VTHE SECRET

I sawhim walking down the floor of the A.B.C. shop where I was lunching. He was gazing about for a vacant seat with that vague stare of puzzled distress he always wore when engaged in practical affairs. Then he saw me and nodded. I pointed to the seat opposite; he sat down. There was a crumb in his brown beard, I noticed. There had been one a year ago, when I saw him last.

“What a long time since we met,” I said, genuinely glad to see him. He was a most lovable fellow, though his vagueness was often perplexing to his friends.

“Yes—er—h’mmm—let me see——”

“Just about a year,” I said.

He looked at me with an expression as though he did not see me. He was delving in his mind for dates and proofs. His fierce eyebrows looked exactly as though they were false—stuck on with paste—and I imagined how puzzled he would be if one of them suddenly dropped off into his soup. The eyes beneath, however, were softand beaming; the whole face was tender, kind, gentle, and when he smiled he looked thirty instead of fifty.

“A year, is it?” he remarked, and then turned from me to the girl who was waiting to take his order. This ordering was a terrible affair. I marvelled at the patience of that never-to-be-tipped waitress in the dirty black dress. He looked with confusion from me to her, from her to the complicated bill of fare, and from this last to me again.

“Oh, have a cup of coffee and a bit of that lunch-cake,” I said with desperation. He stared at me for a second, one eyebrow moving, the other still as the grave. I felt an irresistible desire to laugh.

“All right,” he murmured to the girl, “coffee and a bit of that lunch-cake.” She went off wearily. “And a pat of butter,” he whispered after her, but looking at the wrong waitress. “And a portion of that strawberry jam,” he added, looking at another waitress.

Then he turned to talk with me.

“Oh no,” he said, looking over his shoulder at the crowd of girls by the counter; “notthe jam. I forgot I’d ordered that lunch-cake.”

Again he switched round in his chair—he always perched on the edge like a bird—and made a great show of plunging into a long-deferred chat with me. I knew what would come. He was always writing books and sendingthem out among publishers and forgetting where they were at the moment.

“And how areyou?” he asked. I told him.

“Writing anything these days?” I ventured boldly.

The eyebrows danced. “Well, the fact is, I’ve only just finished a book.”

“Sent it anywhere?”

“It’s gone off, yes. Let me see—it’s gone to—er——” The coffee and lunch-cake arrived without the pat of butter, but with two lots of strawberry jam. “I won’t have jam, thank you. And will you bring a pat of butter?” he muttered to the girl. Then, turning to me again—“Oh, I really forget for the moment. It’s a good story, I think.” His novels were, as a fact, extraordinarily good, which was the strange part of it all.

“It’s about a woman, you see, who——” He proceeded to tell me the story in outline. Once he got beyond the confused openings of talk the man became interesting, but it took so long, and was so difficult to follow, that I remembered former experiences and cut him short with a lucky inspiration.

“Don’t spoil it for me by telling it. I shan’t enjoy it when it comes out.”

He laughed, and both eyebrows dropped and hid his eyes. He busied himself with the cake and butter. A second crumb went to join the first. I thought of balls in golf bunkers, andlaughed outright. For a time the conversation flagged. I became aware of a certain air of mystery about him. He was full of something besides the novel—something he wanted to talk about but had probably forgotten “for the moment.” I got the impression he was casting about in the upper confusion of his mind for the cue.

“You’re writing something else now?” I ventured.

The question hit the bull’s-eye. Both eyebrows shot up, as though they would vanish next minute on wires and fly up into the wings. The cake in his hand would follow; and last of all he himself would go. The children’s pantomime came vividly before me. Surely he was a made-up figure on his way to rehearsal.

“I am,” he said; “but it’s agreatsecret. I’ve got amagnificentidea!”

“I promise not to tell. I’m safe as the grave. Tell me.”

He fixed his kindly, beaming eyes on my face and smiled charmingly.

“It’s a play,” he murmured, and then paused for effect, hunting about on his plate for cake, where cake there was none.

“Another piece of that lunch-cake, please,” he said in a sudden loud voice, addressed to the waitresses at large. “It came to me the other day in the London Library—er—very fine idea——”

“Something really original?”

“Well, I think so, perhaps.” The cake came with a clatter of plates, but he pushed it aside as though he had forgotten about it, and leaned forward across the table. “I’ll tell you. Of course you won’t say anything. I don’t want the idea to get about. There’s money in a good play—and people do steal so, don’t they?”

I made a gesture, as much as to say, “Do I look like a man who would repeat?” and he plunged into it with enthusiasm.

Oh! The story of that play! And those dancing eyebrows! And the bits of the plot he forgot and went back for! And the awful, wild confusion of names and scenes and curtains! And the way his voice rose and fell like a sound carried to and fro by a gusty wind! And the feeling that something was coming which would make it all clear—but which never came!

“The woman, you see,”—all his stories began that way,—“is one of those modern women who ... and when she dies she tells on her death-bed how she knew all the time that Anna——”

“That’s the heroine, I think?” I asked keenly, after ten minutes’ exposition, hoping to Heaven my guess was right.

“No, no, she’s the widow, don’t you remember, of the clergyman who went over to the Church of Rome to avoid marrying her sister—in the first act—or didn’t I mention that?”

“You mentioned it, I think, but the explanation——”

“Oh, well, you see, the Anglican clergyman—he’s Anglican in the first act—always suspected that Miriam had not died by her own hand, but had been poisoned. In fact, he finds the incriminating letter in the gas-pipe, and recognises the handwriting——”

“Oh,hefinds the letter?”

“Rather.Hefinds the letter, don’t you see? and compares it with the others, and makes up his mind who wrote it, and goes straight to Colonel Middleton with his discovery.”

“So Middleton, of course, refuses to believe——”

“Refuses to believe that the second wife—oh, I forgot to mention that the clergyman had married again in his own Church; married a woman who turns out to be Anna’s—no, I mean Miriam’s—half-sister, who had been educated abroad in a convent,—refuses to believe, you see, thathiswife had anything to do with it. Then Middleton has a splendid scene. He and the clergyman have the stage to themselves. Wyndham’s the man for Middleton, of course. Well, he declares that he has the proof—proof that must convince everybody, and just as he waves it in the air in comes Miriam, who is walking in her sleep, from her sick-bed. They listen. She is talking in her sleep. By Jove, man, don’t you see it? She is talking about the crime!She practically confesses it before their very eyes.”

“Splendid!”

“And she never wakes up—I mean, not in that scene. She goes back to bed and has no idea next day what she has said and done.”

“And the clergyman’s honour is saved?” I hazarded, amazed at my rashness.

