CHAPTER VII.

Fig. 25.—Snaffle-reins; one in each hand.Fig. 25.—Snaffle-reins; one in each hand.

Fig. 25.—Snaffle-reins; one in each hand.

The hands being closed, but not too tightly,must be held with their backs toward the horse's head, and each rein, as it ascends from the bit, must be passed between the third and fourth fingers of its appropriate hand, carried across the inner surface of the third, second, and first fingers, and then be drawn over the outside (or side next to the thumb) of the first finger, against which it must be held by firm pressure of the thumb. The thumbs must be held opposite each other and uppermost, the finger-nails toward the body, and the back of the wrists must be rounded a little outwardly, so as to make a slight bend of the closed hand toward the body. The little fingers must be held down and nearly in a horizontal line with the tips of the elbows; and the hands be kept as low as possible, without resting upon the knees, and be about four inches distant from the body, and from four to six inches apart. (Fig. 25.)

This arrangement of hands and reins may be termed the "original position" when a snaffle-rein is held in each hand, of which all the others are variations. In this position,—the reins being held just short enough to feel the horse's mouth,—if the hands be now slightly relaxed by turning the nails and thumbs toward the body, the latter being, at the sametime, inclined a little forward, the horse will be enabled to advance freely, and, as soon as hemoves onward, the original position of the hands must be gently resumed. It is proper to remark here, that when using the snaffle-reins only, the curb-bit should always be in the horse's mouth, its reins being tied and allowed to rest upon his neck, although the pupil must not be allowed to meddle with it. The presence of the curb in the horse's mouth, although not used, has a restraining influence, especially with an animal accustomed to it.

To turn the horse to the right, the right rein must be shortened so as to be felt at the right side of his mouth; to effect this, the little finger of the right hand must, by a turn of the wrist, be moved in toward the body and sufficiently toward the left, with the nails up and the knuckles down, while, in order to aid the horse, the rider will simultaneously turn her face and shoulders slightly to the right. The animal having made the turn, the hand must gently return to the original position, and the body again face to the front.

To turn the horse to the left, the left rein must be shortened, by a turn of the left wrist, carrying the little finger of the left hand toward the body and to the right, nails upward, etc.,while the pupil will slightly turn her face and shoulders to the left. The turn having been effected, the original position must be resumed, the pupil, in all these cases, taking great care that the markings on her reins are even and in the correct position.

To stop the horse, both reins must be shortened evenly; this must be accomplished by a turn of both wrists that will bring the little fingers toward the body with the finger-nails uppermost, the body of the pupil being, at the same time, slightly inclined backward. Now, by bending the wrists to a still greater degree, and bringing the hands in closer to the body, which must be inclined a little forward, and nearly in contact with each other, thus throwing more strength upon the reins, the horse will be compelledto back. To make himmove on again, the hands and body must resume the original position, and the hands must be relaxed, etc., as stated above.

When the pupil becomes more advanced, and can command her horse, in all his gaits, with the reins separate, one in each hand, she will then be prepared for lessons in handlingboth reins with the left handonly, still employing the snaffle, as her touch may not be delicate enough for the curb.

Fig. 26.—Snaffle-reins; both in the left hand.Fig. 26.—Snaffle-reins; both in the left hand.

Fig. 26.—Snaffle-reins; both in the left hand.

For this purpose, the reins being held for the time being in the right hand, the left, having its back toward the horse's head, will seize them as follows: its little finger must be passed directly between the two reins, the left rein being on the outer side of this finger and the right one on its right side, between it and the third finger. This done, the reins must be drawn up nearly even to the marks upon them,4so as just to feel the animal's mouth, noticing that these marks are nearly on a line with each other, while that portion of the reins lying within the hand must be carried across its palm to the index finger, to a point between its first and second joints, against which point, being placed evenly with one overlying the other, they areto be firmly held by pressure of the thumb; the right hand may now quit its hold upon the reins. (Fig. 26.)

The reins having been properly placed in the left hand according to the directions just given, this hand, being closed, but not too tightly, must be held at a distance of about three inches from the front part of the waist, with the wrist slightly rounded, the nails toward the body, the back of the hand toward the horse's head, and the little finger down and a little nearer the body than the others. The under surface of the bridle arm and hand, from the tip of the elbow to the first joint of the little finger, should be held nearly in a horizontal line. The elbow must be held somewhat close to the side but not in contact with it, and should be kept steady. Care must be taken, when the reins are held in the left hand, that the right shoulder be not thrown back, nor the left one elevated, faulty positions common to beginners when not otherwise instructed. The right arm should be allowed to hang easily and steadily at the side, the whip being lightly held in it, with its point downward. When the snaffle-reins are held in the left hand as described, we may term this the "original position," of which all the others are variations.

In order that the horse maymove onward, the left hand, holding the reins as just described, should be relaxed by turning the thumb downward and toward the body until the back of the hand is up and the finger-nails down; at the same time, the pupil should slightly incline her body forward, being careful not to round the shoulders,—aiding the movement by the voice, or, if necessary, by a gentle tap of the whip. The horse having started onward, the original position must be gently resumed.

