Chapter 8

If we trod the deeps of ocean, if we struck the stars in rising,If we wrapped the globe intensely with one hot electric breath,'Twere but power within our tether, no new spirit-power comprising,And in life we were not greater men, nor bolder men in death.

If we trod the deeps of ocean, if we struck the stars in rising,If we wrapped the globe intensely with one hot electric breath,'Twere but power within our tether, no new spirit-power comprising,And in life we were not greater men, nor bolder men in death.

St. John beheld the New Jerusalem coming down out of Heaven prepared as a bride adorned for her husband, not equipped as a touring car varnished for its owner.

It is my hope that the moving picture prophet-wizards will set before the world a new group of pictures of the future. The chapter on The Architect as a Crusader endeavors to show how, by proclaiming that America will become a permanent World's Fair, she can be made so within the lives of men now living, if courageous architects have the campaign in hand. There are other hopes that look a long way further. They peer as far into the coming day as the Chinese historian looks into the past. And then they are but halfway to the millennium.

Any standard illustrator could give us Verne or Bellamy or Wells if he did his best.But we want pictures beyond the skill of any delineator in the old mediums, yet within the power of the wizard photoplay producer. Oh you who are coming to-morrow, show us everyday America as it will be when we are only halfway to the millennium yet thousands of years in the future! Tell what type of honors men will covet, what property they will still be apt to steal, what murders they will commit, what the law court and the jail will be or what will be the substitutes, how the newspaper will appear, the office, the busy street.

Picture to America the lovers in her half-millennium, when usage shall have become iron-handed once again, when noble sweethearts must break beautiful customs for the sake of their dreams. Show us the gantlet of strange courtliness they must pass through before they reach one another, obstacles brought about by the immemorial distinctions of scholarship gowns or service badges.

Make a picture of a world where machinery is so highly developed it utterly disappeared long ago. Show us the antique United States, with ivy vines upon the popular socialist churches, and weather-beaten images of socialist saints in the niches of the doors. Show us the battered fountains, the brooding universities, the dusty libraries. Show us houses of administration with statues of heroes in front of them and gentle banners flowing fromtheir pinnacles. Then paint pictures of the oldest trees of the time, and tree-revering ceremonies, with unique costumes and a special priesthood.

Show us the marriage procession, the christening, the consecration of the boy and girl to the state. Show us the political processions and election riots. Show us the people with their graceful games, their religious pantomimes. Show us impartially the memorial scenes to celebrate the great men and women, and the funerals of the poor. And then moving on toward the millennium itself, show America after her victories have been won, and she has grown old, as old as the Sphinx. Then give us the Dragon and Armageddon and the Lake of Fire.

Author-producer-photographer, who would prophesy, read the last book in the Bible, not to copy it in form and color, but that its power and grace and terror may enter into you. Delineate in your own way, as you are led on your own Patmos, the picture of our land redeemed. After fasting and prayer, let the Spirit conduct you till you see in definite line and form the throngs of the brotherhood of man, the colonnades where the arts are expounded, the gardens where the children dance.

That which man desires, that will man become. He largely fulfils his own prediction and vision. Let him therefore have a care how he prophesies and prays. We shall have a tin heaven and a tin earth, if the scientists are allowed exclusive command of our highest hours.

Let us turn to Luke iv. 17.

"And there was delivered unto him the book of the prophet Esaias. And when he had opened the book he found the place where it was written:—

"The Spirit of the Lord is upon me because he hath anointed me to preach the Gospel to the poor; he hath sent me to heal the broken-hearted, to preach deliverance to the captives, and recovering of sight to the blind, to set at liberty them that are bruised, to preach the acceptable year of the Lord.

"And he closed the book, and he gave it again to the minister, and sat down. And the eyes of all them that were in the synagogue were fastened on him. And he began to say unto them: 'This day is this Scripture fulfilled in your ears.'

"And all bare him witness, and wondered at the gracious words which proceeded outof his mouth. And they said: 'Is not this Joseph's son?'"

I am moved to think Christ fulfilled that prophecy because he had read it from childhood. It is my entirely personal speculation, not brought forth dogmatically, that Scripture is not so much inspired as it is curiously and miraculously inspiring.

If the New Isaiahs of this time will write their forecastings in photoplay hieroglyphics, the children in times to come, having seen those films from infancy, or their later paraphrases in more perfect form, can rise and say, "This day is this Scripture fulfilled in your ears." But without prophecy there is no fulfilment, without Isaiah there is no Christ.

America is often shallow in her dreams because she has no past in the European and Asiatic sense. Our soil has no Roman coin or buried altar or Buddhist tope. For this reason multitudes of American artists have moved to Europe, and only the most universal of wars has driven them home. Year after year Europe drained us of our beauty-lovers, our highest painters and sculptors and the like. They have come pouring home, confused expatriates, trying to adjust themselves. Itis time for the American craftsman and artist to grasp the fact that we must be men enough to construct a to-morrow that grows rich in forecastings in the same way that the past of Europe grows rich in sweet or terrible legends as men go back into it.

Scenario writers, producers, photoplay actors, endowers of exquisite films, sects using special motion pictures for a predetermined end, all you who are taking the work as a sacred trust, I bid you God-speed. Let us resolve that whatever America's to-morrow may be, she shall have a day that is beautiful and not crass, spiritual, not material. Let us resolve that she shall dream dreams deeper than the sea and higher than the clouds of heaven, that she shall come forth crowned and transfigured with her statesmen and wizards and saints and sages about her, with magic behind her and miracle before her.

Pray that you be delivered from the temptation to cynicism and the timidities of orthodoxy. Pray that the workers in this your glorious new art be delivered from the mere lust of the flesh and pride of life. Let your spirits outflame your burning bodies.

Consider what it will do to your souls, if you are true to your trust. Every year, despite earthly sorrow and the punishment of your mortal sins, despite all weakness and all of Time's revenges upon you, despite Nature's reproofs and the whips of the angels, new visions will come, new prophecies will come. You will be seasoned spirits in the eyes of the wise. The record of your ripeness will be found in your craftsmanship. You will be God's thoroughbreds.

It has come then, this new weapon of men, and the face of the whole earth changes. In after centuries its beginning will be indeed remembered.

It has come, this new weapon of men, and by faith and a study of the signs we proclaim that it will go on and on in immemorial wonder.

VACHEL LINDSAY.

SPRINGFIELD, ILLINOIS,

Nov. 1, 1915.


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