FOOTNOTES:[14]Sonata, originally from Italian "Suonare," to sound, as Cantata was from Italian "Cantare," to sing. Later the word Sonata took on a more precise meaning, which we shall study in later chapters.[15]The name "Rondo" (Fr. "Rondeau") is derived from "round," and its application to pieces of the type we are considering was due to the constant recurrence of one principal melody.[16]The first partial measure and all the other half measures where the double bars occur are counted separately, making 65 measures in the whole piece.[17]The fixed part (A) in the Rondo of this period usually entered but three times instead of four as is the case here. Couperin's "La Bandoline" (in "Les Maitres du Clavecin") is another example of the extended form of the Rondo.[18]Pauer's "Alte Meister" (Breitkopf and H?tel) contains several interesting Rondeaus by Couperin and Rameau. "Les Maitres du Clavecin," edited by Kohler (Litolff), Vols. X and XI, may also be consulted.[19]The numbers referred to here are those of the Schirmer edition.
FOOTNOTES:[14]Sonata, originally from Italian "Suonare," to sound, as Cantata was from Italian "Cantare," to sing. Later the word Sonata took on a more precise meaning, which we shall study in later chapters.[15]The name "Rondo" (Fr. "Rondeau") is derived from "round," and its application to pieces of the type we are considering was due to the constant recurrence of one principal melody.[16]The first partial measure and all the other half measures where the double bars occur are counted separately, making 65 measures in the whole piece.[17]The fixed part (A) in the Rondo of this period usually entered but three times instead of four as is the case here. Couperin's "La Bandoline" (in "Les Maitres du Clavecin") is another example of the extended form of the Rondo.[18]Pauer's "Alte Meister" (Breitkopf and H?tel) contains several interesting Rondeaus by Couperin and Rameau. "Les Maitres du Clavecin," edited by Kohler (Litolff), Vols. X and XI, may also be consulted.[19]The numbers referred to here are those of the Schirmer edition.
FOOTNOTES:
[14]Sonata, originally from Italian "Suonare," to sound, as Cantata was from Italian "Cantare," to sing. Later the word Sonata took on a more precise meaning, which we shall study in later chapters.
[14]Sonata, originally from Italian "Suonare," to sound, as Cantata was from Italian "Cantare," to sing. Later the word Sonata took on a more precise meaning, which we shall study in later chapters.
[15]The name "Rondo" (Fr. "Rondeau") is derived from "round," and its application to pieces of the type we are considering was due to the constant recurrence of one principal melody.
[15]The name "Rondo" (Fr. "Rondeau") is derived from "round," and its application to pieces of the type we are considering was due to the constant recurrence of one principal melody.
[16]The first partial measure and all the other half measures where the double bars occur are counted separately, making 65 measures in the whole piece.
[16]The first partial measure and all the other half measures where the double bars occur are counted separately, making 65 measures in the whole piece.
[17]The fixed part (A) in the Rondo of this period usually entered but three times instead of four as is the case here. Couperin's "La Bandoline" (in "Les Maitres du Clavecin") is another example of the extended form of the Rondo.
[17]The fixed part (A) in the Rondo of this period usually entered but three times instead of four as is the case here. Couperin's "La Bandoline" (in "Les Maitres du Clavecin") is another example of the extended form of the Rondo.
[18]Pauer's "Alte Meister" (Breitkopf and H?tel) contains several interesting Rondeaus by Couperin and Rameau. "Les Maitres du Clavecin," edited by Kohler (Litolff), Vols. X and XI, may also be consulted.
[18]Pauer's "Alte Meister" (Breitkopf and H?tel) contains several interesting Rondeaus by Couperin and Rameau. "Les Maitres du Clavecin," edited by Kohler (Litolff), Vols. X and XI, may also be consulted.
[19]The numbers referred to here are those of the Schirmer edition.
[19]The numbers referred to here are those of the Schirmer edition.