May28, 1819,
My Dear M..—I want to know how your brother is, if you have heard lately. I want to know about you, I wish you were nearer. How are my cousins, the Gladmans of Wheathampstead, and Farmer Bruton? Mrs. Bruton is a glorious woman,
"Hail, Mackery End!" [1]
This is a fragment of a blank-verse poem which. I once meditated, but got no farther. The E. I. H. has been thrown into a quandary by the strange phenomenon of poor Tommy Bye, whom I have known, man and madman, twenty-seven years, he being elder here than myself by nine years and more. He was always a pleasant, gossiping, half-headed, muzzy, dozing, dreaming, walk-about, inoffensive chap, a little too fond of the creature,—who isn't at times? But Tommy hadnotbrains to work off an overnight's surfeit by ten o'clock next morning, and unfortunately, in he wandered the other morning drunk with last night and with a superfoetation of drink taken in since he set out from bed. He came staggering under his double burden, like trees in Java, bearing at once blossom, fruit, and falling fruit, as I have heard you or some other traveller tell, with his face literally as blue as the bluest firmament. Some wretched calico that he had mopped his poor oozy front with, had rendered up its native dye, and the devil a bit would he consent to wash it, but swore it was characteristic, for he was going to the sale of indigo; and set up a laugh which I did not think the lungs of mortal man were competent to. It was like a thousand people laughing, or the Goblin Page. He imagined afterwards that the whole office had been laughing at him, so strange did his own sounds strike upon his _non_sensorium. But Tommy has laughed his last laugh, and awoke the next day to find himself reduced from an abused income of £600 per annum to one sixth of the sum, after thirty-six years' tolerably good service. The quality of mercy was not strained in his behalf; the gentle dews dropped not on him from heaven. It just came across me that I was writing to Canton. Will you drop in to-morrow night? Fanny Kelly is coming, if she does not cheat us. Mrs.Goldis well, but proves "uncoined," as the lovers about Wheathampstead would say.
I have not had such a quiet half hour to sit down to a quiet letter for many years. I have not been interrupted above four times. I wrote a letter the other day in alternate lines, black ink and red, and you cannot think how it chilled the flow of ideas. Next Monday is Whit-Monday. What a reflection! Twelve years ago, and I should have kept that and the following holiday in the fields a-maying. All of those pretty pastoral delights are over. This dead, everlasting dead desk,—how it weighs the spirit of a gentleman down! This dead wood of the desk instead of your living trees! But then, again, I hate the joskins,a name for Hertfordshire bumpkins. Each state of life has its inconvenience; but then, again, mine has more than one. Not that I repine, or grudge, or murmur at my destiny. I have meat and drink, and decent apparel,—I shall, at least, when I get a new hat,
A red-haired man just interrupted me. He has broke the current of my thoughts, I haven't a word to add, I don't know why I send this letter, but I have had a hankering to hear about you some days. Perhaps it will go off before your reply comes. If it don't, I assure you no letter was ever welcomer from, you, from Paris or Macao.
[1] See the Elia essay, "Mackery End, in H—-shire."
November25, 1819.
Dear Miss Wordsworth,—You will think me negligent, but I wanted to see more of Willy [1] before I ventured to express a prediction, Till yesterday I had barely seen him,—Virgilium tantum vidi; but yesterday he gave us his small company to a bullock's heart, and I can pronounce him a lad of promise. He is no pedant nor bookworm; so far I can answer. Perhaps he has hitherto paid too little attention to other men's inventions, preferring, like Lord Foppington, the "natural sprouts of his own." But he has observation, and seems thoroughly awake. I am ill at remembering other people'sbon mots, but the following are a few. Being taken over Waterloo Bridge, he remarked that if we had no mountains, we had a fine river, at least,—which was a touch of the comparative; but then he added in a strain which augured less for his future abilities as a political economist, that he supposed they must take at least a pound a week toll. Like a curious naturalist, he inquired if the tide did not come up a little salty. This being satisfactorily answered, he put another question, as to the flux and reflux; which being rather cunningly evaded than artfully solved by that she-Aristotle Mary, who muttered something about its getting up an hour sooner and sooner every day, he sagely replied, "Then it must come to the same thing at last,"—which was a speech worthy of an infant Halley! The lion in the 'Change by no means came up to his ideal standard,—so impossible is it for Nature, in any of her works, to come up to the standard of a child's imagination! The whelps (lionets) he was sorry to find were dead; and on particular inquiry, his old friend the orang-outang had gone the way of all flesh also. The grand tiger was also sick, and expected in no short time to exchange this transitory world for another or none. But, again, there was a golden eagle (I do not mean that of Charing) which did much arride and console him. William's genius, I take it, leans a little to the figurative; for being at play at tricktrack (a kind of minor billiard-table which we keep for smaller wights, and sometimes refresh our own mature fatigues with taking a hand at), not being able to hit a ball he had iterate aimed at, he cried out, "I cannot hit that beast." Now, the balls are usually called men, but he felicitously hit upon a middle term,—a term of approximation and imaginative reconciliation; a something where the two ends of the brute matter (ivory) and their human and rather violent personification into men might meet, as I take it,—illustrative of that excellent remark in a certain preface about imagination, explaining "Like a sea-beast that had crawled forth to sun himself!" Not that I accuse William Minor of hereditary plagiary, or conceive the image to have comeex traduce. Rather he seemeth to keep aloof from any source of imitation, and purposely to remain ignorant of what mighty poets have done in this kind before him; for being asked if his father had ever been on Westminster Bridge, [2] he answered that he did not know!
It is hard to discern the oak in the acorn, or a temple like St. Paul's in the first stone which is laid; nor can I quite prefigure what destination the genius of William Minor hath to take. Some few hints I have set down, to guide my future observations. He hath the power of calculation in no ordinary degree for a chit. He combineth figures, after the first boggle, rapidly; as in the tricktrack board, where the hits are figured, at first he did not perceive that 15 and 7 made 22; but by a little use he could combine 8 with 25, and 33 again with 16,—which approacheth something in kind (far let me be from flattering him by saying in degree) to that of the famous American boy. I am sometimes inclined to think I perceive the future satirist in him, for he hath a sub-sardonic smile which bursteth out upon occasion,—as when he was asked if London were as big as Ambleside; and indeed no other answer was given, or proper to be given, to so ensnaring and provoking a question. In the contour of skull certainly I discern something paternal; but whether in all respects the future man shall transcend his father's fame, Time, the trier of Geniuses, must decide. Be it pronounced peremptorily at present that Willy is a well-mannered child, and though no great student, hath yet a lively eye for things that lie before him.
Given in haste from my desk at Leadenhall. Yours, and yours most sincerely,
[1] Wordsworth's third son. He was at the Charter-house School in London, and the Lambs had invited him to spend a half holiday with them.
[2] "William Minor" was evidently forgetful of the exquisite sonnet, "Composed Upon Westminster Bridge."
