XIV

XIV

At the Century roof garden they sat back and watched the spectacle critically.

“It hasn’t the verve of a Paris performance,” remarked McCall.

“Verve—you mean nerve,” replied Hamilton. “But the cocktails are there. Anyway, I like this better.”

“That’s because you’re a Puritan. In Paris you were always being shocked by the exhibitions.” McCall winked at Dr. Levin, who was listening with a smile on his face.

“Ah, yes, a Puritan who drinks cocktails. I don’t mind an exhibition of legs, if they’re goodlegs—as these are. But in Paris they went too far. Legs were a mere starter. Whenever a person exhibits a moral impulse, you accuse him of being a Puritan.”

“Exactly,” said McCall. “You don’t expect me to call you a goddam prude in company. A person has to be polite. Puritan is merely a euphuism.”

They argued genially for a while and then appealed to Dr. Levin.

“As usual, you are bothwrong—and both right,” said Levin, lighting a cigarette. “McCall is a poet and a symbolist. In what to you, Hamilton, would be a shocking disregard of the morals, and to me a mere display of the umbilical region, becomes in McCall’s mind a symbol of freedom, of art, of life. But we’ve sat here almost an hour and it’s time to be moving.”

At the Moulin Rouge, dimly lighted, with soft lights and women’s gowns and jewels glowing subduedly, McCall passed into a sentimental mood.

“Want to hear a little poem I wrote? Wrote it to the sweetest little girl in the world, wrote it on the back of an old envelope one day in the hospital.”

McCall was having difficulty with his “l’s.” A woman with seductive arms and eyes leaned over to him from thenext table and smiled, while her escort was fumbling in his pockets for some change.

“She’s the sweetest little girl in the world and I’ll never see heragain—never.”

“What’s the matter? A lover’s quarrel?” asked Levin.

“No.” Morosely.

“Where’d you meet her?” asked Hamilton. “That’s a new one on me. Paris?”

McCall nodded. He sipped a highball, ran his fingers through his hair and began in a low, vibrant voice, his handsome boyish face flushed.

“The agèd pilgrim hastens on the road,Nor stops to pluck the flowers by the wayLest Death o’ertake him ’ere the close of dayAnd find, too late, unreached the soul’s abode.“I, too, a pilgrim, love, with quick foot strodeAlong Life’s highway: Often would I stayTo live a blissful hour, forever. ‘Nay.On, on!’ cries Time, and smites with painful goad.“They say though, that before the soul is fledFrom this frail house, old Time, turned kind, will bring,In outstretched arms, those happy hours long dead—A sheaf of golden moments spent with thee,The tender blossoms of our hopeful springAnd, here and there, a scarlet memory.”

“The agèd pilgrim hastens on the road,Nor stops to pluck the flowers by the wayLest Death o’ertake him ’ere the close of dayAnd find, too late, unreached the soul’s abode.“I, too, a pilgrim, love, with quick foot strodeAlong Life’s highway: Often would I stayTo live a blissful hour, forever. ‘Nay.On, on!’ cries Time, and smites with painful goad.“They say though, that before the soul is fledFrom this frail house, old Time, turned kind, will bring,In outstretched arms, those happy hours long dead—A sheaf of golden moments spent with thee,The tender blossoms of our hopeful springAnd, here and there, a scarlet memory.”

“The agèd pilgrim hastens on the road,

Nor stops to pluck the flowers by the way

Lest Death o’ertake him ’ere the close of day

And find, too late, unreached the soul’s abode.

“I, too, a pilgrim, love, with quick foot strodeAlong Life’s highway: Often would I stayTo live a blissful hour, forever. ‘Nay.On, on!’ cries Time, and smites with painful goad.

“I, too, a pilgrim, love, with quick foot strode

Along Life’s highway: Often would I stay

To live a blissful hour, forever. ‘Nay.

On, on!’ cries Time, and smites with painful goad.

“They say though, that before the soul is fledFrom this frail house, old Time, turned kind, will bring,In outstretched arms, those happy hours long dead—A sheaf of golden moments spent with thee,The tender blossoms of our hopeful springAnd, here and there, a scarlet memory.”

“They say though, that before the soul is fled

From this frail house, old Time, turned kind, will bring,

In outstretched arms, those happy hours long dead—

A sheaf of golden moments spent with thee,

The tender blossoms of our hopeful spring

And, here and there, a scarlet memory.”

McCall’s voice stopped. His long, slender fingers went forward across the table and he sat staring down in front of him. A waiter who had been standing near-by in respectful silence, coughed. The lady at the next table, looking haughtily ahead, swept by with her escort.

“It’s very pretty,” said Hamilton after a moment.

“Yes, I like it,” added Levin. Then with apparent irrelevance, “I suppose you know that Miss Meadows is here, in New York.”

Hamilton betrayed his eagerness in a look.

“No, where is she?”

McCall was still staring at the table.

“She’s staying with a party of Red Cross nurses. Her parents met her in New York, but went back alone. Of course you’ll call on her. I know she’d be glad to see you.”

They walked out of the room together, McCall between them, still absorbed in thought. His mood changed, however, at Reisenweber’s. Opposite them sat a fat man in full-dress, with a chorus girl upon each knee.

He was frankly hugging them and they were as frankly pulling greenbacks out of his pockets and tucking them into their stockings, conveniently rolled.

“Here’s civilization in America at its highest,” said Levin cynically. “The fat man is a manufacturer who has been yelling against the Bolsheviki for destroying the home. He’s a bitter opponent of free love.”

McCall laughed.

“Well, why shouldn’t he be opposed to free love? He has to pay for it, doesn’t he? He looks like a picture byHogarth—a picture in the Rake’s Progress. Only Death ought to be lurking somewhere about.”

“Oh, he is,” said Levin, “although you can’t see him. Life doesn’t reveal its spectres until the right moment. But we’re all too introspective. A cabaret is frankly a place for enjoyment. We ought to dance.”

“I’d rather just look on,” said Hamilton.

“And I’m going to dance,” said McCall. “Watch me!”

He lurched unsteadily past the fat man and his odalisques to a table where two dazzlingblondes—a peroxide and ahenna—sat waiting. The next minute he was fox-trotting with the peroxide blonde. The fat man and the two girls rose and went laughing and swaying out of the door. Another officer sat down with the henna blonde. A couple walked by, the woman’s black eyes beckoning to Hamilton, while her escort was looking the other way. The waiter yawned. Hamilton looked at his watch.

“Wow, it’s after three! We’ll have to catch the fouro’clock to make reveille and then we won’t get any sleep.”

“Do you still have to stand reveille?” asked Levin.

“Oh, I’ve got a couple of shavetails who take turns at standing it with thecompany—and for all I know they may leave it to the top-sergeant. But our major’s a little fussy. Doesn’t know the war’s over, and he might kick.”

“Well, you get McCall, and in the meantime I’ll order a round of coffees. That’ll keep you awake until reveille, and then you can sleep.”

Hamilton found McCall making arrangements with the lady in henna, the other officer and the peroxide blonde to visit a little apartment uptown, but dragged him away. McCall refused to drink his coffee, but finally consented to leave and walked out between them to the taxi.

They drove to the Pennsylvania station and Levin saw them to the gates leading to their track.

“Let’s see, what was that address?” asked Hamilton.

“Miss Meadows? Here it is. Better write it down. Got a pencil? All right. Well, so long. Look me up again. Come to see me when you’re in Chicago. Good-night, McCall.”


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