"I believe it isthishouse she is gazing at so attentively—and atme," thought Mrs. Hamlyn. "What can she possibly want?"
The woman did not move away and Mrs. Hamlyn did not move; they remained staring at one another. Presently Walter burst into the room, laughing in glee at having distanced his nurse. His mother turned, caught him in her arms and kissed him passionately. Wilful though he was by disposition, and showing it at times, he was a lovable, generous child, and very pretty: great brown eyes and auburn curls. His life was all sunshine, like a butterfly's on a summer's day; his path as yet one of roses without their thorns.
"Mamma, I've got a picture-book; come and look at it," criedthe eager little voice, as he dragged his mother to the hearthrug and opened the picture-book in the light of the blaze. "Penelope bought it for me."
She sat down on a footstool, the book on her lap and one arm round him, her treasure. Penelope waited to take off his hat and pelisse, and was told to come for him in five minutes.
"It's not my tea-time yet," cried he defiantly.
"Indeed, then, Master Walter, it is long past it," said the nurse. "I couldn't get him in before, ma'am," she added to her mistress. "Every minute I kept expecting you'd be sending one of the servants after us."
"In five minutes," repeated Mrs. Hamlyn. "And what'sthispicture about, Walter? Is it a little girl with a doll?"
"Oh, dat bootiful," said the eager little lad, who was not yet as quick in speech as he was in ideas. "It says she—dere's papa!"
In came Philip Hamlyn, tall, handsome, genial. Walter ran to him and was caught in his arms. He and his wife were just a pair for adoring the child.
But nurse, inexorable, appeared again at the five minutes' end, and Master Walter was carried off.
"You came home in a cab, Philip, did you not? I thought I heard one stop."
"Yes; it is a miserable evening. Raining fast now."
"Raining!" she repeated, rather wondering to hear it was not snowing. She went to the window to look out, and the first object her eyes caught sight of was the woman; leaning in the old place against the railings, in the growing dusk.
"I'm not sorry to see the rain; we shall have it warmer now," remarked Mr. Hamlyn, who had drawn a chair to the fire. "In fact, it's much warmer already than it was this morning."
"Philip, step here a minute."
His wife's tone had dropped to a half-whisper, sounding rather mysterious, and he went at once.
"Just look, Philip—opposite. Do you see a woman standing there?"
"A woman—where?" cried he, looking of course in every direction but the right one.
"Just facing us. She has her back against the railings."
"Oh, ay, I see now; a lady in a cloak. She must be waiting for someone."
"Why do you call her a lady?"
"She looks like one—as far as I can see in the gloom. Does she not? Her hair does, any way."
"She has been there I cannot tell you how long, Philip; half-an-hour, I'm sure; and it seems to me that she iswatchingthis house. A lady would hardly do that."
"This house? Oh, then, Eliza, perhaps she's watching for one ofthe servants. She might come in, poor thing, instead of standing there in the rain."
"Poor thing, indeed!—what business has any woman to watch a house in this marked manner?" retorted Eliza. "The neighbourhood will be taking her for a female detective."
"Nonsense!"
"She has given me a creepy feeling; I can tell you that, Philip."
"But why?" he exclaimed.
"I can't tell you why; I don't know why; it is so. Do not laugh at me for confessing it."
Philip Hamlyn did laugh; heartily. "Creepy feelings" and his imperiously strong-minded wife could have but little affinity with one another.
"We'll have the curtains drawn, and the lights, and shut her out," said he cheerily. "Come and sit down, Eliza; I want to show you a letter I've had to-day."
But the woman waiting outside there seemed to possess for Eliza Hamlyn somewhat of the fascination of the basilisk; for she never stirred from the window until the curtains were drawn.
"It is from Peveril," said Mr. Hamlyn, producing the letter he had spoken of from his pocket. "The lease he took of Peacock's Range is not yet out, but he can resign it now if he pleases, and he would be glad to do so. He and his wife would rather remain abroad, it seems, than return home."
"Yes. Well?"
"Well, he writes to me to ask whether he can resign it; or whether I must hold him to the promise he made me—that I should rent the house to the end of the term. I mean the end of the lease; the term he holds it for."
"Why does he want to resign it? Why can't things go on as at present?"
"I gather from an allusion he makes, though he does not explicitly state it, that Mr. Carradyne wishes to have the place in his own hands. What am I to say to Peveril, Eliza?"
"Say! Why, that you must hold him to his promise; that we cannot give up the house yet. A pretty thing if I had no place to go down to at will in my own county!"
"So far as I am concerned, Eliza, I would prefer to stay away from the county—if your father is to continue to treat me in the way he does. Remember what it was in the summer. I think we are very well here."
