FOOTNOTES:[20]Antiphonal is here used in the sense that one part of the chorus answered the other.[21]Carl Engel: ‘Music of the Most Ancient Nations.’[22]A sort of rattle.[23]Translated from a summary by Jules Combarieu In hisHistoire de la musique, Vol. V, Chap. XIV.[24]Concerning the influence of the temple and synagogue on the liturgical music of the early Christian church, see Chapter V, p. 157 ff.[25]‘Laws,’ Book II.[26]‘The Five Great Monarchies of the Ancient World.’ (1862-67.)[27]Denkmäler aus Ägypten und Ethiopien.[28]Chas. Burney: ‘History of Music.’[29]Book X, Chap. 3.[30]‘Records of the Past.’[31]F. J. Fétis:Biographie universelle des musiciens et bibliographie générale de la musique.
FOOTNOTES:
[20]Antiphonal is here used in the sense that one part of the chorus answered the other.[21]Carl Engel: ‘Music of the Most Ancient Nations.’[22]A sort of rattle.[23]Translated from a summary by Jules Combarieu In hisHistoire de la musique, Vol. V, Chap. XIV.[24]Concerning the influence of the temple and synagogue on the liturgical music of the early Christian church, see Chapter V, p. 157 ff.[25]‘Laws,’ Book II.[26]‘The Five Great Monarchies of the Ancient World.’ (1862-67.)[27]Denkmäler aus Ägypten und Ethiopien.[28]Chas. Burney: ‘History of Music.’[29]Book X, Chap. 3.[30]‘Records of the Past.’[31]F. J. Fétis:Biographie universelle des musiciens et bibliographie générale de la musique.
[20]Antiphonal is here used in the sense that one part of the chorus answered the other.
[20]Antiphonal is here used in the sense that one part of the chorus answered the other.
[21]Carl Engel: ‘Music of the Most Ancient Nations.’
[21]Carl Engel: ‘Music of the Most Ancient Nations.’
[22]A sort of rattle.
[22]A sort of rattle.
[23]Translated from a summary by Jules Combarieu In hisHistoire de la musique, Vol. V, Chap. XIV.
[23]Translated from a summary by Jules Combarieu In hisHistoire de la musique, Vol. V, Chap. XIV.
[24]Concerning the influence of the temple and synagogue on the liturgical music of the early Christian church, see Chapter V, p. 157 ff.
[24]Concerning the influence of the temple and synagogue on the liturgical music of the early Christian church, see Chapter V, p. 157 ff.
[25]‘Laws,’ Book II.
[25]‘Laws,’ Book II.
[26]‘The Five Great Monarchies of the Ancient World.’ (1862-67.)
[26]‘The Five Great Monarchies of the Ancient World.’ (1862-67.)
[27]Denkmäler aus Ägypten und Ethiopien.
[27]Denkmäler aus Ägypten und Ethiopien.
[28]Chas. Burney: ‘History of Music.’
[28]Chas. Burney: ‘History of Music.’
[29]Book X, Chap. 3.
[29]Book X, Chap. 3.
[30]‘Records of the Past.’
[30]‘Records of the Past.’
[31]F. J. Fétis:Biographie universelle des musiciens et bibliographie générale de la musique.
[31]F. J. Fétis:Biographie universelle des musiciens et bibliographie générale de la musique.