While I now, like a shepherd on the Pleisse, was absorbed childishly enough in such tender subjects, and always chose only such as I could easily recall into my bosom, provision from a greater and more important side had long been made for German poets.
The first true and really vital material of the higher order came into German poetry through Frederick the Great and the deeds of the Seven Years' War. All national poetry must be shallow or become shallow which does not rest on that which is most universally human,—upon the events of nations and their shepherds, when both stand for one man. Kings are to be represented in war and danger, where, by that very means, they appear as the first, because they determine andshare the fate of the very least, and thus become much more interesting than the gods themselves, who, when they have once determined the fates, withdraw from all participation in them. In this view of the subject, every nation, if it would be worth anything at all, must possess an epopee, to which the precise form of the epic poem is not necessary.
Gleim-Ramler.
The war-songs started by Gleim maintain so high a rank among German poems, because they arose with and in the achievements which are their subject, and because, moreover, their felicitous form, just as if a fellow-combatant had produced them in the loftiest moments, makes us feel the most complete effectiveness.
Ramler sings the deeds of his king in a different and most noble manner. All his poems are full of matter, and occupy us with great, heart-elevating objects, and thus already maintain an indestructible value.
For the internal matter of the subject worked is the beginning and end of art. It will not, indeed, be denied that genius, that thoroughly cultivated artistical talent, can make everything out of everything by its method of treatment, and can subdue the most refractory material. But when closely examined, the result is rather a trick of art than a work of art, which should rest upon a worthy object, that the treatment of it by skill, pains, and industry, may present to us the dignity of the subject-matter only the more happily and splendidly.
The Prussians, and with them Protestant Germany, acquired thus for their literature a treasure which the opposite party lacked, and the want of which they have been able to supply by no subsequent endeavours. Upon the great idea which the Prussian writers could well entertain of their king, they first established themselves, and the more zealously as he, in whose name they did it all, wished once for all to know nothing about them. Already before this, through the French colony, afterwards through the king's predilection for the literature of that nation, and for their financial institutions, had a mass of French civilization come into Prussia, which was highly advantageous to the Germans, since by it they were challenged to contradiction and resistance; thus the very aversion of Frederick from German was a fortunate thing for the formation of its literary character. They dideverything to attract the king's attention, not indeed to be honoured, but only noticed by him; yet they did it in German fashion, from an internal conviction; they did what they held to be right, and desired and wished that the king should recognize and prize this German uprightness. That did not and could not happen; for how can it be required of a king, who wishes to live and enjoy himself intellectually, that he shall lose his years in order to see what he thinks barbarous developed and rendered palatable too late? In matters of trade and manufacture, he might indeed force upon himself, but especially upon his people, very moderate substitutes instead of excellent foreign wares; but here everything comes to perfection more rapidly, and it needs not a man's life-time to bring such things to maturity.
But I must here, first of all, make honourable mention of one work, the most genuine production of the Seven Years' War, and of perfect North German nationality; it is the first theatrical production caught from the important events of life, one of specific temporary value, and one which therefore produced an incalculable effect,—Minna von Barnhelm.Lessing, who, in opposition to Klopstock and Gleim, was fond of casting off his personal dignity, because he was confident that he could at any moment seize it and take it up again, delighted in a dissipated life in taverns and the world, as he always needed a strong counterpoise to his powerfully labouring interior; and for this reason also he had joined the suite of General Tauentzien. One easily discovers how the above-mentioned piece was generated betwixt war and peace, hatred and affection. It was this production which happily opened the view into a higher, more significant world, from the literary and citizen world in which poetic art had hitherto moved.
The intense hatred in which the Prussians and Saxons stood towards each other during this war, could not be removed by its termination. The Saxon now first felt, with true bitterness, the wounds which the upstart Prussian had inflicted upon him. Political peace could not immediately re-establish a peace between their dispositions. But this was to be brought about symbolically by the above-mentioned drama. The grace and amiability of the Saxon ladies conquer the worth, the dignity, and the stubbornness of thePrussians, and, in the principal as well as in the subordinate characters, a happy union of bizarre and contradictory elements is artistically represented.
If I have put my reader in some perplexity by these cursory and desultory remarks on German literature, I have succeeded in giving them a conception of that chaotic condition in which my poor brain found itself, when, in the conflict of two epochs so important for the literary fatherland, so much that was new crowded in upon me before I could come to terms with the old, so much that was old yet made me feel its right over me, when I believed I had already cause to venture on renouncing it altogether. I will at present try to impart, as well as possible, the way I entered on to extricate myself from this difficulty, if only step by step.
Goethe's Peculiar Tendency.
The period of prolixity into which my youth had fallen, I had laboured through with genuine industry, in company with so many worthy men. The numerous quarto volumes of manuscript which I left behind with my father might serve for sufficient witnesses of this; and what a mass of essays, rough draughts, and half-executed designs, had, more from despondency than conviction, gone up in smoke! Now, through conversation, through instruction in general, through so many conflicting opinions, but especially through my fellow-boarder Hofrath Pfeil, I learned to value more and more the importance of the subject-matter, and the conciseness of the treatment; without, however, being able to make it clear to myself where the former was to be sought, or how the latter was to be attained. For, what with the great narrowness of my situation,—what with the indifference of my companions, the reserve of the professors, the exclusiveness of the educated inhabitants, and what with the perfect insignificance of the natural objects, I was compelled to seek for everything within myself. If I now desired a true basis in feeling or reflection for my poems, I was forced to grasp into my own bosom; if I required for my poetic representation an immediate intuition of an object or an event, I could not step outside the circle which was fitted to teach me and inspire me with an interest. In this view I wrote at first certain little poems, in the form of songs or in a freer measure; they are founded on reflection, treat of the past, and for the most part take an epigrammatic turn.