March9, 1822.
Dear C.,—It gives me great satisfaction to hear that the pig turned out so well, [1]—they are interesting creatures at a certain age; what a pity such buds should blow out into the maturity of rank bacon! You had all some of the crackling—and brain sauce; did you remember to rub it with butter, and gently dredge it a little just before the crisis? Did the eyes come away kindly, with no Oedipean avulsion? Was the crackling the color of the ripe pomegranate? Had you no cursed complement of boiled neck of mutton before it, to blunt the edge of delicate desire? Did you flesh maiden teeth in it? Not that I sent the pig, or can form the remotest guess what part Owen could play in the business. I never knew him give anything away in my life. He would not begin with strangers. I suspect the pig, after all, was meant for me; but at the unlucky juncture of time being absent, the present somehow went round to Highgate. To confess an honest truth, a pig is one of those things I could never think of sending away. Teals, widgeons, snipes, barn-door fowl, ducks, geese,—your tame villatic things,—Welsh mutton collars of brawn, sturgeon, fresh or pickled, your potted char, Swiss cheeses, French pies, early grapes, muscadines, I impart as freely unto my friends as to myself. They are but self-extended; but pardon me if I stop somewhere. Where the fine feeling of benevolence giveth a higher smack than the sensual rarity, there my friends (or any good man) may command me; but pigs are pigs, and I myself therein am nearest to myself. Nay, I should think it an, affront, an undervaluing done to Nature, who bestowed such a boon upon me, if in a churlish mood I parted with the precious gift. One of the bitterest pangs I ever felt of remorse was when a child. My kind old aunt [2] had strained her pocket-strings to bestow a sixpenny whole plum cake upon me. In my way home through the Borough, I met a venerable old man, not a mendicant, but thereabouts,—a look-beggar, not a verbal petitionist; and in the coxcombry of taught-charity, I gave away the cake to him. I walked on a little in all the pride of an Evangelical peacock, when of a sudden my old aunt's kindness crossed me,—the sum it was to her; the pleasure she had a right to expect that I—not the old impostor—should take in eating her cake; the cursed ingratitude by which, under the color of a Christian virtue, I had frustrated her cherished purpose. I sobbed, wept, and took it to heart so grievously that I think I never suffered the like; and I was right. It was a piece of unfeeling hypocrisy, and proved a lesson to me ever after. The cake has long been masticated, consigned to dunghill with the ashes of that unseasonable pauper.
But when Providence, who is better to us all than our aunts, gives me a pig, remembering my temptation and my fall, I shall endeavor to act towards it more in the spirit of the donor's purpose.
Yours (short of pig) to command in everything,
[1] Some one had sent Coleridge a pig, and the gift was erroneously credited to Lamb.
[2] Elia: "Christ's Hospital Five-and-Thirty Years Ago."
March20, 1822.
My Dear Wordsworth,—A letter from you is very grateful; I have not seen a Kendal postmark so long. We are pretty well, save colds and rheumatics, and a certain deadness to everything, which I think I may date from poor John's loss, and another accident or two at the same time, that has made me almost bury myself at Dalston, where yet I see more faces than I could wish. Deaths overset one and put one out long after the recent grief. Two or three have died, within this last two twelvemonths, and so many parts of me have been numbed. One sees a picture, reads an anecdote, starts a casual fancy, and thinks to tell of it to this person in preference to every other; the person is gone whom it would have peculiarly suited. It won't do for another. Every departure destroys a class of sympathies. There's Captain Burney gone! What fun has whist now? What matters it what you lead, if you can no longer fancy him looking over you? [1] One never hears anything, but the image of the particular person occurs with whom alone almost you would care to share the intelligence,—thus one distributes oneself about; and now for so many parts of me I have lost the market. Common natures do not suffice me. Good people, as they are called, won't serve; I want individuals. I am made up of queer points, and I want so many answering needles. The going-away of friends does not make the remainder more precious. It takes so much from them, as there was a common link. A, B, and C make a party. A dies. B not only loses A, but all A's part in C. C loses A's part in B, and so the alphabet sickens by subtraction of interchangeables. I express myself muddily,capite dolente. I have a dulling cold. My theory is to enjoy life; but my practice is against it. I grow ominously tired of official confinement. Thirty years have I served the Philistines, and my neck is not subdued to the yoke. You don't know how wearisome it is to breathe the air of four pent walls without relief, day after day, all the golden hours of the day between ten and four, without ease or interposition.Tædet me harum quotidianarum formarum, these pestilential clerk-faces always in one's dish. Oh for a few years between the grave and the desk! they are the same, save that at the latter you are the outside machine. The foul enchanter [Nick?], "letters four do form his name,"—Busirane [2] is his name in hell,—that has curtailed you of some domestic comforts, hath laid a heavier hand on me, not in present infliction, but in the taking away the hope of enfranchisement. I dare not whisper to myself a pension on this side of absolute incapacitation and infirmity, till years have sucked me dry,—Otium cum indignitate. I had thought in a green old age (oh, green thought!) to have retired to Ponder's End,—emblematic name, how beautiful!,—in the Ware Road, there to have made up my accounts with Heaven and the Company, toddling about between it and Cheshunt, anon stretching, on some fine Izaak Walton morning, to Hoddesdon or Amwell, careless as a beggar; but walking, walking ever, till I fairly walked myself off my legs,—dying walking! The hope is gone. I sit like Philomel all day (but not singing), with my breast against this thorn of a desk, with the only hope that some pulmonary affliction may relieve me.VideLord Palmerston's report of the clerks in the War-office (Debates in this morning's "Times"), by which it appears, in twenty years as many clerks have been coughed and catarrhed out of it into their freer graves. Thank you for asking about the pictures. Milton hangs over my fire-side in Covent Garden (when I am there); the rest have been sold for an old song, wanting the eloquent tongue that should have set them off! You have gratified me with liking my meeting with Dodd. For the Malvolio story,—the thing is become in verity a sad task, and I eke it out with anything. If I could slip out of it I should be happy; but our chief-reputed assistants have forsaken us. The Opium-Eater crossed us once with a dazzling path, and hath as suddenly left us darkling; and, in short, I shall go on from dull to worse, because I cannot resist the booksellers' importunity,—the old plea, you know, of authors; but I believe on my part sincere. Hartley I do not so often see, but I never see him in unwelcome hour. I thoroughly love and honor him. I send you a frozen epistle; but it is winter and dead time of the year with me. May Heaven keep something like spring and summer up with you, strengthen your eyes, and make mine a little lighter to encounter with them, as I hope they shall yet and again, before all are closed!
Yours, with every kind remembrance,
[1] Martin Burney was the grimy-fisted whist-player to whom Lamb once observed, "Martin, if dirt was trumps, what hands you would hold!"
[2] The enchanter in "The Faerie Queene."
August31, 1822.
