving and taking no quarter, vengeful, exterminating, and complete. Later there were different opinions about it and the horrible crime that had provoked it: the opposers of Peter's policy jubilant over the irony of the assassination of the Apostle of Peace, Peter's disciples as actively deploring the merciless and indiscriminating vengeance of the military; and so the problem that Peter had vainly attempted to solve was left an open question. There were those, too, who believed that Peter had never sacrificed himself and his sister for the sake of another, but had provoked and incensed the savages by the blind arrogance of a reformer. There were wild stories by scouts and interpreters how he had challenged his fate by an Indian bravado; how himself and his sister had met torture with an Indian stoicism, and how the Indian braves themselves at last in a turmoil of revulsion had dipped their arrows and lances in the heroic heart's blood of their victims, and worshiped their still palpitating flesh.

But there was one honest loyal little heart that carried back—three thousand miles—to England the man as it had known and loved him. Lady Elfrida Runnybroke never married; neither did she go into retirement, but lived her life and fulfilled her duties in her usual clear-eyed fashion. She was particularly kind to all Americans,—barring, I fear, a few pretty-faced, finely-frocked title-hunters,—told stories of the Far West, and had theories of a people of which they knew little, cared less, and believed to be vulgar. But I think she found a new pleasure in the old church at Ashley Grange, and loved to linger over the effigy of the old Crusader,—her kinsman, the swashbuckler De Bracy,—with a vague but pretty belief that devotion and love do not die with brave men, but live and flourish even in lands beyond the seas.

Perhaps if there was anything important in the migration of the Maynard family to Europe it rested solely upon the singular fact that Mr. Maynard did not go there in the expectation of marrying his daughter to a nobleman. A Charleston merchant, whose house represented two honorable generations, had, thirty years ago, a certain self-respect which did not require extraneous aid and foreign support, and it is exceedingly probable that his intention of spending a few years abroad had no ulterior motive than pleasure seeking and the observation of many things—principally of the past—which his own country did not possess. His future and that of his family lay in his own land, yet with practical common sense he adjusted himself temporarily to his new surroundings. In doing so, he had much to learn of others, and others had something to learn of him; he found that the best people had a high simplicity equal to his own; he corrected their impressions that a Southerner had more or less negro blood in his veins, and that, although a slave owner, he did not necessarily represent an aristocracy. With a distinguishing dialect of which he was not ashamed, a frank familiarity of approach joined to an invincible courtesy of manner, which made even his republican “Sir” equal to the ordinary address to royalty, he was always respected and seldom misunderstood. When he was—it was unfortunate for those who misunderstood him. His type was as distinctive and original as his cousin's, the Englishman, whom it was not the fashion then to imitate. So that, whether in the hotel of a capital, the Kursaal of a Spa, or the humbler pension of a Swiss village, he was always characteristic. Less so was his wife, who, with the chameleon quality of her transplanted countrywomen, was already Parisian in dress; still less so his daughter, who had by this time absorbed the peculiarities of her French, German, and Italian governesses. Yet neither had yet learned to evade their nationality—or apologize for it.

Mr. Maynard and his family remained for three years in Europe, his stay having been prolonged by political excitement in his own State of South Carolina. Commerce is apt to knock the insularity out of people; distance from one's own distinctive locality gives a wider range to the vision, and the retired merchant foresaw ruin in his State's politics, and from the viewpoint of all Europe beheld instead of the usual collection of individual States—his whole country. But the excitement increasing, he was finally impelled to return in a faint hope of doing something to allay it, taking his wife with him, but leaving his daughter at school in Paris. At about this time, however, a single cannon shot fired at the national flag on Fort Sumter shook the whole country, reverberated even in Europe, sending some earnest hearts back to do battle for State or country, sending others less earnest into inglorious exile, but, saddest of all! knocking over the school bench of a girl at the Paris pensionnat. For that shot had also sunk Maynard's ships at the Charleston wharves, scattered his piled Cotton bales awaiting shipment at the quays, and drove him, a ruined man, into the “Home Guard” against his better judgment. Helen Maynard, like a good girl, had implored her father to let her return and share his risks. But the answer was “to wait” until this nine days' madness of an uprising was over. That madness lasted six years, outlived Maynard, whose gray, misdoubting head bit the dust at Ball's Bluff; outlived his colorless widow, and left Kelly a penniless orphan.

Yet enough of her country was left in her to make her courageous and independent of her past. They say that when she got the news she cried a little, and then laid the letter and what was left of her last monthly allowance in Madame Ablas' lap. Madame was devastated. “But you, impoverished and desolated angel, what of you?” “I shall get some of it back,” said the desolated angel with ingenuous candor, “for I speak better French and English than the other girls, and I shall teach THEM until I can get into the Conservatoire, for I have a voice. You yourself have told papa so.” From such angelic directness there was no appeal. Madame Ablas had a heart,—more, she had a French manageress's discriminating instinct. The American schoolgirl was installed in a teacher's desk; her bosom friends and fellow students became her pupils. To some of the richest, and they were mainly of her own country, she sold her smartest, latest dresses, jewels, and trinkets at a very good figure, and put the money away against the Conservatoire in the future. She worked hard, she endured patiently everything but commiseration. “I'd have you know, Miss,” she said to Miss de Laine, daughter of the famous house of Musslin, de Laine & Co., of New York, “that whatever my position HERE may be, it is not one to be patronized by a tapeseller's daughter. My case is not such a very 'sad one,' thank you, and I prefer not to be spoken of as having seen 'better days' by people who haven't. There! Don't rap your desk with your pencil when you speak to me, or I shall call out 'Cash!' before the whole class.” So regrettable an exhibition of temper naturally alienated certain of her compatriots who were unduly sensitive of their origin, and as they formed a considerable colony who were then reveling in the dregs of the Empire and the last orgies of a tottering court, eventually cost her her place. A republican so aristocratic was not to be tolerated by the true-born Americans who paid court to De Morny for the phosphorescent splendors of St. Cloud and the Tuileries, and Miss Helen lost their favor. But she had already saved enough money for the Conservatoire and a little attic in a very tall house in a narrow street that trickled into the ceaseless flow of the Rue Lafayette. Here for four years she trotted backwards and forwards regularly to work with the freshness of youth and the inflexible set purpose of maturity. Here, rain or shine, summer or winter, in the mellow season when the large cafes expanded under the white sunshine into an overflow of little tables on the pavement, or when the red glow of the Brasserie shone through frosty panes on the turned-up collars of pinched Parisians who hurried by, she was always to be seen.