And thus began that tendency from which I could not deviate my whole life through; namely, the tendency to turn into an image, into a poem, everything that delighted or troubled me, or otherwise occupied me, and to come to some certain understanding with myself upon it, that I might both rectify my conceptions of external things, and set my mind at rest about them. The faculty of doing this was necessary to no one more than to me, for my natural disposition whirled me constantly from one extreme to the other. All, therefore, that has been confessed by me, consists of fragments of a great confession, and this little book is an attempt which I have ventured on to render it complete.
My early affection for Gretchen I had now transferred to one Annette (Aennchen), of whom I can say nothing more than that she was young, handsome, sprightly, loving, and so agreeable that she well deserved to be set up for a time in the shrine of the heart as a little saint, that she might receive all that reverence which it often causes more pleasure to bestow than to receive. I saw her daily without hindrance; she helped to prepare the meals which I enjoyed, she brought, in the evening at least, the wine which I drank, and indeed our select club of noon-day boarders was a warranty that the little house, which was visited by few guests except during the fair, well merited its good reputation. Opportunity and inclination were found for various kinds of amusement. But as she neither could nor dared go much out of the house, the pastime was somewhat limited. We sang the songs of Zachariä, played theDuke Michaelof Krüger, in which a knotted handkerchief had to take the place of the nightingale; and so, for a while, it went on quite tolerably. But since such connexions, the more innocent they are, afford the less variety in the long run,—so was I seized with that wicked distemper which seduces us to derive amusement from the torment of a beloved one, and to domineer over a girl's devotedness with wanton and tyrannical caprice. My ill-humour at the failure of my poetical attempts, at the apparent impossibility of coming to a clear understanding about them, and at everything else that might pinch me here and there, I thought I might vent on her, because she truly loved me with all her heart, and did whatever she could to please me. By unfounded and absurd fits of jealousy, I destroyed our mostdelightful days both for myself and her. She endured it for a time with incredible patience, which I was cruel enough to try to the uttermost. But to my shame and despair I was at last forced to remark that her heart was alienated from me, and that I might now have good ground for the madness in which I had indulged without necessity and without cause. There were also terrible scenes between us, in which I gained nothing; and I then first felt that I had truly loved her, and could not bear to lose her. My passion grew, and assumed all the forms of which it is capable under such circumstances; nay, at last I even took up therôlewhich the girl had hitherto played. I sought everything possible in order to be agreeable to her, even to procure her pleasure by means of others; for I could not renounce the hope of winning her again. But it was too late! I had lost her really, and the frenzy with which I revenged my fault upon myself, by assaulting in various frantic ways my physical nature, in order to inflict some hurt on my moral nature, contributed very much to the bodily maladies under which I lost some of the best years of my life; indeed I should perchance have been completely ruined by this loss, had not my poetic talent here shown itself particularly helpful with its healing power.
Die Laune Des Verliebten.
Already, at many intervals before, I had clearly enough perceived my ill-conduct. I really pitied the poor child, when I saw her so thoroughly wounded by me, without necessity. I pictured to myself so often and so circumstantially, her condition and my own, and, as a contrast, the contented state of another couple in our company, that at last I could not forbear treating this situation dramatically, as a painful and instructive penance. Hence arose the oldest of my extant dramatic labours, the little piece entitled,Die Laune des Verliebten(The Lover's Caprice); in the simple nature of which one may at the same time perceive the impetus of a boiling passion.
But before this, a deep, significant, impulsive world had already interested me. Through my adventure with Gretchen and its consequences, I had early looked into the strange labyrinths by which civil society is undermined. Religion, morals, law, rank, connexions, custom, all rule only the surface of city existence. The streets, bordered by splendid houses, are kept neat, and every one behaves himselfthere properly enough; but indoors, it often seems only so much the more disordered; and a smooth exterior, like a thin coat of mortar, plasters over many a rotten wall that tumbles together overnight, and produces an effect the more frightful, as it comes into the midst of a condition of repose. How many families, far and near, had I not already seen, either overwhelmed in ruin or kept miserably hanging on the brink of it, by means of bankruptcies, divorces, seduced daughters, murders, house-robberies, poisonings; and young as I was, I had often, in such cases, lent a hand for help and preservation. For as my frankness awakened confidence, as my secresy was proved, as my activity feared no sacrifice, and loved best to exert itself in the most dangerous affairs, I had often enough found opportunity to mediate, to hush up, to divert the lightning-flash, with every other assistance of the kind; in the course of which, as well in my own person as through others, I could not fail to come to the knowledge of many afflicting and humiliating facts. To relieve myself I designed several plays, and wrote the arguments[2]of most of them. But since the intrigues were always obliged to be painful, and almost all these pieces threatened a tragical conclusion, I let them drop one after another.Die Mitschuldigen(The Fellow-sinners) is the only one that was finished, the cheerful and burlesque tone of which upon the gloomy family-ground appears as if accompanied by somewhat of apprehension, so that on the whole it is painful in representation, although it pleases in detached passages. The illegal deeds, harshly expressed, wound the æsthetic and moral feeling, and the piece could therefore find no favour on the German stage, although the imitations of it, which steered clear of those rocks, were received with applause.
Both the above-mentioned pieces were however written from a more elevated point of view, without my having been aware of it. They direct us to a considerate forbearance in casting moral imputations, and in somewhat harsh and coarse touches sportively express that most Christian maxim:Let him who is without sin among you, cast the first stone.
Youthful Pranks.
Through this earnestness, which cast a gloom over my firstpieces, I committed the fault of neglecting very favourable materials which lay quite decidedly in my natural disposition. In the midst of these serious, and for a young man, fearful experiences, was developed in me a reckless humour, which feels itself superior to the moment, and not only fears no danger, but rather wantonly courts it. The ground of this lay in the exuberance of spirits in which the vigorous time of life so much delights, and which, if it manifests itself in a frolicsome way, causes much pleasure, both at the moment and in remembrance. These things are so usual that in the vocabulary of our young university friends they are calledSuites, and on account of the close similarity of signification, to say "play suites," means just the same as to "play pranks."[3]
Such humorous acts of daring, brought on the theatre with wit and sense, are of the greatest effect. They are distinguished from intrigue, inasmuch as they are momentary, and that their aim, whenever they are to have one, must not be remote. Beaumarchais has seized their full value, and the effects of hisFigarospring pre-eminently from this. If now such good-humoured roguish and half-knavish pranks are practised with personal risk for noble ends, the situations which arise from them are æsthetically and morally considered of the greatest value for the theatre; as for instance the opera of theWater-Carriertreats perhaps the happiest subject which we have ever yet seen upon the stage.
