FOOTNOTES:[1]Sir Hubert Parry in "The Evolution of the Art of Music."[2]Such as Schubert's "Haiden-R?slein."[3]The reader will find an account of these modes in Grove's Dictionary of Music under "Modes, Ecclesiastical."[4]In Hadow's "Songs of the British Islands" (Curwen & Co., London).[5]The first partial measure is counted as one.[6]The partial measure at the beginning is counted as one.
FOOTNOTES:[1]Sir Hubert Parry in "The Evolution of the Art of Music."[2]Such as Schubert's "Haiden-R?slein."[3]The reader will find an account of these modes in Grove's Dictionary of Music under "Modes, Ecclesiastical."[4]In Hadow's "Songs of the British Islands" (Curwen & Co., London).[5]The first partial measure is counted as one.[6]The partial measure at the beginning is counted as one.
FOOTNOTES:
[1]Sir Hubert Parry in "The Evolution of the Art of Music."
[1]Sir Hubert Parry in "The Evolution of the Art of Music."
[2]Such as Schubert's "Haiden-R?slein."
[2]Such as Schubert's "Haiden-R?slein."
[3]The reader will find an account of these modes in Grove's Dictionary of Music under "Modes, Ecclesiastical."
[3]The reader will find an account of these modes in Grove's Dictionary of Music under "Modes, Ecclesiastical."
[4]In Hadow's "Songs of the British Islands" (Curwen & Co., London).
[4]In Hadow's "Songs of the British Islands" (Curwen & Co., London).
[5]The first partial measure is counted as one.
[5]The first partial measure is counted as one.
[6]The partial measure at the beginning is counted as one.
[6]The partial measure at the beginning is counted as one.