“No.Annais saved. You see, I forgot to tell you that in the second act Miriam’s brother, Sir John, had——”

The waitress brought the little paper checks.

“Let’s go outside and finish. It’s getting frightfully stuffy here,” I suggested desperately, picking up the bills.

We walked out together, he still talking against time with the most terrible confusion of names and acts and scenes imaginable. He bumped into everybody who came in his way. His beard was full of crumbs. His eyebrows danced with excitement—I knew then positively they were false—and his voice ran up and down the scale like a buzz-saw at work on a tough board.

“By Jove, old man, thatisa play!”

He turned to me with absolute happiness in his face.

“But for Heaven’s sake, don’t let out a word of it. I must have a copyright performance first before it’s really safe.”

“Not a word, I promise.”

“It’s a dead secret—till I’ve finished it, I mean—then I’ll come and tell you thedénouement. The last curtain is simply magnificent. You see, Middleton never hears——”

“I won’t tell a living soul,” I cried, running to catch a bus. “It’s a secret—yours and mine!”

And the omnibus carried me away Westwards.

Meanwhile the play remains to this day a “dead secret,” known only to the man who thinks he told it, and to the other man who knows he heard it told.

Theother day I came across my vague friend again. Last time it was in an A.B.C. shop; this time it was in a bus. We always meet in humble places.

He was vaguer than ever, fuddled and distrait; but delightfully engaging. He had evidently not yet lunched, for he wore no crumb; but I had a shrewd suspicion that beneath his green Alpine hat there lurked a straw or two in his untidy hair. It would hardly have surprised me to see him turn with his childlike smile and say, “Would you mindvery muchtaking them out for me? You know theydotickle so!”—half mumbled, half shouted.

Instead, he tried to shake hands, and his black eyebrows danced. He looked as loosely put together as a careless parcel. I imagined large bits of him tumbling out.

“You’re off somewhere or other, I suppose?” he said; and the question was so characteristic it was impossible not to laugh.

I mentioned the City.

“I’m going that way too,” he said cheerfully. He had come to the conclusion that he could not shake hands with safety; there were too many odds and ends about him—gloves, newspapers, half-open umbrella, parcels. Evidently he had left the house uncertain as to where he was going, and had brought all these things in case, like the White Knight, he might find a use for them on the way. His overcoat was wrongly buttoned, too, so that on one side the collar reached almost to his ear. From the pockets protruded large envelopes, white and blue. I marvelled again how he ever concentrated his mind enough to write plays and novels; for in both the action was quick and dramatic; the dialogue crisp, forcible, often witty.

“Going to the City!” I exclaimed. “You?” Museums, libraries, second-hand book-shops were his usual haunts—places where he could be vague and absent-minded without danger to anyone. I felt genuinely curious. “Copy of some kind? Local colour for something, eh?” I laughed, hoping to draw him out.

A considerable pause followed, during which he rearranged several of his parcels, and his eyebrows shot up and down like two black-beetles dancing a hornpipe.

“I’m helping a chap with his lease,” he replied suddenly, in such a very loud voice that everybody in the bus heard and became interested.

He had this way of alternately mumbling andtalking very loud—absurdly loud; picking out unimportant words with terrific emphasis. He also had this way of helping others. Indeed, it was difficult to meet him without suspecting an errand of kindness—rarely mentioned, however.

“Chap with his lease,” he repeated in a kind of roar, as though he feared someone had not heard him—the driver, possibly!

We were in a white Putney bus, going East. The policeman just then held it up at Wellington Street.

“It’s jolly stopping like this,” he cried; “one can chat a bit without having to shout.”

My curiosity about the lease, or rather about his part in it, prevented an immediate reply. How he could possibly help in such a complicated matter puzzled me exceedingly.

“Horrible things, leases!” I said at length. “Confusing, I mean, with their endless repetitions and absence of commas. Legal language seems so needlessly——”

“Oh, but this one is right enough,” he interrupted. “You see, my pal hasn’t signed it yet. He’s in rather a muddle about it, to tell the truth, and I’m going to get it straightened out by my solicitor.”

The bus started on with a lurch, and he rolled against me.

“It’s a three-year lease,” he roared, “with an option to renew, you know—oh no, I’m wrong there, by the bye,” and he tapped my knee anddropped a glove, and, when it was picked up and handed to him, tried to stuff it up his sleeve as though it was a handkerchief—“I’m wrong there—that’s the house he’s in at present, and his wife wants to breakthatlease because she doesn’t like it, and they’ve got more children than they expected (these words whispered), and there’s no bathroom, and the kitchen stairs are absurdly narrow——”

“But the lease—you were just saying——?”

“Quite so; I was,” and both eyebrows dropped so that the eyes were almost completely hidden, “butthatleaseisall right. It’s the other one I was talking about just then——”

“The house he’s in now, you mean, or——?” My head already swam. The attention of the people opposite had begun to wander.

My friend pulled himself together and clutched several parcels.

“No, no, no,” he explained, smiling gently; “he likesthisone. It’s the other I meant—the one his wife doesn’t approve of—the one with the narrow bathroom stairs and no kitchen—I mean the narrow kitchen stairs and no bathroom. It has so few cupboards, too, and the nursery chimneys smoke every time the wind’s in the east. (Poor man! How devotedly he must have listened while it was being drummed into his good-natured ears!) So you see, Henry, my pal, thought of giving it up when the lease fell in and taking this other house—the one I wasjust talking about—and putting in a bathroom at his own expense, provided the landlord——”

A man opposite who had been listening intently got up to leave the bus with such a disappointed look that my friend thought it was the conductor asking for another fare, and fumbled for coppers. Seeing his mistake in time, he drew out instead a large blue envelope. Two other papers, feeling neglected, came out at the same time and dropped upon the floor. My friend and a working-man beside him stooped to pick them up and knocked their heads violently in the process.

“Ibegyour pardon,” exclaimed the vague one, very loud, with a tremendous emphasis on the “beg.”

“Oh, that’s all right, guv’nor,” said the working-man, handing over the papers. “Might ’appen to anybody, that!”

“I beg your pardon?” repeated my friend, not hearing him quite.

“I said a thing like that might ’appen to anyone,” repeated the other, louder.

He turned to me with his happy smile. “I suppose it might, yes,” he said, very low. Then he opened the blue envelope and began to hunt.

“Oh no, that’s the wrong envelope. It’s the other,” he observed vaguely. “What a bore, isn’t it? This is merely a copy of his letters to—er—to——”

He looked distressingly about him through the windows, as though he hoped to find his words in the shop-letterings or among the advertisements.

