"That's another matter; quite another matter. How about the organization itself? There are men in it that don't approve of me at all, you know," he said.
Bok explained that the organization knew nothing of his offer; that it was entirely unofficial. It was purely a personal thought. He believed the Boy Scouts of America needed a leader; that the colonel was the one man in the United States fitted by every natural quality to be that leader; that the Scouts would rally around him, and that, at his call, instead of four hundred thousand Scouts, as there were then, the organization would grow into a million and more. Bok further explained that he believed his connection with the national organization was sufficient, if Colonel Roosevelt would favorably consider such a leadership, to warrant him in presenting it to the national officers; and he was inclined to believe they would welcome the opportunity. He could not assure the colonel of this! He had no authority for saying they would; but was Colonel Roosevelt receptive to the idea?
At first, the colonel could not see it. But he went over the ground as thoroughly as a half-hour talk permitted; and finally the opportunity for doing a piece of constructive work that might prove second to none that he had ever done, made its appeal.
"You mean for me to be the active head?" asked the colonel.
"Could you be anything else, colonel?" answered Bok.
"Quite so," said the colonel. "That's about right. Do you know," he pondered, "I think Edie (Mrs. Roosevelt) might like me to do something like that. She would figure it would keep me out of mischief in 1920," and the colonel's smile spread over his face.
"Bok," he at last concluded, "do you know, after all, I think you've said something! Let's think it over. Let's see how I get along with this trouble of mine. I am not sure, you know, how far I can go in the future. Not at all sure, you know—not at all. That last trip of mine to South America was a bit too much. Shouldn't have done it, you know. I know it now. Well, as I say, let's both think it over and through; I will, gladly and most carefully. There's much in what you say; it's a great chance; I'd love doing it. By Jove! it would be wonderful to rally a million boys for real Americanism, as you say. It looms up as I think it over. Suppose we let it simmer for a month or two."
And so it was left—for "a month or two." It was to be forever—unfortunately. Edward Bok has always felt that the most worth-while idea that ever came to him had, for some reason he never could understand, come too late. He felt, as he will always feel, that the boys of America had lost a national leader that might have led them—where would have been the limit?
The President and the Boy
Oneof the incidents connected with Edward Bok that Theodore Roosevelt never forgot was when Bok's eldest boy chose the colonel as a Christmas present. And no incident better portrays the wonderful character of the colonel than did his remarkable response to the compliment.
A vicious attack of double pneumonia had left the heart of the boy very weak—and Christmas was close by! So the father said:
"It's a quiet Christmas for you this year, boy. Suppose you do this: think of the one thing in the world that you would rather have than anything else and I'll give you that, and that will have to be your Christmas."
"I know now," came the instant reply.
"But the world is a big place, and there are lots of things in it, you know."
"I know that," said the boy, "but this is something I have wanted for a long time, and would rather have than anything else in the world." And he looked as if he meant it.
"Well, out with it, then, if you're so sure."
And to the father's astonished ears came this request:
"Take me to Washington as soon as my heart is all right, introduce me to President Roosevelt, and let me shake hands with him."
"All right," said the father, after recovering from his surprise. "I'll see whether I can fix it." And that morning a letter went to the President saying that he had been chosen as a Christmas present. Naturally, any man would have felt pleased, no matter how high his station, and for Theodore Roosevelt, father of boys, the message had a special appeal.
The letter had no sooner reached Washington than back came an answer, addressed not to the father but to the boy! It read:
"The White House, Washington.
"November 13th, 1907.
"Dear Curtis:
"Your father has just written me, and I want him to bring you on and shake hands with me as soon as you are well enough to travel. Then I am going to give you, myself, a copy of the book containing my hunting trips since I have been President; unless you will wait until the new edition, which contains two more chapters, is out. If so, I will send it to you, as this new edition probably won't be ready when you come on here.
"Give my warm regards to your father and mother.
"Sincerely yours,
"Theodore Roosevelt."
Here was joy serene! But the boy's heart had acted queerly for a few days, and so the father wrote, thanked the President, and said that as soon as the heart moderated a bit the letter would be given the boy. It was a rare bit of consideration that now followed. No sooner had the father's letter reached the White House than an answer came back by first post—this time with a special-delivery stamp on it. It was Theodore Roosevelt, the father, who wrote this time; his mind and time filled with affairs of state, and yet full of tender thoughtfulness for a little boy:
"Dear Mr. Bok:—
"I have your letter of the 16th instant. I hope the little fellow will soon be all right. Instead of giving him my letter, give him a message from me based on the letter, if that will be better for him. Tell Mrs. Bok how deeply Mrs. Roosevelt and I sympathize with her. We know just how she feels.
"Sincerely yours,
"Theodore Roosevelt."
"That's pretty fine consideration," said the father. He got the letter during a business conference and he read it aloud to the group of business men. Some there were in that group who keenly differed with the President on national issues, but they were all fathers, and two of the sturdiest turned and walked to the window as they said: "Yes, that is fine!"
Then came the boy's pleasure when he was handed the letter; the next few days were spent inditing an answer to "my friend, the President." At last the momentous epistle seemed satisfactory, and off to the busy presidential desk went the boyish note, full of thanks and assurances that he would come just as soon as he could, and that Mr. Roosevelt must not get impatient!
The "soon as he could" time, however, did not come as quickly as all had hoped!—a little heart pumped for days full of oxygen and accelerated by hypodermic injections is slow to mend. But the President's framed letter, hanging on the spot on the wall first seen in the morning, was a daily consolation.
Then, in March, although four months after the promise—and it would not have been strange, in his busy life, for the President to have forgotten or at least overlooked it—on the very day that the book was published came a special "large-paper" copy of The Outdoor Pastimes of an American Hunter, and on the fly-leaf there greeted the boy, in the President's own hand:
"To Master Curtis Bok,
"With the best wishes of his friend,
"Theodore Roosevelt.
"March 11, 1908."
The boy's cup was now full, and so said his letter to the President. And the President wrote back to the father: "I am really immensely amused and interested, and shall be mighty glad to see the little fellow."
In the spring, on a beautiful May day, came the great moment. The mother had to go along, the boy insisted, to see the great event, and so the trio found themselves shaking the hand of the President's secretary at the White House.
"Oh, the President is looking for you, all right," he said to the boy, and then the next moment the three were in a large room. Mr. Roosevelt, with beaming face, was already striding across the room, and with a "Well, well, and so this is my friend Curtis!" the two stood looking into each other's faces, each fairly wreathed in smiles, and each industriously shaking the hand of the other.
