Philip was always welcome at his uncle's house in Rivervale. It was, of course, his home during his college life, and since then he was always expected for his yearly holiday. The women of the house made much of him, waited on him, deferred to him, petted him, with a flattering mingling of tenderness to a little boy and the respect due to a man who had gone into the world. Even Mr. Maitland condescended to a sort of equality in engaging Philip in conversation about the state of the country and the prospects of business in New York.
It was July. When Philip went to sleep at night—he was in the front chamber reserved for guests—the loud murmur of the Deerfield was in his ears, like a current bearing him away into sweet sleep and dreams in a land of pleasant adventures. Only in youth come such dreams. Later on the sophisticated mind, left to its own guidance in the night, wanders amid the complexities of life, calling up in confusion scenes long forgotten or repented of, images only registered by a sub-conscious process, dreams to perplex, irritate, and excite.
In the morning the same continuous murmur seemed to awake him into a peaceful world. Through the open window came in the scents of summer, the freshness of a new day. How sweet and light was the air! It was indeed the height of summer. The corn, not yet tasseled, stood in green flexible ranks, moved by the early breeze. In the river-meadows haying had just begun. Fields of timothy and clover, yellowing to ripeness, took on a fresh bloom from the dew, and there was an odor of new-mown grass from the sections where the scythes had been. He heard the call of the crow from the hill, the melody of the bobolink along the meadow-brook; indeed, the birds of all sorts were astir, skimming along the ground or rising to the sky, keeping watch especially over the garden and the fruit-trees, carrying food to their nests, or teaching their young broods to fly and to chirp the songs of summer. And from the woodshed the shrill note of the scythe under the action of the grindstone. No such vivid realization of summer as that.
Philip stole out the unused front door without disturbing the family. Whither? Where would a boy be likely to go the first thing? To the barn, the great cavernous barn, its huge doors now wide open, the stalls vacant, the mows empty, the sunlight sifting in through the high shadowy spaces. How much his life had been in that barn! How he had stifled and scrambled mowing hay in those lofts! On the floor he had hulled heaps of corn, thrashed oats with a flail—a noble occupation—and many a rainy day had played there with girls and boys who could not now exactly describe the games or well recall what exciting fun they were. There were the racks where he put the fodder for cattle and horses, and there was the cutting-machine for the hay and straw and for slicing the frozen turnips on cold winter mornings.
In the barn-yard were the hens, just as usual, walking with measured step, scratching and picking in the muck, darting suddenly to one side with an elevated wing, clucking, chattering, jabbering endlessly about nothing. They did not seem to mind him as he stood in the open door. But the rooster, in his oriental iridescent plumage, jumped upon a fence-post and crowed defiantly, in warning that this was his preserve. They seemed like the same hens, yet Philip knew they were all strangers; all the hens and flaunting roosters he knew had long ago gone to Thanksgiving. The hen is, or should be, an annual. It is never made a pet. It forms no attachments. Man is no better acquainted with the hen, as a being, than he was when the first chicken was hatched. Its business is to live a brief chicken life, lay, and be eaten. And this reminded Philip that his real occupation was hunting hens' eggs. And this he did, in the mows, in the stalls, under the floor-planks, in every hidden nook. The hen's instinct is to be orderly, and have a secluded nest of her own, and bring up a family. But in such a communistic body it is a wise hen who knows her own chicken. Nobody denies to the hen maternal instincts or domestic proclivities, but what an ill example is a hen community!
And then Philip climbed up the hill, through the old grass-plot and the orchard, to the rocks and the forest edge, and the great view. It had more meaning to him than when he was a boy, and it was more beautiful. In a certain peaceful charm, he had seen nothing anywhere in the world like it. Partly this was because his boyish impressions, the first fresh impressions of the visible world, came back to him; but surely it was very beautiful. More experienced travelers than Philip felt its unique charm.
When he descended, Alice was waiting to breakfast with him. Mrs. Maitland declared, with an approving smile on her placid, aging face, that he was the same good-for-nothing boy. But Alice said, as she sat down to the little table with Philip, “It is different, mother, with us city folks.” They were in the middle room, and the windows opened to the west upon the river-meadows and the wooded hills beyond, and through one a tall rose-bush was trying to thrust its fragrant bloom.
What a dainty breakfast! Alice flushed with pleasure. It was so good of him to come to them. Had he slept well? Did it seem like home at all? Philip's face showed that it was home without the need of saying so. Such coffee-yes, a real aroma of the berry! Just a little more, would he have? And as Alice raised the silver pitcher, there was a deep dimple in her sweet cheek. How happy she was! And then the butter, so fresh and cool, and the delicious eggs—by the way, he had left a hatful in the kitchen as he came in. Alice explained that she did not make the eggs. And then there was the journey, the heat in the city, the grateful sight of the Deerfield, the splendid morning, the old barn, the watering-trough, the view from the hill everything just as it used to be.