Dear Clare,—I thank you heartily for your present. I am an inveterate old Londoner, but while I am among your choice collections I seem to be native to them and free of the country. The quality of your observation has astonished me. What have most pleased me have been "Recollections after a Ramble," and those "Grongar Hill" kind of pieces in eight-syllable lines, my favourite measure, such as "Cooper Hill" and "Solitude." In some of your story-telling Ballads the provincial phrases sometimes startle me. I think you are too profuse with them. In poetryslangof every kind is to be avoided. There is a rustic Cockneyism, as little pleasing as ours of London. Transplant Arcadia to Helpstone. The true rustic style I think is to be found in Shenstone. Would his "School-mistress," the prettiest of poems, have been better if he had used quite the Goody's own language? Now and then a home rusticism is fresh and startling; but when nothing is gained in expression, it is out of tenor. It may make folks smile and stare; but the ungenial coalition of barbarous with refined phrases will prevent you in the end from being so generally tasted as you desire to be. Excuse my freedom, and take the same liberty with mypuns.
I send you two little volumes of my spare hours. They are of all sorts; there is a Methodist hymn for Sundays, and a farce for Saturday night. Pray give them a place on your shelf. Pray accept a little volume, of which I have a duplicate, that I may return in equal number to your welcome presents. I think I am indebted to you for a sonnet in the "London" for August.
Since I saw you I have been in France, and have eaten frogs. The nicest little rabbity things you ever tasted. Do look about for them. Make Mrs. Clare pick off the hind-quarters, boil them plain, with parsley and butter. The fore-quarters are not so good. She may let them hop off by themselves.
Yours sincerely,
[1] The Northamptonshire peasant poet. He had sent Lamb his "The Village Minstrel, and other Poems."
September22, 1822.
My Dear F.,—I scribble hastily at office. Frank wants my letter presently. I and sister are just returned from Paris! [1] We have eaten frogs. It has been such a treat! You know our monotonous general tenor. Frogs are the nicest little delicate things,—rabbity flavored. Imagine a Lilliputian rabbit! They fricassee them; but in my mind, dressed seethed, plain, with parsley and butter, would have been the decision of Apicius…. Paris is a glorious, picturesque old city. London looks mean and new to it, as the town of Washington would, seen afterit.But they have no St. Paul's or Westminster Abbey. The Seine, so much despised by Cockneys, is exactly the size to run through a magnificent street; palaces a mile long on one side, lofty Edinburgh stone (oh, the glorious antiques!) houses on the other. The Thames disunites London and Southwark. I had Talma to supper with me. He has picked up, as I believe, an authentic portrait of Shakspeare. He paid a broker about £40 English for it. It is painted on the one half of a pair of bellows,—a lovely picture, corresponding with the Folio head. The bellows has old carvedwingsround it and round the visnomy is inscribed, as near as I remember, not divided into rhyme,—I found out the rhyme,—
"Whom have we hereStuck on this bellows,But the Prince of good fellows,Willy Shakspere?"
At top,—
"O base and coward lack,To be here stuck!"
At bottom,—
"Nay! rather a glorious lot is to him assign'd,Who, like the Almighty, rides upon the wind."
This is all in old, carved wooden letters. The countenance smiling, sweet, and intellectual beyond measure, even as he was immeasurable. It may be a forgery. They laugh at me, and tell me Ireland is in Paris, and has been putting off a portrait of the Black Prince. How far old wood may be imitated I cannot say, Ireland was not found out by his parchments, but by his poetry. I am confident no painter on either side the Channel could have painted anything near like the face I saw. Again, would such a painter and forger have taken £40 for a thing, if authentic, worth £4000? Talma is not in the secret, for he had not even found out the rhymes in the first inscription. He is coming over with it, and my life to Southey's "Thalaba," it will gain universal faith.
The letter is wanted, and I am wanted. Imagine the blank filled up with all kind things.
Our joint, hearty remembrances to both of you. Yours as ever,
[1] The Lambs had visited Paris on the invitation of James Kenney, the dramatist, who had married a Frenchwoman, and was living at Versailles.
December16, 1822.
Dear Wilson,—LightningI was going to call you. You must have thought me negligent in not answering your letter sooner. But I have a habit of never writing letters but at the office; 'tis so much time cribbed out of the Company; and I am but just got out of the thick of a tea-sale, in which most of the entry of notes, deposits, etc., usually falls to my share.
I have nothing of De Foe's but two or three novels and the "Plague History." [1] I can give you no information about him. As a slight general character of what I remember of them (for I have not looked into them latterly), I would say that in the appearance oftruth,in all the incidents and conversations that occur in them, they exceed any works of fiction I am acquainted with. It is perfect illusion. Theauthornever appears in these self-narratives (for so they ought to be called, or rather auto-biographies), but thenarratorchains us down to an implicit belief in everything he says. There is all the minute detail of a log-book in it. Dates are painfully pressed upon the memory. Facts are repeated over and over in varying phrases, till you cannot choose but believe them. It is like reading evidence given in a court of justice. So anxious the story-teller seems that the truth should be clearly comprehended that when he has told us a matter of fact or a motive, in a line or two farther down herepeatsit with his favorite figure of speech, "I say" so and so, though he had made it abundantly plain before. This is in imitation of the common people's way of speaking, or rather of the way in which they are addressed by a master or mistress who wishes to impress something upon their memories, and has a wonderful effect upon matter-of-fact readers. Indeed, it is to such principally that he writes. His style is everywhere beautiful, but plain andhomely."Robinson Crusoe" is delightful to all ranks and classes; but it is easy to see that it is written in phraseology peculiarly adapted to the lower conditions of readers,—hence it is an especial favorite with seafaring men, poor boys, servant-maids, etc. His novels are capital kitchen-reading, while they are worthy, from their deep interest, to find a shelf in the libraries of the wealthiest and the most learned. His passion formatter-of-fact narrativesometimes betrayed him into a long relation of common incidents, which might happen to any man, and have no interest but the intense appearance of truth in them, to recommend them. The whole latter half or two-thirds of "Colonel Jack" is of this description. The beginning of "Colonel Jack" is the most affecting natural picture of a young thief that was ever drawn. His losing the stolen money in the hollow of a tree, and finding it again when he was in despair, and then being in equal distress at not knowing how to dispose of it, and several similar touches in the early history of the Colonel, evince a deep knowledge of human nature, and putting out of question the superiorromanticinterest of the latter, in my mind very much exceed "Crusoe." "Roxana" (first edition) is the next in interest, though he left out the best part of it in subsequent editions from a foolish hypercriticism of his friend Southerne. But "Moll Flanders," the "Account of the Plague," etc., are all of one family, and have the same stamp of character. Believe me, with friendly recollections—Brother (as I used to call you), Yours,
[1] Wilson was preparing a Life of De Foe, and had written to Lamb for guidance.
December23, 1822.