"Yes, Mr. President, I'm mighty glad to see you!" said the boy.
"I am glad to see you, Curtis," returned Mr. Roosevelt.
Then there came a white rose from the presidential desk for the mother, but after that father and mother might as well have faded away. Nobody existed save the President and the boy. The anteroom was full; in the Cabinet-room a delegation waited to be addressed. But affairs of state were at a complete standstill as, with boyish zeal, the President became oblivious to all but the boy before him.
"Now, Curtis, I've got some pictures here of bears that a friend of mine has just shot. Look at that whopper, fifteen hundred pounds—that's as much as a horse weighs, you know. Now, my friend shot him"—and it was a toss-up who was the more keenly interested, the real boy or the man-boy, as picture after picture came out and bear adventure crowded upon the heels of bear adventure.
"Gee, he's a corker, all right!" came from the boy at one point, and then, from the President: "That's right, he is a corker. Now you see his head here"—and then both were off again.
The private secretary came in at this point and whispered in the President's ear.
"I know, I know. I'll see him later. Say that I am very busy now." And the face beamed with smiles.
"Now, Mr. President—" began the father.
"No, sir; no, sir; not at all. Affairs can wait. This is a long-standing engagement between Curtis and me, and that must come first. Isn't that so, Curtis?"
Of course the boy agreed.
Suddenly the boy looked around the room and said:
"Where's your gun, Mr. President? Got it here?"
"No," laughingly came from the President, "but I'll tell you"—and then the two heads were together again.
A moment for breath-taking came, and the boy said:
"Aren't you ever afraid of being shot?"
"You mean while I am hunting?"
"Oh, no. I mean as President."
"No," replied the smiling President. "I'll tell you, Curtis; I'm too busy to think about that. I have too many things to do to bother about anything of that sort. When I was in battle I was always too anxious to get to the front to think about the shots. And here—well, here I'm too busy too. Never think about it. But I'll tell you, Curtis, there are some men down there," pointing out of the window in the direction of the capitol, "called the Congress, and if they would only give me the four battleships I want, I'd be perfectly willing to have any one take a crack at me." Then, for the first time recognizing the existence of the parents, the President said: "And I don't know but if they did pick me off I'd be pretty well ahead of the game."
Just in that moment only did the boy-knowing President get a single inch above the boy-interest. It was astonishing to see the natural accuracy with which the man gauged the boy-level.
"Now, how would you like to see a bear, Curtis?" came next. "I know where there's a beauty, twelve hundred pounds."
"Must be some bear!" interjected the boy.
"That's what it is," put in the President. "Regular cinnamon-brown type"—and then off went the talk to the big bear at the Washington "Zoo" where the President was to send the boy.
Then, after a little: "Now, Curtis, see those men over there in that room. They've travelled from all parts of the country to come here at my invitation, and I've got to make a little speech to them, and I'll do that while you go off to see the bear."
And then the hand came forth to say good-by. The boy put his in it, each looked into the other's face, and on neither was there a place big enough to put a ten-cent piece that was not wreathed in smiles. "He certainly is all right," said the boy to the father, looking wistfully after the President.
Almost to the other room had the President gone when he, too, instinctively looked back to find the boy following him with his eyes. He stopped, wheeled around, and then the two instinctively sought each other again. The President came back, the boy went forward. This time each held out both hands, and as each looked once more into the other's eyes a world of complete understanding was in both faces, and every looker-on smiled with them.
"Good-by, Curtis," came at last from the President.
"Good-by, Mr. President," came from the boy.
Then, with another pump-handly shake and with a "Gee, but he's great, all right!" the boy went out to see the cinnamon-bear at the "Zoo," and to live it all over in the days to come.
Two boy-hearts had met, although one of them belonged to the President of the United States.
The Literary Back-Stairs
Hiscomplete absorption in the magazine work now compelled Bok to close his newspaper syndicate in New York and end the writing of his weekly newspaper literary letter. He decided, however, to transfer to the pages of his magazine his idea of making the American public more conversant with books and authors. Accordingly, he engaged Robert Bridges (the present editor of Scribner's Magazine) to write a series of conversational book-talks under his nom de plume of "Droch." Later, this was supplemented by the engagement of Hamilton W. Mabie, who for years reviewed the newest books.
In almost every issue of the magazine there appeared also an article addressed to the literary novice. Bok was eager, of course, to attract the new authors to the magazine; but, particularly, he had in mind the correction of the popular notion, then so prevalent (less so to-day, fortunately, but still existent), that only the manuscripts of famous authors were given favorable reading in editorial offices; that in these offices there really existed a clique, and that unless the writer knew the literary back-stairs he had a slim chance to enter and be heard.
In the minds of these misinformed writers, these back-stairs are gained by "knowing the editor" or through "having some influence with him." These writers have conclusively settled two points in their own minds: first, that an editor is antagonistic to the struggling writer; and, second, that a manuscript sent in the ordinary manner to an editor never reaches him. Hence, some "influence" is necessary, and they set about to secure it.
Now, the truth is, of course, that there are no "literary back-stairs" to the editorial office of the modern magazine. There cannot be. The making of a modern magazine is a business proposition; the editor is there to make it pay. He can do this only if he is of service to his readers, and that depends on his ability to obtain a class of material essentially the best of its kind and varied in its character.
The "best," while it means good writing, means also that it shall say something. The most desired writer in the magazine office is the man who has something to say, and knows how to say it. Variety requires that there shall be many of these writers, and it is the editor's business to ferret them out. It stands to reason, therefore, that there can be no such thing as a "clique"; limitation by the editor of his list of authors would mean being limited to the style of the few and the thoughts of a handful. And with a public that easily tires even of the best where it continually comes from one source, such an editorial policy would be suicidal.
Hence, if the editor is more keenly alert for one thing than for another, it is for the new writer. The frequency of the new note in his magazine is his salvation; for just in proportion as he can introduce that new note is his success with his readers. A successful magazine is exactly like a successful store: it must keep its wares constantly fresh and varied to attract the eye and hold the patronage of its customers.
With an editor ever alive to the new message, the new note, the fresh way of saying a thing, the new angle on a current subject, whether in article or story—since fiction is really to-day only a reflection of modern thought—the foolish notion that an editor must be approached through "influence," by a letter of introduction from some friend or other author, falls of itself. There is no more powerful lever to open the modern magazine door than a postage-stamp on an envelope containing a manuscript that says something. No influence is needed to bring that manuscript to the editor's desk or to his attention. That he will receive it the sender need not for a moment doubt; his mail is too closely scanned for that very envelope.