Half Paris had looked into her clear, gray eyes and passed on; a smaller and not very youthful portion of Paris had turned and followed her with small advantage to itself and happily no fear to her. For even in her young womanhood she kept her child's loving knowledge of that great city; she even had an innocent camaraderie with street sweepers, kiosk keepers, and lemonade venders, and the sternness of conciergedom melted before her. In this wholesome, practical child's experience she naturally avoided or overlooked what would not have interested a child, and so kept her freshness and a certain national shrewd simplicity invincible. There is a story told of her girlhood that, one day playing in the Tuileries gardens, she was approached by a gentleman with a waxed mustache and a still more waxen cheek beneath his heavy-lidded eyes. There was an exchange of polite amenities.

“And your name, ma petite?”

“Helen,” responded the young girl naively. “What's yours?”

“Ah,” said the kind gentleman, gallantly pulling at his mustache, “if you are Helen I am Paris.”

The young girl raised her clear eyes to his and said gravely, “I reckon your majesty is FRANCE!”

She retained this childish fearlessness as the poor student of the Conservatoire; went alone all over Paris with her maiden skirts untarnished by the gilded dust of the boulevards or the filth of by-ways; knew all the best shops for her friends, and the cheapest for her own scant purchases; discovered breakfasts for a few sous with pale sempstresses, whose sadness she understood, and reckless chorus girls, whose gayety she didn't; she knew where the earliest chestnut buds were to be found in the Bois, when the slopes of the Buttes Chaumont were green, and which was the old woman who sold the cheapest flowers before the Madeleine. Alone and independent, she earned the affection of Madame Bibelot, the concierge, and, what was more, her confidence. Her outgoings and incomings were never questioned. The little American could take care of herself. Ah, if her son Jacques were only as reasonable! Miss Maynard might have made more friends had she cared; she might have joined hands with the innocent and light-hearted poverty of the coterie of her own artistic compatriots, but something in her blood made her distrust Bohemianism; her poverty was something to her too sacred for jest or companionship; her own artistic aim was too long and earnest for mere temporary enthusiasms. She might have found friends in her own profession. Her professor opened the sacred doors of his family circle to the young American girl. She appreciated the delicacy, refinement, and cheerful equal responsibilities of that household, so widely different from the accepted Anglo-Saxon belief, but there were certain restrictions that rightly or wrongly galled her American habits of girlish freedom, and she resolutely tripped past the first etage four or five flights higher to her attic, the free sky, and independence! Here she sometimes met another kind of independence in Monsieur Alphonse, aged twenty two, and she who ought to have been Madame Alphonse, aged seventeen, and they often exchanged greetings on the landing with great respect towards each other, and, oddly enough, no confusion or distrait. Later they even borrowed each other's matches without fear and without reproach, until one day Monsieur Alphonse's parents took him away, and the desolated soi-disant Madame Alphonse, in a cheerful burst of confidence, gave Helen her private opinion of monsieur, and from her seventeen years' experience warned the American infant of twenty against possible similar complications.

One day—it was near the examination for prizes, and her funds were running low—she was obliged to seek one of those humbler restaurants she knew of for her frugal breakfast. But she was not hungry, and after a few mouthfuls left her meal unfinished as a young man entered and half abstractedly took a seat at her table. She had already moved towards the comptoir to pay her few sous, when, chancing to look up in a mirror which hung above the counter, reflecting the interior of the cafe, she saw the stranger, after casting a hurried glance around him, remove from her plate the broken roll and even the crumbs she had left, and as hurriedly sweep them into his pocket-handkerchief. There was nothing very strange in this; she had seen something like it before in these humbler cafes,—it was a crib for the birds in the Tuileries Gardens, or the poor artist's substitute for rubber in correcting his crayon drawing! But there was a singular flushing of his handsome face in the act that stirred her with a strange pity, made her own cheek hot with sympathy, and compelled her to look at him more attentively. The back that was turned towards her was broad-shouldered and symmetrical, and showed a frame that seemed to require stronger nourishment than the simple coffee and roll he had ordered and was devouring slowly. His clothes, well made though worn, fitted him in a smart, soldier-like way, and accentuated his decided military bearing. The singular use of his left hand in lifting his cup made her uneasy, until a slight movement revealed the fact that his right sleeve was empty and pinned to his coat. He was one-armed. She turned her compassionate eyes aside, yet lingered to make a few purchases at the counter, as he paid his bill and walked away. But she was surprised to see that he tendered the waiter the unexampled gratuity of a sou. Perhaps he was some eccentric Englishman; he certainly did not look like a Frenchman.