Dear Sir,—I have been so distracted with business and one thing or other, I have not had a quiet quarter of an hour for epistolary purposes. Christmas, too, is come, which always puts a rattle into my morning skull. It is a visiting, unquiet, unquakerish season. I get more and more in love with solitude, and proportionately hampered with company. I hope you have some holidays at this period. I have one day,—Christmas Day; alas! too few to commemorate the season. All work and no play dulls me. Company is not play, but many times bard work. To play, is for a man to do what he pleases, or to do nothing,—to go about soothing his particular fancies. I have lived to a time of life to have outlived the good hours, the nine-o'clock suppers, with a bright hour or two to clear up in afterwards. Now you cannot get tea before that hour, and then sit gaping, music bothered perhaps, till half-past twelve brings up the tray; and what you steal of convivial enjoyment after, is heavily paid for in the disquiet of to-morrow's head.
I am pleased with your liking "John Woodvil," and amused with your knowledge of our drama being confined to Shakspeare and Miss Baillie. What a world of fine territory between Land's End and Johnny Groat's have you missed traversing! I could almost envy you to have so much to read. I feel as if I had read all the books I want to read. Oh, to forget Fielding, Steele, etc., and read 'em new!
Can you tell me a likely place where I could pick up cheap Fox's Journal? There are no Quaker circulating libraries? Elwood, too, I must have. I rather grudge that Southey has taken up the history of your people; I am afraid he will put in some levity. I am afraid I am not quite exempt from that fault in certain magazine articles, where I have introduced mention of them. Were they to do again, I would reform them. Why should not you write a poetical account of your old worthies, deducing them from Fox to Woolman? But I remember you did talk of something of that kind, as a counterpart to the "Ecclesiastical Sketches." But would not a poem be more consecutive than a string of sonnets? You have no martyrsquite to the fire,I think, among you, but plenty of heroic confessors, spirit-martyrs, lamb-lions. Think of it; it would be better than a series of sonnets on "Eminent Bankers." I like a hit at our way of life, though it does well for me,—better than anything short ofall one's time to one's self;for which alone I rankle with envy at the rich. Books are good, and pictures are good, and money to buy them therefore good; but to buytime,—in other words, life!
The "compliments of the time" to you, should end my letter; to a Friend, I suppose, I must say the "sincerity of the season:" I hope they both mean the same. With excuses for this hastily penned note, believe me, with great respect,
Mary perfectly approves of the appropriation of thefeathers,and wishes them peacock's for your fair niece's sake.
Christmas, 1822.
Dear Miss Wordsworth,—I had just written the above endearing words when Monkhouse tapped me on the shoulder with an invitation to cold goose pie, which I was not bird of that sort enough to decline. Mrs. Monkhouse, I am most happy to say, is better Mary has been tormented with a rheumatism, which is leaving her, I am suffering from the festivities of the season. I wonder how my misused carcase holds it out. I have played the experimental philosopher on it, that's certain. Willy shall be welcome to a mince-pie and a bout at commerce whenever he comes. He was in our eye. I am glad you liked my new year's speculations; everybody likes them, except the author of the "Pleasures of Hope." Disappointment attend him! How I like to be liked, andwhat I doto be liked! They flatter me in magazines, newspapers, and all the minor reviews; the Quarterlies hold aloof. But they must come into it in time, or their leaves be waste paper. Salute Trinity Library in my name. Two special things are worth seeing at Cambridge,—a portrait of Cromwell at Sidney, and a better of Dr. Harvey (who found out that blood was red) at Dr. Davy's; you should see them. Coleridge is pretty well; I have not seen, him, but hear often of him, from Allsop, who sends me hares and pheasants twice a week; I can hardly take so fast as he gives. I have almost forgotten butcher's meat as plebeian. Are you not glad the cold is gone? I find winters not so agreeable as they used to be "when winter bleak had charms forme," I cannot conjure up a kind similitude for those snowy flakes. Let them keep to twelfth-cakes!
Mrs. Paris, our Cambridge friend, has been in town. You do not know the Watfords in Trampington Street. They are capital people. Ask anybody you meet, who is the biggest woman in Cambridge, and I 'll hold you a wager they'll say Mrs. Smith; she broke down two benches in Trinity Gardens,—one on the confines of St. John's, which occasioned a litigation between the Societies as to repairing it. In warm weather, she retires into an ice-cellar (literally!), and dates the returns of the years from a hot Thursday some twenty years back. She sits in a room with opposite doors and windows, to let in a thorough draught, which gives her slenderer friends tooth-aches. She is to be seen in the market every morning at ten cheapening fowls, which I observe the Cambridge poulterers are not sufficiently careful to stump.
Having now answered most of the points contained in your letter, let me end with assuring you of our very best kindness, and excuse Mary for not handling the pen on this occasion, especially as it has fallen into so much better hands! Will Dr. W. accept of my respects at the end of a foolish letter?
January6, 1823.
The pig was above my feeble praise. It was a dear pigmy. There was some contention as to who should have the ears; but in spite of his obstinacy (deaf as these little creatures are to advice), I contrived to get at one of them.
It came in boots, too, which I took as a favor. Generally these petty-toes, pretty toes I are missing: but I suppose he wore them to look taller.
He must have been the least of his race. His little foots would have gone into the silver slipper. I take him to have beec a Chinese and a female.
If Evelyn could have seen him, he would never have farrowed two such prodigious volumes, seeing how much good can be contained in—how small a compass!
He crackled delicately.
I left a blank at the top of my letter, not being determined which to address it to j so farmer and farmer's wife will please to divide our thanks. May your granaries be full, and your rats empty, and your chickens plump, and your envious neighbors lean, and your laborers busy, and you as idle and as happy as the day is long!
How do you make your pigs so little?They are vastly engaging at the age.I was so myself.Now I am a disagreeable old hog,A middle-aged gentleman-and-a-half;My faculties (thank God!) are not much impaired.
I have my sight, hearing, taste, pretty perfect, and can read the Lord's Prayer in common type, by the help of a candle, without making many mistakes….
Many happy returns, not of the pig, but of the New Year, to both. Mary, for her share of the pig and the memoirs, desires to send the same.
Yours truly,
[1] Hertfordshire connections of the Lambs.
January9, 1823.
Throw yourself on the world without any rational plan of support beyond what the chance employ of booksellers would afford you!