The most successful authors have "broken into" the magazines very often without even a letter accompanying their first manuscript. The name and address in the right-hand corner of the first page; some "return" stamps in the left corner, and all that the editor requires is there. The author need tell nothing about the manuscript; if what the editor wants is in it he will find it. An editor can stand a tremendous amount of letting alone. If young authors could be made to realize how simple is the process of "breaking into" the modern magazine, which apparently gives them such needless heartburn, they would save themselves infinite pains, time, and worry.
Despite all the rubbish written to the contrary, manuscripts sent to the magazines of to-day are, in every case, read, and frequently more carefully read than the author imagines. Editors know that, from the standpoint of good business alone, it is unwise to return a manuscript unread. Literary talent has been found in many instances where it was least expected.
This does not mean that every manuscript received by a magazine is read from first page to last. There is no reason why it should be, any more than that all of a bad egg should be eaten to prove that it is bad. The title alone sometimes decides the fate of a manuscript. If the subject discussed is entirely foreign to the aims of the magazine, it is simply a case of misapplication on the author's part; and it would be a waste of time for the editor to read something which he knows from its subject he cannot use.
This, of course, applies more to articles than to other forms of literary work, although unsuitability in a poem is naturally as quickly detected. Stories, no matter how unpromising they may appear at the beginning, are generally read through, since gold in a piece of fiction has often been found almost at the close. This careful attention to manuscripts in editorial offices is fixed by rules, and an author's indorsement or a friend's judgment never affects the custom.
At no time does the fallacy hold in a magazine office that "a big name counts for everything and an unknown name for nothing." There can be no denial of the fact that where a name of repute is attached to a meritorious story or article the combination is ideal. But as between an indifferent story and a well-known name and a good story with an unknown name the editor may be depended upon to accept the latter. Editors are very careful nowadays to avoid the public impatience that invariably follows upon publishing material simply on account of the name attached to it. Nothing so quickly injures the reputation of a magazine in the estimation of its readers. If a person, taking up a magazine, reads a story attracted by a famous name, and the story disappoints, the editor has a doubly disappointed reader on his hands: a reader whose high expectations from the name have not been realized and who is disappointed with the story.
It is a well-known fact among successful magazine editors that their most striking successes have been made by material to which unknown names were attached, where the material was fresh, the approach new, the note different. That is what builds up a magazine; the reader learns to have confidence in what he finds in the periodical, whether it bears a famous name or not.
Nor must the young author believe that the best work in modern magazine literature "is dashed off at white heat." What is dashed off reads dashed off, and one does not come across it in the well-edited magazine, because it is never accepted. Good writing is laborious writing, the result of revision upon revision. The work of masters such as Robert Louis Stevenson and Rudyard Kipling represents never less than eight or ten revisions, and often a far greater number. It was Stevenson who once said to Edward Bok, after a laborious correction of certain proofs: "My boy, I could be a healthy man, I think, if I did something else than writing. But to write, as I try to write, takes every ounce of my vitality." Just as the best "impromptu" speeches are those most carefully prepared, so do the simplest articles and stories represent the hardest kind of work; the simpler the method seems and the easier the article reads, the harder, it is safe to say, was the work put into it.
But the author must also know when to let his material alone. In his excessive regard for style even so great a master as Robert Louis Stevenson robbed his work of much of the spontaneity and natural charm found, for example, in his Vailima Letters. The main thing is for a writer to say what he has to say in the best way, natural to himself, in which he can say it, and then let it alone—always remembering that, provided he has made himself clear, the message itself is of greater import than the manner in which it is said. Up to a certain point only is a piece of literary work an artistic endeavor. A readable, lucid style is far preferable to what is called a "literary style"—a foolish phrase, since it often means nothing except a complicated method of expression which confuses rather than clarifies thought. What the public wants in its literature is human nature, and that human nature simply and forcibly expressed. This is fundamental, and this is why true literature has no fashion and knows no change, despite the cries of the modern weaklings who affect weird forms. The clarity of Shakespeare is the clarity of to-day and will be that of to-morrow.
Women's Clubs and Woman Suffrage
Edward Bokwas now jumping from one sizzling frying-pan into another. He had become vitally interested in the growth of women's clubs as a power for good, and began to follow their work and study their methods. He attended meetings; he had his editors attend others and give him reports; he collected and read the year-books of scores of clubs, and he secured and read a number of the papers that had been presented by members at these meetings. He saw at once that what might prove a wonderful power in the civic life of the nation was being misdirected into gatherings of pseudo-culture, where papers ill-digested and mostly copied from books were read and superficially discussed.
Apparently the average club thought nothing of disposing of the works of the Victorian poets in one afternoon; the Italian Renaissance was "fully treated and most ably discussed," according to one programme, at a single meeting; Rembrandt and his school were likewise disposed of in one afternoon, and German literature was "adequately treated" at one session "in able papers."
Bok gathered a mass of this material, and then paid his respects to it in the magazine. He recited his evidence and then expressed his opinion of it. He realized that his arraignment of the clubs would cost the magazine hundreds of friends; but, convinced of the great power of the woman's club with its activities rightly directed, he concluded that he could afford to risk incurring displeasure if he might point the way to more effective work. The one was worth the other.
The displeasure was not slow in making itself manifest. It came to maturity overnight, as it were, and expressed itself in no uncertain terms. Every club flew to arms, and Bok was intensely interested to note that the clubs whose work he had taken as "horrible examples," although he had not mentioned their names, were the most strenuous in their denials of the methods outlined in the magazine, and that the members of those clubs were particularly heated in their attacks upon him.
He soon found that he had stirred up quite as active a hornet's nest as he had anticipated. Letters by the hundred poured in attacking and reviling him. In nearly every case the writers fell back upon personal abuse, ignoring his arguments altogether. He became the subject of heated debates at club meetings, at conventions, in the public press; and soon long petitions demanding his removal as editor began to come to Mr. Curtis. These petitions were signed by hundreds of names. Bok read them with absorbed interest, and bided his time for action. Meanwhile he continued his articles of criticism in the magazine, and these, of course, added fuel to the conflagration.
