"March20.—Mr. Lee comes every day. His father lives only a few miles from us,—a distance so short as to be no obstacle to a lover with a good horse; though I suspect, if the horse could speak, he would wish the distance either less or greater. These midnight rides must be detrimental to the constitution of any steady horse, and he often wakes me up at night, pawing impatiently under the window while his master is making his lingering adieux on the door-step.
"April1.—I dislike Eleanor more every day. I know not why, unless because I watch her so closely. When Mr. Lee is not here she works as industriously as ever. If I were in love, I would give myself up to a dream or reverie now and then, and build myself an air-castle, if it were only to see it tumble down, and call myself a fool for my pains; but she is too matter-of-fact to do that. Well, if there is not much romance about her love, perhaps there is more reality; yet Thornton Lee is just the man one could make an ideal of, if one only would. But this is not what I especially dislike her for; people must love according to their own nature and temperament, and not after another's pattern. The thing that frets me most just now is the way that Eleanor has of divining my thoughts before they are spoken, and even before they are quite clear to myself. Sometimes, when we are talking together, some subject comes up on which I do not care to express my opinion. Eleanor fixes her clear, penetrating eyes upon me, and drags my thought out into the light, just as a kingfisher pounces upon and pulls a fish out of the water. Had I anything to conceal, any secret, I should be afraid of her; and as it is, I do not like this invasion of my personal kingdom,—though my thoughts often acquire new strength and beauty from Eleanor's strong and vigorous language. Last evening, Mr. Lee, Eleanor, and myself were turning over the prints in a large portfolio. We paused at one, the Departure of Hagar into the Wilderness. The artist had represented Hagar turning away from the door of the tent with Ishmael and the bottle of water; Abraham was near her; while Sarah in the background with a triumphant face exulted at the driving out of the bondmaid. The picture had not much merit as a work of Art; but in Hagar's face was such a look of despairing, wistful tenderness, as she turned towards Abraham for the last time, that it moved me almost to tears. I drew a long breath as the picture was turned over. Looking up, I saw Eleanor's eyes fixed upon me.
"'You pity Hagar, then? You think it was a harsh and cruel thing to drive her out into the wilderness with her child?'
"'Yes,' said I, shortly,—a little provoked that she should have seen it in my face.
"She went on: 'Sarah was right. Had I been she, I would have driven her out as remorselessly and as pitilessly. Did she not, presuming upon her youth, her beauty, and her child, despise her mistress? and why should her mistress feel compassion for her? The love of a long life might well thrust aside the passion of a few months, and Sarah, contemned by her bondmaid, is more worthy of pity than Hagar, in my eyes.'
"I was about to say that Sarah was more to blame for Hagar's conduct than she was herself, when Mr. Lee observed 'that Abraham was more to be pitied than either of them, for he was unable or unwilling to protect either of the women whom he loved,—his wife from the contempt of her bondmaid, or the bondmaid from the fury of his wife.'
"I fancied Eleanor did not exactly like this remark, for she turned to the next print hastily and began commenting upon it.
"May6.—The groves and fields are beautiful with the fresh beauty of the early spring. We have given up our winter occupations for long rambles on the hills and in the woods. I sometimes decline being a third in the lovers' walks; but Eleanor seems so dissatisfied, if I refuse to accompany them, that I consent, lagging behind often, and have learned to be both blind and deaf as occasion requires. I think, too, that Mr. Lee is not sorry to have me with them. He and Eleanor have been separated for three years, and I sometimes wonder if they have not grown away from each other in that time. A long absence is a dangerous experiment even for friends, much more for lovers. Besides, no life is long enough to allow such great gaps in it.
"June1.—We were sitting yesterday under the ash-trees on the lawn,—Eleanor netting, Mr. Lee reading Dante aloud, and I making myself rings and bracelets out of the shining blades of grass, and pretending to listen, when a servant brought Eleanor a letter. It was very short, for she did not turn the leaf. When she had read it she drew out her watch.
"'I have an hour before the express-train starts. Tell Mrs. Bickford to pack my trunk for a journey. Harness the black horse to drive to the station.'
"She put the letter into Mr. Lee's hands. 'My brother is very ill, and I shall go to him at once. Elizabeth, I am sorry to leave you here alone, but while I am gone I hope Thornton will consider you under his charge and protection.'
"She rose, as she spoke, and went towards the house, followed byThornton.
"In a few minutes she appeared again, dressed in a gray travelling-dress,—kissed me lightly on the check, and bade me good-bye. All her preparations for this long journey had been made without any hurry or confusion, and she did not apparently feel so agitated or nervous at the thought of travelling this distance alone as I should to have gone by myself to the nearest town. Why Thornton did not accompany her, whether he could not or she did not wish it, I do not know; but he parted from her at the station, and soon returned for his horse.
"July1.—Eleanor has been gone a month; in that time we have received but one letter from her. Her brother still lies in a very critical state, and she will not leave him at present. His motherless children, too, she thinks require her care. It seemed very lonesome at first without her. I did not think I could have missed an uncongenial person, one with whom I had so little sympathy, so much. I think I must belong to the tribe of creeping plants, which cling to whatever is nearest to them. Ashcroft grows daily more beautiful, and Thornton comes often to see me. We read together books that I like, (not Dante,) walk and sketch. We are on excellent terms, and call each other Cousin in view of our future relationship. I can talk more freely to him, now that Eleanor is not here,—and feel no disposition to hide my thoughts, now that I can keep them to myself, if I choose.
"July24.—A week ago, one fair midsummer afternoon, we strolled to the knoll, and sat down under the blossoming boughs of the chestnut-tree.
"'I think,' said I, 'this is the pleasantest place in all the grounds; but Eleanor never seemed willing to come here.'
"'Eleanor has many unpleasant remembrances connected with the place,' replied Thornton. 'Her father's obstinate persistence in digging the well was a great annoyance to the whole household, and, unimaginative as Eleanor is, I fancy sometimes, from her avoidance of the spot, that she has some superstitious idea connected with the well,—that she fears through it some great misfortune may happen to some of the family.'
"'I hardly see how that can be,' said I, rising and going to the brink of the well; 'it is very deep, but there was never any water in it.'
"Just then I caught sight of a little flower growing out of the cleft of one of the stones. I knelt down and bent over to reach it. I slipped, I know not how, and should have fallen, had not Thornton sprung to my side and caught me.
"'Ah, my foolish cousin!' said he, 'there needs not to be water in the well to make it a dangerous place. Promise me that you will not attempt such a thing again.'
"'Not I,' said I, laughing gayly to conceal my fright,—for I did think I was about to break my neck on the stones below. 'There is no harm done, and I have got what I was after,'—and I held up the flower.
"It was an ugly little thing, and looked not half so pretty in my hand as it did in the shadow of the well. I would not have gathered it, had I seen it growing by the roadside. 'Is it not pretty?'
"'Humph!' said he, 'very!—worth breaking one's neck for!'
"'I was about to offer it to you, but, since you despise it, I will keep it myself,'—and I stuck it into my hair.
"Some time after, I missed the flower. I did not see it on the grass, but a leaf strangely similar peeped out of Thornton's waistcoat-pocket. When we passed by the well, on leaving the knoll, 'Promise me,' said he again, 'that you will not reach over the well for flowers any more.'
