Suddenly overcome with confusion, he dislodged alarge-sized paper bag from his side coat pocket and thrust it into Judge Priest's hands; then, backing away, he turned and clumped down the graveled path in great and embarrassed haste.
Judge Priest opened the bag and peered down into it.
It contained a sticky sugary dozen of flattened confections, each molded round a short length of wooden splinter. These sirupy articles, which have since come into quite general use, are known, I believe, as all-day suckers.
When Judge Priest looked up again, Peep O'Day was outside the gate, clumping down the uneven sidewalk of Clay Street with long strides of his booted legs. Half a dozen small boys, who, it was evident, had remained hidden during the ceremony of presentation, now mysteriously appeared and were accompanying the departing donor, half trotting to keep up with him.
ByCHARLES CALDWELL DOBIE
FromHarper's Magazine
As Suvaroff neared his lodgings, he began to wonder whether the Italian who had the room next him would continue to grind out tunes all night upon his accordion. The thought made Suvaroff shudder. What in Heaven's name possessed people to grind out tunes, Suvaroff found himself inquiring, unless one earned one's living that way? Certainly this weather-beaten Italian was no musician; he smelled too strongly of fish for any one to mistake his occupation. He tortured melody from choice, blandly, for the pure enjoyment of the thing. With Suvaroff it was different; if he did not play, he did not eat.
Suvaroff's head had ached all day. The café where he scraped his violin from early afternoon until midnight had never seemed so stuffy, so tawdry, so impossible! All day he had sat and played and played, while people ate and chattered and danced. No, that did not describe what people did; they gorged and shrieked and gyrated like decapitated fowls, accomplishing everything with a furious energy, primitive, abandoned, disgusting. He wondered if he would ever again see people eat quietly and simply, like normal human beings.
If only the Italian would go away, or decide to sleep, or die! Yes, Suvaroff would have been glad to have found his neighbor quite dead—anything to still that terrible accordion, which had been pumping out tunesfor over a week at all hours of the day and night! The music did not have the virtue of an attempt at gaiety; instead it droned out prolonged wails, melancholy and indescribably discordant.
The night was damp, a typical San Francisco midsummer night. A drizzling fog had swept in from the ocean and fell refreshingly on the gray city. But the keenness of the air irritated Suvaroff's headache instead of soothing it; he felt the wind upon his temples as one feels the cool cut of a knife. In short, everything irritated Suvaroff—his profession, the café where he fiddled, the strident streets of the city, the evening mist, the Hôtel des Alpes Maritimes, where he lodged, and the Italian fisherman and his doleful accordion.
Turning off Kearny Street into Broadway, he had half a notion not to go home, but his dissatisfaction was so inclusive that home seemed, at once, quite as good and as hopeless a place to go as any other. So he pushed open the door of his lodging-house and stamped rather heavily up-stairs.
Although midnight, the first sound which greeted Suvaroff was the wheezing of the Italian's accordion.
"Now," muttered Suvaroff, "I shall suffer in silence no longer. Nobody in this city, much less in these wretched lodgings, has an ear for anything but the clink of money and the shrill laughter of women. If fifty men were to file saws in front of the entrance of any one of these rooms, there would be not the slightest concern. Every one would go on sleeping as if they had nothing more weighty on their conscience than the theft of a kiss from a pretty girl."
He tossed his hat on the bed and made for the Italian's door. He did not wait to knock, but broke in noisily. The accordion stopped with a prolonged wail; its owner rose, visibly frightened.
"Ah!" cried the Italian, "it is you! I am glad of that. See, I have not left the house for three days."
There was a genial simplicity about the man; Suvarofffelt overcome with confusion. "What is the matter? Are you ill?" he stammered, closing the door.
"No. I am afraid to go out. There is somebody waiting for me. Tell me, did you see a cripple standing on the corner, near Bollo's Wine Shop, as you came in?"
Suvaroff reflected. "Well, not a cripple, exactly. But I saw a hunchback with—with—"
"Yes! yes!" cried the other, excitedly. "A hunchback with a handsome face! That is he! I am afraid of him. For three days he has sat there, waiting!"
"For you? How absurd! Why should any one do such a ridiculous thing?"
The Italian slipped his hands from the accordion and laid it aside. "Nobody but one who is mad would do it, but he is mad. There is no doubt about that!"
Suvaroff began to feel irritated. "What are you talking about? Have you lost your senses? If he is waiting for you, why do you not go out and send him away? Go out and pay him what you owe him."
The Italian rose and began to shudder. "I owe him nothing. He is waiting for me—to kill me!"
"Nonsense!" cried Suvaroff. "What is his reason?"
"He is waiting to kill me because I laughed at him."
"That is ridiculous!" said Suvaroff.
"Nevertheless, it is true," replied the Italian. "He kills every one who laughs at him. Three days ago I laughed at him. But I ran away. He followed me. He does not know where I lodge, but he has wit enough to understand that if he waits long enough he will find me out. In Heaven's name, my friend, can you not help me? See, I am a simple soul. I cannot think quickly. I have prayed to the Virgin, but it is no use. Tell me, what can I do to escape?"
"Why do you not see a policeman?"
The Italian let his hands fall hopelessly. "A policeman? What good would that do? Evenyoudo not believe me!"
A chill seized Suvaroff. He began to shake, and in the next instant a fever burned his cheeks. His head was full of little darting pains. He turned away from the Italian, impatiently. "You must be a pretty sort of man to let a little hunchback frighten you! Good night."
And with that Suvaroff went out, slamming the door.
When Suvaroff got to his room he felt dizzy. He threw himself on the bed and lay for some time in a stupor. When he came to his senses again the first sound to greet him was the wail of his neighbor's accordion.
"What a fool I am!" he muttered. "Here I go bursting into this Italian's room for the purpose of asking him to quit his abominable noise, and I listen like a dumb sheep tohisbleatings, and so forget my errand!"
The noise continued, grew more insistent, became unbearable. Suvaroff covered his ears with a comforter. His head was throbbing so violently that even the ticking of a clock upon the table by his bed cut his senses like a two-edged sword. He rose, stumbling about with a feeling of indescribable weakness. What was the matter? Why did he feel so ill? His eyes burned, his legs seemed weighted, his throat was so dry that there was no comfort when he swallowed. All this he could have stood if it had not been for the fiendish noise which, he began to feel, was being played merely for his torture.
He put on his hat and stumbled down-stairs, out into the night. Crossing the street, he went at once to Bollo's Wine Shop. The hunchback was sitting on a garbage-can, almost at the entrance. At the sight of this misshapen figure, the irritating memory of the Italian and his impossible music recurred to Suvaroff. A sudden sinister cruelty came over him; he felt a wanton ruthlessness that the sight of ugliness sometimes engenders in natures sensitive to beauty. He went up to the hunchback and looked searchingly into the man's face. It was a strangely handsome face, and its incongruity struckSuvaroff. Had Nature been weary, or merely in a satirical mood, when she fashioned such a thing of horror?—for Suvaroff found that the handsome face seemed even more horrible than the twisted body, so sharp and violent was the contrast.