In order toturn the horse to the right, the left wrist must be turned so as to bring the nails down and the knuckles up,—the thumb being toward the body,—at the same time carrying the little finger slightly to the left, and drawing the reins a little upward. This movement will effect the necessary shortening of the right rein, without allowing any looseness of the left one. The turn having been accomplished, the hand must resume the original position. It must not be forgotten, that while making this turn the face and shoulders must be turned somewhat to the right, or in the direction in which the horse is moving.

To turn to the left, the bridle-hand being in the original position, its wrist must be turned so as to carry the finger-nails up, and the knucklesdown, simultaneously moving the little finger toward the right and pressing it against the left rein, both reins being drawn slightly upward. This manœuvre shortens the left rein, without relaxing the right. In this turn the movements of the horse should be aided by the rider's face and shoulders being turned a little to the left. The turn having been made, the original position must be resumed.

The horsemay be stoppedby simply turning the wrist so as to carry the finger-nails up, the knuckles down, and the little finger toward the body, which must be slightly inclined backward. Now, by bracing the muscles of the hand, bending the wrist and carrying the hand farther in toward the waist, at the same time advancing the body, the animal will be madeto back; though, in backing a horse, it will be better to employ both hands. After having stopped, or backed the horse, to make himmove onward, a course should be pursued, with both reins in the bridle-hand, similar to that described for the same purpose when a rein is held in each hand.

To change the snaffle-reins from the left to the right hand, as is sometimes necessary in order to adjust the skirt, to relieve the left hand, etc., the following course must be pursued,whether the horse be in rapid or slow motion: While the left hand must retain its position and gentle pressure of the reins upon the horse's mouth, the right must be carried to and over the left hand, its forefinger be passed between the two reins, so that the left rein will be on the left side of this finger, and the right on its right side, between the first and second fingers; both reins must now be carried to the right, across the palm, to the little finger; the hand must then be firmly closed, and the thumb be pressed against the left rein, holding it in contact with the index finger,—the left hand now gives up the reins. In this change, while the right hand is being carried over to the left, this latter must be held stationary, as any movement of it to meet the right hand may cause the animal to turn or swerve from his course, and will at the same time interfere with his gait.

To return the reins to the left hand, the following course must be pursued: While the right hand must remain steady and sustain the gait of the horse, the left must be carried to and over it, insert its little finger between the two reins, so that the left one will be on the left or outer side of this finger, and the right one on its right side, between it and the third finger;then the reins must be drawn through the left hand, and be arranged and held in this hand in the same manner as explained when describing the original position of both snaffle-reins in the bridle-hand.

These various changes must be made quickly and expertly, without altering the degree of pressure or pull upon the horse's mouth. The novice will find it greatly to her advantage to learn the management of the reins before mounting the horse, and can do so by fastening the bit-end of the reins to some stationary object, and then practicing the different changes, until she can perform all these manœuvres without looking at her hands or the reins.

When both the reins are held in the left hand, the rider has not so much command over her horse as when they are held one in each hand. For this reason, unless her steed be exceptionally well-trained and obedient, it will be better, when in a crowded thoroughfare, where quick turns have to be made, to hold a rein in each hand, and this will become absolutely necessary if the animal be hard mouthed or unruly.

When the horse is in motion and the reins are held in the left hand, theirseparationmay be quickly effected by carrying the right hand toand over the left, the latter retaining its steadiness all the time, and then passing the first three fingers of the right hand between the two reins, so that they may readily close upon the right rein; the thumb will then keep this rein firm by pressing it against the first joint of the index finger. The position of the hands and reins will then, after a movement of the left little finger to place the rein between it and the third, be the same as described for the original position where a snaffle-rein is held in each hand.

Should the reins become too long when held separately, they can readilybe shortenedby returning the right rein to the bridle-hand, placing it directly over the left rein between the third and little finger, and then, by means of the right hand, drawing the loose rein or reins through the bridle-hand to the proper length, after which the right rein may again be taken in the right hand, as already described.

When the reins are held in one hand, they can beshortened or lengthenedby simply seizing them at their free, disengaged ends with the right hand, and while this holds them and sustains the horse, the left hand must be slipped along the reins, up or down, as may be required, but without changing their arrangement.

Another way of holding the reins in the bridle-hand is to pass the right rein to the right of, and underneath, the index finger, and then carry it across the palm, so as to escape beyond the little finger; while the left rein must be passed to the left of the little finger (or between it and the third finger), and then be carried across the palm to escape beyond the index finger. The author cannot recommend this manner of holding the reins to ladies who desire to become accomplished and graceful riders, because the movements of the hands and arms, when turning, or managing the horse, are much more conspicuous; and there is not that delicate correspondence with the animal's mouth that can be obtained by the other methods described.

After the pupil has become expert in riding with the snaffle, she will be ready for thedouble bridle, or thecurb-bit and bridoon. The double bridle must beheld in the left handin the following manner: Thebridoonorsnaffle-reinsare first to be taken up, evenly, by the right hand and then the second finger of the left hand be passed between these reins (the left rein being between the second and third fingers, and the right rein between the first and second), the back of the hand being directedsomewhat upward, with the knuckles toward the horse's head; the reins should then be pulled up by the right hand just enough to feel the horse's mouth, and carried across the palm to the index finger, where they should be held in position by firm pressure with the thumb.

Fig. 27.—Double bridle: all reins in the bridle-hand.Fig. 27.—Double bridle: all reins in the bridle-hand.1, upper reins, snaffle; 2, lower reins, curb.View larger image.