"I was a little irritated at his pertinacity. 'I shall do no such thing,' returned I; 'you are growing as superstitious as Eleanor. On the contrary, I think I shall make a garden there and tend it every day; and whenever I go away from Ashcroft, I will leave something on the stone for you, to show how idle your fears are.'
"Thornton did not answer. He was provoked, but showed his anger only by his silence. We sauntered back to the house in a different mood from that in which we had left it.
"August4.—Thornton came into the library to-day with a letter from Eleanor. She cannot leave her brother, and wrote to Thornton about some papers that she wished sent to her without delay. They were in the drawer of the desk at which I was sitting. Thornton said he was in haste, as he wished to prepare the packet for the next mail. I rose at once. In his hurry he knocked the little japanned box on to the floor. Begging pardon for his awkwardness, he picked it up, and looked at it a moment to assure himself that it had suffered no damage.
"'It is a curious little thing,' said he, 'and looks as if it were a hundred years old.'
"'It belonged once to my grandmother, and held pearl-powder and rouge,' said I.
"'And is used for the same purpose now?' inquired he.
"'Yes,' returned I, my cheek reddening a little. 'I was just putting some on as you entered.'
"'It must be very uncommon rouge,' remarked he, quietly fixing his eyes on me; 'it grows red after it is put on, and must require much care in the use of it.'
"'I thought you were in a great hurry, Thornton, when you came in.'
"'And so I am';—and he began undoing and separating papers, but every few moments he would steal a glance—a glance that made me feel uneasy—towards me, as I sat at the other window busying myself with my needle.
"August25.—I wish Eleanor would come home. I sometimes think I will go away; but to leave Ashcroft now would imply a doubt of Thornton's honor, and impute thoughts to him which perhaps have no existence but in my vanity.
"October3.—Ah, why was I so foolish? Why did I not go when I saw the danger so clearly, instead of cheating myself into the belief that there was none? Would that I had never come to Ashcroft, or had had the courage to leave it! These last six weeks, I do not know, I cannot tell, how they have been spent. Thornton was ever by my side, and I—did not wish him away. We sat this afternoon on the lawn under the great ash-tree,—the one under which he sat reading Dante to Eleanor the last day she was with us. The love which had burned in his eyes all day found utterance at last, and flamed out in fiery, passionate words. He drew me towards him. His vehemence frightened me, and I muttered something about Eleanor. It checked him for a moment, but, quickly recovering, he spoke freely of himself and of her,—of the love which had existed between them,—a feeling so feeble and so poor, compared to that which he felt for me, as to be unworthy of the name. He entreated, he implored my love. I was silent. He bent over me, gazing into my face. There was a traitor lurking in my heart, which looked out of my eyes, and spoke without my consent. He understood that language but too well. I bent my eyes upon the ground,—his arm was around my waist, his hand clasped mine, his lips approached my cheek. A shadow seemed suddenly to come between me and the sun. I looked up and saw Eleanor, clad in mourning, standing before us. I started at once to my feet, and, like the coward that I am, fled and left them together. I ran down to the old hawthorn-tree, against which I leaned, panting and trembling. Yet, in a few moments, ashamed of my weakness, I stole back to where I could see them unobserved. Eleanor stood upon the same spot, calm and motionless. Thornton was speaking, but I was too far off to hear more than the sound of his voice. When he had ended, he approached her, as if to bid her adieu; but she passed him with a stately bow, and entered the hall-door. Thornton took his way to the stables, and I soon heard the clattering of his horse's hoofs on the hard gravelled road. When the sound died away in the distance, I stole into the house and crept up to my chamber. How long I was there I could not tell; but when I heard the bell ring for tea, I washed my face and smoothed my hair. I would not be so cowardly as to fear to see Eleanor again, and perhaps it would be better for us both to meet in the presence of a third person.
"Mrs. Bickford was alone at the table. 'Miss Purcill would not come down tonight,—she was fatigued with her journey.'
"The good lady strove to entertain me with her conversation, but, finding that I neither heard, answered, nor ate, our meal was soon brought to a close. It is long past midnight. I have thought till I am sick and giddy with thinking. I cannot sleep, and have been writing here to control the wildness of my imaginings. I have been twice to Eleanor's chamber. The door is half ground-glass, and I can see her black shadow as she walks to and fro across the room. She has been walking so ever since she entered it.
"October4.—What shall I do? Where shall I go? All night and all day Eleanor has walked her chamber-floor. I have been to the door. I have knocked. I have called her by name. I have turned the handle,—the door is locked. No answer comes to me,—nothing but the black shadow flitting across the panes. I sat down by the threshold and burst into tears.
"Mrs. Bickford found me there. 'Do not grieve so, Miss Elizabeth,' said she, kindly. 'It is dreadful, I know; but Miss Purcill walked the floor all night after her father died, and would admit no one to her room. She will be better to-morrow.'
"I shook my head. Could I believe that grief for the dead, and not sorrow for the conduct of the living, moved her thus, I should be happy. Then I could offer consolation and sympathy; but now, if I saw her, what could I say? Pity, sorrow for her grief, would be but idle words, which she would spurn with contempt,—and she would be right. There is but one thing left for me,—I must go from Ashcroft; then, perhaps, she and Thornton—But no, it cannot be; so wide asunder, they cannot come together again. And do I wish it? Is not his love as much mine now as it ever was hers? Ah, how some words once spoken cannot be forgotten! Before me now is the little picture of Hagar, which Eleanor had framed and hung in the library. Did she place it before my eyes as a warning to me? In Hagar's fate I see my own; for even now I hear Eleanor asking if the passion of a few hours is to thrust aside the love of long years. The bondmaid will go ere she is driven out. But Thornton—I cannot, will not, see him again. He has written to me to-day, saying that he cannot come here, and asking me to meet him at the well to-morrow. By that time I shall be far on my way to Madge. He will wait for me, and I shall not come. How can I leave him thus? He will believe me heartless and cruel. I grieve even now for his pain and grief. He will think that I did not love, but only sported with him. How dearly I love him words cannot tell; and I go that his way may be smoother, and that in my absence he may find—peace at last. A little dried flower lies on the page that I turned. It is one of those that grew in the well, that I wore on my bosom one day, that he might see and know it, and chide me for having been there again. His chiding was sweeter to me than others' praise. I will not be so unjust to myself. I will not go without one word. I jestingly told him once I would leave a token for him on the stone in the well when I went away from Ashcroft. I will put my journal there. He will see the box and remember it. He will learn that I have gone, and will know that I love, but that I leave and renounce him."
* * * * *
The remaining pages of the book were blank. Elizabeth Purcill's journal was ended. Bradford was busy with conjectures. Why had not Thornton found and kept the journal intended for him? Had it fallen at once to the bottom of the well, and lain there for years, while he waited in vain for her coming or her token? Her departure had not brought Eleanor Purcill and Thornton Lee together; for his aunt still remained unwedded, and he came every Sunday to the village church, with a sweet matronly-faced woman on his arm, and two children by his side.