The hunchback returned Suvaroff's stare with almost insulting indifference, but there was something in the look that quickened the beating of Suvaroff's heart.
"You are waiting here," began Suvaroff, "for an Italian who lodges across the street. Would you like me to tell you where he may be found?"
The hunchback shrugged. "It does not matter in the slightest, one way or another. If you tell me where he lodges, the inevitable will happen more quickly than if I sat and waited for the rat to come out of his hole. Waiting has its own peculiar interest. If you have ever waited, as I wait now, you know the joy that a cat feels—expectation is two-thirds of any game."
Suvaroff shuddered. He had an impulse to walk away, but the eyes of the other burned with a strange fascination.
"Nevertheless," said Suvaroff, "I shall tell—"
The hunchback waved him to silence. "Do whatever you wish, my friend, but remember, if you do tell me this thing, you and I will be forever bound by a tie that it will be impossible to break. With me it does not matter, but you are a young man, and all your life you will drag a secret about like a dead thing chained to your wrist. I am Flavio Minetti, and I kill every one who laughs at me! This Italian of whom you speak has laughed at me. I may wait a week—a month. It will be the same. No one has yet escaped me."
An exquisite fear began to move Suvaroff. "Nevertheless," he repeated again, "I shall tell you where he lodges. You will find him upon the third landing of the Hôtel des Alpes Maritimes. There are no numbers on the doors, but it will be impossible for you to mistake his room. All day and night he sits playing an accordion."
Flavio Minetti took a cigarette from his pocket. "Remember, my young friend, I gave you fair warning."
"I shall not forget," replied Suvaroff.
Suvaroff climbed back to his room. He sat upon his bed holding his head in his hands. The sound of the accordion seemed gruesome now.
Presently he heard a step on the landing. His heart stood still. Sounds drifted down the passageway. The noise was not heavy and clattering, but it had a pattering quality, like a bird upon a roof. Above the wailing of the music, Suvaroff heard a door opened—slowly, cautiously. There followed a moment of silence; Suvaroff was frightened. But almost immediately the playing began again.
"Now," thought Suvaroff, "why is the Italian not frightened? The door has been opened and he goes on playing, undisturbed.... It must be that he is sitting with his back to the door. If this is so, God help him!... Well, why need I worry? What is it to me? It is not my fault if a fool like that sits with his door unlocked and his face turned from the face of danger."
And, curiously, Suvaroff's thoughts wandered to other things, and a picture of his native country flashed over him—Little Russia in the languid embrace of summer—green and blue and golden. The soft notes of the balalaika at twilight came to him, and the dim shapes of dancing peasants, whirling like aspen-leaves in a fresh breeze. He remembered the noonday laughter of skylarks; the pear-trees bending patiently beneath their harvest; the placid river winding its willow-hedged way, cutting the plain like a thin silver knife.
Now, suddenly, it came upon him that the music in the next room had stopped. He waited. There was not a sound!... After a time the door banged sharply. The pattering began again, and died away. But still there was no music!...
Suvaroff rose and began to strip off his clothes. Histeeth were chattering. "Well, at last," he muttered, "I shall have some peace!" He threw himself on the bed, drawing the coverings up over his head.... Presently a thud shook the house. "He has slipped from his seat," said Suvaroff aloud. "It is all over!" And he drew the bedclothes higher and went to sleep.
Next morning, Suvaroff felt better. To be sure, he was weak, but he rose and dressed.
"What strange dreams people have when they are in a fever!" he exclaimed, as he put on his hat. Nevertheless, as he left the house, he did not so much as glance at the Italian's door.
It was a pleasant morning, the mist had lifted and the sky was a freshly washed blue. Suvaroff walked down Kearny Street, and past Portsmouth Square. At this hour the little park was cleared of its human wreckage, and dowdy sparrows hopped unafraid upon the deserted benches. A Chinese woman and her child romped upon the green; a weather-beaten peddler stooped to the fountain and drank; the three poplar-trees about the Stevenson monument trembled to silver in the frank sunshine. Suvaroff could not remember when the city had appeared so fresh and innocent. It seemed to him as if the gray, cold drizzle of the night had washed away even the sins of the wine-red town. But an indefinite disquiet rippled the surface of his content. His peace was filled with a vague suggestion of sinister things to follow, like the dead calm of this very morning, which so skilfully bound up the night wind in its cool, placid air. He would have liked to linger a moment in the park, but he passed quickly by and went into a little chop-house for his morning meal.
As he dawdled over his cup of muddy coffee he had a curious sense that his mind was intent on keeping at bay some half-formulated fear. He felt pursued, as by an indistinct dream. Yet he was cunning enough to pretend that this something was too illusive to captureoutright, so he turned his thoughts to all manner of remote things. But there are times when it is almost as difficult to deceive oneself as to cheat others. In the midst of his thoughts he suddenly realized that under the stimulating influence of a second cup of coffee he was feeling quite himself again.
"That is because I got such a good night's sleep," he muttered. "For over a week this Italian and his wretched accordion—" He halted his thoughts abruptly. "What am I thinking about?" he demanded. Then he rose, paid his bill, and departed.
He turned back to his lodgings. At Bollo's Wine Shop he hesitated. A knot of people stood at the entrance of the Hôtel des Alpes Maritimes, and a curious wagon was drawn up to the curb.
He stopped a child. "What is the trouble?" he inquired.
The girl raised a pair of mournful eyes to him. "A man has been killed!" she answered.
Suvaroff turned quickly and walked in another direction. He went to the café where he fiddled. At this hour it was like an empty cavern. A smell of stale beer and tobacco smoke pervaded the imprisoned air. He sat down upon the deserted platform and pretended to practise. He played erratically, feverishly. The waiters, moving about their morning preparations with an almost uncanny quiet, listened attentively. Finally one of them stopped before him.
"What has come over you, Suvaroff?" questioned the man. "You are making our flesh creep!"
"Oh, pardon me!" cried Suvaroff. "I shall not trouble you further!"
And with that he packed up his violin and left. He did not go back to the café, even at the appointed hour. Instead, he wandered aimlessly about. All day he tramped the streets. He listened to street-fakirs, peered into shop-windows, threw himself upon the grass of the public squares and stared up at the blue sky. He hadvery little personal consciousness; he seemed to have lost track of himself. He had an absurd feeling that he had come away from somewhere and left behind a vital part of his being.
"Suvaroff! Suvaroff!" he would repeat over and over to himself, as if trying to recall the memory of some one whose precise outline had escaped him.
He caught a glimpse of his figure in the mirror of a shop-window. He went closer, staring for some moments at the face opposite him. There followed an infinitesimal fraction of time when his spirit deserted him as completely as if he were dead. When he recovered himself he had a sense that he was staring at the reflection of a stranger. He moved away, puzzled. Was he going mad? Then, suddenly, everything grew quite clear. He remembered the Italian, the accordion, the hunchback. Characters, circumstances, sequences—all stood out as sharply as the sky-line of a city in the glow of sunset.... He put his fingers to his pulse. Everything seemed normal; his skin was moist and cool. Yet last night he had been very ill. That was it! Last night he had been ill!