Fig. 27.—Double bridle: all reins in the bridle-hand.1, upper reins, snaffle; 2, lower reins, curb.

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Thecurb-reinsare now to be taken evenly by the right hand, and then the little finger of the left hand be passed between the two reins, the left rein being upon the left or outer side of the little finger, and the right rein between the little and third fingers; both curb-reins should next be drawn upward by the right hand until they are nearly the length of the snaffle, and carried across the palm, one rein overlying the other, to the index finger, between its first and second joints, and between the snaffle-reins and the thumb, at which point all the reins must be firmly held by pressure of the thumb against them; the right hand will now remove its hold. (Fig. 27.) The above manœuvring of the reins will give the "original position" for the double bridle in the left hand. All these reins should be of nearly equal length, the snaffle being slightly the shortest, so that, while riding with the latter, the curb may be ready for instant use; this may be brought into play by simply turning the wristso as to carry the little finger up and toward the waist. And the full power of the curb may be brought into action by turning the wrist so as to carry the knuckles down and the nails up, at the same time drawing the little finger toward the waist.

To shorten or lengthen both the curb and snaffle reins evenlywithout abandoning the horse to himself for a moment, or without ceasing to keep up his action, the following method may be pursued: The loose, disengaged ends of all the reins that extend beyond the index finger of the left hand must be taken between the thumb and forefinger of the right hand, care being taken during this manœuvre to keep up the support to the horse with this hand; the grasp of the left hand upon the reins must now be sufficiently relaxed to allow this hand to slide along the reins downward to shorten them, or upward to lengthen them; this must be effected without deranging their adjustment; when the proper range has been obtained, remove the right hand.

To shorten the curb and lengthen thesnaffle-reins: The loose, disengaged ends of all the reins must be held in the same manner as stated in the preceding paragraph, between the thumb and index finger of the right hand, not omitting to keep up a support to the horse; the grasp of the left hand must now be slightly relaxed, and this hand be slid up along all the reins, which movement will lengthen them in the left hand. The grasp of the right hand upon the snaffle-reins must now be relaxed, and the left hand be slid down along the curb-reins, carrying the snaffle-reins with it, until the proper range or distance has been attained, when the right hand may be removed. While these changes are being made, the right hand must sustain the horse by the curb-reins until the left has obtained a firm hold upon all.

To shorten the snaffle and lengthen the curb reins, a course similar to the one just preceding must be pursued, except that in this case the right hand must retain the snaffle-reins, and support the horse by them, while the left hand, in sliding down, will carry those of the curb. In all these changes of the various reins, it must be remembered that after each change has been effected the reins must be held in place by firm pressure of the thumb, as already described.

Wheneither of the reinsheld in the lefthandbecomes loose, it may be tightened, by carrying the right hand to and over the left one, seizing the loose rein by its disengaged end that hangs loosely from the left index finger, and drawing it up as far as is necessary. While this is being done, the left hand must not be removed from its position, and should continue to keep up a steady pressure upon the horse's mouth.

In requiring the horseto stop,to back,to turn, orto advance, the management of the double bridle-reins will be exactly the same as stated in the directions given when holding the snaffle-reins in the left hand.

When boththe curb and the snaffle reinsare held in the bridle-hand, they may bechanged to the right hand, when this is desired, as follows: The right hand must be carried to the left; the second finger of the right hand must be placed between the snaffle-reins (already separated by the second finger of the left hand); and the little finger of the right hand between the curb-reins (already separated by the little finger of the left hand); this done, the thumb and fingers of the right hand must be closed upon the reins, which must, at the same time, be released by the left hand.

To restore these reins to the left hand, thepupil must proceed as follows: Carrying the left hand to the right, the second finger of the left hand must be placed between the snaffle-reins, and the little finger of this hand between the curb-reins; this having been done, the thumb and fingers must be closed upon all the reins, while the right hand releases its hold. These several changes can be made whether the horse be moving slowly or rapidly, care being taken to effect them so quietly that the horse will not be abandoned to himself from want of support, nor interrupted in the rhythm of his gait.

If when riding with the double bridle in the bridle-hand, very quick turns have to be made, or when the horse will not yield readily to the movements of the bridle-hand, it will become necessary toseparate the reinsby taking that of the right snaffle in the right hand; this can be quickly effected by carrying the right hand to and over the left, and seizing the right snaffle-rein with the first three fingers of the right hand; this rein will pass between the third and little fingers and across the palm, so that the loose, disengaged end will escape from between the thumb and forefinger.

Fig. 28.—Double bridle; a snaffle and a curb rein in each hand.Fig. 28.—Double bridle; a snaffle and a curb rein in each hand.1, 1, snaffle-reins; 2, 2, curb-reins.View larger image.

Fig. 28.—Double bridle; a snaffle and a curb rein in each hand.1, 1, snaffle-reins; 2, 2, curb-reins.

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In America, most lady riders prefer to guide the horse with the bridle-hand only; in doingthis, although they may appear more careless and graceful, they certainly lose much command over the animal. The method at present employed by the best European horsewomen, whoseldom ride with the reins in the left hand alone, is as follows: The little finger of the right hand is to be passed between the right curb and snaffle reins in such a way that the curb-rein will be on the outer side of this finger, and the snaffle between it and the third finger; both reins must then be carried across the palm, and be firmly held by the thumb against the forefinger. The little finger of the left hand is also to be passed between the left snaffle and curb reins, in a similar manner to that just described, and the reins must be held firm by the thumb and forefinger of this hand. (Fig. 28.) This arrangement may be termed the "original position" for a curb and snaffle rein in each hand.