“Dear Phil, it is so nice to have you here,” and there were tears in Alice's eyes, she was so happy.
After breakfast Philip strolled down the country road through the village. How familiar was every step of the way!—the old houses jutting out at the turns in the road; the glimpse of the river beyond the little meadow where Captain Rice was killed; the spring under the ledge over which the snap-dragon grew; the dilapidated ranks of fence smothered in vines and fireweeds; the cottages, with flower-pots in front; the stores, with low verandas ornamented with boxes and barrels; the academy in its green on the hill; the old bridge over which the circus elephant dared not walk; the new and the old churches, with rival steeples; and, not familiar, the new inn.
And he knew everybody, young and old, at doorways, in the fields or gardens, and had for every one a hail and a greeting. How he enjoyed it all, and his self-consciousness added to his pleasure, as he swung along in his well-fitting city clothes, broad-shouldered and erect—it is astonishing how much a tailor can do for a man who responds to his efforts. It is a pleasure to come across such a hero as this in real life, and not have to invent him, as the saying is, out of the whole cloth. Philip enjoyed the world, and he enjoyed himself, because it was not quite his old self, the farmer's boy going on an errand. There must be knowledge all along the street that he was in the great law office of Hunt, Sharp & Tweedle. And, besides, Philip's name must be known to all the readers of magazines in the town as a writer, a name in more than one list of “contributors.” That was fame. Translated, however, into country comprehension it was something like this, if he could have heard the comments after he had passed by:
“Yes, that's Phil Burnett, sure enough; but I'd hardly know him; spruced up mightily. I wonder what he's at?”
“I heard he was down in New York trying to law it. I heard he's been writin' some for newspapers. Accordin' to his looks, must pay a durn sight better'n farmin'.”
“Well, I always said that boy wa'n't no skeezics.”
Almost the first question Philip asked Alice on his return was about the new inn, the Peacock Inn.
“There seemed a good deal of stir about it as I passed.”
“Why, I forgot to tell you about it. It's the great excitement. Rivervale is getting known. The Mavicks are there. I hear they've taken pretty much the whole of it.”
“The Mavicks?
“Yes, the New York Mavicks, that you wrote us about, that were in the paper.”
“How long have they been there?”
“A week. There is Mrs. Mavick and her daughter, and the governess, and two maids, and a young fellow in uniform—yes, livery—and a coachman in the same, and a stableful of horses and carriages. It upset the village like a circus. And they say there's a French chef in white cap and apron, who comes to the side-door and jabbers to the small boys like fireworks.”
“How did it come about?”
“Naturally, I guess; a city family wanting a quiet place for summer in the country. But you will laugh. Patience first discovered it. One day, sitting at the window, she saw a two-horse buggy driven by the landlord of the Peacock, and a gentleman by his side. 'Well, I wonder who that is-city man certainly. And wherever is he going? May be a railroad man. But there is nothing the matter with the railroad. Shouldn't wonder if he is going to see the tunnel. If it was just that, the landlord wouldn't drive him; he'd send a man. And they keep stopping and pointing and looking round. No, it isn't the railroad, it's scenery. And what can a man like that want with scenery?
“He does look like a railroad man. It may be tunnel, but it isn't all tunnel. When the team came back in the afternoon, Patience was again at the window; she had heard meantime from Jabez that a city man was stopping at the Peacock. There he goes, and looking round more than ever. They've stopped by the bridge and the landlord is pointing out. It's not tunnel, it's scenery. I tell you, he is a city boarder. Not that he cares about scenery; it's for his family. City families are always trying to find a grand new place, and he has heard of Rivervale and the Peacock Inn. Maybe the tunnel had something to do with it.”
“Why, it's like second sight.”
“No, Patience says it's just judgment. And she generally hits it. At any rate, the family is here.”
The explanation of their being there—it seemed to Philip providential—was very simple. Mr. Mavick had plans about the Hoosac Tunnel that required him to look at it. Mrs. Mavick took advantage of this to commission him to look at a little inn in a retired village of which she had heard, and to report on scenery and climate. Warm days and cool nights and simplicity was her idea. Mavick reported that the place seemed made for the family.
Evelyn was not yet out, but she was very nearly out, and after the late notoriety Mrs. Mavick dreaded the regular Newport season. And, in the mood of the moment, she was tired of the Newport palace. She always said that she liked simplicity—a common failing among people who are not compelled to observe it. Perhaps she thought she was really fond of rural life and country ways. As she herself said,
“If you have a summer cottage at Newport or Lenox, it is necessary to go off somewhere and rest.” And then it would be good for Evelyn to live out-of-doors and see the real country, and, as for herself, as she looked in the mirror, “I shall drink milk and go to bed early. Henderson used to say that a month in New Hampshire made another woman of me.”