"What strange dreams people have when they are in a fever!" he exclaimed for the second time that day. He decided to go home. "I wonder, though," thought he, "whether the Italian is still playing that awful instrument?" Curiously enough, the idea did not disturb him in the least. "I shall teach him a Russian tune or two!" he decided, cheerfully. "Then, maybe his playing will be endurable."
When he came again to his lodgings he was surprised to find a knot of curious people on the opposite side of the street, and another before the entrance. He went up the stairs. His landlady came to meet him.
"Mr. Suvaroff," she began at once, "have you not heard what has happened? The man in the next room to you was found this morning—dead!"
He did not pretend to be surprised. "Well,"he announced, brutally, "at least we shall have no more of dreadful music! How did he kill himself?"
The woman gave way to his advance with a movement of flattering confusion. "The knife was in his side," she answered. "In his side—toward the back."
"Ah, then he was murdered!"
"Yes."
He was mounting the second flight of stairs when his landlady again halted him. "Mr. Suvaroff," she ventured, "I hope you will not be angry! But his mother came early this morning. All day she has sat in your room, weeping. I cannot persuade her to go away. What am I to do?"
Suvaroff glared at her for a moment. "It is nothing!" he announced, as he passed on, shrugging.
The door of his room was open; he went in. A gnarled old woman sat on the edge of the bed; a female consoler was on either side. At the sight of Suvaroff the mourner rose and stood trembling before him, rolling a gaudy handkerchief into a moist bundle.
"My good woman," said Suvaroff, kindly, "do not stand; sit down."
"Kind gentleman!" the old woman began. "Kind gentleman—"
She got no further because of her tears. The other women rose and sat her down again. She began to moan. Suvaroff, awkward and disturbed, stood as men do in such situations.
Finally the old woman found her voice. "Kind gentleman," she said, "I am a poor old woman, and my son—Ah! I was washing his socks when they came after me.... You see what has happened! He was a good son. Once a week he came to me and brought me five dollars. Now—What am I to do, my kind gentleman?"
Suvaroff said nothing.
She swayed back and forth, and spoke again. "Only last week he said: 'There is a man who lodges nextme who plays music.' Yes, my son was fond of you because of that. He said: 'I have seen him only once. He plays music all day and night, so that he may have money enough to live on. When I hear him coming up the stairs I take down my accordion and begin to play. All day and night he plays for others. So I think, Now it will be nice to give him some pleasure. So I take down my accordion and play forhim!'... Yes, yes! He was like that all his life. He was a good son. Now what am I to do?"
A shudder passed over Suvaroff. There was a soft tap upon the door. The three women and Suvaroff looked up. Flavio Minetti stood in the doorway.
The three women gave the hunchback swift, inclusive glances, such as women always use when they measure a newcomer, and speedily dropped their eyes. Suvaroff stared silently at the warped figure. Minetti leaned against the door; his smile was at once both cruel and curiously touching. At length Minetti spoke. The sound of his voice provoked a sort of terror in the breast of Suvaroff.
"I have just heard," he said, benevolently, "from the proprietor of the wine-shop across the way, that your neighbor has been murdered. The landlady tells me that his mother is here."
The old woman roused herself. "Yes—you can see for yourself that I am here. I am a poor old woman, and my son—Ah! I was washing his socks when—"
"Yes, yes!" interrupted the hunchback, advancing into the room. "You are a poor old woman! Let me give you some money in all charity."
He threw gold into her lap. She began to tremble. Suvaroff saw her hands greedily close over the coins, and the sight sickened him.
"Why did you come?" Suvaroff demanded of Minetti. "Go away! You are not wanted here!"
The three women rose. The old woman began to mumble a blessing. She even put up her hand in thefashion of bestowing a benediction. Suvaroff fancied that he saw Minetti wince.
"He was a good son," the old woman began to mutter they led her out. At the door she looked back. Suvaroff turned away. "Once a week he came to me and brought me five dollars," she said, quite calmly. "He was a good son. He even played his music to give pleasure to others. Yes, yes! He was like that all his life...."
When the women were gone, Suvaroff felt the hunchback's hand upon his. Suvaroff turned a face of dry-eyed hopelessness toward his tormentor.
"Did you not sleep peacefully last night, my friend?" Minetti inquired, mockingly.
"After the thud I knew nothing," replied Suvaroff.
"The thud?"
"He fell from his chair."
"Of course. That was to be expected. Just so."
"You see for yourself what you have done? Fancy, this man has a mother!"
"See, it is just as I said. Already you are dragging this dead thing about, chained to your wrist. Come, forget it. I should have killed him, anyway."
"That is not the point. The point is—My God! Tell me, in what fashion do these people laugh at you? Tell me how it is done."
"Laughter cannot be taught, my friend."
"Then Heaven help me! for I should like to laugh at you. If I could but laugh at you, all would be over."
"Ah!" said the hunchback. "I see."
At the end of the week Minetti came to Suvaroff one evening and said, not unkindly: "Why don't you leave? You are killing yourself. Go away—miles away. It would have happened, anyway."
Suvaroff was lying upon his bed. His face was turned toward the wall. He did not trouble to look at Minetti.
"I cannot leave. You know that as well as I do.When I am absent from this room I am in a fever until I get back to it again. I lie here and close my eyes and think.... Whenever a thud shakes the house I leap up, trembling. I have not worked for five days. They have given up sending for me from the café. Yesterday his mother came and sat with me. She drove me mad. But I sat and listened to her. 'Yes, he was a good son!' She repeats this by the hour, and rolls and unrolls her handkerchief.... It is bad enough in the daytime. But at night—God! If only the music would play again! I cannot endure such silence."
He buried his face in the pillow. Minetti shrugged and left.
In about an hour Suvaroff rose and went out. He found a squalid wine-shop in the quarter just below the Barbary Coast. He went in and sat alone at a table. The floors had not been freshly sanded for weeks; a dank mildew covered the green wall-paper. He called for brandy, and a fat, greasy-haired man placed a bottle of villainous stuff before him. Suvaroff poured out a drink and swallowed it greedily. He drank another and another. The room began to fill. The lights were dim, and the arrival and departure of patrons threw an endless procession of grotesque silhouettes upon the walls. Suvaroff was fascinated by these dancing shadows. They seemed familiar and friendly. He sat sipping his brandy, now, with a quieter, more leisurely air. The shadows were indescribably fascinating; they were so horrible and amusing! He began to wonder whether their antics would move him to laughter if he sat and drank long enough. He had a feeling that laughter and sleep went hand in hand. If he could but laugh again he was quite sure that he would fall asleep. But he discovered a truth while he sat there. Amusement and laughter were often strangers. He had known this all his life, of course, but he had never thought of it. Once, when he was a child, an old man had fallen in the road before him, in a fit. Suvaroff had stood rooted to thespot with amusement, but he had not laughed. Yet the man had gone through the contortions of a clown.... Well, then he was not to be moved to laughter, after all. He wearily put the cork back in the bottle of brandy. The fat bartender came forward. Suvaroff paid him and departed.