When the reins are thus separated, the action upon the horse's mouth will be much more powerful than when they are all placed in the bridle-hand. They should be held nearly even,the snaffle being somewhat shorter than the curb, so that the hold or pressure upon the animal's mouth may be made by the former; but should it be required on any occasion to employ the curb, this can be brought into instant use by a slight turn of the wrists, that will carry the little fingers up and toward the rider's waist. Tostop, toback, toturn, or toadvance, the reins must be managed in the same way as when one snaffle-rein alone is held in each hand. In all these various ways of holding the double bridle, the snaffle-reins should, as they pass upward from the bit, always be placed above those of the curb; indeed, it would be rather awkward to hold them otherwise.

As already stated, when the object for which any change of hands and reins has been made is effected, the hands should always resume the original position, as explained for the snaffle-reins when one is held in each hand,—thus, hands four inches from the body, four inches apart, etc. The arms and elbows must be kept as steady as possible, all movements of the reins being made with the wrists and fingers, unless the horse be hard mouthed or badly trained, when the arms will have to be employed and more force will be required. But a horse of this kind should never be ridden by a woman;and the directions herein given will be found amply sufficient to control a well-trained, properly-bitted animal.

The preceding directions relative to holding and managing the reins may appear very tedious and exceedingly complicated. But if the pupil, commencing with the snaffle-reins, one in each hand, will carefully study and practice each method in succession, she will soon find that all these apparently difficult manœuvres are very simple when put into practice, and can be readily learned in half a dozen lessons. When she has once fully mastered them, she will be astonished to find how little management, when it is of the right kind and based upon correct principles, will be required to make her steed move in an easy and pleasant manner.

After the rein-hold has been acquired, and the pupil properly seated in the saddle, she will, if the reins are held steady, observe with each step of the horse as he advances in the canter or gallop, a slight tug or pull upon the reins. This pull will also be simultaneously felt by the horse's mouth, between which and the rider's hand or hands there will be what may be termed acorrespondence. This correspondence gives asupportto the horse, provided the rider, while maintaining an equal degree of tension upon thereins, will "give and take," or, in other words, will allow the movements of the bridle-hand to concur with those of this tug or pull. Adead pullmay be made by bracing the muscles of the hand, tightly closing the fingers upon the reins, and holding the hand immovable; but this should never be done, except to convey some imperative command to the horse, or when he attempts to gain the ascendency. This kind of pull will interfere with the natural movements of the horse's head, making him move in a confined, irregular manner, and will oblige him toforce the rider's handorhands;that is, in order to relieve himself from this restraint, he will give a sudden downward jerk of his head, which may take the reins from her hands, unless she be upon her guard; or else he will move heavily upon his fore-legs, and make his rider support the weight of his head and neck.

Should the curb be used instead of the snaffle, the result may be still worse; because when the curb-reins are pulled upon, the port or arched part of the bit will come in contact with the roof of the animal's mouth, and will press upon it to a degree corresponding to the power used upon the reins, while the curb-chain will be forced against the lower jaw, and if this continual pressure or dead pull be kept up the animalwill experience considerable pain. To relieve himself, he will suddenly throw his head either up or down and may even rear. In the latter case, if his rider does not instantly relax her hand, he will be apt to fall backward, which is one of the most serious accidents that can happen when riding. If this rigid pull upon the curb be continued, the horse will be certain, ultimately, to become hard mouthed, if not vicious. This is a reason why so many riders, though having the double bridle-reins, use only the snaffle, and allow the curb-reins to hang quite loosely, being afraid to employ them, as experience has taught them that this rigid hold upon the reins will be instantly resented by the horse. Hence the curb-reins appear to be attached to the head-gear of their horses more as an article of ornament than of utility.

In order that a lady's horse may move lightly and well upon his haunches, the curb will have to be employed occasionally tocollectandrestrainhim; and when it is managed properly, he will advance in better style than when the snaffle alone is used. The snaffle will answer a better purpose when employed to guide the horse in turning completely around, or in movements to the right or to the left; while the curb will answer during a straightforwardmotion to keep the animal well up to his action and to bring out his best gait, as well as to collect and restrain him.

An easy "give and take" feeling can be effected by slightly loosening or opening the fingers of the bridle-hand or hands as the horse springs forward; as the hand feels the pull upon the reins, it must yield to this sensation, and will thus allow the animal liberty in his spring or advance movements. Then, as the action of the horse lessens or recedes, the reins will be felt to slacken, when the fingers should be closed, which will tighten the reins, support the animal, and keep him under control. This "give and take" movement should occur alternately and simultaneously with the cadence of each step of the steed, and should be effected without any backward or forward movements of the arm or arms, which must be held steady,—except in a rapid gallop, in which case both the hand and arm will, to a certain extent, have to move to and fro. In the "give and take" movement the reins should not be allowed to slip in the slightest degree, nor to be jerked from the rider's hand by any sudden motion of the horse's head; on the contrary, they should always be held firm between the thumb and the first and second joints of the index finger, theother fingers aloneperforming the alternate action of loosening and tightening the reins.