"Now, Philip, I havesaid. I do not intend to release our hold on Peacock's Range. My father will be reconciled to you in time as he is to me."
"I wonder what Harry Carradyne can want it for?" mused Philip Hamlyn, bowing to the imperative decision of his better half.
"To live in it, I should say. He would like to show his resentmentto papa by turning his back on Leet Hall. It can't be for anything else."
"What cause of resentment has he? He sent for him home and made him his heir."
"Thatis the cause. Papa has come to his senses and changed his mind. It is our darling little Walter who is to be the heir of Leet Hall, Philip—and papa has so informed Harry Carradyne."
Philip Hamlyn gazed at his wife in doubt. He had never heard a word of this; instinct had kept her silent.
"I hope not," he emphatically said, breaking the silence.
"You hope not?"
"Walter shall never inherit Leet Hall with my consent, Eliza. Harry Carradyne is the right and proper heir, and no child of mine, as I hope, must or shall displace him."
Mrs. Hamlyn treated her husband to one of her worst looks, telling of contempt as well as of power; but she did not speak.
"Listen, Eliza. I cannot bear injustice, and I do not believe it ever prospers in the long run. Were your father to bequeath—my dear, I beg of you to listen to me!—to bequeath his estates to little Walter, to the exclusion of the true heir, rely upon it the bequest wouldnever bring him good. In some way or other it would not serve him. Money diverted by injustice from its natural and just channel does not carry a blessing with it. I have noted this over and over again in going through life."
"Anything more?" she contemptuously asked.
"And Walter will not need it," he continued persuasively, passing her question as unheard. "As my son, he will be amply provided for."
A very commonplace interruption occurred, and the subject was dropped. Nothing more than a servant bringing in a letter for his master, just come by hand.
"Why, it is from old Richard Pratt!" exclaimed Mr. Hamlyn, as he turned to the light.
"I thought Major Pratt never wrote letters," she remarked. "I once heard you say he must have forgotten how to write."
He did not answer. He was reading the note, which appeared to be a short one. She watched him. After reading it through he began it again, a puzzled look upon his face. Then she saw it flush all over, and he crushed the note into his pocket.
"What is it about, Philip?"
"Pratt wants a prescription for gout that I told him of. I'm sure I don't know whether I can find it."
He had answered in a dreamy tone with thoughts preoccupied, and quitted the room hastily, as if to search for it.
Eliza wondered why he should flush up at being asked for a prescription, and why he should have suddenly lost himself in a reverie. But she had not much curiosity as to anything that concerned old Major Pratt—who was at present staying in lodgings in London.
Downstairs went Mr. Hamlyn to the little room he called his library, seated himself at the table under the lamp, and opened the note again. It ran as follows:
"Dear Philip Hamlyn,—The other day, when calling here, you spoke of some infallible prescription to cure gout that had been given you. I've symptoms of it flying about me—and be hanged to it! Bring it to me yourself to-morrow; I want to see you.I suppose there was no mistake in the report that that ship did go down?—and that none of the passengers were saved from it?"Truly yours,"Richard Pratt."
"Dear Philip Hamlyn,—The other day, when calling here, you spoke of some infallible prescription to cure gout that had been given you. I've symptoms of it flying about me—and be hanged to it! Bring it to me yourself to-morrow; I want to see you.I suppose there was no mistake in the report that that ship did go down?—and that none of the passengers were saved from it?
"Truly yours,
"Richard Pratt."
"What can he possibly mean?" muttered Philip Hamlyn.
But there was no one to answer the question, and he sat buried in thought, trying to answer it himself. Starting up from the useless task, he looked in his desk, found the infallible prescription, and then snatched his watch from his pocket.
"Too late," he decided impatiently; "Pratt would be gone to bed. He goes at all kinds of unearthly hours when out of sorts." So he went upstairs to his wife again, the prescription displayed in his hand.
Morning came, bringing the daily routine of duties in its train. Mrs. Hamlyn had made an engagement to go with some friends to Blackheath, to take luncheon with a lady living there. It was damp and raw in the early portion of the day, but promised to be clear later on.
"And then my little darling can go out to play again," she said, hugging the child to her. "In the afternoon, nurse; it will be drier then; it is really too damp this morning."
Parting from him with fifty kisses, she went down to her comfortable and handsome carriage, her husband placing her in.
"I wish you were coming with me, Philip! But, you see, it is only ladies to-day. Six of us."
Philip Hamlyn laughed. "I don't wish it at all," he answered; "they would be fighting for me. Besides, I must take old Pratt his prescription. Only picture his storm of anger if I did not."