To enliven the endless tedium of daily life, I played off numberless tricks of the sort, partly without any aim at all, partly in the service of my friends whom I liked to please. For myself, I could not say that I had once acted in this designedly, nor did I ever happen to consider a feat of the kind as a subject for art. Had I, however, seized upon and elaborated such materials, which were so close at hand, my earliest labours would have been more cheerful and available. Some incidents of this kind occur indeed later, but isolated and without design. For since the heart always lies nearer to us than the head, and gives us trouble when the latter knows well how to help itself, so the affairs of the heart hadalways appeared to me as the most important. I was never weary of reflecting upon the transient nature of attachments, the mutability of human character, moral sensuality, and all the heights and depths, the combination of which in our nature may be considered as the riddle of human life. Here, too, I sought to get rid of that which troubled me, in a song, an epigram, in some kind of rhyme, which, since they referred to the most private feelings and the most peculiar circumstances, could scarcely interest any one but myself.
In the meanwhile, my external position had very much changed after the lapse of a short time. Madame Böhme, after a long and melancholy illness, had at last died; she had latterly ceased to admit me to her presence. Her husband could not be particularly satisfied with me; I seemed to him not sufficiently industrious, and too frivolous. He especially took it very ill of me, when it was told him that, at the lectures on German Public Law, instead of taking proper notes, I had been drawing on the margin of my note-book the personages presented to our notice in them, such as the President of the Chamber, the Moderators and Assessors, in strange wigs; and by this drollery had disturbed my attentive neighbours and set them laughing. After the loss of his wife he lived still more retired than before, and at last I shunned him in order to avoid his reproaches. But it was peculiarly unfortunate that Gellert would not use the power which he might have exercised over us. Indeed he had not time to play the father-confessor, and to inquire after the character and faults of everybody; he therefore took the matter very much in the lump, and thought to curb us by means of the church forms. For this reason, commonly, when he once admitted us to his presence, he used to lower his little head, and, in his weeping, winning voice, to ask us whether we went regularly to church, who was our confessor, and whether we took the holy communion? If now we came off badly at this examination we were dismissed with lamentations; we were more vexed than edified, yet could not help loving the man heartily.
Sacraments of the Church.
On this occasion, I cannot forbear recalling somewhat of my earlier youth, in order to make it obvious that the great affairs of the ecclesiastical religion must be carried on with order and coherence, if they are to prove as fruitful as isexpected. The Protestant service has too little fulness and consistency to be able to hold the congregation together; hence, it easily happens that members secede from it, and either form little congregations of their own, or, without ecclesiastical connexion, quietly carry on their citizen-life side by side. Thus for a considerable time complaints were made that the church-goers were diminishing from year to year, and, just in the same ratio, the persons who partook of the Lord's Supper. With respect to both, but especially the latter, the cause lies close at hand; but who dares to speak it out? We will make the attempt.
In moral and religious, as well as in physical and civil matters, man does not like to do anything on the spur of the moment; he needs a sequence from which results habit; what he is to love and to perform, he cannot represent to himself as single or isolated, and if he is to repeat anything willingly, it must not have become strange to him. If the Protestant worship lacks fulness in general, so let it be investigated in detail, and it will be found that the Protestant has too few sacraments, nay, indeed he has only one in which he is himself an actor,—the Lord's Supper: for baptism he sees only when it is performed on others, and is not greatly edified by it. The sacraments are the highest part of religion, the symbols to our senses of an extraordinary divine favour and grace. In the Lord's Supper earthly lips are to receive a divine Being embodied, and partake of an heavenly under the form of an earthly nourishment. This sense is just the same in all Christian churches; whether the Sacrament is taken with more or less submission to the mystery, with more or less accommodation as to that which is intelligible; it always remains a great holy thing, which in reality takes the place of the possible or the impossible, the place of that which man can neither attain nor do without. But such a sacrament should not stand alone; no Christian can partake of it with the true joy for which it is given, if the symbolical or sacramental sense is not fostered within him. He must be accustomed to regard the inner religion of the heart and that of the external church as perfectly one, as the great universal sacrament, which again divides itself into so many others, and communicates to these parts its holiness, indestructibleness, and eternity.
Here a youthful pair give their hands to one another, not for a passing salutation or for the dance; the priest pronounces his blessing upon them, and the bond is indissoluble. It is not long before this wedded pair bring a likeness to the threshold of the altar; it is purified with holy water, and so incorporated into the church, that it cannot forfeit this benefit but through the most monstrous apostacy. The child in the course of life practises himself in earthly things of his own accord, in heavenly things he must be instructed. Does it prove on examination that this has been fully done, he is now received into the bosom of the church as an actual citizen, as a true and voluntary professor, not without outward tokens of the weightiness of this act. Now is he first decidedly a Christian, now for the first time he knows his advantages, and also his duties. But, in the meanwhile, much that is strange has happened to him as a man; through instruction and affliction he has come to know how critical appears the state of his inner self, and there will constantly be a question of doctrines and of transgressions; but punishment shall no longer take place. For here, in the infinite confusion in which he must entangle himself, amid the conflict of natural and religious claims, an admirable expedient is given him, in confiding his deeds and misdeeds, his infirmities and doubts, to a worthy man, appointed expressly for that purpose, who knows how to calm, to warn, to strengthen him, to chasten him likewise by symbolical punishments, and at last by a complete washing away of his guilt, to render him happy and to give him back, pure and cleansed, the tablet of his manhood. Thus prepared, and purely calmed to rest by several sacramental acts, which, on closer examination, branch forth again into minuter sacramental traits, he kneels down to receive the host; and that the mystery of this high act may be still enhanced, he sees the chalice only in the distance; it is no common eating and drinking that satisfies, it is a heavenly feast, which makes him thirst after heavenly drink.