Former President Cleveland now came to Bok's side, and in an article in the magazine went even further than Bok had ever thought of going in his criticism of women's clubs. This article deflected the criticism from Bok momentarily, and Mr. Cleveland received a grilling to which his experiences in the White House were "as child's play," as he expressed it. The two men, the editor and the former President, were now bracketed as copartners in crime in the eyes of the club-women, and nothing too harsh could be found to say or write of either.
Meanwhile Bok had been watching the petitions for his removal which kept coming in. He was looking for an opening, and soon found it. One of the most prominent women's clubs sent a protest condemning his attitude and advising him by resolutions, which were enclosed, that unless he ceased his attacks, the members of the — Woman's Club had resolved "to unitedly and unanimously boycott The Ladies' Home Journal and had already put the plan into effect with the current issue."
Bok immediately engaged counsel in the city where the club was situated, and instructed his lawyer to begin proceedings, for violation of the Sherman Act, against the president and the secretary of the club, and three other members; counsel to take particular pains to choose, if possible, the wives of three lawyers.
Within forty-eight hours Bok heard from the husbands of the five wives, who pointed out to him that the women had acted in entire ignorance of the law, and suggested a reconsideration of his action. Bok replied by quoting from the petition which set forth that it was signed "by the most intelligent women of — who were thoroughly versed in civic and national affairs"; and if this were true, Bok argued, it naturally followed that they must have been cognizant of a legislative measure so well known and so widely discussed as the Sherman Act. He was basing his action, he said, merely on their declaration.
Bok could easily picture to himself the chagrin and wrath of the women, with the husbands laughing up their sleeves at the turn of affairs. "My wife never could see the humor in the situation," said one of these husbands to Bok, when he met him years later. Bok capitulated, and then apparently with great reluctance, only when the club sent him an official withdrawal of the protest and an apology for "its ill-considered action." It was years after that one of the members of the club, upon meeting Bok, said to him: "Your action did not increase the club's love for you, but you taught it a much-needed lesson which it never forgot."
Up to this time, Bok had purposely been destructive in his criticism. Now, he pointed out a constructive plan whereby the woman's club could make itself a power in every community. He advocated less of the cultural and more of the civic interest, and urged that the clubs study the numerous questions dealing with the life of their communities. This seems strange, in view of the enormous amount of civic work done by women's clubs to-day. But at that time, when the woman's club movement was unformed, these civic matters found but a small part in the majority of programmes; in a number of cases none at all.
Of course, the clubs refused to accept or even to consider his suggestions; they were quite competent to decide for themselves the particular subjects for their meetings, they argued; they did not care to be tutored or guided, particularly by Bok. They were much too angry with him even to admit that his suggestions were practical and in order. But he knew, of course, that they would adopt them of their own volition—under cover, perhaps, but that made no difference, so long as the end was accomplished. One club after another, during the following years, changed its programme, and soon the supposed cultural interest had yielded first place to the needful civic questions.
For years, however, the club-women of America did not forgive Bok. They refused to buy or countenance his magazine, and periodically they attacked it or made light of it. But he knew he had made his point, and was content to leave it to time to heal the wounds. This came years afterward, when Mrs. Pennypacker became president of the General Federation of Women's Clubs and Mrs. Rudolph Blankenburg, vice-president.
Those two far-seeing women and Bok arranged that an official department of the Federation should find a place in The Ladies' Home Journal, with Mrs. Pennypacker as editor and Mrs. Blankenburg, who lived in Philadelphia, as the resident consulting editor. The idea was arranged agreeably to all three; the Federation officially endorsed its president's suggestion, and for several years the department was one of the most successful in the magazine.
The breach had been healed; two powerful forces were working together, as they should, for the mutual good of the American woman. No relations could have been pleasanter than those between the editor-in-chief of the magazine and the two departmental editors. The report was purposely set afloat that Bok had withdrawn from his position of antagonism (?) toward women's clubs, and this gave great satisfaction to thousands of women club-members and made everybody happy!
At this time the question of suffrage for women was fast becoming a prominent issue, and naturally Bok was asked to take a stand on the question in his magazine. No man sat at a larger gateway to learn the sentiments of numbers of women on any subject. He read his vast correspondence carefully. He consulted women of every grade of intelligence and in every station in life. Then he caused a straw-vote to be taken among a selected list of thousands of his subscribers in large cities and in small towns. The result of all these inquiries was most emphatic and clear: by far the overwhelming majority of the women approached either were opposed to the ballot or were indifferent to it. Those who desired to try the experiment were negligible in number. So far as the sentiment of any wide public can be secured on any given topic, this seemed to be the dominant opinion.
Bok then instituted a systematic investigation of conditions in those states where women had voted for years; but he could not see, from a thoughtful study of his investigations, that much had been accomplished. The results certainly did not measure up to the prophecies constantly advanced by the advocates of a nation-wide equal suffrage.
The editor now carefully looked into the speeches of the suffragists, examined the platform of the National body in favor of woman suffrage, and talked at length with such leaders in the movement as Susan B. Anthony, Julia Ward Howe, Anna Howard Shaw, and Jane Addams.
All this time Bok had kept his own mind open. He was ready to have the magazine, for whose editorial policy he was responsible, advocate that side of the issue which seemed for the best interests of the American woman.
The arguments that a woman should not have a vote because she was a woman; that it would interfere with her work in the home; that it would make her more masculine; that it would take her out of her own home; that it was a blow at domesticity and an actual menace to the home life of America—these did not weight with him. There was only one question for him to settle: Was the ballot something which, in its demonstrated value or in its potentiality, would serve the best interests of American womanhood?
After all his investigations of both sides of the question, Bok decided upon a negative answer. He felt that American women were not ready to exercise the privilege intelligently and that their mental attitude was against it.
Forthwith he said so in his magazine. And the storm broke. The denunciations brought down upon him by his attitude toward woman's clubs was as nothing compared to what was now let loose. The attacks were bitter. His arguments were ignored; and the suffragists evidently decided to concentrate their criticisms upon the youthful years of the editor. They regarded this as a most vulnerable point of attack, and reams of paper were used to prove that the opinion of a man so young in years and so necessarily unformed in his judgment was of no value.
Unfortunately, the suffragists did not know, when they advanced this argument, that it would be overthrown by the endorsement of Bok's point of view by such men and women of years and ripe judgment as Doctor Eliot, then president of Harvard University, former President Cleveland, Lyman Abbott, Margaret Deland, and others. When articles by these opponents to suffrage appeared, the argument of youth hardly held good; and the attacks of the suffragists were quickly shifted to the ground of "narrow-mindedness and old-fashioned fogyism."