Throw yourself, rather, my dear sir, from the steep Tarpeian rock slap-dash headlong upon iron spikes. If you had but five consolatory minutes between the desk and the bed, make much of them, and live a century in them, rather than turn slave to the booksellers. They are Turks and Tartars when they have poor authors at their beck. Hitherto you have been at arm's length from them. Come not within their grasp. I have known many authors want for bread, some repining, others envying the blessed security of a counting-house, all agreeing they had rather have been tailors, weavers,—what not,—rather than the things they were. I have known some starved, some to go mad, one dear friend literally dying in a workhouse. You know not what a rapacious, dishonest set these booksellers are. Ask even Southey, who (a single case almost) has made a fortune by book-drudgery, what he has found them. Oh, you know not—may you never know!—the miseries of subsisting by authorship. 'Tis a pretty appendage to a situation like yours or mine, but a slavery, worse than all slavery, to be a bookseller's dependant, to drudge your brains for pots of ale and breasts of mutton, to change your free thoughts and voluntary numbers for ungracious task-work. Those fellows hateus. The reason I take to be that, contrary to other trades, in which the master gets all the credit (a Jeweller or silversmith for instance), and the journeyman, who really does the fine work, is in the background, inourwork the world gives all the credit to us, whomtheyconsider astheirjourneymen, and therefore do they hate us, and cheat us, and oppress us, and would wring the blood of as out, to put another sixpence in their mechanic pouches! I contend that a bookseller has arelative honestytowards authors, not like his honesty to the rest of the world. Baldwin, who first engaged me as Elia, has not paid me up yet (nor any of us without repeated mortifying appeals). Yet how the knave fawned when I was of service to him! Yet I daresay the fellow is punctual in settling his milk-score, etc.
Keep to your bank, and the bank will keep you. Trust not to the public; you may hang, starve, drown yourself, for anything that worthypersonagecares. I bless every star that Providence, not seeing good to make me independent, has seen it next good to settle me upon the stable foundation of Leadenhall. Sit down, good B.B., in the banking-office; what! is there not from six to eleven P.M. six days in the week, and is there not all Sunday? Fie! what a superfluity of man's time, if you could think so,—enough for relaxation, mirth, converse, poetry, good thoughts, quiet thoughts. Oh, the corroding, torturing, tormenting thoughts that disturb the brain of the unlucky wight who must draw upon it for daily sustenance! Henceforth I retract all my foul complaints of mercantile employment; look upon them as lovers' quarrels. I was but half in earnest. Welcome, dead timber of a desk, that makes me live! A little grumbling is a wholesome medicine for the spleen, but in my inner heart do I approve and embrace this our close, but unharassing, way of life. I am quite serious. If you can send me Fox, I will not keep itsix weeks, and will return it, with warm thanks to yourself and friend, without blot or dog's-ear. You will much oblige me by this kindness.
Yours truly,
[1] The Quaker poet. Mr. Barton was a clerk in the bank of the Messrs. Alexander, of Woodbridge, in Suffolk. Encouraged by his literary success, he thought of throwing up his clerkship and trusting to his pen for a livelihood,—a design from which he was happily diverted by his friends.
April25, 1823.
Dear Miss H.,—Mary has such an invincible reluctance to any epistolary exertion that I am sparing her a mortification by taking the pen from her. The plain truth is, she writes such a mean, detestable hand that she is ashamed of the formation of her letters. There is an essential poverty and abjectness in the frame of them. They look like begging letters. And then she is sure to omit a most substantial word in the second draught (for she never ventures an epistle without a foul copy first), which is obliged to be interlined,—which spoils the neatest epistle, you know. Her figures, 1, 2, 3, 4, etc., where she has occasion to express numerals, as in the date (25th April, 1823), are not figures, but figurantes; and the combined posse go staggering up and down shameless, as drunkards in the daytime. It is no better when she rules her paper. Her lines "are not less erring" than her words; a sort of unnatural parallel lines, that are perpetually threatening to meet,—which, you know, is quite contrary to Euclid. Her very blots are not bold, like this [here a large blot is inserted], but poor smears, half left in and half scratched out, with another smear left in their place. I like a clear letter; a bold, free hand and a fearless flourish. Then she has always to go through them (a second operation) to dot heri's and cross hert's. I don't think she could make a corkscrew if she tried,—which has such a fine effect at the end or middle of an epistle, and fills up.
There is a corkscrew! One of the best I ever drew. [1] By the way, what incomparable whiskey that was of Monkhouse's! But if I am to write a letter, let me begin, and not stand flourishing like a fencer at a fair.
April25, 1823.
Dear Miss H.,—It gives me great pleasure [the letter now begins] to hear that you got down so smoothly, and that Mrs. Monkhouse's spirits are so good and enterprising. [2] It shows, whatever her posture may be, that her mind at least is not supine. I hope the excursion will enable the former to keep pace with its outstripping neighbor. Pray present our kindest wishes to her and all (that sentence should properly have come into the postscript; but we airy, mercurial spirits, there is no keeping us in). "Time" (as was said of one of us) "toils after us in vain." I am afraid our co-visit with Coleridge was a dream. I shall not get away before the end or middle of June, and then you will be frog-hopping at Boulogne. And besides, I think the Gilmans would scarce trust him with us; I have a malicious knack at cutting of apron-strings. The saints' days you speak of have long since fled to heaven with Astræa, and the cold piety of the age lacks fervor to recall them; only Peter left his key,—the iron one of the two that "shuts amain,"—and that is the reason I am locked up. Meanwhile, of afternoons we pick up primroses at Dalston, and Mary corrects me when I call 'em cowslips. God bless you all, and pray remember me euphoniously to Mr. Gruvellegan. That Lee Priory must be a dainty bower. Is it built of flints? and does it stand at Kingsgate?
[1] Lamb was fond of this flourish, and it is frequently found in his letters.
[2] Miss Hutchinson's invalid relative.
September2, 1823.
Dear B.B.,—What will you not say to my not writing? You cannot say I do not write now. Hessey has not used your kind sonnet, nor have I seen it. Pray send me a copy. Neither have I heard any more of your friend's MS., which I will reclaim whenever you please. When you come Londonward, you will find me no longer in Covent Garden: I have a cottage in Colebrook Row, Islington,—a cottage, for it is detached; a white house, with six good rooms, The New River (rather elderly by this time) runs (if a moderate walking pace can be so termed) close to the foot of the house; and behind is a spacious garden with vines (I assure you), pears, strawberries, parsnips, leeks, carrots, cabbages, to delight the heart of old Alcinous. You enter without passage into a cheerful dining-room, all studded over and rough with old books; and above is a lightsome drawing-room, three windows, full of choice prints. I feel like a great lord, never having had a house before.
The "London," I fear, falls off. I linger among its creaking rafters, like the last rat; it will topple down if they don't get some buttresses. They have pulled down three,—Hazlitt, Procter, and their best stay, kind, light-hearted Wainewright, their Janus. [1] The best is, neither of our fortunes is concerned in it.
I heard of you from Mr. Pulham this morning, and that gave a fillip to my laziness, which has been intolerable; but I am so taken up with pruning and gardening,—quite a new sort of occupation to me. I have gathered my jargonels; but my Windsor pears are backward. The former were of exquisite raciness. I do now sit under my own vine, and contemplate the growth of vegetable nature. I can now understand in what sense they speak of father Adam. I recognize the paternity while I watch my tulips. I almost fell with him, for the first day I turned a drunken gardener (as he let in the serpent) into my Eden; and he laid about him, lopping off some choice boughs, etc., which hung over from a neighbor's garden, and in his blind zeal laid waste a shade which had sheltered their window from the gaze of passers-by. The old gentlewoman (fury made her not handsome) could scarcely be reconciled by all my fine words. There was no buttering her parsnips. She talked of the law. What a lapse to commit on the first day of my happy "garden state"!