Bradford thrust the journal into his pocket, took up his fishing-rod and basket, and sauntered towards the village. He thought he remembered the name of Elizabeth Purcill on a head-stone in the church-yard. He opened the little wicket and went in. The setting sun threw the long shadows of the head-stones across the thick, rank grass. The sounds of the village children at play on the green came to his ear softened and mellowed by the distance.
He turned towards the spot where, year after year, the Purcills had been gathered,—those who had died in their beds in their native town, and those who had perished in far-off climes, and whose bones had been brought to moulder by the old church-wall. He found the stone, and, bending down, read, "Elizabeth Purcill, died Oct. 5th, 18—, aged 19." Bradford opened the journal and looked at the last date. She had died, then, the day after the journal was ended. But how, and where?
He sat down on the flat stone which covered his grandfather, and turned over the pages again, as if they could tell him more than he already knew. So absorbed was he, that he did not see a woman who a few minutes afterwards knelt down before the same stone, and with a sickle began to cut away the weeds and grass.
Bradford looked up at last, and, as the woman raised her head for an instant, saw that it was Mrs. Bickford. He approached her and called her by name. She gave a little start, as she heard his voice.
"Why, Master Bradford, who would have thought of seeing you here at this time?"
Bradford smiled. "Whose grave is this that you are taking such pains to clear?"
She pointed to the name with her sickle.
"Yes, I know all that that can tell me. But who was Elizabeth Purcill?—what relation was she to me?—and how came she to die so young, and to be buried here?"
"Why do you think I should know?" she replied. "People often die young; and no matter where the Purcills die, they all wish to come here at last;—that one died in Cuba,—that in France,—that in Greece,—and that at sea." And she turned her hand towards them, as she spoke.
"But you do not care for their graves; look, how the grass and weeds nod over that tombstone; and you would not clear this, unless you knew something about the girl that lies underneath it."
"It is an old story," said she, with a sigh, "and I can tell you but little of it." She laid her sickle down on the cut grass and sat down by it.
"Elizabeth Purcill was the daughter of your grandfather's brother, and therefore your father's cousin. Long as I have lived in the family, I never saw him; for he went to India, while a young man, to seek a fortune, which was found too late to benefit either himself or his children. Elizabeth, his eldest daughter, was sent home for her education, and lived first with one of her kinsfolk, and then another, as her father's whims or their convenience dictated. You remember, though so young, when your Aunt Eleanor came to your father's house on her way to your Uncle Erasmus in his last illness?"
Bradford nodded.
"A little before that time Elizabeth Purcill came to Ashcroft. She was a pretty, lively girl, and it was pleasant to see in our sober household one who had time to be idle and could laugh. Your Aunt Eleanor was always a busy woman,—busier then than she is now,—and had no time for mirth. Every servant in the house liked Miss Elizabeth for her sunny smile and her pleasant ways. Shortly afterwards, Thornton Lee came home. He had been three years in Africa, and he and your aunt were to be married in the autumn.
"When Miss Purcill went away, Mr. Lee remained, and came often to see Miss Elizabeth. She had a winsome face, that few men could look upon and not love; and I sometimes thought, when I saw them together, how much better she was suited to Mr. Lee than your Aunt Eleanor, and wondered if he had not found it out himself. Your aunt was away a long time, and, by some mistake, the letter, saying that she was coming home, did not reach us till the day after her arrival.
"It was a beautiful October afternoon. I had been gathering the grapes that grew on the garden wall, and was carrying a basket of them to Miss Elizabeth, whom I had seen, half an hour before, with Mr. Lee, on the lawn. As I was crossing the hall, Miss Purcill, dressed in deep mourning, looking ghastly pale, entered the front door. I started as if I had seen a ghost, and dropped my basket. Miss Eleanor passed me quickly and went up-stairs. I spoke to her. She did not answer, but, entering her chamber, fastened the door behind her.
"I looked out of the window. No one was on the lawn; but presently I saw Mr. Lee coming out of the stable, leading his horse. He mounted and was out of sight in an instant. Miss Elizabeth was nowhere to be seen. What had happened I could not tell. I could only guess.
"Miss Elizabeth was the only one who came to tea, and her eyes were heavy and dull, and she seemed like one in a dream. That night was a wretched one to both. When I went to the library to see if the windows were fastened for the night, Miss Elizabeth sat by the smouldering fire with her face buried in her hands. I shut the door softly and left her, and till I slept I heard Miss Eleanor's steps across her chamber-floor.
"The day was no better than the night. Miss Purcill did not leave her room, and her cousin wandered about the house, as if her thoughts would not let her rest. Once I found her in tears at your aunt's door, and tried to console her; but she shook her head impatiently, as if I could not understand the cause of her grief.
"The next morning, while I was dressing, my niece Sally came to me in great haste, saying that Roger, the gardener, wished to see me at once. I hurried on my clothes and went down. I knew by the man's face that something dreadful had happened; but when he told me that he had been to the old well, and had found Miss Elizabeth lying dead at the bottom of it, I felt as if I was stunned.
"I roused myself at last. I ran to Miss Purcill's door. I shook it violently and called her by name. She came and opened the door in her night-dress. Somehow, I know not and cared not how, for it seemed to me that she had something to do with all this, I told her that her Cousin Elizabeth was lying dead at the bottom of the old well. She staggered and leaned against the door like one who had received a heavy blow. For a moment I repented my roughness. But she was soon herself again. She thrust her feet into her slippers, and, wrapping her dressing-gown about her, went down-stairs, and gave directions, as calmly and collectedly as if she were (Heaven help her!) ordering a dinner for the men—to bring the body home. Ah, me! I never shall forget how the poor thing looked when the four men who bore the litter set it down on the library-floor. A bruise on the temple showed where she had struck on the cruel stones. The hoarfrost, which had turned into drops of dew, glittered among her soft brown curls."
The tears which had been gathering in Mrs. Bickford's eyes fell in large drops into her lap as she went on.
"On the day of the funeral, she lay in the library, still and cold in her coffin. I had gathered a few flowers, with which I was vainly trying to cheat death into looking more like life, by placing them on her bosom and in her stiffened fingers. Miss Eleanor sat at the foot of the coffin, almost as motionless as the form within it. I had finished my task and turned away, when the door opened and Mr. Lee came in silently. A slight shudder went through him, as he came to the coffin and bent over it. What a change had three days made in the man! Ten years would not have taken so much youth and life from him and made him look so old and wan. He looked upon her as a man who looks his last upon what he loved best in the world;—his whole soul was in his eyes.
"I think he did not see Miss Eleanor till he was about to leave the room. She had not spoken, and he was unconscious of her presence. He turned towards her and held out his hand; his lips moved, but no words escaped them. I heard Miss Purcill's low, unfaltering answer to his unspoken thoughts. She did not take his proffered hand, but said, 'Nothing can unite us again, Thornton,—not even death.'
"His hand dropped by his side;—he quickly left the room, and never came to Ashcroft again. When I went to take a last look of Miss Elizabeth, I saw that the white rose which I had placed in her hand was gone;—he had taken it."
Mrs. Bickford paused. Her story was ended. In a few minutes she took up her sickle again, and Bradford stood leaning against the head-stone till the grass was all cut on the grave. He had no more questions to ask,—for the journal had told him more of the dead below, than Mrs. Bickford, with all her love and sympathy, could do. She had fallen into the well, then, while endeavoring to place the box on the stone. When Mrs. Bickford's task was done, she walked silently back to Ashcroft with Bradford.