She had quite forgotten the incident, and in the afternoon had strolled with a few fellow pupils into the galleries of the Louvre. It was “copying-day,” and as her friends loitered around the easels of the different students with the easy consciousness of being themselves “artists,” she strolled on somewhat abstractedly before them. Her own art was too serious to permit her much sympathy with another, and in the chatter of her companions with the young painters a certain levity disturbed her. Suddenly she stopped. She had reached a less frequented room; there was a single easel at one side, but the stool before it was empty, and its late occupant was standing in a recess by the window, with his back towards her. He had drawn a silk handkerchief from his pocket. She recognized his square shoulders, she recognized the handkerchief, and as he unrolled it she recognized the fragments of her morning's breakfast as he began to eat them. It was the one-armed man.

She remained so motionless and breathless that he finished his scant meal without noticing her, and even resumed his place before the easel without being aware of her presence. The noise of approaching feet gave a fresh impulse to her own, and she moved towards him. But he was evidently accustomed to these interruptions, and worked on steadily without turning his head. As the other footsteps passed her she was emboldened to take a position behind him and glance at his work. It was an architectural study of one of Canaletto's palaces. Even her inexperienced eyes were struck with its vigor and fidelity. But she was also conscious of a sense of disappointment. Why was he not—like the others—copying one of the masterpieces? Becoming at last aware of a motionless woman behind him, he rose, and with a slight gesture of courtesy and a half-hesitating “Vous verrez mieux la, mademoiselle,” moved to one side.

“Thank you,” said Miss Maynard in English, “but I did not want to disturb you.”

He glanced quickly at her face for the first time. “Ah, you are English!” he said.

“No. I am American.”

His face lightened. “So am I.”

“I thought so,” she said.

“From my bad French?”

“No. Because you did not look up to see if the woman you were polite to was old or young.”

He smiled. “And you, mademoiselle,—you did not murmur a compliment to the copy over the artist's back.”

She smiled, too, yet with a little pang over the bread. But she was relieved to see that he evidently had not recognized her. “You are modest,” she said; “you do not attempt masterpieces.”

“Oh, no! The giants like Titian and Corregio must be served with both hands. I have only one,” he said half lightly, half sadly.

“But you have been a soldier,” she said with quick intuition.

“Not much. Only during our war,—until I was compelled to handle nothing larger than a palette knife. Then I came home to New York, and, as I was no use there, I came here to study.”

“I am from South Carolina,” she said quietly, with a rising color.

He put his palette down, and glanced at her black dress. “Yes,” she went on doggedly, “my father lost all his property, and was killed in battle with the Northerners. I am an orphan,—a pupil of the Conservatoire.” It was never her custom to allude to her family or her lost fortunes; she knew not why she did it now, but something impelled her to rid her mind of it to him at once. Yet she was pained at his grave and pitying face.

“I am very sorry,” he said simply. Then, after a pause, he added, with a gentle smile, “At all events you and I will not quarrel here under the wings of the French eagles that shelter us both.”

“I only wanted to explain why I was alone in Paris,” she said, a little less aggressively.

He replied by unhooking his palette, which was ingeniously fastened by a strap over his shoulder under the missing arm, and opened a portfolio of sketches at his side. “Perhaps they may interest you more than the copy, which I have attempted only to get at this man's method. They are sketches I have done here.”

There was a buttress of Notre Dame, a black arch of the Pont Neuf, part of an old courtyard in the Faubourg St. Germain,—all very fresh and striking. Yet, with the recollection of his poverty in her mind, she could not help saying, “But if you copied one of those masterpieces, you know you could sell it. There is always a demand for that work.”

“Yes,” he replied, “but these help me in my line, which is architectural study. It is, perhaps, not very ambitious,” he added thoughtfully, “but,” brightening up again, “I sell these sketches, too. They are quite marketable, I assure you.”

Helen's heart sank again. She remembered now to have seen such sketches—she doubted not they were his—in the cheap shops in the Rue Poissoniere, ticketed at a few francs each. She was silent as he patiently turned them over. Suddenly she uttered a little cry.

He had just uncovered a little sketch of what seemed at first sight only a confused cluster of roof tops, dormer windows, and chimneys, level with the sky-line. But it was bathed in the white sunshine of Paris, against the blue sky she knew so well. There, too, were the gritty crystals and rust of the tiles, the red, brown, and greenish mosses of the gutters, and lower down the more vivid colors of geraniums and pansies in flower-pots under the white dimity curtains which hid the small panes of garret windows; yet every sordid detail touched and transfigured with the poetry and romance of youth and genius.

“You have seen this?” she said.

“Yes; it is a study from my window. One must go high for such effects. You would be surprised if you could see how different the air and sunshine”—

“No,” she interrupted gently, “I HAVE seen it.”

“You?” he repeated, gazing at her curiously.

Helen ran the point of her slim finger along the sketch until it reached a tiny dormer window in the left-hand corner, half-hidden by an irregular chimney-stack. The curtains were closely drawn. Keeping her finger upon the spot, she said, interrogatively, “And you saw THAT window?”

“Yes, quite plainly. I remember it was always open, and the room seemed empty from early morning to evening, when the curtains were drawn.”

“It is my room,” she said simply.

Their eyes met with this sudden confession of their equal poverty. “And mine,” he said gayly, “from which this view was taken, is in the rear and still higher up on the other street.”