“Where are we, I wonder? Oh yes; there’s St. Paul’s. Good!” His mind returned to the subject in hand. Several people got out, and swept the papers from his knee to the ground; and the next few minutes he spent gathering them up, stooping, clutching his coat, stuffing envelopes into his pockets, and exclaiming “Ibegyour pardon!” to the various folk he collided with in the process.

At last some sort of order was restored.

“——merely the letters,” he resumed where he had left off, and in a voice that might suitably have addressed a public meeting, “the letters to his tenant. There’s a tenant in the other house. I forgot to mentionthat, I think——”

“I think you did. But, I say, look here, my dear chap,” I burst out, at length, in sheer self-preservation, “why in the world don’t you let the fellow manage his own leases? It’s giving you a dreadful lot of trouble. It’s the most muddled-up thing I ever heard.”

“That’s because you’ve got no head for business,” he whispered sweetly. “Besides, it’s really a pleasure to me to help him. That’s the best part of life, after all—helping people who get into muddles.” He looked at me with his kindly smile. Then he turned and smiled ateverybody in the bus—vaguely, happily, his black eyebrows very fierce. Several people, I fancied, smiled back at him.

“Let’s see,” he said, after a pause; “where was I?”

“You were saying something about a lease,” I told him; “but, honestly, old man, I’m afraid I haven’t quite followed it.”

“That’s my fault,” he said; “all my fault. I feel a bit stupid to-day. I’ve got the ’flue, you know, and a touch of fever with it. But I promised Henry I would see to it for him, because he’s awfully busy——”

“Is he really!” I wished I knew Henry. I felt a strong desire to say something to him.

“——packing up for a trip to Mexico, you know, or something; so, of course, he finds it difficult to—er—to——” He looked gently about him. “Where the deuce am I?” he asked in a very loud voice indeed.

Several people, myself among them, mentioned the Mansion House.

“Dear me!” he exclaimed, gathering up parcels, envelopes, and various loose parts of his body—his aching body, “I’m afraid—I must be getting out. I’m in the wrong bus. I wanted Essex Street—up there by the Law Courts, you know.”

But I really couldn’t stand it any longer. I took him by the arm and planted him, parcels, papers, and all, by my side in a taxi. Wewhizzed back along Queen Victoria Street, and on the way I sorted him out, buttoned his overcoat so that it no longer tickled his ear, rolled up his umbrella so that the points no longer got caught, and made him put on both gloves, so that he could not drop them any more. And I kept tight hold of him until we reached Essex Street. He talked leases the whole way.

“Thanks awfully,” he said at the end, smiling; “you’re always kind—if a little rough. But I’ll keep on the taxi, I think, now. The fact is, I find I’ve left the right lease at home after all—you know, the one about the house without the——”

I heard the rest, alternately mumbled and shouted at me, as the taxi whirred off into the Strand, bound for some unknown destination in Chelsea. It was impossible to help him more. But I should like to have heard what he said to (a) the chauffeur at the end of his journey, (b) to the solicitor. I should also like to swear that when he got back to his rooms he found the right lease had been in his pocket all the time.

I met him again the following day, but I had not the courage to ask him anything.

Hisvagueness, apparently, is only on the surface of his mind; down at the centre the pulses of life throb with unusual vigour and decision. And I think the explanation of his puzzled expression and dazed manner—to say nothing of his idiotic replies—when addressed upon ordinary topics is due to the fact that he prefers to live in that hot and very active centre. He dislikes being called out of it.

Down there his creative imagination is for ever at work: he sees clearly, thinks hard, acts even splendidly. But the moment you speak to him about trivial things the mists gather about his eyes, his voice hesitates, his hands make futile gestures, and he screws up his face into an expression of puzzled alarm. Up he comes to the best of his ability, but it is clear he is vexed at being disturbed.

“Oh yes, I think so—very,” he replied the other day as we met on our way to the Club and I asked if he had enjoyed his holiday.

“Awful amount of rain, though, wasn’t there?”

“Was there, now? Yes, there must have been, of course. Itwasa wet summer.”

He looked at me as though I were a comparative stranger, although our intimacy is of years’ standing, and our talks on life, literature, and all the rest are a chief pleasure to each of us. We had not met for some months. I wanted to pierce through to that hot centre where the real man lived, and to find out what the real man had been doing during the interval. He came up but slowly, however.

“You went to the mountains as usual, I suppose?” he asked, with his mind obviously elsewhere. He hopped along the pavement with his quick, bird-like motion.

“Mountains, yes. And you?”

He made no reply. From his face I could tell he had come about half-way up, but was already on the way down again. Once he got back to that centre of his I should get nothing out of him at all.

“And you?” I repeated louder. “Abroad, I suppose, somewhere?”

“Well—er—not exactly,” he mumbled. “That is to say—I—er—went to Switzerland somewhere—Austria, I mean—down there on the way towards Italybeyond Bozen, you know.” He ended the sentence very loud indeed, with quite absurd emphasis, as his way is when heknows he hasn’t been listening. “I found a quiet inn out of the tourist track and did a rare lot of work there too.” His face cleared and the brown eyes began to glow a little. It was like seeing the sun through opening mists. “Come in, and I’ll tell you about it,” he added, in an eager whisper, as we reached the Club doors.

At the same moment, however, the porter came down the steps and touched his hat, and my vague friend, recognising a face he felt he ought to know, stopped to ask him how he was, and whether So-and-so was back yet; and while the porter replied briefly and respectfully I saw to my dismay the mists settle down again upon the other’s face. A moment later the porter touched his hat again and moved off down the street. My friend looked round at me as though I had but just arrived upon the scene.

“Here we are,” he observed gently, “at the Club. I think I shall go in. What are you going to do?”

“I’m coming in too,” I said.

“Good,” he murmured; “let’s go in together, then,” his thoughts working away busily at something deep within him.

On our way to the hat-racks, and all up the winding stairs, he mumbled away about the wet summer, and tourists, and his little mountain inn, but never a word of the work I was so anxious to hear about, and he so anxious really to tell. In the reading-room I manœuvredto get two arm-chairs side by side before he could seize the heap of papers he smothered his lap with, but never read.

“And where haveyoubeen all the summer?” he asked, crossing his little legs and speaking in a voice loud enough to have been heard in the street. “Somewhere in the mountains, I suppose, as usual?”

“You were going to tell me about the work you got through up in your lonely inn,” I insisted sharply. “Was it a play, or a novel, or criticism, or what?” He looked so small and lost in the big arm-chair that I felt quite ashamed of myself for speaking so violently. He turned round on the slippery leather and offered me a cigarette. The glow came back to his face.