Late in the evening he was alone in the library with his Aunt Eleanor. The picture of Hagar, now so full of interest to him, still hung on the wall, and the little desk was at the window which looked out upon the lawn. Should he show the journal to his aunt, or keep it to himself? Would Elizabeth Purcill wish her Cousin Eleanor to read her written words as she once read her untold thoughts?
Wrapped up in his own musings, he started suddenly when Miss Purcill said to him, "Rosamond tells me that you found a book to-day in the old well; what was it?"—and answered promptly, "It was Elizabeth Purcill's journal."
It was the first time Eleanor had heard the name for years. She showed no signs of emotion. "I should like to see it," said she; "give it to me."
Bradford had been brought up in such habits of obedience, that he never thought of disputing his aunt's command. He drew the journal from his pocket and handed it to her without speaking.
"You have read it?" said she, fixing her keen eyes upon him.
"Yes."
She drew the lamp towards her and opened the book. The shade on the lamp kept the light from her face; but had Bradford seen it, it would have told him no more of the thoughts beneath it than the stone in the churchyard had told him of Elizabeth Purcill.
He watched her turning over the leaves slowly, and thought that her hand trembled a little at the close. Those pages must have stirred many a memory and many a grief, as the wind shakes the bare boughs of the trees, though blossom, fruit, and leaves have long since fallen.
She closed the book, and spoke at last:—"I think, Bradford, this book belongs rightfully but to one person,—Mr. Thornton Lee. Shall I send it to him?"
Eleanor's question was uttered in a tone that seemed to admit of but one reply. Bradford assented. If he might not keep the journal himself, he would rather Thornton Lee should have it than his aunt.
The next day, Thornton Lee received a small packet, accompanied by a note which ran thus:—
"To do justice to the memory of one who, years ago, came between us, I send you this little book, found in the old well yesterday. From it you will learn how she came by her death, and—how much she loved you. ELEANOR PURCILL."
As Thornton Lee read the journal, his children climbed his knee and twined his gray curls around their fingers, and his wife came and leaned sportively over his shoulder and looked at the yellow leaves.
In some lives, as in some years, there is an after-summer; but in others, the hoar-frosts are succeeded by the winter snow.
Here once my step was quickened,Here beckoned the opening door,And welcome thrilled from the thresholdTo the foot it had felt before.
A glow came forth to meet meFrom the flame that laughed in the grate,And shadows a-dance on the ceilingDanced blither with mine for a mate.
"I claim you, old friend," yawned the arm-chair,—"This corner, you know, is your seat.""Rest your slippers on me," beamed the fender,—"I brighten at touch of your feet."
"We know the practised finger,"Said the books, "that seems like brain";And the shy page rustled the secretIt had kept till I came again.
Sang the pillow, "My down once quiveredOn nightingales' throats that flewThrough moonlit gardens of HafizTo gather quaint dreams for you."
Ah, me, where the Past sowed heart's-ease,The Present plucks rue for us men!I come back: that scar unhealingWas not in the churchyard then.
But, I think, the house is unaltered;I will go and beg to lookAt the rooms that were once familiarTo my life as its bed to a brook.
Unaltered! Alas for the samenessThat makes the change but more!'Tis a dead man I see in the mirrors,'Tis his tread that chills the floor!
To learn such a simple lessonNeed I go to Paris and Rome,—That the many make a household,But only one the home?
'Twas just a womanly presence,An influence unexprest,—But a rose she had worn on my grave-sodWere more than long life with the rest!
'Twas a smile, 'twas a garment's rustle,'Twas nothing that I can phrase,—But the whole dumb dwelling grew conscious,And put on her looks and ways.
Were it mine, I would close the shutters,Like lids when the life is fled,And the funeral fire should wind it,This corpse of a home that is dead.
For it died that autumn morningWhen she, its soul, was borneTo lie all dark on the hillsideThat looks over woodland and corn.
* * * * *
[I did not think it probable that I should have a great many more talks with our company, and therefore I was anxious to get as much as I could into every conversation. That is the reason why you will find some odd, miscellaneous facts here, which I wished to tell at least once, as I should not have a chance to tell them habitually, at our breakfast-table.—We're very free and easy, you know; we don't read what we don't like. Our parish is so large, one can't pretend to preach to all the pews at once. Besides, one can't be all the time trying to do the best of one's best; if a company works a steam fire-engine, the firemen needn't be straining themselves all day to squirt over the top of the flagstaff. Let them wash some of those lower-story windows a little. Besides, there is no use in our quarrelling now, as you will find out when you get through this paper.]
——Travel, according to my experience, does not exactly correspond to the idea one gets of it out of most books of travels. I am thinking of travel as it was when I made the Grand Tour, especially in Italy. Memory is a net; one finds it full of fish when he takes it from the brook; but a dozen miles of water have run through it without sticking. I can prove some facts about travelling by a story or two. There are certain principles to be assumed,—such as these:—He who is carried by horses must deal with rogues.—To-day's dinner subtends a larger visual angle than yesterday's revolution. A mote in my eye is bigger to me than the biggest of Dr. Gould's private planets.—Every traveller is a self-taught entomologist.—Old jokes are dynamometers of mental tension; an old joke tells better among friends travelling than at home,—which shows that their minds are in a state of diminished, rather than increased vitality. There was a story about "strahps to your pahnts," which was vastly funny to us fellows—on the road from Milan to Venice.—Coelum, non animum,—travellers change their guineas, but not their characters. The bore is the same, eating dates under the cedars of Lebanon, as over a plate of baked beans in Beacon Street.—Parties of travellers have a morbid instinct for "establishing raws" upon each other.—A man shall sit down with his friend at the foot of the Great Pyramid and they will take up the question they had been talking about under "the great elm," and forget all about Egypt. When I was crossing the Po, we were all fighting about the propriety of one fellow's telling another that his argument wasabsurd; one maintaining it to be a perfectly admissible logical term, as proved by the phrase, "reductio ad absurdum"; the rest badgering him as a conversational bully. Mighty little we troubled ourselves forPadus, the Po, "a river broader and more rapid than the Rhone," and the times when Hannibal led his grim Africans to its banks, and his elephants thrust their trunks into the yellow waters over which that pendulum ferry-boat was swinging back and forward every ten minutes!
——Here are some of those reminiscences, with morals prefixed, or annexed, or implied.
Lively emotions very commonly do not strike us full in front, but obliquely from the side; a scene or incident inundressoften affects more than one in full costume.
"Is this the mighty ocean?—is this all?"
says the Princess in Gebir. The rush that should have flooded my soul in the Coliseum did not come. But walking one day in the fields about the city, I stumbled over a fragment of broken masonry, and lo! the World's Mistress in her stone girdle—alta maenia Romae—rose before me and whitened my cheek with her pale shadow as never before or since.