Oh, to find a spot where we could be undisturbed, alone and unknown. That was the program. But Carmen simply could not be anywhere content if she were unnoticed. It was not so easy to give up daily luxury, and habits of ease at the expense of attendants, or the ostentation which had become a second nature. Therefore the “establishment” went along with her to Rivervale, and the shy, modest little woman, who had dropped down into the country simplicity that she so dearly loved, greatly enjoyed the sensation that her coming produced. It needed no effort on her part to produce the sensation. The carriage, and coachman and footman in livery, would have been sufficient; and then the idea of one family being rich enough to take the whole hotel!
The liveries, the foreign cook in his queer cap and apron, and all the goings-on at the Peacock were the inexhaustible topic of talk in every farmhouse for ten miles around. Rivervale was a self-respecting town, and principled against luxury and self-indulgence, and judged with a just and severe judgment the world of fashion and of the grasping, wicked millionaires. And now this world with all its vain show had plumped down in the midst of them. Those who had traveled and seen the ostentation of cities smiled a superior smile at the curiosity and wonder exhibited, but even those who had never seen the like were cautious about letting their surprise appear. Especially in the presence of fashion and wealth would the independent American citizen straighten his backbone, reassuring himself that he was as good as anybody. To be sure, people flew to windows when the elegant equipage dashed by, and everybody found frequent occasion to drive or walk past the Peacock Inn. It was only the novelty of it, in a place that rather lacked novelties.
And yet there prevailed in the community a vague sense that millions were there, and a curious expectation of some individual benefit from them. All the young berry-pickers were unusually active, and poured berries into the kitchen door of the inn. There was not a housewife who was not a little more anxious about the product of her churning; not a farmer who did not think that perhaps cord-wood would rise, that there would be a better demand for garden “sass,” and more market for chickens, and who did not regard with more interest his promising colt. When he drove to the village his rig was less shabby and slovenly in appearance. The young fellows who prided themselves upon a neat buggy and a fast horse made their turnouts shine, and dashed past the inn with a self-conscious air. Even the stores began to “slick up” and arrange their miscellaneous notions more attractively, and one of them boldly put in a window a placard, “Latest New York Style.” When the family went to the Congregational church on Sunday not the slightest notice was taken of them—though every woman could have told to the last detail what the ladies wore—but some of the worshipers were for the first time a little nervous about the performance of the choir, and the deacons heard the sermon chiefly with reference to what a city visitor would think of it.
Mrs. Mavick was quite equal to the situation. In the church she was devout, in the village she was affable and friendly. She made acquaintances right and left, and took a simple interest in everybody and everything. She was on easy terms with the landlord, who declared, “There is a woman with no nonsense in her.” She chatted with the farmers who stopped at the inn door, she bought things at the stores that she did not want, and she speedily discovered Aunt Hepsy, and loved to sit with her in the little shop and pick up the traditions and the gossip of the neighborhood. And she did not confine her angelic visits to the village. On one pretense and another she made her way into every farmhouse that took her fancy, penetrated the kitchens and dairies, and got, as she told McDonald, into the inner life of the people.
She must see the grave of Captain Moses Rice. And on this legitimate errand she one day carried her fluttering attractiveness and patchouly into the Maitland house. Mrs. Maitland was civil, but no more. Alice was civil but reserved—a great many people, she said, came to see the graves in the old orchard. But Mrs. Mavick was not a bit abashed. She expressed herself delighted with everything. It was such a rest, such a perfectly lovely country, and everybody was so hospitable! And Aunt Hepsy had so interested her in the history of the region! But it was difficult to get her talk responded to.
However, when Miss Patience came in she made better headway. She had heard so much of Miss Maitland's apartments. She herself was interested in decorations. She had tried to do something in her New York home. But there were so many ideas and theories, and it was so hard to be natural and artificial at the same time. She had no doubt she could get some new ideas from Miss Maitland. Would it be asking too much to see her apartments? She really felt like a stranger nowhere in Rivervale. Patience was only too delighted, and took her into her museum of natural history, art, religion, and vegetation.
“She might have gone to the grave-yard without coming into the house,” Alice remarked.
“Oh, well,” said her mother, “I think she is very amusing. You shouldn't be so exclusive, Alice.”
“Mother, I do believe she paints.”
With Patience, Mrs. Mavick felt on surer ground.
“How curious, how very curious and delightful it is! Such knowledge of nature, such art in arrangement.”
“Oh, I just put them up,” said Patience, “as I thought they ought by rights to be put up.”
“That's it. And you have combined everything here. You have given me an idea. In our house we have a Japan room, and an Indian room, and a Chinese room, and an Otaheite, and I don't know what—Egyptian, Greek, and not one American, not a really American. That is, according to American ideas, for you have everything in these two rooms. I shall write to Mr. Mavick.” (Mr. Mavick never received the letter.)