The article by former President Cleveland particularly stirred the ire of the attacking suffragists, and Miss Anthony hurled a broadside at the former President in a newspaper interview. Unfortunately for her best judgment, and the strength of her argument, the attack became intensely personal; and of course, nullified its force. But it irritated Mr. Cleveland, who called Bok to his Princeton home and read him a draft of a proposed answer for publication in Bok's magazine.
Those who knew Mr. Cleveland were well aware of the force that he could put into his pen when he chose, and in this proposed article he certainly chose! It would have made very unpleasant reading for Miss Anthony in particular, as well as for her friends. Bok argued strongly against the article. He reminded Mr. Cleveland that it would be undignified to make such an answer; that it was always an unpopular thing to attack a woman in public, especially a woman who was old and ill; that she would again strive for the last word; that there would be no point to the controversy and nothing gained by it. He pleaded with Mr. Cleveland to meet Miss Anthony's attack by a dignified silence.
These arguments happily prevailed. In reality, Mr. Cleveland was not keen to attack Miss Anthony or any other woman; such a thought was foreign to his nature. He summed up his feeling to Bok when he tore up the draft of his article and smilingly said: "Well, I've got if off my chest, that is the main thing. I wanted to get it out of my system, and talking it over has driven it out. It is better in the fire," and he threw the torn paper into the open grate.
As events turned out, it was indeed fortunate that the matter had been so decided; for the article would have appeared in the number of Bok's magazine published on the day that Miss Anthony passed away. It would have been a most unfortunate moment, to say the least, for the appearance of an attack such as Mr. Cleveland had in mind.
This incident, like so many instances that might be adduced, points with singular force to the value of that editorial discrimination which the editor often makes between what is wise or unwise for him to publish. Bok realized that had he encouraged Mr. Cleveland to publish the article, he could have exhausted any edition he might have chosen to print. Times without number, editors make such decisions directly against what would be of temporary advantage to their publications. The public never hears of these incidents.
More often than not the editor hears "stories" that, if printed, would be a "scoop" which would cause his publication to be talked about from one end of the country to the other. The public does not give credit to the editor, particularly of the modern newspaper, for the high code of honor which constantly actuates him in his work. The prevailing notion is that an editor prints all that he knows, and much that he does not know. Outside of those in the inner government circles, no group of men, during the Great War, had more information of a confidential nature constantly given or brought to them, and more zealously guarded it, than the editors of the newspapers of America. Among no other set of professional men is the code of honor so high; and woe betide the journalist who, in the eyes of his fellow-workers, violates, even in the slightest degree, that code of editorial ethics. Public men know how true is this statement; the public at large, however, has not the first conception of it. If it had, it would have a much higher opinion of its periodicals and newspapers.
At this juncture, Rudyard Kipling unconsciously came into the very centre of the suffragists' maelstrom of attack when he sent Bok his famous poem: "The Female of the Species." The suffragists at once took the argument in the poem as personal to themselves, and now Kipling got the full benefit of their vitriolic abuse. Bok sent a handful of these criticisms to Kipling, who was very gleeful about them. "I owe you a good laugh over the clippings," he wrote. "They were delightful. But what a quantity of spare time some people in this world have to burn!"
It was a merry time; and the longer it continued the more heated were the attacks. The suffragists now had a number of targets, and they took each in turn and proceeded to riddle it. That Bok was publishing articles explaining both sides of the question, presenting arguments by the leading suffragists as well as known anti-suffragists, did not matter in the least. These were either conveniently overlooked, or, when referred to at all, were considered in the light of "sops" to the offended women.
At last Bok reached the stage where he had exhausted all the arguments worth printing, on both sides of the question, and soon the storm calmed down.
It was always a matter of gratification to him that the woman who had most bitterly assailed him during the suffrage controversy, Anna Howard Shaw, became in later years one of his stanchest friends, and was an editor on his pay-roll. When the United States entered the Great War, Bok saw that Doctor Shaw had undertaken a gigantic task in promising, as chairman, to direct the activities of the National Council for Women. He went to see her in Washington, and offered his help and that of the magazine. Doctor Shaw, kindliest of women in her nature, at once accepted the offer; Bok placed the entire resources of the magazine and of its Washington editorial force at her disposal; and all through America's participation in the war, she successfully conducted a monthly department in The Ladies' Home Journal.
"Such help," she wrote at the close, "as you and your associates have extended me and my co-workers; such unstinted co-operation and such practical guidance I never should have dreamed possible. You made your magazine a living force in our work; we do not see now how we would have done without it. You came into our activities at the psychological moment, when we most needed what you could give us, and none could have given with more open hands and fuller hearts."
So the contending forces in a bitter word-war came together and worked together, and a mutual regard sprang up between the woman and the man who had once so radically differed.
Going Home with Kipling, and as a Lecturer
Itwas in June, 1899, when Rudyard Kipling, after the loss of his daughter and his own almost fatal illness from pneumonia in America, sailed for his English home on the White Star liner, Teutonic. The party consisted of Kipling, his wife, his father J. Lockwood Kipling, Mr. and Mrs. Frank N. Doubleday, and Bok. It was only at the last moment that Bok decided to join the party, and the steamer having its full complement of passengers, he could only secure one of the officers' large rooms on the upper deck. Owing to the sensitive condition of Kipling's lungs, it was not wise for him to be out on deck except in the most favorable weather. The atmosphere of the smoking-room was forbidding, and as the rooms of the rest of the party were below deck, it was decided to make Bok's convenient room the headquarters of the party. Here they assembled for the best part of each day; the talk ranged over literary and publishing matters of mutual interest, and Kipling promptly labelled the room "The Hatchery,"—from the plans and schemes that were hatched during these discussions.
It was decided on the first day out that the party, too active-minded to remain inert for any length of time, should publish a daily newspaper to be written on large sheets of paper and to be read each evening to the group. It was called The Teuton Tonic; Mr. Doubleday was appointed publisher and advertising manager; Mr. Lockwood Kipling was made art editor to embellish the news; Rudyard Kipling was the star reporter, and Bok was editor.