They both laughed as if some singular restraint had been removed; Helen even forgot the incident of the bread in her relief. Then they compared notes of their experiences, of their different concierges, of their housekeeping, of the cheap stores and the cheaper restaurants of Paris,—except one. She told him her name, and learned that his was Philip, or, if she pleased, Major Ostrander. Suddenly glancing at her companions, who were ostentatiously lingering at a little distance, she became conscious for the first time that she was talking quite confidentially to a very handsome man, and for a brief moment wished, she knew not why, that he had been plainer. This momentary restraint was accented by the entrance of a lady and gentleman, rather distingue in dress and bearing, who had stopped before them, and were eying equally the artist, his work, and his companion with somewhat insolent curiosity. Helen felt herself stiffening; her companion drew himself up with soldierly rigidity. For a moment it seemed as if, under that banal influence, they would part with ceremonious continental politeness, but suddenly their hands met in a national handshake, and with a frank smile they separated.

Helen rejoined her companions.

“So you have made a conquest of the recently acquired but unknown Greek statue?” said Mademoiselle Renee lightly. “You should take up a subscription to restore his arm, ma petite, if there is a modern sculptor who can do it. You might suggest it to the two Russian cognoscenti, who have been hovering around him as if they wanted to buy him as well as his work. Madame La Princesse is rich enough to indulge her artistic taste.”

“It is a countryman of mine,” said Helen simply.

“He certainly does not speak French,” said mademoiselle mischievously.

“Nor think it,” responded Helen with equal vivacity. Nevertheless, she wished she had seen him alone.

She thought nothing more of him that day in her finishing exercises. But the next morning as she went to open her window after dressing, she drew back with a new consciousness, and then, making a peephole in the curtain, looked over the opposite roofs. She had seen them many times before, but now they had acquired a new picturesqueness, which as her view was, of course, the reverse of the poor painter's sketch, must have been a transfigured memory of her own. Then she glanced curiously along the line of windows level with hers. All these, however, with their occasional revelations of the menage behind them, were also familiar to her, but now she began to wonder which was his. A singular instinct at last impelled her to lift her eyes. Higher in the corner house, and so near the roof that it scarcely seemed possible for a grown man to stand upright behind it, was an oeil de boeuf looking down upon the other roofs, and framed in that circular opening like a vignette was the handsome face of Major Ostrander. His eyes seemed to be turned towards her window. Her first impulse was to open it and recognize him with a friendly nod. But an odd mingling of mischief and shyness made her turn away quickly.

Nevertheless, she met him the next morning walking slowly so near her house that their encounter might have been scarcely accidental on his part. She walked with him as far as the Conservatoire. In the light of the open street she thought he looked pale and hollow-cheeked; she wondered if it was from his enforced frugality, and was trying to conceive some elaborate plan of obliging him to accept her hospitality at least for a single meal, when he said:—

“I think you have brought me luck, Miss Maynard.”

Helen opened her eyes wonderingly.

“The two Russian connoisseurs who stared at us so rudely were pleased, however, to also stare at my work. They offered me a fabulous sum for one or two of my sketches. It didn't seem to me quite the square thing to old Favel the picture-dealer, whom I had forced to take a lot at one fifteenth the price, so I simply referred them to him.”

“No!” said Miss Helen indignantly; “you were not so foolish?”

Ostrander laughed.

“I'm afraid what you call my folly didn't avail, for they wanted what they saw in my portfolio.”

“Of course,” said Helen. “Why, that sketch of the housetop alone was worth a hundred times more than what you”—She stopped; she did not like to reveal what he got for his pictures, and added, “more than what any of those usurers would give.”

“I am glad you think so well of it, for I do not mean to sell it,” he said simply, yet with a significance that kept her silent.

She did not see him again for several days. The preparation for her examination left her no time, and her earnest concentration in her work fully preoccupied her thoughts. She was surprised, but not disturbed, on the day of the awards to see him among the audience of anxious parents and relations. Miss Helen Maynard did not get the first prize, nor yet the second; an accessit was her only award. She did not know until afterwards that this had long been a foregone conclusion of her teachers on account of some intrinsic defect in her voice. She did not know until long afterwards that the handsome painter's nervousness on that occasion had attracted even the sympathy of some of those who were near him. For she herself had been calm and collected. No one else knew how crushing was the blow which shattered her hopes and made her three years of labor and privation a useless struggle. Yet though no longer a pupil she could still teach; her master had found her a small patronage that saved her from destitution. That night she circled up quite cheerfully in her usual swallow flight to her nest under the eaves, and even twittered on the landing a little over the condolences of the concierge—who knew, mon Dieu! what a beast the director of the Conservatoire was and how he could be bribed; but when at last her brown head sank on her pillow she cried—just a little.

But what was all this to that next morning—the glorious spring morning which bathed all the roofs of Paris with warmth and hope, rekindling enthusiasm and ambition in the breast of youth, and gilding even much of the sordid dirt below. It seemed quite natural that she should meet Major Ostrander not many yards away as she sallied out. In that bright spring sunshine and the hopeful spring of their youth they even laughed at the previous day's disappointment. Ah! what a claque it was, after all! For himself, he, Ostrander, would much rather see that satin-faced Parisian girl who had got the prize smirking at the critics from the boards of the Grand Opera than his countrywoman! The Conservatoire settled things for Paris, but Paris wasn't the world! America would come to the fore yet in art of all kinds—there was a free academy there now—there should be a Conservatoire of its own. Of course, Paris schooling and Paris experience weren't to be despised in art; but, thank heaven! she had THAT, and no directors could take it from her! This and much more, until, comparing notes, they suddenly found that they were both free for that day. Why should they not take advantage of that rare weather and rarer opportunity to make a little suburban excursion? But where? There was the Bois, but that was still Paris. Fontainebleau? Too far; there were always artists sketching in the forest, and he would like for that day to “sink the shop.” Versailles? Ah, yes! Versailles!