When she came away it was with a profusion of thanks, and repeated invitations to drop in at the inn. Alice accompanied her to the first stone that marked the threshold of the side door, and was bowing her away, when Mr. Philip swung over the fence by the wood-shed, with a shot-gun on his shoulder, and swinging in his left hand a gray squirrel by its bushy tail, and was immediately in front of the group.
“Ah!” involuntarily from Mrs. Mavick. An introduction was inevitable.
“My cousin, Mr. Burnett, Mrs. Mavick.” Philip raised his cap and bowed.
“A hunter, I see.”
“Hardly, madam. In vacations I like to walk in the woods with a gun.”
“Then you are not—”
“No,” said Philip, smiling, “unfortunately I cannot do this all the time.”
“You are of the city, then?”
“With the firm of Hunt, Sharp & Tweedle.”
“Ah, my husband knows them, I believe.”
“I have seen Mr. Mavick,” and Philip bowed again.
“How lucky!”
Mrs. Mavick had an eye for a fine young fellow—she never denied that—and Philip's manly figure and easy air were not lost on her. Presently she said:
“We are here for a good part of the summer. Mr. Mavick's business keeps him in the city and we have to poke about a good deal alone. Now, Miss Alice, I am so glad I have met your cousin. Perhaps he will show us some of the interesting places and the beauties of the country he knows so well.” And she looked sideways at Philip.
“Yes, he knows the country,” said Alice, without committing herself.
“I am sure I shall be delighted to do what I can for you whenever you need my services,” said Philip, who had reasons for wishing to know the Mavicks which Alice did not share.
“That's so good of you! Excursions, picnics oh, we will arrange. You must come and help me arrange. And I hope,” with a smile to Alice, “you can persuade your cousin to join us sometimes.”
Alice bowed, they all bowed, and Mrs. Mavick said au revoir, and went swinging her parasol down the driveway. Then she turned and called back, “This is the first long walk I have taken.” And then she said to herself, “Rather stiff, except the young man and the queer old maid. But what a pretty girl the younger must have been ten years ago! These country flowers!”
Mrs. Mavick thought herself fortunate in finding, in the social wilderness of Rivervale, such a presentable young gentleman as Philip. She had persuaded herself that she greatly enjoyed her simple intercourse with the inhabitants, and she would have said that she was in deep sympathy with their lives. No doubt in New York she would relate her summer adventures as something very amusing, but for the moment this adaptable woman seemed to herself in a very ingenuous, receptive, and sympathetic state of mind. Still, there was a limit to the entertaining power of Aunt Hepsy, which was perceived when she began to repeat her annals of the neighborhood, and to bring forward again and again the little nuggets of wisdom which she had evolved in the small circle of her experience. And similarly Mrs. Mavick became aware that there was a monotony in the ideas brought forward by the farmers and the farmers' wives, whether in the kitchen or the best room, which she lighted up by her gracious presence, that it was possible to be tired of the most interesting “peculiarities” when once their novelty was exhausted, and that so-called “characters” in the country fail to satisfy the requirements of intimate or long companionship. Their world is too narrowly circumscribed.
The fact that Philip was a native of the place, and so belonged to a world that was remote from her own, made her free to seek his aid in making the summer pass agreeably without incurring any risk of social obligations. Besides, when she had seen more of him, she experienced a good deal of pleasure in his company. His foreign travel, his reading, his life in the city, offered many points of mutual interest, and it was a relief to her to get out of the narrow range of topics in the provincial thought, and to have her allusions understood. Philip, on his part, was not slow to see this, or to perceive that in the higher intellectual ranges, the serious topics which occupied the attention of the few cultivated people in the neighborhood, Mrs. Mavick had little interest or understanding, though there was nothing she did not profess an interest in when occasion required. Philip was not of a suspicious nature, and it may not have occurred to him that Mrs. Mavick was simply amusing herself, as she would do with any agreeable man, young or old, who fell in her way, and would continue to do so if she reached the age of ninety.
On the contrary, it never seemed to occur to Mrs. Mavick, who was generally suspicious, that Philip was making himself agreeable to the mother of Evelyn. In her thought Evelyn was still a child, in leading-strings, and would be till she was formally launched, and the social gulf between the great heiress and the law clerk and poor writer was simply impassable. All of which goes to show that the most astute women are not always the wisest.
To one person in Rivervale the coming of Mrs. Mavick and her train of worldliness was unwelcome. It disturbed the peaceful simplicity of the village, and it was likely to cloud her pleasure in Philip's visit. She felt that Mrs. Mavick was taking him away from the sweet serenity of their life, and that in everything she said or did there was an element of unrest and excitement. She was careful, however, not to show any of this apprehension to Philip; she showed it only by an increased affectionate interest in him and his concerns, and in trying to make the old home more dear to him. Mrs. Mavick was loud in her praise of Alice to her cousin, and sought to win her confidence, but she was, after all, a little shy of her, and probably would have characterized her to a city friend as a sort of virgin in the Bible.