Kipling, just released from his long confinement, like a boy out of school, was the life of the party—and when, one day, he found a woman aboard reading a copy of The Ladies' Home Journal his joy knew no bounds; he turned in the most inimitable "copy" to the Tonic, describing the woman's feelings as she read the different departments in the magazine. Of course, Bok, as editor of the Tonic, promptly pigeon-holed the reporter's "copy"; then relented, and, in a fine spirit of large-mindedness, "printed" Kipling's pæans of rapture over Bok's subscriber. The preparation of the paper was a daily joy: it kept the different members busy, and each evening the copy was handed to "the large circle of readers"—the two women of the party—to read aloud. At the end of the sixth day, it was voted to "suspend publication," and the daily of six issues was unanimously bequeathed to the little daughter of Mr. Lockwood de Forest, a close friend of the Kipling family—a choice bit of Kiplingania.
One day it was decided by the party that Bok should be taught the game of poker, and Kipling at once offered to be the instructor! He wrote out a list of the "hands" for Bok's guidance, which was placed in the centre of the table, and the party, augmented by the women, gathered to see the game.
A baby had been born that evening in the steerage, and it was decided to inaugurate a small "jack-pot" for the benefit of the mother. All went well until about the fourth hand, when Bok began to bid higher than had been originally planned. Kipling questioned the beginner's knowledge of the game and his tactics, but Bok retorted it was his money that he was putting into the pot and that no one was compelled to follow his bets if he did not choose to do so. Finally, the jack-pot assumed altogether too large dimensions for the party, Kipling "called" and Bok, true to the old idea of "beginner's luck" in cards, laid down a royal flush! This was too much, and poker, with Bok in it, was taboo from that moment. Kipling's version of this card-playing does not agree in all particulars with the version here written. "Bok learned the game of poker," Kipling says; "had the deck stacked on him, and on hearing that there was a woman aboard who read The Ladies' Home Journal insisted on playing after that with the cabin-door carefully shut." But Kipling's art as a reporter for The Tonic was not as reliable as the art of his more careful book work.
Bok derived special pleasure on this trip from his acquaintance with Father Kipling, as the party called him. Rudyard Kipling's respect for his father was the tribute of a loyal son to a wonderful father.
"What annoys me," said Kipling, speaking of his father one day, "is when the pater comes to America to have him referred to in the newspapers as 'the father of Rudyard Kipling.' It is in India where they get the relation correct: there I am always 'the son of Lockwood Kipling.'"
Father Kipling was, in every sense, a choice spirit: gentle, kindly, and of a most remarkably even temperament. His knowledge of art, his wide reading, his extensive travel, and an interest in every phase of the world's doings, made him a rare conversationalist, when inclined to talk, and an encyclopedia of knowledge as extensive as it was accurate. It was very easy to grow fond of Father Kipling, and he won Bok's affection as few men ever did.
Father Kipling's conversation was remarkable in that he was exceedingly careful of language and wasted few words.
One day Kipling and Bok were engaged in a discussion of the Boer problem, which was then pressing. Father Kipling sat by listening, but made no comment on the divergent views, since, Kipling holding the English side of the question and Bok the Dutch side, it followed that they could not agree. Finally Father Kipling arose and said: "Well, I will take a stroll and see if I can't listen to the water and get all this din out of my ears."
Both men felt gently but firmly rebuked and the discussion was never again taken up.
Bok tried on one occasion to ascertain how the father regarded the son's work.
"You should feel pretty proud of your son," remarked Bok.
"A good sort," was the simple reply.
"I mean, rather, of his work. How does that strike you?" asked Bok.
"Which work?"
"His work as a whole," explained Bok.
"Creditable," was the succinct answer.
"No more than that?" asked Bok.
"Can there be more?" came from the father.
"Well," said Bok, "the judgment seems a little tame as applied to one who is generally regarded as a genius."
"By whom?"
"The critics, for instance," replied Bok.
"There are no such," came the answer.
"No such what, Mr. Kipling?" asked Bok.
"Critics."
"No critics?"
"No," and for the first time the pipe was removed for a moment. "A critic is one who only exists as such in his own imagination."
"But surely you must consider that Rud has done some great work?" persisted Bok.
"Creditable," came once more.
"You think him capable of great work, do you not?" asked Bok. For a moment there was silence. Then:
"He has a certain grasp of the human instinct. That, some day, I think, will lead him to write a great work."
There was the secret: the constant holding up to the son, apparently, of something still to be accomplished; of a goal to be reached; of a higher standard to be attained. Rudyard Kipling was never in danger of unintelligent laudation from his safest and most intelligent reader.
During the years which intervened until his passing away, Bok sought to keep in touch with Father Kipling, and received the most wonderful letters from him. One day he enclosed in a letter a drawing which he had made showing Sakia Muni sitting under the bo-tree with two of his disciples, a young man and a young woman, gathered at his feet. It was a piece of exquisite drawing. "I like to think of you and your work in this way," wrote Mr. Kipling, "and so I sketched it for you." Bok had the sketch enlarged, engaged John La Farge to translate it into glass, and inserted it in a window in the living-room of his home at Merion.
After Father Kipling had passed away, the express brought to Bok one day a beautiful plaque of red clay, showing the elephant's head, the lotus, and the swastika, which the father had made for the son. It was the original model of the insignia which, as a watermark, is used in the pages of Kipling's books and on the cover of the subscription edition.
"I am sending with this for your acceptance," wrote Kipling to Bok, "as some little memory of my father to whom you were so kind, the original of one of the plaques that he used to make for me. I thought it being the swastika would be appropriate for your swastika. May it bring you even more good fortune."
To those who knew Lockwood Kipling, it is easier to understand the genius and the kindliness of the son. For the sake of the public's knowledge, it is a distinct loss that there is not a better understanding of the real sweetness of character of the son. The public's only idea of the great writer is naturally one derived from writers who do not understand him, or from reporters whom he refused to see, while Kipling's own slogan is expressed in his own words: "I have always managed to keep clear of 'personal' things as much as possible."