Yet let not the youth believe that this is all he has to do; let not even the man believe it. In earthly relations we are at last accustomed to depend on ourselves, and, even there, knowledge, understanding, and character, will not always suffice; in heavenly things, on the contrary, we have never finished learning. The higher feeling within us, which oftenfinds itself not even truly at home, is, besides, oppressed by so much from without, that our own power hardly administers all that is necessary for counsel, consolation, and help. But, to this end, that remedy is instituted for our whole life, and an intelligent, pious man is continually waiting to show the right way to the wanderers, and to relieve the distressed.
Catholic Sacraments.
And what has been so well tried through the whole life, is now to show forth all its healing power with tenfold activity at the gate of Death. According to a trustful custom, inculcated from youth upwards, the dying man receives with fervour those symbolical, significant assurances, and there, where every earthly warranty fails, he is assured, by a heavenly one, of a blessed existence for all eternity. He feels himself perfectly convinced that neither a hostile element nor a malignant spirit can hinder him from clothing himself with a glorified body, so that, in immediate relation with the Godhead, he may partake of the boundless happiness which flows forth from Him.
Then in conclusion, that the whole may be made holy, the feet also are anointed and blessed. They are to feel, even in the event of possible recovery, a repugnance to touching this earthly, hard, impenetrable soil. A wonderful nimbleness is to be imparted to them, by which they spurn from under them the clod of earth which hitherto attracted them. And so, through a brilliant circle of equally holy acts, the beauty of which we have only briefly hinted at, the cradle and the grave, however far asunder they may chance to be, are bound in one continuous circle.
But all these spiritual wonders spring not, like other fruits, from the natural soil, where they can neither be sown, nor planted, nor cherished. We must supplicate for them from another region, a thing which cannot be done by all persons, nor at all times. Here we meet the highest of these symbols, derived from pious tradition. We are told that one man can be more favoured, blessed, and sanctified from above than another. But that this may not appear as a natural gift, this great boon, bound up with a heavy duty, must be communicated to others by one authorized person to another; and the greatest good that a man can attain, without his having to obtain it by his own wrestling or grasping, must be preserved and perpetuated on earth by spiritual heirship. In the veryordination of the priest, is comprehended all that is necessary for the effectual solemnizing of those holy acts, by which the multitude receive grace, without any other activity being needful on their part, than that of faith and implicit confidence. And thus the priest steps forth in the line of his predecessors and successors, in the circle of those anointed with him, representing the highest source of blessings, so much the more gloriously, as it is not he, the priest, whom we reverence, but his office; it is not his nod to which we bow the knee, but the blessing which he imparts, and which seems the more holy, and to come the more immediately from heaven, because the earthly instrument cannot at all weaken or invalidate it by its own sinful, nay, wicked nature.
How is this truly spiritual connexion shattered to pieces in Protestantism, by part of the above-mentioned symbols being declared apocryphal, and only a few canonical;—and how, by their indifference to one of these, will they prepare us for the high dignity of the others?
In my time I had been confided to the religious instruction of a good old infirm clergyman, who had been confessor of the family for many years. TheCatechism, aParaphraseof it, and theScheme of Salvation, I had at my fingers' ends, I lacked not one of the strongly proving biblical texts, but from all this I reaped no fruit; for as they assured me that the honest old man arranged his chief examination according to an old set form, I lost all pleasure and inclination for the business, spent the last week in all sorts of diversions, laid in my hat the loose leaves borrowed from an older friend, who had gotten them from the clergyman, and unfeelingly and senselessly read aloud all that I should have known how to utter with feeling and conviction.
Religious Apprehensions.
But I found my good-will and my aspirations in this important matter still more paralyzed by a dry, spiritless routine, when I was now to approach the confessional. I was indeed conscious to myself of many failings, but of no great faults; and that very consciousness diminished them, since it directed me to the moral strength which lay within me, and which, with resolution and perseverance, was at last to become master over the old Adam. We were taught that we were much better than the catholics for this very reason: that we were not obliged to acknowledge anything in particular in theconfessional, nay, that this would not be at all proper, even if we wished to do it. This last did not seem right to me; for I had the strangest religious doubts, which I would readily have had cleared up on such an occasion. Now as this was not to be done, I composed a confession for myself, which, while it well expressed my state of mind, was to confess to an intelligent man, in general terms, that which I was forbidden to tell him in detail. But when I entered the old choir of the Barefoot Friars, when I approached the strange latticed closets in which the reverend gentlemen used to be found for that purpose, when the sexton opened the door for me, when I now saw myself shut up in the narrow place face to face with my spiritual grandsire, and he bade me welcome with his weak nasal voice, all the light of my mind and heart was extinguished at once, the well-conned confession-speech would not cross my lips; I opened, in my embarrassment, the book which I had in hand, and read from it the first short form I saw, which was so general, that anybody might have spoken it with quite a safe conscience. I received absolution, and withdrew neither warm nor cold; went the next day with my parents to the Table of the Lord, and, for a few days, behaved myself as was becoming after so holy an act.