He went to the wine-shop the next night—and the next. He began to have a hope that if he persisted he would discover a shadow grotesque enough to make him laugh. He sat for hours, drinking abominable brandy. The patrons of the shop did not interest him. They were squalid, dirty, uninteresting. But their shadows were things of wonder. How was it possible for such drab people to have even interesting shadows? And why were these shadows so familiar? Suvaroff recognized each in turn, as if it were an old friend that he remembered but could not name. After the second night he came to a definite conclusion.
"They are not old friends at all," he said to himself. "They are not even the shadows of these people who come here. They are merely the silhouettes of my own thoughts.... If I could but draw my thoughts, they would be as black and as fantastic."
But at another time he dismissed this theory.
"No," he muttered, "they are not the shadows of my thoughts at all. They are the souls of these men. They are the twisted, dark, horrible souls of these men, that cannot crawl out except at nightfall! They are the souls of these men seeking to escape, like dogs chained to their kennels!... I wonder if the Italian had such a soul?..."
He rose suddenly. "I am wasting my time here," he said, almost aloud. "One may learn to laugh at a shadow. One may even learn to laugh at the picture of one's thoughts. But to laugh at a soul—No! A man's soul is too dreadful a thing to laugh at." He staggered out into the night.
On his way home he went into a pawn-shop and boughta pistol. He was in a fever to get back to his lodgings. He found Minetti waiting for him. He tried to conceal the pistol, but he knew that Minetti had seen it. Minetti was as pleasant as one could imagine. He told the most droll stories of his life in London. It appeared that he had lived there in a hotbed of exiled radicals; but he, himself, seemed to have no convictions. Everything he described was touched with a certain ironic humor. When he rose to go he said, quite simply:
"How are things? Do you sleep nights now?"
"No. I never expect to sleep again."
Minetti made no comment. "I see you have bought a pistol," he observed.
"Yes," replied Suvaroff.
"You have wasted your money, my young friend," declared the hunchback. "You will never use it."
With that Minetti left the room. Suvaroff laid the pistol on the table and threw himself upon the bed. He lay there without moving until morning.... Toward six o'clock he rose. He went over to the table and deliberately put the pistol to his temple. The coldness of the muzzle sent a tremor through him.... He put down the weapon in disgust.
Suvaroff stayed away from the wine-shop for two nights, but finally the memory of its fascinating shadows lured him back. The fat bartender saw him enter, and came forward with a bottle of brandy. Suvaroff smiled grimly and said nothing. He turned his back upon the company and began to watch the shadows enter and disappear. To-night the puppets seemed more whimsical than grotesque, and once he nearly laughed. A shadow with an enormous nose appeared; and a fly, as big as a bumblebee, lit upon the nose and sat rubbing its legs together in insolent content. A hand, upraised, struck at the fly. The nose disappeared as if completely annihilated by the blow, while the fly hovered safely aloof. Feeling encouraged, Suvaroff took another drink. Butthe more he drank the less genial were the shadows, and by midnight they all had become as sinister and terrible as ever.
On the way home to his room Suvaroff suddenly remembered that he had a friend who was a druggist.
"Perhaps he can give me something to make me sleep," Suvaroff muttered.
But the drug-store was closed. Suvaroff climbed wearily up the stairs of the Hôtel des Alpes Maritimes. Minetti was sitting on the steps near the third landing.
"I was preparing to go home," said the hunchback. "What kept you so late?"
"I went around another way," answered Suvaroff. "I thought I might get something from a druggist friend to help me sleep."
They stood before the door of Suvaroff's room. Suvaroff opened the door and they went in.
"Sleeping-powders are dangerous," observed Minetti, throwing his hat upon the bed.
"So I fancied," replied Suvaroff, dryly.
"Where do you spend your nights?" Minetti demanded suddenly.
Suvaroff sat down. "Watching shadows in a wine-shop."
"Ah—a puppet show!"
"No, not exactly. I will explain.... No; come to think of it, there is no explanation. But it is extremely amusing. To-night, for instance, I nearly laughed.... Have you ever watched shadows upon a wall? Really, they are diverting beyond belief."
"Yes. I have watched them often. They are more real to me than actual people, because they are uglier. Beauty is a lie!"
A note of dreadful conviction crept into the hunchback's voice. Suvaroff looked at him intently, and said, quite simply:
"What a bitter truthyouare, my friend!"
Minetti stared at Suvaroff, and he rose. "Perhaps Ishall see you at your puppet show some evening," he said. And, without waiting for a reply, he left the room.
Suvaroff lay again all night upon his bed staring in a mute agony at the ceiling. Once or twice he fancied he heard the sounds of music from the next room. His heart leaped joyfully. But almost instantly his hopes sank back, like spent swimmers in a relentless sea. It seemed as if his brain were thirsting. He was in a pitiless desert of white-heated thought, and there was not a cloud of oblivion upon the horizon of his despair. Remembrance flamed like a molten sun, greedily withering every green, refreshing thing in its path. How long before this dreadful memory would consume him utterly?
"If I could only laugh!" he cried in his agony. "If I could only laugh!"
All next day Suvaroff was in a fever; not a physical fever, but a mental fever that burned with devastating insistence. He could not lie still upon his bed, so he rose and stumbled about the city's streets. But nothing diverted him. Before his eyes a sheet of fire burned, and a blinding light seemed to shut out everything else from his vision. Even his thoughts crackled like dry faggots in a flame.
"When evening comes," he said, "a breeze will spring up and I shall have some relief." But almost at once he thought: "A breeze will do no good. It will only make matters worse! I have heard that nothing puts out a fire so quickly as a shower. Let me see—It is now the middle of August.... It does not rain in this part of the world until October. Well, I must wait until October, then. No; a breeze at evening will do no good. I will go and watch the shadows again. Shadows are cool affairs if one sits in them, but how...."
And he began to wonder how he could contrive to sit in shadows that fell only on a wall.
How he got to the wine-shop he did not know, but at a late hour he found himself sitting at his accustomed seat.His bottle of brandy stood before him. To-night the shadows were blacker than ever, as if the fury of the flames within him were providing these dancing figures with a brighter background.
"These shadows are not the pictures of my thoughts," he said to himself. "Neither are they chained souls seeking to escape. They are the smoke from the fire in my head. They are the black smoke from my brain which is slowly burning away!"
He sat for hours, staring at the wall. The figures came and went, but they ceased to have any form or meaning. He merely sat and drank, and stared.... All at once a strange shadow appeared. A shadow? No; a phantom—a dreadful thing! Suvaroff leaned forward. His breath came quickly, his body trembled in the grip of a convulsion, his hands were clenched. He rose in his seat, and suddenly—quite suddenly, without warning—he began to laugh.... The shadow halted in its flight across the wall. Suvaroff circled the room with his gaze. In the center of the wine-shop stood Flavio Minetti. Suvaroff sat down. He was still shaking with laughter.