IfIf you can keep your head when all about youAre losing theirs and blaming it on you,If you can trust yourself when all men doubt you,But make allowance for their doubting too;If you can wait and not grow tired by waitingOr, being lied about don't deal in lies,Or, being hated, don't give way to hating,And yet don't look too good or talk too wise;If you can dream and not make dreams your master,If you can think and not make thoughts your aim,If you can meet with triumph and disaster,And treat those two imposters just the same;If you can stand to hear the truth you've spokenTwisted by Knaves to make a trap for fools,Or watch the work you've given your life to broken,And stoop and build it up with worn-out tools;If you can make one pile of all your winningsAnd risk it at one game of pitch-and-toss,And lose, and start again from your beginningsAnd never breath a word about your loss,If you can force you heart and nerve and sinewTo serve your turn long after they are gone,And so hold on, though there is nothing in youExcept the will that says to them, "Hold on!"If you can talk to crowds and keep your virtue,And walk with Kings nor lose the common touch,If neither foes nor loving friends can hurt you,If all men count with you, but none too much;If you can fill the unforgiving minuteWith sixty seconds worth of distance run,Yours is the Earth and everything that's in itAnd—which is more—you'll be a Man, my son!Copied out from memory by Rudyard Kipling.Batemons: Sept. 1913for E.W. Bok on his 50th Birthday
It was on Bok's fiftieth birthday that Kipling sent him a copy of "If." Bok had greatly admired this poem, but knowing Kipling's distaste for writing out his own work, he had resisted the strong desire to ask him for a copy of it. It is significant of the author's remarkable memory that he wrote it, as he said, "from memory," years after its publication, and yet a comparison of the copy with the printed form, corrected by Kipling, fails to discover the difference of a single word.
The lecture bureaus now desired that Edward Bok should go on the platform. Bok had never appeared in the role of a lecturer, but he reasoned that through the medium of the rostrum he might come in closer contact with the American public, meet his readers personally, and secure some first-hand constructive criticism of his work. This last he was always encouraging. It was a naive conception of a lecture tour, but Bok believed it and he contracted for a tour beginning at Richmond, Virginia, and continuing through the South and Southwest as far as Saint Joseph, Missouri, and then back home by way of the Middle West.
Large audiences greeted him wherever he went, but he had not gone far on his tour when he realized that he was not getting what he thought he would. There was much entertaining and lionizing, but nothing to help him in his work by pointing out to him where he could better it. He shrank from the pitiless publicity that was inevitable; he became more and more self-conscious when during the first five minutes on the stage he felt the hundreds of opera-glasses levelled at him, and he and Mrs. Bok, who accompanied him, had not a moment to themselves from early morning to midnight. Yet his large correspondence was following him from the office, and the inevitable invitations in each city had at least to be acknowledged. Bok realized he had miscalculated the benefits of a lecture tour to his work, and began hopefully to wish for the ending of the circuit.
One afternoon as he was returning with his manager from a large reception, the "impresario" said to him: "I don't like these receptions. They hurt the house."
"The house?" echoed Bok.
"Yes, the attendance."
"But you told me the house for this evening was sold out?" said the lecturer.
"That is true enough. House, and even the stage. Not a seat unsold. But hundreds just come to see you and not to hear your lecture, and this exposure of a lecturer at so crowded a reception as this, before the talk, satisfies the people without their buying a ticket. My rule is that a lecturer should not be seen in public before his lecture, and I wish you would let me enforce the rule with you. It wears you out, anyway, and no receptions until afterward will give you more time for yourself and save your vitality for the talk."
Bok was entirely acquiescent. He had no personal taste for the continued round of functions, but he had accepted it as part of the game.
The idea from this talk that impressed Bok, however, with particular force, was that the people who crowded his houses came to see him and not to hear his lecture. Personal curiosity, in other words. This was a new thought. He had been too busy to think of his personality; now he realized a different angle to the situation. And, much to his manager's astonishment, two days afterwards Bok refused to sign an agreement for another tour later in the year. He had had enough of exhibiting himself as a curiosity. He continued his tour; but before its conclusion fell ill—a misfortune with a pleasant side to it, for three of his engagements had to be cancelled.
The Saint Joseph engagement could not be cancelled. The house had been oversold; it was for the benefit of a local charity which besought Bok by wire after wire to keep a postponed date. He agreed, and he went. He realized that he was not well, but he did not realize the extent of his mental and physical exhaustion until he came out on the platform and faced the crowded auditorium. Barely sufficient space had been left for him and for the speaker's desk; the people on the stage were close to him, and he felt distinctly uncomfortable.
Then, to his consternation, it suddenly dawned upon him that his tired mind had played a serious trick on him. He did not remember a line of his lecture; he could not even recall how it began! He arose, after his introduction, in a bath of cold perspiration. The applause gave him a moment to recover himself, but not a word came to his mind. He sparred for time by some informal prefatory remarks expressing regret at his illness and that he had been compelled to disappoint his audience a few days before, and then he stood helpless! In sheer desperation he looked at Mrs. Bok sitting in the stage box, who, divining her husband's plight, motioned to the inside pocket of his coat. He put his hand there and pulled out a copy of his lecture which she had placed there! The whole tragic comedy had happened so quickly that the audience was absolutely unaware of what had occurred, and Bok went on and practically read his lecture. But it was not a successful evening for his audience or for himself, and the one was doubtless as glad when it was over as the other.
When he reached home, he was convinced that he had had enough of lecturing! He had to make a second short tour, however, for which he had contracted with another manager before embarking on the first. This tour took him to Indianapolis, and after the lecture, James Whitcomb Riley gave him a supper. There were some thirty men in the party; the affair was an exceedingly happy one; the happiest that Bok had attended. He said this to Riley on the way to the hotel.
"Usually," said Bok, "men, for some reason or other, hold aloof from me on these lecture tours. They stand at a distance and eye me, and I see wonder on their faces rather than a desire to mix."
"You've noticed that, then?" smilingly asked the poet.
"Yes, and I can't quite get it. At home, my friends are men. Why should it be different in other cities?"
"I'll tell you," said Riley. "Five or six of the men you met to-night were loath to come. When I pinned them down to their reason, it was I thought: they regard you as an effeminate being, a sissy."
"Good heavens!" interrupted Bok.
"Fact," said Riley, "and you can't wonder at it nor blame them. You have been most industriously paragraphed, in countless jests, about your penchant for pink teas, your expert knowledge of tatting, crocheting, and all that sort of stuff. Look what Eugene Field has done in that direction. These paragraphs have, doubtless, been good advertising for your magazine, and, in a way, for you. But, on the other hand, they have given a false impression of you. Men have taken these paragraphs seriously and they think of you as the man pictured in them. It's a fact; I know. It's all right after they meet you and get your measure. The joke then is on them. Four of the men I fairly dragged to the dinner this evening said this to me just before I left. That is one reason why I advise you to keep on lecturing. Get around and show yourself, and correct this universal impression. Not that you can't stand when men think of you, but it's unpleasant."
It was unpleasant, but Bok decided that the solution as found in lecturing was worse than the misconception. From that day to this he never lectured again.