“Well,” he said, “as a matter of fact it was both. That is, I was preparing a stage version of my new novel.” All the mist had gone now; he was alive at the centre, and thoroughly awake. He snapped his case to and put it away before I had taken my cigarette. But, of course, he did not notice that, and held out a lighted match to my lips as though there was something there to light.

“No, thanks,” I said quickly, fearful that if I asked again for the cigarette the mists would instantly gather once more and the real man disappear.

“Won’t youreally, though?” he said, blowingthe match out and forgetting to light his own cigarette at the same time. “I did the whole scenario, and most of the first act. There was nothing else to do. It rained all the time, and the place was quiet as the grave——”

A waiter brought him several letters on a tray. He took them automatically. The face clouded a bit.

“What’ll you have?” he asked absent-mindedly, acting automatically upon the presence of the waiter.

“Nothing, thanks.”

“Nor will I, then. Oh yes, I will, though—I’ll have some dry ginger ale. Here, waiter! Bring me a small dry ginger ale.”

The waiter, with the force of habit, bent his head questioningly for my order too.

“Yousaid——?” asked my exasperating friend. He was right down in the mists now, and I knew I should never get him up again this side of lunch.

“I said nothing, thanks.”

“Nothing, then, for this gentleman,” he continued, gazing up at the waiter as though he were some monster seen for the first time, “and for me—a dry ginger ale, please.”

“Yes, sir,” said the man, moving off.

“Small,” the other called after him.

“Yessir—small.”

“And a slice of lemon in it.”

The waiter inclined his head respectfully fromthe door. The other turned to me, searching in his perturbed mind—I could tell it by the way his eyes worked—for the trail of his vanished conversation. Before he got it, however, he slithered round again on the leather seat towards the door.

“A bit of ice too, don’t forget!”

The waiter’s head peeped round the corner, and from the movement of his lips I gathered he repeated the remark about the bit of ice.

“Ididsay ‘dry’?” my friend asked, looking anxiously at me; “didn’t I?”

“You did.”

“And a bit of lemon?”

“And a slice of lemon.”

“And what areyougoing to have, then? Upon my word, old man, I forgot to ask you.” He looked so distressed that it was impossible to show impatience.

“Nothing, thanks. You asked me, you know.”

A pause fell between us. I gave it up. He would talk when he wanted to, but there was no forcing him. It struck me suddenly that he had a rather fagged and weary look for a man who had been spending several weeks at a mountain inn with work he loved. The pity and affection his presence always wakes in me ran a neck-and-neck race. At that “centre” of his, I knew full well, he was ever devising plans for the helping of others, quite as much as creating thoseremarkable things that issued periodically, illunderstood by a sensation-loving public, from the press. A sharp telepathic suspicion flashed through my mind, but before there was time to give it expression in words, up came the waiter with a long glass of ginger ale fizzing on a tray.

He handed it to my vague friend, and my vague friend took it and handed it to me.

“But it’s yours, my dear chap,” I suggested.

He looked puzzled for a second, and then his face cleared. “I forget whatyouordered,” he observed softly, looking interrogatively at the waiter and at me. We informed him simultaneously, “Nothing,” and the waiter respectfully mentioned the price of the drink. My friend’s left hand plunged into his trousers pocket, while his right carried the glass to his lips. Perhaps his left hand did not know what his right was about, or perhaps his mind was too far away to direct the motions of either with safety. Anyhow, the result was deplorable. He swallowed an uncomfortable gulp of air-bubbles and ginger—and choked—over me, over the waiter and tray, over his beard and clothes. The floating lump of ice bobbed up and hit his nose. I never saw a man look so surprised and distressed in my life. I took the glass from him, and when his left hand finally emerged with money he handed it first vaguely to me as though I were the waiter—for which there was no real excuse, since we were not in evening dress.

When, at length, order was restored and he was sipping quietly at the remains of the fizzing liquid, he looked up at me over the brim of his glass and remarked, with more concentration on the actual present than he had yet shown:

“By the way, you know, I’m going away to-morrow—going abroad for my holiday. Taking a lot of work with me, too——”

“But you’ve only just come back!” I expostulated, with a feeling very like anger in my heart.

He shook his head with decision. Evidently that choking had choked him into the living present. He was really “up” this time, and not likely to go down again.

“No, no,” he replied; “I’ve been here all the summer in town looking after old Podger——”

“Old Podger!” I remembered a dirty, down-at-heel old man I once met at my friend’s rooms—a poet who had “smothered his splendid talent” in drink, and who was always at starvation’s door. “What in the world was the matter with Podger?”

“D.T. I’ve been nursing him through it. The poor devil nearly went under this time. I’ve got him into a home down in the country at last, but all August he was—well, we thought he was gone.”

All August!So that was how my friend’s summer had been spent. With never a word of thanks probably at that!

“But your mountain inn beyond Bozen! You said——”

“Did I? I must be wool-gathering,” he laughed, with that beautifully tender smile that comes sometimes to his delicate, dreamy face. “That waslastyear. I spent my holidays last year up there. How stupid of me to get so absurdly muddled!” He plunged his nose into the empty glass, waiting for the last drop to trickle out, with his neck at an angle that betrayed the collar to be undone and the tie sadly frayed at the edges.

“But—all the work you said you did up there—the scenario and the first act and—and——”

He turned upon me with such sudden energy that I fairly jumped. Then, in a voice that mumbled the first half of his sentence, but shouted the end like a German officer giving instructions involving life or death, I heard:

“But, my dear good fellow, you don’t half listen to what I say! All that work, as I told you just now, is what I expect and mean to do when I get up there.Now—have you got it clear at last?”

He looked me up and down with great energy. By biting the inner side of my lip I kept my face grave. Later we went down to lunch together, and I heard details of the weeks of unselfish devotion he had lavished upon “old Podger.” I would give a great deal to possess some of the driving power for good that throbs and thrillsat the real centre of my old friend with the vague manner and the absent-minded surface. But he is a singular contradiction, and almost always misunderstood. I should like to know, too, what Podger thinks.

A letterfrom my vague friend was always a source of difficulty: it allowed of so many interpretations—contradictory often. But this one was comparatively plain sailing:—

“You said you were going abroad about this time. So am I. Let’s go as far as Paris together. Send me a line to above address at once. Thursday or Friday would suit me.—Yours,X. Y. Z.“P.S.—I enclose P.O. for that 10s. I owe you.”

“You said you were going abroad about this time. So am I. Let’s go as far as Paris together. Send me a line to above address at once. Thursday or Friday would suit me.—Yours,

X. Y. Z.

“P.S.—I enclose P.O. for that 10s. I owe you.”