Presently Suvaroff was conscious that Minetti had disappeared. The fire in his brain had ceased to burn. Instead his senses seemed chilled, not disagreeably, but with a certain pleasant numbness. He glanced about. What was he doing in such a strange, squalid place? And the brandy was abominable! He called the waiter, paid him what was owing, and left at once.
There was no mist in the air to-night. The sky was clear and a wisp of moon crept on its disdainful way through the heavens.
"I shall sleep to-night," muttered Suvaroff, as he climbed up to his room upon the third story of the Hôtel des Alpes Maritimes.
He undressed deliberately. All his former frenzy was gone. Shortly after he had crawled into bed he heard a step on the landing. Then, as usual, sounds began to drift down the passageway, not in heavy and clatteringfashion, but with a pattering quality like a bird upon a roof. And, curiously, Suvaroff's thoughts wandered to other things, and a picture of his native country flashed over him—Little Russia in the languid embrace of summer—green and blue and golden. The soft notes of the balalaika at twilight came to him, and the dim shapes of dancing peasants, whirling like aspen-leaves in a fresh breeze. He remembered the noonday laughter of skylarks; the pear-trees bending patiently beneath their harvest; the placid river winding its willow-hedged way, cutting the plain like a thin silver knife.
A fresh current of air began to blow upon him. He heard the creak of a rusty hinge.
"He has opened the door," Suvaroff whispered. His teeth began to chatter. "Nevertheless, I shall sleep to-night," he said to himself reassuringly.
A faint footfall sounded upon the threshold.... Suvaroff drew the bedclothes higher.
ByH. G. DWIGHT
FromThe Century Magazine.
I returned, and saw under the sun, that the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to men of understanding, nor yet favour to men of skill; but time and chance happeneth to them all.Ecclesiastes, ix, 11.
I returned, and saw under the sun, that the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to men of understanding, nor yet favour to men of skill; but time and chance happeneth to them all.
Ecclesiastes, ix, 11.
The first of the two boats to arrive at this unappointed rendezvous was one to catch the eye even in that river of strange craft. She had neither the raking bow nor the rising poop of the localmehala, but a tall incurving beak, not unlike those of certain Mesopotamian sculptures, with a windowed and curtained deck-house at the stern. Forward she carried a short mast. The lateen sail was furled, however, and the galley was propelled at a fairly good gait by seven pairs of long sweeps. They flashed none too rhythmically, it must be added, at the sun which had just risen above the Persian mountains. And although the slit sleeves of the fourteen oarsmen, all of them young and none of them ill to look upon, flapped decoratively enough about the handles of the sweeps, they could not be said to present a shipshape appearance. Neither did the black felt caps the boatmen wore, fantastically tall and knotted about their heads with gay fringed scarves.
This barge had passed out of the Ab-i-Diz and was making its stately enough way across the basin of divided waters below Bund-i-Kir, when from the mouth of the Ab-i-Gerger—the easterly of two turbid threads intowhich the Karun above this point is split by a long island—there shot a trim white motor-boat. The noise she made in the breathless summer sunrise, intensified and reechoed by the high clay banks which here rise thirty feet or more above the water, caused the rowers of the galley to look around. Then they dropped their sweeps in astonishment at the spectacle of the small boat advancing so rapidly toward them without any effort on the part of the four men it contained, as if blown by the breath of jinn. The wordFirengi, however, passed around the deck—that word so flattering to a great race, which once meant Frank but which now, in one form or another, describes for the people of western Asia the people of Europe and their cousins beyond the seas. Among the friends of the jinn, of whom as it happened only two were Europeans, there also passed an explanatory word. But although they pronounced the strange oarsmen to be Lurs, they caused their jinni to cease his panting, so struck were they by the appearance of the high-beaked barge.
The two craft drifted abreast of each other about midway of the sunken basin. As they did so, one of the Europeans in the motor-boat, a stocky black-moustached fellow in blue overalls, wearing in place of the regulation helmet of that climate a greasy blackbéretover one ear, lifted his hand from the wheel and called out the Arabic salutation of the country:
"Peace be unto you!"
"And to you, peace!" responded a deep voice from the doorway of the deck-house. It was evident that the utterer of this friendly antiphon was not a Lur. Fairer, taller, stouter, and older than his wild-looking crew, he was also better dressed—in a girdled robe of gray silk, with a striped silk scarf covering his hair and the back of his neck in the manner of the Arabs. A thick brown beard made his appearance more imposing, while two scars across his left cheek, emerging from the beard, suggested or added to something in him which might on occasion become formidable. As it was he steppedforward with a bow and addressed a slim young man who sat in the stern of the motor-boat. "Shall we pass as Kinglake and the Englishman ofEothendid in the desert," asked the stranger, smiling, in a very good English, "because they had not been introduced? Or will you do me the honor to come on board my—ark?"
The slim young man, whose fair hair, smooth face, and white clothes made him the most boyish looking of that curious company, lifted his white helmet and smiled in return.
"Why not?" he assented. And, becoming conscious that his examination of this surprising stranger, who looked down at him with odd light eyes, was too near a stare, he added: "What on earth is your ark made of, Mr. Noah?"
What she was made of, as a matter of fact, was what heightened the effect of remoteness she produced—a hard dark wood unknown to the lower Karun, cut in lengths of not more than two or three feet and caulked with reeds and mud.
"'Make thee an ark of gopher wood,'" quoted the stranger. "'Rooms shalt thou make in the ark, and thou shalt pitch it within and without with pitch.'"
"Bitumen, eh?" exclaimed the slim young man. "Where did you get it?"
"Do you ask, you who drill oil at Meidan-i-Naft?"
"As it happens, I don't!" smiled the slim young man.
"At any rate," continued the stranger, after a scarcely perceptible pause, "let me welcome you on board the Ark." And when the unseen jinni had made it possible for the slim young man to set foot on the deck of the barge, the stranger added, with a bow: "Magin is my name—from Brazil."
If the slim young man did not stare again, he at least had time to make out that the oddity of his host's light eyes lay not so much in the fact of their failing to be distinctly brown, gray, or green, as that they had a translucent look. Then he responded briefly, holding out his hand:
"Matthews. But isn't this a long way from Rio de Janeiro?"
"Well," returned the other, "it's not so near London! But come in and have something, won't you?" And he held aside the reed portière that screened the door of the deck-house.
"My word! You do know how to do yourself!" exclaimed Matthews. His eye took in the Kerman embroidery on the table in the centre of the small saloon, the gazelle skins and silky Shiraz rugs covering the two divans at the sides, the fine Sumak carpet on the floor, and the lion pelt in front of an inner door. "By Jove!" he exclaimed again. "That's a beauty!"
"Ha!" laughed the Brazilian. "The Englishman spies his lion first!"
"Where did you find him?" asked Matthews, going behind the table for a better look. "They're getting few and far between around here, they say."