I used very often, when coming home from my morning's work at one of the public institutions of Paris, to stop in at the dear old church of St. Etienne du Mont. The tomb of St. Genevieve, surrounded by burning candles and votive tablets, was there; the mural tablet of Jacobus Benignus Winslow was there; there was a noble organ with carved figures; the pulpit was borne on the oaken shoulders of a stooping Samson; and there was a marvellous staircase like a coil of lace. These things I mention from memory, but not all of them together impressed me so much as an inscription on a small slab of marble fixed in one of the walls. It told how this church of St. Stephen was repaired and beautified in the year 16**, and how, during the celebration of its reopening, two girls of the parish (filles de la paroisse) fell from the gallery, carrying a part of the balustrade with them, to the pavement, but by a miracle escaped uninjured. Two young girls, nameless, but real presences to my imagination, as much as when they came fluttering down on the tiles with a cry that outscreamed the sharpest treble in the Te Deum! (Look at Carlyle's article on Boswell, and see how he speaks of the poor young woman Johnson talked with in the streets one evening.) All the crowd gone but these two "filles de la paroisse,"—gone as utterly as the dresses they wore, as the shoes that were on their feet, as the bread and meat that were in the market on that day.
Not the great historical events, but the personal incidents that call up single sharp pictures of some human being in its pang or struggle, reach us most nearly. I remember the platform at Berne, over the parapet of which Theobald Weinzäpfli's restive horse sprung with him and landed him more than a hundred feet beneath in the lower town, not dead, but sorely broken, and no longer a wild youth, but God's servant from that day forward. I have forgotten the famous bears, and all else.—I remember the Percy lion on the bridge over the little river at Alnwick,—the leaden lion with his tail stretched out straight like a pump-handle,—and why? Because of the story of the village boy who must fain bestride the leaden tail, standing out over the water,—which breaking, he dropped into the stream far below, and was taken out an idiot for the rest of his life.
Arrow-heads must be brought to a sharp point, and the guillotine-axe must have a slanting edge. Something intensely human, narrow, and definite pierces to the seat of our sensibilities more readily than huge occurrences and catastrophes. A nail will pick a lock that defies hatchet and hammer. "The Royal George" went down with all her crew, and Cowper wrote an exquisitely simple poem about it; but the leaf that holds it is smooth, while that which bears the lines on his mother's portrait is blistered with tears.
My telling these recollections sets me thinking of others of the same kind that strike the imagination, especially when one is still young. You remember the monument in Devizes market to the woman struck dead with a lie in her mouth. I never saw that, but it is in the books. Here is one I never heard mentioned;—if any of the "Note and Query" tribe can tell the story, I hope they will. Where is this monument? I was riding on an English stage-coach when we passed a handsome marble column (as I remember it) of considerable size and pretensions.—What is that?—I said.—That,—answered the coachman,—isthe hangman's pillar. Then he told me how a man went out one night, many years ago, to steal sheep. He caught one, tied its legs together, passed the rope over his head, and started for home. In climbing a fence, the rope slipped, caught him by the neck, and strangled him. Next morning he was found hanging dead on one side of the fence and the sheep on the other; in memory whereof the lord of the manor caused this monument to be erected as a warning to all who love mutton better than virtue. I will send a copy of this record to him or her who shall first set me right about this column and its locality.
And telling over these old stories reminds me that I have something that may interest architects and perhaps some other persons. I once ascended the spire of Strasburg Cathedral, which is the highest, I think, in Europe. It is a shaft of stone filigree-work, frightfully open, so that the guide puts his arms behind you to keep you from falling. To climb it is a noon-day nightmare, and to think of having climbed it crisps all the fifty-six joints of one's twenty digits. While I was on it, "pinnacled dim in the intense inane," a strong wind was blowing, and I felt sure that the spire was rocking. It swayed back and forward like a stalk of rye or a cat-o'nine-tails (bulrush) with a bobolink on it. I mentioned it to the guide, and he said that the spire did really swing back and forward,—I think he said some feet.
Keep any line of knowledge ten years and some other line will intersect it. Long afterwards I was hunting out a paper of Dumeril's in an old journal,—the "Magazin Encyclopédique" forl'an troisième, (1795,) when I stumbled upon a brief article on the vibrations of the spire of Strasburg Cathedral. A man can shake it so that the movement shall be shown in a vessel of water nearly seventy feet below the summit, and higher up the vibration is like that of an earthquake. I have seen one of those wretched wooden spires with which we very shabbily finish some of our stone churches (thinking that the lidless blue eye of heaven cannot tell the counterfeit we try to pass on it) swinging like a reed, in a wind, but one would hardly think of such a thing's happening in a stone spire. Does the Bunker-Hill Monument bend in the blast like a blade of grass? I suppose.
You see, of course, that I am talking in a cheap way;—perhaps we will have some philosophy by and by;—let me work out this thin mechanical vein.—I have something more to say about trees, I have brought down this slice of hemlock to show you. Tree blew down in my woods (that were) in 1852. Twelve feet and a half round, fair girth;—nine feet, where I got my section, higher up. This is a wedge, going to the centre, of the general shape of a slice of apple-pie in a large and not opulent family. Length, about eighteen inches. I have studied the growth of this tree by its rings, and it is curious. Three hundred and forty-two rings. Started, therefore, about 1510. The thickness of the rings tells the rate at which it grew. For five or six years the rate was slow,—then rapid for twenty years. A little before the year 1550 it began to grow very slowly, and so continued for about seventy years. In 1620 it took a new start and grew fast until 1714; then for the most part slowly until 1786, when it started again and grew pretty well and uniformly until within the last dozen years, when it seems to have got on sluggishly.
Look here. Here are some human lies laid down against the periods of its growth, to which they corresponded. This is Shakspeare's. The tree was seven inches in diameter when he was born; ten inches when he died. A little less than ten inches when Milton was born; seventeen when he died. Then comes a long interval, and this thread marks out Johnson's life, during which the tree increased from twenty-two to twenty-nine inches in diameter. Here is the span of Napoleon's career;—the tree doesn't seem to have minded it.
I never saw the man yet who was not startled at looking on this section. I have seen many wooden preachers,—never one like this. How much more striking would be the calendar counted on the rings of one of those awful trees which were standing when Christ was on earth, and where that brief mortal life is chronicled with the stolid apathy of vegetable being, which remembers all human history as a thing of yesterday in its own dateless existence!
I have something more to say about elms. A relative tells me there is one of great glory in Andover, near Bradford. I have some recollections of the former place, pleasant and other. [I wonder if the old Seminary clock strikes as slowly as it used to. My room-mate thought, when he first came, it was the bell tolling deaths, and people's ages, as they do in the country. He swore—(ministers' sons get so familiar with good words that they are apt to handle them carelessly)—that the children were dying by the dozen, of all ages, from one to twelve, and ran off next day in recess, when it began to strike eleven, but was caught before the clock got through striking.] At the foot of "the hill," down in town, is, or was, a tidy old elm, which was said to have been hooped with iron to protect it from Indian tomahawks, (Credat Hahnemannus,) and to have grown round its hoops and buried them in its wood. Of course, this is not the tree my relative means.
Also, I have a very pretty letter from Norwich, in Connecticut, telling me of two noble elms which are to be seen in that town. One hundred and twenty-seven feet from bough-end to bough-end! What do you say to that? And gentle ladies beneath it, that love it and celebrate its praises! And that in a town of such supreme, audacious, Alpine loveliness as Norwich!—Only the dear people there must learn to call it Norridge, and not be misled by the mere accident of spelling.