I received this letter on a Wednesday morning.

It was written from the Club, but the Club address was carefully scored out and no other given.

The “P.O.” was not enclosed.

In spite of these obstacles, however, we somehow met and arranged to start on Saturday; and the night before we dined together in that excellent little Soho restaurant—“there’s nothing,” my friend always said, “between its cooking and the Ritz, except prices”—and discussed our prospects, he going to finish a book at a Barbizon inn, I to inspect certain machinery in various Continental dairies.

His heart, it was plain, however, was neither in the cooking nor the book, nor in my wonderful machinery. Like a boy with a secret, he was mysterious about something hitherto unshared. Happy, too, for he kept smiling at nothing.

“The fact is,” he observed at last over coffee, “I’m really a vile, simply a vile sailor.”

“I remember,” I said, for we had once been companions on the same yacht.

“And you,” he added, holding the black eyebrows steady, “you—are another.” When dealing with simple truths he was often brutally frank.

“What’s the good of talking about it?”

“This,” he replied, paying the bill and giving me the amount of the “P.O.,” “I’ll show you.”

He conducted me into a little box of a place bearing the legend outside “Foreign Chemist,” and proceeded first to buy the most curious assortment of strange medicines I ever heard of. Weird indeed must have been his ailments. I had no time for reflection, however, on the point, for suddenly turning to me by way of introduction, and allowing the eyebrow next the chemist to dance and bristle so as to attract hisattention, he mumbled, “This is my seasick friend. We’re off to-morrow. If you’ve got the stuff ready we might take it now.” And, before I had time to ask or argue, he had pocketed a little package and we were in the street again.

Never had I known him so brisk and practical. “It’s a new seasick cure,” he explained darkly as we went home; “something quite new—just invented, in fact; and that chap’s asking a few of his special customers to try it and give their honest opinions. So I told him we were pretty bad—vile, in fact—and I’ve got this for nothing. He only wants vile sailors, you see, otherwise there’s no test——”

“Know what’s in it?”

He shook his head so violently that I was afraid for the eyebrows.

“But I believe in it. It’s simply wonderful stuff; no bromide, he assured me, and no harmful drugs. Just a seasick cure; that’s all!”

“I’ll take it if you will,” I laughed. “I could take poison with impunity before going on the Channel!”

He gave me one bottle. “Take a dose to-night,” he explained, “another after breakfast in the morning, another in the train, and another the moment you go on board.”

I gave my promise and we separated on his doorstep. It was a lot to promise, but as Ihave explained, I could drink tar or prussic acid before going on a steamer, and neither would have the time to work injury. I marvelled greatly, however, at my vague friend’s fit of abnormal lucidity, and in the night I dreamed of him surrounded by all the medicine bottles he had bought to take abroad with him, swallowing their contents one by one, and smiling while he did so, with eyebrows grown to the size of hedges.

I took my doses faithfully, with the immediate result that in the train I became aware of symptoms that usually had the decency to wait for the steamer. My friend took his too. He was in excellent spirits, eyes bright, full of confidence. The bottles were wrapped in neat white paper, only the necks visible; and we drank our allotted quantity from the mouths, without glasses.

“Not much taste,” I remarked.

“Wonderful stuff,” he replied. “I believe in it absolutely. It’s good for other things, too; it made me sleep like a top, and I had the appetite of a horse for breakfast. That chemist’ll make his fortune when he brings it out. People will pay a pound a bottle, lots of ’em.”

At Newhaven the sea was agitated—hideously so; even in the harbour the steamers rose and fell absurdly. Not all the fresh, salt winds in the world, nor all the jolly sunshine and sparkling waves, nor all that strong beauty that comeswith the first glimpse of the sea and long horizons, could lessen the sinking dread that was in my—my heart. Truth to tell, I had no more belief in the elixir than if it had been chopped hay and treacle.

My friend, however, was confidence personified. “The fact is,” he said, laughing at the wind and sea, “the real fact isI believe in that chemist. He told me this stuff was infallible; and I believe it is. The trouble with you is funk—sheer blue funk.”

We stuck to our guns and swallowed the last prescribed dose just before the syren announced our departure—and fifteen minutes later....

It was a degrading three hours; and the sting of it was that my friend, with a hideous cap tied down about his ears, a smile that was in the worst possible taste, and a jaunty confidence that was even more insulting than he intended it to be, walked up and down that loathsome, sliding, switchback deck the entire way. Not the entire way, though, for half-way across he disappeared into the dining-room, and returned in due course with that brown beard of his charged with bread-crumbs, and between his lips actually—a pipe. And, without so much as speaking to me, he paced to and fro before my chair, when a little of that imagination he put so delightfully into his books would have led him discreetly to pace the other deck where I could not see him. I thought out endlessrevenges, but the fact was I never had time to think out any single revenge properly to its conclusion. Something—something unspeakably vile—always came to interfere; and the sight of my friend, balancing up and down the rolling deck chatting to sailors, admiring the sea and sky, and puffing hard at his pipe all the time, was, I think, the most abominable thing I have ever seen.

“Simply marvellous, I call it,” he told me in thedouaneat Dieppe. “The stuff is a revolutionary discovery. It’s the first time I ever ate a meal on a steamer in my life. Sorry you suffered so. Can’t understand it,” he added, with a complacency that was insufferable. I was positively delighted to see the Customs officer openallhis bags and litter his things about in glorious confusion....

In Paris that night our little hotel was rather full, and we had to share a big two-bedded room. My friend groaned a good deal between two and three in the morning and kept me awake; and once, somewhere about five a.m., I saw him with a lighted candle fumbling at the table among a lot of little white paper packages which I recognised as his purchases from that criminal London chemist who had concocted the seasick cure.

It was at nine o’clock, however, while he was down at his bath, that I noticed something on the table by his bed that instantly arrested myattention. Regardless of morals, I investigated. It was unmistakable. It was his own bottle of the seasick cure. He had never taken it at all!

Then, just as his step sounded in the passage, it flashed across me. He had made one of his usual muddles. He had mistaken the bottle. He had swallowed the contents of some other phial instead.

Revenge is sweet; but I felt well again, and no longer harboured any spite. There was just time to hide the bottle in my hand when he entered.

“Awful headache I’ve got,” he said. “Can’t make out what’s wrong with me. Such funny pains, too.”

“After-effects of the seasick cure, probably. They’ll pass in time,” I suggested. But he remained in bed for a day and a night with all the symptoms ofmal de meron land.

It was many weeks later when I told him the truth, and showed the bottle to prove it—just in time to prevent his telling the chemist, “I have tried your seasick cure and found it absolutely efficacious,” etc.