I hope you transmitted the Fox-Journal to its owner, with suitable thanks. Mr. Cary, the Dante man, dines with me to-day. He is a mode of a country parson, lean (as a curate ought to be), modest, sensible, no obtruder of church dogmas, quite a different man from Southey. You would like him. Pray accept this for a letter, and believe me, with sincere regards, yours,
[1] Wainewright, the notorious poisoner, who, under the name of "Janus Weathercock," contributed various frothy papers on art and literature to the "London Magazine."
November, 1823.
Dear Mrs. H.,—Sitting down to write a letter is such a painful operation to Mary that you must accept me as her proxy. You have seen our house. What I now tell you is literally true. Yesterday week, George Dyer called upon us, at one o'clock (bright noonday), on his way to dine with Mrs. Barbauld at Newington. He sat with Mary about half an hour, and took leave. The maid saw him go out from her kitchen window, but suddenly losing sight of him, ran up in a fright to Mary. G.D., instead of keeping the slip that leads to the gate, had deliberately, staff in hand, in broad, open day, marched into the New River. [1] He had not his spectacles on, and you know his absence. Who helped him out, they can hardly tell; but between 'em they got him out, drenched thro' and thro'. A mob collected by that time, and accompanied him in. "Send for the doctor!" they said; and a one-eyed fellow, dirty and drunk, was fetched from the public-house at the end, where it seem he lurks for the sake of picking up water-practice, having formerly had a medal from the Humane Society for some rescue. By his advice the patient was put between blankets; and when I came home at four to dinner, I found G.D. a-bed, and raving, light-headed with the brandy-and-water which the doctor had administered. He sang, laughed, whimpered, screamed, babbled of guardian angels, would get up and go home; but we kept him there by force; and by next morning he departed sobered, and seems to have received no injury. [2] All my friends are open-mouthed about having paling before the river; but I cannot see that because a … lunatic chooses to walk into a river, with his eyes open, at mid-day, I am any the more likely to be drowned in it, coming home at midnight.
[1] See Elia-essay, "Amicus Redivivus."
[2] In the "Athenæum" for 1835 Procter says: "I happened to call at Lamb's house about ten minutes after this accident; I saw before me a train of water running from the door to the river. Lamb had gone for a surgeon; the maid was running about distraught, with dry clothes on one arm, and the dripping habiliments of the involuntary bather in the other. Miss Lamb, agitated, and whimpering forth 'Poor Mr. Dyer!' in the most forlorn voice, stood plunging her hands into the wet pockets of his trousers, to fish up the wet coin. Dyer himself, an amiable little old man, who took water _in_ternally and eschewed strong liquors, lay on his host's bed, hidden by blankets; his head, on which was his short gray hair, alone peered out; and this, having been rubbed dry by a resolute hand,—by the maid's, I believe, who assisted at the rescue,—looked as if bristling with a thousand needles. Lamb, moreover, in his anxiety, had administered a formidable dose of cognac and water to the sufferer, andhe(used only to the simple element) babbled without cessation."
January9, 1824.
Dear B.B.,—Do you know what it is to succumb under an insurmountable day-mare,—"a whoreson lethargy," Falstaff calls it,—an indisposition to do anything or to be anything; a total deadness and distaste; a suspension of vitality; an indifference to locality; a numb, soporifical good-for-nothingness; an ossification all over; an oyster-like insensibility to the passing events; a mind-stupor; a brawny defiance to the needles of a thrusting-in conscience? Did you ever have a very bad cold, with a total irresolution to submit to water-gruel processes? This has been for many weeks my lot and my excuse. My fingers drag heavily over this paper, and to my thinking it is three-and-twenty furlongs from here to the end of this demi-sheet. I have not a thing to say; nothing is of more importance than another. I am flatter than a denial or a pancake; emptier than Judge Parke's wig when the head is in it; duller than a country stage when the actors are off it,—a cipher, an o! I acknowledge life at all only by an occasional convulsional cough and a permanent phlegmatic pain in the chest. I am weary of the world; life is weary of me, My day is gone into twilight, and I don't think it worth the expense of candles. My wick hath a thief in it, but I can't muster courage to snuff it. I inhale suffocation; I can't distinguish veal from mutton; nothing interests me. 'T is twelve o'clock, and Thurtell [1] is just now coming out upon the new drop, Jack Ketch alertly tucking up his greasy sleeves to do the last office of mortality; yet cannot I elicit a groan or a moral reflection. If you told me the world will be at an end to-morrow, I should just say, "Will it?" I have not volition enough left to dot myi's, much less to comb my eyebrows; my eyes are set in my head; my brains are gone out to see a poor relation in Moorfields, and they did not say when they'd come back again; my skull is a Grub Street attic to let,—not so much as a joint-stool left in it; my hand writes, not I, from habit, as chickens run about a little when their heads are off. Oh for a vigorous fit of gout, colic, toothache,—an earwig in my auditory, a fly in my visual organs; pain is life,—the sharper the more evidence of life; but this apathy, this death! Did you ever have an obstinate cold,—a six or seven weeks' unintermitting chill and suspension of hope, fear, conscience, and everything? Yet do I try all I can to cure it. I try wine, and spirits, and smoking, and snuff in unsparing quantities; but they all only seem to make me worse, instead of better. I sleep in a damp room, but it does me no good; I come home late o' nights, but do not find any visible amendment! Who shall deliver me from the body of this death?
It is just fifteen minutes after twelve. Thurtell is by this time a good way on his journey, baiting at Scorpion, perhaps. Ketch is bargaining for his cast coat and waistcoat; and the Jew demurs at first at three half-crowns, but on consideration that he may get somewhat by showing 'em in the town, finally closes.
[1] Hanged that day for the murder of Weare.
January23, 1824.
My dear sir,—That peevish letter of mine, [1] which was meant to convey an apology for my incapacity to write, seems to have been taken by you in too serious a light,—it was only my way of telling you I had a severe cold. The fact is, I have been insuperably dull and lethargic for many weeks, and cannot rise to the vigor of a letter, much less an essay. The "London" must do without me for a time, for I have lost all interest about it; and whether I shall recover it again I know not. I will bridle my pen another time, and not tease and puzzle you with my aridities. I shall begin to feel a little more alive with the spring.