Nor_wich_.Por_ch_mouth.Cincinnat_ah_.
What a sad picture of our civilization!
I did not speak to you of the great tree on what used to be the Colman farm, in Deerfield, simply because I had not seen it for many years, and did not like to trust my recollection. But I had it in memory, and even noted down, as one of the finest trees in symmetry and beauty I had ever seen. I have received a document, signed by two citizens of a neighboring town, certified by the postmaster and a selectman, and these again corroborated, reinforced, and sworn to by a member of that extraordinary college-class to which it is the good fortune of my friend the Professor to belong, who, though he hasformerlybeen a member of Congress, is, I believe, fully worthy of confidence. The tree "girts" eighteen and a half feet, and spreads over a hundred, and is a real beauty. I hope to meet my friend under its branches yet; if we don't have "youth at the prow," we will have "pleasure at the 'elm."
And just now, again, I have got a letter about some grand willows in Maine, and another about an elm in Wayland, but too late for anything but thanks.
[And this leads me to say, that I have received a great many communications, in prose and verse, since I began printing these notes. The last came this very morning, in the shape of a neat and brief poem, from New Orleans. I could not make any of them public, though sometimes requested to do so. Some of them have given me great pleasure, and encouraged me to believe I had friends whose faces I had never seen. If you are pleased with anything a writer says, and doubt whether to tell him of it, do not hesitate; a pleasant word is a cordial to one, who perhaps thinks he is tiring you, and so becomes tired himself. I purr very loud over a good, honest letter that says pretty things to me.]
——Sometimes very young persons send communications, which they want forwarded to editors; and these young persons do not always seem to have right conceptions of these same editors, and of the public, and of themselves. Here is a letter I wrote to one of these young folks, but, on the whole, thought it best not to send. It is not fair to single out one for such sharp advice, where there are hundreds that are in need of it.
Dear Sir,—You seem to be somewhat, but not a great deal, wiser than I was at your age. I don't wish to be understood as saying too much, for I think, without committing myself to any opinion on my present state, that I was not a Solomon at that stage of development.
You long to "leap at a single bound into celebrity." Nothing is so common-place as to wish to be remarkable. Fame usually comes to those who are thinking about something else,—very rarely to those who say to themselves, "Go to, now, let us be a celebrated individual!" The struggle for fame, as such, commonly ends in notoriety;—that ladder is easy to climb, but it leads to pillory which is crowded with fools who could not hold their tongues and rogues who could not hide their tricks.
If you have the consciousness of genius, do something to show it. The world is pretty quick, nowadays, to catch the flavor of true originality; if you write anything remarkable, the magazines and newspapers will find you out, as the school-boys find out where the ripe apples and pears are. Produce anything really good, and an intelligent editor will jump at it. Don't flatter yourself that any article of yours is rejected because you are unknown to fame. Nothing pleases an editor more than to get anything worth having from a new hand. There is always a dearth of really fine articles for a first-rate journal; for, of a hundred pieces received, ninety are at or below the sea-level; some have water enough, but no head; some head enough, but no water; only two or three are from full reservoirs, high up that hill which is so hard to climb.
You may have genius. The contrary is of course probable, but it is not demonstrated. If you have, the world wants you more than you want it. It not only a desire, but a passion, for every spark of genius that shows itself among us; there is not a bull-calf in our national pasture that can bleat a rhyme but it is ten to one, among his friends and no takers, that he is the real, genuine, no-mistake Osiris.
Qu'est ce qu'il a fait?What has he done? That was Napoleon's test. What have you done? Turn up the faces of your picture-cards, my boy! You need not make mouths at the public because it has not accepted you at your own fancy-valuation. Do the prettiest thing you can and wait your time.
For the verses you send me, I will not say they are hopeless, and I dare not affirm that they show promise. I am not an editor, but I know the standard of a some editors. You must not expect to "leap with a single bound" into the society of those whom it is not flattery to call your betters. When "The Paetolian" has paid you for a copy of verses,—(I can furnish you a list of alliterative signatures, beginning with Annie Aureole and ending with Zoë Zenith,)—when "The Ragbag" has stolen your piece, after carefully scratching your name out,—when "The Nut-cracker" has thought you worth shelling, and strung the kernel of your cleverest poem,—then, and not till then, you may consider the presumption against you, from the fact of your rhyming tendency, as called in question, and let our friends hear from you, if you think it worth while. You may possibly think me too candid, and even accuse me of incivility; but let me assure you that I am not half so plain-spoken as Nature, nor half so rude as Time. If you prefer the long jolting of public opinion to the gentle touch of friendship, try it like a man. Only remember this,—that, if a bushel of potatoes is shaken in a market-cart without springs to it, the small potatoes always get to the bottom.
Believe me, etc., etc.
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I always think of verse-writers, when I am in this vein; for these are by far the most exacting, eager, self-weighing, restless, querulous, unreasonable literary persons one is like to meet with. Is a young man in the habit of writing verses? Then the presumption is that he is an inferior person. For, look you, there are at least nine chances in ten that he writespoorverses. Now the habit of chewing on rhymes without sense and soul to match them is, like that of using any other narcotic, at once a proof of feebleness and a debilitating agent. A young man can get rid of the presumption against him afforded by his writing verses only by convincing us that they are verses worth writing.
All this sounds hard and rough, but, observe, it is not addressed to any individual, and of course does not refer to any reader of these pages. I would always treat any given young person passing through the meteoric showers which rain down on the brief period of adolescence with great tenderness. God forgive us, if we ever speak harshly to young creatures on the strength of these ugly truths, and so, sooner or later, smite some tender-souled poet or poetess on the lips who might have sung the world into sweet trances, had we not silenced the matin-song in its first low breathings! Just as my heart yearns over the unloved, just so it sorrows for the ungifted who are doomed to the pangs of an undeceived self-estimate. I have always tried to be gentle with the most hopeless cases. My experience, however, has not been encouraging.
——X. Y., aet. 18, a cheaply-got-up youth, with narrow jaws, and broad, bony, cold, red hands, having been laughed at by the girls in his village, and "got the mitten" (pronounced mittin) two or three times, falls to souling and controlling, and youthing and training, in the newspapers. Sends me some strings of verses, candidates for the Orthopedic Infirmary, all of them, in which I learn for the millionth time one of the following facts: either that something about a chime is sublime, or that something about time is sublime, or that something about a chime is concerned with time, or that something about a rhyme is sublime or concerned with time or with a chime. Wishes my opinion of the same, with advice as to his future course.
What shall I do about it? Tell him the whole truth, and send him a ticket of admission to the Institution for Idiots and Feeble-minded Youth? One doesn't like to be cruel,—and yet one hates to lie. Therefore one softens down the ugly central fact of donkeyism, —recommends study of good models,—that writing verse should be an incidental occupation only, not interfering with the hoe, the needle, the lapstone, or the ledger,—and, above all, that there should be no hurry in printing what is written. Not the least use in all this. The poetaster who has tasted type is done for. He is like the man who has once been a candidate for the Presidency. He feeds on the madder of his delusion all his days, and his very bones grow red with the glow of his foolish fancy. One of these young brains is like a bunch of India crackers; once touch fire to it and it is best to keep hands off until it has done popping,—if it ever stops. I have two letters on file; one is a pattern of adulation, the other of impertinence. My reply to the first, containing the best advice I could give, conveyed in courteous language, had brought out the second. There was some sport in this, but Dulness is not commonly a game fish, and only sulks after he is struck. You may set it down as a truth which admits of few exceptions, that those who ask youropinionreally want yourpraise, and will be contented with nothing less.