“What cured you,” I said, “was far more wonderful than anything one can buy in bottles. It was faith, sheer faith!”

“I believe you’re right,” he replied meekly. “I believed in that stuffabsolutely.” Then he added, “But, you know, I should like to find out what it was Ididtake.”

Duttonaccepted the invitation for the feeble reason that he was not quick enough at the moment to find a graceful excuse. He had none of that facile brilliance which is so useful at week-end parties; he was a big, shy, awkward man. Moreover, he disliked these great houses. They swallowed him. The solemn, formidable butlers oppressed him. He left on Sunday night when possible. This time, arriving with an hour to dress, he went upstairs to an enormous room, so full of precious things that he felt like an insignificant item in a museum corridor. He smiled disconsolately as the underling who brought up his bag began to fumble with the lock. But, instead of the sepulchral utterance he dreaded, a delicious human voice with an unmistakable brogue proceeded from the stooping figure. It was positively comforting. “It ’ull be locked, sorr, but maybe ye have the key?” And they bent together over the disreputable kit-bag, looking like a pair of ants knitting antennæ on the floor of some great cave.The giant four-poster watched them contemptuously; mahogany cupboards wore an air of grave surprise; the gaping, open fireplace alone could have swallowed all his easels—almost, indeed, his little studio. This human, Irish presence was distinctly consoling—some extra hand or other, thought Dutton, probably.

He talked a little with the lad; then, lighting a cigarette, he watched him put the clothes away in the capacious cupboards, noticing in particular how neat and careful he was with the little things. Nail-scissors, silver stud-box, metal shoe-horn, and safety razor, even the bright cigar-cutter and pencil-sharpener collected loose from the bottom of the bag—all these he placed in a row upon the dressing-table with the glass top, and seemed never to have done with it. He kept coming back to rearrange and put a final touch, lingering over them absurdly. Dutton watched him with amusement, then surprise, finally with exasperation. Would he never go? “Thank you,” he said at last; “that will do. I’ll dress now. What time is dinner?” The lad told him, but still lingered, evidently anxious to say more. “Everything’s out, I think,” repeated Dutton impatiently; “all the loose things, I mean?” The face at once turned eagerly. What mischievous Irish eyes he had, to be sure! “I’ve put thim all together in a row, sorr, so that ye’ll not be missing anny-thing at all,” was the quickreply, as he pointed to the ridiculous collection of little articles, and even darted back to finger them again. He counted them one by one. And then suddenly he added, with a touch of personal interest that wasnotfamiliarity, “It’s so easy, ye see, sorr, to lose thim small bright things in this great room.” And he was gone.

Smiling a little to himself, Dutton began to dress, wondering how the lad had left the impression that his words meant more than they said. He almost wished he had encouraged him to talk. “The small bright things in this great room”—what an admirable description, almost a criticism! He felt like a prisoner of state in the Tower. He stared about him into the alcoves, recesses, deep embrasured windows; the tapestries and huge curtains oppressed him; next he fell to wondering who the other guests would be, whom he would take in to dinner, how early he could make an excuse and slip off to bed; then, midway in these desultory thoughts, became suddenly aware of a curiously sharp impression—that he was being watched. Somebody, quite close, was looking at him. He dismissed the fancy as soon as it was born, putting it down to the size and mystery of the old-world chamber; but in spite of himself the idea persisted teasingly, and several times he caught himself turning nervously to look over his shoulder. It was not a ghostly feeling; his nature was not accessible to ghostly things.The strange idea, lodged securely in his brain, was traceable, he thought, to something the Irish lad had said—grew out, rather, of what he had left unsaid. He idly allowed his imagination to encourage it. Someone, friendly but curious, with inquisitive, peeping eyes, was watching him. Someone very tiny was hiding in the enormous room. He laughed about it; but he felt different. A certain big, protective feeling came over him that he must go gently lest he tread on some diminutive living thing that was soft as a kitten and elusive as a baby mouse. Once, indeed, out of the corner of his eye, he fancied he saw a little thing with wings go fluttering past the great purple curtains at the other end. It was by a window. “A bird, or something, outside,” he told himself with a laugh, yet moved thenceforth more often than not on tiptoe. This cost him a certain effort: his proportions were elephantine. He felt a more friendly interest now in the stately, imposing chamber.

The dressing-gong brought him back to reality and stopped the flow of his imagining. He shaved, and laboriously went on dressing then; he was slow and leisurely in his movements, like many big men; very orderly, too. But when he was ready to put in his collar stud it was nowhere to be found. It was a worthless bit of brass, but most important; he had only one. Five minutes ago it had been standing insidethe ring of his collar on the marble slab; he had carefully placed it there. Now it had disappeared and left no trail. He grew warm and untidy in the search. It was something of a business for Dutton to go on all fours. “Malicious little beast!” he grunted, rising from his knees, his hand sore where he had scraped it beneath the cupboard. His trouser-crease was ruined, his hair was tumbled. He knew too well the elusive activity of similar small objects. “It will turn up again,” he tried to laugh, “if I pay it no attention. Mal——” he abruptly changed the adjective, as though he had nearly said a dangerous thing—“naughty little imp!” He went on dressing, leaving the collar to the last. He fastened the cigar-cutter to his chain, but the nail-scissors, he noticed now, had also gone. “Odd,” he reflected, “very odd!” He looked at the place where they had been a few minutes ago. “Odd!” he repeated. And finally, in desperation, he rang the bell. The heavy curtains swung inwards as he said, “Come in,” in answer to the knock, and the Irish boy, with the merry, dancing eyes, stood in the room. He glanced half nervously, half expectantly, about him. “It’ll be something ye have lost, sorr?” he said at once, as though he knew.

“I rang,” said Dutton, resenting it a little, “to ask you if you could get me a collar stud—for this evening. Anything will do.” He didnot say he had lost his own. Someone, he felt, who was listening, would chuckle and be pleased. It was an absurd position.

“And will it be a shtud like this, sorr, that yez wanting?” asked the boy, picking up the lost object from inside the collar on the marble slab.

“Like that, yes,” stammered the other, utterly amazed. He had overlooked it, of course, yet it was in the identical place where he had left it. He felt mortified and foolish. It was so obvious that the boy grasped the situation—more, had expected it. It was as if the stud had been taken and replaced deliberately. “Thank you,” he added, turning away to hide his face as the lad backed out—with a grin, he imagined, though he did not see it. Almost immediately, it seemed, then he was back again, holding out a little cardboard box containing an assortment of ugly bone studs. Dutton felt as if the whole thing had been prepared beforehand. How foolish it was! Yet behind it lay something real and true and—utterly incredible!