The reader will be better enabled to understand this explanation if she will take a piece of elastic, pass it around her right hand, which will correspond to the horse's mouth, and then hold the two ends in her left hand, exactly in the manner explained for holding the double bridle-reins in one hand. Now, by making tension on the elastic (or reins) with the left hand, so that the right (or supposed horse's mouth) can just feel this pressure, acorrespondencewill be formed between these two hands (or bridle-hand and supposed horse's mouth) through which the slightest movement of the left hand, or of its second, third, or fourth fingers, will be immediately felt by the right hand; then, while holding the elastic (or reins) firmly, by pressure, between the thumb and index finger, by alternately opening and closing the fingers of the left hand, she will observe that when her fingers are closed there will be quite a tension upon the elastic and consequently upon the right hand, and when they are slightly opened this will become flaccid. The relaxation and contraction of the hand constitutes the "give and take" movement, which causes the horse to move easily, pleasantly, and with perfect freedom,while at the same time he is kept in entire obedience to his rider. Indeed, this movement isthe grand secret of good riding and correct management of the horse, and there can be no good riding without it.

With this movement there should always be a certain support or pull upon the horse's mouth,—firmer or lighter according to the sensitiveness of his mouth, as some animals are harder mouthed than others, and consequently require a firmer support;—this tension or pressure should be rather light in the walk and canter, firmer in the trot, and very light in the hand gallop. In the rapid gallop, the horse requires considerable support.

In all cases ofrestiveness, except in rearing, raising the bridle-hands will give more command over the horse, as it will cause him to keep up his head, and thus while lessening the power of the animal will at the same time add to that of the rider. On the contrary, should the horse lower his head, and the bridle-hands be held low, the power of the animal will be augmented and he can bid defiance to his rider, unless she can raise his head. She will have to do this in a gentle but firm manner, soliciting, as it were, the desired elevation of his head by raising her hands and quickly relaxing and contractingthe fingers, but being careful to keep the reins in place between the thumb and index finger of each hand; she will thus gradually oblige him to raise his neck with his chin drawn in, so that control over his mouth may be regained.

Should he resist this method, the reins must be momentarily slackened, and then a decided jerk or pull be given them in an upward direction; this will cause a sharp twinge in his mouth, and make him raise his head. In these manœuvres the curb-bit should be used, and as the animal raises his head the rider should gently relax the reins, and also be on her guard lest he rear. In some instances a decided "sawing" of his mouth with the snaffle—that is, sharply pulling upon one rein and then upon the other, and in rather quick succession—will cause him to raise his head and neck.

When a horse is obedient, all changes in the degree of pressure upon his mouth should be made gradually, because, if a sudden transition be made from a firm hand to a relaxed one, he will be abruptly deprived of the support upon which he has been depending and may be thrown forward on his shoulders. Again, to pass precipitately from a slack rein to a tight one will give a violent shock to his mouth,cause him to displace his head, and destroy the harmony of his movements. As a means of punishment, some riders jerk suddenly, repeatedly, and violently upon the reins; this "jagging on the reins" is a great mistake, and will be likely to result in more harm to the rider than to the horse, as the latter may suddenly rear, or else have a bad temper aroused that will be difficult to overcome.

When riding on the road there will be times when the horse will require more liberty of the reins, as, for instance, when his head or neck becomes uncomfortable from being kept too long in one position, when he has an attack of cough, when he wants to dislodge a troublesome fly, etc. In giving this liberty when occasion requires, the reins must not be allowed to slip through the hands, but the arms should be gradually advanced, without, however, inclining the body forward.

The movements of the body must correspond with those of the horse and of the rider's hands; thus, when the animal is moving regularly and straight forward, the hands, or bridle-hand, being held firm and steady immediately in front of the waist, the body must then be seated squarely, with its front part to the front, so that the rider can look directly between theears of her steed. When the animal turns completely around to the right or to the left, the shoulders and head of the rider must also turn a little toward the direction taken by the horse, while the hand must be slightly carried in an opposite direction. When turning a corner, the entire body from the hips upward must incline toward the centre of the circle of which the turn forms an arc, or, in other words, the body must incline toward the direction taken by the horse, and the degree of this inclination must be proportioned to the bend of the horse's body, and to the rapidity of his pace while turning.

When the horse advances, and the hands are relaxed, the body must momentarily lean slightly forward without rounding the shoulders; this will aid the horse in commencing his forward movement. In stopping him, the rider's body must be inclined slightly backward as the hands rein him in. All these movements should be made gradually, and never abruptly.

When a horse stumbles, or plunges from viciousness or high spirits, the rider's body must be inclined backward, as this will enable her to maintain her balance more effectually as well as to throw more weight upon the reins. Onthe contrary, when he rears the bridle-hand must be instantly advanced or relaxed, the body at the same time being inclined well forward, which will throw the rider's weight upon the animal's shoulders and fore-legs, and cause him to lower his fore-feet to the ground.

A horse is said to beunitedorcollectedwhen he moves easily in a regular, stylish manner, well on his haunches, with head and neck in proper position, his rider exercising perfect control over him by gentle pressure upon his mouth, and keeping up the regular movements of the animal by a quiet and dexterous "give and take" action of her hands.