It so happened that day after day went by without giving Philip anything more than passing glimpses of Evelyn, when she was driving with her mother or her governess. Yet Rivervale never seemed so ravishingly beautiful to all his senses. Surely it was possessed by a spirit of romance and poetry, which he had never perceived before, and he wasted a good deal of time in gazing on the river, on the gracious meadows, on the graceful contours of the hills. When he was a lad, in the tree-top, there had been something stimulating and almost heroic in the scene, which awakened his ambition. Now it was the idyllic beauty that took possession of him, transformed as it was by the presence of a woman, that supreme interpreter of nature to a youth. And yet scarcely a woman—rather a vision of a girl, impressible still to all the influences of such a scene and to the most delicate suggestions of unfolding life. Probably he did not analyze this feeling, but it was Evelyn he was thinking of when he admired the landscape, breathed with exhilaration the fresh air, and watched the white clouds sail along the blue vault; and he knew that if she were suddenly to leave the valley all the light would go out of it and the scene would be flat to his eyes and torturing to his memory.
Mrs. Mavick he encountered continually in the village. He had taken many little strolls with her to this or that pretty point of view, they had exchanged reminiscences of foreign travel, and had dipped a little into current popular books, so that they had come to be on easy, friendly terms. Philip's courtesy and deference, and a certain wit and humor of suggestion applied to ordinary things, put him more and more on a good footing with her, so much so that she declared to McDonald that really young Burnett was a genuine “find” in the country.
It seems a pity that the important events in our lives are so commonplace. Philip's meeting with Evelyn, so long thought of and dramatized in his mind, was not in the least as he had imagined it. When one morning he went to the Peacock Inn at the summons of Mrs. Mavick, in order to lay out a plan of campaign, he found Evelyn and her governess seated on the veranda, with their books. It was Evelyn who rose first and came forward, without, so far as Philip could see, the least embarrassment of recognition.
“Mr. Burnett? Mamma will be here in a moment. This is our friend, Miss McDonald.”
The girl's morning costume was very simple, and in her short walking-skirt she seemed younger even than in the city. She spoke and moved—Philip noticed that—without the least self-consciousness, and she had a way of looking her interlocutor frankly in the eyes, or, as Philip expressed it, “flashing” upon him.
Philip bowed to the governess, and, still standing and waving his hand towards the river, hoped they liked Rivervale, and then added:
“I see you can read in the country.”
“We pretend to,” said Evelyn, who had resumed her seat and indicated a chair for Philip, “but the singing of that river, and the bobolinks in the meadow, and the light on the hills are almost too much for us. Don't you think, McDonald, it is like Scotland?”
“It would be,” the governess replied, “if it rained when it didn't mist, and there were moors and heather, and—”
“Oh, I didn't mean all that, but a feeling like that, sweet and retired and sort of lonesome?”
“Perhaps Miss McDonald means,” said Philip, “that there isn't much to feel here except what you see.”
Miss McDonald looked sharply around at Philip and remarked: “Yes, that's just it. It is very lovely, like almost any outdoors, if you will give yourself up to it. You remember, Evelyn, how fascinating the Arizona desert was? But there was a romantic addition to the colored desolation because the Spaniards and the Jesuits had been there. Now this place lacks traditions, legends, romance. You have to bring your romance with you.”
“And that is the reason you read here?”
“One reason. Especially romances. This charming scenery and the summer sounds of running water and birds make a nice accompaniment to the romance.”
“But mamma says,” Evelyn interrupted, “there is plenty of legend here, and tradition and flavor, Indians and early settlers, and even Aunt Hepsy.”
“Well, I confess they don't appeal to me. And as for Indians, Parkman's descriptions of those savages made me squirm. And I don't believe there was much more romance about the early settlers than about their descendants. Isn't it true, Mr. Burnett, that you must have a human element to make any country interesting?”
Philip glanced at Evelyn, whose bright face was kindled with interest in the discussion, and thought, “Good heavens! if there is not human interest here, I don't know where to look for it,” but he only said:
“Doubtless.”
“And why don't you writers do something about it? It is literature that does it, either in Scotland or Judea.”
“Well,” said Philip, stoutly, “they are doing something. I could name half a dozen localities, even sections of country, that travelers visit with curiosity just because authors have thrown that glamour over them. But it is hard to create something out of nothing. It needs time.”
“And genius,” Miss McDonald interjected.
“Of course, but it took time to transform a Highland sheep-stealer into a romantic personage.”
Miss McDonald laughed. “That is true. Take a modern instance. Suppose Evangeline had lived in this valley! Or some simple Gretchen about whose simple story all the world is in sympathy!”