“Theywon’t get taken, sorr,” he heard the lad say from the doorway. “They’re not nearly bright enough.”

The other decided not to hear. “Thanks,” he said curtly; “they’ll do nicely.”

There was a pause, but the boy did not go. Taking a deep breath, he said very quickly, as though greatly daring, “It’s only the brightand little lovely things he takes, sorr, if ye plaze. He takes thim for his collection, and there’s no stoppin’ him at all.” It came out with a rush, and Dutton, hearing it, let the human thing rise up in him. He turned and smiled.

“Oh, he takes these things for his collection, does he?” he asked more gently.

The boy looked dreadfully shame-faced, confession hanging on his lips. “The little bright and lovely things, sorr, yes. I’ve done me best, but there’s things he can’t resist at all. The bone ones is safe, though. He won’t look at thim.”

“I suppose he followed you across from Ireland, eh?” the other inquired.

The lad hung his head. “I told Father Madden,” he said in a lower voice, “but it’s not the least bit of good in the wurrld.” He looked as though he had been convicted of stealing and feared to lose his place. Suddenly, lifting his blue eyes, he added, “But if ye take no notice at all he ginrelly puts everything back in its place agin. He only borrows thim, just for a little bit of toime. Pretend ye’re not wantin’ thim at all, sorr, and back they’ll come prisintly again, brighter than before maybe.”

“I see,” answered Dutton slowly. “All right, then,” he dismissed him, “and I won’t say a word downstairs. You needn’t be afraid,” as the lad looked his gratitude and vanished likea flash, leaving the other with a queer and eerie feeling, staring at the ugly bone studs. He finished dressing hurriedly and went downstairs. He went on tiptoe out of the great room, moving delicately and with care, lest he might tread on something very soft and tiny, almost wounded, like a butterfly with a broken wing. And from the corners, he felt positive, something watched him go.

The ordeal of dinner passed off well enough; the rather heavy evening too. He found the opportunity to slip off early to bed. The nail-scissors were in their place again. He read till midnight; nothing happened. His hostess had told him the history of his room, inquiring kindly after his comfort. “Some people feel rather lost in it,” she said; “I hope you found all you want,” and, tempted by her choice of words—the “lost” and “found”—he nearly told the story of the Irish lad whose goblin had followed him across the sea and “borrowed little bright and lovely things for his collection.” But he kept his word; he told nothing; she would only have stared, for one thing. For another, he was bored, and therefore uncommunicative. He smiled inwardly. All that this giant mansion could produce for his comfort and amusement were ugly bone studs, a thieving goblin, and a vast bedroom where dead royalty had slept. Next day, at intervals, when changing for tennis or back again for lunch, the “borrowing” continued; the little things he needed at the moment had disappeared. They turned up later. To ignore their disappearance was the recipe for their recovery—invariably, too, just where he had seen them last. There was the lost object shining in his face, propped impishly on its end, just ready to fall upon the carpet, and ever with a quizzical, malicious air of innocence that was truly goblin. His collar stud was the favourite; next came the scissors and the silver pencil-sharpener.

Trains and motors combined to keep him Sunday night, but he arranged to leave on Monday before the other guests were up, and so got early to bed. He meant to watch. There was a merry, jolly feeling in him that he had established quasi-friendly relations with the little Borrower. He might even see an object go—catch it in the act of disappearing! He arranged the bright objects in a row upon the glass-topped dressing-table opposite the bed, and while reading kept an eye slyly on the array of tempting bait. But nothing happened. “It’s the wrong way,” he realised suddenly. “What a blunderer I am!” He turned the light out then. Drowsiness crept over him.... Next day, of course, he told himself it was a dream....

The night was very still, and through the latticed windows stole faintly the summer moonlight. Outside the foliage rustled a little in the wind. A night-jar called from the fields, and asecret, furry owl made answer from the copse beyond. The body of the chamber lay in thick darkness, but a slanting ray of moonlight caught the dressing-table and shone temptingly upon the silver objects. “It’s like setting a nightline,” was the last definite thought he remembered—when the laughter that followed stopped suddenly, and his nerves gave a jerk that turned him keenly alert.

From the enormous open fireplace, gaping in darkness at the end of the room, issued a thread of delicate sound that was softer than a feather. A tiny flurry of excitement, furtive, tentative, passed shivering across the air. An exquisite, dainty flutter stirred the night, and through the heavy human brain upon the great four-poster fled this picture, as from very far away, picked out in black and silver—of a wee knight-errant crossing the frontiers of fairyland, high mischief in his tiny, beating heart. Pricking along over the big, thick carpet, he came towards the bed, towards the dressing-table, intent upon bold plunder. Dutton lay motionless as a stone, and watched and listened. The blood in his ears smothered the sound a little, but he never lost it altogether. The flicking of a mouse’s tail or whiskers could hardly have been more gentle than this sound, more wary, circumspect, discreet, certainly not half so artful. Yet the human being in the bed, so heavily breathing, heard it well. Closer it came, and closer, oh, so elegantand tender, this bold attack of a wee Adventurer from another world. It shot swiftly past the bed. With a little flutter, delicious, almost musical, it rose in the air before his very face and entered the pool of moonlight on the dressing-table. Something blurred it then; the human sight grew troubled and confused a moment; a mingling of moonlight with the reflections from the mirror, slab of glass, and shining objects obscured clear vision somehow. For a second Dutton lost the proper focus. There was a tiny rattle and a tiny click. He saw that the pencil-sharpener stood balanced on the table’s very edge. It was in the act of vanishing.

But for his stupid blunder then, he might have witnessed more. He simply could not restrain himself, it seems. He sprang, and at the same instant the silver object fell upon the carpet. Of course his elephantine leap made the entire table shake. But, anyhow, he was not quick enough. He saw the reflection of a slim and tiny hand slide down into the mirrored depths of the reflecting sheet of glass—deep, deep down, and swift as a flash of light. This he thinks he saw, though the light, he admits, was oddly confusing in that moment of violent and clumsy movement.

One thing, at any rate, was beyond all question: the pencil-sharpener had disappeared. He turned the light up; he searched for a dozen minutes, then gave it up in despair and went back to bed.Next morning he searched again. But, having overslept himself, he did not search as thoroughly as he might have done, for half-way through the tiresome operation the Irish lad came in to take his bag for the train.

“Will ut be something ye’ve lost, sorr?” he asked gravely.

“Oh, it’s all right,” Dutton answered from the floor. “You can take the bag—and my overcoat.” And in town that day he bought another pencil-sharpener and hung it on his chain.