He isdisunitedwhen he moves in an irregular manner, or heavily upon his fore-legs, occasioning the rider to support the weight of his neck and shoulders; also, when the reins are too slack and exercise no pressure upon his mouth, in which case, having no aid or support from his rider's hand, he will move carelessly, or exactly as he pleases.

Incollecting a horse, the aid of the whip and the left leg will frequently be required, as the rider's hand alone may not be sufficient. In such a case, the left leg must be lightly pressed against his left side and the whip at the same time be pressed against his rightside; these in conjunction with the action of the bridle-hand,5as heretofore explained, will collect him and bring him up to his bridle with his haunches well under him,—the proper position for starting. As soon as he moves there should be only a light pressure on his mouth. In order to perform the above feat effectively, the whip must not be too limber and must always be held with its lash downward. This simultaneous pressure of the whip and left leg has the same effect in collecting the horse as that of the horseman's right and left legs. Should the horse flag in his movements or move heavily upon his fore-legs, a repetition of this pressure of the leg and whip, in conjunction with the proper movements of the bridle-hand, will bring him well on his haunches and lighten his action.

The horse is always animated by mild taps of the whip, light pressure of the hand upon the curb, a clacking of the tongue, or an urging tone of his mistress's voice. He is soothed and rendered confident by mild and encouraging tones of voice, by the rider's sitting easily, bya gentle hold upon the reins, and by caressing pats upon his neck and shoulders.

In the directions given in this chapter, necessarily involving more or less repetition, the author has endeavored to be as clear, comprehensible, and simple as possible. And the rider will find it of much greater advantage to have these instructions printed, than to be required to learn them orally, as she can read and re-read them at pleasure and have them thoroughly committed to memory before mounting her horse. And, although it has required many pages to present these instructions to the reader, she will find that their application will prove very simple, and will also be agreeably surprised to observe the great control she will have over the feelings and movements of her steed through their agency. Horses are generally very sagacious, and appear to recognize promptly any timidity, awkwardness, or ignorance on the part of their riders, and, according to their temper or disposition, will take advantage of such recognition, either by advancing carelessly or by manifesting trickiness or viciousness. The best trained horse always requires to be kept under command, but by kind treatment and correct management. The horse, when ridden by a finished horsewoman, knows that althoughallowed to move with a light rein he is under the control of a masterly hand that will aid him in his efforts to please, but will instantly bring him into submission if he does not yield entire obedience.

"And do you not love at evening's hour,By the light of the sinking sun,To wend your way o'er the widening moor,Where the silvery mists their mystery pour,While the stars come one by one?Over the heath by the mountain's side,Pensive and sweet is the evening's ride."E. Paxton Hood.

"And do you not love at evening's hour,By the light of the sinking sun,To wend your way o'er the widening moor,Where the silvery mists their mystery pour,While the stars come one by one?Over the heath by the mountain's side,Pensive and sweet is the evening's ride."E. Paxton Hood.

"And do you not love at evening's hour,By the light of the sinking sun,To wend your way o'er the widening moor,Where the silvery mists their mystery pour,While the stars come one by one?Over the heath by the mountain's side,Pensive and sweet is the evening's ride."

E. Paxton Hood.

In walking, the horse moves nearly simultaneously the two legs that are diagonally opposite to each other, first one pair, and then the other. Thus, the right fore and the left hind leg make one step nearly at the same time, and when these have touched the ground, the left fore and the right hind leg are raised and advanced in a similar manner, and so on in succession. In this manner as one pair of legs moves onward the other pair sustains the weight of the animal; and of the two legs that act together the fore one is raised from as well as placed upon the ground slightly previous to the hind one. This is the reason why a horse which walks well and in a regular manner will nearlyor quite cover the foot-marks of his fore-feet with those of his hind ones. If the hind-foot should fall short of covering the track of the fore one, the animal will not be a good walker; if, on the contrary, it should pass somewhat beyond the mark of the fore-foot, it will indicate him to be a fast walker, although he may overreach.

In both the walk and the trot, when the horse is moving regularly, a quick ear can detect four distinct beats or tappings of the feet; when these beats mark equal time and sound exactly alike for each footstep, it may be inferred that the horse is a good walker as well as a good trotter, and that all his legs are sound. But if one beat be lighter than the others, it may be assumed that there is some disease in the foot or leg that produces this beat. Horse-dealers will often endeavor to disguise this defect by adopting means to disable the animal temporarily in his healthy leg, as the treads will then be made more nearly alike, though the slight shade of difference thus effected can be readily detected by a quick, experienced ear. These hoof-beats are best heard when made on a hard road.

A horse that is a good walker will move with a quick step, his hind-legs well under him, hisfoot-taps marking regular time, and his feet measuring exact distances, while he will lift his feet just high enough to escape obstructions on the road, thrusting each foot well forward, and placing it lightly, though firmly and squarely, upon the ground. He will advance in a straight line, vacillating neither to the right nor left, and should be able to accomplish at least from four to four and a half miles per hour.

The walk of a lady's horse is almost always neglected, and as a good walk is a sure foundation for perfection in all other gaits, a lady should positively insist that her steed be thoroughly trained in this particular; especially if she be large and majestic looking, because the walk will then become her specialty. A stout woman does not ride to the best advantage at a rapid gait, but upon a horse that has the walk in perfection she presents an imposing, queen-like appearance. If her steed, however, be allowed to saunter along in a careless, listless manner, all the charm will be destroyed, and thetout ensemblewill present by no means a pleasing picture.