Mrs. Hamlyn was not back until just before dinner: her husband, she heard, had been out all day, and was not yet in. Waiting for him in the drawing-room listlessly enough, she walked to the window to look out. And there she saw with a sort of shock the same woman standing in the same place as the previous evening. Not once all day long had she thought of her.
"This is a strange thing!" she exclaimed. "I amsureit is this house that she is watching."
On the impulse of the moment she rang the bell and called the man who answered it to the window. He was a faithful, attached servant, had lived with them ever since they were married, and previously to that in Mr. Hamlyn's family in the West Indies.
"Japhet," said his mistress, "do you see that woman opposite? Do you know why she stands there?"
Japhet's answer told nothing. They had all seen her downstairs yesterday evening as well as this, and wondered what she could be watching the house for.
"She is not waiting for any of the servants, then; not an acquaintance of theirs?"
"No, ma'am, that I'm sure she's not. She is a stranger to us all."
"Then, Japhet, I think you shall go over and question her," spoke his mistress impulsively. "Ask her who she is and what she wants. And tell her that a gentleman's house cannot be watched with impunity in this country—and she will do well to move away before the police are called to her."
Japhet looked at his mistress and hesitated; he was an elderly man and cautious. "I beg your pardon, madam," he began, "for venturing to say as much, but I think it might be best to let her alone. She'll grow tired of stopping there. And if her motive is to attract pity, and get alms sent out, why the fact of speaking to her might make her bold enough to ask for them. If she comes there to-morrow again, it might be best for the master to take it up himself."
For once in her life Mrs. Hamlyn condescended to listen to the opinion of an inferior, and Japhet was dismissed without orders. Close upon that, a cab came rattling down the square, and stopped at the door. Her husband leaped out of it, tossed the driver his fare—he always paid liberally—and let himself in with his latch-key. To Mrs. Hamlyn's astonishment, she had seen the woman dart from her standing-place to the middle of the road, evidently to look at or to accost Mr. Hamlyn. But his movements were too quick: he was within in a moment and had closed the outer door. She then walked rapidly away, and disappeared.
Eliza Hamlyn stood there lost in thought. The nurse came in to take the child; Mr. Hamlyn had gone to his room to dress for dinner.
"Have you seen the woman who has been standing out there yesterday evening and this, Penelope?" she asked of the nurse, speaking upon impulse.
"Oh, yes, ma'am. She has been there all the blessed afternoon. She came into the garden to talk to us."
"Came into the garden to talk to you?" repeated Mrs. Hamlyn. "What did she talk about?"
"Chiefly about Master Walter, ma'am. She seemed to be much taken with him; she clasped him in her arms and kissed him, and said how old was he, and was he difficult to manage, and that he had his father's beautiful brown eyes—"
Penelope stopped abruptly. Mistaking the hard stare her mistress was unconsciously giving her for one of displeasure, she hastened to excuse herself. The fact was, Mrs. Hamlyn's imagination was beginning to run riot.
"I couldn't help her speaking to me, ma'am, or her kissing the child; she took me by surprise. That, was all she said—except that she asked whether you were likely to be going into the country soon, away from the house here. She didn't stay five minutes with us, but went back to stand by the railings again."
"Did she speak as a lady or as a common person?" quite fiercely demanded Mrs. Hamlyn. "Is she young?—good-looking?"
"Oh, I think she is a lady," replied the girl, her accent decisive. "And she's young, as far as I could see, but she had a thick veil over her face. Her hair is lovely, just like silken threads of pale gold," concluded Penelope as Mr. Hamlyn's step was heard.
He took his wife into the dining-room, apologising for being late. She, giving full range to the fancies she had called up, heard him in silence with a hardening, haughty face.
"Philip, you know who that woman is," she suddenly exclaimed during a temporary absence of Japhet from the dining-room. "What is it that she wants with you?"
"I!" he returned, in a surprise very well feigned if not real. "What woman? Do you mean the one who was standing out there yesterday?"
"You know I do. She has been there again—all the blessed afternoon, as Penelope expresses it. Asking questions of the girl about you—and me—and Walter; and saying the child has your beautiful brown eyes.I ask you who is she?"
Mr. Hamlyn laid down his knife and fork to gaze at his wife. He looked quite at sea.
"Eliza, I assure you I know nothing about it. Or about her."
"Indeed! Don't you think it may be some acquaintance, old or new? Possibly someone you knew in the days gone by—come over seas to see whether you are yet in the land of the living? She has wonderful hair, which looks like spun gold."
All in a moment, as the half-mocking words left her lips, some idea seemed to flash across Philip Hamlyn, bringing with it distress and fear. His face turned to a burning red and then grew white as the hue of the grave.