“Or,” thought Philip, “some Evelyn.” But he replied, looking at Evelyn, “I believe that any American community usually resents being made the scene of a romance, especially if it is localized by any approach to reality.”
“Isn't that the fault mostly of the writer, who vulgarizes his material?”
“The realists say no. They say that people dislike to see themselves as they are.”
“Very likely,” said Miss McDonald; “no one sees himself as others see him, and probably the poet who expressed the desire to do so was simply attitudinizing.—[Robert Burns: 'O wha gift the Giftie gie us; to see o'rselves as others see us.' Ed.]—By the way, Mr. Burnett, you know there is one place of sentiment, religious to be sure, not far from here. I hope we can go some day to see the home of the 'Mountain Miller.'”
“Yes, I know the place. It is beyond the river, up that steep road running into the sky, in the next adjoining hill town. I doubt if you find any one there who lays it much to heart. But you can see the mill.”
“What is the Mountain Miller?” asked Evelyn.
“A tract that, when I was a girl,” answered Miss McDonald, “used to be bound up with 'The Dairyman's Daughter' and 'The Shepherd of Salisbury Plain.' It was the first thing that interested me in New England.”
“Well,” said Philip, “it isn't much. Just a tract. But it was written by Parson Halleck, a great minister and a sort of Pope in this region for fifty years. It is, so far as I know, the only thing of his that remains.”
This tractarian movement was interrupted by the arrival of Mrs. Mavick.
“Good-morning, Mr. Burnett. I've been down to see Jenkins about his picnic wagon. Carries six, besides the driver and my man, and the hampers. So, you see, Miss Alice will have to go. We couldn't go rattling along half empty. I'll go up and see her this afternoon. So, that's settled. Now about the time and place. You are the director. Let's sit down and plan it out. It looks like good weather for a week.”
“Miss McDonald says she wants to see the Mountain Miller,” said Philip, with a smile.
“What's that? A monument like your Pulpit Rock?”
“No, a tract about a miller.”
“Ah, something religious. I never heard of it. Well, perhaps we had better begin with something secular, and work round to that.”
So an excursion was arranged for the next day. And as Philip walked home, thinking how brilliant Evelyn had been in their little talk, he began to dramatize the excursion.
All excursions are much alike, exhilarating in the outset, rarely up to expectation in the object, wearisome in the return; but, nevertheless, delightful in the memory, especially if attended with some hardship or slight disaster. To be free, in the open air, and for a day unconventional and irresponsible, is the sufficient justification of a country picnic; but its common attraction is in the opportunity for bringing young persons of the opposite sex into natural and unrestrained relations. To Philip it was the first time in his life that a picnic had ever seemed a defensible means of getting rid of a day.
The two persons to whom this excursion was most novel and exciting were Evelyn and the elder maiden, Alice, who sat together and speedily developed a sympathy with each other in the enjoyment of the country, and in a similar poetic temperament, very shy on the part of Alice and very frank on the part of Evelyn. The whole wild scene along the river was quite as novel to Alice as to the city girl, because, although she was familiar with every mile of it and had driven through it a hundred times, she had never in all her life before, of purpose, gone to see it. No doubt she had felt its wildness and beauty, but now for the first time she looked at it as scenery, as she might have looked at a picture in a gallery. And in the contagion of Evelyn's outspoken enthusiasm she was no longer afraid to give timid expression to the latent poetry in her own soul. And daring to express this, she seemed to herself for the first time to realize vividly the nobility and grace of the landscape. And yet there was a difference in the appreciation of the two. More widely read and traveled, Evelyn's imagination took a wider range of comparison and of admiration, she was appealed to by the large features and the grandiose effects; while Alice noted more the tenderer aspects, the wayside flowers and bushes, the exotic-looking plants, which she longed to domesticate in what might be called the Sunday garden on the terraces in front of her house. For it is in these little cultivated places by the door-step, places of dreaming in the summer hours after meeting and at sunset, that the New England maiden experiences something of that tender religious sentiment which was not much fed in the barrenness of the Congregational meeting-house.
The Pulpit Rock, in the rough pasture land of Zoar, was reached by a somewhat tedious climb from the lonely farmhouse, in a sheltered nook, through straggling woods and gray pastures. It was a vast exposed surface rising at a slight angle out of the grass and undergrowth. Along the upper side was a thin line of bushes, and, pushing these aside, the observer was always startled at the unexpected scene—as it were the raising of a curtain upon another world. He stood upon the edge of a sheer precipice of a thousand feet, and looked down upon a green amphitheatre through the bottom of which the brawling river, an amber thread in the summer foliage, seemed trying to get an outlet from this wilderness cul de sac. From the edge of this precipice the first impulse was to start back in surprise and dread, but presently the observer became reassured of its stability, and became fascinated by the lonesome wildness of the scene.