"Oh, they still turn up," answered the Brazilian, it seemed to Matthews not too definitely. Before he could pursue the question farther, Magin clapped his hands. Instantly there appeared at the outer door a barefooted Lur, whose extraordinary cap looked to Matthews even taller and more pontifical than those of his fellow-countrymen at the oars. The Lur, his hands crossed on his girdle, received a rapid order and vanished as silently as he came.
"I wish I knew the lingo like that!" commented Matthews.
Magin waved a deprecatory hand.
"One picks it up soon enough. Besides, what's the use—with a man like yours? Who is he, by the way? He doesn't look English."
"Who? Gaston? He isn't. He's French. And he doesn't know too much of the lingo. But the blighter could get on anywhere. He's been all over the place—Algiers, Egypt, Baghdad. He's been chauffeur to more nabobs in turbans than you can count. He's a topping mechanic, too. The wheel hasn't been inventedthat beggar can't make go 'round. The only trouble he has is with his own. He keeps time for a year or two, and then something happens to his mainspring and he gets the sack. But he never seems to go home. He always moves on to some place where it's hotter and dirtier. You should hear his stories! He's an amusing devil."
"And perhaps not so different from the rest of us!" threw out Magin. "What flea bites us? Why do you come here, courting destruction in a cockleshell that may any minute split on a rock and spill you to the sharks, when you might be punting some pretty girl up the backwaters of the Thames? Why do I float around in this old ark of reeds and bulrushes, like an elderly Moses in search of a promised land, who should be at home wearing the slippers of middle age? What is it? A sunstroke? This is hardly the country where Goethe's citrons bloom!"
"Damned if I know!" laughed Matthews. "I fancy we like a bit of a lark!"
The Brazilian laughed too.
"A bit of a lark!" he echoed.
Just then the silent Lur reappeared with a tray.
"I say!" protested Matthews. "Whiskey and soda at five o'clock in the morning, in the middle of July—"
"1914, if you must be so precise!" added Magin jovially. "But why not?" he demanded. "Aren't you an Englishman? You mustn't shake the pious belief in which I was brought up, that you are all weaned with Scotch! Say when. It isn't every day that I have the pleasure of so fortunate an encounter." And, rising, he lifted his glass, bowed, and said: "Here's to a bit of a lark, Mr. Matthews!"
The younger man rose to it. But inwardly he began to feel a little irked.
"By the way," he asked, nibbling at a biscuit, "can you tell me anything about the Ab-i-Diz? I dare say you must know something about it—since your men look as if they came from up that way. Is there a decent channel as far as Dizful?"
"Ah!" uttered Magin slowly. "Are you thinking of going up there?" He considered the question, and his guest, with a flicker in his lighted eyes. "Well, decent is a relative word, you know. However, wonders can be accomplished with a stout rope and a gang of natives, even beyond Dizful. But here you see me and my ark still whole—after a night journey, too. The worst thing is the sun. You see I am more careful of my skin than you. As for the shoals, the rapids, the sharks, the lions, the nomads who pop at you from the bank,et cetera—you are an Englishman! Do you take an interest in antiques?" he broke off abruptly.
"Yes—though interest is a relative word too, I expect."
"Quite so!" agreed the Brazilian. "I have rather a mania for that sort of thing, myself. Wait. Let me show you." And he went into the inner cabin. When he came back he held up an alabaster cup. "A Greek kylix!" he cried. "Pure Greek! What an outline, eh? This is what keeps me from putting on my slippers! I have no doubt Alexander left it behind him. Perhaps Hephaistion drank out of it, or Nearchus, to celebrate his return from India. And some rascally Persian stole it out of a tent!"
Matthews, taking the cup, saw the flicker brighten in the Brazilian's eyes.
"Nice little pattern of grape leaves, that," he said. "And think of picking it up out here!"
"Oh you can always pick things up, if you know where to look," said Magin. "Dieulafoy and the rest of them didn't take everything. How could they? The people who have come and gone through this country of Elam! Why just over there, at Bund-i-Kir, Antigonus fought Eumenes and the Silver Shields for the spoils of Susa—and won them! I have discovered—But come in here." And he pushed wider open the door of the inner cabin.
Matthews stepped into what was evidently a stateroom.A broad bunk filled one side of it, and the visitor could not help remarking a second interior door. But his eye was chiefly struck by two, three, no four, chests, which took up more space in the narrow cabin than could be convenient for its occupant. They seemed to be made of the same mysterious dark wood as the "ark," clamped with copper.
"I say! Those aren't bad!" he exclaimed. "More of the spoils of Susa?"
"Ho! My trunks? I had them made up the river, like the rest. But I wonder what would interest you in my museum. Let's see." He bent over one of the chests, unlocked it, rummaged under the cover, and brought out a broad metal circlet which he handed to Matthews. "How would that do for a crown, eh?"
The young man took it over to the porthole. The metal, he then saw, was a soft antique gold, wrought into a decoration of delicate spindles, with a border of filigree. The circlet was beautiful in itself, and astonishingly heavy. But what it chiefly did for Matthews was to sharpen the sense of strangeness, of remoteness, which this bizarre galley, come from unknown waters, had brought into the familiar muddy Karun.
"As a matter of fact," went on the Brazilian, "it's an anklet. But can you make it out? Those spindles are Persian, while the filigree is more Byzantine than anything else. You find funny things up there, in caves—"
He tossed a vague hand, into which Matthews put the anklet, saying:
"Take it before I steal it!"
"Keep it, won't you?" proposed the astonishing Brazilian.
"Oh, thanks. But I could hardly do that," Matthews replied.
"Why not?" protested Magin. "As a souvenir of a pleasant meeting! I have a ton of them." He waved his hand at the chests.
"No, really, thanks," persisted the young man. "AndI'm afraid we must be getting on. I don't know the river, you see, and I'd like to reach Dizful before dark."
The Brazilian studied him a moment.
"As you say," he finally conceded. "But you will at least have another drink before you go?"
"No, not even that, thanks," said Matthews. "We really must be off. But it's been very decent of you."
He felt both awkward and amused as he backed out to the deck, followed by his imposing host. At sight of the two the crew scattered to their oars. They had been leaning over the side, absorbed in admiration of the white jinn-boat. Matthews' Persian servant handed up to Magin's butler a tray of tea glasses—on which Matthews also noted a bottle. In honor of that bottle Gaston himself stood up and took off his greasy cap.
"A thousand thanks, Monsieur," he said. "I have tasted nothing so good since I left France."
"In that case, my friend," rejoined Magin in French as good as his English, "it is time you returned!" And he abounded in amiable speeches and ceremonious bows until the lastau revoir.
"Au plaisir!" called back Gaston, having invoked his jinni. Then, after a last look at the barge, he asked over his shoulder in a low voice: "Who is this extraordinary type, M'sieu Guy? A species of an Arab, who speaks French and English and who voyages in a galley from a museum!"
"A Brazilian, he says," imparted M'sieu Guy—whose surname was beyond Gaston's gallic tongue.
"Ah! The uncle of America! That understands itself! He sent me out a cognac, too! And did he present you to hisdame de compagnie? She put her head out of a porthole to look at our boat. A Lur, like the others, but with a pair of blistering black eyes! And a jewel in her nose!"