Johnny Ludlow.
Decorative
A Breton Calvary.A Breton Calvary.
Amongst the many advantages possessed by Morlaix may be mentioned the fact of its being a central point from which a number of interesting excursions may be made. It is one of the chief towns of the Finistère, a Department crowded with churches, and here will be found at once some of the best and worst examples of ecclesiastical architecture in Brittany.
Of the churches of Morlaix we have said nothing. Interesting and delightful as it is in its old houses, it fails in its churches. Those worthy of note were destroyed at the Revolution, that social scourge which passed like a blight over the whole country, leaving its traces behind it for ever.
The church of St. Melaine is the only one deserving a passing notice. It is in the third Pointed style, and, built on an eminence, is approached by a somewhat imposing flight of steps. A narrow thoroughfare leads up to it, and the nearer houses are inhabited by the priests and other members of the religious community.
The porch and windows are Flamboyant, and a little of the stained glass is good. The interior is divided into three naves by wooden partitions, consisting of pillars without capitals supporting pointed arches. The wall-plates represent monks in grotesque attitudes: portraits, perhaps, of those who inhabited the Priory of St. Melaine of Rennes, to which the church originally belonged. The basin for holy water between the porches has a very interesting cover; but still more remarkable is the cover to the font, an imposing and elegantly sculptured octagonal work of art of the Renaissance period, raised and lowered by means of pulleys. The organ case is also good; andhaving said so much, there is nothing left to record in favour of St. Melaine. The general effect of the church is poor and mean, and the most vivid impression left upon the mind is that caused by the sharp climb up the narrow street and flight of steps, with little reward beyond one's trouble for the pains of mounting.
But other churches in the neighbourhood of Morlaix are well worth visiting; churches typical of the Finistère, with their wonderful calvaries, mortuaries and triumphal arches.
"These," said Monsieur Hellard, our host of the Hôtel d'Europe, who had, by this time, fully atoned for the transgressions of that one and almost fatal night—"these must on no account be neglected. Morlaix, more than any other town in the Finistère, as it seems to me, is surrounded by objects of intense interest; monuments of antiquity, both secular and religious."
"Yet you are not the chief town of the Finistère," we observed.
"True," he replied; "Quimper is our chief town; we are only second in rank; but in many ways we are more interesting than Quimper."
"You are partial," cried H.C., but very amiably. "What about Quimper's wonderful cathedral? Where can you match that architectural dream in Morlaix?"
"There, indeed, I give in," returned our host, meekly. "Morlaix has nothing to boast of in the way of churches, thanks to the revolution. But in the neighbourhood, each within the limits of a day's excursion, we have St. Thégonnec, Guimiliau, St. Jean-du-Doigt—and last and greatest of all—Le Folgoët. Besides these, we have a host of minor but interesting excursions."
"The minor must be left to the future," we replied; "for the present we must confine ourselves to the major monuments."
"One can't do everything," chimed in Madame Hellard, who came up at the moment. "I never recommend small excursions unless you are making a long stay in the neighbourhood. It becomes too tiring. We had a charming English family with us last year; a milord, very rich—they are all rich—with a sweetly amiable wife, who made herself in the hotel quite one of ourselves, and would chatter with us in my bureau by the hour together. Mon cher"—to her husband—"do you remember how they enjoyed the regatta, and seeing all the natives turn out in their Sunday clothes; and how Madame laughed at the old women who fried the pancakes upon their knees in the open air; and the boys and girls who took them up hot and buttery in their fingers and devoured them like savages? Do you remember?"
Monsieur Hellard apparently did remember, and shook with laughter at the recollection of that or of something equally droll.
"I shall never forget Madame's look of astonishment," he cried, "as the pancakes were turned out of the poële, and disappeared wholesale like lightning." 'Ah, madame,' I said, 'you have yetto learn the capacious appetites of our Breton boys and girls. It is one of the few things in which they are not slow and phlegmatic.'
"'And have not improved in,' laughed Madame. 'These habits are the remains of barbarism.'
"'Madame,' I replied, 'you must not forget that we are descended from the Ancient Britons.' Ah! that was a clencher, Madame laughed, but she said no more."
"Until she returned," added our hostess. "Then she whispered to me: 'Madame Hellard, those pancakes looked extremely good, and as they are peculiar to Brittany, you must give us some for dinner. I must taste yourcrêpes.'