“Why is it called Pulpit Rock?” asked Mrs. Mavick; “I see no pulpit.”
“I suppose,” said Philip, “the name was naturally suggested to a religious community, whose poetic images are mainly Biblical, and who thought it an advantageous place for a preacher to stand, looking down upon a vast congregation in the amphitheatre.”
“So it is,” exclaimed Evelyn. “I can see John the Baptist standing here now, and hear his voice crying in the wilderness.”
“Very likely,” said Mrs. Mavick, persisting in her doubt, “of course in Zoar. Anywhere else in the world it would be called the Lover's Leap.”
“That is odd,” said Alice; “there was a party of college girls came here two years ago and made up a story about it which was printed, how an Indian maiden pursued by a white man ran up this hill as if she had been a deer, disappeared from his sight through these bushes, and took the fatal leap. They called it the Indian Maiden's Rock. But it didn't take. It will always be Pulpit Rock.”
“So you see, Miss McDonald,” said Philip, “that writers cannot graft legends on the old stock.”
“That depends upon the writer,” returned the Scotch woman, shortly. “I didn't see the schoolgirl's essay.”
When the luncheon was disposed of, with the usual adaptation to nomadic conditions, and the usual merriment and freedom of personal comment, and the wit that seems so brilliant in the open air and so flat in print, Mrs. Mavick declared that she was tired by the long climb and the unusual excitement.
“Perhaps it is the Pulpit,” she said, “but I am sleepy; and if you young people will amuse yourselves, I will take a nap under that tree.”
Presently, also, Alice and the governess withdrew to the edge of the precipice, and Evelyn and Philip were left to the burden of entertaining each other. It might have been an embarrassing situation but for the fact that all the rest of the party were in sight, that the girl had not the least self-consciousness, having had no experience to teach her that there was anything to be timid about in one situation more than in another, and that Philip was so absolutely content to be near Evelyn and hear her voice that there was room for nothing else in his thought. But rather to his surprise, Evelyn made no talk about the situation or the day, but began at once with something in her mind, a directness of mental operation that he found was characteristic of her.
“It seems to me, Mr. Burnett, that there is something of what Miss McDonald regards as the lack of legend and romance in this region in our life generally.”
“I fancy everybody feels that who travels much elsewhere. You mean life seems a little thin, as the critics say?”
“Yes, lacks color and background. But, you see, I have no experience. Perhaps it's owing to Miss McDonald. I cannot get the plaids and tartans and Jacobins and castles and what-not out of my head. Our landscapes are just landscapes.”
“But don't you think we are putting history and association into them pretty fast?”
“Yes, I know, but that takes a long time. I mean now. Take this lovely valley and region, how easily it could be made romantic.”
“Not so very easy, I fancy.”
“Well, I was thinking about it last night.” And then, as if she saw a clear connection between this and what she was going to say, “Miss McDonald says, Mr. Burnett, that you are a writer.”
“I? Why, I'm... I'm—a lawyer.”
“Of course, that's business. That reminds me of what papa said once: 'It's lucky there is so much law, or half the world, including the lawyers, wouldn't have anything to do, trying to get around it and evade it.' And you won't mind my repeating it—I was a mite of a girl—I said, 'Isn't that rather sophistical, papa?' And mamma put me down'—It seems to me, child, you are using pretty big words.'”
They both laughed. But suddenly Evelyn added:
“Why don't you do it?”
“Do what?”
“Write a story about it—what Miss McDonald calls 'invest the region with romance.'”
The appeal was very direct, and it was enforced by those wonderful eyes that seemed to Philip to discern his powers, as he felt them, and his ambitions, and to express absolute confidence in him. His vanity was touched in its most susceptible spot. Here seemed to be a woman, nay, a soul, who understood him, understood him even better than Celia, the lifelong confidante. It is a fatal moment for men and women, that in which they feel the subtle flattery of being understood by one of the opposite sex. Philip's estimation of himself rose 'pari passu' with his recognition of the discernment and intellectual quality of the frank and fascinating girl who seemed to believe in him. But he restrained himself and only asked, after a moment of apparent reflection upon the general proposition:
“Well, Miss Mavick, you have been here some time. Have you discovered any material for such use?”
“Why, perhaps not, and I might not know what to do with it if I had. But perhaps you don't mean what I mean. I mean something fitting the setting. Not the domestic novel. Miss McDonald says we are vulgarized in all our ideals by so much domesticity. She says that Jennie Deans would have been just an ordinary, commonplace girl but for Walter Scott.”
“Then you want a romance?”