"It takes you, Gaston," said Guy Matthews, "to discover a dame of company!"
When the white motor-boat had disappeared in the glitter of the Ab-i-Diz, Senhor Magin, not unlike other fallible human beings when released from the necessity of keeping up a pitch, appeared to lose something of his gracious humor. So, it transpired, did his decorative boatmen, who had not expected to row twenty-five miles upstream at a time when most people in that climate seek the relief of theirserdabs—which are underground chambers cooled by running water, it may be, and by a tallbadgir, or air chimney. The running water, to be sure, was here, and had already begun to carry the barge down the Karun. If the high banks of that tawny stream constituted a species of air chimney, however, such air as moved therein was not calculated for relief. But when Brazilians command, even a Lur may obey. These Lurs, at all events, propelled their galley back to the basin of Bund-i-Kir, and on into the Ab-i-Shuteit—which is the westerly of those two halves of the Karun. Before nightfall the barge had reached the point where navigation ends. There Magin sent his majordomo ashore to procure mounts. And at sunset the two of them, followed by a horse boy, rode northward six or seven miles, till the city of Shuster rose dark above them in the summer evening, on its rock that cleaves the Karun in two.
The Bazaar by which they entered the town was deserted at that hour, save by dogs that set up a terrific barking at the sight of strangers. Here thecharvadarlighted a vast white linen lantern, which he proceeded to carry in front of the two riders. He seemed to know where he was going, for he led the way without a pause through long blank silent streets of indescribable filth and smells. The gloom of them was deepened by jutting balconies, and by innumerablebadgirsthat cut out a strange black fretwork against amazing stars. At last the three stopped in front of a gate in the vicinity of the citadel. This was not one of the gateways that separatethe different quarters of Shuster, but a door in a wall, recessed in a tall arch and ornamented with an extraordinary variety of iron clamps, knobs, locks, and knockers.
Of one of the latter thecharvadarmade repeated use until someone shouted from inside. The horse-boy shouted back, and presently his lantern caught a glitter of two eyes in a slit. The eyes belonged to a cautious doorkeeper, who after satisfying himself that the visitors were not enemies admitted the Brazilian and the Lur into a vaulted brick vestibule. Then, having looked to his wards and bolts, he lighted Magin through a corridor which turned into a low tunnel-like passage. This led into a sort of cloister, where a covered ambulatory surrounded a dark pool of stars. Thence another passage brought them out into a great open court. Here an invisible jet of water made an illusion of coolness in another, larger, pool, overlooked by a portico of tall slim pillars. Between them Magin caught the glow of a cigar.
"Good evening, Ganz," his bass voice called from the court.
"Heaven! Is that you?" replied the smoker of the cigar. "What are you doing here, in God's name? I imagined you at Mohamera, by this time, or even in the Gulf." This remark, it may not be irrelevant to say, was in German—as spoken in the trim town of Zurich.
"And so I should have been," replied the polyglot Magin in the same language, mounting the steps of the portico and shaking his friend's hand, "but for—all sorts of things. If we ran aground once, we ran aground three thousand times. I begin to wonder if we shall get through the reefs at Ahwaz—with all the rubbish I have on board."
"Ah, bah! You can manage, going down. But why do you waste your time in Shuster, with all that is going on in Europe?"
"H'm!" grunted Magin. "What is going on in Europe? A great family is wearing well cut mourning, and a small family is beginning to turn green! How doesthat affect two quiet nomads in Elam—especially when one of them is a Swiss and one a Brazilian?" He laughed, and lighted a cigar the other offered him. "My dear Ganz, it is an enigma to me how a man who can listen to such a fountain, and admire such stars, can perpetually sigh after the absurdities of Europe! Which reminds me that I met an Englishman this morning."
"Well, what of that? Are Englishmen so rare?"
"Alas, no—though I notice, my good Ganz, that you do your best to thin them out! This specimen was too typical for me to be able to describe him. Younger than usual, possibly; yellow hair, blue eyes, constrained manner, everything to sample. He called himself Mark, or Matthew. Rather their apostolic air, too—except that he was in the Oil Company's motor-boat. But he gave me to understand that he was not in the Oil Company."
"Quite so."
"I saw for myself that he knows nothing about archæology. Who is he? Lynch? Bank? Telegraph?"
"He's not Lynch, and he's not Bank, and he's not Telegraph. Neither is he consul, or even that famous railroad. He's—English!" And Ganz let out a chuckle at the success of his own characterization.
"Ah! So?" exclaimed Magin elaborately. "I hear, by the way, that that famous railroad is not marching so fast. The Lurs don't like it. But sometimes even Englishmen," he added, "have reasons for doing what they do. This one, at any rate, seemed more inclined to ask questions than to answer them. I confess I don't know whether it was because he had nothing to say or whether he preferred not to say it. Is he perhaps a son of Papa, making the grand tour?"
"More or less. Papa gave him no great letter of credit, though. He came out to visit some of the Oil people. And he's been here long enough to learn quite a lot of Persian."
"So he starts this morning, I take it, from Sheleilieh. But why the devil does he go to Dizful, by himself?"
"And why the devil shouldn't he? He's out here, and he wants to see the sights—such as they are. So he's going to take a look at the ruins of Susa, and at your wonderful unspoiled Dizful. Shir Ali Khan will be delighted to get a fewtomansfor his empty house by the river. Then the 21st, you know, is the coronation. So I gave him a letter to the Father of Swords, who—"
"Thunder and lightning!" Magin's heavy voice resounded in the portico very like a bellow. "You, Ganz, sent this man to the Father of Swords? He might be one of those lieutenants from India who go smelling around in their holidays, so pink and innocent!"
"What is that to me?" demanded the Swiss, raising his own voice. "Or to you either? After all, Senhor Magin, are you the Emperor of Elam?"
The Brazilian laughed.
"Not yet! And naturally it's nothing to you, when you cash him checks and sell him tinned cows and quinine. But for a man who perpetually sighs after Europe, Herr Ganz, and for a Swiss of the north, you strike me as betraying a singular lack of sensibility to certain larger interests of your race. However—What concerns me is that you should have confided to this young man, with such a roll of sentimental eyes as I can imagine, that Dizful is still 'unspoiled'! If Dizful is unspoiled, he might spoil it. I've found some very nice things up there, you know. I was even fool enough to show him one or two."
"Bah! He likes to play tennis and shoot! You know these English boys."
Magin considered those English boys in silence for a moment.
"Yes, I know them. This one told me he liked a bit of a lark! I know myself what a lark it is to navigate the Ab-i-Diz, at the end of July! But what is most curious about these English boys is that when they go out for a bit of a lark they come home with Egypt or India in their pocket. Have you noticed that, Ganz? That's their idea of a bit of a lark. And with it all they arestill children. What can one do with such people? A bit of a lark! Well, you will perhaps make me a little annoyance, Mr. Adolf Ganz, by sending your English boy up to Dizful to have a bit of a lark. However, he'll either give himself a sunstroke or get himself bitten in two by a shark. He asked me about the channel, and I had an inspiration. I told him he would have no trouble. So he'll go full speed and we shall see what we shall see. Do you sell coffins, Mr. Ganz, in addition to all your other valuable merchandise?"