"'Madame la Comtesse,' I returned, 'Brittany has many peculiarities; we cannot deny it; would that they were all as innocent as these crêpes. My chef is not a Breton, and he will not make them, perhaps, quite à la manière des nôtres; but I will superintend him for once. You shall have our famous dish.' And if you wish to know how she liked them," concluded Madame, laughing, "ask Catherine, là-haut. Three times a week at least we had pancakes on the menu. But nothing delights us more than when we please our guests. We like them to be at home here, and to feel that they may do as they please and order what they like."
To the truth of which self-commendation we bore good testimony.
"Now about the excursions," said M. Hellard. "I recommend you to go to-morrow to St. Thégonnec and Guimiliau, the next day to St. Jean-du-Doigt and Plougasnou, and the third day to Landerneau and Le Folgoët. The two first by carriage, the last by train."
So it was arranged, and we were about to separate when in came our hostess of that little auberge by the river-side,A la halte des Pêcheurs, carrying a barrel of oysters. She had walked all the way, and though the sun shone brilliantly, she was armed with a huge cotton umbrella that would have roofed a fair-sized tent.
"Madame Mirmiton!" cried M. Hellard; "and with a barrel of oysters, too! You are welcome as fine weather at theFête-Dieu! But why you and not your husband?"
"Ah, monsieur!" replied Madame Mirmiton: "Figurez-vous, my husband was running after that naughty girl of mine, stumbled over the cat and sprained his ankle. He will be quite a week getting well again."
"And the cat?" asked our host, comically.
"Pauvre Minette!" answered Madame Mirmiton, with tears in her voice. "She flew up the chimney. We have never seen her since—two days ago."
"Well, whether you or your bon homme bring them, these oysters are equally à propos. I am sure ces messieurs will enjoy our natives for déjeuner. I have it!" he cried, striking his forehead. "You shall have an early déjeuner, and start immediately after for St. Thégonnec, instead of delaying it until to-morrow. You will have plenty of time,and must profit by the fine weather. I will order déjeuner at once, and the carriage in an hour."
So are there times when our days, and occasionally the whole course of our lives, are apparently changed by the turning of a straw.
Having mentioned the oysters, we ought also to record their excellence. Catherine flew about the salle à manger, served us with her own hands, and gave us her whole attention, for we had the room to ourselves. She was proud of our praise.
"There is nothing better than our lobsters and oysters," she remarked. "I always say so, and Mirmiton always brings us the best of the good. But to-day it was Madame who came in. Ah!the Cat!" laughing satirically. "The cat comes in for everything, everywhere. She is a domestic animal invented for two reasons: to catch mice and to furnish an excuse for whatever happens. I dare affirm it was a glass too much and not the cat that caused the bon homme to sprain his ankle."
But we who had heard Madame Mirmiton's chapter and verse, were of a different opinion. Every rule has an exception, and the cat is certainly in fault—sometimes.
We started for St. Thégonnec. Monsieur packed us into the victoria, a heavy vehicle well matched by the horse and the man. We should certainly not fly on the wings of the wind.
"Take umbrellas," cried Madame Hellard, prudently, from the doorway. "Remember your drenching that day, and what fatal consequencesmighthave happened."
But we saw no necessity for umbrellas to-day, for there was not a cloud in the sky.
"Still, to please you, I will take my macintosh," said H.C.; "it is hanging up in the hall."
But the macintosh had disappeared. A traveller who had left by the last train had good-naturedly appropriated it to his own use and service. It was that admirable macintosh that has already adorned these pages, with the cape finished off with fish-hooks for carrying old china, brown paper parcels and headless images; and as the invention was not yet patented, the loss was serious. H.C. lamented openly.
"I only hope," he said, "that the man who has taken it will put it on inside out, and that all the fish-hooks will stick into him." The most revengeful saying his gentle mind had ever uttered.
"C'est encore le chat!" screamed Catherine, who was leaning out of a first-floor window of the salle à manger, quite undaunted by Madame Hellard's reproving "Voyons, voyons, Catherine!"
But Catherine was loyal, for all her mild sarcasm, and we knew that if ever the delinquent turned up again he would have a mauvais quart d'heure at her hands, whilst M. Hellard would certainly enforce restitution.
Some months later on, at a subsequent visit we paid to Morlaix, we asked after the fate of the macintosh and its borrower.
"Ah, monsieur," cried our host, sadly, "his punishment was even greater than we could have wished; two months afterwards the poor fellow died of la grippe."
But to return. We started for St. Thégonnec. It was a longish drive; the road undulated a good deal, and the horse seemed to think that whether going up hill or down a funereal pace was the correct thing. It took us half our time to rouse our sleepy driver to a sense of his duty. At last we tried a severe threat. "If you are not back again by table d'hôte time, you shall have no pourboire," we said, in solemn and determined tones. The effect was excellent. We had no more trouble, but the unfortunate horse had a great deal of whip.