“No. I don't know exactly what I do want. But I know it when I see it.” And Evelyn looked down and appeared to be studying her delicate little hands, interlacing her taper, ivory fingers—but Philip knew she did not see them—and then looked up in his face again and said:
“I'll tell you. This morning as we came up I was talking all the way with your cousin. It took some time to break the ice, but gradually she began to say things, half stories, half poetic, not out of books; things that, if said with assurance, in the city would be called wit. And then I began to see her emotional side, her pure imagination, such a refinement of appreciation and justice—I think there is an immovable basis of justice in her nature—and charity, and I think she'd be heroic, with all her gentleness, if occasion offered.”
“I see,” said Philip, rather lightly, “that you improved your time in finding out what a rare creature Alice is. But,” and this more gravely, “it would surprise her that you have found it out.”
“I believe you. I fancy she has not the least idea what her qualities are, or her capacities of doing or of suffering, and the world will never know—that is the point-unless some genius comes along and reveals them.”
“How?”
“Why, through a tragedy, a drama, a story, in which she acts out her whole self. Some act it out in society. She never will. Such sweetness and strength and passion—yes, I have no doubt, passion under all the reserve! I feel it but I cannot describe it; I haven't imagination to make you see what I feel.”
“You come very near it,” said Philip, with a smile. And after a moment the girl broke out again:
“Materials! You writers go searching all round for materials, just as painters do, fit for your genius.”
“But don't you know that the hardest thing to do is the obvious, the thing close to you?”
“I dare say. But you won't mind? It is just an illustration. I went the other day with mother to Alice's house. She was so sort of distant and reserved that I couldn't know her in the least as I know her now. And there was the rigid Puritan, her father, representing the Old Testament; and her placid mother, with all the spirit of the New Testament; and then that dear old maiden aunt, representing I don't know what, maybe a blind attempt through nature and art to escape out of Puritanism; and the typical old frame farmhouse—why, here is material for the sweetest, most pathetic idyl. Yes, the Story of Alice. In another generation people would come long distances to see the valley where Alice lived, and her spirit would pervade it.”
There could be but one end to such a burst of enthusiasm, and both laughed and felt a relief in a merriment that was, after all, sympathetic. But Evelyn was a persistent creature, and presently she turned to Philip, again with those appealing eyes.
“Now, why don't you do it?”
Philip hesitated a moment and betrayed some embarrassment under the questioning of the truthful eyes.
“I've a good mind to tell you. I have—I am writing something.”
“Yes?”
“Not that exactly. I couldn't, don't you see, betray and use my own relatives in that way.”
“Yes, I see that.”
“It isn't much. I cannot tell how it will come out. I tell you—I don't mean that I have any right to ask you to keep it as a secret of mine, but it is this way: If a writer gives away his imagination, his idea, before it is fixed in form on paper, he seems to let the air of all the world upon it and it disappears, and isn't quite his as it was before to grow in his own mind.”
“I can understand that,” Evelyn replied.
“Well—” and Philip found himself launched. It is so easy to talk about one's self to a sympathetic listener. He told Evelyn a little about his life, and how the valley used to seem to him as a boy, and how it seemed now that he had had experience of other places and people, and how his studies and reading had enabled him to see things in their proper relations, and how, finally, gradually the idea for a story in this setting had developed in his mind. And then he sketched in outline the story as he had developed it, and left the misty outlines of its possibilities to the imagination.
The girl listened with absorbing interest, and looked the approval which she did not put in words. Perhaps she knew that a bud will never come to flower if you pull it in pieces. When Philip had finished he had a momentary regret for this burst of confidence, which he had never given to any one else. But in the light of Evelyn's quick approval and understanding, it was only momentary. Perhaps neither of them thought what a dangerous game this is, for two young souls to thus unbosom themselves to each other.
A call from Mrs. Mavick brought them to their feet. It was time to go. Evelyn simply said:
“I think the valley, Mr. Burnett, looks a little different already.”
As they drove home along the murmuring river through the golden sunset, the party were mostly silent. Only Mrs. Mavick and Philip, who sat together, kept up a lively chatter, lively because Philip was elated with the event of the day, and because the nap under the beech-tree in the open air had brightened the wits of one of the cleverest women Philip had ever met.
If the valley did seem different to Evelyn, probably she did not think so far as to own to herself whether this was owing to the outline of the story, which ran in her mind, or to the presence of the young author.
Alice and Philip were set down at the farmhouse, and the company parted with mutual enthusiasm over the success of the excursion.
“She is a much more interesting girl than I thought,” Alice admitted. “Not a bit fashionable.”
“And she likes you.”
“Me?”
“Yes, your ears would have burned.”
“Well, I am glad, for I think she is sincere.”
“And I can tell you another thing. I had a long talk while you were taking your siesta. She takes an abstract view of things, judging the right and wrong of them, without reference to conventionalities or the practical obstacles to carrying out her ideas, as if she had been educated by reading and not by society. It is very interesting.”
“Philip,” and Alice laid her hand on his shoulder, “don't let it be too interesting.”