There is another kind of application to which editors, or those supposed to have access to them, are liable, and which often proves trying and painful. One is appealed to in behalf of some person in needy circumstances who wishes to make a living by the pen. A manuscript accompanying the letter is offered for publication. It is not commonly brilliant, too often lamentably deficient. If Rachel's saying is true, that "fortune is the measure of intelligence," then poverty is evidence of limited capacity, which it too frequently proves to be, notwithstanding a noble exception here and there. Now an editor is a person under a contract with the public to furnish them with the best things he can afford for his money. Charity shown by the publication of an inferior article would be like the generosity of Claude Duval and the other gentlemen highwaymen, who pitied the poor so much they robbed the rich to have the means of relieving them.
Though I am not and never was an editor, I know something of the trials to which they are submitted. They have nothing to do but to develope enormous calluses at every point of contact with authorship. Their business is not a matter of sympathy, but of intellect. They must reject the unfit productions of those whom they long to befriend, because it would be a profligate charity to accept them. One cannot burn his house down to warm the hands even of the fatherless and the widow.
—You haven't heard about my friend the Professor's first experiment in the use of anaesthetics, have you?
He was mightily pleased with the reception of that poem of his about the chaise. He spoke to me once or twice about another poem of similar character he wanted to read me, which I told him I would listen to and criticize.
One day, after dinner, he came in with his face tied up, looking very red in the cheeks and heavy about the eyes.—Hy'r'ye?—he said, and made for an arm-chair, in which he placed first his hat and then his person, going smack through the crown of the former as neatly as they do the trick at the circus. The Professor jumped at the explosion as if he had sat down on one of those smallcalthropsour grandfathers used to sow round in the grass when there were Indians about,—iron stars, each ray a rusty thorn an inch and a half long,—stick through moccasins into feet,—cripple 'em on the spot, and give 'em lockjaw in a day or two.
The Professor let off one of those big words which lie at the bottom of the best man's vocabulary, but perhaps never turn up in his life,—just as every man's hairmaystand on end, but in most men it never does.
After he had got calm, he pulled out a sheet or two of manuscript, together with a smaller scrap, on which, as he said, he had just been writing an introduction or prelude to the main performance. A certain suspicion had come into my mind that the Professor was not quite right, which was confirmed by the way he talked; but I let him begin. This is the way he read it:—
Prelude.
I'm the fellah that tole one dayThe tale of the won'erful one-hoss-shay.
Wan' to hear another? Say.—Funny, wasn'it? Mademelaugh,—I'm too modest, I am, by half,—Made me laugh 'sthough I sh'd split,—Cahn' a fellah like fellah's own wit?—Fellahs keep sayin',—"Well, now that's nice;Did it once, but cahn' do it twice."—Don' you b'lieve the'z no more fat;Lots in the kitch'n 'z good 'z that.Fus'-rate throw, 'n' no mistake,—Han' us the props for another shake;—Know I'll try, 'n' guess I'll win;Here sh' goes for hit 'm ag'in!
Here I thought it necessary to interpose.—Professor,—I said,—you are inebriated. The style of what you call your "Prelude" shows that it was written under cerebral excitement. Your articulation is confused. You have told me three times in succession, in exactly the same words, that I was the only true friend you had in the world that you would unbutton your heart to. You smell distinctly and decidedly of spirits.—I spoke, and paused; tender, but firm.
Two large tears orbed themselves beneath the Professor's lids,—in obedience to the principle of gravitation celebrated in that delicious bit of bladdery bathos, "The very law that moulds a tear," with which the "Edinburgh Review" attempted to put down Master George Gordon when that young man was foolishly trying to make himself conspicuous. One of these tears peeped over the edge of the lid until it lost its balance,—slid an inch and waited for reinforcements,—swelled again,—rolled down a little further,—stopped,—moved on,—and at last fell on the back of the Professor's hand. He held it up for me to look at, and lifted his eyes, brimful, till they met mine.
I couldn't stand it,—I always break down when folks cry in my face,—so I hugged him, and said he was a dear old boy, and asked him kindly what was the matter with him, and what made him smell so dreadfully strong of spirits.
Upset his alcohol lamp,—he said,—and spilt the alcohol on his legs. That was it.—But what had he been doing to get his head into such a state?—had he really committed an excess? What was the matter?—Then it came out that he had been taking chloroform to have a tooth out, which had left him in a very queer state, in which he had written the "Prelude" given above, and under the influence of which he evidently was still.
I took the manuscript from his hands and read the following continuation of the lines he had begun to read me, while he made up for two or three nights' lost sleep as he best might.
Facts respecting an old arm-chair.At Cambridge. Is kept in the College there.Seems but little the worse for wear.That's remarkable when I sayIt was old in President Holyoke's day.(One of his boys, perhaps you know,Died,at one hundred, years ago.)Hetook lodging for rain or shineUnder green bed-clothes in '69.
Know old Cambridge? Hope you do.—Born there? Don't say so! I was, too.(Born in a house with a gambrel-roof,—Standing still, if you must have proof.—"Gambrel?—Gambrel?"—Let me begYou'll look at a horse's hinder leg,—First great angle above the hoof,—That's the gambrel; hence gambrel-roof.)—Nicest place that ever was seen,—Colleges red and Common green,Sidewalks brownish with trees between.Sweetest spot beneath the skiesWhen the canker-worms don't rise,—When the dust, that sometimes fliesInto your mouth and ears and eyes,In a quiet slumber lies,Notin the shape of unbaked piesSuch as barefoot children prize.
A kind of harbor it seems to be,Facing the flow of a boundless sea.Bows of gray old Tutors standRanged like rocks above the sand;Rolling beneath them, soft and green,Breaks the tide of bright sixteen,—One wave, two waves, three waves, four,Sliding up the sparkling floor;Then it ebbs to flow no more,Wandering off from shore to shoreWith its freight of golden ore!—Pleasant place for boys to play;—Better keep your girls away;Hearts get rolled as pebbles doWhich countless fingering waves pursue,And every classic beach is strownWith heart-shaped pebbles of blood-red stone.
But this is neither here nor there;—I'm talking about an old arm-chair.You've heard, no doubt, of PARSON TURELL?Over at Medford he used to dwell;Married one of the Mather's folk;Got with his wife a chair of oak,—Funny old chair, with seat like wedge,Sharp behind and broad front edge,—One of the oddest of human things,Turned all over with knobs and rings,—But heavy, and wide, and deep, and grand,—Fit for the worthies of the land,—Chief-Justice Sewall a cause to try in,Or Cotton Mather to sit—and lie—in,—Parson Turell bequeathed the sameTo a certain student,—SMITH by name;These were the terms, as we are told:"Saide Smith saide Chaire to have and holde;When he doth graduate, then to passeTo ye oldest Youth in ye Senior Classe,On payment of"—(naming a certain sum)—"By him to whom ye Chaire shall come;He to ye oldest Senior next,And soe forever,"—(thus runs the text,)—"But one Crown lesse then he gave to claime,That being his Debte for use of same."