There was very little to notice in the country we passed through. The most conspicuous objects were the large stone crucifixes erected here and there by the roadside or where two roads met: ancient and beautiful; and throwing, as we have remarked, a religious tone and atmosphere over the country. It was wonderfully picturesque to see, as we occasionally did, a Brittany peasant kneeling at the foot of one of these old crosses, the pure white Brittany cap standing out conspicuously against the dark grey stone: a figure wrapped in devotion, apparently lost to the sense of all outward things. It all adds a charm to one's wanderings in Brittany.
St. Thégonnec at last, announced some time before we reached it by its remarkable church, which is very visible in the flatness of the surrounding country. The small town numbers some three thousand inhabitants, but has almost the primitive look of a village. Many of the people still wear the costumes of the place, especially on a Sunday, when the interior of the church at high mass looks very picturesque and imposing.
The dress of the women is peculiar, and at first sight they might almost be taken for nuns or sisters of mercy: a dress which leaves scope for a certain refinement rather contradicted by the physical appearance of the women themselves. Men and women, in fact, belong for the most part to the peasantry, and pass their simple lives labouring in the fields, beating out flax, cultivating their little gardens, so that such an official as the gravedigger becomes an important personage amongst them. We came across him, at his melancholy work, but could make no more of him than we made of the people of Roscoff. He understood no word of French, but spoke his own native tongue, the language of la Bretagne Bretonnante, as Froissart has it, in contradistinction to la Bretagne douce. Nothing, certainly, can be softer and more beautiful than the pure French language; but that of Brittany is hard and guttural, without beauty or refinement of any sort.
The men of St. Thégonnec dress very differently from the women, but the costume is also very characteristic. It is entirely black, and consists of wide breeches, pleated and strapped at the knee; asquare tunic; a scarf tied round the waist, with loose ends; a large hat, and shoes with buckles.
Old House St. Pol de Leon.Old House St. Pol de Léon.
To-day few inhabitants were visible. We seemed to be in possession of the place, together with the old gravedigger, who stopped his work and escorted us about, but was too stupid to understand even the most intelligent signs.
The church is very elaborate and fanciful, cruciform and sixteenth century, in the Renaissance style, much decorated with sculptures in dark Kersanton stone. The wordKersantonis Breton for St. Anthony's House; therefore we may suppose that the Saint had his house, and possibly his pig-stye, built of this same stone. For, as we know, St. Anthony had a weakness for pigs, and was famous for recovering one of his favourites from the devil, who had stolen it: recovered it not quite undamaged, as the animal was restored with his tail on fire: a base return for the Saint's politeness, who had offered his petition in poetical terms to which his audience could scarcely have been accustomed.
"Rendez-moi mon cochon, s'il-vous-plait,Il faisait toute ma félicité,"
"Rendez-moi mon cochon, s'il-vous-plait,Il faisait toute ma félicité,"
chanted the Saint, and to restore the pig with his tail on fire was conduct worthy only of fallen spirits.
But let us leave the Saint's pigs and return to our sheep.
The Kersanton stone, of which so many churches in Brittany are built, possesses many virtues, but one great drawback. It defies the ravages of time, yet is admirable for carving, yielding easily to the chisel. But time has no influence upon it. Centuries pass, yet still it remains the same: ever youthful, ever hard and cold. It knows nothing of the beauty of age; it does not crumble or decay, or wear away into softened outlines; it takes no charm of tone; no lights and shadows. A dark grey-green it was originally, and so it remains. Thus, in point of effect, a church built of Kersanton stone two centuries ago might, as far as appearance goes, almost have been built yesterday. This is a great defect; and interferes very much with the charm of some of Brittany's best churches. It is hard, cold and severe, without refinement, poetry or romance.
In some cases it atones somewhat by its richness and elaborateness of sculpture, as in the case of St. Thégonnec. The west front of this church is Gothic, of the fourteenth century. One of the turrets has a small, elegant spire, and at the S.W. angle there is a very effective domed tower bearing the date 1605.
You enter the churchyard by a triumphal arch, in Renaissance dated 1587. It is large and massive, with a great amount of detail substantially introduced, its summit crowned by a number of crosses. On the frieze St. Thégonnec is represented conducting a waggon drawn by an ox: a facsimile of the waggon that is said to have assisted in carrying the stone to build the church. St. Thégonnecis the patron saint of all animals, and to him the peasants appeal for success and good-luck in such matters.