In the sequel, however, there came over me that evil, which from the fact of our religion being complicated by various dogmas, and founded on texts of scripture which admit of several interpretations, attacks scrupulous men in such a manner, that it brings on a hypochondriacal condition, and raises this to its highest point, to fixed ideas. I have known several men who, though their manner of thinking and living was perfectly rational, could not free themselves from thinking about the sin against the Holy Ghost, and from the fear that they had committed it. A similar trouble threatened me on the subject of the communion, for the text that one who unworthily partakes of the Sacramenteateth and drinketh damnation to himself, had, very early, already made a monstrous impression upon me. Every fearful thing that I had read in the histories of the middle ages, of the judgments of God, of those most strange ordeals, by red-hot iron, flaming fire, swelling water, and even what the Bible tells us of the draught which agrees well with the innocent, but puffs up and bursts the guilty,—all this pictured itself to my imagination; and formed itselfinto the most frightful combinations, since false vows, hypocrisy, perjury, blasphemy, all seemed to weigh down the unworthy person at this most holy act, which was so much the more horrible, as no one could dare to pronounce himself worthy, and the forgiveness of sins, by which everything was to be at last done away, was found limited by so many conditions, that one could not with certainty dare appropriate it to oneself.
This gloomy scruple troubled me to such a degree, and the expedient which they would represent to me as sufficient, seemed so bald and feeble, that it gave the bugbear only a more fearful aspect, and, as soon as I had reached Leipzig, I tried to free myself altogether from my connexion with the church. How oppressive then must have been to me the exhortations of Gellert, whom, considering the generally laconic style with which he was obliged to repel our obtrusiveness, I was unwilling to trouble with such singular questions, and the less so as in my more cheerful hours I was myself ashamed of them; and at last left completely behind me this strange anguish of conscience, together with church and altar.
Decline of Gellert's Authority.
Gellert, in accordance with his pious feelings, had composed for himself a course of ethics, which from time to time he publicly read, and thus in an honourable manner acquitted himself of his duty to the public. Gellert's writings had already, for a long time, been the foundation of German moral culture, and every one anxiously wished to see that work printed; but as this was not to be done till after the good man's death, people thought themselves very fortunate to hear him deliver it himself in his lifetime. The philosophical auditorium[4]was at such times crowded, and the beautiful soul, the pure will, and the interest of the noble man in our welfare, his exhortations, warnings, and entreaties, uttered in a somewhat hollow and sorrowful tone, made indeed an impression for the moment, but this did not last long, the less so, as there were many scoffers, who contrived to make us suspicious of this tender, and, as they thought, enervating manner. I remember a Frenchman travelling through the town, who inquired after the maxims and opinions of the man who attracted such an immense concourse. When wehad given him the necessary information, he shook his head and said, smiling,Laissez le faire, il nous forme des dupes.
And thus also did good society, which cannot easily endure anything estimable in its neighbourhood, know how to spoil on occasion the moral influence which Gellert might have had upon us. Now it was taken ill of him that he instructed the Danes of distinction and wealth, who were particularly recommended to him, better than the other students, and had a marked solicitude for them; now he was charged with selfishness and nepotism for causing a table d'hôte to be established for these young men at his brother's house. This brother, a tall, good-looking, blunt, unceremonious and somewhat rude man, had, it was said, been a fencing-master, and notwithstanding the too great lenity of his brother, the noble boarders were often treated harshly and roughly; hence the people thought they must again take the part of these young folks, and pulled about the good reputation of the excellent Gellert to such a degree, that, in order not to be mistaken about him, we became indifferent towards him, and visited him no more; yet we always saluted him in our best manner when he came riding along on his tame grey horse. This horse the Elector had sent him, to oblige him to take an exercise so necessary for his health;—a distinction which was not easily forgiven him.
And thus, by degrees, the epoch approached when all authority was to vanish from before me, and I was to become suspicious, nay, to despair, even of the greatest and best individuals whom I had known or imagined.
Frederick the Second still stood at the head of all the distinguished men of the century, in my thoughts, and it must therefore have appeared very surprising to me, that I could praise him as little before the inhabitants of Leipzig as formerly in my grandfather's house. They had felt the hand of war heavily, it is true, and therefore they were not to blame for not thinking the best of him who had begun and continued it. They therefore were willing to let him pass, as a distinguished, but by no means as a great man. "There was no art," they said, "in performing something with great means; and if one spares neither lands, nor money, nor blood, one may well accomplish one's purpose at last. Frederick had shown himself great in none of his plans, and innothing that he had, properly speaking, undertaken. So long as it depended on himself, he had only gone on making blunders, and what was extraordinary in him, had only come to light when he was compelled to make these blunders good again. It was purely from this that he had obtained his great reputation, since every man wishes for himself that same talent of making good, in a clever way, the blunders which he frequently commits. If one goes through the Seven Years' War, step by step, it will be found that the king quite uselessly sacrificed his fine army, and that it was his own fault that this ruinous feud had been protracted to so great a length. A truly great man and general would have got the better of his enemies much sooner." In support of these opinions they could cite infinite details, which I did not know how to deny; and I felt the unbounded reverence which I had devoted to this remarkable prince, from my youth upwards, gradually cooling away.
Behrisch.
As the inhabitants of Leipzig had now destroyed for me the pleasant feeling of revering a great man, so did a new friend whom I gained at the time very much diminish the respect which I entertained for my present fellow-citizens. This friend was one of the strangest fellows in the world. He was named Behrisch, and was tutor to the young Count Lindenau. Even his exterior was singular enough. Lean and well-built, far advanced in the thirties, a very large nose, and altogether marked features; he wore from morning till night a scratch which might well have been called a peruke, but dressed himself very neatly, and never went out but with his sword by his side, and his hat under his arm. He was one of those men who have quite a peculiar gift of killing time, or rather, who know how to make something out of nothing, in order to pass time away. Everything that he did must be done with slowness, and a certain deportment which might have been called affected, if Behrisch had not even by nature had something affected in his manner. He resembled an old Frenchman, and also spoke and wrote French very well and easily. His greatest delight was to busy himself seriously about drolleries, and to follow up without end any silly notion. Thus he was constantly dressed in grey, and as the different parts of his attire were of different stuffs, and also of different shades, he could reflect for whole days as to how he should procure one grey more for his body, and was happy when he had succeededin this, and could put to shame us who had doubted it, or had pronounced it impossible. He then gave us long severe lectures, about our lack of inventive power, and our want of faith in his talents.