The beginner in riding should learn to sit and manage her horse in a walk, and should never attempt to ride a faster gait until she can collect her steed, make him advance, turn him tothe right and to the left, and rein him back; this last movement is a very important one, with which few teachers strive to make their pupils thoroughly acquainted. Reining back will not only bring the horse under better command, but, with a lady's horse, a short reining back from time to time will improve his style of motion in his various gaits; besides which, the rider may on some occasion be placed in a situation in which, for her own safety, she will be compelled to move her horse backward.

Fig. 29.—The Walk.Fig. 29.—The Walk.

Fig. 29.—The Walk.

To begin the walk: The pupil, having placed herself in the saddle, must not allow her horse to move until she is quite prepared, her skirt adjusted, and the whip and reins properly arranged in her hands. Then, drawing gently upon the curb and snaffle reins, a little more upon the former than upon the latter, and at the same time gently pressing against the animal's side with her left leg, and against his right side with the whip, as heretofore explained, she will thuscollect her horse, and start him upon the walk. As soon as he has begun to move forward, the pressure of the leg and whip must cease, and the hand or hands must be held steady on the snaffle, the curb no longer being required, unless the animal flags in his movements. The hold upon the snaffle must be onlytense enough to enable the rider to feel the beat of the horse's action as he places each foot upon the ground, and to give him a slight support and keep up an even action. Should this support be too heavy, his step will be shortened, and he will be unable to move freely; should it be insufficient, he will carry his head low, will not raise his feet high enough to escape stumbling, will knock his toes against every inequality of the ground, and both he and his rider will present an indolent and listless aspect. Her attitude should be easy and erect, but she should yield herself slightly to the movements of the horse although without showing any lack of steadiness. (Fig. 29.)

Should the horse be too much animated by the reins and whip at the commencement of the walk, he may enter upon a jog trot, or an amble, in which case he must be checked by gradually reining him in until he has settled into a walk. Should he, on the contrary, not be sufficiently animated, he will not exert himself and will move in an irregular and indolent manner; in this case, he must be made to raise his head by a slight pull upon the curb-reins, as already explained, and be again collected and animated by the aid of the leg and whip.

A short, abruptturn in the walkshouldnever be made, if it can possibly be avoided; it is only in case of emergency that it should be attempted, and even then it is more or less dangerous, because, as the horse moves his legs diagonally in the walk, he may, when abruptly turned, place one leg in the way of the other, be thrown off his balance, and fall. When turning a horse completely around, it should always be done in a deliberate manner. This rule should never be forgotten, especially by a novice.

During her first lessons in the walk, the pupil, in attempting to turn her horse to the right, to the left, or completely around, must move him very slowly, pressing her whip and left leg against his sides, and keeping him well-balanced by proper support uponbothsnaffle-reins. In making aturn to the right, with a snaffle-rein in each hand, the left hand must not abandon the horse, but retain a steady pressure upon his mouth, while the tension upon the right rein must be increased by moving the right hand and its little finger up and toward the body, at the same time holding this hand a little lower than the left one. The tension upon the right rein should be nearly double that made upon the left, and should be kept up until the turn has been completed. In the turn to the right,the left leg should make a little stronger pressure than that made by the whip, to prevent the animal from throwing his croup too far to the left; and in making the turn to the left, the whip should press more strongly than the leg, in order to prevent the croup from being carried too far to the right.

In attemptingto turncompletely aroundto the left, the same manœuvring, though in an opposite direction, will be required; the above directions for the two hands being simply reversed.

Should the horse fail to turn in a regular manner, or refuse to obey the reins readily, he must be collected, and brought up to the bridle in the manner already described. This will cause him to raise his head and place himself in a position to move in the required manner, and when this is done the rider must slacken the tension upon the curb, and turn him with the snaffle-rein.

In making these turns, care must be taken to have ample space, and it must not be forgotten, that while increasing the tension upon the rein required to direct the turn, the other should not be slackened or abandoned, but should continue to give support to the horse, though in a less degree; and also that this tension upon thereins is much more important when making a partial or complete turn, than when the animal is moving forward in a straight line. For, if the reins be slackened, and the horse left to himself, he will turn in an awkward manner, may get one leg in the way of the other, and perhaps stumble or fall, especially if the ground be slippery, or rough and uneven.

It is a habit with many lady riders, as well as with multitudes of horsemen, to make the turn by carrying the bridle-hand in the direction of the turn, thus pressing the outward rein, or the one opposite to the direction of the turn, against the horse's neck,—the inward rein being completely slackened. This is a very dangerous fault and one that instantly betrays ignorance of correct horsemanship, because the animal is thus left without any support at a time when it is most needed. If a rider has any regard for her own safety, she will remember this very important rule, namely,to support the horse on both reins when making a turn.