Thither they went. It was not new to either of them. Ostrander knew it as an artist and as an American reader of that French historic romance—a reader who hurried over the sham intrigues of the Oeil de Boeuf, the sham pastorals of the Petit Trianon, and the sham heroics of a shifty court, to get to Lafayette. Helen knew it as a child who had dodged these lessons from her patriotic father, but had enjoyed the woods, the parks, the terraces, and particularly the restaurant at the park gates. That day they took it like a boy and girl,—with the amused, omniscient tolerance of youth for a past so inferior to the present. Ostrander thought this gray-eyed, independent American-French girl far superior to the obsequious filles d'honneur, whose brocades had rustled through those quinquonces, and Helen vaguely realized the truth of her fellow pupil's mischievous criticism of her companion that day at the Louvre. Surely there was no classical statue here comparable to the one-armed soldier-painter!

All this was as yet free from either sentiment or passion, and was only the frank pride of friendship. But, oddly enough, their mere presence and companionship seemed to excite in others that tenderness they had not yet felt themselves. Family groups watched the handsome pair in their innocent confidences, and, with French exuberant recognition of sentiment, thought them the incarnation of Love. Something in their manifest equality of condition kept even the vainest and most susceptible of spectators from attempted rivalry or cynical interruption. And when at last they dropped side by side on a sun-warmed stone bench on the terrace, and Helen, inclining her brown head towards her companion, informed him of the difficulty she had experienced in getting gumbo soup, rice and chicken, corn cakes, or any of her favorite home dishes in Paris, an exhausted but gallant boulevardier rose from a contiguous bench, and, politely lifting his hat to the handsome couple, turned slowly away from what he believed were tender confidences he would not permit himself to hear.

But the shadow of the trees began to lengthen, casting broad bars across the alle, and the sun sank lower to the level of their eyes. They were quite surprised, on looking around a few moments later, to discover that the gardens were quite deserted, and Ostrander, on consulting his watch, found that they had just lost a train which the other pleasure-seekers had evidently availed themselves of. No matter; there was another train an hour later; they could still linger for a few moments in the brief sunset and then dine at the local restaurant before they left. They both laughed at their forgetfulness, and then, without knowing why, suddenly lapsed into silence. A faint wind blew in their faces and trilled the thin leaves above their heads. Nothing else moved. The long windows of the palace in that sunset light seemed to glisten again with the incendiary fires of the Revolution, and then went out blankly and abruptly. The two companions felt that they possessed the terrace and all its memories as completely as the shadows who had lived and died there.

“I am so glad we have had this day together,” said the painter, with a very conscious breaking of the silence, “for I am leaving Paris to-morrow.”

Helen raised her eyes quickly to his.

“For a few days only,” he continued. “My Russian customers—perhaps I ought to say my patrons—have given me a commission to make a study of an old chateau which the princess lately bought.”

A swift recollection of her fellow pupil's raillery regarding the princess's possible attitude towards the painter came over her and gave a strange artificiality to her response.

“I suppose you will enjoy it very much,” she said dryly.

“No,” he returned with the frankness that she had lacked. “I'd much rather stay in Paris, but,” he added with a faint smile, “it's a question of money, and that is not to be despised. Yet I—I—somehow feel that I am deserting you,—leaving you here all alone in Paris.”

“I've been all alone for four years,” she said, with a bitterness she had never felt before, “and I suppose I'm accustomed to it.”

Nevertheless she leaned a little forward, with her fawn-colored lashes dropped over her eyes, which were bent upon the ground and the point of the parasol she was holding with her little gloved hands between her knees. He wondered why she did not look up; he did not know that it was partly because there were tears in her eyes and partly for another reason. As she had leaned forward his arm had quite unconsciously moved along the back of the bench where her shoulders had rested, and she could not have resumed her position except in his half embrace.

He had not thought of it. He was lost in a greater abstraction. That infinite tenderness,—far above a woman's,—the tenderness of strength and manliness towards weakness and delicacy, the tenderness that looks down and not up, was already possessing him. An instinct of protection drew him nearer this bowed but charming figure, and if he then noticed that the shoulders were pretty, and the curves of the slim waist symmetrical, it was rather with a feeling of timidity and a half-consciousness of unchivalrous thought. Yet why should he not try to keep the brave and honest girl near him always? Why should he not claim the right to protect her? Why should they not—they who were alone in a strange land—join their two lonely lives for mutual help and happiness?

A sudden perception of delicacy, the thought that he should have spoken before her failure at the Conservatoire had made her feel her helplessness, brought a slight color to his cheek. Would it not seem to her that he was taking an unfair advantage of her misfortune? Yet it would be so easy now to slip a loving arm around her waist, while he could work for her and protect her with the other. THE OTHER! His eye fell on his empty sleeve. Ah, he had forgotten that! He had but ONE arm!

He rose up abruptly,—so abruptly that Helen, rising too, almost touched the arm that was hurriedly withdrawn. Yet in that accidental contact, which sent a vague tremor through the young girl's frame, there was still time for him to have spoken. But he only said:—

“Perhaps we had better dine.”