Smithtransferred it to one of the BROWNS,And took his money,—five silver crowns.Browndelivered it up to MOORE,Who paid, it is plain, not five, but four.Mooremade over the chair to LEE,Who gave him crowns of silver three.Leeconveyed it unto DREW,And now the payment, of course, was two.Drewgave up the chair to DUNN,—All he got, as you see, was one.Dunnreleased the chair to HALL,And got by the bargain no crown at all.—And now it passed to a second BROWN,Who took it, and likewiseclaimed a crown.WhenBrownconveyed it unto WARE,Having had one crown, to make it fair,He paid him two crowns to take the chair;AndWare, being honest, (as all Wares be,)He paid one POTTER, who took it, three.Four got ROBINSON; five got DIX;JOHNSONprimusdemanded six;And so the sum kept gathering stillTill after the battle of Bunker's Hill.—When paper money became so cheap,Folks wouldn't count it, but said "a heap,"A certain RICHARDS, the books declare,(A.M. in '90? I've looked with careThrough the Triennial,—name not there,)This person, Richards, was offered thenEight score pounds, but would have ten;Nine, I think, was the sum he took,—Not quite certain,—but see the book.—By and by the wars were still,But nothing had altered the Parson's will.The old arm-chair was solid yet,But saddled with such a monstrous debt!Things grew quite too bad to bear,Paying such sums to get rid of the chair!But dead men's fingers hold awful tight,And there was the will in black and white,Plain enough for a child to spell.What should be done no man could tell,For the chair was a kind of nightmare curse,And every season but made it worse.
As a last resort, to clear the doubt,They got old GOVERNOR HANCOCK out.The Governor came with his Light-horse TroopAnd his mounted trackmen, all cock-a-hoop;Halberds glittered and colors flew,French horns whinnied and trumpets blew,The yellow fifes whistled between their teethAnd the bumble-bee bass-drums boomed beneath;So he rode with all his band,Till the President met him, cap in hand.—The Governor "hefted" the crowns, and said,—"A will is a will, and the Parson's dead."The Governor hefted the crowns. Said he,—"There is your p'int. And here's my fee.These are the terms you must fulfil,—On such conditions I BREAK THE WILL!"The Governor mentioned what these should be.(Just wait a minute and then you'll see.)The President prayed. Then all was still,And the Governor rose and BROKE THE WILL!—"About those conditions?" Well, now you goAnd do as I tell you, and then you'll know.Once a year, on Commencement-day,If you'll only take the pains to stay,You'll see the President in the CHAIR,Likewise the Governor sitting there.The President rises; both old and youngMay hear his speech in a foreign tongue,The meaning whereof, as lawyers swear,Is this: Can I keep this old arm-chair?And then his Excellency bows,As much as to say that he allows.The Vice-Gub. next is called by name;He bows like t'other, which means the same.And all the officers round 'em bow,As much as to say thattheyallow.And a lot of parchments about the chairAre handed to witnesses then and there,And then the lawyers hold it clearThat the chair is safe for another year.
God bless you, Gentlemen! Learn to giveMoney to colleges while you live.Don't be silly and think you'll tryTo bother the colleges, when you die,With codicil this, and codicil that,That Knowledge may starve while Law grows fat;For there never was pitcher that wouldn't spill,And there's always a flaw in a donkey's will!
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——Hospitality is a good deal a matter of latitude, I suspect. The shade of a palm-tree serves an African for a hut; his dwelling is all door and no walls; everybody can come in. To make a morning call on an Esquimaux acquaintance, one must creep through a long tunnel; his house is all walls and no door, except such a one as an apple with a worm-hole has. One might, very probably, trace a regular gradation between these two extremes. In cities where the evenings are generally hot, the people have porches at their doors, where they sit, and this is, of course, a provocative to the interchange of civilities. A good deal, which in colder regions is ascribed to mean dispositions, belongs really to mean temperature.
Once in a while, even in our Northern cities, at noon, in a very hot summer's day, one may realize, by a sudden extension in his sphere of consciousness, how closely he is shut up for the most part.—Do you not remember something like this? July, between 1 and 2, P.M. Fahrenheit 96º, or thereabout. Windows all gaping, like the mouths of panting dogs. Long, stinging cry of a locust comes in from a tree, half a mile off; had forgotten there was such a tree. Baby's screams from a house several blocks distant;—never knew of any babies in the neighborhood before. Tinman pounding something that clatters dreadfully,—very distinct, but don't know of any tinman's shop near by. Horses stamping on pavement to get off flies. When you hear these four sounds, you may set it down as a warm day. Then it is that one would like to imitate the mode of life of the native at Sierra Leone, as somebody has described it: stroll into the market in natural costume,—buy a watermelon for a halfpenny,—split it, and scoop out the middle,—sit down in one half of the empty rind, clap the other on one's head, and feast upon the pulp.
——I see some of the London journals have been attacking some of their literary people for lecturing, on the ground of its being a public exhibition of themselves for money. A popular author can print his lecture; if he deliver it, it is a case ofquaestum corpore, or making profit of his person. None but "snobs" do that.Ergo, etc. To this I reply,—Negatur minor. Her Most Gracious Majesty, the Queen, exhibits herself to the public as a part of the service for which she is paid. We do not consider it low-bred in her to pronounce her own speech, and should prefer it so to hearing it from any other person or reading it. His Grace and his Lordship exhibit themselves very often for popularity, and their houses every day for money.—No, if a man shows himself other than he is, if he belittles himself before an audience for hire, then he acts unworthily. But a true word, fresh from the lips of a true man, is worth paying for, at the rate of eight dollars a day, or even of fifty dollars a lecture. The taunt must be an outbreak of jealousy against the renowned authors who have the audacity to be also orators. The sub-lieutenants of the press stick a too popular writer and speaker with an epithet in England, instead of with a rapier, as in France.—Poh! All England is one great menagerie, and, all at once, the jackal, who admires the gilded cage of the royal beast, must protest against the vulgarity of the talking-bird's and the nightingale's being willing to become a part of the exhibition!
(Last of the Parentheses.)
Yes, that was my last walk with theschoolmistress. It happened to be the end of a term; and before the next began, a very nice young woman, who had been her assistant, was announced as her successor, and she was provided for elsewhere. So it was no longer the school-mistress that I walked with, but—Let us not be in unseemly haste. I shall call her the schoolmistress still; some of you love her under that name.
——When it became known among the boarders that two of their number had joined hands to walk down the long path of life side by side, there was, as you may suppose, no small sensation. I confess I pitied our landlady. It took her all of a suddin,—she said. Had not known that we was keepin' company, and never mistrusted anything partic'lar. Ma'am was right to better herself. Didn't look very rugged to take care of a family, but could get hired haälp, she calc'lated.—The great maternal instinct came crowding up in her soul just then, and her eyes wandered until they settled on her daughter.