When all the reins are held in the bridle-hand and a turn is to be made to the left, the fault is sometimes committed of carrying the right hand over to assist the left by pulling upon the left rein; this is frequently done by ladies who have not been properly instructed, and givesthem an awkward appearance. When riding with the double bridle in the bridle-hand, if the movements of the horse be controlled by this hand and wrist, as explained in the preceding chapter, the turn to the right or to the left can be effected without abandoning the horse by relaxing one of the reins, and also without the assistance of the other hand. These manœuvres, accomplished easily and gracefully, indicate the well-instructed and correct bridle-hand, the well-trained horse, and the accomplished horsewoman, who will appear to manage her steed more by mental influence than by any perceptible movements of her hands.

To stop in the walk, in a correct and regular manner, is a sure criterion of a good horsewoman, one that has her steed under complete control, for this stop renders him more obedient, and tends to collect him and to bring his haunches into a pliant condition. To accomplish this stop properly, the rider must brace her arms firmly against her sides,—being careful not to let her elbows protrude backward,—throw her shoulders back, hold both reins evenly and firmly, and tighten the tension upon them by turning the hand and little fingers up and carrying them toward the waist, at the same time not omitting to press gently againstthe horse's sides with the leg and whip. All this should be accomplished by one simultaneous movement, and the degree of tension made on the reins should be in proportion to the sensitiveness of the horse's mouth.

If the left leg and whip be not employed in making the stop, the horse when brought to a stand may throw his weight upon his shoulders and fore-legs,—which he should never be allowed to do, as it will destroy the pleasing effect of the stop, and cause him to become disunited. The animal should be so nicely balanced upon his haunches when he stops, that, with a little more liberty of rein, he can readily move forward in a united and collected manner. The reins must not be abruptly jerked, but be drawn upon, as stated before, in a gradual and equal manner. After the stop is completed, the reins may be so far relaxed as to enable the horse to again advance, should it be required. The stop should always be made when the animal is advancing straight forward, and never, if it can possibly be avoided, when making a turn or going around a corner.

If, when attempting to stop the horse, he shouldtoss up his head, the bridle-hand must be kept low and firm, and the right hand be pressed against his neck until his head is lowered,when the rein-hold may be relaxed. In such a case, the rider must be on her guard, as a horse which stops in this manner may rear, when she must immediately yield the reins.

The stop, especially in rapid gaits and when effected suddenly, is very trying to the horse; it should therefore be made only when necessary, and never to display the rider's superior command and excellent horsewomanship; many horses, particularly those having weak loins, have been caused much suffering and have had their dispositions completely ruined by a too frequent and injudicious practice of the stop.

In reining back orbacking in the walk, the horse bends his haunches and places one of his hind-legs under his body, upon which to rest and balance himself; this enables him to collect force to impel his croup backward. To favor this movement, the horse must be collected, brought to stand square and even on his fore-legs, and then be reined backward by a firm, steady, and equal pull upon both the right and left snaffle-reins.6The hands should be held low and directly in front of the body, with the knuckles down, and the little fingers turned up and carried toward the body. During thiswhole movement care must be taken not to elevate the hands. The body of the rider must bend somewhat forward, with the waist drawn in, but without any rounding of the shoulders, while the leg and the whip must make gentle pressure against the horse's sides, so as to "bring him up to the bridle," and prevent his deviating from the line in which it is desired to back him. The backing must never be made by one continuous pull; but as soon as the movement is commenced, the hands and body of the rider must yield so that the horse may regain his balance, after which he may again be urged backward. These actions should occur alternately, so that with every step backward the rider will yield her hands, and immediately draw them back again, continuing these movements until the horse has backed as far as desired. If, instead of this course, a steady pull be made, the horse may lose his balance and fall, or may be compelled to rear.

When reining the horse back the body must never be inclined backward, as is necessary when stopping the horse; on the contrary, it must always be inclined somewhat forward, as this will enable the hands to manage the reins more effectively, will give the horse more freedom to recede, and, should he rear, will placethe rider in the proper balance. Should the rider unfortunately incline her body backward, and the horse rear, she would probably be unseated, and should she pull upon the reins in order to sustain herself and keep her seat, the animal would be drawn backward, and probably fall upon her.

In backing, the pull upon the reins must never be made suddenly, but always gradually, the hand rather soliciting than compelling. When the reins are suddenly pulled upon, the horse is very apt to get his hind-legs too far forward under him, in which case it is impossible for him to move backward.

In reining the horse directly backward, should his croup move out of line to the right, the pressure of the whip must be increased, or gentle taps be given with it upon his right side back of the saddle-flap, the hand at the same time increasing the tension upon the right rein. The taps of the whip must be very light, lest the animal turn too much to the left.

Should the croup swerve to the left, the rider must press her left leg against her horse's side, or give light taps with her left heel upon his side, turning the point of the toe out, moving the leg a little back, and slightly separating the knee from the side of the saddle, in order togive these taps; at the same time she must increase the tension upon the left rein until the horse is brought into line.

When it is desired to rein back, but with an inclination to the right, a slight extra bearing or pull must be made upon the left rein, without relaxing the steady tension upon the right one. A pressure with the whip upon the right side of the horse must at the same time be kept up, in order that he may not carry his croup too far to the right.

In reining back with an inclination to the left, the pull upon the right rein must be slightly increased, still keeping a steady feeling upon the left one; then, by a constant pressure with the left leg upon the horse's side, he will be prevented from carrying his croup too far to the left. Reining back teaches the horse to move lightly, and improves the style of his different gaits, but its effect is very severe upon him, hence its practice should not be too frequent, and always of short duration.


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