She assented quickly,—she knew not why,—with a feeling of relief. They walked very quietly and slowly towards the restaurant. Not a word of love had been spoken; not even a glance of understanding had passed between them. Yet they both knew by some mysterious instinct that a crisis of their lives had come and gone, and that they never again could be to each other as they were but a brief moment ago. They talked very sensibly and gravely during their frugal meal; the previous spectator of their confidences would have now thought them only simple friends and have been as mistaken as before. They talked freely of their hopes and prospects,—all save one! They even spoke pleasantly of repeating their little expedition after his return from the country, while in their secret hearts they had both resolved never to see each other again. Yet by that sign each knew that this was love, and were proud of each other's pride, which kept it a secret.

The train was late, and it was past ten o'clock when they at last appeared before the concierge of Helen's home. During their journey, and while passing though the crowds at the station and in the streets, Ostrander had exhibited a new and grave guardianship over the young girl, and, on the first landing, after a scrutinizing and an almost fierce glance at one or two of Helen's odd fellow lodgers, he had extended his protection so far as to accompany her up the four flights to the landing of her apartment. Here he took leave of her with a grave courtesy that half pained, half pleased her. She watched his broad shoulders and dangling sleeve as he went down the stairs, and then quickly turned, entered her room, and locked the door. The smile had faded from her lips. Going to the window, she pressed her hot forehead against the cool glass and looked out upon the stars nearly level with the black roofs around her. She stood there some moments until another star appeared higher up against the roof ridge, the star she was looking for. But here the glass pane before her eyes became presently dim with moisture; she was obliged to rub it out with her handkerchief; yet, somehow, it soon became clouded, at which she turned sharply away and went to bed.

But Miss Helen did not know that when she had looked after the retreating figure of her protector as he descended the stairs that night that he was really carrying away on those broad shoulders the character she had so laboriously gained during her four years' solitude. For when she came down the next morning the concierge bowed to her with an air of easy, cynical abstraction, the result of a long conversation with his wife the night before. He had taken Helen's part with a kindly cynicism. “Ah! what would you—it was bound to come. The affair of the Conservatoire had settled that. The poor child could not starve; penniless, she could not marry. Only why consort with other swallows under the eaves when she could have had a gilded cage on the first etage?” But girls were so foolish—in their first affair; then it was always LOVE! The second time they were wiser. And this maimed warrior and painter was as poor as she. A compatriot, too; well, perhaps that saved some scandal; one could never know what the Americans were accustomed to do. The first floor, which had been inclined to be civil to the young teacher, was more so, but less respectful; one or two young men were tentatively familiar until they looked in her gray eyes and remembered the broad shoulders of the painter. Oddly enough, only Mademoiselle Fifine, of her own landing, exhibited any sympathy with her, and for the first time Helen was frightened. She did not show it, however, only she changed her lodgings the next day. But before she left she had a few moments' conversation with the concierge and an exchange of a word or two with some of her fellow lodgers. I have already hinted that the young lady had great precision of statement; she had a pretty turn for handling colloquial French and an incisive knowledge of French character. She left No. 34, Rue de Frivole, working itself into a white rage, but utterly undecided as to her real character.

But all this and much more was presently blown away in the hot breath that swept the boulevards at the outburst of the Franco-German War, and Miss Helen Maynard disappeared from Paris with many of her fellow countrymen. The excitement reached even a quaint old chateau in Brittany where Major Ostrander was painting. The woman who was standing by his side as he sat before his easel on the broad terrace observed that he looked disturbed.

“What matters?” she said gently. “You have progressed so well in your work that you can finish it elsewhere. I have no great desire to stay in France with a frontier garrisoned by troops while I have a villa in Switzerland where you could still be my guest. Paris can teach you nothing more, my friend; you have only to create now—and be famous.”

“I must go to Paris,” he said quietly. “I have friends—countrymen—there, who may want me now.”

“If you mean the young singer of the Rue de Frivole, you have compromised her already. You can do her no good.”

“Madame!”

The pretty face which he had been familiar with for the past six weeks somehow seemed to change its character. Under the mask of dazzling skin he fancied he saw the high cheek-bones and square Tartar angle; the brilliant eyes were even brighter than before, but they showed more of the white than he had ever seen in them.

Nevertheless she smiled, with an equally stony revelation of her white teeth, yet said, still gently, “Forgive me if I thought our friendship justified me in being frank,—perhaps too frank for my own good.”

She stopped as if half expecting an interruption; but as he remained looking wonderingly at her, she bit her lip, and went on: “You have a great career before you. Those who help you must do so without entangling you; a chain of roses may be as impeding as lead. Until you are independent, you—who may in time compass everything yourself—will need to be helped. You know,” she added with a smile, “you have but one arm.”

“In your kindness and appreciation you have made me forget it,” he stammered. Yet he had a swift vision of the little bench at Versailles where he had NOT forgotten it, and as he glanced around the empty terrace where they stood he was struck with a fateful resemblance to it.

“And I should not remind you now of it,” she went on, “except to say that money can always take its place. As in the fairy story, the prince must have a new arm made of gold.” She stopped, and then suddenly coming closer to him said, hurriedly and almost fiercely, “Can you not see that I am advising you against my interests,—against myself? Go, then, to Paris, and go quickly, before I change my mind. Only if you do not find your friends there, remember you have always ONE here.” Before he could reply, or even understand that white face, she was gone.

He left for Paris that afternoon. He went directly to the Rue de Frivole; his old resolution to avoid Helen was blown to the winds in the prospect of losing her utterly. But the concierge only knew that mademoiselle had left a day or two after monsieur had accompanied her home. And, pointedly, there was another gentleman who had inquired eagerly—and bountifully as far as money went—for any trace of the young lady. It was a Russe. The concierge smiled to himself at Ostrander's flushed cheek. It served this one-armed, conceited American poseur right. Mademoiselle was wiser in this SECOND affair.