But the public conception of himself, especially that of men, awakened his interest and amusement. Some of his friends on the press were still busy with their paragraphs, and he promptly called a halt and asked them to desist. "Enough was as good as a feast," he told them, and explained why.
One day Bok got a distinctly amusing line on himself from a chance stranger. He was riding from Washington to Philadelphia in the smoking compartment, when the newsboy stuck his head in the door and yelled: "Ladies' Home Journal, out to-day." He had heard this many times before; but on this particular day, upon hearing the title of his own magazine yelled almost in his ears, he gave an involuntary start.
Opposite to him sat a most companionable young fellow, who, noticing Bok's start, leaned over and with a smile said: "I know, I know just how you feel. That's the way I feel whenever I hear the name of that damned magazine. Here, boy," he called to the retreating magazine-carrier, "give me a copy of that Ladies' Home Disturber: I might as well buy it here as in the station."
Then to Bok: "Honest, if I don't bring home that sheet on the day it is out, the wife is in a funk. She runs her home by it literally. Same with you?"
"The same," answered Bok. "As a matter of fact, in our family, we live by it, on it, and from it."
Bok's neighbor, of course, couldn't get the real point of this, but he thought he had it.
"Exactly," he replied. "So do we. That fellow Bok certainly has the women buffaloed for good. Ever see him?"
"Oh, yes," answered Bok.
"Live in Philadelphia?"
"Yes."
"There's where the thing is published, all right. What does Bok look like?"
"Oh," answered Bok carelessly, "just like, well, like all of us. In fact, he looks something like me."
"Does he, now?" echoed the man. "Shouldn't think it would make you very proud!"
And, the train pulling in at Baltimore, Bok's genial neighbor sent him a hearty good-bye and ran out with the much-maligned magazine under his arm!
He had an occasion or two now to find out what women thought of him!
He was leaving the publication building one evening after office hours when just as he opened the front door, a woman approached. Bok explained that the building was closed.
"Well, I am sorry," said the woman in a dejected tone, "for I don't think I can manage to come again."
"Is there anything I can do?" asked Bok. "I am employed here."
"No-o," said the woman. "I came to see Mr. Curtis on a personal matter."
"I shall see him this evening," suggested Bok, "and can give him a message for you if you like."
"Well, I don't know if you can. I came to complain to him about Mr. Bok," announced the woman.
"Oh, well," answered Bok, with a slight start at the matter-of-fact announcement, "that is serious; quite serious. If you will explain your complaint, I will surely see that it gets to Mr. Curtis."
Bok's interest grew.
"Well, you see," said the woman, "it is this way. I live in a three-family flat. Here is my name and card," and a card came out of a bag. "I subscribe to The Ladies' Home Journal. It is delivered at my house each month by Mr. Bok. Now I have told that man three times over that when he delivers the magazine, he must ring the bell twice. But he just persists in ringing once and then that cat who lives on the first floor gets my magazine, reads it, and keeps it sometimes for three days before I get it! Now, I want Mr. Curtis to tell Mr. Bok that he must do as I ask and ring the bell twice. Can you give him that message for me? There's no use talking to Mr. Bok; I've done that, as I say."
And Bok solemnly assured his subscriber that he would!
Bok's secretary told him one day that there was in the outer office the most irate woman he had ever tried to handle; that he had tried for half an hour to appease her, but it was of no use. She threatened to remain until Bok admitted her, and see him she would, and tell him exactly what she thought of him. The secretary looked as if he had been through a struggle. "It's hopeless," he said. "Will you see her?"
"Certainly," said Bok. "Show her in."
The moment the woman came in, she began a perfect torrent of abuse. Bok could not piece out, try as he might, what it was all about. But he did gather from the explosion that the woman considered him a hypocrite who wrote one thing and did another; that he was really a thief, stealing a woman's money, and so forth. There was no chance of a word for fully fifteen minutes and then, when she was almost breathless, Bok managed to ask if his caller would kindly tell him just what he had done.
Another torrent of incoherent abuse came forth, but after a while it became apparent that the woman's complaint was that she had sent a dollar for a subscription to The Ladies' Home Journal; had never had a copy of the magazine, had complained, and been told there was no record of the money being received. And as she had sent her subscription to Bok personally, he had purloined the dollar!
It was fully half an hour before Bok could explain to the irate woman that he never remembered receiving a letter from her; that subscriptions, even when personally addressed to him, did not come to his desk, etc.; that if she would leave her name and address he would have the matter investigated. Absolutely unconvinced that anything would be done, and unaltered in her opinion about Bok, the woman finally left.
Two days later a card was handed in to the editor with a note asking him to see for a moment the husband of his irate caller. When the man came in, he looked sheepish and amused in turn, and finally said:
"I hardly know what to say, because I don't know what my wife said to you. But if what she said to me is any index of her talk with you, I want to apologize for her most profoundly. She isn't well, and we shall both have to let it go at that. As for her subscription, you, of course, never received it, for, with difficulty, I finally extracted the fact from her that she pinned a dollar bill to a postal card and dropped it in a street postal box. And she doesn't yet see that she has done anything extraordinary, or that she had a faith in Uncle Sam that I call sublime."
The Journal had been calling the attention of its readers to the defacement of the landscape by billboard advertisers. One day on his way to New York he found himself sitting in a sleeping-car section opposite a woman and her daughter.
The mother was looking at the landscape when suddenly she commented:
"There are some of those ugly advertising signs that Mr. Bok says are such a defacement to the landscape. I never noticed them before, but he is right, and I am going to write and tell him so."
"Oh, mamma, don't," said the girl. "That man is pampered enough by women. Don't make him worse. Ethel says he is now the vainest man in America."
Bok's eyes must have twinkled, and just then the mother looked at him, caught his eye; she gave a little gasp, and Bok saw that she had telepathically discovered him!
He smiled, raised his hat, presented his card to the mother, and said: "Excuse me, but I do want to defend myself from that last statement, if I may. I couldn't help overhearing it."
The mother, a woman of the world, read the name on the card quickly and smiled, but the daughter's face was a study as she leaned over and glanced at the card. She turned scarlet and then white.
"Now, do tell me," asked Bok of the daughter, "who 'Ethel' is, so that I may try at least to prove that I am not what she thinks."
The daughter was completely flustered. For the rest of the journey, however, the talk was informal; the girl became more at ease, and Bok ended by dining with the mother and daughter at their hotel that evening.
But he never found out "Ethel's" other name!
There were curiously amusing sides to a man's editorship of a woman's magazine!