For the rest, he had studied well, was particularly versed in the modern languages and their literature, and wrote an excellent hand. He was very well disposed to me, and I, having been always accustomed and inclined to the society of older persons, soon attached myself to him. My intercourse, too, served him for a special amusement, since he took pleasure in taming my restlessness and impatience, with which, on the other hand, I gave him enough to do. In the art of poetry he had what is called taste, a certain general opinion about the good and bad, the mediocre and tolerable; but his judgment was rather censorious, and he destroyed even the little faith in contemporary writers which I cherished within me, by unfeeling remarks, which he knew how to advance with wit and humour, about the writings and poems of this man and that. He received my own affairs with indulgence, and let me have my way, but only on the condition that I should have nothing printed. He promised me, on the other hand, that he himself would copy those pieces which he thought good, and would present me with them in a handsome volume. This undertaking now afforded an opportunity for the greatest possible waste of time. For before he could find the right paper, before he could make up his mind as to the size, before he had settled the breadth of the margin, and the form of handwriting, before the crow-quills were provided and cut into pens, and Indian ink was rubbed, whole weeks passed, without the least bit having been done. With just as much ado he always set about his writing, and really, by degrees, put together a most charming manuscript. The title of the poems was in German text, the verses themselves in a perpendicular Saxon hand, and at the end of every poem was an analogous vignette, which he had either selected somewhere or other, or had invented himself, and in which he contrived to imitate very neatly the hatching of the wood-cuts and tail-pieces which are used for such purposes. To show me these things as he went on, to celebrate beforehand in a comico-pathetical manner my good fortune in seeing myself immortalized in such exquisite handwriting, and that in astyle which no printing-press could attain, gave another occasion for passing the most agreeable hours. In the meantime, his intercourse was always secretly instructive, by reason of his liberal acquirements, and, as he knew how to subdue my restless impetuous disposition, was also quite wholesome for me in a moral sense. He had, too, quite a peculiar abhorrence of roughness, and his jests were always quaint, without ever falling into the coarse or the trivial. He indulged himself in a distorted aversion from his countrymen, and described with ludicrous touches even what they were able to undertake. He was particularly inexhaustible in a comical representation of individual persons, as he found something to find fault with in the exterior of every one. Thus, when we lay together at the window, he could occupy himself for hours criticising the passers-by, and when he had censured them long enough, in showing exactly and circumstantially how they ought to have dressed themselves, ought to have walked, and ought to have behaved to look like orderly people. Such attempts, for the most part, ended in something improper and absurd, so that we did not so much laugh at how the man looked, but at how, perchance, he might have looked, had he been mad enough to caricature himself. In all such matters, Behrisch went quite unmercifully to work, without being in the slightest degree malicious. On the other hand, we knew how to teaze him, on our side, by assuring him that, to judge from his exterior, he must be taken, if not for a French dancing-master, at least for the academical teacher of the language. This reproval was usually the signal for dissertations an hour long, in which he used to set forth the difference, wide as the heavens, which there was between him and an old Frenchman. At the same time he commonly imputed to us all sorts of awkward attempts, that we might possibly have made for the alteration and modification of his wardrobe.
The direction of my poetizing, which I only carried on the more zealously as the transcript went on becoming more beautiful and more careful, now inclined altogether to the natural and the true; and if the subjects could not always be important, I nevertheless always endeavoured to express them clearly and pointedly, the more so as my friend often gave me to understand, what a great thing it was to write down a verse onDutch paper, with the crow-quill and Indian ink; what time, talent, and exertion it required, which ought not to be squandered on anything empty and superfluous. At the same time, he commonly used to open a finished parcel and circumstantially to explain what ought not to stand in this or that place, or congratulate us that it actually did not stand there. He then spoke, with great contempt, of the art of printing, mimicked the compositor, ridiculed his gestures and his hurried picking out of letters here and there, and derived from this manœuvre all the calamities of literature. On the other hand, he extolled the grace and the noble posture of a writer, and immediately sat down himself to exhibit it to us, while he rated us at the same time for not demeaning ourselves at the writing-table precisely after his example and model. He now returned to the contrast with the compositor, turned a begun letter upside down, and showed how unseemly it would be to write anything from the bottom to the top, or from the right to the left, with other things of like kind with which whole volumes might have been,filled.
With such harmless fooleries we lavished away our precious time, while it could have occurred to none of us, that anything would chance to proceed out of our circle, which would awaken a general sensation and bring us into not the best repute.
Professor Clodius.
Gellert may have taken little pleasure in hisPracticum, and if, perhaps, he took pleasure in giving some directions as to prose and poetical style, he did it most privately only to a few, among whom we could not number ourselves. Professor Clodius thought to fill the gap which thus arose in the public instruction. He had gained some renown in literature, criticism, and poetry, and as a young, lively, obliging man, found many friends both in the university and in the city. Gellert himself referred us to the lectures now commenced by him, and, as far as the principal matter was concerned, we remarked little difference. He, too, only criticised details, corrected likewise with red ink, and one found oneself in company with mere blunders, without a prospect as to where the right was to be sought. I had brought to him some of my little labours, which he did not treat harshly. But just at this time they wrote to me from home, that I must without fail furnish a poem for my uncle's wedding. I felt myself farfrom that light and frivolous period in which a similar thing would have given me pleasure, and since I could get nothing out of the actual circumstance itself, I determined to trick out my work in the best manner, with extraneous ornament. I therefore convened all Olympus to consult about the marriage of a Frankfort lawyer; and seriously enough, to be sure, as well became the festival of such an honourable man. Venus and Themis had quarrelled for his sake; but a roguish prank which Amor played the latter, gained the suit for the former, and the gods decided in favour of the marriage.