Ostrander did not finish his picture. The princess sent him a cheque, which he coldly returned. Nevertheless he had acquired through his Russian patronage a local fame which stood him well with the picture dealers,—in spite of the excitement of the war. But his heart was no longer in his work; a fever of unrest seized him, which at another time might have wasted itself in mere dissipation. Some of his fellow artists had already gone into the army. After the first great reverses he offered his one arm and his military experience to that Paris which had given him a home. The old fighting instinct returned to him with a certain desperation he had never known before. In the sorties from Paris the one-armed American became famous, until a few days before the capitulation, when he was struck down by a bullet through the lung, and left in a temporary hospital. Here in the whirl and terror of Commune days he was forgotten, and when Paris revived under the republic he had disappeared as completely as his compatriot Helen.

But Miss Helen Maynard had been only obscured and not extinguished. At the first outbreak of hostilities a few Americans had still kept giddy state among the ruins of the tottering empire. A day or two after she left the Rue de Frivole she was invited by one of her wealthy former schoolmates to assist with her voice and talent at one of their extravagant entertainments. “You will understand, dear,” said Miss de Laine, with ingenious delicacy, as she eyed her old comrade's well-worn dress, “that Poppa expects to pay you professional prices, and it may be an opening for you among our other friends.”

“I should not come otherwise, dear,” said Miss Helen with equal frankness. But she played and sang very charmingly to the fashionable assembly in the Champs Elysees,—so charmingly, indeed, that Miss de Laine patronizingly expatiated upon her worth and her better days in confidence to some of the guests.

“A most deserving creature,” said Miss de Laine to the dowager duchess of Soho, who was passing through Paris on her way to England; “you would hardly believe that Poppa knew her father when he was one of the richest men in South Carolina.”

“Your father seems to have been very fortunate,” said the duchess quietly, “and so are YOU. Introduce me.”

This not being exactly the reply that Miss de Laine expected, she momentarily hesitated: but the duchess profited by it to walk over to the piano and introduce herself. When she rose to go she invited Helen to luncheon with her the next day. “Come early, my dear, and we'll have a long talk.” Helen pointed out hesitatingly that she was practically a guest of the de Laines. “Ah, well, that's true, my dear; then you may bring one of them with you.”

Helen went to the luncheon, but was unaccompanied. She had a long talk with the dowager. “I am not rich, my dear, like your friends, and cannot afford to pay ten napoleons for a song. Like you I have seen 'better days.' But this is no place for you, child, and if you can bear with an old woman's company for a while I think I can find you something to do.” That evening Helen left for England with the duchess, a piece of “ingratitude, indelicacy, and shameless snobbery,” which Miss de Laine was never weary of dilating upon. “And to think I introduced her, though she was a professional!”

It was three years after. Paris, reviving under the republic, had forgotten Helen and the American colony; and the American colony, emigrating to more congenial courts, had forgotten Paris.

It was a bleak day of English summer when Helen, standing by the window of the breakfast-room at Hamley Court, and looking over the wonderful lawn, kept perennially green by humid English skies, heard the practical, masculine voice of the duchess in her ear at the same moment that she felt the gentle womanly touch of her hand on her shoulder.

“We are going to luncheon at Moreland Hall to-day, my dear.”

“Why, we were there only last week!” said Helen.

“Undoubtedly,” returned the duchess dryly, “and we may luncheon there next week and the next following. And,” she added, looking into her companion's gray eyes, “it rests with YOU to stay there if you choose.”

Helen stared at her protector.

“My dear,” continued the duchess, slipping her arm around Helen's waist, “Sir James has honored ME—as became my relations to YOU—with his confidences. As you haven't given me YOURS I suppose you have none, and that I am telling you news when I say that Sir James wishes to marry you.”

The unmistakable astonishment in the girl's eye satisfied the duchess even before her voice.

“But he scarcely knows me or anything of me!” said the young girl quickly.

“On the contrary, my dear, he knows EVERYTHING about you. I have been particular in telling him all I know—and some things even YOU don't know and couldn't tell him. For instance, that you are a very nice person. Come, my dear, don't look so stupefied, or I shall really think there's something in it that I don't know. It's not a laughing nor a crying matter yet—at present it's only luncheon again with a civil man who has three daughters and a place in the county. Don't make the mistake, however, of refusing him before he offers—whatever you do afterwards.”

“But”—stammered Helen.

“But—you are going to say that you don't love him and have never thought of him as a husband,” interrupted the duchess; “I read it in your face,—and it's a very proper thing to say.”

“It is so unexpected,” urged Helen.

“Everything is unexpected from a man in these matters,” said the duchess. “We women are the only ones that are prepared.”

“But,” persisted Helen, “if I don't want to marry at all?”

“I should say, then, that it is a sign that you ought; if you were eager, my dear, I should certainly dissuade you.” She paused, and then drawing Helen closer to her, said, with a certain masculine tenderness, “As long as I live, dear, you know that you have a home here. But I am an old woman living on the smallest of settlements. Death is as inevitable to me as marriage should be to you.”