Adjoining the triumphal arch is a Flamboyant ossuary or mortuary chapel, dated 1581, richly gabled, in perfect preservation, and of two storeys. The first consists of semicircular arches supported by small pillars with Corinthian capitals. A short staircase within leads to a crypt converted into a small chapel, in which is an entombment formed of life-size figures carved in wood, gilded and painted, bearing date 1702. The calvary in the churchyard, a remarkable monument, completes the history, by a multitude of small statues representing all the principal episodes of the Passion. Its date is 1610. Even the crosses are surmounted by statuettes, as if the designer had not known how to heap up sufficient richness of ornamentation. The carved pulpit in the interior of the church is also remarkable.
We could only devote an hour to St. Thégonnec; Guimiliau had still to be seen, and we wished to be back in Morlaix by a certain time, for "the night cometh." Fortunately the drive was not a long one.
Guimiliau is a village not half the size of St. Thégonnec, and is even less civilized. Into the inn, which no doubt is respectable, but was rough and primitive, we did not venture. The driver and the landlord were apparently on excellent terms, and whilst they fraternised over their glasses, we inspected the church.
The place takes its name from Miliau, a king of the Cornouaille, who was treacherously murdered by his brother Rivod, who then proclaimed himself king about the year 531. The church and the people canonised him, and he has become the patron saint of many a Breton village.
The church of Guimiliau dates chiefly from the sixteenth century. The aisles and the south porch are Renaissance, richly ornamented by delicate sculptures representing scenes from the Old and New Testament; statues of the Apostles. The triumphal arch and ossuary are very inferior to St. Thégonnec, but the calvary is a magnificent monument, unequalled in Brittany, richly sculptured and ornamented. It rests on five arches, and you ascend to the platform by a short staircase in the interior. Here are crosses bearing the Saviour, and the thieves, quaintly carved, but with a great deal of religious feeling. The Evangelists, each with his particular attribute portrayed, are placed at the angles: and the whole history of the Life of Christ is represented by a countless number of small figures or personages dressed in costumes of the sixteenth century. The effect is occasionally grotesque, but very wonderful. A procession armed with drums and other instruments precedes theBearing of the Cross; and another scene which does not belong to the Divine Life, but was introduced as an accessory, represents Catel Gollet (the lost Catherine) precipitated by devils in the form of grotesques into the jaws of a fiery dragon emblematical of Purgatory.
Catel Gollet was one who concealed a sin in confession, was condemned to suffer, and returning miraculously in 1560 announced her condemnation to her companions in these terms:
Voici ma main, cause de mon malheur,Et voici ma langue détestable!Ma main qui a fait le péché,Et ma langue qui l'a nié.
Voici ma main, cause de mon malheur,Et voici ma langue détestable!Ma main qui a fait le péché,Et ma langue qui l'a nié.
The bas-relief represents the Adoration of the Magi, and bears date 1588, whilst the upper part bears that of 1581.
The interior of the church possesses some wonderful and almost matchless carved wood, which surprised and delighted us. There were sixteenth century statues, full of expression, of St. Hervé and St. Miliau; an elaborate and beautiful pulpit, a font with a canopy supported by twisted columns, magnificently carved and thirty feet high, dated 1675; a matchless organ case, with three bas-reliefs, representing David, St. Cecilia and a Triumphal March, the latter reproduced from one of Alexander's battles by Lebrun.
In short, Guimiliau was a treasury of sculptured wood, which alone would have made it remarkable amongst churches. It was almost impossible to leave its fascination, and I fear that we more than envied the church its possession. It also came with a surprise, for we had heard nothing of this treasure of refined carving, and had anticipated nothing more than the wonderful calvary. It still lives in our imagination, almost as a dream; a dream of beauty and genius.
We lingered as long as we dared, but knew that we should not travel back at express speed, and that our coachman, after his indulgence in Breton beer or spirit, would probably be more sleepy than ever.
The sun was declining as we left Guimiliau, the church and its monuments forming a very singular composition against the background of the sky as we turned and gave it a farewell look. One scarcely analysed the reason, but there was almost an effect of heathendom about it, as if it dated from some remote age, when visible objects were worshipped, and the sun and the moon and dragons and grotesques took a prominent place in religion.
The sun was declining and twilight was beginning to creep over the land. It threw out in greater relief the wayside crosses that we passed on the road, solemnising the scene, and insensibly leading the mind to contemplation; all the beauty, all the mystery of our faith, the lights and shadows of our earthly pilgrimage, so typified by the days and nights of creation; and the "one far-off divine event" which concerns us all.
When we entered Morlaix the sun had set; table d'hôte was not over, and we knew that Catherine had our places and our welfare in her special keeping; and the driver having done his best on the road, and having fallen asleep not more than five times on his box, weforgot our threat, and dismissed him with apourboire, for which he returned us a Breton benediction.