Winter is to me (mild or harsh) always a great trial of the spirits. I am ashamed not to have noticed your tribute to Woolman, whom we love so much; it is done in your good manner. Your friend Tayler called upon me some time since, and seems a very amiable man. His last story is painfully fine. His book I "like;" it is only too stuffed with Scripture, too parsonish. The best thing in it is the boy's own story. When I say it is too full of Scripture, I mean it is too full of direct quotations; no book can have too much of silent Scripture in it. But the natural power of a story is diminished when the uppermost purpose in the writer seems to be to recommend something else,—namely, Religion. You know what Horace says of theDeus intersit? I am not able to explain myself,—you must do it for me. My sister's part in the "Leicester School" (about two thirds) was purely her own; as it was (to the same quantity) in the "Shakspeare Tales" which bear my name. I wrote only the "Witch Aunt," the "First Going to Church," and the final story about "A little Indian girl" in a ship. Your account of my black-balling amused me.I think, as Quakers, they did right.There are some things hard to be understood. The more I think, the more I am vexed at having puzzled you with that letter; but I have been so out of letter-writing of late years that it is a sore effort to sit down to it; and I felt in your debt, and sat down waywardly to pay you in bad money. Never mind my dulness; I am used to long intervals of it. The heavens seem brass to me; then again comes the refreshing shower,—
"I have been merry twice and once ere now."
You said something about Mr. Mitford in a late letter, which I believe I did not advert to. I shall be happy to show him my Milton (it is all the show things I have) at any time he will take the trouble of a jaunt to Islington. I do also hope to see Mr. Tayler there some day. Pray say so to both. Coleridge's book is in good part printed, but sticks a little formore copy. It bears an unsalable title,—"Extracts from Bishop Leighton;" but I am confident there will be plenty of good notes in it,—more of Bishop Coleridge than Leighton in it, I hope; for what is Leighton? Do you trouble yourself about libel cases? The decision against Hunt for the "Vision of Judgment" made me sick. What is to become of the good old talk about our good old king,—his personal virtues saving us from a revolution, etc.? Why, none that think can utter it now. It must stink. And the "Vision" is as to himward such a tolerant, good-humored thing! What a wretched thing a Lord Chief Justice is, always was, and will be!
Keep your good spirits up, dear B. B., mine will return; they are at present in abeyance, but I am rather lethargic than miserable. I don't know but a good horsewhip would be more beneficial to me than physic. My head, without aching, will teach yours to ache. It is well I am getting to the conclusion. I will send a better letter when I am a better man. Let me thank you for your kind concern for me (which I trust will have reason soon to be dissipated), and assure you that it gives me pleasure to hear from you.
Yours truly,
[1] Letter LXXIX.
April, 1824.
Dear B.B.,—I am sure I cannot fill a letter, though I should disfurnish my skull to fill it; but you expect something, and shall have a notelet. Is Sunday, not divinely speaking, but humanly and holiday-sically, a blessing? Without its institution, would our rugged taskmasters have given us a leisure day so often, think you, as once in a month? or, if it had not been instituted, might they not have given us every sixth day? Solve me this problem. If we are to go three times a-day to church, why has Sunday slipped into the notion of a _holi_day? A HOLY-day, I grant it. The Puritans, I have read in Southey's book, knew the distinction. They made people observe Sunday rigorously, would not let a nurserymaid walk out in the fields with children for recreation on that day. Butthenthey gave the people a holiday from all sorts of work every second Tuesday. This was giving to the two Cæsars that which washisrespective. Wise, beautiful, thoughtful, generous legislators! Would Wilberforce give us our Tuesdays? No; he would turn the six days into sevenths,—
"And those three smiling seasons of the yearInto a Russian winter."OLD PLAY.
I am sitting opposite a person who is making strange distortions with the gout, which is not unpleasant pleasant,—to me, at least. What is the reason we do not sympathize with pain, short of some terrible surgical operation? Hazlitt, who boldly says all he feels, avows that not only he does not pity sick people, but he hates them. I obscurely recognize his meaning. Pain is probably too selfish a consideration, too simply a consideration of self-attention. We pity poverty, loss of friends, etc.,—more complex things, in which the sufferer's feelings are associated with others. This is a rough thought suggested by the presence of gout; I want head to extricate it and plane it. What is all this to your letter? I felt it to be a good one, but my turn, when I write at all, is perversely to travel out of the record, so that my letters are anything but answers. So you still want a motto? You must not take my ironical one, because your book, I take it, is too serious for it. Bickerstaff might have used it forhislucubrations. What do you think of (for a title) Religio Tremuli? or Tremebundi? There is Religio Medici and Laici. But perhaps the volume is not quite Quakerish enough, or exclusively so, for it. Your own "Vigils" is perhaps the best. While I have space, let me congratulate with you the return of spring,—what a summery spring too! All those qualms about the dog and cray-fish [1] melt before it. I am going to be happy andvainagain.
A hasty farewell,
[1] Lamb had confessed, in a previous letter to Barton, to having once wantonly set a dog upon a cray-fish.
May15, 1824.
Dear B. B.,—I am oppressed with business all day, and company all night. But I will snatch a quarter of an hour. Your recent acquisitions of the picture and the letter are greatly to be congratulated. I too have a picture of my father and the copy of his first love-verses; but they have been mine long. Blake is a real name, I assure you, and a most extraordinary man, if he is still living. He is the Robert [William] Blake whose wild designs accompany a splendid folio edition of the "Night Thoughts," which you may have seen, in one of which he pictures the parting of soul and body by a solid mass of human form floating off, God knows how, from a lumpish mass (fac-simile to itself) left behind on the dying bed. He paints in water-colors marvellous strange pictures, visions of his brain, which he asserts that he has seen; they have great merit. He hasseenthe old Welsh bards on Snowdon,—he has seen the beautifullest, the strongest, and the ugliest man, left alone from the massacre of the Britons by the Romans, and has painted them from memory (I have seen his paintings), and asserts them to be as good as the figures of Raphael and Angelo, but not better, as they had precisely the same retro-visions and prophetic visions with themself [himself]. The painters in oil (which he will have it that neither of them practised) he affirms to have been the ruin of art, and affirms that all the while he was engaged in his Welsh paintings, Titian was disturbing him,— Titian the Ill Genius of Oil Painting. His pictures—one in particular, the Canterbury Pilgrims, far above Stothard—have great merit, but hard, dry, yet with grace. He has written a Catalogue of them, with a most spirited criticism on Chaucer, but mystical and full of vision. His poems have been sold hitherto only in manuscript. I never read them; but a friend at my desire procured the "Sweep Song." There is one to a tiger, which I have heard recited, beginning,—
"Tiger, Tiger, burning bright,Thro' the deserts of the night,"
which is glorious, but, alas! I have not the book; for the man is flown, whither I know not,—to Hades or a madhouse. But I must look on him as one of the most extraordinary persons of the age. Montgomery's book [1] I have not much hope from, and the society with the affected name [2] has been laboring at it for these twenty years, and made few converts. I think it was injudicious to mix stories, avowedly colored by fiction, with the sad, true statements from the parliamentary records, etc. But I wish the little negroes all the good that can come from it. I battered my brains (not buttered them,—but it is a bada) for a few verses for them, but I could make nothing of it. You have been luckier. But Blake's are the flower of the set, you will, I am sure, agree; though some of Montgomery's at the end are pretty, but the Dream awkwardly paraphrased from B.