My work by no means displeased me. I received from home a handsome letter in its praise, took the trouble to have another fair copy, and hoped to extort some applause from my professor also. But here I had missed my aim. He took the matter severely, and as he did not notice the tone of parody, which nevertheless lay in the notion, he declared the great expenditure of divine means for such an insignificant human end, in the highest degree reprehensible; inveighed against the use and abuse of such mythological figures, as a false habit originating in pedantic times; found the expression now too high, now too low, and in divers particulars had indeed not spared the red ink, though he asserted that he had yet done too little.
Such pieces were read out and criticised anonymously, it is true; but we used to watch each other, and it remained no secret that this unfortunate assembly of the gods was my work. Yet since his critique, when I took his point of view, seemed to be perfectly just, and those divinities more nearly inspected were in fact only hollow shadow-forms; I cursed all Olympus, flung the whole mythic Pantheon away, and from that time Amor and Luna have been the only divinities which at all appear in my little poems.
Ridicule of Clodius.
Among the persons whom Behrisch had chosen as the butts of his wit, Clodius stood just at the head; nor was it hard to find a comical side in him. As a little, rather stout, thick-set figure, he was violent in his motions, somewhat impetuous in his utterances, and restless in his demeanour. In all this he differed from his fellow-citizens, who, nevertheless, willingly put up with him on account of his good qualities and the fine promise which he gave.
He was usually commissioned with the poems which hadbecome necessary on festal occasions. In the so-calledOde, he followed the manner used by Ramler, whom, however, it alone suited. But Clodius, as an imitator, had especially marked the foreign words by means of which the poems of Ramler come forth with a majestic pomp, which, because it is conformable to the greatness of his subject and the rest of his poetic treatment, produces a very good effect on the ear, feelings, and imagination. In Clodius, on the contrary, these expressions had a heterogeneous air, since his poetry was in other respects not calculated to elevate the mind in any manner.
Now we had often been obliged to see such poems printed and highly lauded in our presence, and we found it highly offensive, that he who had sequestered the heathen gods from us, now wished to hammer together another ladder to Parnassus out of Greek and Roman word-rungs. These oft-recurring expressions stamped themselves firmly on our memory, and in a merry hour, when we were eating some most excellent cakes in the Kitchen-gardens (Kohlgärten), it all at once struck me to put together these words of might and power, in a poem on the cake-baker Hendel. No sooner thought than done! And let it stand here, too, as it was written on the wall of the house with a lead-pencil.
"O Hendel, dessen Ruhm vomSüdzumNordenreicht,Vernimm denPäander zu deinen Ohren steigtDu bäckst wasGallienundBrittenemsig suchen,Mitschöpfrischen Genie, originelleKuchen.Des Kaffee'sOcean, der sich vor dir ergiesst,Ist süsser als der Saft der vomHymettusfliesst.Dein Haus einMonument, wie wir den Künsten lohnenUmhangen mitTrophän, erzählt denNationen:Auch ohneDiademfand Hendel hier sein GlückUnd raubte demCothurngur manch Achtgroschenstück.Glänzt deineUrndereinst in majestäts'chenPompe,Dann weint derPatriotun deinemKatacomhe.Doch leb! deinTorussey von edler Brut einNest,Steh'hoch wie derOlymp, wie derParnassusfest!KeinPhalanxGriechenland mit RömischenBallistenVermögGermanienund Hendel zu verwüsten.DeinWohlis unserStolz, deinLeidenunserSchmerzUndHendel'sTempel ist der Musensöhne Herz."[5]
This poem stood a long time among many others which disfigured the walls of that room, without being noticed, and we, who had sufficiently amused ourselves with it, forgot it altogether amongst other things. A long time afterwards, Clodius came out with hisMedon, whose wisdom, magnanimity and virtue we found infinitely ridiculous, much as the first representation of the piece was applauded. That evening, when we met together in the wine-house, I made a prologue in doggerel verse, in which Harlequin steps out with two great sacks, places them on each side of theproscenium, and after various preliminary jokes, tells the spectators in confidence, that in the two sacks moral æsthetic dust is to be found, which the actors will very frequently throw into their eyes. One, to wit, was filled with good deeds, that cost nothing, and the other with splendidly expressed opinions, that had no meaning behind them. He reluctantly withdrew, and sometimes came back, earnestly exhorted the spectators to attend to his warning and shut their eyes, reminded them that he had always been their friend, and meant well with them, with many more things of the kind. This prologue was acted in the room, on the spot, by friend Horn, but the jest remained quite among ourselves, not even a copy had been taken, and the paper was soon lost. However, Horn, who had performedthe Harlequin very prettily, took it into his head to enlarge my poem to Hendel by several verses, and then to make it refer toMedon.He read it aloud to us, and we could not take any pleasure in it, for we did not find the additions even ingenious, while the first poem, being written for quite a different purpose, seemed to us disfigured. Our friend, out of humour at our indifference, or rather censure, may have shown it to others, who found it new and amusing. Copies were now made of it, to which the reputation of Clodius'sMedongave at once a rapid publicity. Universal disapproval was the consequence, and the originators (it was soon found out that the poem had proceeded from our clique) were severely censured: for nothing of the sort had been seen since Cronegk's and Rost's attacks upon Gottsched. We had besides already secluded ourselves, and now found ourselves quite in the case of the owl with respect to the other birds. In Dresden, too, they did not like the affair, and it had for us serious, if not unpleasant consequences. For some time, already, Count Lindenau had not been quite satisfied with his son's tutor. For, although the young man was by no means neglected, and Behrisch kept himself either in the chamber of the young Count, or at least close to it, when the instructors gave their daily lessons, regularly frequented the lectures with him, never went out in the day-time without him, and accompanied him in all his walks; yet the rest of us were always to be found in Apel's house, and joined them whenever they went on a pleasure ramble; this already excited some attention. Behrisch, too, accustomed himself to our society, and at last, towards nine o'clock in the evenings, generally transferred his pupil into the hands of thevalet de chambre, and went in quest of us to the wine-house, whither, however, he never used to come but in shoes and stockings, with his sword by his side, and commonly his hat under his arm. The jokes and fooleries, which he generally started, went onad infinitum.Thus, for instance, one of our friends had a habit of going away precisely at ten, because he had a connexion with a pretty girl, with whom he could converse only at that hour. We did not like to lose him; and one evening, when we sat very happily together, Behrisch secretly determined that he would not let him off this time. At the stroke of ten, the other arose and took leave. Behrischcalled after him and begged him to wait a moment, as he was just going with him. He now began, in the most amusing manner, first to look after his sword, which stood just before his eyes, and in buckling it on behaved awkwardly, so that he could never accomplish it. He did this, too, so naturally, that no one took offence at it. But when, to vary the theme, he at last went further, so that the sword came now on the right side, now between his legs, an universal laughter arose, in which the man in a hurry, who was likewise a merry fellow, chimed in, and let Behrisch have his own way till the happy hour was past, when, for the first time, there followed general pleasure and agreeable conversation till deep into the night.