Brittany Peasants.Brittany Peasants.
Once again the next day was kindly, the sun shone, the sky was unclouded. These are rare days in Brittany, which, surrounded on three sides by water, lives in an atmosphere that is always damp and too often gloomy and depressing.
Mindful of our host's wise counsel to profit by the fine weather, we started for St. Jean-du-Doigt.
This time our drive lay in a different direction. Yesterday it had been inland, to-day it was towards the sea-coast. The country for some time was sad and barren-looking, but as we approached St. Jean and the coast it became more interesting and fertile.
Lanmeur, a small town not far from St. Jean, lies in a rather sad and solitary plain, and is said to occupy the site of a city of great antiquity. Here runs the river Douron, a small stream that, considerably higher up, separates the Department of Finistère from Les Côtes du Nord. The ancient city was namedKerfeunteun, and possessed a wonderful church which was destroyed by the Normans in the eleventh century, but of which the crypt still remains. In the centre of this crypt springs a fountain or well, dedicated to St. Melar, a Breton prince put to death in the year 538, by that same Rivod who murdered his brother Miliau, and then had himself proclaimed king. The crypt also contains a statue of St. Melar of the fourteenth century, representing him minus a hand and foot, which Rivod had had cut off before putting him to death, in order that he should not be able to mount a horse or use a sword. Of the church built in the eleventh century only a few arches in the nave and the south porch remain. The rest of the existing building is modern.
The coast beyond Lanmeur is extremely broken, rugged and rocky, full of small bays and sharp points of land jutting out into the sea. The whole neighbourhood is interesting. Especially remarkable is the Pointe de Beg an Fri, the fine and rugged rocks of Primel and of Plougasnou; whilst on the land the pointed roofs of many an old manor rise above the trees.
St. Jean-du-Doigt is four miles from all this. It is a very pretty and fertile village watered by the Dounant, which passes through it on its way to the Bay of St. Jean, where it loses itself in the sea.
The village lies between two high and barren hills, which shelter it from the cold winds, and make the valley laughing and fertile. Here you find well-grown elm trees, and hedges full of the whitethorn, honeysuckle and wild vines; hedges surrounding rich and productive orchards, amongst which, here and there, you will see rising the thatched roof of the small cottages inhabited by the Breton peasantry.
As at Roscoff, so the moment we reached St. Jean-du-Doigt, we felt its fascination. Its situation between the hills is extremely picturesque. Approaching, its rich gateway, leading to the churchyard, stands before you with fine effect; and beyond it rises the church.
The gateway is Flamboyant gothic, of great beauty and refinement. The church is fifteenth century gothic. Its wooden roof is beautifully carved and painted. The interior has no transept, but is composed of three naves under one roof. The west aisle has been shortened to make room for the tower; and in the north nave is a closed-up pointed doorway, which must have belonged to the earlier chapel dedicated to St. Mériadec. The apsis is terminated by a straight wall. The three naves are separated below the choir by prismatic pillars supporting light and bold arches.
The tower is pierced on the four sides by two long, narrow lancet windows, ending in a platform bearing a Flamboyant balustrade, above which rise four bell-turrets in lead, supporting a tall leaden spire.
The churchyard contains two remarkable objects: a mortuary chapel of the date 1577, open on three sides, with a stone altar at the end. The other is an exquisite Renaissance fountain of lead, with admirable figures, the goal of many a pilgrimage. It is a rare work of art, composed of three trenchers or shallow basins united by a slender column, of which the base enters a large reservoir in the form of a basin resting on a pedestal, the water issuing from lions' mouths. The overflow from the upper basins is discharged into the larger basins below by means of a cordon or garland, consisting of angels' heads, full of grace and beauty. The summit of the fountain is crowned by an image of theFather Eternal, leaning forward to watch the Baptism of theSonby John the Baptist. These figures are all in lead, as also are the innumerable heads of the angels pouring out water from the three upper stages. The exquisite composition is said to have been the work of an Italian artist, and was given by Anne of Brittany.
The whole village scene is picturesque and striking. You feel at home at once; it is marked by a certain refinement, a delicious quietness and repose in which there is something singularly soothing. Lying in a hollow, it seems to have carefully withdrawn from the outer world. It is warm and sunny, and marked and beautified by a wealth of flowers. Surrounding the churchyard are some of the small houses of this mediæval village.
The inn opposite the gothic gateway looks the very picture of cleanliness and quiet comfort. Through an open window you see a table spread with a snow-white cloth, a capital ensign for an inn, promising much that is loyal. The whole of the exterior is a wealth of blossom, roses and wisteria covering the white walls, framing the casements, overflowing to the roof.