Havingdined upon a beefsteak and a pint of bitter, Jones went home to work. The trouble with Jones—his first name William—was that he possessed creative imagination: that luggage upon which excess charges have to be paid all through life—to the critic, the stupid, the orthodox, the slower minds without the “flash.” He was alone in his brother’s flat. It was after nine o’clock. He was half-way into a story, and had—stuck! Sad to relate, the machinery that carries on the details of an original inspiration had blocked. And to invent he knew not how. Unless the imagination “produced” he would not allow his brain to devise mere episodes—dull and lifeless substitutes. Jones, poor fool, was also artist.

And the reason he had “stuck” was not surprising, for his story was of a kind that might well tax the imagination of any sane man. He was writing at the moment about a being who had survived his age—a study of one of those rare and primitive souls who walk the earthto-day in a man’s twentieth-century body, while yet the spirit belongs to the Golden Age of the world’s history. You may come across them sometimes, rare, ingenuous, delightful beings, the primal dews still upon their eyelids, the rush and glow of earth’s pristine fires pulsing in their veins, careless of gain, indifferent to success, lost, homeless, exiled—dépaysés.... The idea had seized him. He had met such folk. He burned to describe their exile, the pathos of their loneliness, their yearnings and their wanderings—rejected by a world they had outlived. And for his type, thus representing some power of unexpended mythological values strayed back into modern life to find itself denied and ridiculed—he had chosen a Centaur! For he wished it to symbolise what he believed was to be the next stage in human evolution: Intuition no longer neglected, but developed equally with Reason. His Centaur was to stand for instinct (the animal body close to Nature) combined with, yet not dominated by, the upright stature moving towards deity. The conception was true and pregnant.

And—he had stuck. The detail that blocked him was the man’sappearance. How would such a being look? In what details would he betray that, though outwardly a man, he was inwardly this survival of the Golden Age, escaped from some fair Eden, splendid, immense, simple, and beneficent, yet—a Centaur?

Perhaps it was just as well he had “stuck,” for his brother would shortly be in, and his brother was a successful business man with the money-sense and commercial instincts strongly developed. He dealt in rice and sugar. With his brother in the flat no Centaur could possibly survive for a single moment. “It’ll come to me when I’m not thinking about it,” he sighed, knowing well the waywardness of his particular genius. He threw the reins upon the subconscious self and moved into an arm-chair to read in the evening paper the things the public loved—that public who refused to buy his books, pleading they were “queer.” He waded down the list of immoralities, murders and assaults with a dreamy eye, and had just reached the witness’s description of finding the bloody head in the faithless wife’s bedroom, when there came a hurried, pelting knock at the door, and William Jones, glad of the relief, went to open it. There, facing him, stood the bore from the flat below. Horrors!

It was not, however, a visit after all. “Jones,” he faltered, “there’s an odd sort of chap here asking for you or your brother. Rang my bell by mistake.”

Jones murmured some reply or other, and as the bore vanished with a hurry unusual to him, there passed into the flat a queer shape, born surely of the night and stars and desolate places. He seemed in some undefinable way bent,humpbacked, very large. With him came a touch of open spaces, winds, forests, long clean hills and dew-drenched fields.

“Come in, please....” said Jones, instantly aware that the man was not for his brother. “You have something to—er——” he was going to use the word “ask,” then changed it instinctively—“sayto me, haven’t you?”

The man was ragged, poor, outcast. Clearly it was a begging episode; and yet he trembled violently, while in his veins ran fire. The caller refused a seat, but moved over to the curtains by the window, drawing them slightly aside so that he could see out. And the window was high above old smoky London—open. It felt cold. Jones bent down, always keeping his caller in view, and lit the gas-stove. “You wish to see me,” he said, rising again to an upright position. Then he added more hurriedly, stepping back a little towards the rack where the walking-sticks were, “Please let me know what I can do for you!”

Bearded, unkempt, with massive shoulders and huge neck, the caller stood a moment and stared. “Your name and address,” he said at length, “were given to me”—he hesitated a moment, then added—“you know by whom.” His voice was deep and windy and echoing. It made the stretched cords of the upright piano ring against the wall. “He told me to call,” the man concluded.

“Ah yes; of course,” Jones stammered, forgetting for the moment who or where he was. “Let me see—where are you”—the word did not want to come out—“staying?” The caller made an awful and curious movement; it seemed so much bigger than his body. “In what way—er—can I be of assistance?” Jones hardly knew what he said. The other volunteered so little. He was frightened. Then, before the man could answer, he caught a dreadful glimpse, as of something behind the outline. It moved. Was it shadow that thus extended his form? Was it the glare of that ugly gas-stove that played tricks with the folds of the curtain, driving bodily outline forth into mere vacancy? For the figure of his strange caller seemed to carry with it the idea of projections, extensions, growths, in themselves not monstrous, fine and comely, rather—yet awful.

The man left the window and moved towards him. It was a movement both swift and enormous. It was instantaneous.

“Who are you—really?” asked Jones, his breath catching, while he went pluckily out to meet him, irresistibly drawn. “And what is it youreallywant of me?” He went very close to the shrouded form, caught the keen air from the open window behind, sniffed a wind that was not London’s stale and weary wind, then stopped abruptly, frozen with terror and delight.The man facing him was splendid and terrific, exhaling something that overwhelmed.

“What can I ... do ... for ... you?” whispered Jones, shaking like a leaf. A delight of racing clouds was in him.

The answer came in a singular roaring voice that yet sounded far away, as though among mountains. Wind might have brought it down.

“There is nothing you can do for me! But, by Chiron, there is something I can do for you!”

“And that is?” asked Jones faintly, feeling something sweep against his feet and legs like the current of a river in flood.

The man eyed him appallingly a moment.

“Let you see me!” he roared, while his voice set the piano singing again, and his outline seemed to swim over the chairs and tables like a fluid mass. “Show myself to you!”

The figure stretched out what looked like arms, reared gigantically aloft towards the ceiling, and swept towards him. Jones saw the great visage close to his own. He smelt the odour of caves, river-beds, hillsides—space. In another second he would have been lost——

His brother made a great rattling as he opened the door. The atmosphere of rice and sugar and office desks came in with him.

“Why, Billy, old man, you look as if you’d seen a ghost. You’re white!”

William Jones mopped his forehead. “I’vebeen working rather hard,” he answered. “Feel tired. Fact is—I got stuck in a story for a bit.”

“Too bad. Got it straightened out at last, I hope?”

“Yes, thanks.It came to me—in the end.”

The other looked at him. “Good,” he said shortly. “Rum thing, imagination, isn’t it?” And then he began talking about his day’s business—in tons and tons of food.


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