BIBLIOGRAPHY
I.Lipps.Raumaesthetik, Leipzig, 1897." Aesthetik, vol. I. part ii., Leipzig, 1906.II.Karl Groos.Aesthetik, Giessen, 1892." Der Aesthetische Genuss, Giessen, 1902.III.Wundt.Physiologische Psychologie (5th Edition, 1903), vol. III. pg. 107 to 209. But the whole volume is full of indirect suggestion on aesthetics.IV.Münsterberg.The Principles of Art Education, New York, 1905. (Statement of Lipps' theory in physiological terms.)V.Külpe.Der gegenwärtige Stand der experimentellen Aesthetik, 1907.VI.Vernon Lee and Anstruther-Thomson.Beauty and Ugliness, 1912 (contains abundant quotations from most of the above works and other sources).VII.Ribot.Le Rôle latent des Images Motrices. Revue Philosophique, March 1912.VIII.Witasek.Psychologie der Raumwahrnehmung des Auges (1910). These two last named are only indirectly connected with visual aesthetics.
For art-evolutional questions consult:IX.Haddon.Evolution in Art, 1895.X.YrjöHirn.Origins of Art, Macmillan, 1900.XI.Levinstein.Kinderzeichnungen, Leipzig, 1905.XII.Loewy.Nature in early Greek Art (translation), Duckworth, 1907.XIII.Delia Seta.Religione e Arte Figurata, Rome, 1912.XIV.Spearing.The Childhood of Art, 1913.XV.Jane Harrison.Ancient Art and Ritual, 1913.
INDEX
Aesthetic:aridity, 136-7;imperative, 99-100;irradiation, 147-52;purification, 149-52;responsiveness, active nature of, 128-36;habit and familiarity affecting, 134-6Altamira cave frescoes, 95Art:differential characteristic of, 116-18;non-aesthetic aims of, 99-100, 137-8; utility of, 153-5Aspect:aesthetics concerned with, 15, 21, 105;shape the determining feature of, 26-8Attention, a factor distinguishing perception from sensation, 32
Balfour, H., 95Beautiful:aesthetic irradiation proceeding from use of adjective, 147-8;attitude implied by use of adjective, 2-7, 18-19;empathy the chief factor of preference, 67-8;implies desire for reiterated perception, 53-4Botticelli, 83Brahms'German Requiem,150Browning'sAbt Vogler,141
Coleridge'sOde to Dejection,131Colour, passive reception of, 23-4, 29Contemplative satisfaction marking aesthetic attitude, 8-15Correggio'sDanae,151Cubic Existence:perception of, 85;pictorial suggestion of, importance attached to, discussed, 101-5
Discobolus,115
Einfühlung, 59;misinterpretations of, 66-7Emotion, storage and transfer of, 139-46Empathy, 61-69;complexity of movements of lines, 78-83;movements of lines, 70-77;second element of shape-perception, 59-60Extension existing in perception, 35-8
Fechner, 130
Hildebrand, 102, 118
Inner Mimicry, 74-5
James, W., 153
Keats'Grecian Urn,77
Levinstein, 96Lipps, 66Locomotion of Things, distinction between, and empathic movement of lines, 111-16Lotze, 66
Mantegna, 82Memory:a factor distinguishing perception from sensation, 32;in perception, 40-1Michel Angelo, 114, 122Movement of Lines, distinction between, and locomotion of Things, 111-16;see alsoEmpathy
Object of Perception, subject's activities merged in, 57, 58
Perception:active process involved in, 29-34, 128-9;distinguished from sensation, 32;subject and object of, 55-60
Raphael'sHeliodorus,119Relaxation an element of form-perception, 42Rembrandt, 122Rythm, 42-5
Semper, hypothesis regarding shape-preference, 94Sensations:distinguished from perceptions, 32;perception of relation between, 29-30Shape:character of, 78-83;contemplation of, its intermittent but recurrent character, 106-10;determines contemplation of an aspect, 26-8;elements of, 35-47;Empathy an element of perception of, 59;facility and difficulty of grasping, 48-54;a perception, 29-34;practical causes regarding evolution of, 90-4;preference, its evolution, 94-7;and Things, their co-operation, 117-27;thinking away from, to Things, 131-2, 84-9Sound, passive reception of, 23-4, 29Subject of perception, extent of awareness of self, 57-9Symmetry, 42-3
Tension, an element of form-perception, 42Things and Shapes, their cooperation, 117-27;thoughts about, entering into shape-contemplation, 84-9Third Dimension, locomotor nature of knowledge of, 85-6, 101Titchener, 59
Vinci, Leonardo da, 83, 145-6Vischer, 66
Watts, G. F., 46Whole and Parts, perception of relation of, 48-54Wilde'sSalome,150Wundt, 42, 66