"Naturally, Mr. Magin," replied the Swiss. "Do you need one? But you haven't explained to me yet why you give me the pain of saying good-bye to you a second time."
"Partly, Mr. Ganz, because I am tired of sleeping in an oven, and partly because I—the Father of Swords has asked me to run up to Bala Bala before I leave. But principally because I need a case or two more of your excellentvin de champagne—manufactured out of Persian petroleum, the water of the Karun, the nameless abominations of Shuster, and the ever effervescing impudence of the Swiss Republic!"
"What can I do?" smiled the flattered author of this concoction. "I have to use what I can get, in this Godforsaken place."
"And I suppose you will end by getting a million, eh?"
"No such luck! But I'm getting a piano. Did I tell you? A Blüthner. It's already on the way up from Mohamera."
"A Blüthner! In Shuster! God in heaven! Why did you wait until I had gone?"
"Well, aren't you still here?" The fact of Magin's being still there, so unexpectedly, hung in his mind. "By the way, speaking of the Father of Swords, did you give him an order?"
"I gave him an order. Didn't you pay it?"
"I thought twice about it. For unless you have struck oil, up in that country of yours where nobody goes, or gold—"
"Mr. Adolf Ganz," remarked the Brazilian with some pointedness, "all I ask of you is to respect my signature and to keep closed that many-tongued mouth of yours. I sometimes fear that in you the banker is inclined to exchange confidences with the chemist—or even with the son of Papa who cashes a check. Eh?"
Ganz cleared his throat.
"In that case," he rejoined, "all you have to do is to ask him, when you meet him again at Bala Bala. And the English bank will no doubt be happy to accept the transfer of your account."
Magin began to chuckle.
"We assert our dignity? Never mind, Adolf. As a matter of fact I have a high opinion of your discretion—so high that when I found the Imperial Bank of Elam I shall put you in charge of it! And you did me a real service by sending that motor-boat across my bow this morning. For in it I discovered just the chauffeur I have been looking for. I am getting tired of my galley, you know. You will see something when I come back."
"But," Ganz asked after a moment, "do you really expect to come back?"
"But what else should I do? End my days sneezing and sniffling by some polite lake of Zurich like you, my poor Ganz, when you find in your hand the magic key that might unlock for you any door in the world? That, for example, is not my idea of a lark, as your son of Papa would say! Men are astounding animals, I admit. But I never could live in Europe, where you can't turn around without stepping on some one else's toes. I want room! I want air! I want light! And for a collector, you know, America is after all a little bare. While here—!"
"O God!" cried Adolf Ganz out of his dark Persian portico.
As Gaston very truly observed, there are moments in Persia when even the most experienced chauffeuris capable of an emotion. And an unusual number of such moments enlivened for Gaston and his companions their journey up the Ab-i-Diz. Indeed Matthews asked himself more than once why he had chosen so doubtful a road to Dizful, when he might so much more easily have ridden there, and at night. It certainly was not beautiful, that river of brass zigzagging out of sight of its empty hinterland. Very seldom did anything so visible as a palm lift itself against the blinding Persian blue. Konar trees were commoner, their dense round masses sometimes shading a white-washed tomb or a black tent. Once or twice at sight of the motor-boat abellam, a native canoe, took refuge at the mouth of one of the gullies that scarred the bank like sun-cracks. Generally, however, there was nothing to be seen between the water and the sky but two yellow walls of clay, topped by endless thickets of tamarisk and nameless scrub. Matthews wondered, disappointed, whether a jungle looked like that, and if some black-maned lion walked more softly in it, or slept less soundly, hearing the pant of the unknown creature in the river. But there was no lack of more immediate lions in the path. The sun, for one thing, as the Brazilian had predicted, proved a torment against which double awnings faced with green were of small avail. Then the treacheries of a crooked and constantly shallowing channel needed all the attention the travelers could spare. And the rapids of Kaleh Bunder, where a rocky island flanked by two reefs threatened to bar any further progress, afforded the liveliest moments of their day.
The end of that day, nevertheless, found our sight-seer smoking cigarettes in Shir Ali Khan's garden at Dizful and listening to the camel bells that jingled from the direction of certain tall black pointed arches straddling the dark river. When Matthews looked at those arches by sunlight, and at the queer old flat-topped yellow town visible through them, he regretted that he had made up his mind to continue his journey so soon. However, he was coming back. So he packed off Gaston and theBakhtiari to Sheleilieh, where they and their motor-boat belonged. And he himself, with his servant Abbas and thecharvadarof whom they hired horses, set out at nightfall for the mountain citadel of Bala Bala. For there the great Salman Taki Khan, chieftain of the lower Lurs, otherwise known as the Father of Swords, was to celebrate as became a redoubtable vassal of a remote and youthful suzerain the coronation of Ahmed Shah Kajar.
It was nearly morning again when, after a last scramble up a trough of rocks and gravel too steep for riding, the small cavalcade reached a plateau in the shadow of still loftier elevations. Here they were greeted by a furious barking of dogs. Indeed it quickly became necessary to organize a defence of whips and stones against the guardians of that high plateau. The uproar soon brought a shout out of the darkness. Thecharvadarshouted back, and after a long-distance colloquy there appeared a figure crowned by the tallkolaof the Brazilian's boatmen, who drove the dogs away. The dialect in which he spoke proved incomprehensible to Matthews. Luckily it was not altogether so to Abbas, that underling long resigned to the eccentricities of theFirengi, whose accomplishments included even a sketchy knowledge of his master's tongue. It appeared that the law of Bala Bala forbade the door of the Father of Swords to open before sunrise. But the tall-hatted one offered the visitor the provisional hospitality of a black tent, of a refreshing drink of goats' buttermilk, and of a comfortable felt whereon to stretch cramped legs.
When Matthews returned to consciousness he first became aware of a blinding oblong of light in the dark wall of the tent. He then made out a circle of pontifical black hats, staring at him, his fair hair, and his indecently close-fitting clothes, in the silence of unutterable curiosity. It made him think, for a bewildered instant, that he was back on the barge he had met in the river. As for the black hats, what astonished them not least was the stranger's immediate demand for water, and his evidentdissatisfaction with the quantity of it they brought him. There happily proved to be no lack of this commodity, as Matthews' ears had told him. He was not long in pursuing the sound into the open, where he found himself at the edge of a village of black tents, pitched in a grassy hollow between two heights. The nearer and lower was a detached cone of rock, crowned by a rude castle. The other peak, not quite so precipitous, afforded foothold for scattered scrub oaks and for a host of slowly moving sheep and goats. Between them the plateau looked down on two sides into two converging valleys. And the clear air was full of the noise of a brook that cascaded between the scrub oaks of the higher mountain, raced past the tents, and plunged out of sight in the narrower gorge.
"Ripping!" pronounced Matthews genially to his black-hatted gallery.