With the exception of an Epilogue for a Private Theatrical, I have written nothing new for near six months. It is in vain to spur me on. I must wait. I cannot write without a genial impulse, and I have none. 'T is barren all and dearth. No matter; life is something without scribbling. I have got rid of my bad spirits, and hold up pretty well this rain-damned May.
So we have lost another poet. [3] I never much relished his Lordship's mind, and shall be sorry if the Greeks have cause to miss him. He was to me offensive, and I never can make out his realpower, which his admirers talk of. Why, a, line of Wordsworth's is a lever to lift the immortal spirit; Byron can only move the spleen. He was at best a satirist. In any other way, he was mean enough. I daresay I do him injustice; but I cannot love him, nor squeeze a tear to his memory. He did not like the world, and he has left it, as Alderman Curtis advised the Radicals, "if they don't like their country, damn 'em, let 'em leave it," they possessing no rood of ground in England, and he ten thousand acres. Byron was better than many Curtises.
Farewell, and accept this apology for a letter from one who owes you so much in that kind.
Yours ever truly, C. L.
[1] "The Chimney-Sweeper's Friend, and Climbing-Boy's Album,"—a book, by James Montgomery, setting forth the wrongs of the little chimney-sweepers, for whose relief a society had been started.
[2] The Society for Ameliorating the Condition of Infant Chimney-Sweepers.
[3] Byron had died on April 19.
August, 1824.
I can no more understand Shelley than you can; his poetry is "thin sown with profit or delight." Yet I must point to your notice a sonnet conceived and expressed with a witty delicacy. It is that addressed to one who hated him, but who could not persuade him to hatehimagain. His coyness to the other's passion—for hate demands a return as much as love, and starves without it—is most arch and pleasant. Pray, like it very much. For his theories and nostrums, they are oracular enough, but I either comprehend 'em not, or there is "miching malice" and mischief in 'em, but, for the most part, ringing with their own emptiness. Hazlitt said well of 'em: "Many are the wiser and better for reading Shakspeare, but nobody was ever wiser or better for reading Shelley." I wonder you will sow your correspondence on so barren a ground as I am, that make such poor returns. But my head aches at the bare thought of letter-writing. I wish all the ink in the ocean dried up, and would listen to the quills shivering up in the candle flame, like parching martyrs. The same indisposition to write it is has stopped my "Elias;" but you will see a futile effort in the next number, [1] "wrung from me with slow pain." The fact is, my head is seldom cool enough. I am dreadfully indolent. To have to do anything—to order me a new coat, for instance, though my old buttons are shelled like beans—is an effort. My pen stammers like my tongue. What cool craniums those old inditers of folios must have had, what a mortified pulse! Well, once more I throw myself on your mercy. Wishing peace in thy new dwelling,
[1] The essay "Blakesmoor in Hertfordshire," in the "London Magazine" for September, 1824.
December1, 1824.
Taylor and Hessey, finding their magazine [1] goes off very heavily at 2_s_. 6_d_., are prudently going to raise their price another shilling; and having already more authors than they want, intend to increase the number of them. If they set up against the "New Monthly," they must change their present hands. It is not tying the dead carcase of a review to a half-dead magazine will do their business. It is like George Dyer multiplying his volumes to make 'em sell better. When he finds one will not go off, he publishes two; two stick, he tries three; three hang fire, he is confident that four will have a better chance.
And now, my dear sir, trifling apart, the gloomy catastrophe of yesterday morning prompts a sadder vein. The fate of the unfortunate Fauntleroy [2] makes me, whether I will or no, to cast reflecting eyes around on such of my friends as, by a parity of situation, are exposed to a similarity of temptation. My very style seems to myself to become more impressive than usual, with the change of theme. Who, that standeth, knoweth but he may yet fall? Your hands as yet, I am most willing to believe, have never deviated, into others' property; you think it impossible that you could ever commit so heinous an offence. But so thought Fauntleroy once; so have thought many besides him, who at last have expiated as he hath done. You are as yet upright; but you are a banker,—at least, the next thing to it. I feel the delicacy of the subject; but cash must pass through your hands, sometimes to a great amount. If in an unguarded hour—But I will hope better. Consider the scandal it will bring upon those of your persuasion. Thousands would go to see a Quaker hanged, that would be indifferent to the fate of a Presbyterian or an Anabaptist. Think of the effect it would have on the sale of your poems alone, not to mention higher considerations! I tremble, I am sure, at myself, when I think that so many poor victims of the law, at one time of their life, made as sure of never being hanged as I, in my presumption, am too ready to do myself. What are we better than they? Do we come into the world with different necks? Is there any distinctive mark under our left ears? Are we unstrangulable, I ask you? Think of these things. I am shocked sometimes at the shape of my own fingers, not for their resemblance to the ape tribe (which is something), but for the exquisite adaptation of them to the purposes of picking fingering, etc. No one that is so framed, I maintain it, but should tremble.
[1] Taylor and Hessey succeeded John Scott as editors of the "London Magazine" (of which they were also publishers), and it was to this periodical that most of Lamb's Elia Essays were contributed.
[2] The forger, hanged Nov. 30, 1824. This was the last execution for this offence.
March23, 1825.
Dear B. B.,—I have had no impulse to write, or attend to any single object but myself for weeks past,—my single self, I by myself, I. I am sick of hope deferred. The grand wheel is in agitation that is to turn up my fortune; but round it rolls, and will turn up nothing. I have a glimpse of freedom, of becoming a gentleman at large; but I am put off from day to day. I have offered my resignation, and it is neither accepted nor rejected. Eight weeks am I kept in this fearful suspense. Guess what an absorbing stake I feel it. I am not conscious of the existence of friends present or absent. The East India Directors alone can be that thing to me or not. I have just learned that nothing will be decided this week. Why the next? Why any week? It has fretted me into an itch of the fingers; I rub 'em against paper, and write to you, rather than not allay this scorbuta.
While I can write, let me adjure you to have no doubts of Irving. Let Mr. Mitford drop his disrespect. Irving has prefixed a dedication (of a missionary subject, first part) to Coleridge, the most beautiful, cordial, and sincere. He there acknowledges his obligation to S. T. C. for his knowledge of Gospel truths, the nature of a Christian Church, etc.,—to the talk of Samuel Taylor Coleridge (at whose Gamaliel feet he sits weekly), rather than to that of all the men living. This from him, the great dandled and petted sectarian, to a religious character so equivocal in the world's eye as that of S. T. C., so foreign to the Kirk's estimate,—can this man be a quack? The language is as affecting as the spirit of the dedication. Some friend told him, "This dedication will do you no good,"—i. e., not in the world's repute, or with your own people. "That is a reason for doing it," quoth Irving.
I am thoroughly pleased with him. He is firm, out-speaking, intrepid, and docile as a pupil of Pythagoras. You must like him.
Yours, in tremors of painful hope,