Nevertheless, they did not renew the conversation, and later received the greetings of their host at Moreland Hall with a simplicity and frankness that were, however, perfectly natural and unaffected in both women. Sir James,—a tall, well-preserved man of middle age, with the unmistakable bearing of long years of recognized and unchallenged position,—however, exhibited on this occasion that slight consciousness of weakness and susceptibility to ridicule which is apt to indicate the invasion of the tender passion in the heart of the average Briton. His duty as host towards the elder woman of superior rank, however, covered his embarrassment, and for a moment left Helen quite undisturbed to gaze again upon the treasures of the long drawing-room of Moreland Hall with which she was already familiar. There were the half-dozen old masters, whose respectability had been as recognized through centuries as their owner's ancestors; there were the ancestors themselves,—wigged, ruffled, and white-handed, by Vandyke, Lely, Romney, and Gainsborough; there were the uniform, expressionless ancestresses in stiff brocade or short-waisted, clinging draperies, but all possessing that brilliant coloring which the gray skies outside lacked, and which seemed to have departed from the dresses of their descendants. The American girl had sometimes speculated upon what might have been the appearance of the lime-tree walk, dotted with these gayly plumaged folk, and wondered if the tyranny of environment had at last subdued their brilliant colors. And a new feeling touched her. Like most of her countrywomen, she was strongly affected by the furniture of life; the thought that all that she saw there MIGHT BE HERS; that she might yet stand in succession to these strange courtiers and stranger shepherdesses, and, like them, look down from the canvas upon the intruding foreigner, thrilled her for a moment with a half-proud, half-passive sense of yielding to what seemed to be her fate. A narrow-eyed, stiff-haired Dutch maid of honor before whom she was standing gazed at her with staring vacancy. Suddenly she started. Before the portrait upon a fanciful easel stood a small elaborately framed sketch in oils. It was evidently some recently imported treasure. She had not seen it before. As she moved quickly forward, she recognized at a glance that it was Ostrander's sketch from the Paris grenier.

The wall, the room, the park beyond, even the gray sky, seemed to fade away before her. She was standing once more at her attic window looking across the roofs and chimney stacks upward to the blue sky of Paris. Through a gap in the roofs she could see the chestnut-trees trilling in the little square; she could hear the swallows twittering in the leaden troughs of the gutter before her; the call of the chocolate vender or the cry of a gamin floated up to her from the street below, or the latest song of the cafe chantant was whistled by the blue-bloused workman on the scaffolding hard by. The breath of Paris, of youth, of blended work and play, of ambition, of joyous freedom, again filled her and mingled with the scent of the mignonette that used to stand on the old window-ledge.

“I am glad you like it. I have only just put it up.”

It was the voice of Sir James—a voice that had regained a little of its naturalness—a calm, even lazy English voice—confident from the experience of years of respectful listeners. Yet it somehow jarred upon her nerves with its complacency and its utter incongruousness to her feelings. Nevertheless, the impulse to know more about the sketch was the stronger.

“Do you mean you have just bought it?” asked Helen. “It's not English?”

“No,” said Sir James, gratified with his companion's interest. “I bought it in Paris just after the Commune.”

“From the artist?” continued Helen, in a slightly constrained voice.

“No,” said Sir James, “although I knew the poor chap well enough. You can easily see that he was once a painter of great promise. I rather think it was stolen from him while he was in hospital by those incendiary wretches. I recognized it, however, and bought for a few francs from them what I would have paid HIM a thousand for.”

“In hospital?” repeated Helen dazedly.

“Yes,” said Sir James. “The fact is it was the ending of the usual Bohemian artist's life. Though in this case the man was a real artist,—and I believe, by the way, was a countryman of yours.”

“In hospital?” again repeated Helen. “Then he was poor?”

“Reckless, I should rather say; he threw himself into the fighting before Paris and was badly wounded. But it was all the result of the usual love affair—the girl, they say, ran off with the usual richer man. At all events, it ruined him for painting; he never did anything worth having afterwards.”

“And now?” said Helen in the same unmoved voice.

Sir James shrugged his shoulders. “He disappeared. Probably he'll turn up some day on the London pavement—with chalks. That sketch, by the way, was one that had always attracted me to his studio—though he never would part with it. I rather fancy, don't you know, that the girl had something to do with it. It's a wonderfully realistic sketch, don't you see; and I shouldn't wonder if it was the girl herself who lived behind one of those queer little windows in the roof there.”

“She did live there,” said Helen in a low voice.

Sir James uttered a vague laugh. Helen looked around her. The duchess had quietly and unostentatiously passed into the library, and in full view, though out of hearing, was examining, with her glass to her eye, some books upon the shelves.

“I mean,” said Helen, in a perfectly clear voice, “that the young girl did NOT run away from the painter, and that he had neither the right nor the cause to believe her faithless or attribute his misfortunes to her.” She hesitated, not from any sense of her indiscretion, but to recover from a momentary doubt if the girl were really her own self—but only for a moment.

“Then you knew the painter, as I did?” he said in astonishment.

“Not as YOU did,” responded Helen. She drew nearer the picture, and, pointing a slim finger to the canvas, said:—

“Do you see that small window with the mignonette?”

“Perfectly.”

“That was MY room. His was opposite. He told me so when I first saw the sketch. I am the girl you speak of, for he knew no other, and I believe him to have been a truthful, honorable man.”

“But what were you doing there? Surely you are joking?” said Sir James, with a forced smile.

“I was a poor pupil at the Conservatoire, and lived where I could afford to live.”

“Alone?”

“Alone.”

“And the man was”—

“Major Ostrander was my friend. I even think I have a better right to call him that than you had.”

Sir James coughed slightly and grasped the lapel of his coat. “Of course; I dare say; I had no idea of this, don't you know, when I spoke.” He looked around him as if to evade a scene. “Ah! suppose we ask the duchess to look at the sketch; I don't think she's seen it.” He began to move in the direction of the library.

Back to IndexNext