Eccentricities of Behrisch.
Unfortunately Behrisch, and we through him, had a certain other propensity for some girls who were better than their reputation; by which our own reputation could not be improved. We had often been seen in their garden, and we directed our walks thither, even when the young Count was with us. All this may have been treasured up, and at last communicated to his father; enough, he sought, in a gentlemanly manner, to get rid of the tutor, to whom the event proved fortunate. His good exterior, his knowledge and talents, his integrity, which no one could call in question, had won him the affection and esteem of distinguished persons, on whose recommendation he was appointed tutor to the hereditary prince of Dessau; and at the court of a prince, excellent in every respect, found a solid happiness.
The loss of a friend like Behrisch was of the greatest consequence to me. He had spoiled, while he cultivated me, and his presence was necessary, if the pains he had thought good to spend upon me were in any degree to bring forth fruit for society. He knew how to engage me in all kinds of pretty and agreeable things, in whatever was just appropriate, and to bring out my social talents. But as I had gained no self-dependence in such things, so when I was alone again, I immediately relapsed into my confused and crabbed disposition, which always increased, the more discontented I was with those about me, since I fancied that they were not contented with me. With the most arbitrary caprice, I took offence at what I might have reckoned as an advantage to me; thus alienated many with whom I had hitherto stood on a tolerablefooting; and, on account of the many disagreeable consequences which I had drawn on myself and others, whether by doing or leaving undone, by doing too much or too little, was obliged to hear the remark from my well-wishers, that I lacked experience. The same thing was told me by every person of sound sense who saw my productions, especially when these referred to the external world. I observed this as well as I could, but found in it little that was edifying, and was still forced to add enough of my own to make it only tolerable. I had often pressed my friend Behrisch, too, that he would make plain to me what experience might be? But, because he was full of nonsense, he put me off with fair words from one day to another, and at last, after great preparations, disclosed to me, that true experience was properly when one experiences how an experienced man must experience in experiencing his experience. Now when we scolded him outrageously, and called him to account for this, he assured us that a great mystery lay hidden behind these words, which we could not comprehend until we had experienced ... and so on without end;—for it cost him nothing to talk on in that way by the quarter of an hour since the experience would always become more experienced and at last come to true experience. When we were falling into despair at such fooleries, he protested that he had learned this way of making himself intelligible and impressive from the latest and greatest authors, who had made us observe how one can rest a restful rest, and how silence, in being silent, can constantly become more silent.
What is Experience?
By chance an officer, who came among us on furlough, was praised in good company as a remarkable sound-minded and experienced man, who had fought through the Seven Years' War, and had gained universal confidence. It was not difficult for me to approach him, and we often went walking with each other. The idea of experience had almost become fixed in my brain, and the craving to make it clear to me passionate. Open-hearted as I was, I disclosed to him the uneasiness in which I found myself. He smiled, and was kind enough to tell me, as an answer to my question, something of his own life, and generally of the world immediately about us; from which, indeed, little better was to be gathered than that experience convinces us that our best thoughts,wishes and designs are unattainable, and that he who fosters such vagaries and advances them with eagerness, is especially held to be an inexperienced man.
Yet, as he was a gallant, good fellow, he assured me that he had himself not quite given up these vagaries, and felt himself tolerably well off with the little faith, love, and hope which remained. He then felt obliged to tell me a great deal about war, about the sort of life in the field, about skirmishes and battles, especially so far as he had taken part in them; when these vast events, by being considered in relation to a single individual, gained a very marvellous aspect. I then led him on to an open narration of the late situation of the court, which seemed to me quite like a tale. I heard of the bodily strength of Augustus the Second, of his many children and his vast expenses, then of his successor's love of art and of making collections, of Count Brühl and his boundless love of magnificence, which in detail appeared almost absurd, of his numerous banquets and gorgeous amusements, which were all cut off by Frederick's invasion of Saxony. The royal castles now lay in ruins, Brühl's splendours were annihilated, and, of the whole, a glorious land, much injured alone remained.
When he saw me astonished at that mad enjoyment of fortune, and then grieved by the calamity that followed, and informed me that one expects from an experienced man exactly this, that he shall be astonished at neither the one nor the other, nor take too lively an interest in them, I felt a great desire still to remain awhile in the same inexperience as hitherto; in which desire he strengthened me, and very urgently entreated me, for the present at least, always to cling to agreeable experiences, and to try to avoid those that were disagreeable as much as possible, if they should intrude themselves upon me. But once, when the discussion was again about experience in general, and I related to him those ludicrous phrases of my friend Behrisch, he shook his head, smiling, and said, "There, one sees how it is with words which are only once uttered! These sound so comical, nay, so silly, that it would seem almost impossible to put a rational meaning into them; and yet, perhaps, the attempt might be made."
And when I pressed him, he replied in his intelligent,cheerful manner, "If you will allow me, while commenting on and completing your friend, to go on after his fashion, think he meant to say, that experience is nothing else than that one experiences what one does not wish to experience; which is what it amounts to for the most part, at least in this world."